14-karätiger Supersmith David Rosales 14-karätiges Gold der amerikanischen Ureinwohner mit Bildjaspis, Tigerauge und schwarzer Jade. Aus der „Native Earth“-Reihe, im Einzelhandel für 3900 $ erhältlich. Leicht getragen, ohne Beschädigung, keine Abnutzung der Steine, leichte Abnutzung des Goldes, hauptsächlich im Inneren, zu erwarten. Supersmith Inc, auch bekannt als David Rosales Designs „Contemporary Designs, Traditionally Made“, mit Sitz in Gallup, New Mexico, besteht aus mehreren äußerst talentierten Kunsthandwerkern der amerikanischen Ureinwohner vom Navajo- und Zuni-Stamm. 1997 gründete David Rosales zusammen mit seinem Cousin John Delgado Supersmith Inc. Was als kleiner Betrieb in seiner Garage begann, hat sich zu einem der größten Sortimente zeitgenössischen Schmucks der amerikanischen Ureinwohner im Südwesten entwickelt. Geboren und aufgewachsen in Gallup, New Mexico, absolvierte David eine Ausbildung zum Mechaniker und erhielt das Angebot, eine leitende Stelle bei einem Schmuckunternehmen anzunehmen, was sein Leben völlig veränderte. Nachdem er seine eigene Kreativität und Designfähigkeiten entdeckt hatte und mit seinem Cousin John Delgado zusammenarbeitete, wurde Supersmith Inc. geboren. Der neue Slogan lautet „Contemporary Designs, Traditionally Made“ und ist vor allem für seine schönen, sauberen Intarsien und atemberaubenden Farbkombinationen bekannt. In einem alten Lagerhaus in Coors arbeiten Künstler in drei verschiedenen Abteilungen, darunter einer Abteilung für Wachsausschmelzverfahren, einer Intarsienabteilung und einer Endbearbeitungsabteilung. Das Endergebnis ist handgefertigte Schönheit von talentierten Künstlern jeden Alters. Im Einklang mit den Familientraditionen trat Davids Tochter Sheree 2016 dem Team bei. Heute beschäftigt Supersmith etwa vierzig Mitarbeiter, die weiterhin handgefertigten zeitgenössischen Schmuck mit sich ständig weiterentwickelnden Designs und Farbkombinationen herstellen, um mit den aktuellen Trends und der Beliebtheit Schritt zu halten. Supersmith ist bestrebt, die Schmuckherstellung durch die Ausbildung und Förderung junger Künstlergenerationen am Leben zu erhalten. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Die meisten Manschettenarmbänder werden am Handgelenk einer 6 Zoll großen Frau fotografiert und enthalten ein Foto, das den Innenumfang zeigt, an dem die Metallspitze auf die Zahl auf dem Maßband trifft.

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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5 7/8" Wayne & Virginia Quam Zuni 14k/Sterling multi-stone inlay cuff bracelet. Solid 14k gold with just one sheet of sterling on the back. The bezel and all the top part is solid 14k gold (tested) you can clearly see where the thinner plate of sterling is bonded to the back. There is a lot more gold than sterling in the bracelet, I believe the sterling is just there for spiritual/health/traditional reasons, weight and mearements in pics. Wayne (1942-2006) and his wife Virginia (1940- ) were born in Zuni, NM and started making jewelry in the 1960‘s. He learned from his mother, Alice Quam. They were/are award winning smiths and lapidarists and their jewelry is highly collectible. Both he and she are referenced in Schaaf‘s "American Indian Jewelry I and III", Hougart‘s "Native American and Southwestern Silver Hallmarks", Wright‘s "Hallmarks of the Southwest" and Bassman‘s "Zuni Jewelry".

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5.75" 30's-40's Navajo silver cluster turquoise cuff bracelet, no issues, great bracelet.All precious metals are tested and guaranteed,

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5.75" c1920's Navajo ingot silver cuff double shank stamped cuff bracelet with turquoiseAll precious metals are tested and guaranteed,

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5.75" c1930‘s Navajo ingot silver Indian Mountain turquoise row cuff bracelet. Solid sterling silver. Will fit up to a 5.75" wrist, gap size and other measurements in pictures. Nice, well made bracelet. Very rare and high grade natural American turquoise from Nevada. Likely Lone Mountain or Indian Mountain. One stone with chip on side and bezel conforming to it. I have know way of knowing if it started off this way 90 or so years ago or not.

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6" 1920‘s Navajo Ingot Silver multi-color turquoise row cuff bracelet sterling. Weight and measurements in pictures, solid sterling silver. Expected wear for 100 year old bracelet, all stones secure and intact.

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6" 1930‘s Pilot Mountain Turquoise Navajo ingot silver cuff bracelet arrow stamp. Tested and guaranteed solid sterling silver with no markings as shown. Weight and measurements in pictures. Some expected wear, no cracks or breaks. Circa 1930‘s with no issues.

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1940‘s Native American Navajo Sterling silver cluster cuff bracelet high grade<br>turquoise, one partially missing small stone on right side.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman‘s wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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6" c1930's Navajo silver sleeping beauty turquoise row cuff bracelet. Nice old bracelet likeley from the 20's-30's, some expected wear to bezels, nice sturdy bracelet.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6" 30‘s-40‘s Intricately stamped Navajo silver cuff bracelet w/3 turquoise.. No issues, solid sterling, weight and measurements in pictures. Great bracelet from the second quarter of the 20th century with no issues. Unmarked

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6" 30's-40's Native American silver cuff bracelet with large turquoise. Nice sized very well made bracelet. Both sides have been later braced from the interior with an added bar of silver, one side with a very good repair shown in the third pic. Very special bracelet.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6" Bernard Dawahoya Hopi overlay quali cuff bracelet sterling silver. Weight and measurements in pictures, solid sterling silver. no issues. Hopi artist Bernard Dawahoya was considered by all to be a master silversmith. His bold and clean designs along with the precise matting or texture he worked into the negative areas of this pieces, made his work easily recognizable. His Hopi name was Masaqueva (Wings of the sun). He was born in the second Mesa village of Shungopavi. Not only a master jeweler, but a respected storyteller and a man of great talents. He passed away in 2010. His work is displayed in Museums across the country and in many publications.

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6" c1930‘s Navajo ingot silver cuff bracelet with three turquoise/nice stampwork. Solid sterling/ingot silver with no damage, weight and mearements in pics.

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6" c1940‘s Large #8 Turquoise sterling native American cuff bracelet. No apparent markings, exceptional solid sterling silver cuff bracelet from the second quarter of the 20th century with no issues. If a mark isn‘t shown then it isn‘t marked which is common with pre 1970‘s Native American jewelry that isn‘t from one of the larger trading posts. All precious metals are tested and guaranteed,

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6" Danny Romero Yaqui Sugilite, sterling, shell modernist cuff bracelet. Well made, sturdy bracelet with no damage or significant wear. Danny only used the highest grade materials, this is some of the most beautiful deep purple Sugilite I have seen., fantastic design. “I construct each piece with sheet and wire first. My inspiration for design comes from many sources. The purple hues and angular shapes of the desert and mountains, a Frank Lloyd Wright building, petroglyphs, Mibres pottery, or the pyramids of Mexico are all examples of what may influence my art, says Danny Romero. Danny, who initially set out to become a medical doctor, began experimenting with jewelry design as a hobby. He quickly discovered he had a natural talent and decided to pursue jewelry making as a career. He never regretted his choice. Danny, who was Yaqui, acknowledged that many of his sterling silver cast pieces were inspired by prehistoric petroglyph carvings and Hispanic religious symbols. Danny was also a recognized master of intricate inlay design. Working in both silver, 14k and 18k gold, he would often include up to 1,500 individually cut pieces of precious and semi-precious stones in his one-of-a-kind pieces. Painter John Nieto launched Danny in a new direction when he asked him to create an inlay version of one of his portraits. Danny explored the idea of portraiture in jewelry, using his artwork and the work of others for inspiration. “I like E.S. Curtis photographs, he says, referring to the turn of the century photographer and the ethnographer who documented more than 80 native American tribes. “I go through magazines then I start drawing and go from there. From those sources, Danny produced detailed portraits in stones. “Lapis will be the darker colors, and yellow or red will be where the light is hitting. Pipestone out of Minnesota, which is a pottery kind of color, can be the shading, and pinks are the highlights. I enjoy bringing the colors of the earth to light." Sadly, Danny Romero passed away on August 18, 2018 at the age of 64, after a long battle with Alzheimer‘s. Danny worked with our gallery for many years and with multiple generations of the Garland family. He was an incredible artist and an even better human being. His personality and creative talents will be greatly missed.

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6" Duane Makitma Hopi 14k gold Multi-stone channel inlay cuff bracelet. 5" plus 1" gap, 6" total inside including gap. 25mm wide in center tapering down to 15mm on the tips, 10mm tall, 64.2 grams. Super clean with no detectable damage or wear inside or out. I don't believe it has ever been worn. Hallmarked by artist twice in interior, hallmarked 14k 3 times in interior. A very well respected artisan, at the time of listing this is arguably the best piece of his being offered for sale online. Comparable silver bracelets by this artisan retail for around 3-4k. This would probably retail for 20k+ with current gold and material prices directly from the Artisan or at a gallery.  This bracelet it composed of 14k gold, Gem Silica, Natural Australian Opal, Carnelian, Chalcedony, and Lapis Lazuli.  Duane is of Hopi and Laguna heritage and is a master craftsman. He creates exquisite jewels by hand, using fine materials.<br><br>Duane Makitma was studying education at Northern Arizona University in Flagstaff, when a dean suggested he switch his major to art. “ I thought it would be a hobby.” Growing up in tiny towns in Arizona under the tutelage of his Hopi and Laguna relatives, Maktima learned how to carve and paint, but these artworks were referred to as “blessings” and not art. The Dean, having seen Duane’s work was insistent. When Maktima first laid eyes on the jewelry in the jewelry lab, he says, “It was like my whole life flashed before my eyes, I was hooked.”<br><br>It took a decade for Maktima to complete his degree. He left college to work as a resident artist at the nearby Museum of Northern Arizona in Flagstaff. At only 19 years old he was given a studio and stipend to make jewelry which was snapped up by visitors from around the world. Eventually he embarked on a personal retreat from the pressure and spent 3 years at Laguna Pueblo. Maktima worked there as a survey helper and everyday he walked the country from Second Mesa to Black Mesa. During these long walks he came to deeply appreciate his heritage and decided to complete his education.<br><br>When he did return to university, it was an exciting time for Native American artists. His research into African and Indian art led him create spiritual based pieces from beads, shell work mosaics, motifs from Hopi pottery, hollow silver tubes, gold , lapis, turquoise , and red coral. In 1982, Maktima, received a second-ever fellowship from the Southwestern Association for Indian Arts. He moved to Sante Fe a year later.<br><br>An active community leader, he has influenced many young people to pursue a career in art. His brooches, buckles, and other exquisite jewelry have been featured in some of the best Native American galleries. In 1990, Northern Arizona University honored the artist with its 2000 Distinguished Alumni Artist Award, Distinguished Achievement Award, and member of the President’s Circle. Maktima credits his achievements to his education and his family. “I can hear grandpa saying, ‘You have really learned something. You’ve really excelled with what God gave you.’ ”<br><br>According to his grandfather, the name “Maktima” means “searching for eagles.”

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Gibson Nez (1947-2007) Jicarilla Apache und Navajo, Manschettenarmband mit Intarsien aus mehreren Steinen. 6 1/16" einschließlich der 1 1/16" Lücke. Kein Schaden, sehr sauber und kaum Gebrauchsspuren. Verjüngt sich von 9/16" auf 7/8" 89,4 Gramm. Gibson Nez, Jicarilla Apache und Navajo, ist in der gesamten indischen Kunstindustrie und bei Sammlern weltweit als Meister der Stempelkunst bekannt. Kein anderer Handwerker kommt an die fachmännische Präzision seiner scharfen, sauberen und unglaublich genauen Stempel heran. Parallele, nur Haaresbreite voneinander entfernte Linien umgeben Bolos und Armbänder wie strahlende Energie und lenken Ihren Blick auf die außergewöhnlichen, von Gibson handverlesenen Steine ​​in Edelsteinqualität, die in der Mitte zu sehen sind. Stempelarbeiten von Gibsons Kaliber erfordern extreme Geduld und ein Auge für Balance. „Mir ist es wichtig, ein schönes Stück zu machen und nicht viele mittelmäßige Stücke“, sagte Gibson. Gibsons Stücke haben bei allen großen Wettbewerben Auszeichnungen und Preise gewonnen, darunter Gallup Ceremonial, Santa Fe Indian Market, Heard Museum, All Mankind Jewelry Competition in Washington, D.C. und Casa Grande in Arizona. Auf die Frage, was ihn an seiner Arbeit am meisten stolz macht, sagte Gibson: „Ich versuche einfach, ein Stück zu schaffen, das den Stein hervorhebt.“ Gibsons Arbeit verkörpert eine unermüdliche Liebe zum Detail. Jeder handgeprägte Stempel ergänzt und baut auf dem letzten auf. Einzelne, sorgfältig platzierte Linien bilden zusammen die Kraft von Gibsons Werk – eine vollständige Harmonie aus Silber und Stein. Gibson verstarb leider am 1. Dezember 2007, aber seine Arbeit wird uns noch viele Jahre in Ehren bleiben. Lange nachdem diejenigen, die ihn kannten, gegangen sind, wird er durch seinen kraftvollen Schmuck noch in Erinnerung bleiben.

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6" Gibson Nez Navajo/Apache sterling - Sugilite, coral, variscite cuff bracelet. Fantastic, extremely well made bracelet from the last quarter of the 20th century in good condition. Gibson Nez was a self-taught silversmith and is known nationwide for his intricate inlay technique and excellent craftsmanship. His work is featured in museums throughout the United States and he has become a popular designer for celebrities. He was born in Dulce, New Mexico and is Navajo and Apache. His work continues to be some of the finest produced in the 20th century. (d. 2007)

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6" Heavy 30‘s-40‘s Cerrillos turquoise Native American triple row cuff bracelet. Weight and measurements in pics. Solid sterling silver with no issues. No markings, second quarter of the 20th century. Very well made and solid cuff bracelet unlike others I‘ve had from this era/style that are more Fred Harvey/CG Wallace types. I feel like this is what they were imitating.

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6" Navajo Bisbee türkisfarbenes Silberarmband. Großes und schweres Armband mit natürlichem Türkisstein, von dem ich glaube, dass er Bisbee ist, passt bis zu einem 6" Handgelenk. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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6" Orville Tsinnie (1943-2017) Navajo 14k/Sterling Mediterranian Coral Cuff bracelet. Amazing quality, solid 14k gold bezel and wire wrapping the bracelet, very clean condition.<br><br>Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association. <br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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6" Orville Tsinnie Navajo 14k gold/Sterling sugilite modernist cuff bracelet Tested and guaranteed solid sterling silver with solid 14k gold bezel and solid 14k gold bead accents. Weight and measurements in pictures. Good condition, circa last quarter of the 20th century. This and most of the items from this collection were collected but unworn. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association.

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6" Orville Tsinnie Navajo sterling cuff bracelet with stamped design.. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6" Richard Tsosie Navajo sterling silver, coral, shell, turquoise cuff bracelet . Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Expected wear, circa third quarter of the 20th century, no damage or unsightly wear. Artists hallmark shown. Richard is perhaps best known for his distinctive textured silver designs. His trademark technique of granulation was discovered by accident when he noticed silver filings were fusing onto a ring he was soldering. He calls the process which produces this granulated surface texture “reticulation, and he has been perfecting the technique throughout his career. Born in 1956, Richard has been a jeweler since the mid 1970s. He learned jewelry making from his brother Boyd and from Kenneth Begay at Navajo Community College in Arizona. He quickly progressed from basic tasks of cutting and polishing stones to the more complex process of inlay. Richards contemporary silver and hold work features the use of fabrication, overlay, and granulation. He is also known for colorful inlay work with a variety of natural stones and for his fine degree of control and attention to detail. His designs are motivated by images of the natural world, particularly the Wide Ruins area of the reservation where he spent a large part of his youth. Richard says of his work, “I am inspired by the colors of the mountains at sunset, the patterns of shadow and light that emerge at dawn, and the pinpoints of starlight against the black night sky. His pieces typically contain the symbol for lighting and an arrow pattern. The lightning stands for natural causes, while the arrowhead symbolizes man-made elements. Richard says the design represents the ups and downs of life. “Some things we cant do anything about and you should try to enjoy life to the fullest.

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6" Ron Bedonie Navajo Intricately stamped sterling silver turquoise cuff bracelet. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Very clean with no significant wear, very high grade turquoise stone with a beautiful chocolate matrix. Could be Bisbee. Elegant, chiseled silverwork defines Ron Bedonie‘s fine Navajo jewelry. His buckles, bracelets, bolas, and concha belts are distinguished by extraordinary stamping and chiseling--work that earned him many first-prize ribbons over the years at the Gallup Inter-Tribal Indian Ceremonial competition. “I pressured myself into getting finely chiseled lines because it was more of a challenge," Bedonie said of his work. In addition to jewelry, he also created unusually shaped large and miniature containers, which were fashioned for practical use. His complex silver containers were composed of as many as 18 individual pieces when they were completed. Ron Bedonie began working with silver when he was 20 years old, having learned sliversmithing techniques from his parents, Lutricia Yellowhair and John Bedonie Sr. Rons mother Lutricia (d. 2021) was especially a major support and influence in his life. She was a highly-skilled silversmith who specialized in the feather design. Initially, Ron learned soldering techniques, then went on to learn stamping from his cousin, Thomas Jim. Ron was inspired to make a container after seeing one of Jims pieces, and he was encouraged to hone his skills by the Heard Museum and other established galleries. Ron Bedonie made his own stamps and chisels based on his sketches, and sometimes used old car parts to create his tools. Sadly, Ron passed away in 2024. We will miss him! An extremely talented and resourceful artist, Garlands is proud to have been able to feature Ron Bedonies work over the years.

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6" Sadie Calvin Navajo Turquoise cobblestone cuff bracelet sterling silver . Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Minimal wear with no damage. Clean, collected and likely never worn as were most of the pieces from this incredible collection.

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6" Steven Pooyouma Kuyvaya Hopi Overlay Kokopelli cuff bracelet sterling silver. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Good condition, circa last quarter of the 20th century. This and most of the items from this collection were collected but worn very little if any.

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6" Vintage Native American wide silver Morenci turquoise row cuff bracelet. Weight and measurements in pics. Unmarked, solid sterling silver, mid 20th century. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6" Vintage Zuni sterling natural turquoise needlepoint cuff bracelet. Weight and measurements in pics. Mid 20th century, solid sterling with no issues. Unmarked.

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6.1" 1940‘s Zuni Knifewing silver cuff bracelet with nicely stamped sides. Weight and measurements in pictures, solid sterling silver. No detectable markings, no issues.

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6.1" Bisbee Turquoise Daniel Benally Navajo Modernist sterling silver cuff bracelet. Tested and guaranteed solid sterling silver with the markings shown. No damage or significant wear, circa last quarter of the 20th century. Gorgeous natural High grade Bisbee turquoise.

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6.1" c1940‘s Candelaria spiderweb turquoise cast sterling silver cuff bracelet. Amazing bracelet, mid 20th centuryk, Native American made. Could be Zuni or Navajo made. Amazing Natural American turquoise, likely from Nevada. Appears to be from the Candelaria mine. Regardless of what mine it is from, it‘s high grade and rare turquoise. One of the side stones has an old fracture, but is secure in it‘s bezel. Only markings are what I believe to be a C.G. Wallace pricing code on the back.

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6.1" Vintage Zuni sterling silver turquoise cluster cuff bracelet stamped accent . Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Expected wear, circa mid 20th century, no damage or unsightly wear. Only markings are the traders code on the back side.

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6.1" c1950‘s Zuni 4 Row Snake Eye Turquoise row cuff bracelet sterling silver. Tested and guaranteed solid sterling silver with no markings as typical of this era. Weight and measurements in pictures. Some expected wear, no cracks or breaks. Very nice natural American turquoise bracelet from the second quarter to mid 20th century.

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6.1" Jim Harrison Navajo sterling silver Kachina micro-inlay cuff bracelet. Tested and guaranteed solid sterling silver with artists hallmark and sterling hallmark, No damage or significant wear, possibly unworn contemporary Navajo cuff bracelet. Jimmy Harrison is a Navajo Silversmith and a lapidary genius, as he is best known for his mosaic inlay using semi-precious gemstones: coral, turquoise, sugilite, lapis lazuli, jet..etc. Jimmy has been creating jewelry since the late 1970‘s, as he worked for legendary artists Preston and Jesse Monongya. His inlay often depicts Yei-Bi-Chei fiqures and night time skies. His work is displayed in many museums across the United States and he has been featured in many publications. He participates in many of high quality events, such as Santa Fe Indian Market, Heard Museum Native Market, Eiteljorg Museum Native Market, and Autry Museum show. It is honor to carry his work.

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6.1" Navajo Lone Mountain turquoise petrified wood cuff bracelet sterling silver. Amazing bracelet circa 1930‘s-1940‘s. There appears to be a hallmark of sorts by one of the terminals inside, illegible. Tested and guaranteed solid sterling silver with no detectable markings. Well cared for piece from the second quarter of the 20th century. All stones are secure in their bezels, a few with stable old fractures.

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Vintage Pilot Mountain Türkis Native American Sterling Manschetten-, Ring- und Halsketten-Set. Ich hatte dies aufgelistet und das Armband später gefunden, also füge ich es hinzu. Sehr attraktive und seltene Steine, Ring hat Größe 6,25, 1 5/8 Zoll lange Seite, 13,6 Gramm. Halskette 24 Zoll mit 3 Zoll Tropfen, Steine ​​mit Fassungen ca. 2,25 Zoll x 1,25 Zoll ohne Schlaufen/Haken. Armband passt bis zu einem 6 1 /8" Handgelenk, 4 7/8" plus 1,25" Spalt und 50 mm langes Gesicht, 167,4 Gramm Gesamtgewicht.Pilot Mountain Türkis bildet sich in harten Adern mit einer Farbe von leuchtendem Blau bis Dunkelblau mit einem grünlichen Schimmer . Die Matrix besteht typischerweise aus dunkelbraunen, gesprenkelten Limonitmustern. Der meiste Türkis von Pilot Mountain wird „Graswurzeln“ genannt, was bedeutet, dass die besten Vorkommen innerhalb von zehn Fuß unter der Oberfläche zu finden sind.Die höchsten Grade von Pilot Mountain haben eine wunderschöne tiefblaue Farbe mit ausgezeichnetem Geflecht.Garantiert ein Mindestgehalt von 90 % (Münz-)Silber und möglicherweise ein höherer Gehalt. Bei allem, was markiert ist, handelt es sich garantiert um das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Stoffmaßband trifft.

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6 1/8" 30‘s-40‘s Navajo silver cuff bracelet with awesome turquoise. Weight and measurements in pics, no issues. Very nice Natural American turquoise. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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6 1/8" 30's-40's Navajo Snake stamped High grade turquoise cuff bracelet. Very amazing bracelet in so many ways, all handmade, very high grade turquoise. Some loss to the matrix in the stones.All precious metals are tested and guaranteed,

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6 1/8" 40er-50er Jahre Navajo-geprägtes Silber- und Türkisarmband, 37 mm breit.Alle Edelmetalle werden getestet und garantiert. Jeder Schmuck der amerikanischen Ureinwohner, der als Silber oder Sterling bezeichnet wird, besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise höherer Gehalt. Die meisten Manschettenarmbänder werden am Handgelenk einer 6 Zoll großen Frau fotografiert und enthalten ein Foto, das den Innenumfang zeigt, an dem die Metallspitze auf die Zahl auf dem Maßband trifft.

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6 1/8" Alice Leekya Homer Zuni silver, turquoise and coral fishscale inlay cuff bracelet. J-404 "trader's code" scratched on the back twice.Zuni artist Alice Leekya Homer, active mid to late 20th century. The stones are slightly raised channel inlay, with what is called a fish scale design. Alice and family were well-known for this style of inlay. Alice was the daughter of Leekya Deyuse. The workmanship is perfect on this piece and the wonderful color changes of the turquoise from age in is beautiful! Not Hallmarked, as her early pieces were not hallmarked. But comes with strong attribution.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6 1/8" c1930's Navajo Ingot Silver triple shank turquoise cuff braceletMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration

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Harry Morgan Navajo Revival sterling silver 3 stone cuff bracelet Nice turquoise. Tested and guaranteed solid sterling silver with sterling mark. Weight and measurements in pictures. Nice bracelet from the last quarter of the 20th century with no issues. Collected, worn little it seems.   Fits up to a 6 1/8" wrist.Morgan, Harry BiographyHarry Morgan is known for his classic revival style jewelry with its smooth, soft, antique finishes and classic design. He is a fifth-generation silversmith. Born and raised on the Navajo Reservation in Arizona, Harry Morgan began casting jewelry at age seven. His mother Louise inspired him to make jewelry in the old style.The Navajo Tribe offered him a four-year scholarship in engineering, but being a rodeo cowboy was his dream, at the time. He ultimately returned to his passion for silversmithing, and became a silversmith in 1965. He spent most of his life in the Gallup, NM area, and at one point opened a jewelry supply store in Crownpoint, NM.He also operated a smithing studio, and employed many smiths who would also emulate the classic revival style. One of those employed was well-known silversmith Kirk Smith. Many of Harry Morgans stamps were inherited from his parents and uncle, or made by him.Harry Morgan was married to Navajo silversmith Betty Joe, and is the nephew of accomplished silversmiths Charlie Bitsue and Ike Wilson. Brother Henry Morgan is known for his exceptional sandcast pieces. Linda Marble, his sister, was also known for her sandcast pieces. She passed away in 2004.Of his five children, three have taken up silversmithing. Harry Morgan won awards at every major Indian art show, and had an exhibit of his creations at the Heard Museum in 2007, a year before he passed way.

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6 1/8" Huge Vintage Native American sterling red coral cluster cuff bracelet. Solid sterling, weight and measurements in pics. Unmarked as shown. Circa mid 20th century. 2 corals with old fractures, all secure in bezels. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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6 1/8" Lloyd Tsalabutie Zuni sterling coral needlepoint turquoise cuff bracelet, solid sterling silver, weight and measurements in pics. Lloyd is mainly known for inlay jewelry but he also carves Zuni fetish animals.

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6 1/8" Luis Mojica 14k/sterling and fossil inlaid cuff braceletLUIS MOJICA The artist has lived all his life in the Rio Grande valley of southern Colorado and New Mexico in the region once known as the frontier territory of the Spanish Empire in the new world and later as a state of the Republic of Mexico. The region became part of the United States in 1848. the term mestizo or “mixed blood” describing the heritage of inter-marriage between Europeans and the native peoples of the Americas is correctly applied to the artist, and is where his artistic identity began and continues.The cultural roots that underlie the artwork of Luis Mojica may not be obvious to the casual observer. Throughout his extended career as as an artist, designer, jeweler, ceramist, and painter, he has striven to transcend the limitations of provincialism and conservatism that characterize his traditional Hispanic upbringing in order to create work that is current and expressive of a larger world view. Yet, values such as respect for tradition, persistence in the face of adversity, and a belief in the importance of life long education and spiritual growth have formed the foundation of his artistic efforts as well.Over the years of his career, Mojica has become recognized as one of the most innovative and proficient jewelry artists in the Southwest. His work is distinguished by the highest standards of craftsmanship, unusual combinations of materials, and a clear sense of functional design. His inspirations include the landscape, colors and cultural icons of the American southwest which are subsequently abstracted into his jewelry designs and finished pieces. His intent to offer jewelry that is well designed and executed, which has the distinct and unique qualities that can only come from the hands of a seasoned practitioner.Mojica’s work in precious metals has been seen in museum exhibitions and collections of the Heard Museum, Phoenix, AZ, the Museum of International Folk Art, and the Museum of Spanish Colonial art in Santa Fe, NM, the Albuquerque Museum of Art and History, Albuquerque, NM and the Millicent Rogers Museum, Taos, NM. For over twelve years the artist was a participant in the annual Traditional Spanish Market held each July on the Plaza in Santa Fe, where his role as award winning exhibitor expanded to include lecturer, teacher and mentor of aspiring youth artist. He retired from Spanish Market in 2011.The artist currently maintains a home and studio in Albuquerque, NM.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6 1/8" Orville Tsinnie Navajo 14k rope sterling cuff bracelet.. Weight and measurements in pics. Orville Tsinnie (1943-2017) was a Navajo artist and master silversmith who has been featured in the American Indian art world for over 25 years. He was born in Tuba City, Arizona in 1943 and lived and worked in Shiprock, New Mexico. Tsinnie learned jewelry making from his Hopi brother-in-law in the 1970s and has since won many awards, including a Lifetime Achievement award from the Indian Arts and Crafts Association. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6 1/8" Pete Sierra Navajo sterling cobblestone turquoise cuff bracelet. Solid sterling, weight and measurements in pics. Marked as shown. Sierra was a former student of Charles Loloma, and is mentioned in Nancy Schiffer‘s book "Jewelry by Southwest American Indians: Evolving Designs." Sierra‘s works are found in the Maxwell Museum of Anthropology as well as other museums, and he has been represented by many galleries worldwide. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling (even if unmarked) is guaranteed to be a minimum of 90% (coin) silver and possibly higher content.

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Vidal Aragon (1923-2015) Santo Domingo silver turquoise nugget cuff bracelet. Weight and measurements in pics. Solid sterling silver, unusual early work by Vidal Aragon that demonstrates the diversity of his skill as a silversmith. Circa mid 20th century. 6 1/8" inside including the 1 1/8" gap 5" from terminal to terminal without the gap. From Santo Domingo Pueblo, Vidal Aragon (1923-2015) translated pueblo life into intricate storyteller jewelry. He became internationally renown for his inventive silver and gold overlay designs. His representations of the elements of nature, animals and pueblo life are symbolic of the Indian way. One symbol refers to “everlasting happiness. Other common motifs are animals and the tracks they make and the blessing and nourishment of corn. An expert craftsman, Aragon drew each story strip with his saw blade and soldered it to a textured oxidized underlayer to illuminate the images. He often incorporated a trademark gold disk to represent the sun or moon. Vidal Aragon learned the overlay technique in the 1930s when he was a student at the Santa Fe Indian School. Before inventing the storyteller jewelry, he experimented with tufa casting and other metalworking techniques. He briefly lived in Scottsdale where he honed his skills as a shop smith. He has fond memories of the time he spent learning ballet as a young man in Phoenix. By the early 1940s, Vidal was already being recognized alongside such prominent smiths as Ambrose Roanhorse and Tom Burnsides for his innovative yet classical designs. Aragon found his true calling though when he began to translate his rich sense of the pueblo way of life into wearable stories, often full of his unique humor.

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6 1/8" Vintage Navajo dot-dot-dash style turquoise silver row cuff bracelet No issues, solid sterling, weight and measurements in pictures. Apparently unmarked, circa 40‘s-50‘s.

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6 1/8" Zuni Knifewing Sterling multi-stone inlay cuff bracelet. Solid sterling silver. Will fit up to a 6 1/8" wrist, gap size and other measurements in pictures. unmarked.

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6.2" Alice Leekya Homer Zuni sterling silver coral fishscale inlay cuff bracelet. Weight and measurements in pictures, solid sterling silver with no issues. Zuni artist Alice Leekya Homer, active mid to late 20th century. The stones are slightly raised channel inlay, with what is called a fish scale design. Alice and family were well-known for this style of inlay. Alice was the daughter of Leekya Deyuse. The workmanship is perfect on this piece and the coral is natural and amazing. Unmarked.

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6,25" 14-karätiges/Sterling-Overlay-Türkis-Armband. Hochwertiges Armband mit einer dicken massiven 14-karätigen Goldplatte auf einer massiven Sterling-Basis. Ich vermute, dass etwa die Hälfte des Gewichts dieses Armbands aus Gold besteht, da Gold dichter/schwerer als Silber ist. Wie Sie Aus der Seitenansicht ist zu erkennen, dass die oberste Schicht dick ist. Wenn die Hälfte des Gewichts aus Gold wäre, wäre das ein Schmelzwert von 650 $ allein in Gold. Ich bin mir nicht sicher, wer dieses Armband hergestellt hat, habe nicht versucht, es zu recherchieren. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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6.25" 1930‘s Navajo ingot silver turquoise cuff bracelet with amazing stampwork. No issues, weight and measurements in pics. Solid coin silver, apparently unmarked as typical of this era (second quarter of the 20th century) All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6,25" 1930er Jahre Navajo-gestempeltes silbernes Schlangenauge-Türkis-4-reihiges Manschettenarmband. 5" plus 1,25" Abstand, 23 mm breit, 34,3 Gramm. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Die meisten Manschettenarmbänder werden am Handgelenk einer 6 Zoll großen Frau fotografiert und enthalten ein Foto, das den Innenumfang zeigt, an dem die Metallspitze auf die Zahl auf dem Maßband trifft.

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6.25" 20‘s-30‘s Navajo ingot silver cuff bracelet with nice stampings. Weight and measurements in pictures, solid sterling silver. No issues. Good early Navajo cuff bracelet

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6.25" 30‘s-40‘s 2 Row Snake eye turquoise stamped rope side silver cuff bracelet.. No issues, solid sterling, weight and measurements in pictures. Somewhat unusual bracelet from the second quarter of the 20th century.

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6.25" 30's-40's Navajo stamped silver cuff bracelet with turquoise. Nice old bracelet with natural turquoise, the center stone appears to have been replaced at one point and not as old as the other two.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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6.25" 30s-40‘s Zuni Oversized Snake Eye Turquoise cuff bracelet sterling silver . Tested and guaranteed solid sterling silver with no detectable markings. Weight and measurements in pictures. Some expected wear, no cracks or breaks. Very substantial bracelet.

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6.25" 40‘s-50‘s Betty and Gillerimo Natachu Zuni knifewing silver cuff bracelet. 6.5" inside circumference including the 1 1/8" gap. Weight and measurements in pics. No Damage or significant wear, solid sterling silver.

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6.25" Alice Leekya Homer Zuni sterling turquoise inlay cuff bracelet. Weight and measurements in pics. Solid sterling silver, marked as shown. Zuni artist Alice Leekya Homer, active mid to late 20th century. The stones are slightly raised channel inlay, with what is called a fish scale design. Alice and family were well-known for this style of inlay. Alice was the daughter of Leekya Deyuse. The workmanship is perfect on this piece and the wonderful color changes of the turquoise from age in is beautiful!

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6.25" Andy Lee Kirk Isleta pueblo Sterling silver turquoise inlaid cuff bracelet. Solid sterling silver, circa last quarter of the 20th century. This artist did very little work in silver as his work was so desirable/expensive. I believe he is one of the few 20th century Native American artists to have done more work in gold than in silver. Even in the 70‘s he was working in gold, but most of the silver jewelry he made was in the 70‘s. So while this may not be more valuable than a similar gold bracelet, it is rarer. Weight and measurements in pics, all solid sterling. NO issues. Andy Lee Kirk was a Master contemporary Native American artist of Isleta and Navajo heritage, who died tragically at the height of his career at the age of 54. He created beautiful gold and silver jewelry using the finest materials from 1970 to 2001. Born in 1947, he originally earned a degree in biology continuing on to work for the Fish and Wildlife and Forest Services. Andy had learned the basics of jewelry making at the University of New Mexico and with the urging of Navajo artist, Gibson Nez, he made the decision to become a full time jeweler. Andy Lee Kirk was a consummate artist with many fine skills. He did lapidary work, rolling his own beads, and had mastered many types of precious metalwork including lost wax and sand cast techniques, stamping, engraving, overlay and fabrication. His artistic innovation reached further than aesthetic beauty alone. His designs were brilliant a perfect balance between clean modern lines, meaningful symbolism, and bright southwestern colors such as lapis lazuli, turquoise, and red coral. He was the IACA Artist of the Year in 1996 and earned many other prestigious awards and accolades including First Place and Best of Division at Santa Fe Indian Market and Best of Category at the Inter-Tribal Indian Ceremonial in Gallup, NM.

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6.25" c1930‘s Navajo silver whirling logs high grade turquoise cuff bracelet. No issues, weight and measurements in pics. Unmarked other than trader/pawn code on reverse side. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.25" c1930's Navajo stamped silver twisted wire cuff bracelet with turquoise. Stones secure in bezels, two with old fractures, weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what<br>i.t's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.25" c1940's 3 Stone Navajo stamped silver cuff braceletAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.25" c1940's Navajo Repousse silver high grade turquoise rings/cuff bracelet, sz 5.25 ring. Amazing workmanship and stones.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.25" c1940‘s Navajo shadowbox sterling cuff bracelet with nice turquoise. No issues, weight and measurements in pics. Solid sterling. Unmarked. Numbers inside likely previous owners social security number. A few dents to interior, exterior overall clean.

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6.25" c1940‘s Navajo silver #8 turquoise 3 stone cuff bracelet carinated sides. Very minor loss to some matrix in one stone, stable. Weight and measurements in pictures, very well made. Unmarked other than original owner‘s Name and SS#

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6.25" c1940‘s Zuni Knifewing inlay silver cuff bracelet, weight and measurements in pics. Very stout and sturdy bracelet with lifetimes of life left in it. Of the six silver bands, one is broken on both ends on the side of the knifewing. It can‘t be seen when worn, doesn‘t affect it‘s comfort, strength, or anything else. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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6.25" c1970 Johnny Mike Begay Navajo Modernist silver and coral cuff bracelet<br>7/8" or 21mm wide, weight and other measurements in pics, no issues, unmarked or<br>marked as shown. If a mark isn't shown then it isn't marked which is common with<br>pre 1970's Native American jewelry that isn't from one of the larger trading<br>posts.<br><br>Award winner Diné of the Navajo Nation Silversmith Johnny Mike Begay skillfully<br>created beautiful silver jewelry. He garnered several awards at the 1976 Santa<br>Fe Indian Market, apparently the last year of his life. His work was included in<br>"Jewels of the Southwest" at the Museum of Indian Arts and Culture in Santa Fe<br>in 2002.<br><br>Johnny Mike Begay was an active silversmith until 1976. He was one of those who<br>worked at the White Hogan. He was a jeweler associated with Dean Kirk, John<br>Kennedy, and White Hogan-all dealers in Native arts and crafts. He signed his<br>creations with his initials JMB.<br><br>Johnny Mike Begay lived in Houck, Arizona.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.25" D/T Emery Chippewa Multi-stone inlay fish sterling cuff bracelet. Complex bracelet with internal stampings, appears unworn, wearable art with no issues. 5" end to end inside plus 1.25" gap.Chippewa artist Terrance Emery and his wife Dorothy collaborate in the creation process to produce amazing and wearable jewelry. Terrance (1954-2012) and Dorothy Emery sign their creations with their initials and last name as D/T Emery.In Gregory Schaaf’s book American Indian Jewelry II: A-L 1,800 Artist Biographies:“Terrance Emery was born and raised on the St. Croix Ojibwa Reservation in Northern Wisconsin. He is from the Marten Clan known as the ‘skilled craftsman and soldier of the tribe.’ Terrance was taught traditional arts used in ceremonies and dances by his relatives. He is proficient in woodland-style beadwork, leatherwork and other Ojibwa crafts such as pipe making. Terrance became interested in silversmithing in the 1970s when he moved to New Mexico. He developed his own contemporary style and uses techniques such as overlay, lapidary and tufa casting.”Dorothy is a member of Jemez Pueblo. She collaborates with her husband in the creation of high-quality jewelry. They have been working together since the early 1990s.In a recent conversation with Terrance’s son, Terrance Jr. shared that his father moved to Albuquerque from Wisconsin in 1970 to attend Southwestern Indian Polytechnic Institute. He made jewelry for more than thirty years, attending native art shows and pow-wows across the US. He taught his son the art of jewelry making.All precious metals are tested and guaranteed,

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6.25" Edison Billy (1960-2006) Navajo 14k gold/Sterling silver Gemstone set cuff bracelet. Weight and measurements in pictures, solid sterling silver with solid 24 solid 14k yellow gold freeform bead accents. Yellow gemstone untested with no damage or wear.

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6.25" Fred Thompson (1922-2002) Navajo Turquoise inlaid silver cuff bracelet.<br>Extremely high grade natural American turquoise.. Marked or unmarked as shown in<br>pics, weight and other measurements in pics. Sorry but my jewelry is stored in a<br>secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br>Thompson worked as a smith for Tobe Turpen at the age of 15 and built his career<br>on the skills he learned in Turpen’s shop. He made his own stamps, never sold to<br>dealers, and only sold wholesale to Tobe Turpen. After serving in WWII, he<br>continued to make pieces into the 1990’s. He was a teacher as well as a<br>silversmith. World renowned, he focused on traditional Navajo styles, producing<br>his work with utmost skill using the highest quality stones available.<br>Thompson’s pieces are now rare and hard to find.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.25" Gerald (Honwytewa) Lomaventema Hopi Overlay cuff bracelet turquoise/coral. Solid sterling silver. Will fit up to a 6.25" wrist, gap size and other measurements in pictures. No damage. Very high quality piece with no issues.

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6.25" Gibson Nez Navajo/Apache sterling - Royston turquoise cuff bracelet. No issues, attached with 15 year old receipt for $1500. The same dealers would likely ask closer to $2500 for it today as Gibson had just passed away and a lot has changed in 15 years economically.Gibson Nez was a self-taught silversmith and is known nationwide for his intricate inlay technique and excellent craftsmanship. His work is featured in museums throughout the United States and he has become a popular designer for celebrities. He was born in Dulce, New Mexico and is Navajo and Apache. His work continues to be some of the finest produced in the 20th century. (d. 2007)All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6,25" schweres griechisches Konstantino-Armband aus 18 Karat/Sterling. 6,25" (16 cm) lang, ohne Probleme, 96,7 Gramm. Garantiert authentisches Nachlass-frisches Armband. Sehr hochwertiges Armband. Das gleiche Armband wird unter der Gerochristo Greek Jewelry Collection wie folgt verkauft Synergy Sun Manschettenarmband für 8640 $. Ich glaube, dass Konstantino das Design zurückgezogen hat, aber beide scheinen ähnliche Designs zu haben, wenn nicht sogar Kunsthandwerker. https://athenagaia.com/products/synergy-sun-cuff-bracelet?_pos=2&_sid=cf7a0006f&_ss=r 4.000 v. Chr Im Herzen des Mittelmeers erkundeten Generationen von Alchemisten, Kunsthandwerkern und Goldschmieden die Tiefen der wertvollsten Materialien der Erde. Gold, Silber, Bronze und Edelsteine ​​inspirierten die Kreation von edlem Schmuck, einem kreativen Ausdruck menschlicher Intelligenz. Im Laufe der Jahrhunderte haben griechische Goldschmiede eine außergewöhnlich einzigartige Präsenz in der Geschichte des edlen Schmucks aufgebaut, die im gesamten Mittelmeerraum sichtbar ist und sich über die archaische, klassische, hellenistische und byzantinische Epoche Griechenlands erstreckt. Die Unzerstörbarkeit edlen Schmucks strahlt göttliche Qualitäten aus, eine Zeitlosigkeit, die über alle Stil- und Trendzeiten hinausgeht. Der Konstantino-Stil entstand aus den Wurzeln dieser Traditionen und ebnete den Weg für seinen eigenen einzigartigen Stil, der den Entwurf der klassischen griechischen Identität neu definierte. about-image-2 1958: Geburt einer Legende Konstantino wurde in Filiadona geboren, einem kleinen Dorf außerhalb von Athen, wo einst die antike Stadt Melitea stand. Dort beobachtete er genau, wie sein Vater auf dem Bauernhof arbeitete und selbst Maschinen und Werkzeuge baute. Hier entwickelte Konstantino eine große Wertschätzung für die Kunst des Handwerks. about-image-3 1978: Ein musikalischer Einfluss Seiner Liebe zur Musik folgend, wurde der junge Konstantino Discjockey in der Stadt Athen und spielte alles von Carlos Santana bis Lou Reed. Diese und viele weitere Ikonen inspirierten zu einem fließenden Stil, der der Szene eine Essenz des Glam Rock einbrachte. Über die Musik begann Konstantino, seine eigene ästhetische Identität als kreativer Geist und Stilikone zu entwickeln. Wo diese Legenden bis heute den Geist des Regelbrechens beeinflussen, der das Designteam von Konstantino antreibt. about-image-4 1983: Schmuck hat mir das Leben gerettet Konstantino floh aus der Musikszene Athens auf der Suche nach einer Oase und unternahm einen Ausflug auf die Insel Hydra, wo er die nächsten 15 Jahre lebte. Auf dieser magischen Insel verliebte sich Konstantino in Schmuck. Er begann, Schmuck zu sammeln und zu kuratieren, wobei 1988 der erste Konstantino-Laden eröffnete. about-image-2 1991: Annette Hydra ist nicht nur der Geburtsort von Konstantinos Liebe zum Schmuck, sondern auch der Ort, an dem er seine baldige Frau und kreative Partnerin Annette kennenlernte. Von Grund auf gemeinsam etablierte Konstantino Jewelry bald seine Präsenz auf dem US-amerikanischen und globalen Markt. about-image-6 1998: Globale Auswirkungen Als sich die Bewunderung und Begeisterung für Konstantino verbreitete, wuchs der Traum weiter, sodass unsere Designs mittlerweile in 10 Ländern weltweit zu finden sind. Hinzu kommt eine langjährige Präsenz bei Neimans, Sax usw. usw. Konstantino ist stolz darauf, der Welt der Liebhaber edlen Schmucks eine Weiterentwicklung des griechischen Stils zu präsentieren. about-image-7 2016: Eine Familienzukunft Die Kinder von Konstantino und Annette, Julian und Phaedra, schlossen sich dem Team an und führten das Erbe der Liebe, des Risikos und der Leidenschaft für Goldschmiedekunst und -design weiter fort. Diese neue Generation führt mit Bescheidenheit, Wissen und einem natürlichen Gespür für die Dynamik der Marke Konstantino. Die Kernphilosophien der Marke zu bewahren und ihren bereits etablierten Stil weiter auszubauen, ist eine Herausforderung, die wir mit Zuversicht angenommen haben.

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6.25" Harry Morgan Navajo silver Bisbee turquoise cuff bracelet No issues, solid sterling, weight and measurements in pictures. Morgan, Harry Biography Harry Morgan is known for his classic revival style jewelry with its smooth, soft, antique finishes and classic design. He is a fifth-generation silversmith. Born and raised on the Navajo Reservation in Arizona, Harry Morgan began casting jewelry at age seven. His mother Louise inspired him to make jewelry in the old style. The Navajo Tribe offered him a four-year scholarship in engineering, but being a rodeo cowboy was his dream, at the time. He ultimately returned to his passion for silversmithing, and became a silversmith in 1965. He spent most of his life in the Gallup, NM area, and at one point opened a jewelry supply store in Crownpoint, NM. He also operated a smithing studio, and employed many smiths who would also emulate the classic revival style. One of those employed was well-known silversmith Kirk Smith. Many of Harry Morgans stamps were inherited from his parents and uncle, or made by him. Harry Morgan was married to Navajo silversmith Betty Joe, and is the nephew of accomplished silversmiths Charlie Bitsue and Ike Wilson. Brother Henry Morgan is known for his exceptional sandcast pieces. Linda Marble, his sister, was also known for her sandcast pieces. She passed away in 2004. Of his five children, three have taken up silversmithing. Harry Morgan won awards at every major Indian art show, and had an exhibit of his creations at the Heard Museum in 2007, a year before he passed way.

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6.25" Henry Morgan Navajo sterling vintage Zuni inlay dancer cuff bracelet. Solid sterling silver. Will fit up to a 6.5" wrist, gap size and other measurements in pictures. Nice, well made bracelet in good condition with no apparent issues. Appears unworn. This beautiful, unique piece was made by Navajo artist Henry Morgan using vintage inlaid inserts which were made a Zuni artist in the 60s and recently pulled out of an old stash. Stamped with Henry‘s hallmark and Sterling.

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6.25" Isaiah Ortiz San Felipe Modernist silver cuff bracelet rutilated quartz. Purchased around 2008 for $1245 which is half what this bracelet would go for today in a high end gallery. No damage or detectable wear. Isaiah has forged his own jewelry making path like no other Native American artist. He works for himself making heavy-gauge sterling-silver cuffs, bracelets, pendants, rings and earrings. All of his silver work is hand cut and with its heavy construction, strong lines and sharp angles, his art is equally at home in modern jewelry stores as it is in reservation trading posts.. Isaiah was born in 1977 and raised at the San Felipe Pueblo in New Mexico. Isaiah grew up helping his father, Raymond Twinhorse, an accomplished silversmith, create and sell jewelry. He started out selling his bracelets, rings, earrings and pendants in Santa Fe on the plaza, at the Heard Museum show and Santa Fe Indian Market where he still exhibits and sells.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.25" James Selina Hopi Overlay corn/kachina theme sterling silver cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Good condition, circa last quarter of the 20th century. This and most of the items from this collection were collected but worn very little if any. James Selina is a Hopi Pueblo artist who has been actively making jewelry since the 1980s. James signs with a flute rattle hallmark. James Selina (1960- ) is from Shungopavi, Second Mesa. His brothers-Michael, Philbert, Roger and Vinton are also jewelers.

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6,25" Jennifer Curtis Navajo Heavy Stamped Silberarmband, 8 mm breit und dick, sehr massiv.Jennifer Curtis, die angesehenste Navajo-Silberschmiedin, die heute in einem traditionellen, aber innovativen Stil arbeitet, ist bekannt für ihre Stempel- und Feilendesigns mit Schweres Sterlingsilber.Über ihren Prozess für schwere Armbänder sagt Jennifer:„Ich lege das Design auf Vierkantdraht aus, solange es noch flach ist, stanze dort, wo ich es brauche, und meißele die Linien auf allen Seiten. Ich biege den dicken Silberdraht auf dem Metallschaft von Hand. Dann feile ich das Design mit einer normalen rechteckigen Metallfeile, was stundenlange Arbeit bedeutet. Vor dem letzten Polieren und Polieren kann man alle Feilspuren sehen.“Jennifer wuchs im Navajo-Reservat in der Nähe von Winslow, Arizona, auf und lernte ihr Handwerk ab ihrem achten Lebensjahr von ihrem Vater Thomas Curtis Sr., der selbst ein preisgekrönter Silberschmied war. Sie begann, selbstständig zu arbeiten Nach dem High-School-Abschluss bemerkte sie in einem Interview mit Shiprock Santa Fe: „Meine Arbeit ist eine Erweiterung meiner Geschichte, meiner Familie. Mein größter Einfluss ist mein Meister, mein Lehrer, mein Vater. Sein kürzlicher Tod hat jedem Hammerschlag und jedem Design, das ich erschaffe, eine besondere Bedeutung verliehen. Meine Familie ist der Mittelpunkt meiner Existenz; Ich mache Arbeit, die ausgewogen und verhältnismäßig ist, immer mit einem physischen Zentrum, das das Spirituelle widerspiegelt.“Jennifer hat viele erste Preise auf dem Santa Fe Indian Market gewonnen.Alle Edelmetalle werden geprüft und garantiert, Jeder Schmuck der amerikanischen Ureinwohner, der als Silber oder Sterling bezeichnet wird, besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Die meisten Manschettenarmbänder werden am Handgelenk einer 6 Zoll großen Frau fotografiert und enthalten ein Foto, das den Innenumfang zeigt, an dem die Metallspitze auf die Zahl auf dem Maßband trifft.

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6.25" Joe Begay Navajo Sleeping Beauty turquoise inlay sterling cuff bracelet. Amazing bracelet with no issues. Weight and measurements in pics. Joe is by all accounts a true Renaissance man. He served as a Green Beret during the Vietnam war, came home, and began an acting career on television with “Little House on the Prairie and “One Life to Live. In his words “I was lucky to be allowed to play an Indian. Until then, all Indians were played by whites. He went on to portray roles in the movies Dances With Wolves, Three Amigos, Young Guns II and many others. Since his retirement from acting, Joe shifted his focus to silversmithing and has become renowned for his Storyteller jewelry that he sells adjacent to his cherished San Xavier Mission in Tucson, AZ. He is also an accomplished singer of traditional Navajo songs. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6.25" JT Bisbee Turquoise 3 stone cast sterling cuff bracelet. No issues, solid sterling, weight and measurements in pictures. Signed JT, most likely Native American made. Nice large Natural Bisbee turquoise from Arizona. Two 15x12mm Bisbee turquoise stones, One 16x23mm.

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6.25" Large JZ Vintage Native American sterling turquoise inlay cuff bracelet. Unmarked other than Artists mark solid sterling, weight and measurements in pics. Three stones shown on right center of second pic with some damage. It‘s no more of a distraction in real life than it is in that pic. Shallow chips. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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6,25" Große Vintage Silber/Türkis-Clustermanschette der amerikanischen Ureinwohner. Nicht markiert, aber getestet und garantiert 90 % oder mehr Silber, 6,25" Innenumfang einschließlich der 1 1/8" Lücke. Sehr große 4 1/8" breite Vorderseite, keine nennenswerten Probleme. 116,1 Gramm

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6.25" Marc Antia Apache 14k/Sterling Azurite cuff bracelet, clean with no damage or significant wear. Weight and mearements in pics. Part Apache and part German, artist Marc Antia is a self-taught silversmith that has being making jewelry for decades. When he isnt masterfully working on new pieces, he travels across the United States to display his work at Native American jewelry and craft shows. Marc has created a following for his elaborate stamped jewelry. He often combines sterling silver and 14k gold to make pendants, rings, and cuffs. Despite the formality presented by his use of gold in Marcs jewelry, the durability of his pieces is apparent; upon wearing, one immediately knows this is something that can take the abuse of a daily wear. And yet, they are surprisingly lightweight. One well-versed in Native American jewelry might notice that the traditional Navajo stamp style seen in Marcs jewelry is liken to a fellow Native American artists work: Emerson Bill. This is no coincidence, as both artists learned the ways of their trade together. This occurred in their salad days, and they grew to be close friends. Marcs work can be distinguished from Emersons by his addition of extra embellishments and flourishes in his stamp work. His classic stamping on his gold and silver jewelry make Marcs work wearable with just about any outfit or color scheme, let alone that it works incredibly well with other Native American handmade jewelry pieces. While still formal and ornate, Marcs work also reflects humility in both its function and its roots in traditional technique.

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6.25" Mark Chee (1914-1981) Navajo silver cuff bracelet with turquoise. Unmarked, attributed.. I am extremely confident that this is Mark Chee's work, it is obviously an old bracelet, circa mid 20th century. The stampings, the clean bezels around the abstract natural stones, the back, overall design, everything about it is indicative of Mark Chee's work.<br><br>Mark Chee (1914-1981) Biography<br>Navajo artist, Mark Chee is among the earliest southwest silversmiths. Mark Chee is known for traditional stamp work and high quality stone settings in unusually heavy silver. He was born in Lukachukai, Arizona around 1900 and was sent to government school at Fort Defiance (a United States government practice during that time) from the age of 10 to the 11thgrade. He is the elder brother of Joe Chee. <br><br>He was active during the 1930s through ‘60s. He specialized in heavy silver in old style designs. He began polishing silver in Julius Gans’ Southwest Art and Crafts shop in Santa Fe for $5.00 a week. He then bought a few tools and used them all his life. He quickly became an accomplished silversmith and was hired as a bench smith at Frank Patania’s Thunderbird Shop and later at Al Packard’s shop on the Santa Fe Plaza. He was also a bench-smith for the Wooden Indian at Embudo, New Mexico. <br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.25" c1970's Native American silver Cuff/Earrings/sz6.25 Ring w/Nice turquoise. Selling the set shown with no issues, measurements in pics.All precious metals are tested and guaranteed,

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6,25" Norbert Peshlakai Navajo 14k Sterling, Korallen-, Jet- und Muschelarmband und Ringset. Verkaufe das abgebildete Set, gekauft in Santa Fe im Jahr 1979. 6,25" Armband und Ring der Größe 9. Beides von bester Qualität und ohne Probleme. 104,9 Gramm Gesamtgewicht Norbert Peshlakai, Diné des Juweliers der Navajo Nation + Künstler zu meinen Einstellungen hinzufügen Künstlerpunze, Unterschrift von Norbert Peshlakai, Diné Silversmith. Der aus der Navajo-Nation stammende Künstler Norbert Peshlakai gilt als einer der preisgekrönten zeitgenössischen Juweliere. Er ist Goldschmiedemeister und arbeitet in Silber. Er verwendet nur die besten natürlichen Edelsteine. Ein Kreis mit einem mittleren Punkt über einem X ist Teil des Markenzeichens von Peshlakai. Sein unverwechselbares Markenzeichen liegt eher auf der Oberfläche als auf der Innenseite des Armbands. Norbert Peshlakai (1953-) ist Diné der Navajo Nation, Towering House Clan. Er ist ca. aktiv. 1972-heute: zeitgenössischer Schmuck, Behälter, Gemälde. Norbert ist der Urenkel von Asah ĺ chei / Asant Chee; materieller Enkel von Bessie Steven und Fred Steven; Enkel väterlicherseits von Billy Roanhorse, Margaret Peshlakai; Sohn von Ben Peshlakai und Lydia Peshlakai; Bruder von Leta McBride, Calvin Peshlakai, Clifford Peshlakai, Hattie Peshlakai, Victoria Peshlakai Venagas, Jasper Peshlakai und Frieda Peshlakai; Ehemann von Linda Peshlakai; Vater von Aaron und Natasha Peshlakai. Auszeichnungen: 1978, 3.; 2006, Most Creative Use of Stamp Work, 1. Platz; 2010, 1., Indischer Markt, Santa Fe; 1., (2), 2.; SWAIA-Stipendium; 1984. Referenz: American Indian Jewelry III: MZ 2.100 Künstlerbiografien von Gregory und Angie Yan Schaaf. Alle Edelmetalle werden geprüft und garantiert. Jeder als Silber oder Sterling bezeichnete Schmuck der amerikanischen Ureinwohner besteht garantiert zu mindestens 90 % (Münz-)Silber und möglicherweise zu einem höheren Gehalt. Alles, was markiert ist, ist garantiert das, was markiert ist. Die meisten Armbänder werden an einem 6-Zoll-Handgelenk (nicht behaart) fotografiert, Ringe, wenn möglich, an einem Finger der entsprechenden Größe. Bei Armbändern wird der Innenumfang angezeigt, wenn das Maß nicht in der Beschreibung angegeben ist wo das Metall auf die Zahl auf dem Maßband trifft.

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6.25" Orville Tsinnie Navajo GemBone Petrified Dinosaur Bone Sterling silver cuff bracelet Tested and guaranteed solid sterling silver with markings shown. Weight and measurements in pictures. Some expected wear, no cracks or breaks. Circa last quarter of the 20th century. Orville Tsinnie: A Luminary in Navajo Artistry In the early 1970s, Orville Tsinnie, a distinguished Navajo artist, embarked on a journey of artistic discovery under the tutelage of his Hopi brother-in-law. This marked the genesis of a career that would see him garner numerous accolades, including the prestigious Lifetime Achievement Award from the Indian Arts and Crafts Association. This honor is reserved exclusively for the crème de la crème of American Indian artists, underscoring Tsinnie‘s exceptional talent. Orville Tsinnie (1943-2017) signs his work with "Orville Tsinnie, New Mexico" along with two stamps of Shiprock. Tsinnie‘s work was a testament to his superior craftsmanship. While he was adept at creating traditional jewelry, his true genius lay in his ability to conceive and execute innovative designs. His meticulous attention to detail and unwavering commitment to precision were the hallmarks of his work, resulting in pieces that were unmistakably his own. Operating from his studio in Shiprock, New Mexico, Tsinnie was a stalwart presence at Santa Fe‘s annual Indian Market. His participation in this yearly event further cemented his status as a luminary in the realm of Navajo artistry. His legacy continues to inspire and influence the world of indigenous art. All precious metals are tested and guaranteed,

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Preston Monongye (Hopi) (1927-1987) Armband aus Tufa-Gusssilber mit türkisfarbenem und korallenrotem Kopfsteinpflaster. 1 7/8" (48 mm) breit, 1 1/8" (29 mm) Spalt, passt bis zu einem 6,25" (159 mm) Handgelenk. 125,2 Gramm. Unglaubliches Design, Qualität und Ausführung. Ein Kunstwerk für jedermanns Maßstäbe, Ein einzigartiges Stück. Stücke von Preston Monongye brachten in der Vergangenheit über 20.000 Auktionen ein, darunter ein Bolo im Jahr 2017 bei Cowans Auktion, das für über 20.000 verkauft wurde, und ein Armband im Jahr 2020 im selben Auktionshaus für über 10.000. Preston Monongye (1927–1987) war ein einflussreicher Vertreter dessen, was er „die neue indische Kunst“ nannte. Er schrieb: „Wir verwenden möglicherweise alte Techniken sowie alte Designs aus Tonscherben oder Piktogrammen, aber dann entwerfen wir sie neu oder fügen eigene Innovationen hinzu.“ Preston hatte einen unkonventionellen und spät blühenden Weg zur Schmuckherstellung. Er diente in zwei Kriegen, arbeitete in der Strafverfolgung und war Angestellter des Bureau of Indian Affairs. Später beschloss er, sich ganz der Schmuckherstellung zu widmen, die zahlreiche Auszeichnungen erhielt. Er hatte schon immer mit Schmuck und Kunsthandwerk experimentiert, erhielt aber erst Anerkennung, als er sich voll und ganz seiner Kunst widmete. Preston war in erster Linie für die Metallbearbeitung und das Design seiner Stücke verantwortlich, wobei er die Intarsien von seinem Freund und renommierten Steinschneider Lee Yazzie anfertigen ließ und später seinem Sohn Jesse Monongye die Steinarbeiten anfertigte. Seine Stücke werden bundesweit ausgestellt. Monongye wurde in East Los Angeles, Kalifornien, als Sohn mexikanischer und missionsindianischer Eltern geboren und im Alter von sieben Jahren von einer Hopi-Familie adoptiert. Er wuchs als Hopi auf, sprach die Hopi-Sprache und war Mitglied der Katsina-Gesellschaft. Im Alter von neun Jahren begann Monongye eine Lehre bei seinem Onkel, dem Silberschmied- und Malermeister Gene Pooyama. „Er brachte mir bei, wie man nach der Hopi-Art lebt“, erinnert sich Monongye. Während seiner gesamten Karriere spielten Hopi-Farben und -Bilder eine herausragende Rolle in Monongyes Werk. Aber Monongye bestand darauf, dass einheimischer Schmuck nicht an die Vergangenheit gebunden sei, und erklärte: „Eine alte Philosophie, die mir mein Vater und andere Männer der Hopi Mesas gegeben haben, lautet: ‚Wenn Sie Fortschritte machen können, ohne Ihrer Tradition oder Ihrer Religion zu schaden, „Er wurde 1927 in Los Angeles geboren, im Alter von sieben Jahren in Hopi ausgesetzt und von einer prominenten Hopi-Familie adoptiert. Monongye besuchte Reservatschulen und nahm voll am religiösen und gesellschaftlichen Leben der Hopi teil. Nach seinem Dienst als Fallschirmjäger im Zweiten Weltkrieg wurde Monongye Kachina-Maler und arbeitete gelegentlich für den Händler Roman Hubbell und die Fred Harvey Company. Während des Koreakrieges meldete sich Monongye erneut und arbeitete später in der Strafverfolgung für das Bureau of Indian Affairs, während er weiterhin Silberschmuck malte und herstellte. Nachdem Monongye Anfang der 1960er Jahre seinen Job zugunsten der Schmuckherstellung aufgegeben hatte, wurde er schnell als innovativer Designer und Techniker anerkannt, der sich in die „neue indische Kunst“ vertiefte und traditionelle Techniken und Motive nutzte, um einen zeitgenössischen neuen Look zu kreieren. Er war vor allem für sein gegossenes Silber bekannt, das mit Steinen besetzt war, die oft von seinem Freund Lee Yazzie und später von seinem Sohn Jesse geschliffen wurden. Monongye lehrte seine Kunst an verschiedenen Schulen und Werkstätten und hielt zahlreiche Vorträge über zeitgenössisches Design der Ureinwohner. Er gewann viele Auszeichnungen bei Ausstellungen und Wettbewerben und sein Schmuck erscheint in Museumssammlungen wie dem Museum of Northern Arizona in Flagstaff und dem Wheelwright Museum in Santa Fe.

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6.25" Ric Charlie Navajo sterling tufa cast cuff bracelet with spiderweb turquoise.Ric Charlie is an accomplished, self-taught Navajo goldsmith who has gained international acclaim for his tufa-cast jewelry. The texture and fine lines he achieves by carving in tufa stone, combined with colorful patinas and semiprecious stones, define Ric Charlie’s work. For nearly three decades, Ric has been drawing upon traditional Navajo techniques while pushing the boundaries to stay on the cutting edge of jewelry design.Charlie's love of color draws him away from the turquoise commonly found in Southwestern jewelry. He instead favors the gold, rust, red, purple, blue, and green patinas he achieves by adding liver of sulfur to the silver. The fine lines in his jewelry are accomplished by cutting tufa stones (compressed volcanic rock) with dental tools.Ric learned basic jewelry-making techniques in 1973 when he was in high school. He studied jewelry-making and design in college at Arizona State University and University of Arizona, and went on to teach himself tufa casting after being inspired by the work of Preston Monongye and Charles Loloma.“Sandcasting is a pretty difficult medium,” Ric Charlie says. “But for me it’s second nature. Everything I do is cast, and 99 percent of them are one-of-a-kind.”In 1983, Ric helped to design and construct the staff and medallion used by the president of Arizona State University.Today, Ric Charlie teaches and advises Native artists in his unique tufa-casting methods, while still producing top-of-the-line work for galleries and collectors around the world. Ric has received numerous awards from competitions at the Heard Museum and Sante Fe Indian Market, including Best of Show, Best of Class, and the Raymond Dewey Memorial Award for Excellence in Tufa Stone Casting.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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6.25" Ric Charlie Navajo Tufa Cast silver feather cuff bracelet. Ric Charlie is an accomplished, self-taught Navajo goldsmith who has gained international acclaim for his tufa-cast jewelry. The texture and fine lines he achieves by carving in tufa stone, combined with colorful patinas and semiprecious stones, define Ric Charlie’s work. For nearly three decades, Ric has been drawing upon traditional Navajo techniques while pushing the boundaries to stay on the cutting edge of jewelry design.Charlie's love of color draws him away from the turquoise commonly found in Southwestern jewelry. He instead favors the gold, rust, red, purple, blue, and green patinas he achieves by adding liver of sulfur to the silver. The fine lines in his jewelry are accomplished by cutting tufa stones (compressed volcanic rock) with dental tools.Ric learned basic jewelry-making techniques in 1973 when he was in high school. He studied jewelry-making and design in college at Arizona State University and University of Arizona, and went on to teach himself tufa casting after being inspired by the work of Preston Monongye and Charles Loloma.“Sandcasting is a pretty difficult medium,” Ric Charlie says. “But for me it’s second nature. Everything I do is cast, and 99 percent of them are one-of-a-kind.”In 1983, Ric helped to design and construct the staff and medallion used by the president of Arizona State University.Today, Ric Charlie teaches and advises Native artists in his unique tufa-casting methods, while still producing top-of-the-line work for galleries and collectors around the world. Ric has received numerous awards from competitions at the Heard Museum and Sante Fe Indian Market, including Best of Show, Best of Class, and the Raymond Dewey Memorial Award for Excellence in Tufa Stone Casting.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Richard Tsosie Navajo Silver cuff bracelet with high grade turquoise and pearl.<br><br>Richard is perhaps best known for his distinctive textured silver designs. His trademark techniqie of granulation was discovered by accident when he noticed silver filings were fusing onto a ring he was soldering. He calls the process which produces this granulated surface texture “reticulation,” and he has been perfecting the technique throughout his career.<br><br>Born in 1956, Richard has been a jeweler since the mid 1970s. He learned jewelry making from his brother Boyd and from Kenneth Begay at Navajo Community College in Arizona. He quickly progressed from basic tasks of cutting and polishing stones to the more complex process of inlay.<br><br>Richard’s contemporary silver and hold work features the use of fabrication, overlay, and granulation. He is also known for colorful inlay work with a variety of natural stones and for his fine degree of control and attention to detail. His designs are motivated by images of the natural world, particularly the Wide Ruins area of the reservation where he spent a large part of his youth. Richard says of his work, “I am inspired by the colors of the mountains at sunset, the patterns of shadow and light that emerge at dawn, and the pinpoints of starlight against the black night sky.”<br><br>His pieces typically contain the symbol for lighting and an arrow pattern. The lightning stands for natural causes, while the arrowhead symbolizes man-made elements. Richard says the design represents the ups and downs of life. “Some things we can’t do anything about and you should try to enjoy life to the fullest.”

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6.25" Robert Lomadapki Hopi overlay wave/water cuff bracelet sterling silver. Tested and guaranteed solid sterling silver with artists hallmark, vintage bracelet that appears unworn. Weight and measurements in pictures. Robert Lomadapki was born in 1942 at Hotevilla on Hopis Third Mesa. In the 1970s he was part of a program at the Museum of Northern Arizona where he was able to collaborate and study along with Duayne Maktima and Victor Beck under the mentorship of Jake Brookings. He is known for making Hopi overlay jewelry since the 1970s. In 2008, Robert Lomadapki (1942-2015) was named an “Arizona Living Treasure for his dedicated work in education in the Native American community. Not only was he a talented artist, he was an educator and a gallery owner who spent his time encouraging and promoting the careers of young artists. He spent the last years of his life in the Applied Indigenous Studies department at Northern Arizona University as a traditional knowledge scholar. He was also the owner and operator of Isvaki Gallery in downtown Flagstaff, Arizona.

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