商品

c1920 Dollhouse Faux Lion Rug with hand painted ceramic head. 5" long, obviously was in a high traffic area, hah. Very cool with lots of charcter, no damage to ceramic head. tw152

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1920年頃 エジプト リバイバル 大理石ベースのブロンズ文鎮彫刻、高さ4 1/8インチ x 幅3.25インチ、美しい緑青があり、ダメージはありません。 19世紀後半から20世紀初頭。

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フレンチ マジョリカ パロット ピッチャー 1880 年頃 珍しい形 初期のセント クレメンツ マーク 高さ 11.25 インチ。これは初期のスタイルで 19 世紀後半のマークです。ひび割れ、欠け、修復物、汚れがなく、非常にきれいで、ひび割れもほとんどありません。信じられないほどの色合いです。 tw85

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c1920 Fish Decoys Sold Here Folk Art Advertising Sign Hand Carved Red Bear. Great old piece circa early 19th century. Estate fresh, part of a huge collection of Fish Decoys. Rare and Unusual piece of Americana and Fishing Memorabilia with a fantastic "no brainer" patina 20.5" long. TW97

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c1920 French Hand painted Trinket box with courting scene. 2.25" x 1.75" x 1 1/8" with no damage, hand painted. B3

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c1920 French Hen and Rooster Trinket Box No issues or damage, tight hinge and clasp. Nice unusual trinket box circa early to mid 20th century, hand painted. 3.5" long x 2.25" tall. TW1

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French Sevres Style Candlesticks with Birds of Paradise. 100% hand painted candlesticks French from the first quarter of the 20th century. No cracks, chips, or restorations. good gold. 6.5" tall with 4" wide base. isshelf

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c1920 George Jones Gold Encrusted Service Plates Green Border Hand Painted Florals. Selling one with multiple available all appear unused in near mint to mint condition with no cracks, chips, gold wear, crazing, or utensil marks. the only wear I could find is to the gilding on the footrim on the base of the plate. They don't get much better than these. Selling one plate and you can change the quantity to get more than one. TW18

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c1920 German Jointed Bisque Googly eye doll. Minor loss to one thumb, and two<br>chips on right top of leg next to each other. No other issues.<br>TW252

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c1920 Gorham Sterling/Marquetry Art Deco Inlaid Tea tray. Very rare and amazing<br>tray from the first quarter of the 20th century, early art deco period and<br>style. The entire tray is hand hammered sterling with a hand inlaid marquetry<br>wood center. Thick solid, strong tray that has made it 100 years with no damage<br>or significant wear. 23" wide handle to handle, 18.5" wide without handle, W<br>monogram that can't be seen at a normal level.<br><br>I'm am offering this on 2/5/2023, at that time I have a matching tea set, hand<br>hammered teapot, Coffeepot, creamer sugar with lid, same w monogram, Gorham<br>Sterling with woven rattan handles like this one and fancy organic finials that<br>I could sell for $2200 more. I figured I'd mention it but I have a very strong<br>local offer so I'm not going to spend time I don't have photographing it unless<br>someone expresses serious interest within the next week or so. It will be gone<br>after that.

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c1920 Haviland Limoges hand painted cabinet plate. No cracks, chips, or<br>restorations.<br>TW82

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c1920 Hubley Kitty and Fido Dog Still Bank doorstops. Larger and heavier than most still banks of the period these tended to double as doorstops whether that was the original intention or not. Selling both show, both guaranteed from the first quarter of 20th century. Both about 5" tall. TW1

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c1920 Huge Steuben Gold Aurene Water Pitcher. Large and heavy piece of American<br>art glass from the first quarter of the 20th century. 11 3/8" tall x 8.5" handle<br>to spout with no cracks, chips, or restorations. One spot in finish shown in 4th<br>and 5th pic.<br>isshelf

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c1920 Joseph Colclough Minton Hand painted dinner plate set (5). Selling the (5)<br>9 1/8" dinner plates in extremely clean condition with no damage or detectable<br>wear from the first quarter of the 20th century. These are extremely high<br>quality plates with scalloped borders, thick gold. No wear to gilding, no<br>utensil marks, no crazing, no chips, no cracks.<br><br>They are all in the same condition as the one shown individually just with<br>slight variations in painting as they are hand painted.<br>isshelf

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c1920 Judd Cast Iron Art Deco Ship Towel rack. 7.75" wide x 6.5" tall, great uncommon functional antique with no damage. THE JUDD COMPANY WALLINGFORD, CN 1830 - 1954 The Judd ancestry can be traced back to Deacon Thomas Judd who came from England and settled in Cambridge, MA in 1633/4. Deacon Morton Judd, born in 1808, learned his trade in a brass foundry and then, established his own business in 1830. In 1833, Morton's brother, Oliver S., joined the company as partner and the name was changed to M & O.S. Judd. In 1853, Morton's eldest son, Albert, replaced Oliver S. as the business partner. And, the company's name was changed to M. Judd & Sons. In 1863, Albert purchased the business and sold it back to his uncle, Oliver S. In 1865, Morton and Albert formed their own company to manufacture "Builder's Hardware" in New Haven, CN. In 1870, the business evolved to the Judd Manufacturing Company when Edward, Oliver S.'s brother, became President. In 1877, Morton and his three sons, Albert, Hubert L. & Edward, erected a plant in Wallingford, CN where they began a busness to manufacture Stationers' and Druggists' hardware. It was during this time that the company became well known for their still and mechanical banks. (The first mechanical bank had been introduced in 1869. This bank was known as "Hall's Excelsior" made by J.& E. Stevens.) Judd banks were usually finished in a brown or maroon lacquer and were washed in a green coloring. Not until the early 1910's, did the company start making "Cast Iron " decorative products, such as, Doorstops, Bookends, Doorknockers, Inkwells. The Judd Company was sold to the Stanley Works Company in1954. isshelf

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c1920 Kenton Cast Iron Statue of liberty bank. 2.25" square base x 6.25" tall No breaks, worn original paint. B70

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c1920 Large Pickard Art Deco Gold Encrusted Coffee Pot. This is by far the best piece of gold encrusted china I've ever had, the design on this is amazing. I<br>typically prefer the hand painted pieces with heavy gold, but this piece is the exception. Very large piece measuring 12" tall x 10.25" handle to spout. It's in<br>mint condition with no gold wear, no chips, cracks, scratches or other issues.<br>Guaranteed from the second quarter of the 20th century. The mark has been<br>completely covered in thick gold. Likely made in Europe and decorated by Pickard or one of the other high end decorating studios in Chicago of the period. There there were one of two European studios that did this quality of work also. tw272

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c1920 Mitsukoshi Japanese Steel Knife and fork set with celluloid handles boxed. Amazing condition, compact set, slightly smaller than todays knives and forks. Forks are just over 6" long, knives are 7" long. Really I'm almost tempted to call it a youth set, but I don't think it was intended as that. Silk lined wood box. tw120

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c1920 Mounted Porcelain Dresser Box hand painted under glaze. Nice piece of transitional late nouveau early deco. 4.5" wide x 2.5" tall with no damage, perfect tight hinge. TW158

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From the first half of the 20th century Modeled Franz Anton Bustelli in the 1760's for Nymphenburg. She is Lucinda from Bustelli's Commedia Dell'Arte series of figures. Franz Anton Bustelli (April 12, 1723 – April 18, 1763) was a Swiss-born German modeller for the Bavarian Nymphenburg Porcelain Factory from 1754 to his death in 1763. 8.5" tall with no damage or restorations whatsoever. Nymphenburg still offers a different version of this figure on their website that was reintroduced in 2008 for $13,750.figshelf

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c1920 Painted Aluminum Flower bed marker. Very cool an unusual item fresh from an early Austin TX house that just sold for over 5 million. This is something I've never had before, but that's definitely what it is. 7.25" tall.

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c1920 Porcelain plaque with courting scene in gilt metal frame. Frame measures<br>7.75" x 5.5". I believe it has hand painted accents over a transfer.<br>B36

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c1920 Quimper Leroy Dubois Malicorne Butter Dish. Great piece from the early 20th century in good condition with one tiny reglued glaze flake on bottom corner of womans dress shown in first pic and slight glaze wear to sharp edges. NO other cracks, chips, or restorations. 8" x 6" x 2.75" TW190

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c1920 R Lalique Vases 9 3/8" plate. No cracks, chips, or restorations.

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c1920 Red Wing Stoneware Stoneware Advertising Mixing Bowl "It Pays to Mix With<br>Us C.A. MARICLE De Soto Iowa 7.5" wide x 4.5" tall. No cracks, chips, or<br>restorations.

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c1920 Rene Brenner Bayeux Tapestry Lustre French Faience Water Set 11 PC. Selling the set extremely rare, one piece is difficult to find, here's a set over 100 years old in incredible condition. Slight glaze wear on the rims of a few of the tumblers, the one in the top center of the first two pics has a shallow chip shown in pics. No other chips, cracks, or restorations. Ready to use or display. The (8) large tumblers are full sized water glasses 5 5/8" tall x 3 7/16" wide at rim 12 ouces or more. The (2) smaller juice or jumbo shot glasses are 3 1/8" tall x 2 5/8" wide at the rim, probably about 3-4 ounces. The pitcher is a large water ptcher 9.75" tall x 11" handle to spout, maybe 3 quarts/liters. No glaze flakes, chips, cracks, etc on pitcher. Very clean set. Rene Emile Brenner was born in France in 1889 and died in 1942. He followed Louis Etienne Desmat ideas with Bayeux tapestry scenes but Brenners work had more lustre in the glazes. Brenner produced superb pieces closely reflecting scenes from the Bayeux tapestry, which tell how William the Conqueror won the battle of Hastings and the English throne in 1066. It’s executed in brilliant blue, yellow and rust against a beautiful copper lustre background. tw192

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c1920 Renee Lalique Coty Perfume Bottle collection. Selling the 4 bottles shown<br>Marked Coty and Coty France but made by Lalique in the first half of the 20th<br>century. Tallest 2 7/8", so they are not large bottles. No cracks, chips, or<br>restorations. The two taller ones lids come off and there are numbers scratched<br>on inside of stoppers. The two shorter ones have fronzen lids which can be<br>unfrozen with hot and cold.<br>TW229

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c1920 Richard Ginori Blanc De Chine Figure of Hungry Brothers. Great piece from the first quarter of the 20th century in mint condition with no damage or wear. 6.5" tall x 4.5" wide. TW199

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c1920 Royal Order of Jesters Sterling Silver Enamel Pendant 1.25" wide without bail 12.8 grams, marked sterling on rim. No damage to enamel. About Royal Order Of Jesters Founded in 1911, the Royal Order of Jesters functions in connection with Freemasonry and the Shriners. The organization exists for the encouragement of laughter and fun in leisure time, as evidenced by the motto “Mirth is King.” The Royal Order of Jesters draws its name from the licensed court fools in medieval times known as jesters, who not only amused the patrons whom they served, but also assisted in intellectual and cultural development. When the founding members gathered in Hawaii on February 20, 1911, they chose the name of the Royal Order of Jesters to build upon this history and to set the tone for the organization. Led by Noble A.M. Ellison, the original members, known as a cast, consisted of 13 Shriners headed to Aloha Temple on a pilgrimage. The meeting took place in the Captain's Office aboard the S.S. Wilhelmina after a Testimonial Banquet hosted by the ship's captain and officers. Later, at another meeting in 1917, the organization received its current framework, which consists of the Royal Director and 13 other titles that include the Royal Heavy Man, the Royal Serio Comic, the Royal Tragedian, the Royal Impresario, the Royal Light Comedian, the Royal Leading Lady, the Royal Soubrette, the Royal Property Man, and the Royal Constable. All members, referred to as Jesters, join the organization only upon invitation, presuming good-standing membership in the Shriners. In addition to the brotherhood aspects of the organization, the International Royal Order of Jesters maintains a museum in Indiana where it showcases historical articles. These range from items associated with the history of the order itself to pieces related to the work of humorists from the past, including William Shakespeare.

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c1920 RS Germany Cake Plate. 11 7/8" wide with no cracks, chips, or restorations. Minimal surface wear. isshelf

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c1920 San Antonio Texas Quack Medicine Radio Magnetic Nerve Vitalizer with<br>Paperwork Describing Cures. Interesting and rare. Includes prospectus of<br>purposed corporation to distribute this device. So I actually believe this was<br>the salesmans' sample that they used to try to sell the device. In this paper it<br>states their price was $40-$50 in 1919, so they likely never sold any as I can<br>find no evidence of another existing. It cured crippled people, crossed eyed<br>people, all that good stuff. Untested by me. The corners to the box lid are<br>split.<br>If you're the gullible type please don't buy this expecting it you cure all your<br>ailments. Buy it as a rare piece of Texans, novelty item, quack medicine.<br>Something of that sort, or all of the above and then some.<br>Tw59

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c1920 Spongeware Mixing Bowl #5 Likely Monmouth or Redwing. 5.5" wide x 7" tall with no cracks, chips, restorations, or crazing, or stains.

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c1920 Steiff King Charles Spaniel Mohair 10.5" long x 5.5" tall. Very good condition as shown, hair is a little messy with a little loss but in better than average condition. TW256

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c1920 Steuben Aurene and Fry Foval candlesticks. 1 12", 1 8". Both perfect with no damage, restorations, or flaws. From the first quarter of the 20th century. The Fry foval is apparently unmarked, Aurene<br>signed as shown. Selling both.<br><br>Steuben Glass Works Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br><br>In 1918, Steuben was acquired by Corning Glass Works and became the Steuben<br>Division.<br><br>In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price<br>to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding<br>company for DSW, Filene's Basement, and formerly Value City Department Stores;<br>Value City Furniture, which changed its name to American Signature Furniture;<br>15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50<br>shopping centers, and 5 factories producing its shoes, furniture and crystal.<br><br>On September 15, 2011, Schottenstein announced it was shutting down Steuben's<br>Corning factory and Manhattan store, ending the company's 108-year history. Soon<br>after, Corning Incorporated repurchased the Steuben brand. In early 2014, The<br>Corning Museum of Glass announced that it would work with independent<br>contractors to reproduce Steuben using a new, lead-free formula and their<br>classic leaded crystal.<br><br>Carder period (1903-1932)<br>Steuben Glass Works started operation in October 1903. Carder produced blanks<br>for Hawkes and also began producing cut glass himself. Carder's great love was<br>colored glass and had been instrumental in the reintroduction of colored glass<br>while at Stevens and Williams. When Steuben's success at producing blanks for<br>Hawkes became assured, Carder began to experiment with colored glass and<br>continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced by<br>Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br><br>Steuben Glass Works continued to produce glass of all sorts until World War I.<br>At that time war time restrictions made it impossible for Steuben to acquire the<br>materials needed to continue manufacture. The company was subsequently sold to<br>Corning Glass Works and became the Steuben Division. Carder continued as<br>Division manager without any real change in the company's operation except that<br>he now had reporting responsibilities to Corning Glass Works' management.<br>Corning's management tried, mostly unsuccessfully, to limit the articles that<br>Steuben made to only the most popular. Production continued until about 1932.<br><br>In 1932, there was a major change in Steuben management. The nationwide<br>depression had limited the sale of Steuben and there was a lessening of public<br>interest in colored glass. In February 1932, John MacKay was appointed to<br>Carder's position. Carder became Art Director for Corning Glass Works. Steuben<br>then produced primarily colorless art glass.<br><br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943<br><br>isshelf

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c1920 ティファニー ファブリル グリーン オパールセント 虹色アート ガラス ボウル、ルイ コンフォート ティファニー (ニューヨーク、1848 ～ 1933 年)、20 世紀初頭、幅 8.75 インチ x 高さ 2.5 インチ、ひび割れ、欠け、修復、傷はありません。ルイ コンフォート ティファニー (1848 ～ 1933): ティファニー スタジオの創設者は、アール ヌーボー スタイルのマスター アーティストであり、ティファニーのデザイン ディレクターでした。ガラス、ジュエリー、画材など、ティファニーの作品はすべて完成されました。最高の完璧さで。彼の絵画には、ヨーロッパへの旅行からインスピレーションを得た素晴らしい風景が描かれていることがよくありました。しかし、彼はアフリカからアジア、北米、ヨーロッパに至るまで世界中で絵を描きました。その過程で、彼は 1887 年の国立デザインアカデミーやフランスのレジオンドヌール勲章のシュバリエなど、多くの会員資格を得ることができました。彼はまた、いくつかの賞を受賞し、ニューヨーク近代美術館、メトロポリタン美術館、シカゴ美術館などで作品を展示しました。ティファニーはジュエリー会社と美しいファブリル ガラスで最もよく知られていますが、アーティストとしてのティファニーの才能は忘れられていませんTW210

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c1920 Tiffany Favrille Pitchers. Selling both Tiffany American art glass<br>pitchers from the first quarter of the 20th century. Tallest 5 3/8" unmarked,<br>slight roughness to ground pontil, no cracks, chips, or restorations. Smallest<br>Signed 1194 L.C. Tiffany Favrille and still retaining original label. Selling<br>both pitchers. Both Tiffany but only one signed. Both documented Tiffany shapes<br>with unmistakable quality from the same estate collection.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>B48

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c1920 Tiffany Favrille Pulled Feather trumpet bud vase. 10 3/8" tall x 2 1/16"<br>wide at rim. Guaranteed from the first quarter of the 20th century Tiffany<br>favrille art glass. Signed L.C. Tiffany Favrille 1506-9560 J No cracks, chips,<br>or restorations. No exterior scratches other than on bottom, a few interior<br>scratches from 100 years of cleaning. Money back guarantee of authenticity as<br>with everything. These are more often found in a 4" shorter 1504 model and I've<br>seen those bring 2k.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>TW178

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c1920 Weller Hudson Hand Painted Artist Signed 3 ftd Cachepot 5.5" wide x 2 7/8"<br>tall. No cracks, chips, or restorations. Some crazing with no stains, one glaze<br>flake to enamel petal.

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c1920's 14k gold carved spinach jade earrings. 12mm x 15mm with no issues.

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1920 年代の 14K/ジェイド アールデコ時代のネックレス。 20世紀第2四半期の素晴らしいネックレスで、問題はありません。長さ16インチ、15.5グラム、マークとテスト済みの14Kゴールド。最後の写真にメーカー/ゴールドのマークが表示されています。私はこの時代の他の中国から輸出されたジュエリーでこのマークを見たことがありますが、それが誰であるかを理解しようとしたことはありませんでした。

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c1920's 14k/Jade Art Deco Period Wordley, Allsopp & Bliss necklace. 17.5" long<br>36.3 grams, marked and tested 14k gold and genuine hand carved Jadeite Jade with<br>no issues. Fantastic piece guaranteed from the second quarter of the 20th<br>century. Pictured on "The Boss", 7 month old Jayden Lawler, owner of Estate<br>Fresh Austin. Unless you happen to be a baby, it likely won't hang this low.<br><br>The Newark, New Jersey manufacturing firm of Wordley, Allsopp & Bliss (1907<br>until 1956 when acquired by Krementz & Co.) was known for its extraordinary<br>cufflinks and fine jewelry. In fact, this company supplied a surprising amount<br>of jewelry to Tiffany & Co.

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c1920's Acoma Pueblo Native American Pottery Bowl with Thunderbirds. Nice early<br>estate fresh piece from the first quarter of the 20th century. 9.5" wide x 3.25"<br>deep with no cracks, chips, or restoration. Some wear in interior most likely<br>from Acoma use when it was first made as it was purchased as a collectible in<br>New Mexico in the mid sixties by my consignors mother according to my consignor.<br>TW134

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c1920's Art Deco Elgin Sterlin silver miniature purse. Great item with two<br>compartments and a place for a photo and perhaps a secret compartment behind it.<br>Measurements in pics. A few minor dents shown. 55 grams.<br><br>anderas

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Art Deco Russian 875 Silver Ladies Watch Band. Great watch band from the 20's or<br>30's. Adjustable with center springs from 6"-6.5" approximately 10mm wide. So it<br>just so happend I had a white gold watch laying here so I had the opportunity to<br>figure out how easy this thing is to use. Each side has a clasp mechanism that<br>is easier to undo and do than the average bracelet but is totally secure. So any<br>old watch with 10mm or larger lugs on the sides, this should snap right on<br>easily and it is easy to snap right off so even if it's tight you can use either<br>end like a clasp. Watch shown in last pic not included 19.8 grams.<br>anderas

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c1920's Art deco sterling enamel pin. Slight wear to enamel on rim, overall clean 22.3 grams 1.5" wide. anderas

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c1920's Art Deco Sterling Sugar tongs by Rogers Lunt & Bowlen. 4.75" long 28.2 grams. Lunt Silversmiths began its activity and was incorporated in Greenfield, MA in 1902 as Rogers, Lunt & Bowlen Company. The firm succeeded to A. F. Towle & Son Co purchasing its tools, machinery, trademarks and good-will. The business was managed by George E. Rogers (1849-1915, President and major investor), George Colby Lunt (Treasurer and General Manager) and William Caldwell Bowlen (1868-1934, Vice President and supervisor of manufacturing until his retirement in 1929). George C. Lunt and William C. Bowlen were both qualified members of the staff of the defunct Towle's factory. The company would become a celebrated domestic designer and producer of flatware, hollowware, and giftware for generations to come remaining in Lunt family hands for more than 100 years, making it the oldest continuously operating family-owned silver company in the United States. On April 4, 1912 the RLB trademark obtained the U.S. federal registration under the serial number of 71062653. In 1935 Rogers, Lunt & Bowlen Company's name was shortened to Lunt Silversmiths.

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c1920's Austin Texas Advertising leather paperweight. 2 7/8" x 1.75" filled with<br>sand.<br>tw233

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c1920's Barber's Licence and Nameplate Holder W.R. Knedlik. 7 5/8" x 6", some bubling to silver, small nicks on edges, no large chips, no cracks. isshelf

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c1920's Bohemian Loetz Richard Cameo art glass perfume atomizer 10.5" tall, no<br>damage to glass, damage to bulb and hose, also broken inner glass tube, possibly<br>wrong top altogether as the threads barely catch.<br>Loetz produced cameo glass under the name 'Richard' in the 1920’s to satisfy<br>demand for cameo glass within the Parisian market. The French company Etling<br>sold Richard cameo glass in Paris in the 1920's. Richard was a retail outlet in<br>Paris owned by Edmond Etling. Etling commissioned Loetz to create French style<br>cameo glass that they could sell in their Richard boutique.<br><br>tw212

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c1920's Richard Cameo art glass vase/perfume 5.25" tall with no cracks, chips,<br>or restorations. May have started life as a perfume bottle.<br><br>Loetz produced cameo glass under the name 'Richard' in the 1920’s to satisfy<br>demand for cameo glass within the Parisian market. The French company Etling<br>sold Richard cameo glass in Paris in the 1920's. Richard was a retail outlet in<br>Paris owned by Edmond Etling. Etling commissioned Loetz to create French style<br>cameo glass that they could sell in their Richard boutique.<br>tw212

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c1920's Boy Scouts of America Troop 29 Wilmington DE. Rare one of a kind Boy scout sign from the first half of the 20th century. 11.5" tall x 8.25" wide without hanger. The hanger has a 29 stamped in the copper and 29 is scratched twice on the back. It has two holes in the bottom of the sign where another sign likely hung below it probably saying "troop 29" This was found by me in Austin, Texas fresh from an Estate but the clues lead me to believe it's from Troop 29 Wilmington DE which was founded in 1919 but closed in 1920 then later opened in 1928. The patina and a lifetime in this business lead me to believe it's either from right at 1919 or 1928, I'm not going to guess which one but I'm 100% sure it's a very old item 80+ years old. Natural expected wear. TW68

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c1920's Chinese Republic Period Wood Plaque with Soapstone inlay 14" x 8", minor loss on each side of the green mountain inlay second from the bottom, no other issues. Guaranteed from the first half of the 20th century. TW140

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c1920's Chinese Soapstone Bookends. Nice pair of early 20th century Chinese hand carved soapstone bookends, minor wear as shown but overall condition with no major breaks. Both marked China as shown in the second pic. b49

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c1920's Dresden Ballerina figures with lace dresses. Very good condition with minor expected loss to dresses, no significant loss or chips elsewhere, no cracks. Tallest 5", selling both. isshelf

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c1920's Elgin Guilloche Nickel Silver Compact. 2.5" x 5/8" with no apparent damage, stong hinge and clasp. Locks shut and you push button and pull to open. tw208

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c1920's FBBL Boxing Medal by Huguenin. Rare medal appears to be silverplated<br>bronze. I'm assuming FBBL is something something Boxing league. This medal is<br>from the 20's or 30's. It was framed when I got it but appears to have some wear<br>to silverplating over bronze but overall in good condition. Frame is 5 1/8" x<br>4.5", sight on the medal is 2 1/16" x 1 5/8".<br>TW57

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c1920's French André Delattte Cameo Glass Footed Center Bowl. Great piece of<br>Authentic French cameo glass from the 20's or 30's. 9" tall x 7.5" wide with no<br>cracks, chips, or restorations. The yellow looks like uranium glass to me but I<br>can't find any of my UV lights at the moment.<br><br><br>André Delattte himself was born in Châtenois, France, in 1887. He first founded<br>his glass producing company in 1921, close to Nancy. He fabricated engraved<br>glass objects of the kind which was also sold by Daum and Muller Frères.<br>Delatte’s cameo vases and bowls were much more interesting: the objects only<br>incorporated two to three layers of glass, with motives made visible through<br>acid and only little polishing was done afterwards. The designs were common to<br>be solid and clean. Although the motives themselves were not innovative and<br>mostly depicted landscapes and florals, they were attractive to the eye. The<br>company was shut down in 1938, because of the financial crisis at the time.<br><br>tw22

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c1920's French Hand Painted Porcelain Jewelry Casket Dresser Box. Nice piece<br>from the first half of the 20th century. Nice strong hinge with no issues, no<br>cracks, chips, or restorations. 7 3/8" x 5" x 2" tall.<br>boxdrawer

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c1920's Haviland Art Deco Woman Cabinet Plate. 8 5/8" wide with no cracks, chips, restorations, or significant wear. Very unusual one of a kind plate. tw146

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c1920's Herend Persil Art Deco Hand Painted Soup Tureen. Extremely rare and in perfect condition. No cracks, chips, restorations, or other issues. 14" wide x 9" deep x 12" tall. B44

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