商品

Sadie Calvin Navajo Sterling turquoise necklace 22" necklace, 2.5" x 2" bottom<br>pendant. No issues. 61.5 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Sadie Sam Navajo Overlay Sterling pendant/necklace. Pendant and necklace solid<br>sterling in overlay style with turquoise cab. 16" necklace, 1.5" pendant 28.8<br>grams.

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Sage and Brass Sterling Southwestern Cuff Bracelet. Not marked sterling but tested, Sage and Brass was a high end southwestern jewelry maker that I believe went out of business. 23 grams 6.5" including the 1" gap 3/8" wide.

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Sajen Sterling multi-stone pendant/pin 1 7/8" with no issues. anderas

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Sally Yazzie Navajo Sterling turquoise, and coral pendant/oversized charm with no issues. Measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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No damage or other issues.<br><br>Artist: Salvador Dali (after), Spanish (1904 - 1989)<br>Title: Soft Telephone<br>Year: 1968<br>Medium: Etching, signed in the plate<br>Image Size: 7 x 4.75 inches<br>Size: 9" x 7" inside matting<br>Frame Size: 16.75 x 14.75 inches

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Sam and Esther Guardian Zuni inlay Bolo tie and belt buckle.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Sampson Werito Navajo Sterling 3/4" ranger belt buckle set. New old stock, never<br>worn, still on the sample belt.<br><br>Navajo Sampson Werito resides on the Navajo reservation in the town of Thoreau,<br>NM,which is close to Gallup & is a 'veteran silversmith who's been at it for<br>decades.He specializes in making these great ranger sets.<br><br>Ranger sets are a great way to go when you don't want the buckle to be 'wearing<br>you',but you 'wearing it'.Many times the buckles are so large that that's all<br>you notice..These have statement,but on a smaller scale..And they're SUPER<br>classy!! They generally say more with less & can be worn by man or woman..Both<br>genders love them for their smaller size.

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Nice piece measuring 4" tall x 2.75" wide. Some minor loss too heavy white enamel. No cracks, chips, or restorations.

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Great early Inkwell with no cracks, chips, restorations. It has clean gold, very tight hinge, nice patina on the bronze mounts. B8

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Great early Inkwell with no cracks, chips, restorations. It has clean gold, very tight hinge, nice patina on the bronze mounts. B8

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Samuel Benham 18k/Sterling mabe pearl jewelry set. Size 8 ring, No apparent brand name on necklace or pendant. All appears to match, from the same estate. All metals tested and guaranteed. Necklace 3mm 18" long. Pendant 2.25" with bail x 1 7/8" anderas

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Samuel Benham BJC Sterling silver cuff bracelet. Vintage estate cuff in like new<br>apparently unworn condition. High quality, heavy but flexible braided sterling<br>silver. 71.4 grams. 1" wide x 7.75" inside diameter including the 1 1/8"<br>adjustable gap. Very springy cool cuff.

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Samuel Benham Sterling/18k Citrine Double necklace 18.5" long with no damage or detectable wear, this is much larger and heavier than most Benham necklaces. Limited production retired design. 129 grams.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Modernist silver cuff braceletSamuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Tufa Cast silver moss agate pendant 2 5/8" x 1 1/8" 17.1 grams. Inside bail 9-10mm Samuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Samuel LaFountain - Diné, Turtle Mountain Chippewa Tufa Cast silver turquoise pendant/bolo. Could be worn as a pendant sideways on a beaded necklace or a bolo. Just selling the slide shown. The loops are 12-13mm wide. 56.3 grams. Samuel Greatwalker LaFountain was born in 1986 in Santa Fe, New Mexico. He has been making jewelry for over 22 years. He infuses contemporary concepts with his traditional background, creating beautiful pieces of art. Hallmarked with his G and 2 dragonflies. Award winning artist.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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San angelo tx hollands sterling gold overlay spur tie bar Boy Scout Jamboree, 14k gold horse overlaid on Sterling spur. No issues. Production of Holland’s western jewelry began in 1936 with the introduction of the “spur clip” tie clip. Chase Holland had established a jewelry business in San Angelo, Texas in 1918. After the depression, he wanted a gift to express his appreciation to his friends who had helped him make it through the difficult years. A miniature silver spur was fashioned as a tie clip. This spur was given as a token of appreciation to friends who had “won their spurs” in the western tradition. Some of the first spur clips produced were given by Mr. Houston Harte, founder of Harte Hanks Communications, Inc. to President Franklin Roosevelt, Vice President John Nance Garner and Speaker of the House Sam Rayburn. The “spur clip” was then patented and the creative craftsmen of Holland’s workshop developed a unique line of western spur jewelry that is still produced today. The success of the spur jewelry led to the creation of the famous Holland’s buckles and other western accessories. From 1936 to 1940 numerous styles of buckle sets and trophy buckles were designed. Many of the legendary Texas Rangers wore these buckle sets as well as the spur tie clips. This is why today the buckles are often called “Ranger” sets. Chase Holland employed tool and die makers as well as hand engravers to produce the steel die sets necessary to make the buckles and spur jewelry. All of the Holland’s buckles are die struck in Sterling Silver or solid 14 or 18 karat gold. Die struck metals are more dense and heavier than pieces that are casted. Production costs are higher for die struck buckles, but they are stronger and harder. This also allows the hand engraving to create a very bright cut in the dense metal. Over the years, Holland’s buckles and spurs have been worn by many well known ranchers, wildcatters, politicians and celebrities. Holland’s buckles have become cherished family keepsakes that are treasured as much as Grandfather’s gold watch.

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サンノゼミッションの陶器タイル。 6.25 インチ四方。亀裂、欠け、修復はありません。問題はありません。本当に素晴らしい例です。サンノゼ ミッション ポッタリーズは、テキサス州サン アントニオ地域にエセル ウィルソン ハリスによって設立されたタイルと陶器の工房グループを指します。 1930 年代に始まりました。tw119歴史エセル ハリスは伝統的なメキシコ美術の熱烈な愛好家であり、メキシカン アーツ & クラフツ、サンノゼ ポタリーズ、ミッション クラフツの 3 つの窯元が、メキシコの職人がネイティブのインスピレーションを受けた陶器のデザインを制作するためのアウトレットです。彼女の最初の陶器会社: メキシカン アーツ & クラフツ (MAC) は 1931 年に設立されました。陶器はミッション サン ホセの穀物倉庫にオープンしました。陶器に併設された小さな店で商品が販売されていました。地域の観光客にメキシコの影響を受けたデザインを宣伝しました。ハリスは、まだ高校生だった主任デザイナー、フェルナンド ラモスを雇いました。ラモスは、陶器集団の有名なメキシコの生活シーン、地元の人々の生活シーンを担当しました。文化とダンサー. 彼はフルタイムのダンスを始めるために1934年に去り、メキシコでスペイン語、メキシコ語、ジプシーダンスを学びました。その過程で、彼は別のダンサー、カーラ・モンテルと出会い、結婚しました。このペアは 1940 年代に人気のダンス チームとなり、ナイトクラブや映画に出演しました。フラメンコダンスのテーマはMAC陶器によく見られます。 1930 年代後半、ハリスはラモスのデザインの著作権を取得し、ラモスが去った後も長年にわたり、彼女の陶芸ワークショップの 3 回の実施すべてでそのデザインを使用し続けました。彼女のワークショップは、1933 年のシカゴ万国博覧会への参加によってさらに知られるようになりました。 。 1934 年までにハリスの成功は、タイルの製造に必要な窯をサポートできなかった小規模な MAC 工房の生産施設として設立されたサンノゼ ポタリーの事業拡大につながりました。サンノゼ ポッタリーは、「パン アメリカン ウェア」として知られるディナー、アート、タイルウェアの製品ラインも製造しました。これらの作品には、植民地時代、西部、インド、メキシコの風景が描かれていました。ハリスは、社長で会社の一部所有者でもあるセシル ベックとの意見の相違を受けて、1937 年にサンノゼ ポタリーを去りました。分割の一環として、彼女は会社が作成したすべてのデザインに対する権利を保持しました。 San Jose Pottery で知られる Calla Lily 食器シリーズは、ハリスが会社を去った後に生産されました。ベックは 1941 年に会社をニューヨークの会社に売却しました。陶器は 1944 年に全焼しました。営業を再開できず、会社は廃業し、建物は 1947 年に取り壊されました。彼女の仕事と並行してサンノゼ陶器の工房では、1936 年のテキサス 100 周年博覧会用にタイル壁画と錬鉄製タイル テーブルの製造を開始しました。 MAC/サンノゼ ポッタリーズは、1939 年のニューヨーク万国博覧会用の製品も製造しました。ハリスは MAC で仕事を続けました。 1939 年、ハリスは技術監督者として作業プロジェクト管理局 (WPA) の美術工芸部門に加わりました。この期間中、彼女は 60 人の WPA 職人をワークショップに連れてきました。この期間に生産されたアイテムには、公共スペース用のタイル細工、貧しい家庭用の食器、その他の公共事業が含まれます。彼女は 1941 年にサンノゼ ミッション州立公園を管理するために WPA を去り、ミッション内の居住区に移りました。彼女のワークショップの 3 回目であるミッション クラフトは 1941 年に開始されました。この大きなワークショップには、より広いスペースとより大きな窯が備わっていました。彼らは地元の鉄職人と協力し、錬鉄製のフレームやテーブルのタイル細工を制作しました。ハリス氏は最終的に 1963 年に引退し、彼女の息子が事業を引き継ぎました。ミッション・クラフト社は生産コストの上昇により1977年に閉鎖した。

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サンドキャストスターリングとターコイズネイティブアメリカンテーブルボックス。非常に考えられた軽量の木製ライナーが付いた 20 世紀前半のタバコの箱。その後、20 世紀の第 3 四半期に、おそらくネイティブ アメリカンの非常に熟練した芸術家によって再加工されました。蓋にわずかな曲がりがあります。興味深いユニークなアイテム、他には見つかりません。箱はドイツの835シルバーのブルックマン＆ゾーネです。ネイティブアメリカンの芸術家が残した識別マークは見つかりませんでしたが、純度検査済みです。 5.25 インチ x 3.5 インチ x 深さ 1.75 インチ、レリーフあり。 256 グラム。tw217

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サンダーセン南西部モダニストチップインレイスターリングベルトバックル。 3 5/8 インチ x 2 3/8 インチ、1.5 インチのベルトに適合、88.6 グラム。最低 90% (コイン) の銀が保証され、場合によってはそれ以上の含有量が保証されます。マークのあるものはすべて保証されます。マークが付いているものは、ほとんどのブレスレットは 6 インチの手首 (毛のないもの) で撮影されており、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に寸法が記載されていない場合は、金属が布製の巻尺の数字と一致する内周が表示されます。

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Sandy Sangster Navajo Native American Sterling and turquoise Cuff Bracelet. Marked with the two feathers hallmark, tests sterling with no damage.

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Sarah Reid McLaughlin (1872-1939) for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw122 isshelf

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Sarah Timberlake for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw119

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Sarreguemines Courses Digoin Plates with Horse Racing Track Scenes (8). 7.75"<br>They all have some crazing which is expected with antique earthenware. 3 have<br>light stains as shown, no cracks, chips, or restorations.

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Saul Alcaraz Studio Art Glass Vase 10.5" tall, signed and dated 2009, no damage<br>or wear. An amazing piece of glass with rich blues and purples that I couldn't<br>capture with the time/resources available.<br><br>Saul Alcaraz's fine art glass has been featured in galleries and museums<br>throughout the world. His visionary designs have literally pushed the art of<br>glassmaking to the edge of creative expression. His passion for his work is<br>inspired by the amazing works of Lois Comfort Tiffany, Steuben and Duran.<br><br>Saul's symbiotic relationship with fire has been a tenuous partnership over the<br>years. With the quest for a translucent form of perfection, Saul feels he has<br>captured the power of the sun and he brings this to tangible objects of pure<br>light and beauty. His style is reminiscent of the art nouveau glass being<br>produced in France by Galle and in Ausrria by Loetz. Saul has had but one ideal<br>- to make the finest glass the world has ever known, with strict adherence to<br>distinctive design.

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Schafer and Vater Bathing Beauty Figure. 5.5" long x 2.25" tall with no cracks, chips, or restorations. Firing flaw on knee. b37

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Schafer and Vater Googleye Unexpected Opening Match Holder Faint mark from a<br>large collection of Schafer and Vater, 4" tall with no cracks, chips, or<br>restorations.<br>b37

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Schafer and Vater Scratch my back Dog Match Holder. Marked on base. 4.75" tall<br>with no cracks, chips, or restorations.<br>b37

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I couldn't find a signature on this piece, but I guarantee it to be early 20th<br>century art glass, most likely French. Most likely Degue or Schneider. The<br>holder measures 17.5" wide x 9.5"tall. The bowl is 9 7/8" wide x 2 5/8" deep.<br>There are three very small flakes on the bowl rim, not noticeable on such a<br>stand out piece. Looks to be cased with Vaseline in interior and mottled<br>exterior.

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Schumann Empress Soup Tureen with lid 12.25" handle to handle x 7" tall with no cracks, chips, or restorations. Perfect gold other than the tiniest spot on the very tip of the lid finial. isshelf

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Scott Kay 18k/Sterling hoop earrings 13/16", 5mm wide, no issues. Come with box shown.Scott Kay Scott Kay has been acclaimed year after year as the authority in fashion jewelry. Scott Kay created the most distinctive and artistically designed collection that established him as a coveted brand for men’s fashion accessories. Scott Kay has been credited for spearheading the resurgence of platinum in America. The brand has received several awards for using the metal, including the prestigious Platinum Innovation Award several years in a row. Today, Scott Kay’s legacy continues by a small team of artisans who have the same fiery passion that Scott did. Expect the most exceptional quality and craftsmanship with a Scott Kay piece.

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Sebesta Cameo Glass Vase with Dolphins. 10.5" tall x 6.25" wide at rim. Great piece of late 20th century art glass with no cracks, chips, or scratches, expected shelf wear on base as it's a heavy piece. The pics don't do it justice. TW207

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Set of 4 vintage Navajo Curio Sterling Napkin rings with turquoise. Selling the 4, mid 20th century likely from Bell Trading Post or similar, each marked STER in reverse center of concho.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Set of Antique Chinese Swatow Ware Blue Decorated Sauce Dishes for Southeast<br>Asian Market. Interesting set 18th-19th century collected in the early 20th<br>century likely in Southeast Asia. They average 2.75" x 2.25", they are<br>irregular. Two are damaged One with chip, both with old hairlines, 7 have no<br>damage.<br>B36

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Seth Vandable Bronze Conquering Spirit Sampson with Lion. 16" tall cold painted solid bronze Artists Proof 12/350. Very heavy solid bronze with marble base. It has a ball bearing plate on the base so it can be seen from all sides without moving it. This retailed for $4800 and has no issues or damage. It will be exremely securely packed with lots of foam in multiple double walled boxes.

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Sharon Cisco Navajo Sterling storyteller bracelet, fits up to a 6 3/8" wrist, no issues. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Sheila Tso Navajo Spiny Oyster/opal channel inlay earrings. 1.5" tall x 3/8" wide x 5.9 grams with no issues. Navajo artisan "Sheila Tso" is a traditional Navajo artist that instinctively knows how to create earrings that cater solely to women.. Known for her fabulous lookin cluster jewelry, she carefully selects each stone, that she then lays out in some of the most attractive designs that are in todays market!

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Sheila Tso Navajo Sterling and spiny oyster earrings. 3.25" tall x 3/8" wide x<br>18.5 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sheila Tso Navajo Sterling and turquoise earrings 2" tall x 1 3/16" wide x 15.9<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Sheils Tso Navajo heavy stamped silver and turquoise pin 2.5" x 1 3/8" x 27.6 grams. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Shelley Creamer and Sugar Collection (12 pcs) all with with no cracks, chips,<br>restorations, crazing, gold wear, scratches, or stains. Smallest 1 5/8" tall,<br>tallest 2 7/8"

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Shelley Harebell Oleander Shape Creamer 3" tall x 4" handle to spout with no<br>cracks, chips, restorations, or stains.

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シェリー ヘザー カップ & ソーサー セット (複数あり) ゲインズボロー シェイプで、亀裂、欠け、修復、ひび割れ、金の磨耗、汚れなどはありません。ソーサーは5.5インチ、カップは高さ2 5/8インチ×ハンドルなしの縁の幅3 3/8インチです。

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シェリー メロディー チンツ カップ＆ソーサー。ひび割れ、欠け、修復物、傷、汚れはありません。ひび割れはありません。これはデミタスよりも大きいですが、現代のティーカップよりは小さいです。ソーサーは4 13/16インチ、カップは高さ3インチ x 縁の幅2 7/8インチです。内側はライトグリーンです。

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Shelley miniature Cup and Saucer. 3" saucer 1 5/8" tall cup. Mint condition with no damage or wear. B32

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Shelley Nut Dish Collection (7) all with with no cracks, chips, restorations,<br>crazing, gold wear, scratches, or stains. They measure from 4.5" to 5.5"

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Shelley Oleander Primrose Chintz Teacup and Saucer. No cracks, chips, restorations, detectable wear or flaws 5.75" wide saucer. isshelf

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Shelley Oleander Rock Garden Teacup and Saucer. No cracks, chips, restorations, or detectable wear. A few pinpoint sized dark spots outside of cup. 5.75" wide saucer. isshelf

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Shelley Rock Garden Chintz Cup and Saucer Pair. No cracks, chips, restorations, scratches, or stains. No crazing except for bottom of one cup. These are larger than Demitasse, but smaller than some modern tea cups. Saucers are 4 13/16", cups are 2.25" tall x 3" wide at rim. They have a light green interior.

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Shep Chadhorn was a Blackfoot American Indian who had formal training at the Art Institute in New York. Chadhorn is known for several magazine and publication type art. Most of his works have been exclusively sold out of the Country Store Gallery and other galleries in the Southwest. 19" x 23" Framed, 12" x 16" sight. No damage to painting, clean frame, Authentic original oil circa 1980's from a very accomplished and well listed artist.

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Shofu China/Nippon Japanese Cups and Saucers Hand Painted Heavy Raised Gold,<br>Jeweled. Selling the Two demitasse/ Coffe cups and saucers. 5 and 5 1/8" wide<br>saucers, not tea cups and saucers. These are like espresso cups. No cracks,<br>chips, restorations, or detectable wear. Selling both above average cups and<br>saucers.<br>tw162

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Sidney Arawnaya Hopi Sterling pendant. 5.5 grams 1 5/8" tall with no damage and little wear.

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Sigi Pineda Taxco Modernist sterling bolo tie. 41" long, one of the tips is mishapen but looks kind of cool almost as if intentional. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Signed Art Glass Vase with controlled bubbles. No cracks, chips, dings, or scratches. I'm unsure of artist but the quality is incredible. 4.5" tall tw75

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Signed Book The Sculpture and Drawing of Charles Umlauf (1911-1994). Estate fresh from a prominent Austin Texas Estate, guaranteed Authentic Signature I'm 100% positive. A little wear to dust jacket as shown, no issues with interior of book, lots of great photographs. Umlauf didn't hold book signings to the best of my knowledge, it's very rare to find a book signed by him. Charles Umlauf (July 17, 1911 – November 19, 1994) was an American sculptor and teacher who was born in South Haven, Michigan. His sculptures can be found in churches, numerous public institutions, outdoor locations, and museums, including the Houston Museum of Fine Arts, the Smithsonian Institution in Washington, D.C, and the Metropolitan Museum of Art in New York, as well as in many private collections. Umlauf received a number of accolades, including a Guggenheim Fellowship and a Ford Foundation Grant. In 1941 Umlauf accepted a position at the University of Texas School of Art in Austin, Texas, where he taught for 40 years. Artists teaching at UT included Loren Mozley, Everett Spruce, Kelly Fearing, Seymour Fogel, and William Lester. Umlauf retired as Professor Emeritus in 1981. In 1985, he and his wife Angeline Allen Umlauf gave their Austin home, Umlauf’s studio, and 168 sculptures to the City of Austin. Based on this gift and considerable community support, the UMLAUF Sculpture Garden and Museum was founded and opened its doors in 1991 as at 605 Azie Morton Road in Austin, Texas. The UMLAUF is a private–public partnership with the City of Austin. Contents 1 Early life 2 Work 3 Mentorship 4 Selected works 5 References 6 External links Early life Charles Umlauf was born in South Haven, Michigan, on a large farm where his family lived and worked. He was the sixth of eight children born to immigrant parents Christian Heinrich (Bavarian) and Charlotte Derouet (French-Alsatian). The Umlauf children were named Heinrich, Marie, Charlotte, Wilhelm, Edouard, Karl, Emelia, and Louis. The family moved frequently in search of work. The Umlauf family suffered from anti-German sentiment during the first World War. The family Americanized their names (Heinrich to Henry, Wilhelm to William, Karl to Charles) to avoid persecution in their Michigan town and schools. After enactment of the Espionage Act of 1917, Umlauf’s father was falsely accused of spying while working at an ammunition plant. Soon after, the windows were shattered in the family home. This treatment would influence the subjects and expression in Charles’ work. In 1918 the entire family relocated to Chicago in search of greater opportunities for work. Umlauf discovered sculpture early in his life, when he was a child, playing in the sand at Lake Michigan. He watched a sand artist on the beach, and subsequently sculpted a life-size sand sculpture of his own. Umlauf claimed that he knew at the age of ten that he was going to be a sculptor. At this age, he was living with his family in Chicago. In 1922, Christian Umlauf died, further impoverishing the family. Charlotte Umlauf died only 6 years later, leaving the children orphans and emotionally devastated. Charlotte had been a fervent supporter of artistic education for her children, spending a portion of their meager income on music lessons for Charles and his siblings. Work In 1918, when Charles was eight years old, the Umlauf family moved to Chicago. Charles and his brothers worked as caddies at Oak Park and Bryn Mawr Country Clubs. Charles was encouraged to pursue his artistic interests by his sister, Marie, who paid for her 11-year-old brother to attend weekend classes at the Art Institute of Chicago (AIC). He soon earned a scholarship for continued study. Umlauf was interested in carving and forming figures from an early age. Based on a small lion he molded in clay, Charles received his first commission of a full-sized lion in 1922, at age eleven. In 1929 Umlauf began three years of study with Albin Polasek at the AIC. He subsequently spent one year as an assistant to Lorado Taft at his Midway Studio before returning to the AIC where he remained until 1937. Those years saw a growth in Umlauf's interest in the more abstract sculptures being produced in Europe, and as a consequence, his own art became increasingly abstracted. From 1934 through 1941, Umlauf was employed by the WPA Federal Art Project, created during the Great Depression. He sculpted for several Federal projects, including two monumental sculptural heads for Merchandise Mart and sculptures for Cook County Hospital. His 1939 work War Mother caught the attention of Marion Koogler McNay and professors at the newly formed Art Department at the University of Texas at Austin. They offered him a position as Professor of Life Drawing and Sculpture and the Umlaufs permanently moved to Austin in 1943. Mentorship During his tenure at the University of Texas, Charles Umlauf taught many art students, including Farrah Fawcett. Fawcett, an art major, called Umlauf her "favorite professor" and they began a close mentoring relationship. Fawcett took classes and worked with Umlauf in his studio, as well as occasionally sitting for him as a muse. Her sculpture work is similar to Umlauf's in style. Work by Fawcett was exhibited at the UMLAUF in 2017 in the Mentoring a Muse exhibition.[1] Another of his pupils was Bob "Daddy-O" Wade, who studied at the University of Texas from 1961-65, and later became famous for his larger-than-life sized works inspired by Texan cowboy culture.

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Signed Citizen Soldier Book By Stephen Ambrose Author Sealed First Edition Leather Easton Press. Sealed for the past 22 years Mint condition.Ambrose, Stephen E. CITIZEN SOLDIERS Easton Press Norwalk, Connecticut 1997 1st Edition 1st Printing Hardcover 9.5" tall Fine, Leather Bound, Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines. A pristine volume. Signed limited Edition complete with a Certificate of Authenticity issued from the publisher.

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Signed Famous Texas Ranger Family Dedication East Texas Troubles The Allred<br>Rangers by Jody Edward Ginn. Appears spotless inside and out including dust<br>jacket. I would bet my life this signature is Authentic because of where I got<br>it from. This estate was full of books that were given by the Authors to members<br>of this family.<br><br>These books and many more I'll be listing shortly are from the estate of<br>multiple descendants of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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Signed Greater Tuna Posters Jaston Williams/Joe Sears. Two very cool original posters from Greater Tuna, likely before it went nationwide as it started in Austin. 14.25" x 22.25" each. Both originals with original signatures, estate fresh from a local estate that obviously had something to do with the production and/or were close friends. I actually purchased these a few years ago along with other Greater Tuna memorabilia the wife is pregnant so it's time to clear out stuff that I wanted to keep to make room for a baby. Selling both, framed behind anti glare glass.

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Signed Japanese 950 silver jumbo cigarette case and lighter. Amazing quality, all hand done, signed by the artist on the backs as shown. Lighter has nice snap and no wobble or play in top, strong spring. Lighter needs flint. Cigarette case with no significant dents or dings, snaps shut and stays shut.

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