Antonio Pineda (1919-2009) Taxco articulating silver and amethyst pin/earrings, measurements in pics. Amazing set, the pin is hinged in the center of each rod, so they wiggle all over the place, very sturdy and well made.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Hammered silver pin and earrings set. All pieces hand hammered and seem a perfect match. Earring don't have a Pineda hallmark but the Mexico and Sterling stamps look the same. Measurements and weight in pics.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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James Avery Descending Dove earrings and Celtic knot lapel pin/tie tac in sterling. Earrings 1" tall, pin .75" wide. Selling both for one price.anderasJames Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Suarti 18k/Sterling Balinese Hoop dangle earrings 2.25" long with dangles x 1 7/16" wide, no issues. anderas

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2pr Vintage Native American silver and turquoise earrings. Selling both pairs, the squash blossom pair are really nice, likely came from an old mid 20th century squash blossom. Both sterling unmarked. 1.75" -2" tall. All precious metals are tested and guaranteed,

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Suarti/Samuel Benham 18k/Sterling Balinese bracelet and earrings set. Assembled set from two different brands, look good together. Bracelet 15mm wide, 7.5" long, earrings 1.25" tall. anderas

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Vintage Karl Lagerfeld Gold-tone and Faux Mabe pearl clip-on earrings, 1 1/8" wide with little wear. A few slight scratches to Faux pearls, no wear to gold. Guaranteed authentic, strong springs on clips. Very high quality. 15 grams each.

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Vintage Zuni Sterling turquoise, and coral clip-on earrings. Strong springs on<br>clips, no issues.. Weight and measurements in pics.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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13pr Retro southwestern sterling silver earrings 30mm (1.3") vintage American<br>half dollar shown in second pic for scale. Second from the left Alpaca, the rest<br>are sterling, all vintage/retro estate fresh earrings. Some Native American,<br>some signed by artisan. 95.8 grams total.<br><br>Sorry I cannot try any of these on and take pictures of me wearing them standing<br>on my head, jumping through hoops, or separate the lot, there just isn't any<br>time.

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14k/sterling modernist southwestern earrings 1 1/8" tall, amazing quality, unsure of artisan. 6.4 grams. All precious metals are tested and guaranteed,

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Large Retro southwestern sterling channel inlay stone Clip-on earrings. Tested sterling with no apparent markings. 1 5/8" x 1.25" x 20.1 grams total, strong springs on clips with no issues. <br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Felicita Eustace, Cochiti (1927-2016) Carved turquoise silver clip on earrings 1" tall x 7/8" wide, strong springs on clips, no issues, 8.6 grams. Felicita was a potter and silversmith.<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make traditional pottery and storytellers from her parents. After her marriage during the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught her some basics of jewelry-making. She sold her first ring to legendary Zuni trader C.G. Wallace. Over the years she become and accomplished jeweler in her own right, while developing a large following for her pottery and storytellers. “There are always more orders for my claywork than there’s time to do them,” she said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of their art. Felicita still makes her storytellers the traditional way. Her jewelry features an old family design copyrighted in the early 1960s: a domed, natural leave motif in sterling silver alongside a carved, bezeled and polished turquoise stone. Felicita and Ben have passed their respect for quality on to their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to do jewelry at all, we would have to do it their way, the right way. It wasn’t the designs they were talking about, it was the technical aspects of our work: setting stones, welds, engravings and so on. They were the ones who would be selling these items for us, so they would make sure that a certain standard of quality was being met.”<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ann King 18k/Sterling dangle earrings. 18k accents and posts, earrings have no backs, no other issues. 1.5" tall x 5/8" wide. 10.7 grams total.

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Collection of southwestern and Native American sterling earrings. Selling all the earrings shown, small to med sized ladies hand with 6" wrist for scale. All sterling.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Vintage Native American Sterling Channel inlay overlay style earrings, no issues. <br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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sz8 Art Tafoya Yaqui Reverse Carved Amber Ring, Earrings, and scarf slide/pendant Sterling. Absolutely Amazing, reverse carved set in natural amber, great one of kind works of wearable art. Ring is size 8, everything is large and great. Tape measure and penny for scale.<br><br>Few silversmiths match the power and artistry of Art Tafoya. He specializes in silver. Hammered silver. The old way. Art Tafoya carries on that tradition of the early masters, for he makes his own stamps and dies. Art’s clear and crisp stamp work speaks of skill and talent born of that tradition. Thick silver, hammered like leather, only deeper, brisk, clear and lovely.<br><br>Art Tafoya, silversmith and artist, learned the basics of silversmithing at the age to twelve from a blacksmith at a riding stable near his home. Later he learned the art of making handmade stamps and dies from Carlos White Eagle, a former student of the legendary Navajo silversmith Fred Peshlakai. Art has made an exhaustive study of Fred Peshlakai’s stamps and is an expert at identifying even unsigned work by this master. All of Art’s stamps and dies are his own creations. He specializes in hand stamped old-style jewelry reminiscent of Peshlakai’s, but definitely all of his own.<br><br>His original jewelry is highly sought after by collectors worldwide. He was a silversmith in residence at The Turquoise Shop at Knotts Berry Farm in California for twenty-five years before relocating to New Mexico. His work may be found in the permanent collection of the Albuquerque Museum, the Grove Encyclopedia of American Art and his work is included in the book Navajo Silversmith Fred Peshlakai, His Life and Art.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Large Zuni sterling carved frog fetish clip-on earrings 3" long, these weight 68.4 grams total. To be honest I tried them on my ears and wouldn't want to be dancing with them on that's for sure. I'm not sure they will stay on. Or maybe I just don't know what I'm doing or my ears are weird. I'm selling them more as collectibles than earrings. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Retro Sterling dangle earrings with birds. Very substatial handmade earrings, unsure of origon. No issues.<br><br>anderas

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2pr Vintage Native American Sterling Multi-Stone inlay earrings. Selling both<br>pairs with no issues. Marked or unmarked as shown in pics, weight and other<br>measurements in pics. Sorry but my jewelry is stored in a secure location and<br>cannot be accessed for more pictures, videos, or measurements until sold. If you<br>look at pictures/description your question should be answered. Thank you so much<br>for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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2pr Ray Tracey Knifewing Navajo Multi-stone channel inlay sterling earrings.<br>Selling both pairs with no issues. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Retired James Avery Stud hoop overlay earrings in sterling. No backs, no<br>other issues, weight and measurements in pics. I cannot provide any additional measurements, videos, or pictures that aren't provided as my jewelry is stored at a separate secure location until it ships. Thank you so much for taking the<br>time to look and your consideration.<br><br>anderascollJames Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Lagos caviar 18k gold on sterling large french clip earrings. Measurements and<br>weight in pics. Guaranteed authentic with no issues.

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Henry Steig (1906-1973) Modernist sterling freeform Screw back earrings (3)<br>pair. Selling the 3 pairs shown, largest 1.25" long, 19.7 grams total.<br><br>Jules Brenner and Henry Steig were among group of prominent of New York<br>mid-century studio jewelers who hand-crafted pieces of wearable art that<br>celebrated the avant-garde, rejected traditional jewelry forms, and appealed to<br>an intellectual and liberal middle class. Jules Brenner was born in the Bronx,<br>grew up in Washington Heights, and studied acting with Stella Adler and painting<br>and sculpture in Greenwich Village. Henry Steig (also known as Henry Anton)<br>studied at City College and the National Academy of Design, and began his career<br>as a New York City jazz musician, writer, novelist, cartoonist, and painter.<br>During the 1950s, both Brenner and Steig operated shops and studios in Manhattan<br>and in Provincetown, Massachusetts—then a prominent artists’ enclave—where they<br>sold hand-wrought silver and gold designs which often emphasized biomorphic,<br>surrealist, cubist, and geometric forms.<br><br><br>Everyone knows the famous picture from the film The Seven Year Itch, of Marilyn<br>Monroe standing on a New York sidewalk, her skirt blown up by on updraft from<br>the subway grate below. However, not everyone knows that at that moment she was<br>standing in front of Henry Steig's jewelry shop at 590 Lexington Avenue.<br>Henry Steig was a man of many talents. Before he became a jeweler, he was a jazz<br>musician, painter, sculptor, commercial artist, cartoonist, photographer, short<br>story writer and novelist.<br><br>"Henry was a Renaissance man," says New Yorker cartoonist Mischa Richter, who<br>was Steig's good friend and Provincetown neighbor.<br><br>Henry Anion Steig was born on February 19, 1906, in New York City. His parents,<br>Joseph and Laura, had come to America at the turn of the century, from Lvov<br>(called Lemberg in German), which was then in the Polish port of the<br>Austro-Hungarian Empire. Joseph was a housepainter and Laura, a seamstress.<br><br>They had four sons, Irwin, Henry, William and Arthur, all of them versatile,<br>talented and artistic. William Steig is the well-known New Yorker cartoonist and<br>author-illustrator of children's books. lrwin was a writer of short stories for<br>the New Yorker. Arthur was a painter and poet whose poems were published in the<br>New Republic and Poetry magazines.<br><br>William Steig recalls, "My father and mother both began pointing and become<br>exhibiting artists after their sons grew up." In the May 14, 1945, issue of<br>Newsweek magazine, an article was published about an exhibition, "possibly the<br>first one family show on Art Row (57th Street)" at the New Art Circle Gallery.<br>It was called "The Eight Performing Steigs, Artists All." Included were<br>paintings By Joseph and Laura Steig; drawings and sculpture by William and<br>paintings by his wife, Liza; paintings by Arthur and his wife, Aurora; and<br>photographs by Henry and paintings by his wife, Mimi. The only brother not<br>included was Irwin, "the only non-conformist Steig," who was working at that<br>time as advertising manager of a Connecticut soap manufacturer.<br><br>In the article "the brothers attribute the family's abundance of good artists to<br>the fact that we all like each other's work…get excited about it. Whenever<br>anyone starts they get lots of encouragement. Joseph Steig adds, 'Painting is a<br>contagious thing. If you lived in our environment, you would probably point.'"<br><br>Henry Steig grew up in this extraordinary environment. The family lived in the<br>Bronx. After graduating from high school, Henry Steig went to City College<br>(CCNY). After three years he left to study painting and sculpture at the<br>National Academy of Design. He was also an accomplished musician, playing<br>saxophone, violin and classical guitar, and while he was in college, he began<br>working as a jazz musician. From about 1922, when only sixteen years old, until<br>1932 he played reed instruments with local dance bands.<br><br>After four years at the National Academy, Steig worked as a commercial artist<br>and cartoonist. He signed his cartoons "Henry Anton" because his brother William<br>was working as a cartoonist at the same time, for many of the same magazines.<br>From about 1932 to 1936, Henry Anton cartoons appeared in Life, Judge, New<br>Yorker and other magazines.<br><br>Steig began a writing career in 1935 that lasted until about 1947. He became<br>very successful and well known as a short story writer, with stories appearing<br>regularly in Saturday Evening Post, New Yorker, Esquire, Colliers and others.<br>They were often humorous tales about jazz and the jazz musicians who populated<br>the world of music in the roaring twenties. Other stories were about his Bronx<br>childhood. He also wrote nonfiction magazine pieces, including a New Yorker<br>profile of Benny Goodmon and jazz criticism. Several of his nonfiction articles<br>were illustrated by William Steig.<br><br>In 1941 , Alfred A. Knopf published Henry Steig's novel, Send Me Down. The<br>story, told with absolute realism, is about two brothers who become jazz<br>musicians in the twenties. On the book jacket, Steig wrote, "Much of the<br>material for Send Me Down was gathered during my years as a jazz musician<br>playing with local jazz bands and with itinerant groups in vaudeville and on<br>dance hall tour engagements. Although I was only second-rate as a musician, I<br>know my subject from the inside, and I believe I was the first to write stories<br>about jazz musicians, based on actual personal experience." His son, Michael,<br>recalls that there was some interest in making a movie of the book. "My father<br>told me that John Garfield wanted to play the lead character."<br><br>Steig did go to Hollywood in 1941, under contract to write screenplays. He was<br>going to work with Johnny Mercer, the songwriter. After the ing of Pearl Harbor<br>on December 7, he returned to New York. "He undoubtedly would have returned<br>anyway," says Michael Steig. "He was not happy with the contract his agent had<br>negotiated for him." Mischa Richter odds, "Henry was very unimpressed with<br>Hollywood."

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Henry Steig (1906-1973) Modernist sterling freeform pin and screw back earrings<br>set 2 5/8" x 2 1/8", earrings 1". 14 grams total weight.<br><br>Jules Brenner and Henry Steig were among group of prominent of New York<br>mid-century studio jewelers who hand-crafted pieces of wearable art that<br>celebrated the avant-garde, rejected traditional jewelry forms, and appealed to<br>an intellectual and liberal middle class. Jules Brenner was born in the Bronx,<br>grew up in Washington Heights, and studied acting with Stella Adler and painting<br>and sculpture in Greenwich Village. Henry Steig (also known as Henry Anton)<br>studied at City College and the National Academy of Design, and began his career<br>as a New York City jazz musician, writer, novelist, cartoonist, and painter.<br>During the 1950s, both Brenner and Steig operated shops and studios in Manhattan<br>and in Provincetown, Massachusetts—then a prominent artists’ enclave—where they<br>sold hand-wrought silver and gold designs which often emphasized biomorphic,<br>surrealist, cubist, and geometric forms.<br><br><br>Everyone knows the famous picture from the film The Seven Year Itch, of Marilyn<br>Monroe standing on a New York sidewalk, her skirt blown up by on updraft from<br>the subway grate below. However, not everyone knows that at that moment she was<br>standing in front of Henry Steig's jewelry shop at 590 Lexington Avenue.<br>Henry Steig was a man of many talents. Before he became a jeweler, he was a jazz<br>musician, painter, sculptor, commercial artist, cartoonist, photographer, short<br>story writer and novelist.<br><br>"Henry was a Renaissance man," says New Yorker cartoonist Mischa Richter, who<br>was Steig's good friend and Provincetown neighbor.<br><br>Henry Anion Steig was born on February 19, 1906, in New York City. His parents,<br>Joseph and Laura, had come to America at the turn of the century, from Lvov<br>(called Lemberg in German), which was then in the Polish port of the<br>Austro-Hungarian Empire. Joseph was a housepainter and Laura, a seamstress.<br><br>They had four sons, Irwin, Henry, William and Arthur, all of them versatile,<br>talented and artistic. William Steig is the well-known New Yorker cartoonist and<br>author-illustrator of children's books. lrwin was a writer of short stories for<br>the New Yorker. Arthur was a painter and poet whose poems were published in the<br>New Republic and Poetry magazines.<br><br>William Steig recalls, "My father and mother both began pointing and become<br>exhibiting artists after their sons grew up." In the May 14, 1945, issue of<br>Newsweek magazine, an article was published about an exhibition, "possibly the<br>first one family show on Art Row (57th Street)" at the New Art Circle Gallery.<br>It was called "The Eight Performing Steigs, Artists All." Included were<br>paintings By Joseph and Laura Steig; drawings and sculpture by William and<br>paintings by his wife, Liza; paintings by Arthur and his wife, Aurora; and<br>photographs by Henry and paintings by his wife, Mimi. The only brother not<br>included was Irwin, "the only non-conformist Steig," who was working at that<br>time as advertising manager of a Connecticut soap manufacturer.<br><br>In the article "the brothers attribute the family's abundance of good artists to<br>the fact that we all like each other's work…get excited about it. Whenever<br>anyone starts they get lots of encouragement. Joseph Steig adds, 'Painting is a<br>contagious thing. If you lived in our environment, you would probably point.'"<br><br>Henry Steig grew up in this extraordinary environment. The family lived in the<br>Bronx. After graduating from high school, Henry Steig went to City College<br>(CCNY). After three years he left to study painting and sculpture at the<br>National Academy of Design. He was also an accomplished musician, playing<br>saxophone, violin and classical guitar, and while he was in college, he began<br>working as a jazz musician. From about 1922, when only sixteen years old, until<br>1932 he played reed instruments with local dance bands.<br><br>After four years at the National Academy, Steig worked as a commercial artist<br>and cartoonist. He signed his cartoons "Henry Anton" because his brother William<br>was working as a cartoonist at the same time, for many of the same magazines.<br>From about 1932 to 1936, Henry Anton cartoons appeared in Life, Judge, New<br>Yorker and other magazines.<br><br>Steig began a writing career in 1935 that lasted until about 1947. He became<br>very successful and well known as a short story writer, with stories appearing<br>regularly in Saturday Evening Post, New Yorker, Esquire, Colliers and others.<br>They were often humorous tales about jazz and the jazz musicians who populated<br>the world of music in the roaring twenties. Other stories were about his Bronx<br>childhood. He also wrote nonfiction magazine pieces, including a New Yorker<br>profile of Benny Goodmon and jazz criticism. Several of his nonfiction articles<br>were illustrated by William Steig.<br><br>In 1941 , Alfred A. Knopf published Henry Steig's novel, Send Me Down. The<br>story, told with absolute realism, is about two brothers who become jazz<br>musicians in the twenties. On the book jacket, Steig wrote, "Much of the<br>material for Send Me Down was gathered during my years as a jazz musician<br>playing with local jazz bands and with itinerant groups in vaudeville and on<br>dance hall tour engagements. Although I was only second-rate as a musician, I<br>know my subject from the inside, and I believe I was the first to write stories<br>about jazz musicians, based on actual personal experience." His son, Michael,<br>recalls that there was some interest in making a movie of the book. "My father<br>told me that John Garfield wanted to play the lead character."<br><br>Steig did go to Hollywood in 1941, under contract to write screenplays. He was<br>going to work with Johnny Mercer, the songwriter. After the ing of Pearl Harbor<br>on December 7, he returned to New York. "He undoubtedly would have returned<br>anyway," says Michael Steig. "He was not happy with the contract his agent had<br>negotiated for him." Mischa Richter odds, "Henry was very unimpressed with<br>Hollywood."

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4 pr ヴィンテージ ネイティブ アメリカン スターリング クリップオン イヤリング。 4 ペアすべて購入しました。問題なく、強力なクリップで、すべてスターリングです。最大高さ2.5インチ x 幅1.25インチ。総重量は63.1グラム。 すべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛のない状態) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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ワセタ ズニ スターリング インレイ ネックレスとイヤリングのセット。長さ 18 インチのネックレス、身長 2 1/8 インチの女の子、イヤリングの長さ 2 インチ。すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーはすべて検査され、保証されています。最低 90% (コイン) の銀、場合によってはそれ以上の含有量であることが保証されています。マークのあるものはすべて、マークされているものであることが保証され、ほとんどのブレスレットは 6 インチの手首で撮影され、指輪は可能な場合は適切なサイズの指で撮影されています。ブレスレットの場合、説明に寸法が記載されていない場合は、金属が布製の巻尺の数字と一致する内周が表示されます。

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ダリー ディーン & レベッカ ビゲイ トゥファ キャスト スターリング バタフライ ブレスレット、イヤリング、ペンダント セット。とても楽しいセットです。ブレスレットは幅19mmの1.25インチギャップを含む6.75インチ、イヤリング31mm x 13mm、ペンダント65mm（バチカン付き） x 幅20mmです。このセットは新品未使用の状態です。「私たちの使命は、美しいジュエリーを作り、人々に喜びをもたらすことです。」 –Darry Dean & Rebecca BegayDarry Dean と Rebecca Begay はナバホ族のアーティストで、現代生活にインスピレーションを得た伝統的な技術を使用してジュエリーのデザインと製作に協力しています。彼らのナバホ族の文化は彼らのジュエリーに強い影響を与えており、古代の儀式や聖歌が生き続けることを可能にする物語を伝えています。 「先住民族として、私たちは今も自分たちの言語と文化を守り続けています」とダリル ディーンは言いました。各アーティストはジュエリー製作プロセスに独自のスキルをもたらします。ダリル・ディーンは石細工に熟達しており、トゥファ鋳造の数少ない真の達人の一人です。レベッカは、そのデザイン センスと繊細な手を花の彫刻に応用し、自然のトゥファ石の質感を作品に取り入れています。「私たちは大量生産しません」とダリル ディーンは彼らの細心の注意を払った手法について語ります。 「私たちにとって、ジュエリー作りはむしろ芸術形式だということです。私たちは最初から最後まで各作品を作成します。」ダリル ディーンとレベッカは、2009 年のサンタフェ インディアン マーケットでベスト オブ ショー賞を受賞しました。主に高品質のターコイズとシルバーを使用しますが、サンゴやその他の宝石も使用し、18 カラットのゴールドも使用します。

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3 pr マリー・ツォージー ナバホ族とその他のスターリング マルチストーン チャネル インレイ イヤリング。表示されている 3 足を販売しましたが、Marie Tsosie の背中が欠けていますが、他に問題はありません。マリー・ツォーシー 高さ 1 インチ。3 足の合計重量は 17.9 グラム。

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パット ベドニ ナバホ族 14K スターリング モダニズム クリップオン イヤリング。高さ 24 mm x 幅 16 mm x 8.1 グラム、問題ありません。パット ベドニーナバホ族の銀細工師、パット ベドニーは、アリゾナ州ガナドのナバホ居留地で生まれました。彼女はエッジ・ウォーター族とコヨーテ・パス族の出身です。パットの母親、ルトリシア イエローヘアーは熟練した銀細工師で、伝統的なナバホ族のジュエリー製作スタイルを子供たちに伝えています。パット・ベドニーの作品を見るたびに、彼女の母親の影響がわかります。 現在、パットはニューメキシコ州ファーミントンに住んでおり、母親と協力してさまざまな素晴らしいジュエリーを作成しています。彼女はナバホ族の伝統において重要なさまざまなシンボルを使用しています。パット ベドニは、素晴らしい伝統的なナバホ族の彫刻が施されたジュエリーやミニチュアのシルバー ボックスで知られています。パット ベドニーのジュエリーはすべて彼女自身の手で作られています。彼女はどの基準から見ても優れたシルバー ジュエリーを作成していますが、彼女の兄は有名な銀細工師であるロン ベドーニであるため、これは驚くべきことではありません。パットのジュエリーは弟のロンのジュエリーによく似ていますが、デザインはそれほど複雑ではないことがわかります。

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7pr ヴィンテージ サウスウエスタン スターリング シルバー イヤリング。すべてではないにしてもほとんどが 20 世紀の第 4 四半期のもの。最大で長さ 1 7/16 インチ、ほとんどがネイティブ アメリカン製ですが、おそらくそうでないものもあります。背中が欠けているものもあります。合計 35.1 グラム。

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7pr ヴィンテージ サウスウエスタン スターリング シルバー イヤリング。すべてではないにしてもほとんどが 20 世紀の第 4 四半期のもの。最大で長さ 3 インチ、ネイティブ アメリカンが作ったものもあれば、そうでないものもあります。合計 36.7 グラム。

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1980年代のズニ族の地中海コーラル・スネークアイ・スターリングのネックレスとイヤリング、G・エリアチョのセット。ネックレスの長さは17インチ、イヤリングの長さはそれぞれ1.25インチです。合計 17.9 グラム。最低 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されます。マークが付いているものは、そのマークが付いているものであることが保証されます。ほとんどのブレスレットは 6 インチの手首 (毛が生えていない) で撮影され、指輪は可能な限り適切なサイズの指で撮影されています。ブレスレットの場合、説明に測定値が記載されていない場合は、内周が表示されます。金属が布製巻尺の数字と一致する場所。

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レトロなエミリア カスティージョ スターリング シルバー クロス クリップオン イヤリング 1 インチ スクエア 25.3 グラム。これらは重要なジュエリー コレクションの一部で、エミリア カスティージョから贈り物として贈られたものと思われます。問題ありません。有名人の娘。メキシコの銀細工師、アントニオ カスティージョ、室内装飾およびジュエリー デザイナーのエミリア カスティージョは、世界中にファンと名声を持っています。子供の頃、メキシコのタスコで育った頃、エミリアは家族の伝説的な工房の熟練の銀細工師たちに囲まれていました。その後、純銀を磁器に融合する特許取得済みの技術を開発しました。これは彼女の作品の特徴である美しくユニークな結果です。エミリアの作品はすべて、ラピスラズリ、ジャスパー、ターコイズ、マラカイト、オニキス、磁器、シルバーを使用した彼女のデザインは、タスコにある彼女の牧場の工房で手作りされています。

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Lisa D'Agostino 18K/スターリング モダニスト イヤリング 10～11mm スクエア、高品質の仕上がりとデザイン。バックは含まれておらず、その他の問題はありません。 5.2 グラム。リサにとって、手を使って作業することだけが本当に興味を持ったことです。金属を使ったデザインと創作の可能性に対する彼女の好奇心は 1980 年から続いています。その年、彼女は初めてアート フェアに参加しました。ショーは最初は地元で行われていましたが、徐々にギャラリーも含めた全国的な会場に発展しました。さらに 12 年間バスケットに進出したことを除いて (Lark Publications の「The Basketmaker's Art」を参照)、彼女の焦点はジュエリーにありました。デザインは長年にわたって進化してきましたが、インスピレーションは同じままです。リサの作品は幾何学と建築から情報を得ていますが、天文学が示す詩的で哲学的な側面によって和らげられています。彼女は 60 年代の古い歌のフレーズについて考えています...「私たちはスターダスト、10 億年前の炭素です。」この作品は、新しい解決策やアイデアが現れるまで、ゆるい絵から始まります。それは意図/偶然と自発性/熟慮の間のバランスです。輪郭や形は最初はシンプルです。彼女は、基本的な幾何学的形状の厳格さと秩序を好みますが、それらをより複雑なものに組織化します。スターリングシルバーから形状を切り出し、成形または刻み目を入れて半田付けします。他の部品は圧延機を通して歪められます。表面はやすりやハンマーでテクスチャー加工されたり、銀粉や 18K イエロー ゴールドを融合したりされています。さまざまな手工具を使用して、多くのテクニックを 1 つの作品に組み込むことができます。その一部は彼女の最も古い友人です。最後のステップでは、作品の緑青を施し、次に緑青の一部を選択的に除去して、いくつかの組み合わせを残します。マットまたはポリッシュされた表面領域。素朴な原石と光沢のある真珠が作品をさらに引き立てるために使用されています。リサは大学で正式に美術の世界に足を踏み入れました。彼女は 1977 年にボウリンググリーン州立大学で美術学士号を取得しましたが、自分のスタジオで働けるようになるまではんだ付けを上手に学んだことはありませんでした。彼女は学校に戻り、3 年後の 1991 年にカンザス大学で美術修士号を取得しました。この間、彼女は全米の選ばれた多くのアート フェアやギャラリーで作品の展示と販売を続けました。すべての貴金属は検査および保証されており、シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。ほとんどのカフ ブレスレットは、6 インチの女性の手首で撮影されたもので、金属の先端が巻尺の数字と一致する内周を示す写真が含まれています。

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ヴィンテージ ナバホ スターリング、ターコイズ、シェルのイヤリング、ペンダント、スティックピン。表示されている無印のセットを販売していますが、本当にかわいいセットです。イヤリングはそれぞれ5/16インチ x 7/16インチ、セット全体の重さは5.1グラムです。

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Calvin Begay 初期作品 14K ゴールド & スターリング シルバー 幾何学模様のオーバーレイ イヤリング 高さ 1 インチ x 幅 13 mm x 12.7 グラム、問題ありません。Calvin Begay は、受賞歴のあるアーティスト、宝石商、デザイナー、熟練の職人です。彼は年に生まれました。 1965 年にニューメキシコ州ギャラップに生まれ、ニューメキシコ州北西部のトハッチで育ちました。カルヴィンは 10 歳のときに初めてジュエリーをデザインし、母親である叔父から学びました。ジュエリー デザイナー兼職人として 20 年以上を経て、彼はマスターになりました。デザインと製造プロセスのあらゆる側面において、彼はギャラップ インター トライバル セレモニアルで、1989 年のベスト オブ ショーを含む数多くの賞を受賞しています。彼のジュエリーは、アリゾナ ハイウェイズやサウスウェスト アート マガジンで特集されています。この才能あるアーティストは、継続的に彼の作品を革新し、更新しています。デザインを行い、金と銀の両方で作業し、新しいモチーフや石をレパートリーに追加します。余暇には、カルヴィンはロデオに参加したり、全地形対応車で奥地を走り回ったりします。彼がジュエリーを作成するとき、その野生の自由な精神が見つかります。彼は、伝統的なナバホ族のインレイ技術を、ネイティブ アメリカンの伝統を反映しながらもエレガントで現代的なセンスを備えたジュエリーに変換するユニークな能力を持っています。カルビンの作品は、南西部だけでなく、米国および世界中のクライアントやコレクターから高く評価されています。カルビン ビゲイの芸術性では、手つかずの西部の驚くべき美しさが色とデザインの組み合わせに反映されており、忘れられない着用可能なアート作品が生まれています。

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モダニストのスターリング アズライト、マラカイト、ソーダライトのイヤリング/ピン セット。目立ったマーキングのない非常に高品質なセットです。イヤリング長さ2インチ x 1 1/8インチ、ピン2 7/8インチ x 7/8インチ、合計29.7グラム、問題ありません。表示されているセット全体を販売します。すべての貴金属は検査され、保証されています。シルバーまたはスターリングと呼ばれるネイティブ アメリカンのジュエリーは、少なくとも 90% (コイン) の銀、場合によってはそれ以上の含有量が保証されています。ほとんどのカフ ブレスレットは、6 インチの女性の手首で撮影されたもので、金属の先端が巻尺の数字と一致する内周を示す写真が含まれています。

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Vintage Christian Dior gold tone Clip on Earrings 2 Pair. Selling both pairs from the last quarter of the 20th century appearing unused with no wear, damage, and strong springs on the clips. They measure 1 1/6" tall and 1 1/8" tall.

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18k/Sterling Old Cuzco Peruvian Clip on Earrings. Nice quality vintage earrings 1" tall with no issues, clips and springs on clips work.

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5 Pairs Navajo and Artisan Sterling Earrings. Selling the 5 pairs shown from the<br>last quarter of the 20th century, all marked and tested sterling with<br>designers/artists marks, one also marked and tested 18k. Largest pair is 1", 3<br>pairs missing backs.

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4 Pairs Navajo Sterling and Mexican Silver vintage earrings. 4 pairs of great earrings from the estate of a woman with great taste, selling all four with no significant issues. They range from 7/8" to 1.25"

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1980's Rober Lee Morris Sterling Clip on Earrings. Nice biomorphic cool subtle earrings by an important designer. 3/4" x 13/16", good working clips, no issues.

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4 Pairs Navajo and Artisan Sterling Earrings. Selling the four pairs shown with<br>no issues all sterling, 3 with makers marks. Qt's are 1 5/8" long.

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Antique Chinese Filigree Silver Vermeil Enamel Earrings. Nice antique Chinese earrings from the first half of the 20th century with no damage or issues. I did replace one back. Measure Just over 1" both marked silver.

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Sterling and Turquoise/Shell Navajo Heishi Necklace/Earrings. The necklace is<br>28", earrings are 2". This is a nice vintage set very good quality. The earrings<br>are clip on and marked sterling, the metal on the necklace tests sterling but is<br>unmarked. These came from the same estate and I'm assuming have been together<br>for 50 years or so.<br>tw7

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Jackie Cohen Sterling Handmade Earrings pearls and sea glass. They're 2" long with no issues.

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Hobe Vintage Costume Jewelry Clip on Earrings 4 pairs. Selling all four really well made and gorgeous with no significant issues. 2 pairs have minor oxidation on the back only, one earring appears to maybe have been repaired at one point, see solder on back only.

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Vintage Sterling Clip On Earring Lot Mid Century Navajo, Mexican, Siam, Roman coins. Selling the lot, 4 clip on and one screw back. The turquoise and Pink abalone are likely native american, turquoise unmarked pink Stamped S.J. Sterling. The siams were in the original 1960's or so box but I can't find it, I believe they've never been worn, One mexican, and then the unmarked but tested sterling extremely well cast Roman coin style earrings which I assume are top quality replicas from the mid 20th century. Largest is 1.25" wide. 59.8 grams total.

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Vintage Sterling Clip On Earring Lot Mid Century Modern (5). Selling the lot 78 grams all well made earrings from the mid to late 20th century. All marked sterling or 925, one stamped MD, one Thai, 3 Mexican. The largest is 1 1/8" square.

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Vintage Sterling Clip On and Screw Back Earring Lot Begay Navajo. Largest is the<br>Begay pair measuring 1.5" wide. I really like the pair marked "original" The<br>other two are vintage Mexican. Selling all four pairs all mid to late 20th<br>century.

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1940's Danecraft Sterling Art Deco Brooch and 2 Screw back Earrings. Selling the lot with no issues. brooch is 1 5/8" wide. All guaranteed circa mid 20th century.

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T Foree Hunsicker (1932-2015) Sterling Silver Luggage tag Clip on Earrings. Nice large heavy clip on earrings 59 grams 2 5/8" long x 1.75" wide. No significant issues, clips work well with good springs. T Foree Hunsicker (1932-2015) In 1954, she graduated from the University of Texas with a degree in art. At UT, she was a member of Pi Beta Phi sorority. Later, she studied at Corcoran Gallery in Washington, DC and the Arts Students League in New York City. A life-long Francophile, in July of 1956, she made the first of many trips to Europe, this initial journey on the venerable Queen Elizabeth. Foree always had an artistic bent. At various times, she was a painter, clothes designer, and interior decorator. Her greatest success, however, came as a jewelry manufacturer when she started a company in 1987 called Medalias by Foree Hunsicker. At one time employing nearly fifty people, Medalias specialized in luggage tag jewelry, reproducing in sterling silver a wide variety of Victorian-era luggage tags and fashioning them into earrings, necklaces, and other accessories. A fixture for many years in the North Texas design world and at the Apparel Mart, Foree was honored with a Dallas Fashion Award in 1995.

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Vintage Swarovski Clip on Gold tone Earrings. Circa 1980's no issues .5" wide x .75" tall.

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Vintage Beau Sterling Horses Brooch Bracelet Screw Back Earrings Set. Earrings<br>are 13/16", bracelet 7" brooch 2.25". All from same estate.

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Southwestern Sterling Cactus Earrings. Estate earring, not sure how old. I can find no markings other than St Sil on the backs but guaranteed and tested sterling. Really nice well made earrings. They can be switched so the cacti are charms.

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1930's Art Deco Mexican Silver Earrings Screw Back Clip on. One pair marked del rio, one marked silver, other unmarked. All three sterling silver with working clips or screw backs.

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Navajo Ray Tracey Knifewing Modernistic Inlaid Earrings 1.25" wide square. Light scratches, no deep scratches, bends, or damage to stones. The Creative Process Fueled by Inspiration “God blesses everyone with a variety of gifts and talents.” The Creator blessed Ray with the spirit of Creativity. Inspiration is the basis for his creative spirit. Inspiration arrives in many forms and disguises when least expected. Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray a feeling of reverence. Walking in peace with gratitude and thanksgiving opens up the senses to receive ideas. Petroglyphs carved on canyon walls turns into wearable art. Stories from an ancient past are re-lived on the faces of Yei pendants. The evening sky’s transformation of color inspired the Earth and Sky jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and accompanied him down the fairway. This incident brought the Butterfly and Dragonfly design concept to reality. Having awareness of this special gift, he aspires to know the origin. Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of working the goat bellows for his uncle. Asa would pump the goat bellows all day long to fuel the fire in the forge that would melt silver in a small cast iron crucible. This process was very labor intensive and his grandfather hated it. The molten silver would then be poured into a tufa stone mold to form an ingot. The jeweler would then execute his craft and a new piece of jewelry would be created. “I wanted to see finished jewelry and wanted to learn everything I could. Whenever we would go to Gallup, NM, I would visit curio stores to see creations in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on display; Ray could be seen viewing the works of art. Ray’s family moved to Ganado, AZ when he was six years old. One summer day when he was nine years old, he complained to his mother of how bored he was. The next day his mother enrolled him into summer school and changed his life forever. He went straight to art class and found a silver smithing table in the corner. He remembered his grandfather’s stories and the rest is history.  “In class I fabricated my first ring out of silver for my Mother. I found an unknown stone and made a cabochon. I tried to copy an old style ring design that I had seen at Hubbells Trading Post. One teardrop flanked the sides of the stone. It was a very simple design but it took me a week to finish. I kept melting the silver. I made my next silver and stone creation at the age of 21 and gave it to my mother. It was another ring, but this time it was a split shank with three ribs and three tear drops on the side of the stone.” I told my father, I want to make jewelry for the rest of my life.” Ray continued making jewelry while attending Brigham Young University. Studying chemistry and physics by day and making jewelry at night. “The designs were simple, my first love was Old Style Navajo jewelry. Weekends were spent traveling to Gallup, NM, to sell his work. While at BYU another opportunity arose to express his creativity—acting. “I wasn’t a very good student so Hollywood had an instant appeal. My gift of creativity carried over into acting. Acting was just another outlet of creative expression.” His adventurous nature allowed Ray to spend several years as an actor in feature films and television. This acting detour never made him lose interest in jewelry design. Eventually, Ray’s love of jewelry brought him back to New Mexico to permanently pursue this art form. “One time while traveling to Albuquerque from Gallup, I noticed the horizon over Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps into a bracelet design.” “Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned in a  row on the river bottom. Those pebbles became my inspiration to place them on the sides of an inlaid bracelet.” “Sometimes my creativity comes to a screeching halt. When this happens I go to my roots; Old Style jewelry. That is the place of fascination. The Old Ones utilized rudimentary tools to create their simple, yet perfected, pieces of craftsmanship. From this point I am able to create from an inspiring idea. On the flip side, sometimes my mind becomes flooded with more designs than I can remember. Ideas come so quickly I can’t draw them fast enough.” “When I see someone wearing one of my designs, it takes me back to the time when the piece was created. Sometimes I can recall what I was eating or even the music I was listening to. I will remember the inspiration that helped create that design.” Ray has found his path or gift of self-expression that has blessed, enlightened, and influenced his life and others. Awareness of this special gift, fuels his energy and creativity. Inspiration helps to translate his creativity into artistic-visual expression. His creations stand as transitional figures from traditional to contemporary.  He creates something good as he is drawn toward untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a legacy from which generations can learn and grow. Ray has learned to appreciate and embrace the journey of life and its gifts.

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Vintage Navajo Sterling QT Sterling Quoc Turquoise New Mexico Earrings inlaid feathers Bears. No issues

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Native American Sterling Multi-stone channel inlay hoop earrings. Estate earrings likely 20-30 years old, possibly never worn, on card as shown. Unmarked and tested sterling. 7/8" tall x 9/16" wide x 4.5 grams with no issues.

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Vintage Southwestern sterling turquoise howlite clip-on earrings. Great looking pair of earrings, I believe the stones are Howlite. 12.6 grams, no issues strong functional clips.

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Retro Sterling silver hoop earrings. 2 pair of high quality hinged earrings, stones untested, both pairs fully functional with very secure clips. Selling both pairs for one price 1 1/8" tall. 37.2 grams total weight.

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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c1940's Zuni Snake eye sterling and turquoise screw back earrings .5" wide faces. From the second quarter of the 20th century. At the time of this listing I have two pairs of these from the same estate. Selling one pair with another available. If you buy one you will get the pair shown. 3.4 grams.

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Retired James Avery Sterling Southwestern Modernist earrings. 1" tall x .75" wide x 13.3 grams. No issues. anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Big Retro Sterling fun dangle earrings. 3.25" x 1 1/8" no backs, no other issues. 28 grams. anderas

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Vintage Navajo stamped sterling beaded earrings 1 1/8" tall x .75" wide x 9.4 grams with no issues. All precious metals are tested and guaranteed,

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2pr c1940's Native American sterling and turquoise screw back earrings. Selling both pairs of earrings shown. Smallest .5", largest 7/8" x 5/8", 8.7 grams total weight.

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Large Modernist Erika Hult de Corral Taxco Sterling RIC Earrings 3" tall x 1.25" wide x 26.8 grams with no damage. Early in her career she worked for Sigfrido Pineda, and Enrique Ledesma, later owned shops in Puerto Vallarta. She was trained at Parsons School of design in Paris ( Hougart Mexican Silver Trade and Hallmarks, Bille Hougart, 2006). This piece is reflective of that training.

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Navajo Sterling/Malachite necklace and earrings set. Selling the vintage set<br>shown with no issues. Tested sterling with no purity markings. 1" tall earrings<br>Necklace has an extender so it can be worn at 22" or 28". 113 grams total

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Retired James Avery Sterling and onyx Southwestern Style earrings 1 1/16" x .75", little to no wear. 9.3 grams. anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Retro Ben Shiley Navajo stamped silver and onyx earrings. No backs, no other issues. 2.75" x 1 5/8" x 19..6 grams. All precious metals are tested and guaranteed,

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Retired James Avery sterling earrings 11/16" tall x 3/8" wide both with mixmatch backs that work, no other issues. 7.7 grams anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Retired James Avery Hammered sterling Hoop earrings and jackets. Selling the<br>earrings with removable jackets, both James Avery, all 4 pieces signed. 1 1/8"<br>tall x 5/8" wide. 8 grams total.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Large Navajo Sterling Eula Wylie Chrysocolla Earrings 1.75" x 1" x 31.3 grams,<br>no damage or detectable wear.<br><br>Navajo silversmith Eula Wylie was a silversmith for Atkins Trading Company. Eula<br>is from Ganado, Arizona on the Navajo Reservation. She has used the hallmark “E.<br>Wylie” in gothic letters since 1976.

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Mid Century Japanese Sterling Crystal Star screw back earrings. Very cool pair of earrings Highest quality what I assume to be crystal rather than stone. 7/8" wide possible minute wear to a few of the tips. No large chips, no other issues.

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c1940's Mikimoto Pearl/silver screw back earrings. Great vintage condition with no issues. 13/16" tall 4.7 grams.

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Movado 18k gold/Sterling Heart earrings in box. Very lightly used, strong<br>springs on clips, 14.3 grams, very clean box and outer box included as shown.<br>Earrings are .75" tall x 7/8" wide. The hearts on these are solid 18k gold, the<br>rest solid sterling.

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Retro AIS Southwestern Sterling silver Sea fossil cuff bracelet and earrings.<br>Clean condition with no issues, will shine like new with 5 minutes of polishing<br>which I could do upon request. I'll leave like this unless requested as everyone<br>has different taste. Earrings 1.5" x 1" x 19.5 grams, cuff fits up to a 6.5"<br>wrist, .75" adjustable gap 42.6 grams, 62.1 grams total.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Retro Modernist multi-stone sterling earrings. Very cool earrings with a petrified stone exterior and turquois mounted in sterling interior 1.5" wide, 23.8 grams, one missing back, no other issues, marked on back as shown.

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Art Deco Sterling Carnelian/Marcasite Brooch and earrings. Brooch Marked Germany and Sterling with a numerical hallmark on the opposite side I don't have time to puzzle over unfortunately, earrings marked 925. Brooch likely from the 1920's or so, earrlngs later but I'm not sure how much later. Both excellent quality from the same estate. Brooch 1 7/8" wide, earrings 1.75" tall x 7/8" wide, no missing stones or apparent damage. Earrings missing backs. 17.9 grams total.

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Calvin Begay Navajo Sponge Coral Sterling Channel inlay necklace and earrings.<br>Very unusual set with no damage or issues 18.5" long necklace 1 1/8" long<br>earrings. 88 grams total.<br><br>Calvin Begay is an award winning artist, jeweler, designer and master craftsman.<br>He was born in Gallup, New Mexico in 1965 and raised in Tohatchi, northwestern<br>New Mexico. Calvin designed his first piece of jewelry at age 10, learning from<br>his mother an uncle. In more than 20 years as a jewelry designer and craftsman,<br>he has become a master in every aspect of the design and manufacturing process.<br>He has won numerous awards at the Gallup Inter Tribal Ceremonial, including Best<br>of Show in 1989. His jewelry has been featured in Arizona Highways and Southwest<br>Art Magazines. This gifted artist continually innovates and updates his designs,<br>working in both gold and silver, and adding new motifs and stones to his<br>repertoire. In his leisure time, Calvin participates in rodeos and rides in the<br>back country in his all terrain vehicles. When he creates jewelry, that wild<br>free spirit finds expression in precious metals and stone.He has a unique<br>ability to translate traditional Navajo inlay techniques into jewelry that<br>reflects his Native American heritage, yet have elegant and contemporary flair.<br>Calvin’s work is prized by clients and collectors, not only in the Southwest,<br>but throughout the United Stated and the world. In the artistry of Calvin Begay,<br>the stunning beauty of the untamed West is reflected in the combination of color<br>and design that create unforgettable pieces of wearable art.

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Retired James Avery De Flores sterling and turquoise earrings. 5/8" 5.2 grams<br>with no issues.<br><br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Retro Sterling/turquoise clip-on earrings 33mm tall x 8mm wide x 19.9 grams. No<br>damage, strong spring on clips, possibly unsused.

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Large John Hardy 18k/Sterling Jalsimer Dot Clip-on earrings. 1.25" tall x .75"<br>wide with no issues.<br><br>About John Hardy<br><br>Inspired by Bali and its time-honored jewelry-making traditions, John Hardy’s<br>artisan collective was founded in 1975 with a dedication to handcrafted jewelry.<br>We are committed to sustainable luxury business practices, our craftspeople and<br>the preservation of Bali. We pride ourselves on the value of authenticity; it is<br>the soul of community that makes each piece truly one of a kind.<br><br>WE ARE ARTISANS<br>One of the largest employers on the island of Bali, the John Hardy Workshop &<br>Kapal Bamboo Boutique employs over 500 multi-generational craftspeople, from<br>watercolor artists to metalsmiths. Dedication to heritage artistry not only<br>defines the John Hardy legacy, it retains artisan families that craft jewelry<br>through meditative, communal chain-weaving, hand-hammering and carving.<br><br>WE ARE COMMUNITY<br>We are fueled by the spirit of togetherness and dedicate ourselves to the<br>artisans whose deep connection to Bali inspires the foundation of our Workshop &<br>Kapal Bamboo Boutique. We offer an apprenticeship program, Jobs For Life, that<br>provides vocational training and financial support to the citizens of Bali. Each<br>participant is given the opportunity to join the workshop, where we provide<br>locally sourced family-style meals to several-hundred workers––a gathering<br>ritual that both fosters a sense of community and attracts visitors.<br><br>WE ARE SUSTAINABLE<br>As a certified member of the Responsible Jewellery Council, and Kimberley<br>Process compliant, John Hardy is committed to codes of practice that ensure our<br>stones, diamonds and metals are conflict-free and ethically produced every step<br>of the way.<br><br>The same sense of responsibility is applied to our packaging. From our jewelry<br>boxes to our shopping bags, all paper materials are now certified by the Forest<br>Stewardship Council, a non-profit that manages the environmental and economic<br>benefits of trees.<br><br>We also craft jewelry that gives back. Our “Wear Bamboo, Plant Bamboo”<br>initiative, in partnership with non-profit 1,000 Bamboo Villages, is committed<br>to cultivating the natural beauty of Bali. This means every time you shop from<br>our Bamboo Collection, we plant bamboo seedlings in Bali on your behalf.

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Howlite, Red Jasper, and Sterling Earrings.. Unmarked, tested sterling. 2.5" long 21 grams with no damage.

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Signed Southwest Blue Gem Turquoise/Sterling earrings. Very high quality<br>earrings with high quality turquoise. Made by an Artisan I'm not familiar with<br>that took the time to write the carat weight of the turquoise on the back of the<br>earrings. 2.75" long x 1.25" wide 16.7 grams total.

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Mel Benally Navajo Sterling Opal, and Charoite channel inlay earrings 2.25" long with hooks x .5" wide with no issues 8.9 grams. Mel Benally is a 28 year old Navajo jeweler from Gallup, New Mexico. He was introduced to silversmithing by his older brother when he was 17. He enjoyed creating art through metal and soon learned to do other techniques such as inlay and working with gold. He uses the style called “fuzzing” where he solders silver saw dust to give it a rough texture. Mel loves making jewelry that others will enjoy and be able to share with their friends.!

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S.A. Pinto Navajo Sterling and turquoise earrings. 3" tall x 1 5/8" wide 14.3<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vietnam War Era Pilot's sweetheart pin and screw back earrings. Pin 1.5", earrings 7/8" wide. Selling the lot

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c1940's Matilde Poulat screw back earrings 1.25" x 1" with no issues. 14.8 grams.MAT-MATILDE POULAT & RICARDO SALAS JEWELRY Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Navajo Delbert Delgarito Sterling turquoise/spiny oyster dangle earrings. Nice estate fresh pair with no damage and little to no wear. One missing back in pic, if you purchase and a back is really important to you please let me know and I will find one as I have tons just din't have it available right now. 2 5/8" long x 5/8" wide x 17.6 grams.

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Navajo Herman Smith 14k gold on Sterling Earrings 1" tall x .75" wide with no issues 13.3 grams. Born in 1964 Gallup, NM. Herman learned silversmithing from he`s mother. He is known for his detailed and unique stampwork, created by using very few stamps. He is known as a local artist and his jewelry is very popular in his home town.

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Large Native American sterling multi gemset earrings 1.5" x 15/16" x 15.6 grams with no issues. All precious metals are tested and guaranteed,

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Daslin Southwestern Sterling beaded hearts earrings. Marked and tested sterling with no damage or issues. 1.25" wide x 1.75" tall with hangers 15.5 grams.

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Oystein Balle Norwegian Sterling enamel pansy earrings and pin. Top quality with<br>no damage to the enamel or wear. Earrings 7/8" x 7/8", pin 1.25" x 1.5". The<br>earrings were a little dirty in the pic but it cleaned off, no issues.

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David Yurman 14K Yellow Gold Sterling Silver Double "X" Twisted Cable earrings.<br>Marked inside Yurman 14k 925. 14.5 grams Guaranteed 100% Authentic David Yurman.

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