Description
All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.1" Les Baker Shop Cobblestone inlay modernist sterling silver cuff bracelet. Beautiful natural turquoise, coral, ironwood, and other stones, fossils, etc.. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Overall expected wear with apparent circa third quarter of the 20th century.
Les Baker was a well-known southwest jewelry artist who designed and also made jewelry himself. Although he was Anglo he employed many Native American silversmiths throughout the years, most notably Fritson Toledo, the great Navajo artist.
Les had a great deal to do with the success of the Stagecoach. We have sold more Les Baker jewelry throughout the years than any other jewelry artist. But beyond that, Les was a great mentor and friend to Susan and Gary, here at the Stagecoach. Back in the late 1970’s Gary called Les about selling his jewelry. Gary and his father, Jim, met Les in Denver and have sold his jewelry ever since. In the early 1980’s, Gary spent a week in Albuquerque while one of Les’ Navajo silversmiths taught Gary the craft. This was one of the turning points at the Stagecoach. We could now size our own sterling silver and gold rings and eventually make our own jewelry right here at the Stagecoach. This was and is a huge advantage in selling jewelry as our knowledge of the craft went up exponentially. And for all this, Les asked nothing in return.
Les was born in 1935 and when he was older joined the Navy. After the Korean War he headed back to New Mexico and became interested in American Indian jewelry. His wife at the time (ex-wife now) wanted a Navajo squash blossom necklace but Les couldn’t afford it. He was always resourceful and since Les didn’t have the money to purchase the squash blossom he figured he would try making one himself. It turned out so nice that when Les’ wife was at a party with Edith Maisel, the “Queen of Indian Jewelry” was so impressed that she offered Les a job. Maisel helped popularize “Indian Jewelry” and though it wasn’t actually handmade, Maisels’ offered many Native Americans a job and increased the awareness of this art form. This was Les’ big break and he later also learned from the great Native American artist Carl Louthey.
Eventually Les opened his own shop and was at the right time and the right place when the great “Indian Jewelry” boom in the 1970’s hit. Everybody wanted this turquoise Indian jewelry, from celebrities to the common man and woman. Les teamed up for a while with Bing Crosby (not the singer but the Indian Trader) and at one time had around 50 Native Americans working for him.
