1964 Santa Rosa Roundup and Livestock Exposition Ribbons in Shadowbox Frame<br>measures 20.5" x 22". No issues.

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1967 Hawaiian Black Coral Bust by Frank Schirman. 4" tall x 4" deep with no detectable wear. B50

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1967 Irvine & Jachens Sterling hand engraved belt buckle. Weight and measurements in pics, appears to have never been worn.

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1967 Stangl White Grape Pate sur Pate Star shaped Powder dish with Lid Candy Box. 5 1/8" wide with no cracks, chips, or restorations. Produced for only one year, less than a year in 1967. TW75

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1968 Sheet Metal Sculpture of Centaur Signed Neto. 16.5" talx 14.5" x 6.5" with base. Incredible piece of art, steel with wood base. I'd be interested in any possible info on the artist. Guaranteed 51 years old.

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1968 Diablo Sterling/10k CPHA Chapter 5 Trophy belt buckle. Fits up to a 1.5" belt.

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1969 Lubbock TX Wrestling medal. Buying the medal shown with a penny for scale.

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1970 Huge Myra Tucson Zuni high grade turquoise sterling silver sunface bolo tie.   Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Great bolo, 39" long with no issues. Weight shown is the entire bolo.

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1970 Salt Glazed Studio Pottery Vase. Unsure of artist but obviously a skilled potter. 5.25" tall with no damage or wear. tw206

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1970‘s Alice Quam Zuni 14k gold belt buckle carved pyrite turquoise cluster. Tested and guaranteed solid 14k gold. Steel bar to catch the belt. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt. This is a style that was later adopted by Alice Quam‘s daughter Alvina Quam, though not in gold that I know of. I have seen a few Alice Quam pieces in gold, but not that many even though when she was active gold was 1/7 to 1/130 of the current price. Yes you read that correctly, during much of the time she was active gold was .7% of it‘s current price. The average was probably 1/20 current price. Still gold items by her are extremely rare and were likely custom items as it was always more expensive than silver and not as popular with top Native American artists as it is today. Alice Quam was definitely a top Zuni artistAlice Quam (1929-2003), Zuni Pueblo JewelerZuni Pueblo artist Alice Quam was active 1930s - 2003. She was known for cluster jewelry. For over 50 years, collectors looking for the best cluster jewelry have beaten a path to the home of Alice Quam. Alice selects only the best natural turquoise and coral. Her stones are shaped to perfection. Alice‘s settings are clean and precise, often with twist wire and silver balls.She was the daughter of Doris and Wayne Ondelacy; wife of Duane Quam; mother of Alvina Quam, Lorraine Waatsa, Shirley Quam, Wayne Quam and Elgin Quam.

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1970‘s Alice Quam Zuni 14k gold bolo tie carved pyrite turquoise cluster. Tested and guaranteed solid 14k gold. Steel clip on the back. 40" long with weight and measurements in pictures, circa third quarter of the 20th century. This is a style that was later adopted by Alice Quam‘s daughter Alvina Quam, though not in gold that I know of. I have seen a few Alice Quam pieces in gold, but not that many even though when she was active gold was 1/7 to 1/130 of the current price. Yes you read that correctly, during much of the time she was active gold was .7% of it‘s current price. The average was probably 1/20 current price. Still gold items by her are extremely rare and were likely custom items as it was always more expensive than silver and not as popular with top Native American artists as it is today. Alice Quam was definitely a top Zuni artistThe stones are quality American turquoise which would of course be sold by the carat even if they were not carved by Alice Quam or possibly her daughter working under her. The stones are worth more than gold, the leather and clip on the back can‘t be that heavy.  This is Historic Zuni jewelry that would improve the quality of any collection/wardrobe.Alice Quam (1929-2003), Zuni Pueblo JewelerZuni Pueblo artist Alice Quam was active 1930s - 2003. She was known for cluster jewelry. For over 50 years, collectors looking for the best cluster jewelry have beaten a path to the home of Alice Quam. Alice selects only the best natural turquoise and coral. Her stones are shaped to perfection. Alice‘s settings are clean and precise, often with twist wire and silver balls.She was the daughter of Doris and Wayne Ondelacy; wife of Duane Quam; mother of Alvina Quam, Lorraine Waatsa, Shirley Quam, Wayne Quam and Elgin Quam.

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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1970's Boxed Avon Collection Berry nice lip gloss, perfume pins, etc. Selling the collection shown, tallest box 2.5", the girl has some minor paint wear and marker on the back, the rest are like new, dent in strawberry box. TW120

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1970‘s Carved Bone/Shell Northwest coast Native American silver fetish necklace. Tested and guaranteed solid sterling silver, fittings. No damage or issues. All hand carved, Native American made. 18" necklace, other measurements in pictures.

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Photo measures 20" x 16", frame is 21" x 25". Don K Langson famous Texas Western<br>photographer from that era.

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1970‘s Edison Cummings Navajo sterling silver shadowbox bolo tie with turquoise. Marked and tested solid sterling silver Weight and measurements in pictures. Great bolo with no issues. 42" long. This is a very nice bolo, I should have cleaned it up just a tad but it was accidentally photographed before I could and time is everything for us.

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1970‘s Fred and Lolita Natachu Zuni sterling silver inlaid sunface bolo tie. Solid sterling silver slide (tested), slide and tips. Weight and measurements in pictures. Great bolo with no issues. 39" long. Signed by the Artists. Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay silversmiths.

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Ida Spence Oils on Board Listed Texas Artist Raccoons and Flowers. Both 5" x 7" panels. Larger frame is 11.75" x 9.75". No issues or damage Tw49

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1970's Japanese Studio Pottery Bizen Vessel by Takeshi Inoue. Purchased in the late 70's by my client from the artist in Japan. Vessel itself if 7" tall without box. Comes with original box, a few small dents in lid of box. No cracks, chips, or restorations. Some firing flaws, etc as shown and expected with this type of pottery. isshelf

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1970's Jugtown Pitcher Blue Decorated Salt Glazed stoneware pitcher. 7.5" tall<br>without damage or wear, dated 1978.<br>isshelf

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1970‘s KM Navajo sterling silver coral, turquoise belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. All stones are very secure in their bezels and are not going anywhere. Marked as shown.

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1970's Lalique Nina Ricci Bath salts box. These bath salts were bought fifty years ago and never used. A half century old bath crystals ready for current use and a magnificent Lalique frosted crystal vanity box as a premium -what a premium! Rene Lalique frosted glass box with molded relief decoration of a pair of love doves on l the lid. 5.5" wide x 3.5" tall. Near microscopic chigger bite on the very inside rim on the lid shown top center of the 5th picture. No other damage or wear. isshelf

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1970's Licio Zanetti Murano Art Glass Ducks. Nice large almost life sized ducks<br>extremely heavy. I'm sure they are both signed but one had this label on the<br>base as most items in the estate did stating where they bough them and what they<br>paid for them. It has likely protected the base from scratches all these years.<br>I removed the corners just to show it wasn't chipped under the label. I felt<br>leaving it to help establish provenance was appropriate. They both measure 12.5"<br>x 13" long varying slightly as they were handmade about 50 years ago. Selling<br>both with no chips, cracks, or restorations, no scratches on top, some expected<br>shelf wear on base.<br><br>Founded in 1956, the Zanetti Vetreria Artistica by glassmaster Oscar Zanetti and<br>his son Licio. In 1989 master Licio Zanetti stepped down in favor of his son<br>Oscar (named after his grandfather), who had been working by his side since his<br>youth. Licio's work shows a predilection for naturalistic subjects is reflected<br>in a lively collection inspired by the flora and fauna of his beloved Venetian<br>Lagoon.<br><br>isshlf

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1970's Linda Genet Texas Studio Pottery vase Mid Century Modern. Great piece by Retired professional potter Linda Genet, a former student of Ishmael Soto that made a name for herself locally and this piece shows you why. 6.75" tall x 5.5" wide with no damage. tw227

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1970‘s Little Turtle Navajo sterling silver carved Kingman turquoise belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Fits up to a 2" belt. Signed by Artist.

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1970‘s M Navajo sterling silver shadowbox bolo tie with nice turquoise. Solid sterling silver slide and tips (tested). Weight and measurements in pictures. Great bolo with no issues. 40" long. Marked as shown, unidentified.

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1970‘s Malachite smaller sterling silver Navajo squash blossom necklace. Tested and guaranteed solid sterling silver, weight and measurements in pictures. No significant issues. 20" long, unmarked, some typical bends to blossom ends.

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1970's Marcus Coochwykvia Hopi Overlay sterling necklace. 16" total length<br>including the 2.75" center pendants length. 15.9 grams total.<br><br>Marcus Coochwykvia<br><br>(Born circa 1952) A member of the Bear clan, this jeweler marks his jewelry with<br>both his initials and with a bear paw. Marcus Coochiwikvia's Hopi heritage is<br>easily revealed by this dedication to creating extraordinarily well designed<br>overlay work in both gold and silver.<br><br>Trained to make jewelry first by Glen Lucas, then Roy Talahaftewa and through<br>his association with Hopicrafts, Marcus has routinely won Indian market<br>competitions. Rightly, this metal artist is included in all books covering<br>American Indian jewelry.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970's Matilde Poulat Style Mexican Silver pendant and necklace 16" necklace 2.5" long pendant. 19.9 grams total marked and tested sterling.

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1970's Mayan Style Castlecliff Larry Vrba Blue Red Enamel Large Pendant. 3" tall with bail x 2.25" wide with no issues. Great piece of vintage costume jewelry.

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1970's MCM Copper enamel plaque. Very cool with no apparent signature, frame is plastic 7" total width. tw271

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1970's Merikay Mackenna Guilt Free Animal Trophy Lion Head Taxidermy 18" Listed<br>San Francisco Artist. The last picture shows what her 2005 version of the lion<br>head looked like. As you can see there was great care put into the older<br>version, her older pieces rarely come to the open market.<br><br>MacKenna has published several books, won numerous awards and her work is<br>represented in many public and private collections throughout America. She has<br>shown her work in several gallery exhibitions.

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Mitchell Sockyma Hopi overlay screw back earrings sterling. Solid sterling. Weight and measurements in pics. Mitchell Sockyma was born in Hopiland in 1942 and spent his childhood in the third Mesa village of Hotevilla. In 1973, he landed a job at the Hopi Crafts Shop, a workshop and studio new his home where his two older brothers were also silversmiths. Over the years, Mitchell has expanded his range of skills, including soldering 14k gold onto silver, which embellishes the traditional Hopi symbols he uses. As a member of the Corn Clan, his use of corn stalks is important, as is the Kokopelli, turtles, bear paws, and claws and wave designs. Unlike many other Hopi artists, he combines several of these design elements into one piece. He also incorporates brightly colored gemstones, natural turquoise, lapis and coral into the design. Considered one of the finest contemporary Hopi jewelers today, Mitchell has won numerous awards for his stunning pieces from the Northern Arizona Museum and Gallup, New Mexicos Annual Intertribal Ceremonial. He still resides with his family in Hopiland where he maintains a lifestyle in which art and beauty are intertwined with his Hopi religion and values in his everyday life. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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1970's Modernist Sterling/Rosewood Mexican Cross. Really great Marked 925 Mex and some other stuff. 5" tall, no damage.<br>isshelf

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1970's Murano Art Glass Bear. Purchased in Murano Italy in the late 1970's, I'm not sure if it was new us vintage at the time. 8" long x 5" tall with no cracks, chips, dings, or restorations. tw187

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1970's Nakai Navajo sterling chip inlay belt buckle with belt. High quality buckle and belt, both Navajo made. Belt fits from 37" to 42" waist with existing holes. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1970‘s Navajo sterling chip inlay peyotebird belt buckle. No issues. Weight and Measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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1970‘s Navajo sterling silver tube bead necklace with turquoise pendant 15" long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.

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1970‘s Navajo sterling silver tube bead necklace with turquoise stones 28" long. Tested and guaranteed solid sterling silver with weight and measurements in the pictures. No detectable issues. Any markings detected will be shown in the pictures. Unknown artist, likely Native American made from large collection of Native American jewelry purchased in the last quarter of the 20th century and never worn for the most part.

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1970‘s Navajo Vintage Sterling silver chip inlay sunface belt buckle turquoise. Tested and guaranteed solid sterling silver, fits a 1.5" wide belt. No issues, some expected wear. Circa 1970‘s. Weight and measurements in pictures. unmarked.

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1970‘s OV Navajo sterling silver turquoise and coral beaded necklace/pendant. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. No issues. Pendant marked as shown, most likely Navajo made, unidentified by me. 24" long

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1970's Peter Deneen Studio Pottery Ashtray. Really nice ashtray to use for whatever you want from the 70's or 80's. 5" wide x 2 1/8" tall. Peter Deneen began his lifelong journey with ceramics while studying pottery at Luther College in Decorah, Iowa. During this period he also began attending Marguerite Wildenhain’s Pond Farm School (located in northern California) in 1968. Peter went on to earn his M.A. from the University of Iowa in 1971. Inspired By Art & History During this time, Peter caught the inspirational fire of the Bauhaus movement of Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was to create an environment which would nurture the bond between art, industry and trade through education; to insure the cooperation of industry and artists in the field of mass production.” ESTABLISHING DENEEN POTTERY In 1972, Peter and Mary Deneen established their first studio and showroom at Park Square Court in the Lowertown neighborhood of St. Paul. Here they began producing hand thrown functional and decorative pottery and dinnerware. “Form follows function,” was embedded within their work through the teachings from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from Gerhard Marcks. It was during this time that Mary started to produce more commemorative items and ceramic figures, while launching a “Bear Essentials” line. White Picture corner top leftWhite Picture corner top rightWhite Picture corner bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery 1974 PARK SQUARE COURT IN LOWERTOWN • “The Spin of a potter’s wheel brings prosperity, unfettered life-style.” This was the title of the article that ran in a local St. Paul publication around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall, corked canisters and small spice bottles.” At this time, the Deneens wanted to open retail outlets similar to Pottery Barn, but make all of the products at their Lowertown studio. A favorite quote (of the current office) staff has Peter saying. “We’ll never be more than a handful of people. I’d never get larger than three stores,” says Peter.” “Don’t say ‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made in 1974! tw129

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1970's Peter Deneen Studio Pottery Vase. 7.75" x 5.25" with no damage or wear of<br>any kind.<br><br>Peter Deneen began his lifelong journey with ceramics while studying pottery at<br>Luther College in Decorah, Iowa. During this period he also began attending<br>Marguerite Wildenhain’s Pond Farm School (located in northern California) in<br>1968. Peter went on to earn his M.A. from the University of Iowa in 1971.<br><br>Inspired By Art & History<br>During this time, Peter caught the inspirational fire of the Bauhaus movement of<br>Walter Gropius in Post World War I Germany. The main thrust of the Bauhaus “was<br>to create an environment which would nurture the bond between art, industry and<br>trade through education; to insure the cooperation of industry and artists in<br>the field of mass production.”<br><br>ESTABLISHING DENEEN POTTERY<br><br>In 1972, Peter and Mary Deneen established their first studio and showroom at<br>Park Square Court in the Lowertown neighborhood of St. Paul. Here they began<br>producing hand thrown functional and decorative pottery and dinnerware.<br><br>“Form follows function,” was embedded within their work through the teachings<br>from Marguerite Wildenhain, recalling the Bauhaus lessons she learned from<br>Gerhard Marcks. It was during this time that Mary started to produce more<br>commemorative items and ceramic figures, while launching a “Bear Essentials”<br>line.<br><br>White Picture corner top leftWhite Picture corner top rightWhite Picture corner<br>bottom leftWhite Picture corner bottom rightEarly Days of Deneen Pottery<br>1974<br>PARK SQUARE COURT IN LOWERTOWN<br>•<br>“The Spin of a potter’s wheel brings prosperity, unfettered life-style.”<br>This was the title of the article that ran in a local St. Paul publication<br>around 1974. “Peter Deneen sits at his potter’s wheel, fingers fashioning<br>burnt-cinnamon clay into pots and plates, goblets and candle-holders, tall,<br>corked canisters and small spice bottles.”<br><br>At this time, the Deneens wanted to open retail outlets similar to Pottery Barn,<br>but make all of the products at their Lowertown studio. A favorite quote (of the<br>current office) staff has Peter saying. “We’ll never be more than a handful of<br>people. I’d never get larger than three stores,” says Peter.” “Don’t say<br>‘never,'” interjects Mary.” Wow, how the path has deviated from the plans made<br>in 1974!<br>isshelf

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1970‘s Roy Vandever Navajo sterling chip inlay Teepee Peyote Bird belt buckle. Very clean and possibly unworn, fully functional. Solid sterling silver with eight and measurements in pictures. Marked only with Roy‘s RV hallmark which is typical of him and other Artists of this era. Roy Vandever, Diné, Navajo Nation, active ca 1950s-2009: silver stampwork, shadowbox, chip inlay jewelry. Roy Vandever was the son of Walter Vandever and Emma Vandever; uncle of Esther Vandever Wood; husband of Donna Vandever; father of Cassandra Xalladitto, Cindy Howe, Verna Kee, Sheila Vandever, Sherwood Vandever, and Jerome Vandever.

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1970‘s Santo Domingo Sterling/shell necklace w/chip inlay walnut pendant. 20" long, other measurements and weight in pics. All solid sterling All precious metals are tested and guaranteed,

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1970‘s Sterling enamel Aztec Warrior hand hammered belt buckle. Given as a gift in 1979 with gift message on back. No other markings. Solid sterling silver with weight and measurements in pics. I believe this was made by an American studio silversmith. Fully functional with some expected wear, good condition with no significant issues.

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1970‘s T Sterling silver jasper bolo tie with cool cord. Solid sterling silver slide and tips. Weight and measurements in pics. 35" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course. Marked as shown, unidentified.

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1970's Teagues North Carolina Pottery Jar. 2.5" tall without damage or wear. isshelf

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1970 Texas Gauche Painting of Raccoons. Very nice painting with illegible signature. Very high quality painting, behind anti reflective glass and double matting, it's easy to see the pigments and stokes behind the glass. 12.5" x 11.5" framed. 8.5" x 7.25" sight.

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1970's Texas Safe Hunter and National Rifle Association patches/pin/license. Selling the lot shown, framed behind glass where it's likely been for the past 44 years. tw125

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Vintage Conoco Oil Workers McDonald CAP-Standard Mine Safety Appliance Co Hand Tool Aluminum Hard Hat For Gene. Regular sized hard hat with functional adjustable interior from a Conoco Lifer's estate that worked all over the world for Conoco, spent a lot of time in the Middle east and Southeast Asia, I believe this was decorated in Indonesia. Very cool, one of a kind item. isshelf

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1970‘s Vintage Navajo sterling silver carved bear overlay bolo tie. Solid sterling silver slide and tips. Weight and measurements in pics. 37" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course. Unmarked other than STERLING.

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1970‘s Vintage Sterling silver Spinach Green Nephrite Jade belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Stone is very secure in their bezels and are not going anywhere. Fits up to a 1.5 belt.

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1970's Vintage Zuni sterling silver sunface shell/turquoise/coral bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa third quarter of the 20th century. Unmarked34" long.

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1970‘s Vintage Zuni sunface shell/turquoise/coral sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 39" long with no issues. Tray is tared out, so weight shown is just the bolo of course. High quality, unmarked, unknown maker. Appears to be an illegible picto-hallmark or two.

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1970‘s Zuni sterling silver, turquoise, carved shell fetish birds necklace. No damage or issues. 25" long necklace, well made necklace with weight and measurements in pictures. No damage. Everything solid sterling silver with no markings.1`

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1971 Rumph Laurel and Hardy mug. Nice large mug with no damage or wear. 5" tall x 5.75" wide with handle.

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1971 Matchbox Superfast 5 Lotus Europa mint on card. One fold in card, mint toy sealed.

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1972 E Rice Bauknight Watercolor Quail Texas Landscape Wildlife Artist. Very nicely done watercolor by a listed artist that was very good at painting quail. 20.5" x 25" framed x 15" x 20" sight. Minor wear to frame, bottom left corner of matting has lightened, no issues with artwork.

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1972 Edna Mathes Enamel on copper Bowl. Very cool example with textured design 9" wide with no damage or restorations. isshelf

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1972 Press Club of Dallas "Katie Award" Best Spot Newspaper Coverage Sam Kinch<br>Jr Dallas Morning News Modernist Sculpture 15" tall and very heavy, solid bronze<br>on a wood base.<br><br>Sam Kinch Jr., was the founding editor of Texas Weekly and a former political<br>and government correspondent for The Dallas Morning News.<br><br>Kinch started Texas Weekly in 1984 with two friends, George Phenix and John<br>Rogers. He sold his share in 1998 (the political newsletter is now part of The<br>Texas Tribune) and retired to write, travel and enjoy his family.<br><br>He was a terrific reporter and mentor to other journalists, irreverent, smart as<br>hell, a great lover of dirty jokes, full of history, an incurable reader, a<br>Presbyterian elder and a surprisingly soft touch for people who needed some<br>help.<br><br>He wrote books, including Texas Under a Cloud, with Ben Proctor, about the<br>Sharpstown stock scandal that rocked the Capitol and resulted in the biggest<br>turnover in legislators in modern history, and Too Much is Not Enough, with Anne<br>Marie Kilday, a book on campaign finance in Texas.<br><br>Kinch was a University of Texas grad, with bachelor's and master's degrees in<br>journalism, a former editor of The Daily Texan.<br><br>The Press Club of Dallas originated in the late 1940s, when<br>employees of the Dallas Morning News and the Dallas TimesHerald gathered to<br>socialize after work. The organization was<br>formally founded in 1948 and chartered by the State of Texas in<br>1951. Its members were some of the first responders on the scene<br>when President Kennedy was assassinated, and the new reporting<br>standards established nationwide afterward bolstered the club’s<br>appeal to professionals. The Press Club of Dallas moved locations<br>frequently over the years, residing most recently at the Women’s<br>Museum in Fair Park. The organization currently maintains a board<br>of directors but has no physical location.1<br>The organization’s most notable activities are its annual<br>Gridiron show, Katie Awards, and roasts. The Gridiron show<br>began in 1951 and was modelled on the national one staged in<br>Washington, D.C. Originally consisting of “biting satire,” the<br>performance shifted towards a Broadway-esque style during the<br>late 1970s, but continued to lampoon events in Dallas. The<br>Griddle, a satirical newspaper, was produced and sold at the shows<br>to generate additional revenue. The Katie Awards ceremony began<br>in 1958. It honored “excellence in journalism” and attracted large<br>numbers of members of the press due to the prestige associated<br>with winning one. The Press Club of Dallas also annually roasted<br>prominent local citizens. These events serve as fundraisers for<br>journalism scholarships offered by the organization.2

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1973 Elton John's Rocket Records Promotion Gebr. Hildner Miniature Aluminum train. Given out at the launch party for Elton John's Rocket Records 9.25" long with no damage or wear. This launch Party took place on a train and everyone who attended on April 26th, 1973, received one of these trains. Tw187

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1975 Irving J Slotchiver Tennessee Studio Art Glass Vase. No cracks, chips, or scratches. 6.5" tall x 4" wide Tw47

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Large Russian Fedoskino Lacquer Box. Good condition with two small dings on the back corner of the box top rim above the hinge and slight wear in interior and on base. 9.5" x 7" x 2 3/8" tall. isshelf

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1975 Modernist Sterling bloodstone pendant choker necklace 17". Signed as shown. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1975 Texas Dealer License plate. Clean as they come, 12" x 6", good original paint. Original dealer plate from 1975. tw270

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1976 John Coers Cherokee Kachina silver, turquoise, coral Bolo tie/pendant. 40" long cord, made to be used a a pendant or bolo, no issues. Weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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1976 Named Vietnam War Zippo in box USS Biddle DLG-34. Clean lighter that's seen little use. Has the now no longer with us Navy Veteran's name Mike Zubay crudely but nicely engraved on it. Tight hinge, clean working condition, needs flint and fluid of course.

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1977 Libra Paperweight. Very cool with no issues or damage 3.25" pwdrawer

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1978 MMA Egyptian Revival pendant. Metropolitan Museum of Art. Appears to be<br>gilt bronze. 3" tall x 3" wide.

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1978 Winter Landscape oil on board paintings pair by Besty Jones. Great looking pair of paintings with no significant issues. Measure 8.75" x 6.75" framed each. tw82

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1979 Montana Silversmiths Huge sterling trophy belt buckle Jr Working Cow Horse. Well worn and loved, fully functional. Weight and measurements in pictures.

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1980 Chihuly student William Morris Art Glass vase height: 10 1/2 inches, width:<br>10 1/2 inches, depth: 3 1/2 inches. Absolutely no damage or wear whatsoever.<br>This vase represents his early work he was producing at Pilchuck while gaffing<br>for Dale Chihuly.<br><br>William Morris was born in Carmel, California in 1957. He is an American glass<br>artist who has been able to change the history of art within his lifetime.<br>Morris was educated at California State University in Chico, California as well<br>as Central Washington University in Ellensburg, Washington. 
In 1978, Morris<br>arrived at the Pilchuck Glass School and found work initially as a driver.<br>Later, he worked with Dale Chihuly, the founder of the school, and eventually<br>became his chief gaffer in the 1980s. Morris remained with Chihuly for about 10<br>years as his chief assistant before deciding to form his own studio and develop<br>his own artistic style of glass blowing.<br><br>For more than twenty-five years, William Morris has captivated and intrigued the<br>art community with hauntingly evocative and beautiful glass sculptures. He has<br>captured the imagination time and again by creating objects that appear to be<br>ancient stone or woodcarvings, not the modern glass sculptures they actually<br>are. His art speaks of human origins, myth, ancestry, and ancient civilizations.<br>It symbolizes a harmony between humanity and nature and provides a ghost-like<br>bond to the world around us – a world that is often forgotten, ignored, and<br>abused.<br><br>Morris gathers much of his inspiration from ancient cultures from around the<br>world – Egyptian, Asian, Native American – all peoples who respected and admired<br>the land they inhabited. Because of this, Morris’s artwork has become something<br>all its own: culturally distinct and yet familiar to all cultures. His pieces<br>embody a spiritual quality that sharply contrasts old beliefs with those of the<br>modern world. These objects speak to our senses and continuously beg us to<br>explore them further.<br><br>Morris achieved much success during his career and retired in 2007. He spent<br>over twenty-five years honing his skills and pushing the medium of glass further<br>than anyone, including himself, could ever have imagined.<br><br>Morris’ work can be found in numerous public collections including:<br><br>The Metropolitan Museum of Art, New York, NY; Corning Museum of Glass, Corning,<br>NY; American Glass Museum, Millville, NJ; Hokkaido Museum of Modern Art,<br>Hokkaido, Japan; Musee Des Arts Decoratifs, Paris, France; Auckland Museum,<br>Auckland, New Zealand and the Victoria and Albert Museum, London, England.

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1980's 14" Steiff Teddy Bear 1909 Replicas One growler. The tallest to the right is 14" and has a working growler, no damage or soiling to either. TW236

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1980‘s Benjamin Piaso Jr Navajo sterling and jade pendant. Weight and measurements in pics, no issues. All precious metals are tested and guaranteed,

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1980‘s Carlos Eagle Ottawa sterling turquoise corn row pendant. Weight and measurements in pics. No issues, very substantial piece that I believe was possibly once a belt buckle."Carlos career as a jeweler began in the 1970s, inspired by his mother, who was an artist of Ottawa/Chippewa descent. He is completely self-taught. Unlike many jewelers, he is both a lapidary and a silversmith, and fabricates all of his jewelry by himself. Nothing is cast or manufactured. He is an Elder in the Little River Band of Ottawa Indians, but also considers himself part of Gods Universal Family. His greatest pride comes from his work with animals and caring for the land. ‘I am doubly blessed. I have been able to pursue my passion for art as a career which has enabled me to live the life I have dreamed of. No one could ask for more‘." He‘s been featured in magazines and has adorned celebrities with his amazing pieces.All precious metals are tested and guaranteed,

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1980‘s Francis Jones Navajo Rainbow Guardian squash blossom necklace. 26" total length, other Weight and measurements in pics. No damage or issues. Francis Jones was born in 1944 and has been a silversmith since she was a young girl. Her father, a fourth-generation silversmith, taught her the intricate art of metalwork, particularly sand casting, which was a specialty in her family. This technique, along with other methods she has mastered, allows her to create jewelry that is rich in texture and detail. Over the years, her reputation as an artist has grown, and she has won numerous awards for her contributions to Native American jewelry. As a member of the Navajo Nation, Francis Joness designs are deeply rooted in her culture. Her pieces often carry symbolic meanings, with elements that represent both the natural world and the spiritual beliefs of her people. Each piece is marked with her signature hallmark, "FJ," a symbol of her dedication to quality and authenticity. The Artistry Behind Francis Jones‘s Jewelry Collection Francis Jones, a renowned Navajo artist, has captivated the world with her exquisite jewelry designs that seamlessly blend traditional techniques with modern aesthetics. Her mastery of the art of sand casting, a process that involves pouring molten silver into hand-carved molds made from compacted sand, is the foundation of her unique and distinctive style. The sand-casting method employed by Francis Jones is a labor-intensive process that makes sure each piece is one-of-a-kind, bearing the artist‘s personal touch and signature. This ancient technique passed down through generations of Navajo silversmiths, allows for the creation of intricate patterns and textures that cannot be replicated by modern manufacturing methods. In addition to her expertise in sand casting, Francis Jones features stunning stone settings and hand-stamped details in her jewelry designs. The result is a timeless and distinctive collection that attracts both collectors and everyday wearers.

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1980's Givenchy Bijoux Necklace and Bracelet set unworn. New with original tags but about 40 years old. Bracelet 7" x 1.3", necklace 18.5" x 1", no damage or wear.

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1980's Bronze Delta Kappa Gamma Golden Rule Award from JC Penney. 8" tall x 8.5"<br>wide at base, solid bronze with a marble base, heavy. Press photo shown is just<br>a copy of something someone else sold previously therefore not included.<br><br>A bronze flame is the symbol of the JC Penney Golden Rule Award, presented in<br>recognition of outstanding volunteer service to the community. The Award,<br>accompanied by a $1,000 grant to support the volunteer's work, is given to an<br>individual or organization selected by a distinguished panel of civic leaders in<br>a community-wide competition. The Award reflects a tradition of community<br>service at JC Penney that has persisted since James Cash Penney in 1902 opened<br>his first store, called "The Golden Rule." Sculptor Greg Wyatt represents his<br>bronze flame-of-freedom as the spirit of the volunteer's free choice to help a<br>neighbor.<br><br><br>Greg Wyatt is an American representational sculptor who works primarily in cast<br>bronze,[1] and is the sculptor-in-residence at the Cathedral Church of St. John<br>the Divine in New York City.<br><br>Wyatt was born in Nyack, New York and raised in Grand View-on-Hudson, New York.<br>His father was William Stanley Wyatt, a painter and professor of fine arts at<br>Columbia University, Rockland Community College and the City College of New<br>York.[1] Greg Wyatt graduated from Columbia College of Columbia University in<br>1971 with a Bachelor of Arts degree in Art History.[1] He also attended the<br>National Academy of Design for three years, where he studied figurative<br>sculpture, and received his certificate in sculpture, and earned a master's<br>degree in Ceramic Arts from Columbia Teachers College in 1974. Wyatt has taught<br>at New York University and at Jersey City State College.[3][4] He is currently a<br>member of the Board of Directors at The American College of the Mediterranean in<br>Aix-en-Provence, France. He is also a member of the Board at Brookgreen Gardens.<br><br>Wyatt bases his work on the philosophy of "spiritual realism," merging realistic<br>images and abstract masses of form, space and energy.<br>Professor Sir Stanley Wells, a renowned Shakespearian scholar and emeritus<br>chairman of the Shakespeare Birthplace Trust, says, "I compare Wyatt to Rodin.<br>He's that good."[6] "Wyatt emulates the sculpture of the western world with<br>contemporary vision."[3] His works have been exhibited at the Metropolitan<br>Museum of Art, Harvard University, and Vanderbilt Mansion National Historic<br>Site, among other institutions and collections,[5] and can be seen in more than<br>20 public spaces in cities from New York to Beijing.<br><br>Wyatt has made many corporate commissions, including a bronze statue of J.C.<br>Penney founder James Penney which weighs 3 tons and cost $250,000

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1980's New York City Skyscape with twin Towers by Listed Artist Ron Balaban. 40" x 30" with no issues. Incredible painting that I did a horrible job photographing. Very vibrant, realistic, and 3 dimensional.

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1980's Norma Jean Gold tone Clip on earrings. Great looking pair of vintage clip<br>on's with no issues.

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1980's Porsche/Texas Sesquicentennial Bronze medallions. 1.5" and 1 5/8", both bronze, both from the 80's. Estate fresh with little wear. Selling both for one price, Texas and Porsche 911. anderasbag

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1980‘s Post Modernist Sterling J Gabiel/Autumn Walker clip-on earrings. Selling both pairs with no issues, one Mabe pearl, both solid sterling silver. Weight and measurements in pics.

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1980‘s Retired Large James Avery baptismal charm in sterling w/box/papers. Soiled box with pink tape across middle. Paperwork copyright 1980. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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1980‘s Reuge Swiss sterling silver automaton music box pocket watch horse. Whimsical subject matter, No damage or significant wear. Both the watch and music box are in working condition, everything is working as it should be. we will likely add a video of this working to the Estate Fresh Austin I-gram and F-book pages. It plays music and the automaton works when the botton on the back is pushed. Measurements in pictures.

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1980's Rober Lee Morris Sterling Clip on Earrings. Nice biomorphic cool subtle earrings by an important designer. 3/4" x 13/16", good working clips, no issues.

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1980's Steiff Museum Collection Seesaw Pull Toy. Selling this toy in the original box with no damage or wear to toy, the box has some wear as shown and breaks in the plastic. Box measures 12" x 9.5" x 4.75" TW236

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1980's Sterling Italian Montegrappa 402 pen set. Selling both pens in very clean<br>condition, both functional, one with good cartridge, one needed cartridge as<br>it's dry. No dents or major wear to either pen.<br><br>The 300 and 400 series were discontinued in the early 1990’s and are now<br>difficult to find in good condition. This was the flagship version of the 402,<br>with both pens being crafted from sterling silver and featuring a CANOVA<br>guilloche design on the barrel and cap – the trim is vermeil, so gold-plating<br>over silver. The pens have the 1055 VI hallmark, which indicates that it was<br>produced by the older Aquila owned company, prior to them selling to Richemont.<br>The newer Aquila pens have a 2670 VI hallmark.<br><br>The 402 was based on a model from the 1930’s and they’re incredibly comfortable<br>writing instruments to use, even for longer writing sessions.

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1980‘s Tiffany Sterling Black Enamel Guilloche Clip On Earrings. Selling the earrings shown, high quality, guaranteed authentic. No box or bag, weight and measurements in pics. Strong springs on clips.

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1980‘s Tiffany Sterling silver solar Calculator TI. Clean case with no issues, sterling silver case fitted to TI Calculator, I could not remove the case, I tried before I realized it was a solar calculator. Logo top right unidentified. Working condition, needs light to work.

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1980's Victorinox Swiss Army Knife Football/Baseball sports teams knives<br>collection. Selling the lot shown 7 Knives in the boxes and 7 additional boxes.<br>I've seen these sell individually for over $100, some of these have wear, a few<br>appear unused. All the boxes have wear. 13 of the boxes measure 4.75" x 1 7/8".<br>Many online sellers have time to open these up and spend hours talking about and<br>photographing each one, I don't. Selling the lot, yes I might could break it up<br>but it would have to really be worthwhile. Thank you.<br>tw232

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