Productos

16" Georg Jensen 1 Art Deco Sterling Choker necklace 5/8" wide x 56 grams. No issues whatsoever.Georg Jensen, (born August 31, 1866, Raadvad, Denmark—died October 2, 1935,<br>Copenhagen), Danish silversmith and designer who achieved international<br>prominence for his commercial application of modern metal design. The simple<br>elegance of his works and their emphasis on fine craftsmanship, hallmarks of<br>Jensen’s products, are recognized around the world.<br><br>Jensen was apprenticed to a goldsmith at age 14. His artistic talents were<br>briefly focused on sculpture, but he returned to metalwork, primarily jewelry<br>and silver pieces, produced in the workshop he opened in Copenhagen in 1904.<br>Jensen exhibited his works at several major foreign exhibitions (winning a gold<br>medal at the Brussels Exhibition of 1910) and quickly built a reputation as an<br>outstanding and highly original silversmith. He moved to a larger workshop in<br>1912 and acquired his first factory building in 1919.<br><br>Jensen’s silverware achieved immediate popularity and commercial success. He<br>was, in fact, the first silver maker to realize a profit from the manufacture of<br>modern silver. Until Jensen’s time virtually all successful silverware producers<br>had relied on a standard repertory of popular traditional designs. Jensen,<br>however, found that the market for his sleek, simple pieces was larger than<br>anyone had predicted. His firm grew rapidly, expanding throughout Europe and<br>opening branches in London and New York City. On both continents Jensen’s work<br>set trends for contemporary tableware. He was among the first designers to<br>fashion steel—formerly considered fit only for low-quality, inexpensive<br>flatware—into handsome, serviceable cutlery.

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16" Los Castillo Modernist sterling and turquoise choker necklace. 16" long 14mm<br>wide, no issues, likely simulated or block turquoise 53 grams, rare design.<br><br>Los Castillo Jewelry - History<br>Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in<br>1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador<br>Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments.<br><br>Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s<br>for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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16" Margot De Taxco Mid Century Modernist sterling Pendant on cuban link necklace. Necklace is nice and thick 4mm with no apparent markings, tested sterling. The ends of the clasp will not go through the bail of the pendant, so I assume they have been together "forever".. Pendant 2.25" with bail x 1 3/8". 42.9 grams.Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th

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16" Retro Italian Sterling choker. Nice thick choker with no issues. 60.6 grams.

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16" retro Mexican sterling choker link necklace. No issues.

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16" Retro Sterling Toggle necklace with Pink Visual heart charm.  This was apromotional item given by pink visual to actresses.  If you purchase it I can send you a link of a picture of her wearing the necklace online if that's of interest.  Nice solid heavy necklace, Tests sterling marked what looks like JC 925. The heart could easily be cut off if not wanted, I could do it if asked but obviously wouldn't unless asked. 59.3 grams.

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16" Salvador Terán mid century modernist sterling choker necklace ranges from 7mm-25mm wide, 66.4 grams. No issues.Salvador Vaca Terán (1920 – 1974) Known primarily as a Mexican modernist, Salvador Terán was born in Taxco and was a cousin of the Castillo family. He began work for William Spratling (“The Father of Mexican Silver”) at Las Delicias in the 1930s.He is considered an exceptional designer, innovator, and silversmithing technician whose specialties include mosaics and jewelry. In 1939, he left Las Delicias to become a founding member of Los Castillos, the renowned Taxco workshop that produced exquisite mixed-metal works. He stayed at Los Castillos, creating jewelry sold under their mark, until 1952. He then moved to Mexico City to open his own shop, La India Bonita that ultimately employed twenty-five silversmiths.Terán is well known for trays, wall hangings, coffee sets, and boxes that are usually brass with brightly colored glass. His jewelry creations often make use of overlapping planes set against oxidized backgrounds.He also uses pierced forms with shadowboxed backgrounds that make some of his pieces look surreal. Although his designs are often sleek and modern for the time in which he created them, Salvador was also greatly influenced by pre Columbian art. Terán pieces also combine metal with stone mosaics to create trays and pitchers.A fine example of Terán’s jewelry design is a raw emerald necklace that is about 75 inches wide at the widest point and to measure for length, but only about 16 inches long when worn. It lays flat since it is wired from link to link giving it fluidity of motion.All of Salvador’s work in jewelry and other disciplines is highly collectible, quite rare, and rarely surfaces on the vintage jewelry market.

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Vintage Barry Kieselstein Cord Carnelian beaded necklace with Sterling frogs/ladybug 16" long, rare if not one of a kind.

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16" Vintage Carol Felley Amethyst and sterling southwestern necklace. No issues, measurements and weight in pics.<br><br>Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years.<br><br>She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising<br>awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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16" Vintage Mexican Sterling necklace and brooch. Simply marked Made in Mexico, (tested) sterling. 1.25" brooch, 16" long necklace 48.2 grams total

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16" Vintage Mid Century Modernist Mexican sterling collar necklace 13.5" plus 2.5" flexible gap, 36.1 grams.

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16" Vintage Native American Sterling Beaded Squash blossom pendant necklace. Unmarked, tested sterling . This is only 16" long so either a choker or for a smaller necked person. 19.4 grams.

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Collar con colgante vintage de plata navajo y turquesa de 16". Excelente como se muestra, sin problemas. Todos los metales preciosos se prueban y garantizan, se garantiza que cualquier joyería de nativos americanos denominada plata o plata esterlina tiene un mínimo de 90 % (moneda) plata y posiblemente contenido superior. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (no peluda), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. En el caso de las pulseras, si la medida no aparece en la descripción, se muestra la circunferencia interior donde el metal se encuentra con el número de la cinta métrica de tela.

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16.5" c.1890 Carl Thieme Dresden Porcelain Covered Urns with Peacocks, Turkey,<br>Quail, Chickens with Winged woman Handles 9" wide each. All hand painted Museum<br>quality one of a kind pieces. Both lids are in mint condition with no cracks, no<br>chips, and no restorations. One has on old repair to one wing and one ladies<br>head. The other has no cracks, chips, but a possible professional restoration to<br>one of the ladies heads, no other restorations.

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16.5" Polia Pillin(1909-1992) Mid century Modern California Art Pottery Bowl<br>late 1940's-50's. Exceptional early heavily potted Pillin piece just discovered<br>estate fresh. Bought from Polia for $75, I'm thinking the 101 on the tag<br>indicates it was likely her 101st piece made. This is a really big bowl with<br>typical crazing and 3 of the tiniest glaze flakes on the outside rim. No cracks,<br>chips, or restorations.<br><br>Polish-born Polia Pillin (1909-1992) and her husband William established their<br>ceramic studio, The Pillin Art Pottery Company, in their Los Angeles, CA garage<br>in 1948. Her husband shaped and glazed the pots that became canvases that Polia<br>used to paint fanciful scenes of people and animals in the mid-century style.<br>Thousands of pieces were produced and Polia became one of the most highly<br>regarded of contemporary studio potters today.<br><br>The clay used for Pillin pottery was typically red-brick in color. William<br>experimented with different glazes and produced some pieces without Polia’s<br>artwork. However, it was Polia’s artistic designs that garnered her<br>international recognition. Polia was inspired by the Cubism movement and by the<br>works of Pablo Picasso whom she greatly admired. Her style is often referred to<br>as “Byzantine”. Polia’s favorite subjects were women, horses, birds, fish and<br>other animals painted over colorfully rich glazes. The overall pallet had an<br>organic, jewel-toned quality.<br><br>Each piece of Pillin pottery was hand-thrown, glazed, painted and hence, unique.<br>Because Pillin worked from her garage (and in her kitchen when she lived in<br>Chicago), she did not have access to expert tradesmen, chemists or specialized<br>equipment that could mass produce her work. For that reason, most Pillin pottery<br>is highly crazed. Rare pieces with little to no crazing command higher values.<br><br>Most pieces of Pillin pottery were produced beginning in 1948 and marked on the<br>bottom with Polia’s signature “Pillin” in either thick or thin black ink. Rare<br>pieces produced in her Chicago kitchen in 1946 and 1947 are incised “46” or<br>“47”. Some very early pieces are marked “W+P” above the Pillin signature to<br>indicate William throwing the pieces and Polia decorating them. Thicker thrown<br>pieces tend to indicate earlier works.

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16.5" vintage Mexican Sterling link Collar Choker necklace. Thick solid marked and tested sterling with no issues. 101.3 grams.

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168ct Boulder Opal drilled pendant/bead. Selling the exact stone shown. Has a<br>clean 2mm hole drilled through it. I have several of these I will be offering<br>them separately. They were on a 24k gold necklace with large 24k beads between<br>each stone. The gold has already been recycled and I'm hoping to repurpose these<br>as they are expensive stones that were worthy of putting on a necklace that had<br>thousands of dollars worth of gold on it. The possibilities are endless, one of<br>them or a few would be great in or out of a setting. Buying the exact stone<br>shown 58mm x36mm, weighs 168ct.

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c1900 Chinese Blue and White Nanking Crackle Glaze Floor Vase Hand Painted<br>Emperor 17 3/8" x 8" wide. Nice painting, firing flaw as shown in emperors<br>clothing. No cracks, chips, or restorations

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17 5/8" Antique Japanese Meiji Period Hand Painted Blue/white charger. One smallchip on rim shown in center of last pic. No other chips, no cracks, no restorations.

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17 5/8" c1860 Japanese Sometsuke Charger hand painted blue underglaze.<br>Exceptionally large charger in great condition. One very small flake on the rim<br>shown just to the right of the plate holder in the bottom of the third pic. No<br>other issues, no cracks, large chips, or restoraitons.<br>isshelf

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17" 1970's waterweb turquoise silver beaded Navajo necklace. Very attractive natural stones, Bottom stone in bezel is 1 5/8" x 1 1/8" with bail. 45.9 grams<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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17" 97 gram Sterling Silver Double Chain link necklace. This necklace is .5"<br>wide, it's solid sterling silver marked and tested, very cool super heavy<br>vintage sterling necklace. No issues.

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Collar de perlas Navajo vintage de 17 ", 9 mm-17 mm, 31,2 gramos sin problemas, estampado a mano. Marcado o sin marcar como se muestra en las fotografías, peso y otras medidas en las fotografías. Lo siento, pero mis joyas están guardadas en un ubicación segura y no se puede acceder a ella para obtener más imágenes,videos o medidas hasta que se venda. Si miras las imágenes/descripción, tupregunta debería ser respondida. ¡Muchas gracias por tu tiempo y consideración!Todos los metales preciosos son probados y garantizados. Se garantiza que una pieza de joyería de los nativos americanos denominada "plata" o "lingote" tiene al menos un 90 % de plata. Las pulseras se fotografian en una muñeca de mujer de 6".

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17" Antique Chinese Carved wood Buddha statue. 18th-19th century antique figure, previously sold at Christies East with label intact. 17" tall x 7" wide, repair to hand as shown.

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17" Chunky Italian Sterling Rope choker 98.3 grams, 12mm wide with no issues.anderas

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17" Heavy Retro Mexican Sterling choker. 17" long 22mm wide at widest point,<br>Very substantial 135 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas

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17" Retro Italian sterling vermeil accented graduated necklace. No damage whatsoever, no kinks, functional clasp. 33 grams.

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16.5" retro Italian sterling link necklace 3/8" wide 31 grams, super clean with little wear and no damage.

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17" Retro Southwestern Touch of Santa Fe sterling channel inlay necklace 5mm wide with no issues.The initial idea was born in Santa Fe, New Mexico in the heart of the Native American art district to cater to the educated collectors of southwest jewelry and art, and the every day American consumers which are interested in a modern look that carries value and pizzazz . A Touch of Santa Fe was founded in 1993 in Albuquerque, New Mexico. ATSF grew rapidly to become one of the largest producers of Native American crafted lapidary (Inlay) jewelry. The collectors of southwestern jewelry and art have recognized for the past 24 years ATSF as the only company in the industry that offers a lifetime guarantee on its products, along with a wide variety of both men and women’s jewelry styles in an unlimited selection of color combinations.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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17" Vintage Continental Beaten Copper Mixed metals tray. This is a rare form in<br>this line in amazing condition. It's solid copper with a pewter or silver<br>plating I believe then lacquered. Wall hanger on back, decorative or functional<br>piece, really big, really great with no significant issues.<br>isshelf

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17" Vintage Mexican Sterling necklace 17" long and hangs down another 4.5".<br>Marked and tested sterling. Marked Mexico 925 and some other illegible stuff on<br>clasp. 63.4 grams.

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17" Vintage Native American Sterling, turquoise and antler necklace. 17" long,beads and other metal is solid sterling, genuine turquoise, pendant is 2" 45.7 grams. Marked FB on reverse side.

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17" Vintage Native American sterling, turquoise, and coral beaded pendant necklace.

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17.5" Milor Italian Sterling multi-color balls necklace. Retro possibly unworn condition. I didn't test the balls, I'm assuming them to be glass or semi-precious stones. Great looking necklace with no issues. 27 grams.

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17.5" Sterling Silver and Agate bead Necklace. Nice vintage necklace with 1.5" agate stone at center, no damage 75 grams.

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17.5" Vintage Barry Kieselstein Cord 14k/Sterling Frogs Necklace. Guaranteed authentic, no issues, clean. 95.2 grams.

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1709 French Land Grant Texas? The acrylic case measures 17" tall x 20" wide. Ihaven't had a chance to figure out what territory is being discussed here as I don't speak French. I did acquire it with some early Texas documents/land grants with presidential signatures but none quite this old. I feel like this is likely a really important document and would be grateful for any type of info regarding the territory discussed here or anything else.

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1730. CONGREVE, WILLIAM. THE WORKS OF MR. WILLIAM CONGREVE: IN THREE VOLUMES, Consisting of his Plays and Poems. London, J. Tonson, 1730. 12mo. Three volumes. Fifth edition, complete. Contains The Old Batchelor, The Double Dealer, Love for Love, The Mourning Bride, The Way of the World, The Judgment of Paris, Semele, and Poems on Several Occasions. Published one year after the author's death. This collected edition first appeared in 1710, when the Preface stated that its publication had been hastened because "these five Plays have lately undergone a spurious Impression, and have been very faultily, as well as very indirectly Published, in Prejudice both to the Author and to the Bookseller who has the Property of the Copy. In the Third Volume there is an Opera [Semele], which has never yet appear'd; of which there is little to be said in this place, but that that the Musick is excellently compos'd by Mr. John Eccles." Semele was never performed until 1743, when Handel composed the score which is still performed. 190 year old book with wear to covers as shown, some foxing throughout, I believe all the pages are intact and the bindings are strong. 6 5/8" x 4".tw201

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1776 Maryland Colonial Currency. Guaranteed authentic in the condition shown,<br>hand signed and numbered. 2.75" x 3.5".<br>isshefl

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1786-1821 George III British Sterling Sugar tongs. Illegible makers mark and no town mark so uncertain of exact year or maker. Late 18th to early 19th century 5 5/8" long 28.3 grams.

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1789 George III Sterling Thomas Wallis London Fancy Engraved bird spoon. About as incredible as 234 year old spoons get. 8.75" long with no issues, gilt bowl. 56.5 grams.

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1797 British George III Sterling fish server. No damage or issues, 11.5" x 3.1" at widest point. 144.3 grams. The handle may be slightly weighted, but most of the weight is in the thick blade with fantastic hand engraving. Monogram as shown, likely some sort of royalty.London hallmark dating it 1797, makers mark I.O, I am unsure who that is, possibly John Orme.tw255

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17th Century Brass candlestick. 5.25" tall x 4.5" square base, slight wobble,<br>otherwise sturdy, offering a similar candlestick from the same period/estate<br>separately.<br>tw232

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17th Century Brass candlestick. 6" tall x 5.5" square base, slight wobble,<br>otherwise sturdy, offering a similar candlestick from the same period/estate<br>separately.

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17th Century Chinese Kraak bowl. Nice piece of high quality antique chinese porcelain, thin with 4 symmetrical indentations on the sides. 5.75" wide x 1 7/8" tall with absolutely no cracks, chips, or restorations, not even any rim frits, there is some expected glaze wear to the inside bottom of the bowl.chinashelf

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17th Century Persian Hand written/colored Manuscript page. Very old description taped to reverse outside of frame, this is framed between two pieces of glass, so glass on both sides, both sides visible. Frame is 13.5" x 9.75"

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17th-18th Century Bronze Sukhothai Buddha Statute Thai Ayutthaya Shakyamuni. Great early Thailand bronze buddha 18th century or older. 10.25" tall x 3.5" wide. Very heavy solid bronze with clay in base.TW7

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17th-18th Century Fur Trade Era Bronze Handled Graduated Kettles Wok Style Candy<br>Pots. These are extremely early pots. They're very heavy copper/bronze alloy I<br>don't believe they're solid copper. They're thick an non malleable. Largest is<br>10.5" without handles, middle 7.5" without handles, Smallest 4.75" without<br>handles. Together they weigh 6 pounds 11 ounces. The last pic is how they were<br>discovered. All I did was gently clean and heat up and coat in olive oil.

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17th/18th Century Chinese Sancai Glazed Earthenware censer 6.5" handle to handle x 3.5" deep x 5.25" tall with lid. Comes with antique but likely later fitted wood box and tattered cloth it was wrapped it. Will of course be packed better for shipping. Slight glaze wear on a few sharp points, no large chips, no cracks, no restorations.

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18" Retro Sterling/Amethyst multicolor quartz necklace. Natural stone and sterling beads, sterling clasp Largest beads are .5" thick 58.4 grams total weight.

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18" Tommy Singer (1940-2014) Navajo Silver, multi-stone/shell heishi necklace 18" long, 6.5mm wide, 30.7 grams. <br><br>Tommy Singer (1940 - May 31, 2014) was a World Famous Navajo Silversmith and his distinct style of Indian Jewelry is recognized the world over. Tommy was a silversmith for over 50 years. He learned the art of silversmithing from his father when he was just 7 years old. His Father Tsinnigine Hathali was a Navajo Medicine man. His early works were done in the Silver overlay technique but soon began to feature Turquoise stones. While working with scrap turquoise chips, Tommy pioneered the technique of Chip inlay used by thousands of artists to this day. Tommy eventually returned to his roots by creating Exquisite Silver Overlaid Jewelry with intricate designs.<br><br>All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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18" Antique Japanese Meiji Imari Charger with no chips, cracks, or restorations.<br>Hand painted, nicely decorated from the last half of the 19th century.

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18" Antique Persian Sterling/copper on brass mixed metals tray. Late 19th to<br>early 20th century, solid silver (tested) and copper on brass. Late 19th to<br>early 20th century. Large tray with hanger on back to use as wall hanging.

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18" c1890 Elgin Wind and Power Rainbow Tail Rooster Windmill weight. This is<br>directly from the Estate of Milt Simpson the author of the book shown, I'm<br>including the first edition copy of the Windmill Weights book with dust jacket<br>shown. Also including the custom stand shown. Measures about 18.5" x 17" and<br>weighs about 60 pounds.. I'll be offering one more weight also from his estate.<br><br><br>Milton Simpson (1911-2023)<br>Milton – also known by his friends and acquaintances as Milt - was born and<br>raised in Brooklyn, New York City and raised his family in Millburn, New Jersey.<br>He attended the New York School of Industrial Art (SIA), now the School of Art<br>and Design. He then worked for Incorporated Ideas Advertising Agency in New<br>Jersey before joining the United States Army, serving in Korea.<br>After his discharge from the Army, Milt attended The Workshop School of<br>Advertising & Editorial Art. Upon completion of his studies there, he became the<br>Art Director of The American Baby Magazine in New York, Assistant Art Director<br>at Lewin, Williams & Saylor in New Jersey, and then Art Director of Kenyon-Baker<br>Advertising & Baker Printing Company, (both of which were under one roof) in New<br>Jersey. (He left there because the promised air conditioner was never<br>installed!)<br>He then worked as a freelance graphic designer and illustrator for several<br>years.<br>In 1964, he and business partner Don Johnson founded the firm of Johnson &<br>Simpson Graphic Designers with Milt as president. They were based in a townhouse<br>in beautiful downtown Newark, New Jersey and specialized in corporate<br>communications. The design projects they took in included annual reports,<br>corporate magazines, capability brochures, posters, museum catalogs, trademarks<br>and books. Their clients included Conoco, Johnson & Johnson, New Jersey Bell,<br>Hoffmann-La Roche, The Newark Museum and Singer Corporation.<br>The firm was featured in every major design publication, was recognized by over<br>350 graphic design awards and he and Don were inducted into the New Jersey Ad<br>Club's Advertising Hall of Fame in 1991.<br>Milt also served on the Advisory Board of The Greater Newark Chamber of Commerce<br>and was an Adjunct Professor (Publication Design) at Montclair State College.<br>The New Jersey Art Directors Club voted Milt Art Director of the Year in 1972.<br>Books were his passion. He couldn't seem to get them out of his system and<br>didn't try to. For many years he produced and self-published a series of<br>Artists' Books using several print-on-demand platforms. Milt was always a<br>student and appreciator of quirky, eccentric and irrational human behavior.<br>These Artists' Books were very much influenced by his observations and<br>obsessions.<br>Among many others too numerous to mention, he wrote "Windmill Weights" which was<br>self-published and "Folk a" published by HarperCollins.<br><br>If it weren’t for its folk art appeal, the windmill counterbalance weight<br>probably would not be as highly collectible as it is today. But the windmill<br>weight is more than just a pretty face: It’s a key component of the vaneless<br>windmill produced in the late 1800s.<br><br>Vintage farm-style windmills that pumped water came in two basic varieties.<br>Vaned windmills used a tail, or vane, to guide the wheel into the wind. Vaneless<br>mills depended on a counterbalance weight, perched at the end of a wood beam, to<br>perform that function.<br><br>Counterbalance weights represented a short-lived but stylish variation of tail<br>technology in windmill production. The Halladay Standard windmill, manufactured<br>by the U.S. Wind Engine & Pump Co., (USWE), Batavia, Ill., was the first<br>manufacturer to employ a patented self-regulating wheel that would place itself<br>in or out of sail depending on the strength of the wind. This “folding” mill was<br>first developed with a wooden vane in 1854. Early catalogs from various windmill<br>manufacturers show mills with wood tails.<br><br>In the 1880s, USWE introduced a vaneless version of the Halladay Standard. The<br>Vaneless Standard, as it was called, utilized a star-shaped counterbalance<br>weight instead of a tail. This mill was produced until 1916; other companies<br>produced their own versions with different styles of weights into the 1930s. As<br>a general rule, counterbalance weights were used only on folding wheel<br>windmills, while tails were used on both early folding wheel and later solid, or<br>fixed, wheel windmills. “Once they came up with a light, sturdy metal for the<br>windmill tail,” explains collector Bob Popeck, “it was a whole new ball game.”<br><br>Weights not only served as a counterbalance but also as a marketing device,<br>identifying the mill’s manufacturer in a recognizable manner. “But basically,<br>the windmill weight just kept the wheel directed into the wind and prevented the<br>whole thing from tipping over,” Bob says. Today, these weights are prized by<br>windmill enthusiasts, such as the Popecks, and collectors of folk art.

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18" French Lalique Champs-Elyses Bowl. This one is about 20 years old, fresh<br>from a 4 million dollar home in extremely clean preowned condition with no<br>chips, cracks, tiny nicks, scratches on top or sides. Very slight shelf wear to<br>the base as this thing does way a ton. Current retail on this is $3800.<br>Item# 1121600<br>Dimensions: H 7.48" x L 18.11" x W 7.48" (H 19.00 cm x L 46.00 cm x l 19.00 cm)<br>Weight: 13.67 lbs (6.20 kg)<br>The spectacular rows of trees lining the most beautiful avenue of the world<br>inspired the design of the finely engraved crystal leaves that adorn the<br>Champs-Elyses Crystal Bowl, designed by Marc Lalique Crystal in 1951. In this<br>work of art, the artist captures the beautiful essence of Paris. This emblematic<br>artwork was designed in 1951 by Marc Lalique Crystal.<br>Handcrafted in France.

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18" Heavy vintage Navajo Pearl necklace 30's-40's silver Mercury dimes. Very heavy duty and sturdy necklace, solid silver vintage item likely made in the last quarter of the 20th century from authentic 1930's-40's 90% silver dimes.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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18" James Avery Semi-Retired Sterling Charm Necklace. I know the Owl charm is retired and fairly difficult to find, not sure about the others, all James Avery, all with little to no wear. The loop has been previously cut on the Owl and the Love hand.

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18" Konstantino 18k gold and sterling station necklace 18" long 21.5 grams, clean with no issues. Center parts are 18k gold on one side and 18k gold on toggle.Konstantino was born in Filiadona, a small village located in the heart of Greece, where the Ancient city of Melitea once stood. There, he watched his father closely as he worked on the farm, building machines and tools of his own, developing a great appreciation for the art of hand craftsmanship, history and archaeology. As a young boy, Konstantino would uncover broken ancient ceramics, coins and marbles in the fields, sparking a profound connection to his heritage.1978: A musical influenceFollowing his love for music, Konstantino became a disc jockey in the city of Athens, collecting everything from jazz, blues and rock ‘n roll, to folk music from around the globe. Musical legends and artists inspired a stylistic fluidity that introduced an essence of glam rock to the scene. Konstantino began curating his own aesthetic identity as a creative mind, artist and style icon. Influencing what would become the rule breaking spirit that drives the design team at Konstantino to this day.1983: Jewelry saved my life Konstantino fled the music scene of Athens in search of an oasis, he took a weekend trip to the island of Hydra where he ended up living for the next 15 years. It was on this magical island that he fell in love with jewelry, collecting and curating collections of his own, whereby in 1988 the first Konstantino store opened.1991: Annette Hydra is not only the birthplace of Konstantino’s love for Jewelry but is also where Konstantino met his soon to be wife and creative partner, Annette. Together, from the ground up, Konstantino Jewelry soon established its presence in the United States and global market.1998: Global Impact As the admiration and desire for the Konstantino brand spread, the dream continued to grow, where now our designs can be found in many countries globally. With the addition of a longstanding presence in stores across the United States, Konstantino is honored to represent an evolution of the Grecian style, to the world of fine jewelry lovers.2016: A Family Future Konstantino and Annette’s children, Julian and Phaedra joined the team, further continuing the legacy of passion and risk for the craft of gold smithery and design. This new generation leads with knowledge, humility and a natural instinct for the dynamic of the Konstantino brand. Preserving the brand’s core philosophies and expanding on its already established style, is a challenge that’s been taken on with confidence.

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18" Large Vintage Hand Stamped Navajo pearl sterling necklace. Very well made, hand stamped handmade beads (Largest 25mm), solid silver, most likely Navajo Made, at one point the clasp was likely replaced.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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18" Mexican Sterling Silver Necklace with Semiprecious stones. Nice quality chunky necklace with no issues circa 1980's. 78.5 grams.

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