Early Booths thin British Ironstone bowl. This bowl is amazingly thinly potted for this type/era piece. This is an Early Booths mark, I believe from the third quarter of the 19th century. Large bowl with no cracks, chips, or restorations. 9" wide x 4.25" tall. isshelf

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Early Celadon bowl. 5 1/8" wide x 1 5/8" deep, good early piece likely Chinese<br>from a collection put together in the third quarter of the 20th century<br>traveling through and working in Asia. Glaze inconsistencies and crazing that<br>may not be intentional but are very attractive. A few tiny chips to footrim<br>mostly glazed over.

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Early Celadon Jar 3" tall x 4 3/8" wide. Earthenware from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. One hairline shown in center of first pic if you look very closely and a few small chips on rim, no restorations. TW132

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Early Celadon Stoneware Tea Bowl with Lotus Decoration. From a collection of<br>mostly Ming chinese porcelain but some other asian ceramics mostly from the same<br>era. 5 old stable hairlines as shown. 4.25" wide x 1 13/16" deep.<br>TW132

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Early Celadon Stoneware Bowl with incised Decoration From a collection of mostly<br>Ming chinese porcelain but some other asian ceramics mostly from the same era.<br>Possibly Korean, I'll try to find time to research further later, but now I have<br>a lot to list. 6.5" wide x 2.75" deep with no cracks, chips, or restorations.<br>TW132

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Early Celadon Stoneware Water Dropper in Teapot Form 3" tall x 3.5" handle to spout. Even with UV light I'm not 100% sure, but I think there may be a very old, very good restorations to the handle. From a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. TW130

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Early Chinese Brownware Jarlet Likely Ming from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. 3.25" tall with tiny flake on top rim and tiny flake on bottom rim. No other chips, cracks, or restorations. TW133

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Early Chinese Carved wood temple figure. Very old, likely hundreds of years old. 7" tall x 4" wide. Doesn't stand up on it's own, remnants of paint, woodworm or termites. tw255

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Early Chinese Celadon Vase with antique restoration. One handle restored a very<br>long time ago, no other cracks, chips, or restorations. 7.75" tall.

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Early Chinese Earthenware figure 10.5" tall, very old piece, small chips on<br>bottom rim and overall glaze degradation. Likely excavated. No restorations,<br>large chips, no cracks.

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Early Chinese Earthenware Jarlet. Likely Ming, from an old collection collected<br>mid 20th century. 5.25" tall, firing crack on rim, tiny chip on rim, some<br>expected glaze wear on top rim. No restorations.<br>chinadrawer

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Early Chinese Jade/Carnelian Button collection. All antique pieces ranging from<br>Ming-Qing Dynasty. Selling the lot very nicely framed in heavy frame on what<br>appears to be suede leather. Frame measures 21.5" x 14.5". These would make some<br>incredible jewelry pieces but I personally hate to bust apart such a nice<br>framing job. I will do it upon request though as shipping would be way easier.

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Chinese Ming Swatow Bowl. 11.25" wide, stable hairlines that don't really<br>penetrate both sides, tiny flake on rim, no restorations, cracks, or big chips.<br>isshlef

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Early Chinese Porcelain Carp plate. 10 1/16" wide with no cracks, chips, or<br>restorations.<br>tw181

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Early Chinese Qingbai Celadon Vase. Museum accession number indicating it was<br>acquired into the collection in 1986. 6.5" tall. Wear to glaze, possibly an<br>excavated item. No cracks, chips, or restorations.

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Early Chinese Water Dropper Sancai Glaze Man on Carp. Overall wear to glaze,<br>this is a really old piece fresh from a collection that was mostly Ming period<br>Chinese but also had some Thai, Korean, and other Asian Ceramics from the same<br>timespan. There were a few tang pieces, this has a very old restoration to the<br>fishes head that's the only damage I could find. 4.25" long x 2 5/8" tall.<br>TW130

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Early Chinese Water Dropper teapot form this is a really old piece fresh from a collection that was mostly Ming period Chinese but also had some Thai, Korean, and other Asian Ceramics from the same timespan. 3" tall with no cracks, chips, or restorations. tw132

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Early Chinese/Asian Porcelain Jarlets and miniature bowl tallest 2 5/16" from a<br>collection of mostly Ming Chinese ceramics put together in the mid 20th century.<br>3" wide bowl has two chips on rim and one on footrim. No other cracks, chips, or<br>restorations.<br>TW132

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Early Crucible? rounded bottom pot from Archaeologists estate 5 7/8" tall x 4 1/8" wide at rim, possible old wear old loss, no cracks or restorations. I'm unsure what culture this is from or exactly how old it is but I think it's really old and possibly a crucible. tw105

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Early Korean Buncheong Celadon glazed inlaid dish 4.75" wide x 1 7/8" tall,<br>overall wear and degradation to glaze, no cracks, chips, or restorations.<br>tw147

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Early Korean Buncheong inlaid dish. 4.75" wide, small chips and glaze wear on rim, glaze wear to bottom of bowl, no cracks or restorations. tw147

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Early Ladies Navajo sterling watch band. Great piece I believe from the first half of the 20th century. 18.5 grams total with watch. Likely the original watch though the band may be older, watch seems broken and nonfunctional. Fits 5.5" to 8.5" wrist with current stretchy band.

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Early Ladies Zuni sterling multistone inlay watch with Automatic Hamilton watch. Working period watch, both mid 20th century or a little older. 27 grams total with watch.

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Early Lee & Mary Weebothee Zuni sterling coral earrings. Unmarked, attributed, circa mid 20th century with no issues. Lee and Mary Weebothee are master Zuni silversmiths and inlay artists from the Zuni Pueblo. Mary unfortunately passed away in 1993. They both made jewelry since the 1940s and Lee has said that they sold to wonderful traders like C.G. Wallace, R. L. Wallace, Joe Tanner and Dude Kirk. They also sold beautiful jewelry to Don and Nita Hoel over the years. Lee was born in 1929 and Mary in 1933. Lee and Mary married in 1949 and started making jewelry together shortly after. Greg Schaaf stated in his book “American indian Jewelry: 1200 Artist Biographies that “they were one of the best husband-wife teams in the history of Zuni jewelry. Lee did most of the silver work while Mary was the stone cutter, which she learned to do from Lees mother, Lula. She is known for her master stone cutting skills which are very unusual because of the rounded edges on the stones. They both then set the stones. They are very well know for their interesting cluster work but they also did other types of work using beautiful high quality stones. They have won many awards over the years for their beautiful work. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Early Lee & Mary Weebothee Zuni sterling coral, and turquoise earrings. Unmarked, attributed, circa mid 20th century with no issues. Clip on‘s are sterling but likely not original, it would be easy to replace these with hooks. In fact I could include some hooks upon request at no charge. Lee and Mary Weebothee are master Zuni silversmiths and inlay artists from the Zuni Pueblo. Mary unfortunately passed away in 1993. They both made jewelry since the 1940s and Lee has said that they sold to wonderful traders like C.G. Wallace, R. L. Wallace, Joe Tanner and Dude Kirk. They also sold beautiful jewelry to Don and Nita Hoel over the years. Lee was born in 1929 and Mary in 1933. Lee and Mary married in 1949 and started making jewelry together shortly after. Greg Schaaf stated in his book “American indian Jewelry: 1200 Artist Biographies that “they were one of the best husband-wife teams in the history of Zuni jewelry. Lee did most of the silver work while Mary was the stone cutter, which she learned to do from Lees mother, Lula. She is known for her master stone cutting skills which are very unusual because of the rounded edges on the stones. They both then set the stones. They are very well know for their interesting cluster work but they also did other types of work using beautiful high quality stones. They have won many awards over the years for their beautiful work. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Early Native American Beaded Amulet/points/large necklace beads. I'm assuming<br>these beads went on a necklace and this pendant hung on that and that it was<br>sometime in the 19th century. I found this pile together in a small box in a<br>drawer of a local estate I purchased the entire contents of years ago. The<br>pendant is 3 3/8" wide and oobviously missing some of the outer beads which<br>appear to be shell or seeds of some sort. The points are high quality, sharp and<br>thin. These are unrelated items as the points are much older than the pendant<br>but they were kept together for possibly generations and found together by me.<br>nativedrawer

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Early Navajo or Zuni cast sterling silver Ketoh style belt buckle with turquoise. This buckle originally had thin leather going through the center, possibly on a concho belt, converted to standard belt buckle likely in the 1970‘s. Tested and guaranteed solid sterling silver. Fits up to a 1.5" wide belt. Some expected wear. Circa second quarter of the 20th century to mid 20th century. Weight and measurements in pictures.

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Early Pre 1913 UND Pottery North Dakota School Of Mines Toothpick/Cabinet Vase 2.75" tall, though the style is Art Deco I believe this to be a pre 1913 mark, correct me if I'm wrong. No cracks, chips, or restorations.UND pottery was a turn of the 20th century effort to promote “a wealth of design material peculiar to the prairies” — as Margaret Cable wrote in a 1926 brochure. UND Pottery is now highly collectible, has been featured on the PBS series Antiques Roadshow and is the subject of several books. tw119

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Early Tufa Cast Native American Turquoise/sterling belt buckle. Very nice buckle from the first half of the 20th century 3.5" x 2.25", takes up to a 1 5/8" belt. 79.3 grams. Unmarked of course, tests silver (guaranteed 90% (coin silver) or better) One of the pins has long since been replaced, strong and functional, no other issues.

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Early Van Briggle Cabinet vase. Teens-20's 4" tall with no cracks, chips, restorations, or crazing. tw122Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art Pottery. The Art Nouveau style favored by its founders continues to influence the pottery's designs. Artus Van Briggle settled in Colorado Springs in 1899 after establishing himself as a notable artist with the Rookwood Pottery of Ohio. With Anne Louise (née Gregory), his new wife, Artus began exploring the Art Nouveau style in their pottery creations, drawing awards and accolades from the American and European art communities. Although he was a talented painter who had displayed and won awards in Europe, from 1899 until his death Artus devoted himself almost exclusively to the craft and art of pottery. Van Briggle's Art Nouveau designs and distinctive matte glazes were awarded high honors from prestigious sources, including the Paris Salon, the Saint Louis Exposition, the Lewis and Clark Centennial Exposition, and the American Arts and Crafts Exhibition in Boston.The Van Briggle Pottery Studio closed in spring 2012Artus Van Briggle in 1900. Born to artistic parents on March 21, 1869, Artus Van Briggle had an early introduction to painting using materials found about the home. The Van Briggle family lived in Ohio, one of America's hotbeds of ceramic design. At the age of 17 he moved to Cincinnati, Ohio, where he decorated china dolls at the Arnold Fairyland Doll Store, while attending his early art studies at the Cincinnati Art School. After a stint at the Avon Pottery where he was introduced to the ceramic arts, Artus took a job at Rookwood Pottery; there he excelled at hand-painting designs. His skill and talent were recognized by Rookwood founder, Maria Storer, who became his benefactor, even sending him to France to study art at the Académie Julian in Paris.In Europe, he was exposed to styles of art and became infatuated with an early matte glaze from the Chinese Ming Dynasty; a type that was lost to history. Artus also met his future wife, fellow American student Anne Lawrence Gregory, an accomplished artist in her own right. Finishing their Paris studies in 1896, they returned to America. Artus resumed his work at Rookwood and also started sculpting and experimented with recreating the lost Ming Dynasty glazes.Perfecting the distinctive dull or matte glaze In 1899, struggling with health issues due to tuberculosis, Artus left Rookwood and moved to the drier air of Colorado Springs, Colorado. Upon befriending the Holmes family of Chico Basin, he stayed at the HOP Ranch during the summers of 1899, 1900, and 1901 to reduce work stress and regain strength while pursuing his own styles of pottery, centered around the Art Nouveau movement. He continued his research on the ancient matte glazes that fascinated him in Paris. After two years of trials and experiments a matte glaze was perfected. One of the matte glazes perfected by Artus was the matte blue glaze, based on an ancient Chinese process that had long been lost to history.Artus opened Van Briggle Pottery in 1901 and was joined by Anne Gregory, who took a position as a high school art teacher in Colorado Springs. In 1903, Artus Van Briggle was appointed First Director of the Department of Art and Design in Colorado College, succeeding Louis Soutter, a Swiss artist (born in Geneva, Switzerland) he met in Paris in 1895.In 1902, Anne and Artus were married, and she devoted herself to their pottery; she created designs and collaborated in all aspects of the enterprise with her husband. Late 1902 brought Van Briggle awards for his glazes and designs in Art Nouveau from the prestigious Paris Salon; he was now an accepted artist. During their early years, Artus and Ann established hundreds of Art Nouveau styles of pottery under the Van Briggle name. The Despondency vase won Van Briggle wide acclaim and first place at the Paris Salon in 1903. A display at the 1904 Centennial Exhibit in St. Louis won Van Briggle more awards and greater international fame. Van Briggle Memorial Pottery Pottery loses its founder Artus Van Briggle died in July 1904, at the age of 35. Anne continued the pottery using the forms created by Artus as a foundation and adding more designs of her own. In 1907, Anne and pottery stockholder and city-founder William Jackson Palmer began construction on a new pottery on Uintah Street. The Van Briggle Memorial Pottery — designed by Dutch architect Nicholas Van den Arend — was opened in 1908 and stands today as an historic landmark noted for its architecture and use of ceramics in the facade.Having remarried in 1908, Anne Louise Gregory Ritter leased the pottery in 1912 to Edmund deForest Curtis, who ran it until 1916. She sold the company in 1922 to J.F. and I.H. Lewis and moved to Denver the following year, where she would concentrate on painting and where she remained until her death in 1929. In her absence, the pottery fell under financial hardships and was sold at sheriff's auction; later it was re-sold, once more becoming the property of Mr. Curtis.Surviving disaster and war The pottery was sold twice more in the ensuing decade and survived a fire in 1919 that gutted the interior but left the brick shell and kilns. New owners I.F. and J.H. Lewis took the opportunity to modernize and expand the facility beginning in 1920 and stabilized the production and financial aspects of the pottery for the first time. Despite damage from the flood of 1935—the most destructive flood in Colorado Springs history — that destroyed much of the company's records and molds, the pottery continued to enjoy success up to World War II, when they closed for approximately three years as the United States focused its resources on the war effort.With the increase of interstate travel in the United States a freeway was planned in 1953 for Colorado Springs which J.H. Lewis estimated would run through the Memorial Plant site. Although the freeway eventually was planned to avoid destroying the historic pottery, Mr. Lewis nonetheless put into action plans to relocate the pottery to a higher-traffic area of Colorado Springs. In 1955, Mr. Lewis and Clem Hull brought a new facility on line at a renovated railroad roundhouse on Midland Road. The new facility, known as the Midland Plant, had a smaller capacity but enjoyed quick success due to its location on the main highway to the Garden of the Gods and other tourist locations.In 1968, Mr. Lewis sold the Memorial Plant to Colorado College, and it fell into disrepair for the ensuing 40 years, being used variously as offices and storage.

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Early Zuni turquoise needlepoint sterling silver post earrings. Nice old earrings from the second quarter of the 20th century. I believe they were originally screw back earrings with posts added later. Solid sterling, unmarked with weight and measurements in pictures.

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Ecclissi Sterling silver watch. No damage, minimal wear, needs a battery.

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Ed Niiha Zuni sterling turquoise needlepoint squash blossom necklace 28" long, no damage, weight and measurements in pictures.

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ED Retro Southwestern sterling silver lg stone Royston turquoise belt buckle. Tested and guaranteed sterling silver. Fits up to a 1" wide belt. Some expected wear. Very clean with no damage.

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Eddie Bauer Crumrine Sterling silver belt buckle with duck. Solid sterling silver with weight and measurements in pictures. worn 22k gold plating to give it character.

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Edison Yazzie Navajo Cobblestone sterling pendant. Large pendant with no issues as shown.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Edison Yazzie Navajo sterling silver multi-stone channel inlay clip-on earrings. Great earrings with no damage, some wear to stone faces, strong springs on clips. Selling both pairs shown.

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Edward Diers (1871 - 1947) 1904 Rookwood Vellum Vase. Ed Diers was an artist at Rookwood from 1896 to 1931. He was educated at the Ohio Mechanics Institute, Industrial Art School and the Cincinnati Art Academy, according to notes posted on AskArt.com. He is well known for his particular skill in executing landscapes on the Rookwood pieces he decorated. No cracks, chips, or restorations. 1904 Was the first Year this glaze was introduced, so this was likely an experimental piece. There are some flaws, crazing and peppering to the white part of the poppy 5.25" tall.

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Edward H Bohlin Hollywood 14k gold and Sterling Native American Head Tie Bar. An extremely rare item that cannot be currently bought for any price to the best of my knowledge, but if it could it would be more than I'm asking. Like new condition with no scratches or wear. 3.5" wide x 2.5" tall 25.1 grams marked and tested 14k gold and sterling, hand engraved on reverse side. Well over half of the buffalo and arrow section are gold, I would bet more than half of the total weight of this is 14k gold. tw208

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Edward H Bohlin Hollywood 14k gold and Sterling Native American Head Tie Bar. An<br>extremely rare item that cannot be currently bought for any price to the best of<br>my knowledge, but if it could it would be more than I'm asking. Like new<br>condition with no scratches or wear. 3.25" wide x 3 1/8" tall 15.7 grams marked<br>and tested 14k gold and sterling, hand engraved on reverse side.<br>tw208

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Edward Hald (1883-1980) for Orrefors, Graal Fish Vase 1963 Mid century Modern.<br>This impressive vase designed by Edward Hald is extremely heavy and thick<br>walled. The flash pattern depicts a series of fish and sea weeds. The aquarium<br>effect is significantly enhanced by the reflection of the flashed pattern on the<br>inner walls of the glass vase.Dimensions: 4.75 tal, 6 pounds. Condition: Very<br>good. No chips, cracks or repairs. Wear consistent with age; some light<br>scratches mainly on base as it's very heavy. Signature: "Orrefors Graal vr 310t<br>Edward Hald" script on the base.<br><br>A Note About the Artist: Edward Hald (1883-1980) trained as an architect and<br>painter. He studied in Dresden, Stockholm, Copenhagen and Paris. His time in<br>Copenhagen included work under Johan Rohde; in Paris he worked under Matisse. In<br>1917, Hald worked briefly at Rorstrand, and then began his long association with<br>Orrefors. At the time Edward Hald joined Orrefors in 1917, the early experiments<br>of Simon Gate and the master glassblower, Knudt Bergkvist, for the Graal<br>technique were still evolving. The Graal technique used acid etching or wheel<br>carving to create thin designs in relief on the surface of multilayer, glass<br>blanks. The carved blanks were then heated to a molten state by glassblowers,<br>encased with an additional layer of clear glass to entrap the design, and<br>finally worked with blowing to a finished state. The result was literally,<br>"painting within the glass".Edward Hald created some of the earliest designs to<br>use the Graal method. He continued to work in Graal throughout his long career,<br>including the heavy "Fish Graal" pieces first shown in 1937. Also "Slip Graal"<br>and "Aqua Graal" were favored techniques. Hald also designed many important<br>engraved pieces such as the "Fireworks" bowl. He retired from Orrefors in 1978.

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Effie Calavaza Zuni sterling silver, turquoise, coral snake pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.

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Effie Calavaza Zuni sterling silver, turquoise, coral snakes vintage watch tips Selling the watch bracelet shown, tested and guaranteed solid sterling silver. Weight and measurements in pictures. Marked as shown. Stretchy band is not sterling, watches are not sterling. Watches are untested and will at least need a battery.

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EG Navajo Sterling branch coral pendant. High quality pendant with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed,

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Egyptian Silver and turquoise pendant with necklace. This piece is great and has significant age on it but I don't have time to figure out the hallmarks, I know the bottom one means it's egyptian, I believe 80% silver purity, there's another one on the top piece that's different. Great piece, 50-100 years old. The necklace was on it when I got it, the necklace tests sterling with a replacement clasp that isn't sterling.34.5 grams Pendant is 3" long x 2.25" wide, necklace is 24" long. This is a very high quality piece, not the typical tourist piece you find.

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EL Billah Navajo sterling beaded necklace with turquoise naja pendant 20" long necklace. Selling the set shown with no issues. All precious metals are tested and guaranteed,

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Eldon Kalemsa Siwingyumptewa Sr Hopi Overlay Bracelet. Fits up to a 6.75" wrist. Hopi Silversmith Eldon Siwingyumptewa Kalemsa, Sr. of the Snow clan, who passed away in 1996. Stamped with his cloud monogram and a sunface. All precious metals are tested and guaranteed,

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Frame measures 30.5" x 26.5" board measures 24" x 20" Frame and painting are in incredible condition. A couple tiny 1mm dings at the bottom left of her chair as shown in the third pic. There is a line across the top of the painting maybe 3/4" down, maybe where they made the board taller to fit this expensive frame, I'm not sure. It can only be seen with very cloud examination. I can find little info on the artist other than she was born in 1901.

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Ella Cowboy Navajo sterling and turquoise belt buckle. Solid sterling silver with weight and measurements in pics. Fully functional with some expected wear, good condition with no significant issues.

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エラ リンキン ナバホ族ターコイズ スターリング スタンプワーク ペンダント。高さ 2.25 インチ x 幅 1.25 インチ x 12.5 グラム、問題なく、未使用のようです。エラ リンキンは、1954 年にソルト ピープル一族とウォーター エッジ一族に生まれました。エラはニューメキシコ州ギャラップで生まれ、現在はニューメキシコ州スペンサーバレーに住んで働いています。エラは 15 歳のときに銀細工を始め、父親のリー・ワイリーから技術の訓練を受けました。エラの作品は、彼女の作品に独特のスタイルを与える強い線で注意深く細部まで描かれています。すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、最低 90% (コイン) のシルバーであることが保証されています。そしておそらくより高いコンテンツ。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛が生えていない) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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Ella M Linkin Navajo Sterling and waterweb turquoise pendant 2 3/8" x 1.75" x<br>21.3 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Elliot Qualo (1930-1974) Zuni sterling silver intarsia inlay Ghan Dancer pin. Weight and measurements in pics, all solid sterling. Tested and guaranteed solid sterling silver. Circa third quarter of the 20th century. Elliot Qualo (1930 - 1974; Zuni) Active since 1960s. Mosaic and channel inlay; bird motifs. Award winning, son of Myra Qualo, born sometime in the 1930s, but did not start producing jewelry until about 1960. His creations were always award winning pieces and highly coveted by collectors all over the world. He produced from 1960 until about the late 1970s, upon his passing. Listed with ExportYourStore.com

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4.5" wide x 4.25" tall. Speaks for itself. Mint condition with no cracks, chips, scratches, or wear. Guaranteed late 19th century, unknown maker. Tw98

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Emerald in Matrix Intarsia Box by Konstantin Libman Russia This special box of polished emerald in matrix intarsia designed by Konstantin Libman is a sight to behold. The interior of this elegant hinged box is trimmed with black onyx and lined with wood with ample space for cigars. The piece comes inside a custom-made black-velvet lined wooden box. Measuring 7 1/2 x 5 1/2 x 1 3/4in. This box smells incredible when opened, was likely intended for tobacco but will obviously hold many things. This identical box was purchased at the auction below. Sold for US$ 4,825 inc. premium Lapidary Works of Art, Gemstones and Minerals 11 Dec 2019 Los Angeles https://www.bonhams.com/auctions/25524/lot/4047/?category=list&length=397&page=1 isshelf

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Emil Zettler (1878-1946) 1933 Chicago worlds fair bronze medallion. Fantastic Medal art deco period and style 2,25" wide. Emil Zettler - March 30, 1878 -- January 10, 1946) American sculptor, born in Karlsruhe, Germany (or, Chicago, Illinois ) and active in Chicago. The Art Institute of Chicago, where Zettler studied, awarded him the Potter Palmer Gold Medal in 1917 for his colored plaster sculpture Job . It was among the first works of art by a Chicagoan showcased at the Arts Club of Chicago.He often worked with Prairie School architect George Grant Elmslie. He taught sculpture at the Art Institute of Chicago, rising to become head of its School of Industrial Arts. In 1931, Zettler married Edythe L. Flack, one of the Institute's assistant deans. The Institute commissioned Zettler to redesign its Frank G. Logan Medal. Among his students there was John Weaver. Zettler was tasked with designing the official medals for the Century of Progress World's Fair in 1933.

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Emilia Castillo vintage Mexican modernist sterling silver clip-on earrings . Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Strong springs on clips.

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EMP Vintage Native American sterling and coral jewelry set - Bracelet, ring, earrings . No issues, weight and measurements in pics. Bracelet fits up to a 6.5" wrist. Marked as shown, by an artist once known. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Engraved German Lutz & Weiss 835 silver case. Fantastic case hand engraved with<br>inscription in interior. Likely an important event, important people, who knows<br>as I can't read it? 3 3/8" x 3" with no bends, dents, smooth hinge and clasp,<br>very clean. 72.2 grams.

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Engraved Italian 800 Silver Lipstick Case Vintage Holder w/ Mirror Compact.<br>Great piece, barely used still in the original box from the second quarter of<br>the 20th century. 2 1/16" long, mirror is spring loaded and pops out when the<br>top is pushed up. One flap missing from top of box, general wear to box.<br>trinketdrawer

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Enrique Ledesma Taxco Modernist sterling and onyx pin  No issues, minimal wear.   Weight and measurements in pictures.  

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Erickson Green Controlled Bubble Glass Shrimp cocktail Or Chip and Dip. I'm assuming that's what it's inteneded use was, obviously once it's yours the opportunities are endless. No cracks, chips, or other issues. tw78 Erickson Glassworks Bremen, Ohio 1943-1961 Established by Carl Erickson in Bremen, Ohio (1943-1961) produced world famous handmade art glass. Carl Erickson and his brother Stephen, Swedish immigrants from Reijmre, Sweden, a famous glass center, descended from master glass blowers. Carl learned his trade at Pairpoint Manufacturing Company in New Bedford, Massachusetts where he worked for 20 years. From there in 1932, he went to Libby Glass in Toledo for four years, then a brief stay in Hollywood where he designed the chandelier for Greta Garbo's "Camille". The Blenko Glass Company in Milton, West Virginia hired him as a designer and teacher of apprentices. In 1943 Carl and Stephen Erickson bought a defunct glass factory in Bremen, Ohio. Erickson's glass patents involved what he called a "flame design" . His trademark was the extensive use of controlled bubble design which was incorporated in a heavy glass ball which served as a base for many different pieces. Carl Erickson personally designed most of the pieces manufactured at his glass works. His honors include: U.S. Parks Commission chose him to blow the first piece of glass at "Glass House Point" near Jamestown, Virginia commemorating the first U.S. glass factory The Museum of Modern Art, New York - award for good design Smithsonian Institute of Washington, D.C. commissioned him to duplicate complex old glass fixtures. Old Sturbridge Museum, Sturbridge, Massachusetts - old glass fixtures as above Metropolitan Museum of Art - produced glass pieces Corning Museum of Glass, Corning, New York - produced glass pieces Senate of Ohio - resolution stated "A craftsman who has brought to his community and his state well deserved fame for his singular and rare skill."

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Ernest Bilagody Sr. Navajo Sterling and Royston Turquoise Pendant, Weight:66.9<br>Grams, | 3.75" tall x 2.25" wide.<br><br>Ernest Thomas Bilay (ETB)<br><br>Earnest Thomas Bilay (ETB) was born in Tuba City, Arizona to the Red House Big<br>Water Clan and has been immersed in his trade for the better part of his life.<br>His grandparents are from the Around the House Clan and the Bitter Water Clan.<br>This craftsman was guided by his mother early on and continued those traditions<br>into his adult years. He worked as a silversmith for over 35 years, since the<br>mid 1970’s, until his passing in 2014.<br><br>His mother started him out with buffing the earrings she made. From there she<br>gave him other duties, such as soldering things for her. With this beginning,<br>Ernest started making his own jewelry, and he did not ever look back. He<br>continued those traditions into his adult years.<br><br>Ernest worked out of his own home, and worked for various traders. Along the way<br>he met many other silver and goldsmiths, and he always enjoyed sharing stories<br>about the metals, turquoises and other materials they use.

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Ernest Bilagody Turquoise Mountain Turquoise Pendant. Marked and tested sterling, weight:26.7 Grams, Pendant: 2" x 3", Signed: ETB Sr. Ernest Thomas Bilay (ETB) Earnest Thomas Bilay (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970’s, until his passing in 2014. His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years. Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use.

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Ernest Medina Zia Sterling inlaid shell bolo tie. Extremely high quality item inlaid with turquoise, red coral, and shell. 40" long, other measurements in pics. Hand engraved on the back of the shell by Ernest Medina Zia Pueblo.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ernest Thomas Bilagody Navajo sterling spiderweb turquoise pendant No issues, weight and measurements in pics. Ernest Thomas Bilagody Navajo silversmith Ernest Thomas Bilagody (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970s, until his passing in 2014. His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years. Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use. All precious metals are tested and guaranteed,

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Ernest Thomas Bilagody Sr Navajo Large sterling pendant w/ high grade turquoise. Ernest Thomas Bilagody Navajo silversmith Ernest Thomas Bilagody (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970’s, until his passing in 2014.His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years.Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Ernest Thomas Bilagody Sr Navajo Sterling and Stingray skin belt buckle 3" square, fits a 1.5" belt, appears unworn. 87.5 grams. Ernest Thomas BilagodyNavajo silversmith Ernest Thomas Bilagody (ETB) was born in Tuba City, Arizona to the Red House Big Water Clan and has been immersed in his trade for the better part of his life. His grandparents are from the Around the House Clan and the Bitter Water Clan. This craftsman was guided by his mother early on and continued those traditions into his adult years. He worked as a silversmith for over 35 years, since the mid 1970’s, until his passing in 2014. His mother started him out with buffing the earrings she made. From there she gave him other duties, such as soldering things for her. With this beginning, Ernest started making his own jewelry, and he did not ever look back. He continued those traditions into his adult years. Ernest worked out of his own home, and worked for various traders. Along the way he met many other silver and goldsmiths, and he always enjoyed sharing stories about the metals, turquoises and other materials they use. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ernie Lister Navajo Ingot silver Isleta cross pendant sterling. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. Comes with 28" cloth necklace. Born in 1953. Ernie is now making jewelry in Prescott, AZ. His jewelry is made by the 1920 to 1940 method of navajo silversmithing. He always starts from a silver coin or ingot silver, then he uses charcole and hammer to make his designs.

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Ernie Northrup Hopi Sterling high grade turquoise pendant/necklace. No issues, weight and measurements in pics. 20" necklace, I believe the necklace to be an older Native American made necklace with a replacement clasp. Selling what‘s shown. All solid sterling. Ernie Northrup is a very fine Hopi Jeweler whose pieces are recognized as Hopi Art. Ernie lives in the Kykotsmovi area on the Hopi Reservation in Arizona.

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Estate 14kt yellow gold necklace, double chain necklace, encompassing six pearls, pear shaped smoky quartz pendant, set with a small diamond, clasp stamped 585, approx 18" long, 20.3 grams with no damage or issues. Diamonds, gold and pearls are tested, I believe the pearls are natural, they are 9-10mm.

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Estate collection Vintage Sterling clip on earrings. All guaranteed sterling,<br>two unmarked but tested sterling. 96.6 grams total weight.

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Estate collection Vintage Sterling Pendants. All marked and tested sterling. Largest 2.25" 67.8 grams total.

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Estate collection Vintage Sterling Pendants. All marked an tested sterling. 73.6 grams total weight Tallest is 3 3/8".

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Estate lot Vintage Sterling rings and bracelet. Everything in the pic is<br>sterling marked sterling from various estates. Obviously good looking stuff with<br>no significant issues, all the rings are 7-8.5 except the one with the big clear<br>stone it's adjustable, bracelet is 7.5" Unfortunately I have reached a point to<br>where I'm so backed up I cannot afford to list anything under $100 or so so I'm<br>going to try this. If it doesn't work I'll try something else like taking it to<br>auction. Thanks for your consideration. Total weight 98.8 grams inclusive of all<br>material.

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Etsitty-Tsosie, Eskiesosie (Dine, c.1880-1937) attrib. Silver Squash Blossom Necklace. One nearly identical sold as part of the C.G. Wallace Collection of American Indian Art . (1975: lot 215) Sotheby‘s Park Bernet. Then again Sep 18, 2020 at Cowan‘s for $8750 including BP. That one had the same identical stamps at the bottom of the discs. To me they were obviously both made by the same hand and it‘s very subjective which one is better. 21" long, other measurements in pictures. This is basically the same size/weight as the one previously sold. Etsitty Tsosie was active from 1910-1937 and passed away in 1937. Best known for his beautiful stamp work and repousse pieces. He worked for trader C.G. Wallace for a period of time and was commissioned to produce stamps. He and Hosteen Goodluck worked closely together creating many of the early concho belts and other detailed pieces of jewelry. Several of his pieces were featured in the C.G. Wallace collection. Mentioned in the John Adair 1944 book, Eskiesose (C.G. Wallace‘s questionable spelling) preferred to work without strangers watching him, as he insisted his silver would not melt correctly.

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