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6" Preston Monongye Hopi Tufa Cast sterling silver turquoise inlay cuff bracelet

Descripción

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Preston Monongye Hopi Tufa Cast sterling silver turquoise inlay cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Circa third quarter of the 20th century. Amazing bracelet in clean condition with no issues other than possibly one stone missing close to the gap on one side. Impossible to know for sure.

Monongye, Preston (1927-1987) Biography
Preston Monongye was a leader in the “The New Indian Jewelry” movement of the 1960s and 1970s. Born in 1927, in Los Angeles he was abandoned at Hopi at age seven and adopted by a prominent Hopi family. Monongye attended reservation schools and became a full participant in Hopi religious and social life. At age nine, Monongye began apprenticeship with his uncle, the master silversmith and painter Gene Pooyama.

Following his service as a paratrooper in World War II, Monongye became a Kachina painter, working occasionally for trader Roman Hubbell and the Fred Harvey Company. Monongye re-enlisted during the Korean War and later worked in law enforcement for the Bureau of Indian Affairs while continuing to paint and make silver jewelry.

After leaving his job in favor of jewelry making in the early 1960s, Monongye quickly became recognized as an innovative designer and technician, immersing himself in “the new Indian art,” using traditional techniques and motifs to create a contemporary new look. He was best known for cast silver set with stones that often were cut by his friend Lee Yazzie, and later by his son Jesse.

Monongye taught his art at various schools and workshops and lectured widely on contemporary Native design. He won many awards at shows and competitions and his jewelry appears in museum collections such as the Museum of Northern Arizona in Flagstaff and the Wheelwright Museum in Santa Fe.
Forma del producto

All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the... Leer más...

SKU: 1exawq34a4xm1xarexm
Código de barras: Hopi

1 en stock

$3,250.00 Sin IVA

    Descripción

    All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Preston Monongye Hopi Tufa Cast sterling silver turquoise inlay cuff bracelet. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Circa third quarter of the 20th century. Amazing bracelet in clean condition with no issues other than possibly one stone missing close to the gap on one side. Impossible to know for sure.

    Monongye, Preston (1927-1987) Biography
    Preston Monongye was a leader in the “The New Indian Jewelry” movement of the 1960s and 1970s. Born in 1927, in Los Angeles he was abandoned at Hopi at age seven and adopted by a prominent Hopi family. Monongye attended reservation schools and became a full participant in Hopi religious and social life. At age nine, Monongye began apprenticeship with his uncle, the master silversmith and painter Gene Pooyama.

    Following his service as a paratrooper in World War II, Monongye became a Kachina painter, working occasionally for trader Roman Hubbell and the Fred Harvey Company. Monongye re-enlisted during the Korean War and later worked in law enforcement for the Bureau of Indian Affairs while continuing to paint and make silver jewelry.

    After leaving his job in favor of jewelry making in the early 1960s, Monongye quickly became recognized as an innovative designer and technician, immersing himself in “the new Indian art,” using traditional techniques and motifs to create a contemporary new look. He was best known for cast silver set with stones that often were cut by his friend Lee Yazzie, and later by his son Jesse.

    Monongye taught his art at various schools and workshops and lectured widely on contemporary Native design. He won many awards at shows and competitions and his jewelry appears in museum collections such as the Museum of Northern Arizona in Flagstaff and the Wheelwright Museum in Santa Fe.

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