商品
17th Century Chinese Kraak bowl
17th Century Chinese Kraak bowl. Nice piece of high quality antique chinese porcelain, thin with 4 symmetrical indentations on the sides. 5.75" wide x 1 7/8" tall with absolutely no cracks, chips, or restorations, not even any rim frits, there is some expected glaze wear to the inside bottom of the bowl.chinashelf
$795.00
17th Century Persian Hand written/colored Manuscript page
17th Century Persian Hand written/colored Manuscript page. Very old description taped to reverse outside of frame, this is framed between two pieces of glass, so glass on both sides, both sides visible. Frame is 13.5" x 9.75"
$195.00
17th-18th Century Bronze Sukhothai Buddha Statute Thai Ayutthaya Shakyamuni
17th-18th Century Bronze Sukhothai Buddha Statute Thai Ayutthaya Shakyamuni. Great early Thailand bronze buddha 18th century or older. 10.25" tall x 3.5" wide. Very heavy solid bronze with clay in base.TW7
$635.00
17th-18th Century Fur Trade Era Bronze Handled Graduated Kettles Wok Style Candy
17th-18th Century Fur Trade Era Bronze Handled Graduated Kettles Wok Style Candy<br>Pots. These are extremely early pots. They're very heavy copper/bronze alloy I<br>don't believe they're solid copper. They're thick an non malleable. Largest is<br>10.5" without handles, middle 7.5" without handles, Smallest 4.75" without<br>handles. Together they weigh 6 pounds 11 ounces. The last pic is how they were<br>discovered. All I did was gently clean and heat up and coat in olive oil.
$345.00
17/18 世紀の中国の三彩釉陶器香炉
17/18世紀の中国の三彩釉陶器香炉、ハンドルからハンドルまで6.5インチ x 奥行き3.5インチ x 高さ5.25インチ、蓋付き。アンティークだがおそらく後から取り付けられた木箱と、それを包んだボロボロの布が付属します。もちろん、発送の際はより良く梱包されます。いくつかの鋭利な点にわずかな釉薬の摩耗があり、大きな欠け、亀裂、修復はありません。
$1,250.00
18" Retro Sterling/Amethyst multicolor quartz necklace
18" Retro Sterling/Amethyst multicolor quartz necklace. Natural stone and sterling beads, sterling clasp Largest beads are .5" thick 58.4 grams total weight.
$75.00
18" Tommy Singer (1940-2014) Navajo Silver, multi-stone/shell heishi necklace
18" Tommy Singer (1940-2014) Navajo Silver, multi-stone/shell heishi necklace 18" long, 6.5mm wide, 30.7 grams. <br><br>Tommy Singer (1940 - May 31, 2014) was a World Famous Navajo Silversmith and his distinct style of Indian Jewelry is recognized the world over. Tommy was a silversmith for over 50 years. He learned the art of silversmithing from his father when he was just 7 years old. His Father Tsinnigine Hathali was a Navajo Medicine man. His early works were done in the Silver overlay technique but soon began to feature Turquoise stones. While working with scrap turquoise chips, Tommy pioneered the technique of Chip inlay used by thousands of artists to this day. Tommy eventually returned to his roots by creating Exquisite Silver Overlaid Jewelry with intricate designs.<br><br>All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.
$175.00
18" Antique Japanese Meiji Imari Charger
18" Antique Japanese Meiji Imari Charger with no chips, cracks, or restorations.<br>Hand painted, nicely decorated from the last half of the 19th century.
$495.00
18" Antique Persian Sterling/copper on brass mixed metals tray
18" Antique Persian Sterling/copper on brass mixed metals tray. Late 19th to<br>early 20th century, solid silver (tested) and copper on brass. Late 19th to<br>early 20th century. Large tray with hanger on back to use as wall hanging.
$395.00
18" c1890 Elgin Wind and Power Rainbow Tail Rooster Windmill weight
18" c1890 Elgin Wind and Power Rainbow Tail Rooster Windmill weight. This is<br>directly from the Estate of Milt Simpson the author of the book shown, I'm<br>including the first edition copy of the Windmill Weights book with dust jacket<br>shown. Also including the custom stand shown. Measures about 18.5" x 17" and<br>weighs about 60 pounds.. I'll be offering one more weight also from his estate.<br><br><br>Milton Simpson (1911-2023)<br>Milton – also known by his friends and acquaintances as Milt - was born and<br>raised in Brooklyn, New York City and raised his family in Millburn, New Jersey.<br>He attended the New York School of Industrial Art (SIA), now the School of Art<br>and Design. He then worked for Incorporated Ideas Advertising Agency in New<br>Jersey before joining the United States Army, serving in Korea.<br>After his discharge from the Army, Milt attended The Workshop School of<br>Advertising & Editorial Art. Upon completion of his studies there, he became the<br>Art Director of The American Baby Magazine in New York, Assistant Art Director<br>at Lewin, Williams & Saylor in New Jersey, and then Art Director of Kenyon-Baker<br>Advertising & Baker Printing Company, (both of which were under one roof) in New<br>Jersey. (He left there because the promised air conditioner was never<br>installed!)<br>He then worked as a freelance graphic designer and illustrator for several<br>years.<br>In 1964, he and business partner Don Johnson founded the firm of Johnson &<br>Simpson Graphic Designers with Milt as president. They were based in a townhouse<br>in beautiful downtown Newark, New Jersey and specialized in corporate<br>communications. The design projects they took in included annual reports,<br>corporate magazines, capability brochures, posters, museum catalogs, trademarks<br>and books. Their clients included Conoco, Johnson & Johnson, New Jersey Bell,<br>Hoffmann-La Roche, The Newark Museum and Singer Corporation.<br>The firm was featured in every major design publication, was recognized by over<br>350 graphic design awards and he and Don were inducted into the New Jersey Ad<br>Club's Advertising Hall of Fame in 1991.<br>Milt also served on the Advisory Board of The Greater Newark Chamber of Commerce<br>and was an Adjunct Professor (Publication Design) at Montclair State College.<br>The New Jersey Art Directors Club voted Milt Art Director of the Year in 1972.<br>Books were his passion. He couldn't seem to get them out of his system and<br>didn't try to. For many years he produced and self-published a series of<br>Artists' Books using several print-on-demand platforms. Milt was always a<br>student and appreciator of quirky, eccentric and irrational human behavior.<br>These Artists' Books were very much influenced by his observations and<br>obsessions.<br>Among many others too numerous to mention, he wrote "Windmill Weights" which was<br>self-published and "Folk a" published by HarperCollins.<br><br>If it weren’t for its folk art appeal, the windmill counterbalance weight<br>probably would not be as highly collectible as it is today. But the windmill<br>weight is more than just a pretty face: It’s a key component of the vaneless<br>windmill produced in the late 1800s.<br><br>Vintage farm-style windmills that pumped water came in two basic varieties.<br>Vaned windmills used a tail, or vane, to guide the wheel into the wind. Vaneless<br>mills depended on a counterbalance weight, perched at the end of a wood beam, to<br>perform that function.<br><br>Counterbalance weights represented a short-lived but stylish variation of tail<br>technology in windmill production. The Halladay Standard windmill, manufactured<br>by the U.S. Wind Engine & Pump Co., (USWE), Batavia, Ill., was the first<br>manufacturer to employ a patented self-regulating wheel that would place itself<br>in or out of sail depending on the strength of the wind. This “folding” mill was<br>first developed with a wooden vane in 1854. Early catalogs from various windmill<br>manufacturers show mills with wood tails.<br><br>In the 1880s, USWE introduced a vaneless version of the Halladay Standard. The<br>Vaneless Standard, as it was called, utilized a star-shaped counterbalance<br>weight instead of a tail. This mill was produced until 1916; other companies<br>produced their own versions with different styles of weights into the 1930s. As<br>a general rule, counterbalance weights were used only on folding wheel<br>windmills, while tails were used on both early folding wheel and later solid, or<br>fixed, wheel windmills. “Once they came up with a light, sturdy metal for the<br>windmill tail,” explains collector Bob Popeck, “it was a whole new ball game.”<br><br>Weights not only served as a counterbalance but also as a marketing device,<br>identifying the mill’s manufacturer in a recognizable manner. “But basically,<br>the windmill weight just kept the wheel directed into the wind and prevented the<br>whole thing from tipping over,” Bob says. Today, these weights are prized by<br>windmill enthusiasts, such as the Popecks, and collectors of folk art.
$1,950.00
18" David Andersen Blue enamel gilt sterling necklace
18" David Andersen Blue enamel gilt sterling necklace. No damage, no wear to enamel.
$335.00
18" French Lalique Champs-Elyses Bowl
18" French Lalique Champs-Elyses Bowl. This one is about 20 years old, fresh<br>from a 4 million dollar home in extremely clean preowned condition with no<br>chips, cracks, tiny nicks, scratches on top or sides. Very slight shelf wear to<br>the base as this thing does way a ton. Current retail on this is $3800.<br>Item# 1121600<br>Dimensions: H 7.48" x L 18.11" x W 7.48" (H 19.00 cm x L 46.00 cm x l 19.00 cm)<br>Weight: 13.67 lbs (6.20 kg)<br>The spectacular rows of trees lining the most beautiful avenue of the world<br>inspired the design of the finely engraved crystal leaves that adorn the<br>Champs-Elyses Crystal Bowl, designed by Marc Lalique Crystal in 1951. In this<br>work of art, the artist captures the beautiful essence of Paris. This emblematic<br>artwork was designed in 1951 by Marc Lalique Crystal.<br>Handcrafted in France.
$1,975.00
18" James Avery Semi-Retired Sterling Charm Necklace
18" James Avery Semi-Retired Sterling Charm Necklace. I know the Owl charm is retired and fairly difficult to find, not sure about the others, all James Avery, all with little to no wear. The loop has been previously cut on the Owl and the Love hand.
$235.00
18" John Hardy sterling station necklace
18" John Hardy sterling station necklace ranges from 3mm to 7mm wide, other measurements in pics. Guaranteed authentic, estate fresh with no issues. <br><br>anderas<br><br>About John Hardy<br><br>Inspired by Bali and its time-honored jewelry-making traditions, John Hardy’s<br>artisan collective was founded in 1975 with a dedication to handcrafted jewelry.<br>We are committed to sustainable luxury business practices, our craftspeople and<br>the preservation of Bali. We pride ourselves on the value of authenticity; it is<br>the soul of community that makes each piece truly one of a kind.<br><br>WE ARE ARTISANS<br>One of the largest employers on the island of Bali, the John Hardy Workshop &<br>Kapal Bamboo Boutique employs over 500 multi-generational craftspeople, from<br>watercolor artists to metalsmiths. Dedication to heritage artistry not only<br>defines the John Hardy legacy, it retains artisan families that craft jewelry<br>through meditative, communal chain-weaving, hand-hammering and carving.<br><br>WE ARE COMMUNITY<br>We are fueled by the spirit of togetherness and dedicate ourselves to the<br>artisans whose deep connection to Bali inspires the foundation of our Workshop &<br>Kapal Bamboo Boutique. We offer an apprenticeship program, Jobs For Life, that<br>provides vocational training and financial support to the citizens of Bali. Each<br>participant is given the opportunity to join the workshop, where we provide<br>locally sourced family-style meals to several-hundred workers––a gathering<br>ritual that both fosters a sense of community and attracts visitors.<br><br>WE ARE SUSTAINABLE<br>As a certified member of the Responsible Jewellery Council, and Kimberley<br>Process compliant, John Hardy is committed to codes of practice that ensure our<br>stones, diamonds and metals are conflict-free and ethically produced every step<br>of the way.<br><br>The same sense of responsibility is applied to our packaging. From our jewelry<br>boxes to our shopping bags, all paper materials are now certified by the Forest<br>Stewardship Council, a non-profit that manages the environmental and economic<br>benefits of trees.<br><br>We also craft jewelry that gives back. Our “Wear Bamboo, Plant Bamboo”<br>initiative, in partnership with non-profit 1,000 Bamboo Villages, is committed<br>to cultivating the natural beauty of Bali. This means every time you shop from<br>our Bamboo Collection, we plant bamboo seedlings in Bali on your behalf.
$325.00
18" Lagos Caviar Sterling Silver/18K Yellow Gold Beaded Rope Station Necklace
18" Lagos Caviar Sterling Silver/18K Yellow Gold Beaded Rope Station Necklace.No damage or significant wear, retailed for over 1k. Designed by LAGOS, this Sterling Silver Caviar Rope Necklace features 18K yellow gold stations on a strand of luxurious signature Caviar beading. The 18" necklace is finished with a lobster clasp 4mm wide 51.9 grams.
$475.00
18" Margot De Taxco Mid Century Modernist sterling dangly necklace
18" Margot De Taxco Mid Century Modernist sterling dangly necklace. 18" long with 5mm-25mm width with dangles. No issues, 44 grams.Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th
$385.00
18" Mexican Sterling Silver Necklace with Semiprecious stones
18" Mexican Sterling Silver Necklace with Semiprecious stones. Nice quality chunky necklace with no issues circa 1980's. 78.5 grams.
$225.00
18" Milor Designer Sterling Silver Beaded Necklace
18" Milor Designer Sterling Silver Beaded Necklace. Very nice quality necklace with no kinks or issues.
$80.00
18" Milor Italy Sterling silver necklace
18" Milor Italy Sterling silver necklace. Interesting necklace in like new condition marked and tested sterling, made from small slabs of sterling 28.7 grams.
$85.00
18" Native American Sterling Beaded discs necklace
18" Native American Sterling Beaded discs necklace. Bottom disk is 7/8".<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.
$325.00
18" Retro Beaded sterling hearts necklace
18" Retro Beaded sterling hearts necklace. No damage or issues 14.5 grams solid sterling hollow beads.
$40.00
18" retro sterling necklace
18" retro sterling necklace 38.8 grams with no issues.
$125.00
18" Silpada sterling necklace
18" Silpada sterling necklace. No damage or issues, marked 925 and silpada mark<br>on pendant, tested sterling also. 31 grams
$110.00
18" Southwestern Jay King - Desert Rose Trading turquoise and sterling beaded necklace
18" Southwestern Jay King - Desert Rose Trading turquoise and sterling beaded necklace. Bottom pendant 2 5/8" tall x 1 7/8" wide. Not Native American made. 49.4 grams
$95.00
18" Vintage Mexican Sterling Aztec Calendar Necklace
18" Vintage Mexican Sterling Aztec Calendar Necklace. No damage or issues. Marked 925 tested sterling. 61.3 grams.
$185.00
18" Vintage Mid Century Modernist Mexican sterling spherical necklace
18" Vintage Mid Century Modernist Mexican sterling spherical necklace, graduated circles from 27mm to 37mm wide. 114.8 grams with no issues.
$295.00
18インチ ヴィンテージ ナバホ パール ビーズ ネックレス 11mm ビーズ
18 インチ ヴィンテージ ナバホ パール ビーズ ネックレス 11 mm ビーズ 54 グラム、素敵な古いものですが、正確にどれくらい古いかはわかりません。すべての貴金属はテストされ、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカン ジュエリーはすべて、保証されています。最低 90% (コイン) の銀、場合によってはそれ以上の含有量。マークが付いているものはすべて、そのマークが付いているものであることが保証され、ほとんどのブレスレットは 6 インチの手首 (毛のないもの) で撮影され、指輪は可能な場合は適切なサイズの指で撮影されます。ブレスレットの場合、説明に寸法が記載されていない場合は、金属が布製の巻尺の数字と一致する内周が表示されます。anderas
$450.00
18.25" Meiji Period Kutani Charger with Japanese Bathhouse Scene
18.25" Meiji Period Kutani Charger with Japanese Bathhouse Scene. Nice large charger with unusual decor from the last half of the 19th century with no damage, expected wear to gilding on rim. Selling this charger, estate fresh. There was another with the same decor almost identical with only the slightest variations due to being hand painted. If you change the qty to 2 you'll get both.isshelf
$575.00
18.5" Christin Wolf Native American 14k gold and sterling necklace with ruby
18.5" Christin Wolf Native American 14k gold and sterling necklace with ruby<br>78.3 grams with no issues. Nice big slabs of solid 14k gold set in silver.<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.
$850.00
18.5" Chunky Sterling link necklace
18.5" Chunky Sterling link necklace. Marked 925 Thai, tested sterling. Links are 7/8" wide, 75 grams. Solid sterling but hollow links. New old stock from a Jewelry store that went out of business in 2005, most of their inventory was purchased in the last quarter of the 20th century.
$210.00
18.5" Vista Alegre Mottahedeh Lowestoft Rose Large Floor Vase 7" wide
18.5" Vista Alegre Mottahedeh Lowestoft Rose Large Floor Vase 7" wide. Nocracks, chips, restorations, crazing, or gold wear.
$475.00
1800's Bohemian Beer Glass Hand Cut
1800's Bohemian Beer Glass Hand Cut. 8.75" tall x 3 7/8" wide at rim. One tiny<br>chigger bite on rim, several chips on foot mostly really small, one fairly<br>significant shown in last pic.
$150.00
1800's Middle Eastern Brass Dallah with stick handle
1800's Middle Eastern Brass Dallah with stick handle. Well over 100 years old. Dents in handle, nice patina all over, tinned interior. 8.5" tall 11" wide with handle.
$195.00
1800's Shaker Pantry Box Painted by listed Artist Betty Fischer (1931-2016)
Antique Shaker Pantry Box Painted by listed Artist Betty Fischer 15.25" wide x<br>7.75" tall<br><br>Mary Elizabeth "Betty" Fischer (1931-2016) Maryland, Folk Artist. Betty Fischer<br>known for her original paintings on antique wood shutters, bird houses, barrel<br>slats and more. www.liveauctioneers.com/item/53924277<br><br>Mary Elizabeth "Betty" Fischer (1931-2016) Maryland, Folk Artist. Betty Fischer<br>known for her original paintings on antique wood shutters, bird houses, barrel<br>slats, and more.<br>Betty was very active and enjoyed gardening, sewing, and playing the piano, but<br>she will be most remembered as an accomplished and talented artist. Although she<br>did not start painting until the age of 43, she picked it up very quickly and<br>established a successful art career. Her paintings have been seen hanging in the<br>University of Maryland, the Cannon Office Building, several restaurants, other<br>professional offices, and the homes of many friends and long-time customers.
$265.00
1800's Texas Lawman Antique Handcuffs Wild West Texas Ranger, Native American
1800's Texas Lawman Antique Handcuffs Wild West Texas Ranger, Native American.<br>Selling the 4 pairs shown dating from the Civil war era to about 1900. One pair<br>is Pat 1899 and I believe they are the newest. That pair has a key that turns<br>but the key has been bent and the mechanism needs to be cleaned so I didn't open<br>them and they key is fragile and old, liable to break if forced. One with no<br>key, and the other with working key. The Rawhide pair is likely native American<br>as these all came from an estate that had a huge collection of authentic Native<br>American items, the family owned Herring Bros Curio Shop in San Angelo Texas<br>that shut down in the 30's. It was a native American trading post of sorts from<br>what I know. Selling the lot shown.<br>tw205
$995.00
1800's US Military Large Gold gilt Brass Eagle with 13 star flag hat badge
1800's US Military Large Gold gilt Brass Eagle with 13 star flag hat badge. 4 5/8" tall with 4" wingspan, no issues.b3
$135.00
1806-1810 London Large Armorial Georgian Sterling fiddleback spoons by William E
1806-1810 London Large Georgian Sterling fiddleback spoons by William Eley<br>William Fearn, and William Chawner. Selling the three large and heavy over 200<br>year old spoons shown in good condition, one made in 1806, two 1810...back then<br>it took years to make a service of anything. The three together weigh 238.4<br>grams total, 8 7/8" long x 2" wide bowl. These would be considered serving<br>spoons today, not sure maybe just hungry person spoons 215 years ago.
$395.00
1830's Spode Copeland Garrett 6620 Footed Comotes Pair
1830's Spode Copeland Garrett Footed Comotes Pair. Selling the pair shown in the<br>most amazing condition imaginable for even 10 year old porcelain but especially<br>for 180+ year old pieces such as these. No cracks, chips, restorations, crazing,<br>wear to gilding, wear to enamel, or utensil marks. Hand painted and wonderful.<br>10.25" handle to handle x 2 7/8" tall. I'm also including a pic of an example of<br>one of these with a hairline, crazing, and some wear bringing $818.18 in an ebay<br>auction in 2010. These have great painting and strong embossing, the feet are<br>really great.<br><br>Following the death of his father Josiah Spode II in 1827, Josiah Spode III kept<br>a watching brief over the Spode works. Incapacitated by an unfortunate accident<br>at the factory in 1802, he was unable to engage in the day to day business. On<br>his death in 1829 the executors administered a long standing agreement which saw<br>William Taylor Copeland running the London retail business as well as holding<br>one quarter share in the factory. At the termination of the agreement on March<br>1, 1833, Copeland purchased the remaining shares in the factory and the London<br>business. Being greatly involved in in politics, in developing art school<br>education, and living the life of a well to do London gentleman, Copeland<br>engaged one of his senior London employees as a partner and Thomas Garrett took<br>responsibility for overseeing the smooth running of the Stoke factory.<br><br>The factory grew in size during this partnership and the production of<br>porcelain, earthenware, and stoneware continued. New shapes were added and<br>patterns and designs were influenced by the rococo revival that dominated<br>fashions in the 1830s. Copeland & Garrett's bone china and felspar porcelain<br>attracted the attention of highest echelons of society, and after her Majesty<br>Queen Victoria's accession to the throne in 1837, she acquired wares for both<br>Buckingham Palace and Windsor Castle. Despite the prominence of their porcelain<br>productions they continued to make earthenware in even larger quantities with<br>markets at home and abroad. Among their finest productions are the printed<br>patterns some of which were traditional designs from Spode's time and other<br>newer patterns introduced for the contemporary market.<br><br>After 14 years, in 1847, the partnership was dissolved and Garrett returned to<br>London while Copeland continued to run the business.<br>tw221
$1,395.00
1830-50's American Coin/British armorial silver Master salt spoons/ladles
1830-50's American Coin/British silver Master salt spoons/ladles collection. Selling the lot shown with no damage, all coin silver or british sterling from the middle and first half of 19th century. One armorial salt spoon. 66.2 gramsB70
$155.00
1832 Thomas Shaw Georgian Silver Snuff Box and Vinaigrette
1832 Thomas Shaw Georgian Silver Snuff Box and Vinaigrette. Largest 2 1/8" x<br>1.25" x .5", vinaigrette 1.25" x 7/8" x .4". Bother overall good condition with<br>good hinges and tight closures, some expected very small dents and overall wear.<br>Selling both.<br><br>Definition of vinaigrette: silver vinaigrette is a small receptacle to contain<br>scented vinegar used by ladies to ward off faintness. The earliest-known<br>examples in separate form dates from 1492. Such pieces were popular from the mid<br>18th century, They were made in innumerable forms and styles (such as circular,<br>oval, polygonal, heart-shaped or shell-shaped, and in fantasy forms, such as a<br>shoe, book, watch-case, purse, acorn...) in silver, gold or porcelain, with a<br>pierced metal grille under the stopper or the securely hinged lid to cover a<br>sponge saturated with a scented substance. Fully sterling silver hallmarked on<br>both lid and base: Maker: TS . Thomas Shaw who was registered in Birmingham<br>between 1818 & 1837 and is famous in making silver vinaigrette and snuff Box.
$645.00
1837 President Martin Van Buren Signed Land Grant New York
1837 President Martin Van Buren Signed Land Grant New York. Signed in his firstyear of Presidency, later note on reverse side shown. 17.5" x 11.5" framed, crack to back glass panel, doesn't effect anything. Gret condition with some fading, authentic.
$450.00
1837 Schoolgirl Sampler with Error
1837 Schoolgirl Sampler with Error. Early antique yarn sampler 19.75" x 23.5"<br>framed. Interestingly it is missing the I in the alphabet. Overall good<br>condition with expected toning, some small holes in the base cloth, recently<br>reframed within the past 20-30 years.
$295.00
1839 Writ of Execution Republic of Texas signed Stephen William Blount (1808-189
1839 Writ of Republic of Texas signed Stephen William Blount. Stephen WilliamBlount (1808-1890), signer of the Texas Declaration of Independence, soldier, and county official. This was part of the Elton M Hyder collection and once on display at the University of Texas law library hance the label identiying it as what it is framed in behind the glass. Rare document with an important signature. 12.5" x 15 framed, 9.5" x 7.5" document size.
$850.00
1840's Akerly & Briggs New York Coin Silver Sugar Tongs
1840's Akerly & Briggs New York Coin Silver Sugar Tongs. Rare pair of AmericanHandmade coin silver sugar tongs with a Pseudo British hallmark which I find interesting. 6 5/8" long 43 grams. tw255
$375.00
1842 Sterling Silver Inkwell Desk Set Robert Gray & Son Glasgow, Scotland
1842 Sterling Silver Inkwell Desk Set Robert Gray & Son Glasgow, Scotland.<br>Rectangular stand fitted with two removable glass inkwells, with sterling tops,<br>flanking the centered foliate engraved pen holder, hallmarked RG&S, marks<br>for Glasgow, rampant lion hallmark, date letter X, approx 4.75"h, 10.75"w,<br>6.5"d, 597 Grams Silver weight not counting the Glass inserts. One small dent on<br>top shown in pics, not a distraction and an easy repair if desired.TW197
$1,575.00
1843 Rococo British Teapot Hand Painted Gold Pattern #8677
1843 Rococo British Teapot Hand Painted Gold Pattern #8677. Great Teapot with pattern number and other marks below that which should make identification simple along with this incredible mold. Registration mark on base and lid dates it to 1843. No cracks, chips, or restorations, very clean gold. Slight stains in interior only.10.5" handle to spout x 7.25" tall. Amazing to find in this condition a 178 year old teapot. There was a spot on one side that I wiped off, just dirt.isshelf
$365.00
1844 Oeuvres de J Racine 6 Volume set in French
1844 Oeuvres de J Racine 6 Volume set in French. Complete set 6" x 9" books in<br>great condition for 177 year old set of books. Some foxing in the first few<br>pages on each side, gilt edges, externally clean with minor shelf wear. No water<br>damage or missing pages.
$395.00
1849 Sibour (1792-1857) Catholic Archbishop of Paris Bronze Medallion
1849 Sibour (1792-1857) Catholic Archbishop of Paris Bronze Medallion. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.
$245.00
1850年代の水銀ガラスの聖杯とカーテンの結び目
1850年代の水銀ガラスの聖杯とカーテンタイバック。ひび割れ、欠け、修復物はありません。銀メッキの損失が非常に少ないものの、非常に良好です。ゴブレットのサイズは高さ4.25インチ x 幅3.75インチです。カーテンタイは幅4.5インチ x 5 3/8インチ、ネジ付きです。
$175.00
1851 Minton Majolica Charger with scene
1851 Minton Majolica Charger with scene. Extremely rare 14 1/8" large Minton<br>Majolica Charger with Minton's 1851 date mark, I could find no other markings.<br>No chips, cracks, or restorations. Small glaze flakes one on one of the dogs<br>noses and another bottom right close to the plate stand shown in the pics. No<br>other issues.<br>While this may be an unrecorded charger, this exact border actually everything<br>outside of the interior game scene can be found on other Minton Majolica<br>chargers including the one with a bust of Henri IV and Maria de Medici in the<br>interior.<br><br>This would be one of the Earlier pieces of Minton majolica which was created by<br>Joseph Leon Francois Arnoux who was appointed Art Director at Minton in 1848.<br>His primary task was to introduce and promote new products. At the time there<br>was great interest in classical design and bright color. Arnoux decided to<br>reintroduce the work of Bernard Palissy, whose naturalistic, bright colored<br>"maiolica" wares had been popular in the 16th century. However, Arnoux used a<br>thicker body to make pieces more sturdy. This body was given a coating of opaque<br>white glaze which provided a surface for over painting in brightly colored<br>opaque glazes. Later, transparent glazes were used over relief molding. This new<br>Minton majolica was promoted, in London, at the Great Exhibition of 1851.
$2,250.00
1855 British Sterling George William Adams Fish Server
1855 British Sterling George William Adams Fish Server. Very nice engraving, extremely heavy and solid with no issues. 13" long x 2 1/8" at widest point. 187 gramstw255
$375.00
1855 Napoleon III Bronze Medallion
1855 Napoleon III Bronze Medallion. Solid bronze, clean as shown, nice antique medallion, Measurment shown.
$165.00
1856 Grosjean & Woodward for Tiffany Antique American silver mug
1856 Grosjean & Woodward for Tiffany Antique American silver mug, sterling silver 3.75" tall x 3.25" wide base not including handle. 194.1 grams, a few small dents, no major issues, <br><br>The names Elijah Woodward and John H. Woodward appear separately in the Boston directory as silversmiths in 1841 (though no place of business is listed for either); John’s home is listed as 12 Madison Place, and Elijah boarded at 34 Pitts. No Grosjean appears in the Boston directories until 1847 – 1851, when one is listed as the second-named partner in the firm of Woodward & Grosjean at 13 Court Square. In 1852 Woodward and Grosjean have disappeared from the directory. It is unclear whether Woodward is Elijah or John or what Grosjean’s given name was.<br>Woodward and Grosjean apparently moved to New York City to work by 1853, and the name of the firm was changed to Grosjean & Woodward. The pair worked there for some years as major suppliers for Tiffany & Co. The obituary for Tiffany designer Charles T. Grosjean in the Jewelers’ Circular of April 1888 notes that he “learnd the silversmith’s trade from his father, of the late firm of Grosjean & Woodward.” When the elder Grosjean died, his son joined the Tiffany firm.<br><br>Charles Tiffany was born February 15, 1812 in Killingly, Connecticut. About 25<br>years later, in 1837, Charles Tiffany and John Young, and later in 1841, they<br>added J.L.. Ellis as a partner, began Tiffany, Young and Ellis in Lower<br>Manhattan. That company at the time was founded at first to sell fancy goods and<br>stationery. Tiffany bought his parents shares of the company in 1853 and changed<br>the focus of the company to sell upscale jewelry and merchandise. Once Tiffany<br>bought his parent’s shares, the company was renamed to Tiffany & Co. In 1867,<br>Tiffany & Co. was the first United States based company to win an award for<br>excellence in silverware at the Exposition Universelle in Paris. In 1868, the<br>company became incorporated, had four stores and was on the right path to<br>continue to grow to the company that it is today.<br><br>A Humble Start<br>When Young and Tiffany began their business, they originally started off with<br>offering items such as stationery and merchandise before moving on to offering<br>jewelry and silverware. The business continued to grow and manufacture jewelry,<br>and later opened a location in Paris. His stores adopted the standards of<br>European jewelry and therefore, sterling became established in the United States<br>and the American jewelry market.<br><br>Tiffany was determined to obtain one-of-a-kind jewelry. It was that desire which<br>helped fuel how much his products were sought out, specifically among the upper<br>classes of New York. The jewelry created by the company became partially well<br>known because of the wealthy people who desired its products. In the 1830’s,<br>Tiffany made it’s mark in the jewelry world at the time because they clearly<br>marked the prices on their goods. This eliminated the chance that customers<br>would haggle and try to negotiate the prices of the goods that they were<br>purchasing at the time. Additionally, Tiffany’s was unique at the time because<br>they only accepted cash payments and didn’t allow their goods to be purchased on<br>credit.<br><br>With the Civil War threatening jewelry purchasing at the time, Tiffany adjusted<br>the focus of his company and ended up manufacturing swords, medals, light armor<br>and many other items that were needed for war. In 1877, Tiffany & Co. had become<br>such an established name that it easily influenced the industry and was able to<br>make outlandish purchases. This when the now called “Tiffany diamond” (a yellow<br>South African diamond) was purchased for $18,000 at 287 carats. The diamond was<br>cut down to 128.54 carats over nearly a year and was eventually put on display<br>in the Smithsonian. Today, Tiffany & Co. is an American worldwide luxury jeweler<br>and specialty retailer, headquartered in New York City.<br><br>Understanding the Markings<br>While Tiffany & Co. is famous for the “Tiffany diamond” they are even more<br>famous for their use of sterling silver. When looking at actually sterling<br>silver that is made by Tiffany’s there are several markings that can help you<br>figure out the origin and if a piece is indeed made by Tiffany’s or fake. At the<br>start, there were several silversmiths who supplied silver flatware and<br>holloware to Tiffany’s. Each of those silversmiths marked the pieces with their<br>own marks in addition to marking them with Tiffany’s marks. Some of the makes of<br>Tiffany’s sterling silver include William Gale, Gale & Hughes, Wood & Hughes,<br>John Polhemus, Henry Hebbard, William Bogert, Grosjean & Woodward, Moore &<br>Hebbard and John C. Moore.<br><br>In 1868, Moore silversmithing firm was absorbed into Tiffany & Co. and Tiffany’s<br>then began the production of its own silver. It was at that time that the silver<br>was to be marked with the initial of the Artistic Director or the initial of the<br>President of the firm but that was continued until the mid-1960’s. Each design<br>on the silver that Tiffany’s creates represents the long and proud heritage that<br>comes with the company’s history.
$595.00
1856 Texas Governors Elisha M. Pease/Edward Clark Signed Document
1856 Texas Governors Elisha M. Pease/Edward Clark Signed Document. Interesting<br>document because it's signed by the Current Governor at the time Elisha Pease<br>and the Then Secretary of state and later Governor for a short time Edward<br>Clark. 12" x 16" document in 20" x 15" matting. It's loosely mounted to thick<br>framing paper and could easily be removed for re-matting. Expected toning with<br>no major issues, embossed state of Texas seal that may not show in the pics.<br><br>Clark moved to Texas in 1842 and set up a law practice.[1] He served in the<br>Texas Annexation Convention and two terms as a state representative in the Texas<br>Legislature. During the Mexican–American War he served on the staff of Major<br>General J. Pinckney Henderson and fought in the Battle of Monterrey.[2] When the<br>war ended, he served as secretary of state under Governor Elisha M. Pease and as<br>lieutenant governor serving under Governor Sam Houston.[1] When Sam Houston<br>refused to take an oath of allegiance to the Confederacy, Clark became<br>governor.[2]<br><br>Slave quarters of Edward Clark's home in Austin. He enslaved nine people.<br>Among Clark's first actions was to order the surrender of all fire arms and<br>ammunition from private merchants to the state. Furthermore, all privately owned<br>firearms were to be canvassed. Few weapons were ever turned in and most Texans<br>did not comply for fear of future confiscation.<br><br>After losing the governor's race by 124 votes to Francis Lubbock, Clark became a<br>colonel in the Texas militia during the American Civil War. In 1863 he joined<br>the Confederate States Army and was commissioned colonel of the 14th Texas<br>Infantry Regiment. He commanded the unit, as part of the Greyhound Division,<br>until being wounded in the Battle of Pleasant Hill.[1] A promotion to brigadier<br>general wasn´t confirmed by the Confederate Congress and he left the service;<br>however, in 1865 he was made a brigadier in the militia. He fled briefly to<br>Mexico at the end of the American Civil War, and returned home to Marshall,<br>Texas.[1]<br><br>Elisha Pease bio<br><br>Texas Republic<br>A native of Enfield, Connecticut, Pease moved to Mexican Texas in 1835. He soon<br>became active in the Texas independence movement and after the Texas Revolution<br>began, Pease became the secretary of the provisional government. He served as<br>the assistant secretary at the Convention of 1836 but was not an elected<br>delegate to the Convention. After independence had been won, Pease was named the<br>comptroller of public accounts in the government of the new but temporary<br>Republic of Texas.<br><br>Texas State<br>Following the annexation of Texas to the United States, Pease was elected to the<br>Texas House of Representatives in 1845 and reelected in 1847. In 1849, he ran<br>for the Texas Senate from District 11 (Brazoria and Galveston counties) but lost<br>to John B. Jones who was sworn in on November 5, 1849. Pease contested the<br>election, was declared the winner, and was sworn in four days later on November<br>9, 1849.<br><br>Pease first ran for governor in 1851 but withdrew from the race two weeks before<br>the election. He was elected in each of the next two elections, 1853 and 1855.<br>As governor, he paid off the state debt and established the financial foundation<br>that the state would later use to finance its schools and colleges.<br><br>In 1856, surveyor Jacob de Córdova of the Galveston, Houston, and Henderson<br>Railroad Company named a newly discovered river in West Texas the "Pease River"<br>after the governor.<br><br><br>The E. M. Pease Middle School is located at 201 Hunt Lane across from El Sendero<br>subdivision in the Northside Independent School District in San Antonio, Texas.<br>Civil War and aftermath<br>During the American Civil War, Pease sided with the Union. He nonetheless<br>enslaved several people; census records show ten enslaved people living and<br>laboring at Pease's Austin plantation in 1860.[2] After the war, he became a<br>leader in the state Republican Party and was appointed as the civilian governor<br>of Texas in 1867 by General Philip H. Sheridan, who was the military head of the<br>Reconstruction government. Pease's policies as governor alienated both<br>ex-Unionists and ex-Confederates and he resigned in 1869.<br><br>Elisha and his wife donated land to the City of Austin that would eventually<br>become Pease Park.<br><br>Pease died of apoplexy in Lampasas, Texas. He was buried in Oakwood Cemetery in<br>Austin, Texas.
$285.00
1860 Antique Bronze Statue with Woman Holding net
1860 Antique Bronze Statue with Woman Holding net. High quality bronze most<br>likely French from the third quarter of the 19th century. 10" tall and very<br>heavy for it's size as it's solid bronze. She has a tiny pin sized hole through<br>her hand that she's holding up indicating she possibly had something a string or<br>something in her hand at one point. No other issues.
$325.00
1860's Hotel Hot Tea Server Samovar Staffordshire Silver Lustre 15.5" tall x 11.
1860's Hotel Hot Tea Server Samovar Staffordshire Silver Lustre 15.5" tall x<br>11.5" wide. Circa mid 19th century with no cracks, chips, crazing, or<br>restorations. Some wear to the Platinum as shown, Spigot Turns and works. Rare<br>and unusual item.
$350.00
1860's Minton Majolica Game Pie Dish with lid
1860's Minton Majolica Game Pie Dish with lid. English Victorian majolica game-pie dish, Minton, c.1862, lid with game animals resting on ferns and leaves molded in relief, base modeled as a woven basket with oak branch handles, impressed mark Minton with date cypher, small area of restoration at tip of mallard's wing, approx 7"h, 13.25"l, 8"w, 6.25lbs. No damage or restorations other than the tip of the wing shown and described.isshelf
$1,795.00
1860's Tiffany Sterling Silver Basket made by New York Silversmith William Gale
Early sterling silver basket. Retailed by Tiffany & Co. at 550 Broadway, New<br>York. The use of the 550 Broadway address dates it to 1853-70, Oval shallow bowl<br>and scalloped gadrooned rim with chased and engraved fleurs de lys. Foot raised<br>and lobed with scalloped gadrooned rim and engraved leaves. Swing handle<br>scalloped and gadrooned. William Gale was one of the great New York City<br>silversmiths who created silver retailed by Tiffany & Co. before they made their<br>own silver. 5.75" wide x 7" tall with handle 299.5 grams. No damage, dents or<br>bends. Nice strong hinge on handle.<br><br>Charles Tiffany was born February 15, 1812 in Killingly, Connecticut. About 25<br>years later, in 1837, Charles Tiffany and John Young, and later in 1841, they<br>added J.L.. Ellis as a partner, began Tiffany, Young and Ellis in Lower<br>Manhattan. That company at the time was founded at first to sell fancy goods and<br>stationery. Tiffany bought his parents shares of the company in 1853 and changed<br>the focus of the company to sell upscale jewelry and merchandise. Once Tiffany<br>bought his parent’s shares, the company was renamed to Tiffany & Co. In 1867,<br>Tiffany & Co. was the first United States based company to win an award for<br>excellence in silverware at the Exposition Universelle in Paris. In 1868, the<br>company became incorporated, had four stores and was on the right path to<br>continue to grow to the company that it is today.<br><br>A Humble Start<br>When Young and Tiffany began their business, they originally started off with<br>offering items such as stationery and merchandise before moving on to offering<br>jewelry and silverware. The business continued to grow and manufacture jewelry,<br>and later opened a location in Paris. His stores adopted the standards of<br>European jewelry and therefore, sterling became established in the United States<br>and the American jewelry market.<br><br>Tiffany was determined to obtain one-of-a-kind jewelry. It was that desire which<br>helped fuel how much his products were sought out, specifically among the upper<br>classes of New York. The jewelry created by the company became partially well<br>known because of the wealthy people who desired its products. In the 1830’s,<br>Tiffany made it’s mark in the jewelry world at the time because they clearly<br>marked the prices on their goods. This eliminated the chance that customers<br>would haggle and try to negotiate the prices of the goods that they were<br>purchasing at the time. Additionally, Tiffany’s was unique at the time because<br>they only accepted cash payments and didn’t allow their goods to be purchased on<br>credit.<br><br>With the Civil War threatening jewelry purchasing at the time, Tiffany adjusted<br>the focus of his company and ended up manufacturing swords, medals, light armor<br>and many other items that were needed for war. In 1877, Tiffany & Co. had become<br>such an established name that it easily influenced the industry and was able to<br>make outlandish purchases. This when the now called “Tiffany diamond” (a yellow<br>South African diamond) was purchased for $18,000 at 287 carats. The diamond was<br>cut down to 128.54 carats over nearly a year and was eventually put on display<br>in the Smithsonian. Today, Tiffany & Co. is an American worldwide luxury jeweler<br>and specialty retailer, headquartered in New York City.<br><br>Understanding the Markings<br>While Tiffany & Co. is famous for the “Tiffany diamond” they are even more<br>famous for their use of sterling silver. When looking at actually sterling<br>silver that is made by Tiffany’s there are several markings that can help you<br>figure out the origin and if a piece is indeed made by Tiffany’s or fake. At the<br>start, there were several silversmiths who supplied silver flatware and<br>holloware to Tiffany’s. Each of those silversmiths marked the pieces with their<br>own marks in addition to marking them with Tiffany’s marks. Some of the makes of<br>Tiffany’s sterling silver include William Gale, Gale & Hughes, Wood & Hughes,<br>John Polhemus, Henry Hebbard, William Bogert, Grosjean & Woodward, Moore &<br>Hebbard and John C. Moore.<br><br>In 1868, Moore silversmithing firm was absorbed into Tiffany & Co. and Tiffany’s<br>then began the production of its own silver. It was at that time that the silver<br>was to be marked with the initial of the Artistic Director or the initial of the<br>President of the firm but that was continued until the mid-1960’s. Each design<br>on the silver that Tiffany’s creates represents the long and proud heritage that<br>comes with the company’s history.<br>b70
$975.00
1863 Popular Antiquities First Edition "The book of Days" by Chambers
The Book of Days A Miscellany of Popular Antiquities Edited by R. Chambers 1863<br>- London - W. and R. Chambers 10.5" by 7.5";832pp.; 840pp. DETAILS A first<br>edition of this interesting pair of books covering a variety of topics, from the<br>pasage of time, to English folklore legends, to railway information, all related<br>to a certain month of the year. The Chambers Book of Days ( The Book of Days: A<br>Miscellany of Popular Antiquities in Connection with the Calendar, Including<br>Anecdote, Biography, & History, Curiosities of Literature and Oddities of Human<br>Life and Character ) was written by the Scottish author Robert Chambers. It was<br>a miscellany of popular antiquities in connection with the calendar, and it is<br>supposed that his excessive labour in connexion with this book hastened his<br>death. Two years before, the University of St Andrews had conferred upon him the<br>degree of doctor of laws, and he was elected a member of the Athenaeum Club in<br>London. It is his highest claim to distinction that he did so much to give a<br>healthy tone to the cheap popular literature which has become so important a<br>factor in modern civilization. With illustrated title pages and numerous<br>engravings. Complete in two volumes. CONDITION In half-calf prize bindings with<br>marbled boards. Externally sound, with some wear to the boards and spine as<br>shown. Some foxing on the first few pages front and back of each edition, strong<br>binding, clean overall with no missing pages or water damage. 160 year old<br>books.
$450.00
1865 Dollhouse folk art pottery slip decorated Red clay rocking chair
1865 Dollhouse folk art pottery slip decorated Red clay rocking chair. Great piece 8.75" tall x 4 3/8" wide. Old professional restoration to right wing of chair. Looks to have been broken and professionally restored, but that was long ago, only visible under closed examination. I guarantee it to be of period, not totally sure whether it's American or British as I have seen similar examples from both countries.tw260
$625.00
