Productos

9" Retro Italian Sterling link bracelet. 30.5 grams with no issues.

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9" Steuben Crystal Slinky Cat Figure Flawless 3.5" wide Very heavy . No cracks, chips, dings, or scratches even on the base. Guaranteed 100% to be authentic Steuben American art glass designed by Donald Pollard and retailed for around $2000.

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9.25" Very old Sterling Byzantine Style bracelet/anklet. This seems like a really old bracelet to me. I can see faint traces of old hallmarks, tested sterling. 42.8 grams.

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9.5" Michael Wainwright/Sandra Baccus Amalfi Salad plate set. Selling the exact 4 plates shown all with no wear or damage. I'm not totally sure if this is the Turquoise Amalfi or a different color designed exclusively for Sandra Baccus whom was a very important collector of African American art among many other things, she donated her multi-million dollar collection after her death in 2012.All Michael Wainwright pieces are finished with real 24K gold and real platinum. These plates are heavy and beautiful. They measure 12.5" in diameter. Many of Wainwrights designs evolved out of studies in Italy, his love of nature, his appreciation of fine art. Because he comes from the Studio ceramic art world, he creates wabi-sabi (the art of imperfection)handmade details in every piece. Inspirations of late, include the Japanese technique of Kintsugi, (Mezza Collection) and artists such as Gustav Klimt, (Vienna Collection) among others. Wainwright created his first collection of tableware in 1991, the same year he founded his company. He initially sold his wares at street fairs and craft markets, but it wasn't long before he was discovered by high-end retailers. By 1995 Wainwright's collections were being sold in national and independent luxury goods stores across the country. Today, Michael Wainwright Inc. has evolved from a one-man operation to a well-established presence in the luxury goods marketplace. His designs can be found in such luxe stores as Neiman Marcus, Bloomingdales , as well as smaller fine home stores and boutiques. Wainwright is the sole designer of every piece in his collections. Regardless of material, almost all his work is finished with 24k gold or platinum, and all designed in his Great Barrington, MA studio.

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9.75" Navajo Upper Arm Cuff bracelet Sterling turquoise Larry Moses Begay. Or maybe you happen to have a 9"+ wrist. This is a big cuff bracelet, I assume for an upper arm bicep or upper forearm. No issues. Measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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900 Silver Hand Stamped Southwestern Navajo Trinket box. Marked and tested silver, very well made. 2 3/8" x 1 5/8" x 1 5/8" tall 43.2 grams, hand stamped. Unsure of maker but it seems Navajo. trinketdrawer

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950 Silver Baroque pearl Czechoslovakian crystal necklace. Marked and tested 95%<br>silver high quality art glass prisms and authentic baroque pearls. 18" long 76.1<br>grams, clean estate fresh piece with no issues.

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999 Silver Toy Model Soldier Figure. 2.25" tall, 37.2 grams, guaranteed solid pure silver. No markings. Comes in original box from refinery.

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9mm Lagos Caviar Diamond, 18k, and Sterling necklace. Guaranteed authentic,<br>top quality Lagos Caviar, solid 18k gold stations with 36 clean, white (tested) Natural Diamonds. 103.4 grams.

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A Dishta Zuni sterling thunderbird pendant/pin on turquoise heishi necklace 18" long necklace.. No issues, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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A Fin Scottish Sterling kilt pin. Measurements in pics. No issues.

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Vintage Mexican Dance mask, circa mid 20th century. 7.5" tall x 6.75" wide. I<br>will be offering a very large collection of these that was assembled in the<br>60's-80's, a large percentage are from the first quarter of the 20th century,<br>some perhaps a bit older. The ones that are more recent are of exceptional<br>quality. Some have tags identifying them, some of the tags are missing or have<br>been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.

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A.F.D. Austin Texas Fire Department Chief Original Photograph 6 7/8" x 5 1/8"<br>Carriage with Horse Late 19th century. Whole thing is 7" x 9".. Guaranteed<br>original circa 1870's to 1890's. It was from a local Austin estate with all<br>local items in the estate. I believe it's Austin.

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A.R. Cole(1892-1974) Pottery Frogskin Green Covered Casserole Dish. 5.75" tall x<br>10.75" with handle x 6 7/8" wide lid. No cracks, chips, restorations, or<br>crazing.

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Aaron Anderson Navajo Tufa Cast Sterling Cuff Bracelet. Very heavy solid cuff<br>135.7 grams. 6.5" inside circumference including the 1" gap. 1.75" wide in<br>center, tested sterling.<br><br>Navajo silversmith Aaron Anderson was born 1970 in Gallup, New Mexico, on the<br>edge of the Navajo Reservation. Aaron is from a family of artists. He would<br>watch his step-father (Will Begay), and uncle (Wilford Henry) produce<br>exceptional work, and began helping them in 1991. Aaron has been an active<br>silversmith since 1996. He is known for his tufa cast jewelry, and says his<br>inspiration comes from Charles Loloma. Every cast piece is hand carved and<br>completely unique as the tufa blocks can only be used once.<br><br>Aaron, a third generation artist, is a leader in the Native American art<br>community.<br><br>He is very passionate about his work and has no problem sharing his thoughts<br>with the world. His creativity and workmanship speaks for itself and is highly<br>valued among art collectors and fellow artists around the world. Aaron uses<br>elements from his strong Christian faith as well as traditional Native American<br>designs.<br><br>Aaron has won many blue ribbons at every show he enters, including eight best in<br>casting at the famed Gallup Intertribal Ceremonial. Today he shows at the<br>Indigenous fine art market in Santa Fe and the Native Jewelers Society.

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Aaron Tallis Navajo sterling purple spiny oyster necklace and earrings set. Weight and measurements in pics.. 28" long necklace. Selling the set shown with no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Abbott J Hoecker "Heck" Colonials National Invitation Golf Tournament 1987 Fort Worth, Texas Watercolor "Rest in the Shade". 15" x 23" with no issues. Hoecker was a very good illustrator that did several books in the mid to late 20th century including "Little Moron" in 1943, "happy days with Pablo". He played an active role in the Southwest Watercolor Society in the Seventies. Obiously a very talented artist, painting is great with no damage. NO frame

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Abel Soseeah Zuni Sterling channel inlay sunface concho belt. No issues, 40" total length, can be worn at any size smaller than that. 165 grams.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Abstract Raku Planter Vase. I can't make out the mark but it's fantastic. 6.75" tall x 5.75" wide with no damage or wear. B54

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"Prelude-Trail of Tears," signed in the cast Fortunate Eagle (Adam Fortunate Eagle, a/k/a Adam Nordwall, Red Lake Chippewa, Minnesota, b.1929), dated 1988, numbered 1/ 24, bronze only: approx 13.5"h, 14"w, 9.5"d, wood base: 1.75"h, 45lbs. Nice large well cast low production bronze by an extremely interesting and gifted artist. Please excuse the bad pictures as I took them at storage because as much as I love this, it's really big. Adam Fortunate Eagle L.H.D. (born Adam Nordwall), hereditary member of the Red Lake Band of Chippewa Indians, is a Native American activist and was the principal organizer of the 1969–1971 Occupation of Alcatraz by "Indians of All Tribes". Early life Born in the missionary section of the Red Lake Indian Reservation in 1929, Nordwall was the son of a Swedish man and an Ojibwe woman. When he was five, his father died, leaving his mother no choice but to send him and four other children away to boarding school. He attended the Pipestone Indian School in Minnesota[1] and the Haskell Institute in Kansas, where he took advantage of the time to improve many skills that would help him later in life as well as escape the Great Depression, famine, and disease that was running rampant on reservations at the time. There he met his future wife, the Shoshone Indian Bobbie. California years After their marriage, the Nordwalls moved to the San Francisco Bay Area in 1951. Nordwall worked as a licensed termite inspector and by the late 1960s owned his own company in San Leandro, the First American Termite Company. Although living a comfortable life, Nordwall felt that he and his family needed to learn more about who they were as Native Americans. He became more involved in local Indian affairs and became chairman of the United Bay Area Council of American Indian Affairs. It was at this time that he proposed the takeover of Alcatraz. In 1968, at the Bay Area Italian-Americans' annual San Francisco reenactment of Columbus' landing in America, having successfully lobbied to have the Indians portrayed by genuine Indians rather than costumed Boy Scouts, Nordwall flicked the wig off Joe Cervetto, playing Columbus, with his ceremonial staff in a symbolic scalping. After he donated an 18-foot totem pole to the city of Livermore in 1969, the city shortened it before installing it in a park, and Nordwall placed a curse on their sewer system until they restored the cut off section. Nordwall began to seriously plan the takeover of Alcatraz, and he met with Richard Oakes, a local student activist, at a Halloween party at Tim Findley's house in 1969. He proposed the date of November 9 and Oakes agreed to get as many students as he could.[4] Nordwall took care of providing transportation to the island. However, on the date, none of the ships were there and the press were wary of the Indians all dressed up in their tribal wear. Nordwall found a captain who seemed interested in the events of the day and talked him into providing transportation. He agreed but said he would not dock on the island, to which Nordwall agreed.[5] Once near shore, Oakes seized the moment and jumped overboard, followed by a few of his fellow students. Nordwall stayed behind and watched as Oakes and his band struggled to reach the shore. The captain returned to shore a little while later.[6] Nordwall was not satisfied with just having been around the island and wanted to go back. Oakes and his fellow students were returned by the Coast Guard, and Nordwall asked if they wanted to try again that night. So once again Nordwall, Oakes and some two dozen other Indians set off for Alcatraz. As they approached, stormy weather and a watchdog caused the captain to become wary. Oakes and three women managed to get off, while Nordwall was left on the ship with the remaining Indians.[7] On the day of the actual takeover Nordwall was out of town, but on Thanksgiving he came riding across the bay standing on the prow of his ship exactly like George Washington.[8] Although he never lived on the island, Nordwall helped from the shores and was able to assist those on the island and keep the press reporting on the occupation while at the same time bringing to light the plight of the Native Americans. Nordwall was still active in Native American affairs after the Alcatraz occupation. He served mostly as a liaison between the Bay Area Council and the press. Nordwall later taught Native American studies at California State University, Hayward.[1] In September 1973, on his way to the International Conference of World Futures, he descended from the plane in Rome in full tribal regalia and claimed the country "by right of discovery" in the manner Columbus had claimed America. Invited for an audience with Pope Paul VI, instead of kissing the papal ring, he offered his own ringed hand in return; the Pope grinned and clasped his hand. Nordwall filed for bankruptcy and left the Bay Area in 1975 after his pest control business incurred fines for environmental code violations and underpayment of taxes. Writing and film He wrote "The Alcatraz Proclamation to the Great White Father and his People", which states that the goal of the occupiers was to create a center for Native American studies, an American Indian spiritual center, an Indian center of ecology, and a great Indian training school, none of which came to be on the island.[10] While the occupation of Alcatraz seemed a failure on the surface, the federal policy of termination of all tribes ended in 1971, and self-determination became the new policy. Many consider the Alcatraz occupation the beginning of the "Red Power" movement. His 2008 book Heart of the Rock is the story of that "invasion".[1] Fortunate Eagle performed the voice of Sitting Bull in the feature-length documentary Sitting Bull: A Stone in My Heart.[11] He is also the subject of a feature-length documentary called Contrary Warrior: The Life and Times of Adam Fortunate Eagle[11] and wrote a book on his experiences as an Indian boarding school titled Pipestone: My Life in An Indian Boarding School. His most recent work, Scalping Columbus, is a compilation of his own anecdotes. He is the father of poet nila northSun. Later life Nordwall received his Indian name Fortunate Eagle from a Crow Indian when he was 42.[1] He now lives on the Paiute-Shoshone Reservation, where his wife was born; he has built a roundhouse out of tires and other recycled materials.[1] In the 1980s he won awards for his sculpture; he also makes ceremonial pipes and headdresses, and in 1987 was jailed and tried for selling eagle feathers. His criminal trial ended in a hung jury but he was found guilty and fined in a civil trial. He is a ceremonial leader and leading statesman for his people and is heralded as one of the greatest Indians of his generation.

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Faceted Spider and flowers<br>paperweight. 3.5" wide x 2.25" tall in mint condition with no damage or wear of<br>any kind. The signature cane can be seen on the bottom. Guaranteed Authentic<br>c1980's Delmo Tarsitano Paperweight.

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Insects and flowers paperweight.<br>3.5" tall x 2 7/8" square in mint condition with no damage or wear of any kind.<br>The signature cane can be seen on the top close to dragonfly. Guaranteed<br>Authentic c1980's Delmo Tarsitano Paperweight.

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Salamander paperweight. 3.5" wide<br>x 2.25" tall in mint condition with no damage or wear of any kind. The signature<br>cane can be seen on the top on the opposite side of the salamanders tail.<br>Guaranteed Authentic c1980's Delmo Tarsitano Paperweight.

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Adjustable 1950's Beau Sterling Super cool ring. Size 5.5 and up very high level<br>of coolness here, won't find another. 1" at widest point of face, no significant<br>issues.<br><br>Beau or Beaucraft Jewellery<br>1947 - September 2004<br>Beaucraft Inc. began operations and produced "Beau" and "Beaucraft" jewellery in<br>Providence, RI from 1947. The company was one of the leading producers of<br>beautiful and unique fine sterling silver jewellery ever made for over half a<br>century. The jewellery designs had originality, versatility, and impeccable<br>craftsmanship. Vintage Beaucraft jewellery pieces are now considered highly<br>collectible and in the same class of jewellery as Coro. Their latest designs<br>took on a new approach by contrasting brushed and high polished sterling silver<br>finishes, creating a completely original look that combines classic style with<br>modern fashion. The jewellery designs include fish and seahorses in sterling<br>silver metal. Mark: "Beaucraft" (In Sterling), "Beau B Sterling", "B" with<br>"Ster" or "Sterling", and "Beau Sterling". Beaucraft also made 14k jewellery.

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Adjustable Hemerson Brown Navajo Sterling and Kingman turquoise cluster ring. Adjustable ring currently sits at size 9.5 2.75" x 2.25" face 48.3 grams. Navajo artist Hemerson Brown has a way of making pieces of jewelry you just want to own. His work is definitely not subtle, his bold designs bring the silver and stone to life. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Adjustable Modernist Sterling/Obsidian Ring. Great looking ring, the design<br>looks Scandinavian, the mark looks native American. I didn't realize it was<br>adjustable until I put it on the sizer. It'll fit most all sizes within reason.<br>7.7 Grams, Marked R Sterling.

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Adjustable Navajo Sterling turquoise, malachite, and amethyst ring 30 x 38mm face, currently at size 6, easily adjustable. 17.1 grams. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Adjustable Running Bear shop Sterling/turquoise southwestern ring. No issues with ring 15.1 grams. RUNNING BEAR SHOP A trader shop in business since the mid-1970's who run a manufacturing shop, directly commission piece work, and buy direct from "name" artists for resale. Running Bear is a wholesale source to stores and dealers. Items in this collection were made specifically by or for Running Bear and (usually) have their logo. Items bearing this logo do not represent a specific artist. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Adjustable Southwestern Sterling Amethyst, opal, and pink mother of pearl ring. Adjustable ring currently size 7.5 16.3 grams.

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Adjustable Sterling/18k feather style ring. Very clean with little to no wear, unsure of maker. Currently at size 8, sturdy but adjustable. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Adjustable Vintage Chinese Silver and turquoise ring. No issues.

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Adrian Sanchez Hopi sterling warrior pendant, no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Adrian Sanchez Hopi warrior Kachina pendant. All hand done, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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AF Sterling silver pendant with stones. 34.5 grams 3" tall x 1 5/8" wide with no issues or damage. Cool piece from the last quarter of the 20th century. This designer typically uses semiprecious stones, I didn't test these. Marked and tested sterling.

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After Frederick Remington Vintage Etched Enameled Brass Belt Buckle. From the third quarter of the 20th century, nice buckle in good condition. 2.75" x 2.25" fits up to a 1.75" belt. No issues.

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AJ Large Vintage Native American sterling and turquoise kachina pendant. No issues, weight and measurements in pics. Solid sterling, marked as shown.

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AL Vintage Navajo sterling concho pin with turquoise. Measurements in pics

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Alabama "Feels So Right" Presentation Record framed Given to Tom Middleton. I have not examined this outside of the frame but I acquired it from Tom Middleton's(1953-2020) estate personally along with about 400 pairs of cowboy boots and everything cowboy imaginable. Selling this, what I assume to be a record that was framed and given by Alabama for the work tom did for the album. 19.5" x 21.5" framed, 12" x 12" sight. 5.5" wide plaque. In 1973, Tom found a catalog of instruments from Warehouse Music Sales in Fort Worth that contained multiple dobros. He sold his two guitars and used the funds to buy his first dobro. After it arrived, his life was never quite the same. If you ever had the pleasure to hear him play, you saw Tom doing what he loved. Before making his way to Arizona to continue his education, Tom worked as a towboat deckhand for the United Maritime Union on the Ohio, Monongahela, and Allegheny Rivers. Tom received a BS in English Literature from Northern Arizona University. During his time in Flagstaff, he was a member of the Mormon Lake Hotshots on the Coconino National Forest. Bill Mack's "All Night Open Road" show from WBAP in Dallas kept him company at the Mormon Lake Guard Station. He became lifelong friends with several of his fellow firefighters and kept in contact with them the rest of his life. But music kept calling, and Tom began working for R.Q. Jones Resophonic Guitar Company in Wanette, Oklahoma. Now he wasn't just playing dobros, he was making them. In fact, he made one for a young dobro player named Jerry Douglas who is now widely regarded as "the" dobro player of our time. The dobro in question now belongs to the Music Instrument Museum in Phoenix. Jerry and Tom became good friends and whenever Jerry toured through Austin in recent years, they would take in some live music together at Ginny's Little Longhorn Saloon among other music venues. In 1978, Tom went to work for Peaches Records and Tapes in Oklahoma City, then The Handleman Company, and finally Pickwick Distribution Company in Dallas. These three jobs showed Tom the buying, selling, and distribution side of the music business. By 1985, Tom was working as a Print Production Manager at The Richards Group, an advertising agency in Dallas. He excelled at print production and would stay with it in Austin at both GSD&M and McGarrah Jessee from which he retired after 24 years shortly before his death. Tom's work in print production should not go unrecognized. There is no doubt that countless times you've seen ads, packaging, and products that he produced – you just didn't know it. He had a wealth of experience and knowledge and was always keen to share what he knew with young producers and creative types. When Tom retired, his coworkers, vendors, suppliers,

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Alain Le Foll 1970s Rosenthal Studio Line vase 8.5". No damage or wear, white spots are reflections in the pics.

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Alaric Polequaptewa Sterling Hopi overlay silver cuff bracelet. No issues. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Albert & Jeanette Brown Navajo Tufa Cast Turquoise Cluster Cuff Bracelet. Fits<br>up to a 6 5/8" wrist, 1.25" gap, nice solid cuff with no issues. 107 gram.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Albert & Josephine Vigil (1927-2009) San Ildefonso pottery vessel 4.25" wide x 3.5" tall, no damage or restorations, very minor exterior wear. Comes with tag from when it was last purchased. Albert & Josephine Vigil worked together on their pottery. They began making pottery in 1945. Josephine made the pottery and Albert painted the designs. Albert Vigil (1927-2009) was a nephew of Maria Martinez. He was also the son of noted San Ildefonso painter Romando Vigil, one of the members of the San Ildefonso School of watercolor artists and also know for his work with Walt Disney Studios. Josephine Cordova Vigil (1927-2001) was from Taos Pueblo and she moved to San Ildefonso when she married Albert. Josephine learned pottery making by watching her aunts-in-law Maria Martinez, and Maria’s sister Clara Montoya, who are considered San Ildefonso Pottery Matriarchs. Maria Martinez taught Josephine how to coil-shape the clay and Clara Montoya taught her how to polish the pottery before it was designed or painted. They began making pottery in 1945. Josephine and Albert used the traditional methods of hand-coil, polishing, and traditionally open fired pottery.

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Albert Cleveland Navajo Sterling and turquoise modernist bracelet. Great solid<br>cuff. Albert Cleveland was born in 1954 and is no longer with us. Came from a<br>collection of mostly mid 20th century native American jewelry. 2 3/8" wide in<br>center 7" counting the 1.25" gap, 171 grams

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Albert Payton Navajo Sterling concho belt. 57" total length, 1.25" belt, other measurements in pics. No issues, all of the conchos in good condition with no issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Alburn Sleeper (1937-2021) early work Engraved Sterling Turquoise Belt buckle. 56.6 grams 3" x 1 7/8" and will handle up to a 1.5" belt. Not the worlds largest buckle but the quality on this piece is amazing. The mark on this piece is Sleeper's earliest mark.As a teenager, Mr. Sleeper learned metalwork from Walter U. Jennings, an original Roycrofter who had worked with Elbert Hubbard as a coppersmith, silversmith and bookbinder.

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Alex Sanchez Navajo sterling petroglyph earrings with turquoise. No issues, weight and measurements in pics. Backs included, only one is shown in the pics. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Alex Siam Sterling silver niello box with elephant 1.25" tall, other weight and measurements in pics. Solid sterling with lightweight wood liner.

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Alfred J Bennett(1861-1923) British Pencil Signed Engraving Westminster Abbey. 17.75" x 13" framed. Slight discoloration only visible on border, clean frame. Alfred John Bennett (1861 – c.1923) was an Englishartist who worked in oils, watercolour and etching. Life and work Bennett was born in London which became a major source of inspiration to the artist. His paintings, drawings and etchings, more often than not, depicted well known landmarks of the capital city. In December 1889 Bennett married Catherine Avery (They had one daughter, Mary Catherine) and spent a short amount of time living with her family in East Hyde, Bedfordshire.[1] During this period Bennett worked as a Jeweller, whilst also regularly submitting paintings to the Royal Academy of which four were exhibited between 1861-1880.[1][2] After this success, Bennett left the jewellery trade and concentrated on his art, first moving to Thornton Heath, Surrey and then relocating his studio to Knebworth.[3][4] Exhibitions Bennett exhibited extensively, regularly contributing work to the Royal Watercolour Society (17 pictures) and British Institution (2 pictures) exhibitions.[2] A further painting titled The Hill Farm was exhibited at the Royal Academy in 1916, and he achieved more success with solo and joint shows at the prestigious Walker's Gallery in New Bond Street, London in 1918 and 1923.[4] In addition, he also exhibited works at the Fine Art Society, New English Art Club, Grosvenor Gallery, International Society, and the Royal Institute of Oil Painters.[3] Many of Bennett's works are found in public art collections, including two watercolours in the collection of Brighton Museum & Art Gallery. B3

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Alfredo Villasana Mexican Modernist Silver Bracelet<br><br>By Alfredo Villasana<br><br>Alfredo Villasana was a highly regarded silversmith who worked for William<br>Spratling and Héctor Aguilar in Taxco during the 1930s and 1940s. He went out on<br>his own in the 1950s.<br><br>The Hallmark reads: "Sterling 925", a very tiny square shaped (Hallmark?) "Taxco<br>Mexico" "VILLASANA".<br><br>This gorgeous bracelet is masterfully crafted.....A cross between 1950s stylized<br>Modernism and Art Deco, an elegant, dimensional, raised geometric motif....Its<br>just an exquisite design!<br><br>This vintage Mexican bracelet is extremely well made; it is a sophisticated,<br>classic modernist design.<br><br>The width of the braclet is 2-1/2" closed, 7/8" at the widest point, 1/4" thick<br>at the center of the front at it's thickest point.<br><br>Its in fine condition, and could be polished to a brilliant shine if the new<br>owner prefers that look. This has not been polished.

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Alice Quam Zuni Mediterranean Coral cluster earrings sterling. Clip on with strong springs on clips, no issues. Alice Quam has worked with her husband Duane Quam since 1945 on some of the most beautiful cluster jewelry of the Zuni Pueblo. They worked together for nearly 60 years. She became a master of setting and cutting the stones, while Duane did all of the silverwork. Alice and Duane worked primarily with high quality turquoise and coral. Alice is known for her intricate needlepoint work because of the symmetry of the stones in her jewelry.

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Alice Scott (1924-2005) original unframed signed and matted watercolor of Charleston Gullah Lady. 10" x 14" ; 6 1/8" x 8 5/8" sight, good condition as shown. A collection of her paintings toured the United States and Europe with the Opera Porgy an Bess. Alice Scott was born in Columbia, South Carolina but grew up in Charleston, South Carolina where she was active in both the theater and painting. She taught painting to both children and adults from her studio on Queen Street next to the historic Dock Street Theater. Her career in art included study with Robert Brackman of the Art Students League in New York City and Hainz Warneke, Don Turano and Richard Lahey of the Corcoran Gallery in Washington, DC. Some of the galleries which have exhibited her works include: High Museum of Art, Atlanta, GA Twentieth Century Gallery, Williamsburg, VA Gibbes Art Gallery, Charleston, SC, Columbia Museum of Art, Columbia, SC Robert Carlen Gallery, Philadelphia, PA Pensacola Art Center, Pensacola ,FLVZTOP Gallery ,Pensacola, FL Charlestown Gallery, Charleston, SC Lemoyne Art Foundation, Tallahassee, FL Gallery of Art, Panama City, FL plus others Galleries!

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Alice Scott (1924-2005) original unframed signed and matted watercolor of Charleston Gullah Lady. 10" x 14" ; 6 1/8" x 8 5/8" sight, good condition as shown. A collection of her paintings toured the United States and Europe with the Opera Porgy an Bess. Alice Scott was born in Columbia, South Carolina but grew up in Charleston, South Carolina where she was active in both the theater and painting. She taught painting to both children and adults from her studio on Queen Street next to the historic Dock Street Theater. Her career in art included study with Robert Brackman of the Art Students League in New York City and Hainz Warneke, Don Turano and Richard Lahey of the Corcoran Gallery in Washington, DC. Some of the galleries which have exhibited her works include: High Museum of Art, Atlanta, GA Twentieth Century Gallery, Williamsburg, VA Gibbes Art Gallery, Charleston, SC, Columbia Museum of Art, Columbia, SC Robert Carlen Gallery, Philadelphia, PA Pensacola Art Center, Pensacola ,FLVZTOP Gallery ,Pensacola, FL Charlestown Gallery, Charleston, SC Lemoyne Art Foundation, Tallahassee, FL Gallery of Art, Panama City, FL plus others Galleries!

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Allenroy Paquin (Jicarilla Apache/Zuni) Multi-stone channel inlay lizards beaded<br>Sterling necklace approx 22" long, 79.7 grams with no issues.<br><br>https://www.youtube.com/watch?v=zjw_iOVUyhM<br>above is a link to a video of the Artisan who made this piece being interviewed<br>15 years ago.<br><br>Allenroy Paquin is a jeweler who is known for his wonderful depictions of<br>lizards, frogs and sea turtles in silver and gold, often with beautiful inlay<br>work. He likes to incorporate humor into his work, as can be seen in his<br>wonderful lizard pins that are designed to perch on the wearer's shoulder, one<br>of his unique designs.<br><br>Growing up in Albuquerque, away from his father's Zuni Pueblo and his mother's<br>Jicarilla Apache Reservation, Allenroy was not always interested in his native<br>heritage, much less in making jewelry. In high school, he became interested in<br>fancy dancing, one of his favorite activities through today. At this same time,<br>his father took up jewelry making to support their family after being disabled<br>in an accident, but it still did not interest Allenroy. Instead, he earned a<br>degree in technical engineering. It was not until his father died several years<br>later, when his mother gave him his father's tools, that Allenroy realized this<br>was his inheritance and heritage. Today he considers his father to be his<br>strongest inspiration.<br><br>This feeling was reinforced one time when he was having a creative block. He<br>found a lizard in a shed he was cleaning, and was captivated by its colors and<br>shapes. "It was like someone told me, 'make inlay lizard jewelry.' I felt it was<br>my dad telling me to do that." It seemed logical after that to move on to<br>turtles and frogs.<br><br>Allenroy is interested in educating as well. His sons, Ignacio and Kyle, have<br>already started making jewelry, and have won awards for their work. Allenroy<br>also teaches school children about native heritage, trying to break down the<br>image of the "stereotypical Hollywood Indian." He performs a solo show that<br>incorporates storytelling, dancing and flute playing at schools. He would also<br>like to "be an inspiration to native urban Indians who have lost their<br>connection with their reservation or their native ties -- to help them find<br>there is something to connect them to that world."

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Allison Lee - Navajo Sterling and turquoise pendant. No issues, weight and measurements in pics. Allison "Snowhawk" Lee (1958 - 2022) was an award-winning artist from Mexican Springs, New Mexico. He was a full-blooded Navajo and is the third oldest of eight (four brothers and three sisters). Allison lived in Albuquerque, New Mexico with his three sons, Wyatt, Kyle and Trent. He enjoyed spending time outdoors hunting, fishing, hiking, and camping with his family. When there was a boom in Indian Jewelry in the early seventies, Allisons mother and uncle started making Squash Blossoms. At the young age of 14, Allison was asked by his mother to make a silver ring with a Turquoise stone. He made the ring well and so began his interest in jewelry making. Allison graduated from Tohatchi High School, during the summers he worked at various silver shops in the Gallup area, where he perfected the methods of silversmithing from the top silversmiths in the shops. Allison began competing in juried art shows back in 1988 and continues this tradition of competition throughout his life. He received many top awards, such as: Best of Division at the Santa Fe Indian Market, the George C. West Memorial Award for Excellence in Silver Jewelry (which he has won three years in a row), and at Indian Market in Santa Fe, NM. Allison was asked to join in on making a piece for the millennium sampler concha belt along with twelve renowned Indian Market jewelers. He was very honored to be chosen to participate in this collaboration. The proceeds of this auction benefited the Southwestern Association for Indian Arts (SWAIA). Sadly, Allison passed away in June of 2022. He will be greatly missed, but his legacy will live on in his sons‘ beautiful jewelry. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Allison Snowhawk Lee (1958-2022) Hand Hammered silver concho belt.. 45" total length, adjustable to any size below that. Extremely high quality with no issues. Each concho 1" x 2" with tabs not counting center rings. 15 conchos total. 184.8 grams. Allison Lee - Navajo Silversmith: Speaking of the silver and gold jewelry he hand crafts, Allison Lee's captivating voice is sincere when he says, "One time my uncle told me that everything we build comes from the earth, like the silver that comes from the earth, or the turquoise that comes from the earth. That is a lot of energy. You put it together and you put your heart and mind into a piece. Then sometimes a certain piece of jewelry- I believe- it is made for a certain person. I usually have a ring, or something, that stays with me for about two or three years, until the right person comes along. And then that person buys that piece. I believe that every piece of jewelry that I make is made for somebody out there- it's made for somebody special. Whoever might be having problems, or something like that. In essence, that energy helps that person get help, by wearing pieces that we make. That is the way I look at it."Born in the heart of the Navajo homeland, in the spring of 1958, Allison Snowhawk Lee attended boarding school until 8th grade. Lee is the last name given to him by the boarding school because they couldn't pronounce, spell, or translate his Navajo name; Snowhawk is his grandmother's name.Allison became involved in silversmithing in a high school art class, making his first simple jewelry pieces at age 12. When he was 14 years old his mother asked him to remove the last stone from an old turquoise brooch and make her a ring with it. Being able to combine old and new into something beautiful gave him a metaphysical sense of bridging generations, connecting him to his heritage and at the same time launching him into a viable vocation.During his high school summers he worked at silver shops in Gallup, New Mexico. His first job included sweeping floors, but as he worked he became acquainted with the top silversmith, and learned his techniques. Each summer thereafter he found a job in different shops, and studied under various masters. Now he is the master who owns a shop that employs high school age apprentices.When Allison graduated from high school in 1977 he won the "Most Artistic" award in his class of 160 students. That was just the beginning of his awards. Allison has won numerous honors in prestigious shows in seven different states. He is not only artistic, but very creative, and therein lies his greatest challenge. "A lot of people copy," he says, "and then pretty soon an original idea is being mass produced. I've got to keep ahead of them."Allison makes many different kinds of jewelry: earrings, necklaces, rings, and bracelets; and is best known for his elaborate concho belts. "I really like making concho belts," he professes, "and coming up with different styles."Allison uses either silver or, occasionally, 14 karat gold, and sets it with coral, turquoise, or other semi-precious stones. Hand fabricated, his work may be either stamped or contain bezel set stones. His favorite piece was a squash blossom necklace he made using tools he created.Allison goes on the road two or three times a month, for two or three days at a time, to market his work or attend shows. He also does demonstrations and seminars at Grand Canyon and other places. When he is at work in his shop he may put in up to 16 hours a day. "I take breaks sometimes," he confesses, "Sometimes I get burned out. That's the time to just walk away from it. That's when it's time to go outdoors, just to kind of refresh my mind."I go hunting, I go hiking. What I really love to do is go to old Indian ruins and just look around, see what I can find. In a way I get ideas from the old, and then try to come up with something new. Then I get back into it. Everything just starts coming together once I start making something. It just comes together in my mind."Allison is considered a success by all who are familiar with his work, but he has a different standard, set with his three sons in mind: "I think being successful is keeping everything balanced out between your family and your work. I think that's what being successful is, caring enough to spend time with your family, and not letting the work and the career overtake your life. I've seen a lot of people that have done that. I'm just glad that I've had people there to tell me the difference. Successful to me is just being happy and making sure my family is fed and clothed. That says it all, right there." Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Allison Snowhawk Lee (1958-2022) Navajo sterling ranger style concho belt. Absolutely amazing belt, every concho is solid sterling silver made by famous deceased Navajo silversmith Allison Lee. Measurements in pics. Belt fits a 30" - 33" waist with existing holes. 14 extremely well made conchos, all on a 3/4" belt 432 grams total weight. Allison Lee - Navajo Silversmith: Speaking of the silver and gold jewelry he hand crafts, Allison Lee‘s captivating voice is sincere when he says, "One time my uncle told me that everything we build comes from the earth, like the silver that comes from the earth, or the turquoise that comes from the earth. That is a lot of energy. You put it together and you put your heart and mind into a piece. Then sometimes a certain piece of jewelry- I believe- it is made for a certain person. I usually have a ring, or something, that stays with me for about two or three years, until the right person comes along. And then that person buys that piece. I believe that every piece of jewelry that I make is made for somebody out there- it‘s made for somebody special. Whoever might be having problems, or something like that. In essence, that energy helps that person get help, by wearing pieces that we make. That is the way I look at it." Born in the heart of the Navajo homeland, in the spring of 1958, Allison Snowhawk Lee attended boarding school until 8th grade. Lee is the last name given to him by the boarding school because they couldn‘t pronounce, spell, or translate his Navajo name; Snowhawk is his grandmother‘s name. Allison became involved in silversmithing in a high school art class, making his first simple jewelry pieces at age 12. When he was 14 years old his mother asked him to remove the last stone from an old turquoise brooch and make her a ring with it. Being able to combine old and new into something beautiful gave him a metaphysical sense of bridging generations, connecting him to his heritage and at the same time launching him into a viable vocation. During his high school summers he worked at silver shops in Gallup, New Mexico. His first job included sweeping floors, but as he worked he became acquainted with the top silversmith, and learned his techniques. Each summer thereafter he found a job in different shops, and studied under various masters. Now he is the master who owns a shop that employs high school age apprentices. When Allison graduated from high school in 1977 he won the "Most Artistic" award in his class of 160 students. That was just the beginning of his awards. Allison has won numerous honors in prestigious shows in seven different states. He is not only artistic, but very creative, and therein lies his greatest challenge. "A lot of people copy," he says, "and then pretty soon an original idea is being mass produced. I‘ve got to keep ahead of them." Allison makes many different kinds of jewelry: earrings, necklaces, rings, and bracelets; and is best known for his elaborate concho belts. "I really like making concho belts," he professes, "and coming up with different styles." Allison uses either silver or, occasionally, 14 karat gold, and sets it with coral, turquoise, or other semi-precious stones. Hand fabricated, his work may be either stamped or contain bezel set stones. His favorite piece was a squash blossom necklace he made using tools he created. Allison goes on the road two or three times a month, for two or three days at a time, to market his work or attend shows. He also does demonstrations and seminars at Grand Canyon and other places. When he is at work in his shop he may put in up to 16 hours a day. "I take breaks sometimes," he confesses, "Sometimes I get burned out. That‘s the time to just walk away from it. That‘s when it‘s time to go outdoors, just to kind of refresh my mind. "I go hunting, I go hiking. What I really love to do is go to old Indian ruins and just look around, see what I can find. In a way I get ideas from the old, and then try to come up with something new. Then I get back into it. Everything just starts coming together once I start making something. It just comes together in my mind." Allison is considered a success by all who are familiar with his work, but he has a different standard, set with his three sons in mind: "I think being successful is keeping everything balanced out between your family and your work. I think that‘s what being successful is, caring enough to spend time with your family, and not letting the work and the career overtake your life. I‘ve seen a lot of people that have done that. I‘m just glad that I‘ve had people there to tell me the difference. Successful to me is just being happy and making sure my family is fed and clothed. That says it all, right there." Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Alonzo Hustito Zuni (1910-1990) Bolo Kachina de plata y juego de colgante/pin Bolo firmado a mano, banderín/pin estampado. Vendo ambos.Marcados o sin marcar como se muestra en las fotos, peso y otras medidas en las fotos. Lo siento, pero mis joyas están guardadas en un lugar seguro y no se puede acceder a ellas para ver más fotos,videos o medidas hasta que se vendan. Si miras las imágenes/descripción, tupregunta debería ser respondida. ¡Muchas gracias por su tiempo y consideración!Todos los metales preciosos son probados y garantizados. Se garantiza que una pieza de joyería de un nativo americano denominada "plata" o "lingote" tiene al menos un 90% de plata. Las pulseras se fotografían en una muñeca de mujer de 6".

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Alvin and Lula Begay Navajo silver and coral earrings.In 1956, Alvin and Lula Begay were both born into artistic families in Winslow, Arizona. They have worked as a silversmithing team since 1991, each serving their own role; Alvin works on the overall composition and construction of the piece, while Lula works on the setting/cutting of the stones as well as the polishing and final touches. The dynamic pair is known to not use any pre-made findings, everything outside of earring posts are handcrafted. Alvin is especially known for using his techniques of double and triple overlay, reversible necklaces, shadowboxes, and engraving--often all on the same piece!<br><br>While still very adept in the art of jewelry-making, Alvin’s first love is bareback riding in rodeos. He grew up in a traditional Navajo life style on the reservation and is a natural athlete and cowboy. He has competed for 10 years, winning championships in 1987 and 1989. Although Alvin is a very humble and unassuming individual, he is one on AIRCA’s top award winners. Awards in jewelry-making are also no stranger to Alvin; among several awards, he has won first with a necklace in a competition in Dallas, Texas.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Alvin and Lula Begay Navajo silver, turquoise, and coral pendant<br><br>In 1956, Alvin and Lula Begay were both born into artistic families in Winslow, Arizona. They have worked as a silversmithing team since 1991, each serving their own role; Alvin works on the overall composition and construction of the piece, while Lula works on the setting/cutting of the stones as well as the polishing and final touches.<br><br>The dynamic pair is known to not use any pre-made findings, everything outside of earring posts are handcrafted. Alvin is especially known for using his techniques of double and triple overlay, reversible necklaces, shadowboxes, and engraving--often all on the same piece!<br><br>While still very adept in the art of jewelry-making, Alvin’s first love is bareback riding in rodeos. He grew up in a traditional Navajo life style on the reservation and is a natural athlete and cowboy. He has competed for 10 years, winning championships in 1987 and 1989. Although Alvin is a very humble and unassuming individual, he is one on AIRCA’s top award winners. Awards in jewelry-making are also no stranger to Alvin; among several awards, he has won first with a necklace in a competition in Dallas, Texas.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Alvin Thompson Navajo sandcast sterling kokopelli belt buckle. No issues, measurements in pics.Alvin is a highly regarded Navajo silversmith who has perfected the art of ‘sand casting’ to produce exquisite pieces of work. He was born in Winslow Arizona but spent much of his younger life in Seba Dalkai area on the Navajo Reservation north of Winslow. Alvin’s talent is a family tradition, he learned sand casting from his sister. Alvin describes his work method as ‘unassisted hand poured cast silver,’ a process that involves using a sand medium for mold into which the silver is poured. He ‘carves’ designs into the sand or creates impressions in the sand with patterns. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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