商品
Herend Fortuna Triangular Vegetable Bowl Rust Butterflies Chinoiserie Pattern
Herend Fortuna Triangular Vegetable Bowl Rust Butterflies Chinoiserie Pattern 10<br>1/8" x 2" deep, selling one with multiple available all with no cracks, chips,<br>restorations, crazing, wear to gilding, or utensil marks.<br>isshelf
$225.00
Herend Fruits and Flowers Cream Soups and Underplates (6)
Herend Fruits and Flowers Cream Soups and Underplates (6). Selling all 6 cream soups with matching saucers. The underplates are 6.5", cream soups are 4 3/8" wide without handles. These are all in like new unused condition with no cracks, chips, gold wear, utensil marks, or any other defects. All hand painted therefore all unique. TW20
$850.00
Herend Fruits and Flowers Soup Tureen with Huge Platter/Underplate
Herend Fruits and Flowers Soup Tureen with Huge Platter/Underplate. No cracks,<br>chips, restorations, or other issues. The Huge tray does have some surface wear<br>under very close examination from the tureen resting on top. 16 7/8" tray handle<br>to handle. The tureen is 15" x 11" tall with handles, it's 4 qt.<br>TW92
$895.00
Herend Hadik Hussar Porcelain Figure
Herend Hadik Hussar Porcelain Figure. No cracks, chips, or restorations. 9" tall<br><br>Count András Hadik de Futak (Hungarian: gróf futaki Hadik András; German:<br>Andreas Graf Hadik von Futak; Slovak: Andrej Hadík; 16 October 1710 – 12 March<br>1790) was a Hungarian nobleman[1] and Field Marshal[2] of the Habsburg Army. He<br>was Governor of Galicia and Lodomeria from January 1774 to June 1774, and is the<br>father of Karl Joseph Hadik von Futak. He is famous for capturing the Prussian<br>capital Berlin during the Seven Years' War.<br><br>Early life<br>András Hadik, son of a lesser noble family, was born on October 16, 1710, in<br>Csallóköz (then Kingdom of Hungary, now Žitný ostrov in Slovakia) or in<br>Kőszeg,[3] Kingdom of Hungary. He had Hungarian,[4][5][6][7] Luxembourgian[6]<br>and German[6] ancestors. According to another source, he was of Hungarian ethnic<br>origin, but the name "Hadik" is a diminutive from the Slovak appellative had<br>("snake"), the family was thus of Slovak extraction.[8] Contrary to this belief,<br>Hadik himself had no knowledge of the Slovak language.[9] Alternative theories<br>also suggest his Tartar or Cherkess ancestry.[10]<br><br>His father, Mihály Hadik (d. 1733) was a cavalryman. His mother, Franciska Hardy<br>had a German background.[6] András Hadik volunteered for the Ghilányi Hussar<br>regiment when he was 20, and at 22 he was given the rank of officer and became<br>the standard bearer in the Dessewffy Hussar regiment in the Habsburg army. Hadik<br>fought in the War of the Polish Succession (1733–1738) and the Austro-Turkish<br>War, 1737-1739. In 1738 Hadik was promoted to the rank of captain.<br><br>Military successes<br>During the War of the Austrian Succession (1740–1748) he gained fame for his<br>actions against the Prussians at the city of Neisse (Nysa, now Poland) using<br>surprise attacks and tricks under the unwritten laws of the so-called "small<br>war," relying on the excellent training of his light cavalry hussars. During the<br>war he served under Prince Charles Alexander of Lorraine and was promoted to the<br>rank of Lieutenant-Colonel. In 1744 he gained the rank of Commanding Colonel of<br>his own hussar regiment, then near the end of the war in 1747 he attained the<br>rank of General and was appointed commander of a cavalry brigade.<br><br>Early in the Seven Years' War (1756–1763), Hadik executed the most famous hussar<br>action in history: when the Prussian King Frederick was marching south with his<br>powerful armies, the Hungarian general unexpectedly swung his 5,000 force of<br>mostly hussars around the Prussians and took their capital Berlin. The city was<br>spared for a negotiated ransom of 300,000 thalers,[2] which he distributed among<br>his troops. For this feat, Hadik was promoted to the rank of Field Marshal. He<br>was also awarded the Großkreuz of the Maria Theresia Order<br>figshelf
$294.00
Herend Hand Painted Porcelain Bird Figure
Herend Hand Painted Porcelain Bird Figure. 3.75" tall with No cracks, chips,<br>restorations, or paint loss.<br><br>figcab1
$144.00
Herend Market Garden Tea Cup and Saucer
Herend Market Garden Tea Cup and Saucer. Regular sized tea cup and saucer, 5.5" wide saucer all hand painted. No cracks, chips, restorations, or wear. TW255
$145.00
Herend Miniature White spotted Rabbit
Herend Miniature White spotted Rabbit 1" tall x 1 1/8" long with no damage or<br>wear.<br>trinketdrawer
$70.00
Herend Porcelain Madonna and Baby Jesus
Herend Porcelain Madonna and Baby Jesus. No cracks, chips, or restorations, hand painted 7 3/8" tall. isshelf
$215.00
Herend Queen Victoria Woven Reticulated bowl
Herend Queen Victoria Woven Reticulated bowl. 7.25" square, hand painted with<br>handmade border. No cracks, chips, or restorations.<br>TW5
$150.00
Hermann Sontag (1873-1944) Antique Berlin Porcelain Plaque hand painted woman
Hermann Sontag (1873-1944) Antique Porcelain Plaque hand painted woman. 10 3/8" x 8 3/8" framed x 6 3/8" x 4.25" plaque. No damage to plaque or frame.
$895.00
Heubach Dutch Boy and Girl Porcelain Figures 19th century 7.5" x 4.5"
Heubach Dutch Boy and Girl Porcelain Figures 19th century 7.5" x 4.5" No cracks,<br>chips, or repairs. Late 19th century.
$144.00
Heubach Piano Baby Ballerina figurines Victorian Bisque 13" Tall c.1890
Both signed Heubach, they measure 13" tall x 8" wide. The green dress one has a<br>very small chip on her dress at the top right close to her hand and one more on<br>the base left corner, also a factory firing flaw below the mark, no other damage<br>whatsoever. The one with the pink dress has a very small chip below the mark on<br>the base with no other damage whatsoever. They're both guaranteed Victorian<br>c.1890. They were together in the estate so I'd like to keep them together, but<br>if you're only interested in one I'd consider an offer.
$404.00
High Grade Carico Lake Turquoise Heavy stamped repousse sterling bracelet by Nav
Kyle Lee-Anderson Carico Lake Turquoise Heavy stamped repousse sterling<br>bracelet. Absolutely amazing piece of workmanship and stone, heavy 10 gauge<br>sterling silver heavily worked with precision with the finest natural high grade<br>Carico Lake turquoise stone. Fits up to a 6.75" wrist, 1" gap, 1 7/8" wide in<br>center 150.5 grams. The stone is 30mm (1 3/16" tall x 22mm 1 1/16" wide at<br>widest point.<br><br>Kyle Lee-Anderson (twin brother of Trent Lee-Anderson) was born in Gallup, New<br>Mexico on January 12, 1993. At a young age Kyle along with his brothers Trent<br>and Wyatt began working on jewelry with their father Allison (Snowhawk) Lee, a<br>talented well-known silversmith.<br><br>On Kyle’s mothers side, his great grandfather and great grandmother worked on<br>jewelry, passing along techniques through the generations – making him and his<br>brothers 4th generation silversmiths. Kyle has become skilled at making Navajo<br>pearls and fluted design beadwork from single strand necklaces to traditional<br>squash blossoms. He has been perfecting other types of jewelry like pendants,<br>earrings, and bolo ties. Kyle likes to use natural turquoise like Number Eight,<br>Morenci, Egyptian, Blue Gem, Kingman, and Carico Lake in his work.<br><br>Kyle’s inspirations come from his role models that include: Charles Loloma,<br>Raymond & Lee Yazzie, Vernon Haskie, Ira & Gary Custer, Aaron Anderson, Jennifer<br>Curtis, Ray Tracey, Herbert Taylor, Kenneth Johnson and Cody Sanderson. Kyle’s<br>hobbies include skateboarding, hiking, fishing, and playing the piano.<br><br>The Carico Lake Turquoise is located South of Battle Mountain in Lander County,<br>Nevada USA. This Turquoise Mine produces Turquoise in multiple shades of blues<br>to beautiful greens. Carico Lake Turquoise has become very popular and highly<br>collectible in recent years for its beautiful shades of a spring colored lime<br>green running through a sea of light sky blue with golden brown spiderweb<br>matrix.<br><br>The Carico Lake Turquoise Mine produces beautiful blue Turquoise but is most<br>known for its spectacular shades of lime green colored gemstones. This fabulous<br>lime green coloration is actually caused by a close relative of Turquoise<br>mineral called faustite, the combination of faustite and zinc associated with<br>the Turquoise creates one of the most beautiful coloration effects in American<br>Turquoise that has ever occurred in nature. The Carico Lake Turquoise Mine also<br>produces very rare psuedomorph clams that have been fossilized with Turquoise -<br>this Turquoise is very rare and very expensive.<br><br>The Carico Lake Turquoise Mine got its name from its unique location, in ancient<br>years there was a lake that has since dried, hence "Carico Lake." Mining is very<br>limited these days which makes the supply of this material limited. Due to the<br>great demand for Carico Lake Turquoise, it has become one of the most valuable<br>types of American Turquoise and the investment value of this Turquoise is great.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$3,450.00
High Quality Signed Edo Period Japanese Imari Charger
High Quality Signed Edo Period Japanese Imari Charger 15 3/8" wide with no cracks, chips, or restorations. Interesting what I assume to be artists signature on reverse side. I believe this to Edo 18th/early 19th century Edo period piece.
$895.00
High quality Vintage Asian Style Incised Celadon Studio pottery bottle form vase
High quality Vintage Asian Style Incised Celadon Studio pottery bottle form vase 5 5/8" tall with 1" interior opening of mouth, 4.5" wide. No cracks, chips, or restorations. At the moment I'm unfamiliar with the artisan but in my opinion the quality is top notch. isshelf
$155.00
HOB メキシカンシルバークロス マザーオブパール付き
HOB メキシカン シルバー クロス、マザー オブ パール。 21 グラム 2.75 インチ x 3 3/8 インチ、問題ありません。マークとテスト済みのスターリング。センターストーンが何であるかはわかりませんが、ガラスではなく美しいです。
$80.00
Hobe Vintage Costume Jewelry Clip on Earrings 4 pairs
Hobe Vintage Costume Jewelry Clip on Earrings 4 pairs. Selling all four really well made and gorgeous with no significant issues. 2 pairs have minor oxidation on the back only, one earring appears to maybe have been repaired at one point, see solder on back only.
$195.00
Holmegaard Selandia Per Lutken 1961 Period Mcm centerpiece bowls
Holmegaard Selandia Per Lutken 1961 Period Mcm centerpiece bowls. Selling both of these bowls largest 12.5" wide, neither with any cracks, chips, or surface scratches. isshelf
$215.00
Honoris Custos WW2 189th Field Artillery Regiment Enamel Pin 45th infantry divis
Honoris Custos WW2 189th Field Artillery Regiment Enamel Pin 1.25" tall
$40.00
Hopi Mary Hoyee Walpi Village figural bowl
Hopi M.Hoyee Walpi Village figural bowl. Nice older piece from the 60's or 70's. 4.75" x 3 1/8" with no damage, minor expected wear.
$145.00
Hopi Overlay Mediterranean coral bib necklace in sterling
Hopi Overlay Mediterranean coral bib necklace in sterling. Hallmarked as shown, I don't recognize the hallmark. High quality workmanship and design. Approx 24" with chain and curve of bar. No issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.
$895.00
Hopi Overlay Sterling Silver Necklace
Hopi Overlay Sterling Silver Necklace 22" long, 2" wide bottom pendant, 97 grams, no damage or significant wear. Unidentified picto hallmark, marked and tested sterling.
$725.00
Hopi Sterling silver Overlay rams head bolo tie
Hopi Sterling silver Overlay rams head bolo tie. Tips and bolo are solid sterling silver in a hand engraved style called overlay. 2 1/8" wide bolo. Picto hallmark and sterling mark on back, clean condition and functional 41 grams
$265.00
Hopi Sterling silver overlay style cuff bracelet with turquoise
Hopi Sterling silver overlay style cuff bracelet with turquoise No damage or significant wear. Fits up to a 6.5" wrist, 1.25" gap 29.6 grams. [Overlay] The technique called overlay is a technique that cuts out the design drawn on the silver plate and pastes it on the underlying silver to create a three-dimensional pattern. Works combined with stampwork and cutting can also be seen, and beautiful Hopi jewelry using overlay techniques that have been improved to perfection has left many masterpieces up to the present day. In the 1930s, Hopi writer [Paul Saufkie] Paul Sufuki (1904-1998) created the technology, in the 40s to 50s [Harry Sakyesva] Harry Sakiyesva (1922-1969?) and writers of the same age [ Allen Pooyouma (1922-2014), Victor Coochwytewa (1922-2011), etc., established it as one of the representative styles of Hopi. This work was produced in the maturing period of overlay technology, and boasts a high degree of perfection along with the taste of handmade due to the intricate cutting that reflects the artist's feelings.
$185.00
Hopicrafts Tony Kyasyousie Hopi Overlay Sterling belt buckle
Hopicrafts Tony Kyasyousie Hopi Overlay Sterling belt buckle 3 9/16" x 2.25" x 92.5 grams, fits up to a 1.75" belt. Tested sterling. Old buckle probably about 50 years old, worn and loved with a nice natural patina. Could be polished of course, has a lot of character like this. An extensive machine polishing would remove all the scratches but can't be undone so I'm selling it like this.Tony Kyasyousie, Hopi Pueblo, Greasewood Clan, active ca. 1969-93; silver overlay jewelry. Tony lived at Hotevilla, Third Mesa, Az. Tony Kyasyousie is the son of Elena Nutymya and Ronspie Kyasyousie; bother of Archief Kyasyousie, Raymond Kyasyousie. Tony learn his craft from Hopi crafts. Stamped with hallmark - TK and rabbit stick.. His beautiful clean designs show his exceptional talent. He learned at Hopi Craft and worked there. His work is found in many publications and he has won awards for his beautiful jewelry. Hallmarked with his initials and Hopicraft.
$645.00
Horace Iule Zuni (1901-1978) ladies silver, turquoise, and coral watch tips
Horace Iule Zuni (1901-1978) ladies silver, turquoise, and coral watch tips. 9mm lugs on end of tips to go in watch, watch doesn't work, stretchy band is flexible about 1"Zuni Pueblo artist Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing. Horace Iule (1901-1978) Aiule was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo. Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration
$195.00
Horace Iule Zuni (1901-1978) Large silver and turquoise cross
Horace Iule Zuni (1901-1978) Large silver and turquoise cross 3 1/8" x 2.25" with bail. .25" old style bail that can be opened and made larger or reduced. Circa mid 20th century. <br><br>Zuni Pueblo artist Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing.<br><br>Horace Iule (1901-1978) Aiule was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo.<br><br>Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.
$695.00
Horace Iule Zuni (1901-1978) Large silver and turquoise cross w/Necklace
Horace Iule Zuni (1901-1978) Large silver and turquoise cross w/Necklace. Circa mid 20th century. Weight and measurements in pics. 24" necklace Zuni Pueblo artist Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing.<br><br>Horace Iule (1901-1978) Aiule was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo.<br><br>Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.
$750.00
Horse Racing Fox Stevengraph Pure Silk Woven Picture "The Meet" Thomas S
Frame is 8.75" x 6", sight is 2" x 6" original frame. Stevengraph is in great condition, original frame shows some wear. The Fascinating World of Stevengraphs. By Bill Poese. THE FASCINATING silk pictures that we know today as Stevengraphs actually had their origin in a depression in England's far flung textile industry, and Richard Cobden, a 19th century English economist and statesman, may claim some of the credit. In 1860, the so-called Cobden Treaty, a free-trade treaty negotiated by Cobden and removing England's protective tariff on silks, brocades and ribbons, among other things, took effect. Its impact upon Coventry, where English ribbon weaving had been concentrated for 150 years, was devastating. Forty five per cent of Coventry's population earned their livelihood from ribbon weaving. Looms were destroyed, and during a two-year period 9,000 persons emigrated to foreign countries in search of employment. But there was one man who was resourceful enough to overcome the blow sufficiently to provide for his own family, the weavers in his employ, and, in a small way, to bolster the economy of Coventry. This man was Thomas Stevens, born in 1828 in the outlying district of Foleshill. As a boy, Thomas Stevens had learned the ribbon weaver's trade at the firm of Pears and Franklin in Upper Well Street, Coventry, and in 1854 he set up his own business in Queen Street. He had learned all the aspects of his trade well and the jacquard loom was of particular interest to him. This loom was a French invention of about 1790 of Joseph Jacquard that had been introduced into England in 1820, and its excellence was recognized quickly, so that by 1838 as many as 2,200 jacquard looms were thumping in Coventry. The principle of the jacquard loom is based upon the fact that mechanically-operated devices controlled loops and pulleys to weave patterns in textiles. Thomas Stevens improved, adapted, and refined the loom by a series of inventions so that he could produce silk pieces that have exquisite detail with what seems to be a three-dimensional effect. He produced pictures, musical notes, lettering and portraits of amazing beauty. The first step in producing Stevengraph works was an artist's drawing on squared paper. These designs were originals, copies of portraits, copies of prints, and often of texts in the manner of illuminated manuscripts. The Victorian love of covering the entire surface of the piece is often in evidence in these pieces. The squared paper pictures look like designs for cross-stitch embroidery work. Large cards were made that carried out the artist's picture and a separate card was made and per- forated for each color in every single woven line of the picture. The cards were put into an endless chain arrangement and placed in the Jacquard loom to regulate the operation of the warp threads. Every time the shuttle carrying the weft was placed across the loom, a different card calling for a variation in the warp threads and consequently in the pattern was brought into use. Many pieces used ten to 12 colors. After the entire pattern was completed, a space was provided and the pattern began to repeat itself. In this way, the weaver produced spools of beautifully woven picture ribbons that were later cut apart at the separating areas. Because of the work involved in placing the cards in the loom, many picture ribbons were woven before a change was made and a different set of cards was used. One 13-inch-long bookmarker that Stevens produced required 5,500 perforated cards. Thomas Stevens was not the only Coventry weaver who was able to survive the depression by weaving pictorial ribbons nor was he the first to produce pictures on the Jacquard loom. As early as 1801 in Lyons, black-and-white portraits had amazed people. In 1855, James Hart wove silk pictures depicting Queen Victoria and Napoleon 111, and in 1858 John Caldicott wove a ribbon with a portrait of Edward Ellice, who was the Member of Parliament from Coventry. But the best known of the jacquard picture weavers was Thomas Stevens. It is he who stands out above the others and it is he who invented the term "Stevengraph." By 1862, Stevens had produced nine bookmarkers of different designs. During 1862 he registered four new patterns: "Unchanging Love," "I wish you a Merry Christmas," "Thanksgiving," and "Thy Bridal Day." During this same year he pro- duced a few larger pieces that were desirable for framing, but he evidently changed his mind about the pictures because he produced no more of them during the next 16 years, confining himself, instead, to producing his popular bookmarkers. Just who made the first Stevengraph-type bookmarker is a matter of considerable dispute and the contenders for the honor are John Caldicott, John Ratliff, and perhaps Thomas Stevens. Among Stevens's contemporaries who did the same sort of jacquard picture weaving were, in addition to those just named, the brothers John and Joseph Cash, and Dalton and Barton. In 1863, the royal marriage of the Prince and Princess of Wales, and in 1864, the tercentenary of Shakespeare's birth gave the weavers ample subject matter to satisfy the demands of a souvenir-hungry nation. Strangely enough, at this time Stevens's competition dropped out of the race and left him a clear field for a period of time to produce his bookmarkers and allied items. By the late 1880s he had produced more than 900 items and among them are sachets, birthday verses, Christmas and New Year greetings, calendars, fans, valentines, ladies' neckties and sashes, emblematic sashes for fraternal orders, pictures suitable for framing, and of course, the always popular bookmarkers, many with tassel-tipped ends. They vary in size from 1 1/4 by 4 inches to 7 1/2 by 13 inches for the mounted pictures and his various items sold for as low as 5 cents, to as much as $14 for a sash. Stevengraphs were given as premiums to people who subscribed to The Ladies Floral Cabinet in 1877. Competition developed in the 1870s by Bolland and Welch and Lenton, who copied his bookmarkers, and in the 1880s by W. H. Grant, who imitated his mounted pictures. Stevens became the father or seven children. In 1878 he moved to London to supervise his expanding business. By this time he had sales agencies in New York City, Cincinnati, Leipzig, Glasgow, Dublin, and Londonderry, in addition to London. To stimulate sales at the expositions that were popular during the period of his greatest activity he sent weavers with his version of the jacquard loom to many of them. There, people could watch a piece being woven, buy it and take it home as a souvenir of the fair. Among the places he or his sons did this were the Philadelphia Centennial Exposition, 1876; York Exposition, 1879; Edinburgh, 1886; Manchester, 1887; Cincinnati 1888; London, 1890; Chicago, 1893; St. Louis, 1904; and Paris, Antwerp, Liverpool, Bristol, Boston, Brussels, and Paris. After winning more than 30 medals and diplomas, Thomas Stevens died on October 24, 1888, in London and was buried in the family plot in Coventry. Two of his sons, Thomas and Inger, who, before his death managed the Coventry plant, con- tinued the business. Thomas Stevens had established pleasant working conditions in an industry that was noted for poor conditions. His plant had adequate lighting, ventilation, a pleasant dining area, and it was sanitary. The heavy German ings of Coventry in 1940 leveled his buildings and his business, but he lives on in the appreciation of hundreds of antique collectors who specialize in Stevengraphs, including 175 active members of the Stevengraph Collectors' Association with its headquarters at Irvington-on-Hudson, N.Y., and members in England, Canada, Scotland, Austrialia, South Africa, and New Zealand as well as the United States. The highest price paid at auction for a Stevengraph was $1,560 in April, 1972, in London. The article was a mint example of L' Immaculee Conception and is extremely rare. Many examples of Stevens's work, however, are offered for modest prices that are within the price range of many collectors. Individuals are concerned with authenticating items in their collections as being made by Stevens and also with dating them. Both of these matters present difficulties. A pattern could be set up on the cards in 1865, and many times years later the same cards could be used again to produce identical items. There was no limited edition with the mold or etching plate being destroyed. Certain items can be dated by the events they portray and the dates they bear as the one for the Philadelphia Centennial Exposition of 1876. Some can be dated by the number of awards that are noted on the paper backing on some pieces. Many, of course, are signed in the weaving. A diamond-shaped registry mark like that on pottery dates many since this device was used from 1842 to 1883. Thomas Stevens was a businessman who produced a salable luxury or souvenir product. If the subject matter was attractive and the sentiment appealed, people would buy them for themselves or as a little gift for a friend. As a result, he and his successors' designs reflect Victorian tastes that were, in many cases, universal tastes at the time. Among the portraits are those of Queen Victoria, Shakespeare, King Edward VII, John L. Sullivan, Robert Burns, "Buffalo Bill" Cody, Prince Otto von Bismark, and President and Mrs. Cleveland. Under the general heading of views we find many English castles such as Balmoral, Kenilworth, Warwick, and Windsor. Other views include the Crystal Palace, Houses of Parliament, Tower of London and the Tower Bridge, and the Centennial Exposition of Ohio Valley and Central States, Cincinnati, 1888. Historical pictures include Columbus Leaving Spain, Landing of Columbus, Declaration of Independence, and the Death of Nelson. Classical and legendary subject matter can be found in those weavings that depict Peeping Tom, Leda, The Lady Godiva Procession, and Bath of Psyche. Certain items display the sentimentality of Victorians as God Speed the Plough, Good Old Days, Called to the Rescue, Grace Darling, and For Life or Death. Many battleships and trains are pictured and so are many sporting events. Among the latter are depictions of Spanish bull, horse racing, fox , cricket, bicycle racing, tennis, and baseball. Thomas Stevens was a highly skilled master of a delicate craft that resulted in articles that will be held in high esteem as long as their silken fibers hold together. Tw61
$175.00
Hotel El Paso Del Norte Childrens Doll Vanity Mirror
Hotel El Paso Del Norte Childrens Doll Vanity Mirror. 4" x 2" with a few dents,<br>mirror is in good condition. Likely from the first quarter of the 20th century.<br>TW168
$55.00
House of Representatives Balloon wine Goblet Magnum Fostoria Wilma Stem (multipl
House of Representatives Balloon wine Goblet Magnum Fostoria Wilma Stem. 7 1/8"<br>tall x 3.5" wide at rim. Selling one with multiple available all with no cracks,<br>chips, scratches, or discoloration.
$49.00
Houston Texas Oil well tools watch fobs Reed roller bit(sterling) and Hughes tri
Houston Texas Oil well tools watch fobs Reed roller bit(sterling) and Hughes tri<br>cone rock bit. Selling both the watch fobs shown, the Reed roller bit being<br>sterling silver and quite rare. Neither are common in any sense of the word.
$365.00
Howlite, Red Jasper, and Sterling Earrings
Howlite, Red Jasper, and Sterling Earrings.. Unmarked, tested sterling. 2.5" long 21 grams with no damage.
$65.00
HT Native American sterling and turquoise pendant
HT Native American sterling and turquoise pendant. No issues, weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$85.00
Huge 14.75" Antique Japanese Meiji Period Imari centerpiece bowl
Huge 14.75" Antique Japanese Meiji Period Imari centerpiece bowl 14.75" wide x<br>4.25" deep, a very significant piece of approximately 130-160 year old Japanese<br>Imari hand painted porcelain with no damage or restorations. Expected wear to<br>gilding on rim, other gold clean. Signed as shown, top notch piece. From a very<br>fine estate collection. Some of the pieces in this collection were previously in<br>Museum collections hence the acquisition number on base. That is over glaze and<br>will easily come off with alcohol, I can remove before shipping if requested.
$995.00
Huge 17" 1930's WMF Ikora Art Glass Centerpiece
17" 1930's WMF Ikora Glass Centerpiece Massive Bowl Art Deco Spider Web Red and<br>Yellow 11.5 pounds 4" tall. It's unmarked, originally bore a paper label.<br>Guaranteed c.1930-1950 WMF Ikora. Pretty much speaks for itself. No cracks or<br>chips. No scratches on upper surface, expected wear to base that rests on table.<br>Developed by Karl Wiedmann and manufactured by the Württembergische<br>Metallwarenfabrik (WMF) company in Germany. I have another one of these listed<br>separately slightly larger in the same colors.
$595.00
Huge 18" 1930's WMF Ikora Glass Centerpiece
These are usually 12", maybe 14", this one measures 17 7/8" wide x 4" tall. It's unmarked, originally bore a paper label. Guaranteed c.1930-1950 WMF Ikora. Pretty much speaks for itself. No cracks or chips. No scratches on upper surface, but it does have wear on base and a few scuffs right next to the base. Developed by Karl Wiedmann and manufactured by the Württembergische Metallwarenfabrik (WMF) company in Germany.
$750.00
Huge 1943 Tlaquepaque Vase Souvenir of Santa Fe New Mexico
Huge 1943 Tlaquepaque Vase Souvenir of Santa Fe New Mexico. Great piece of<br>1940's Mexican Folk/Art pottery. Two very shallow chips on foot, no other<br>cracks, chips, or restorations. Very substantial 12.5" tall
$325.00
Huge 1977 Gist Sterling hand engraved Rubies/Gold filled trophy belt buckle
Huge 1977 Gist Sterling hand engraved Rubies/Gold filled trophy belt buckle, great with no issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$795.00
Huge 19th century treacle glazed teapot with eagle
Huge 19th century brown glazed teapot with eagle 12" tall x 15" handle to spout,<br>a few tiny glaze flakes at the slot on the lid to keep it secured, real chips,<br>no cracks, no restorations. Built in strainer, this is a very big teapot<br>guaranteed from the last half of the 19th century.
$395.00
HUGE 499 gram Vintage Navajo Sterling and Turquoise Squash Blossom Necklace
HUGE Vintage Navajo Sterling and Turquoise Squash Blossom Necklace. 32" long<br>necklace, 5" x 5.25" Naja, incredible circa mid 20th century unmarked (tested)<br>sterling squash blossom necklace loaded with natural turquoise. Very cool, one<br>of a kind squash blossom that you won't have to worry about your neighbor or<br>co-worker showing up wearing the same one. Weighs 499 Grams of all sterling<br>silver and turquoise.
$3,650.00
Huge 6 5/8" 306ct Vintage Navajo Silver and Turquoise bracelet
Huge 6 5/8" 306ct Vintage Navajo Silver and Turquoise bracelet. Amazing vintage large and heavy bracelet with no issues. Stone is amazing as shown. The only detectable marking is 306 cts on the reverse side. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.
$2,450.00
Huge 7.25" Robert and Bernice Leekya Sterling/turquoise cuff bracelet
Huge 7.25" Zuni Robert and Bernice Leekya Sterling/turquoise cuff bracelet. No<br>damage, very high quality natural turquoise.<br><br>Robert Leekya (Zuni Pueblo, 1934-2019) and Bernice Leekya (Zuni Pueblo,<br>b.1930s), central plaque with radiating clusters of turquoise, Measures 3 5/8"<br>wide in the center at the widest point, interior: (end to end) approx 5 7/8"l,<br>gap: approx 1 3/8"w, 183.3 grams<br><br>Husband and wife, Robert and Bernice Leekya were born during the 1930’s. Leekya<br>Deyuse was Robert’s father, while Bernice’s parents were Warren and Doris<br>Ondelacy. Bernice’s sister was the renowned Zuni artist, Alice Quam. They began<br>making jewelry together in 1953, the year they were married. Robert and Bernice<br>share their RLB stamp.
$2,904.00
Huge Aaron Toadlena Sterling Turquoise and Coral pendant necklace
Huge Aaron Toadlena Sterling Turquoise and Coral pendant necklace. 4" pendant, 27.5" necklace, 164.5 grams. No damage. Master silversmith Aaron Toadlena is an award winning artist and has been featured in numerous publications including Oprah magazine. He is well known for his quality work, most notably his bracelets. He stamps with a hand print, the symbol if the Five Finger Clan, of which he is a member.
$1,500.00
Huge Antique Bronze Silver Overlay Bronze Horseshoe Form buckle
Huge Antique Bronze Silver Overlay Bronze Horseshoe Form buckle. Not really sure<br>what to think of this other than it's extremely old and either worn by a giant<br>or something to do with a horse. It's solid bronze with a high content silver<br>overlay, the one smaller loop to the side is steel. I'm assuming this is<br>Southwestern, likely Texas/Mexico. I think it's 18th/19th century, maybe older.<br>Really never have seen anything quite like it. 4 7/8" x 4.75" and very heavy.<br>isshelf
$484.00
Huge Antique Chinese Porcelain Box Double Happiness
Huge Antique Chinese Porcelain Wedding Box Double Happiness. Large 19th century box with no damage or restorations. 9" wide x 5" tall.
$645.00
Huge antique Chinese silver enamel rose quartz bracelet
Huge antique Chinese silver enamel rose quartz bracelet. Fantastic Chinese filigree silver bracelet from the early 20th century. It XRF's at 96.2% silver ,1.2% gold, 1.7% copper, and .9% zinc. Very good condition for such a large, old, and somewhat fragile bracelet. Enamel loss in two places, center of one side, and top side of other side accompanied by a shallow dent. No other issues, looks great on the wrist.
$750.00
Huge Antique Copper Kerosene Ships lantern with glass lens
Huge Antique Copper Kerosene Ships lantern with glass lens. Late 19th to early<br>20th century lantern, Fully functional with British make burner in working<br>condition with no holes in oil reservoir. 23" tall without handle x 14" wide x<br>11.5" deep.
$795.00
Huge Antique Deruta Umbrella Stand/Floor Vase with Unusual Incised Decoration
Huge Antique Deruta Umbrella Stand/Floor Vase with Unusual Incised Decoration.<br>One very small chip on footrim, nothing. No other chips, no cracks, no<br>restorations.
$695.00
Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase
Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102
$1,250.00
Huge Antique Miners Presentation Pocket Watch 50mm works 70mm case 58mm dial
Huge Antique Miners Presentation Pocket Watch 50mm works 70mm case 58mm dial in<br>vintage customized art glass desk caddy. This is an amazing very big watch, The<br>works measure 2" or 50mm, this would be a 23 size if there were such a thing<br>which I don't think there is. Also it is in an extra large case. I believe the<br>watch to be from the last quarter of the 19th century, the holder was likely<br>made later and the watch was likely offered as a presentation gift in the holder<br>at a later date. WTG could stand for West Texas Gas or West Texas Gulf, maybe.<br>The desk caddy is extremally heavy and 4" tall. The watch works and appears to<br>keep good time, it has minor damage to the porcelain dial at the base of the<br>dial. The case is French marked Depose, works are Swiss with no other<br>identifying marks.
$1,195.00
巨大なアンティーク サントス 木彫りのクレシェの赤子イエス フィギュア 19 世紀
巨大なアンティーク サントス 木彫りクレシェ ベビー イエス フィギュア 19 世紀 高さ 24.5 インチ x 手から手まで 16.5 インチ。こちらは等身大より大きいです。おそらく遠くから見た非常に大きなディスプレイからのものだと思います。初期のアンティーク手彫り、ガラスの目、本物の毛まつげを保証します。19 世紀から 20 世紀初頭 (100 年以上前) の作品です。木材に破損はありませんが、いくつかの場所にペイントに100％一致していない古いタッチアップスポットがありますが、見た目はまだ素晴らしいです。これくらい古いものは指が折れたりするのが一般的ですが、これはとても大きくて指も太いので簡単には壊れません。非常に珍しい、唯一無二のアイテムです。
$2,750.00
Huge Art Nouveau Repousse Sterling Tulip brooch with rhinestones
Huge Art Nouveau Sterling Tulip brooch with rhinestones. Nice large brooch from<br>the first half of the 20th century. 20 grams, 3 3/8" tall x 2.5" wide
$90.00
Huge Ashley Navajo sterling turquoise, and coral pendant
Huge Ashley Navajo sterling turquoise, and coral pendant. Very substantial and well made piece. There are several Ashley Navajo silversmiths, most related I believe. I don't have time to find out which one this is. No issues. Measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$895.00
Huge Beastly Native American Sterling turquoise/coral pendant/necklace
Huge Beastly Native American Sterling turquoise/coral pendant/necklace. Nice old piece, illegible artists signature on back, tested sterling with no sterling marks. Chain is super heavy solid chain with no clasp, everything looks custom made together, likely they've been together for the past 50 years or so. Chain graduates to smaller links on top. 206.4 grams total weight, chain and pendant are sterling silver. Looks like it was worn by a hardcore biker or possibly a super hardcore non-biker in the 70's. 30" long chain.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.
$685.00
Huge Beatrice Kee Navajo sterling belt buckle
Huge Beatrice Kee Navajo sterling belt buckle. Fits a 1.5" beltMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.
$435.00
Huge c.1890 Wavecrest Jardiniere
Huge c.1890 Wavecrest Jardiniere. 11" wide x 8" tall with no cracks, chips, or<br>restorations. It has some residue of museum putty on base because it came from a<br>California collection, I guess for earthquakes. I'll remove it before shipping<br>just didn't have time while taking pics since it's big and heavy and really need<br>to mess with it in a safer location.<br>isshelf
$425.00
巨大な c1860 アンティーク中国のファミーユ ローズ メダリオン洗面器ボウル 15.75 インチ x 深さ 5.75 インチ
アンティーク中国製ファミーユローズメダリオン洗面器ボウル 深さ15.75インチ x 5.75インチ。外側には 1 つのカラスフットが見えますが、内側には実際には見えません。非常に安定しています。ひび割れ、欠け、修復物はありません。リムの金メッキの磨耗が予想されます。写真に示されているように、エナメルに軽度の摩耗があります。怪物的な作品、一般的ではありません。
$1,350.00
Huge c1880 Lobmeyr Bohemian Goblet
Huge c1880 Lobmeyr Bohemian Goblet. 10.5" tall x 6" wide, very large piece of hand painted artist signed art glass of the highest quality. No cracks, chips, or restorations, slight roughness on the ground base. isshelf
$650.00
Huge c1900 Meiji Period Hand Painted Japanese bowl
Huge c1900 Meiji Period Hand Painted Japanese bowl. Great piece from the 1890's to about 1910 at the latest. 16" wide x 3.5" deep with no cracks, chips, or restorations, expected wear to gilding on rim. Exremely rare to find a piece like this with the original label as in the late 20th century many would have removed this label and presented this as a mid 19th century piece. Personally I don't think it matters whether this is 1860 or 1900, it's the same piece and definitely a handmade antique that would cost much more than I'm asking for it to make today with all this hand painted work involved. I think it's nice to be able to put a definite date on it rather than guessing. isshelf
$425.00
