Fidencio Castillo, Mexican (1907-1993) Woman with Rebozo Sculpture signed Fide<br>C. , mounted to black marble base some chips on stone base, no damage to bronze.<br>Overall: approx 9.5"h, 7 1/8"w, 6 1/8"d, 11lbs<br><br>Fidencio Castillo Santiago (November 16, 1907 – July 29, 1993) was a Mexican<br>artist, educator, and a founding member of the Salón de la Plástica Mexicana.<br><br>He was born in Etzatlán, Jalisco, Mexico to Trinidad Castillo and Raymunda<br>Santiago shortly before the Mexican Revolution. His younger sister, Rosa<br>Castillo Santiago (1910-1989) was also an established artist.<br><br>Fidencio Castillo Santiago studied at the Academy of San Carlos and then at the<br>Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda".[1] He then<br>taught at the latter for over thirty years and married to Paz Castillo Alarcón.<br><br>His work was exhibited in Mexico and abroad, including cities such as Tokyo and<br>Kurashiki during the Mexican Art Exhibition in 1995 and in Phoenix, Arizona in<br>1967. In Mexico, major exhibitions include the Bienal Mexicana Contenporánea in<br>1960, the Salón de Invierno, Galería Plástica Mexiana in 1956, the Salón de Arte<br>Mexicano in 1958 and the first Salón de Pintura y Escultura Contemporánea<br>Jalisciense in 1964. In 1971, the Salón de la Plástica Mexicana hosted a<br>retrospective of his work. Another was held in 2004 co-hosted by the Asociación<br>de Artistas Plásticos de México, UNESCO and the Mexico City Metro, to honor both<br>him and his sister, Rosa Castillo. He died in Mexico City from multiple causes<br>at the age of 85. Today the Museo Histórico of Guachinango, Jalisco hosts a<br>permanent exhibition by this author

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Peter Madsen, an a artist from Simi Valley, CA - creates "Long Arm of The Law"<br>Bronze Sculpture 17.5" tall x 19" wide. No damage or wear. It is dated 1991 and<br>is 13/24, weighs 30 pounds. Number 18/24 sold for 5K on ebay on May 3, 2015, so<br>the price is reasonable and realistic. It will be packed and shipped with<br>extreme care.<br><br>Article is from July 11, 1997 Byline: Patricia Hesselbach Daily News Staff<br>Writer`<br><br>``Good Medicine'' sits on top of the table where Peter Madsen sketches in<br>charcoal in his Simi Valley home. The small sculpture, one of many created by<br>Madsen at the height of a prolific artistic career, reminds him of his inner<br>strength and gives him courage to begin a new life. Known for his tightly<br>detailed bronzes depicting the American Indian and the cowboy, Madsen had<br>enjoyed measurable success in his field. An established and recognized artist<br>since 1986, he had received numerous awards. The Westinghouse Corp., the New<br>York Stock Exchange, Robert Duvall and Iron Eyes Cody purchased his work. The<br>Gene Autry Museum of Western Heritage put a collection of his bronzes on<br>permanent display. Madsen had nowhere to go but into the ranks of renowned<br>American artists. Then one day in May 1993, an accident completely altered the<br>life Madsen had so meticulously crafted. While enjoying his other great passion,<br>participating in a Western riding competition, the artist was thrown from his<br>horse. He sustained severe head trauma and brain damage. He fell into a deep,<br>three-month coma. Madsen awoke to begin a journey on a new trail, teaching his<br>body to move again. Modest movement in his left leg signaled the onset of his<br>recovery. The artist also uttered his first words since the accident. During a<br>nine-month hospital stay, followed by seven months in a transitional home<br>setting, Madsen started his remarkable re-education process. ``I'm being born<br>again,'' Madsen said, laughing as he recalled his first tremulous attempts to<br>write his ABCs. The sculptor admired for intricate human anatomical application<br>in his bronze figures had to relearn his own body parts. ``When he first began<br>to draw figures, he would leave off a right arm,'' said his wife, Vicki. She<br>said his drawings reflected his reality. He had to become reacquainted with his<br>right side before he could draw a right side. ``The first sign of artwork came<br>in 1996,'' said Vicki Madsen. For months, she had attempted to coax the artist<br>back to work. Each time she presented him with clay, he responded, ``I can't do<br>this right now.'' Then, one September day, a collection of artist friends paid<br>Madsen a visit. Talking about sculpting stirred something inside him. Someone<br>presented Madsen with a small piece of clay. He squeezed it and responded with a<br>huge smile. There is an ironic twist to the Peter Madsen story. Prior to his<br>injury, the artist had been sculpting the figure of a cowboy being thrown from<br>his horse. Four years later, Madsen has returned to work on the piece by way of<br>surrogate sculptor, Jean Cherie. ``He has the eyes and the vision. Jean Cherie<br>is his hands,'' said Vicki. ``Prophesy Fulfilled,'' like the emerging artist, is<br>a work in progress. Once solely dedicated to his realistic bronze work, Madsen<br>now finds creative expression in a more free-form bas-relief style of sculpture,<br>charcoal sketches and computer graphics. His computer generated designs will<br>soon grace greeting cards. Close friend and personal attendant, Patrick Grant,<br>saw the work turned out by Madsen and suggested ``Greetings from Eagle Vision.''<br>Postcards featuring photos of Madsen's bronzes will complement the collection.<br>Seldom is heard a discouraging word from this cowboy artist who pledges to make<br>his own way in life. Back in the saddle again, he is rebuilding weak muscles<br>through a structured therapeutic horseback riding program. When asked about his<br>attitude toward life since the accident, Madsen exuberantly replied, ``Go for<br>it!'' When asked what his former attitude toward life was, he again replied,<br>``Go for it

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26" Bronze Woman Sculpture Maurice 1984 2/12. Fantastic bronze 25.5" tall with<br>11" base. No damage or wear to patina. Foundry mark on left, I believe it's<br>signed Maurise or Maurice. I'm unsure of the artist as I can't read the<br>signature and there have been so many Maurices' that worked with bronze over the<br>years. Came from a sever million dollar house in which the owner paid thousands<br>for everything she had.

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c1980 Manuel Felguerez Welded Steel Tennis player Sculptures Selling both, tallest is 16.25" tall, good condition. Only the man is hand signed Felguerez on the back of the base. TW159

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Late 19th century Family Of Merino Sheep Jules Moigniez - This Highly Detailed<br>Bronze By Animal Sculptor Jules Moigniez (French, 1835-1894) Was First Exhibited<br>At The 1861 Salon In Paris. Not Only Has The Sculptor Created An Attractive,<br>Well-Balanced Family Group But He Has Detailed Every Curl Of The Wool And<br>Modelled An Almost Barye-Like Series Of Folds In The Loose Skin And Wool Of The<br>Necks. The Modelling Of The Foliage Is Excellent, A Moigniez Trademark. - In<br>Common With The Accepted Ideas Of The Period, Moigniez Has Put One Of The Sheep,<br>In This Case The Proud Ram, With His Front Feet On A Rock, Giving It Added<br>Height And Perspective, And Allowing The Viewer'S Attention To Be Drawn In A<br>Slightly Asymmetrical Triangle. - Family Of Merino Sheep Was Cast In France In<br>The 19Th Century, Most Likely In The Highly Regarded Foundry Operated By The<br>Artist's Father. The Sculpture Has An Aged Patina In Tones Of Browns. It Stands<br>11.5" High By 15.5 " Wide.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes. His bird sculptures were among the finest ever created in his time.

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18th-19th Century Tibetan Bronze Buddhist Tara Sculpture Antique Buddha. Very early Authentic antique Buddhist Statue of Tara. It has a wonderful natural patina and nice casting. There is a small very old chip in the base on the right side facing it. It measures 13" tall x 7.5" wide. It is fresh from a fine estate collection of Chinese antiques that was purchased in the mid 1970's. 6.5 pounds. TW102

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Large Native American Carved Alabaster Sculpture of Buffalo Robe by D Hales<br>1990. Large and heavy piece by an accomplished artist. 12" tall x 13" wide x 12"<br>deep abs it weighs 56 pounds.

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c.1910 15" Bergman Austrian Cold Painted Bronze Sparrow Hawk Sculpture on Stone Base Signed with Bergman mark as shown. 12" wingspan, 12" beak to tail. slight bend on the tip of each wing with some paint wear. Incredible, rare, imposing figure that will liven up anywhere it is. Very heavy, will be a challenging packing and shipping job that i'm confident I'm capable of. It will take me hours but it will be done right and get there how it leaves here. Franz Bergman was an Austrian entrepreneur best known for his Viennese foundry which produced many patina- and cold-painted bronze sculptures of figures, animals, Orientalist scenes, and mythological creatures. Bergman is often misidentified as a sculptor, but he himself was not the original artist for the works—rather, he hired many anonymous sculptors to execute his ideas. He signed many of the works produced by his foundry with the pseudonym Nam Greb, so as to conceal his name from the authorities and avoid penalties for immorality. Born in 1861 in Vienna, Austria, he initially inherited a bronze factory from his father and later opened his own foundry. Bergman died in 1936 in Vienna, Austria

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c1940 Tipo Serrano Terracotta Bust Sculpture by C. Dubois. Close examination and extensive search leads me to believe this is a one of a kind handmade sculpture circa early to mid 20th century. It is terracotta pottery on a wood base. I may have the artists name wrong, regardless it's a nice piece. 7.5" tall x 6" wide base. tw83

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20.5" 1991 Victor Gutierrez Polychromed Bronze Sculpture Number 1-15. This is<br>the first one made out of a very limited edition of this huge, heavy, well made<br>sculpture in 1991 by listed artist Victor Gutierrez. It is 20.5" tall x 18" deep<br>with base, weighs 68 Pounds. It will be professionally wrapped and crated for<br>shipping.<br><br>Victor Gutierrez (1950) Born in Mexico City, Victor Gutierrez is one of the<br>driving forces in Mexican art today. In fact, his mastery as a sculptor has<br>earned him international acclaim, with his works being exhibited and sold<br>throughout the world. Over two thousand of his unique cast bronze sculptures can<br>be found in private and public collections.<br>Victor Gutierrez Guerra was born in Mexico City on November 9, 1950 to a family<br>of sculptors who have made important monuments in Mexico since the 19th century.<br>He is a licensed architect from the Universidad Nacional Autonoma de Mexico, and<br>studied various art techniques both at La Esmeralda and the Academia de San<br>Carlos. He sculpts mainly in bronze, marble and stone while also being an<br>accomplished painter and draughtsman. His production includes several monuments<br>in Mexico and abroad, including Our Lady of the Angels in Dublin, Ireland. His<br>work has been part of more than a hundred exhibitions in Ireland, France, the<br>Netherlands, China, Puerto Rico, Colombia, El Salvador, Mexico and the US.<br>His theme is the beauty and grace of the Latin American women. He has studied<br>all the native costumes of the various regions of Mexico and meticulously<br>reproduces the embroidery, lace and draping of these beautiful dresses in<br>bronze. He pays close attention to the hair styles and head coverings. His<br>ladies all have exotic names such as Carmen, Raquel, Jimena, Xochitl, etc. and<br>are noted for the fine detail of the fingers and toes of their bare feet.<br><br>There is no damage or loss to paint, no damage to marble base.

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c1915 22" Bronze Sculpture of Salome with John the Baptist's Head by Philipp<br>Modrow<br><br>A rare work from a rather obscure sculptor, this example captures the famous<br>Biblical scene of Salome with John the Baptist's head. Herod's second wife,<br>Herodias, originally the wife of his brother Philip, had her daughter Salome<br>dance before Herod and his entire court in hopes of manipulating him against<br>John the Baptist. John was outspoken in his reproach of Herod for taking his<br>brother's wife and Herodias wanted him executed for this, though Herod would not<br>comply. However, greatly pleased by her dancing and drunk with his guests, Herod<br>promised to give Salome anything she asked for, up to half of his kingdom.<br>Salome asked to have the head of John the Baptist on a plate, as he was<br>presently held in the king's prisons. Placed in an awkward position in front of<br>his court, he was forced to grant her request despite his own personal<br>objections. The scene is moving in it's exceptional rendering of Salome's<br>careless and selfish nature. She clutches her prize with a certain grotesque<br>pleasure, an unsettling image of one so led astray for the vengeance of her<br>mother to an empty and ugly result. Modrow has sculpted her ingeniously to be<br>equal parts beautiful and repulsive. She stands before a naturalistic rock<br>backdrop. The sculpture is signed on the right and impressed by the foundry on<br>the left. Philipp Modrow (German, 1882-1925) is documented in the E. Benezit<br>Dictionary of Artists (Gründ, Vol. IX, p. 1080) as being the student of Emil<br>Cauer Jr. and that he is noted for his 1923 sculpture "Monument to Spengler" in<br>Davos, where he died in December of 1925.

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1968 Sheet Metal Sculpture of Centaur Signed Neto. 16.5" talx 14.5" x 6.5" with base. Incredible piece of art, steel with wood base. I'd be interested in any possible info on the artist. Guaranteed 51 years old.

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16 5/8" tall Antique Parian Figure Sculpture Woman in ornate dress 19th century<br>8" wide at base. Small chip inside base rim. No cracks, other chips, or<br>restorations. Large heavy piece. Weighs 9 pounds. Marked B&B with H on top and S<br>on bottom in a diamond.

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Auguste Moreau (1834 – 1917) French Bronze sculpture putti with cymbals. High<br>quality well cast, heavy solid bronze sculpture from the last half of the 19th<br>century. 8 5/8" tall, was likely once mounted to a marble base which isn't<br>present. Estate fresh with remnants of "museum putty" on the base to hold the<br>figure upright. It stands upright fine by itself but I'd keep it out of reach of<br>children or pets.<br><br><br>Auguste Moreau (1834 – 1917) was a French sculptor born in Dijon. The third and<br>youngest son of sculptor and painter Jean-Baptiste Moreau, Auguste began<br>creating sculptural works alongside his older brothers Hippolyte and Mathurin.<br><br>In 1861, Auguste Moreau made his debut at the Salon, where he exhibited<br>regularly and abundantly until 1913. Moreau cast much of his sculptural work

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Guaranteed mid to late 19th century bronze sculpture with incredible detail that<br>I really couldn't capture in the photographs. It's approximately 30 pounds and<br>21" x 13" without the wood platform that may or may not be original to the piece<br>but I'm including. An incredible example by an artist that was famous 150 years<br>ago.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes.[1] His bird sculptures were among the finest ever created in his<br>time.[2]

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Malcolm Furlow Cut Steel 3 Dimensional Pop Art Sculpture of Native American Man.<br>Measures 21.5" tall x 17.5"wide x 8" deep with , weighs 20 pounds. Fresh from a<br>local estate along with a painting on canvas by the same artist. Guaranteed<br>authentic. This had to be extremely labor intensive and would stand out<br>anywhere, he did do much of this type of work. Malcolm Attended University of<br>Texas here in Austin and Studied art. This piece came from Austin, I believe it<br>is one of his earlier pieces when he was still trying to figure out what<br>direction to take his career, obciously it is super cool.<br><br>The comes out and will be removed for shipping. The paint is very sturdy, I<br>believe it is a special metal paint similar to auto paint but it will be well<br>wrapped to prevent abrasion or wear during transportation.<br><br>Taos resident, Malcolm Furlow, an award winning painter, hasn't always been an<br>artist. As a young man he received a track scholarship to the University of<br>Texas and decided to choose art as his major. Unfortunately, his art professor<br>disapproved of his style of painting and a disappointed Furlow left college to<br>become a rock and roll musician. For 18 years he played the sax, bass and<br>sometimes the guitar, playing back up for such notable groups and soloists as<br>the Beach Boys and Lou Rawls.<br><br>Leaving his music career behind, Furlow used his artistic talent to construct<br>models for movie sets at Walt Disney Studios. He also delved into photography,<br>writing a book for Kodak, called Close-Up Photography, that explained the best<br>way to photograph miniatures, especially models. But, in 1987 after hearing<br>scholar Joseph Campbell's words "Follow Your Bliss," Furlow decided to go back<br>to his first love, painting.<br><br>Furlow began drawing American Indians at the age of six, when his father had<br>Malcolm accompany him on business trips throughout New Mexico. Beginning with<br>watercolors, Furlow realized the medium was ill suited for large canvases and<br>switched to brightly colored acrylic images of Native Americans. In all his<br>works, Furlow strives to show his deep admiration and respect for his Choctaw<br>heritage.<br><br>About his subject matter and painting style, Furlow has said, "I knew I wanted<br>to say it with color because that's the emotion of it. I've got to make the<br>viewer feel what I feel . All I'm trying to do is paint them as they are - paint<br>their culture, their dignity and their stature . I didn't want to do portraits<br>of Indians, I wanted to say something about the human condition." He paints two<br>worlds: the Native American and their place in the Anglo World. In addition,<br>Furlow rides and decorates motorcycles.<br><br>A recently filmed documentary entitled the "Life and Art of Malcolm Furlow,<br>"refers to him as a "Renaissance Man": the quintessential cowboy, musician, and<br>intellectual artist. He is an award-winning painter, whose accolades include the<br>Silver award from the Sorbonne, and the highly coveted Gold Award from the<br>world-renown Luxembourg Museum, Paris. PBS featured him in a documentary called<br>"The Life and Art of Malcolm Furlow", he was also awarded the Gold Award from<br>the Luxembourg in Paris (an honor shared with Pablo Picasso)<br><br>As of spring 2007, Furlow has "sold-out" over fifty solo shows. Malcolm Furlow's<br>paintings command principal placement in exhibitions, philanthropist campaigns,<br>and private collections around the world, including the U.S. Embassies of<br>Morocco, Belgium and Beijing; the White House; CEO Magazine; The Smithsonian;<br>Mobil Oil; Arnold Schwarzenegger; Samuel Goldwyn; Richard Pryor; Presidents<br>George H.W. Bush, Bill Clinton, and George W. Bush; Senator Hillary Clinton;<br>Bernadette Peters; Wes Studi; Phyllis Diller; William DeVane; B.J. Thomas; Jane<br>Goodall Institute; Darryl Hannah; Eiteljorg Museum; Jon Bon Jovi; National<br>Wildlife Museum; Koshare Museum; Santa Fe Fine Arts Museum; Paul Clarkson; Coca<br>Cola Olympic Pavilion; Make a Wish Foundation; NBC's Today Show; Raymond James<br>Financial Art Collection; Columbia University; and many others Malcolm is<br>equally celebrated in the industry of Model Railroading. He has written several<br>"How-To" books for Kodak photograghy, worked as a photogragher for Italian Vouge<br>. Malcolm has also written several "How-To" books for Model Railroading. His<br>published articles about photograghy and model railroading are inumerable.

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Vintage carved burl sculpture. Unsure of Artisan or even ethnicity/culture of<br>artisan, it's probably about 50-60 old as are the prices on the bottom. 5" tall<br>with 3.75" square base.

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c1970's American Ceramic Penis Man sculpture. 8" tall with one tiny glaze flake<br>on bottom of cloak, no large chips or cracks, no touch ups. This was likely made<br>in a ceramic class, it's in the same category as "holland mold", like the<br>ceramic xmas trees that are now so popular.<br><br>This is from the Estate of Milton Simpson, author of several books and<br>publications of Folk a. He was the graphic designer who discovered the<br>Woodbridge figures collection in New Jersey. Not the construction worker that<br>found them but the person who purchased them all from a local pawn shop and<br>recognized their importance. There is a very high probability this piece is<br>published in one or more of his books/publications. It's a great hand carved,<br>one of a kind piece. It's 9" tall and happens to be painted black, if it were<br>painted white, green, yellow, purple it would be equally important in my eyes,<br>really just a strange and wonderful thing with these orange breasts, etc.<br><br>Milton Simpson (1911-2023)<br>Milton – also known by his friends and acquaintances as Milt - was born and<br>raised in Brooklyn, New York City and raised his family in Millburn, New Jersey.<br>He attended the New York School of Industrial Art (SIA), now the School of Art<br>and Design. He then worked for Incorporated Ideas Advertising Agency in New<br>Jersey before joining the United States Army, serving in Korea.<br>After his discharge from the Army, Milt attended The Workshop School of<br>Advertising & Editorial Art. Upon completion of his studies there, he became the<br>Art Director of The American Baby Magazine in New York, Assistant Art Director<br>at Lewin, Williams & Saylor in New Jersey, and then Art Director of Kenyon-Baker<br>Advertising & Baker Printing Company, (both of which were under one roof) in New<br>Jersey. (He left there because the promised air conditioner was never<br>installed!)<br>He then worked as a freelance graphic designer and illustrator for several<br>years.<br>In 1964, he and business partner Don Johnson founded the firm of Johnson &<br>Simpson Graphic Designers with Milt as president. They were based in a townhouse<br>in beautiful downtown Newark, New Jersey and specialized in corporate<br>communications. The design projects they took in included annual reports,<br>corporate magazines, capability brochures, posters, museum catalogs, trademarks<br>and books. Their clients included Conoco, Johnson & Johnson, New Jersey Bell,<br>Hoffmann-La Roche, The Newark Museum and Singer Corporation.<br>The firm was featured in every major design publication, was recognized by over<br>350 graphic design awards and he and Don were inducted into the New Jersey Ad<br>Club's Advertising Hall of Fame in 1991.<br>Milt also served on the Advisory Board of The Greater Newark Chamber of Commerce<br>and was an Adjunct Professor (Publication Design) at Montclair State College.<br>The New Jersey Art Directors Club voted Milt Art Director of the Year in 1972.<br>Books were his passion. He couldn't seem to get them out of his system and<br>didn't try to. For many years he produced and self-published a series of<br>Artists' Books using several print-on-demand platforms. Milt was always a<br>student and appreciator of quirky, eccentric and irrational human behavior.<br>These Artists' Books were very much influenced by his observations and<br>obsessions.<br>Among many others too numerous to mention, he wrote "Windmill Weights" which was<br>self-published and "Folk a" published by HarperCollins.

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20" Eutrope Bouret(1833-1906) French Bronze Blacksmith Sculpture "Le Travail"<br>20" tall with no damage and great patina, fine French bronze from the late 19th<br>century.

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Bronze Buddha Sculpture 8.5" tall x 6" wide, estate fresh from an old<br>collection. I'm not sure how old, but I believe first half of 20th century.

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Large Sterling Jose Marmolejo Mexico City Bird Sculpture 9.5" x 6.25" x 5.5",<br>1000 grams with no issues. The designer is the well known Maestro Jose Marmolejo<br>whose modernist designs are some of the best in Mexico and who collaborated with<br>Tane and worked in his own shop.

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Mark Hopkins Bronze Eagle with flag sculpture 846/2500. Extremely high quality<br>piece 5.5" tall x 6.5" wide 6.3 pounds, solid bronze and very heavy for it's<br>size.<br><br>Biography<br>Mark Hopkins, Sculptor, Loveland, Colorado.<br><br>Mark Hopkins is considered one of the premier sculptors in the United States<br>today. From tabletop sculpture to monuments, his work is displayed in homes,<br>offices, and public settings around the world.<br><br>Mark Hopkins’ work is in everyway, a reflection of its creator. It reveals<br>Mark’s total fascination with nearly every conceivable aspect of life: from<br>history, children, sports, music and to wildlife of the land, sea and air. With<br>a style so flowing and alive it has been called “bronze in motion,” the work is<br>as passionate and expressive as the artist himself.<br><br>For as long as he can remember, Mark has been captivated by form and design.<br>From the time he was young boy, with the encouragement of family and teachers,<br>he worked to develop his innate talent, and explore the various techniques and<br>mediums of sculpture.<br><br>In addition to his skill as an artist, Mark made himself a technical expert in<br>the art of “lost wax” bronze casting. At the Mark Hopkins Sculpture foundry,<br>Mark monitors the casting process, insuring that the integrity of his work is<br>maintained throughout its creation in bronze. With the help of many talented<br>craftsmen, Mark endeavors to establish an enduring legacy of high-quality bronze<br>sculpture.<br><br>It has taken half a lifetime for Mark to attain his preeminent status in the<br>world of art. For many years, the necessity of providing for his large family<br>took Mark into other, more traditional vocations. Throughout those years,<br>though, Mark never stopped sculpting. He knew in his heart that it was the work<br>he was born to do. From the many challenges and experiences of his life came a<br>remarkably unique style of art.<br><br>Mark Hopkins constantly challenges himself to translate the richness of life and<br>nobility of the human soul into enduring sculptural form. In his words, “I<br>strive to express beyond the image, to catch spirit, to reveal deeper emotions,<br>and to share joy.” As he continues to rise to that challenge, his work is<br>attaining an honored place in the history of art.

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c1970's Sarried Ltd Finely Carved Beaver Sculpture with Brass stick. This guy is really nice, done by a very talented carver. 8" tall x 8" long x 4.25" wide. No issues. TW228

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