목걸이와 펜던트

Large Modernist Sterling Rhodochrosite Pendant. Unmarked, tested sterling, great looking freeform pendant with no issues.

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Gemset Sterling Snake pendant. Very cool, 1 7/8" x 1" x 10.2 grams with no issues, no missing stones. Stones untested, likely lab stones.anderas

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4 Vintage Southwestern sterling pendants. Selling the 4 pendants, all tested<br>sterling. Tallest 2 3/8" tall. All with no issues. 30.5 grams total.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. Appears to be signed E L. 2.5" long x .8" wide x 11.9 grams.

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Large Southwestern Sterling/howlite Feather pendant necklace. Large heavy solid<br>sterling. Approx 20" total length, Bar is 8" wide with feathers, chain 12" long.<br>100.6 grams total weight.

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Bobby Johnson Navajo SterlingTurquoise cluster pendant on necklace. Pendant<br>2.75" with bail x 1 5/8", necklace 24" long. 45.3 grams total weight.<br><br>Bobby Johnson is from Church Rock, New Mexico. He began silversmithing in the<br>early 70’s, under the tutelage of his older brothers and sisters, who are also<br>expert silversmiths. Bobby’s love for turquoise & silver led him to choose his<br>life’s work, and he continues to delight lovers of Native American jewelry with<br>both his unique designs & traditional techniques.

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Antique 14k Gold Hardstone cameo pendant with pearls. Unmarked, tested and<br>guaranteed solid 14-15ct gold. Approximately 150 years old, 1 7/8" tall with<br>bail and jumpring x 1.25" wide. 14 grams.

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Lowell Draper Navajo sterling and turquoise pendant 2.75" tall x 1 5/8" wide,<br>bail as shown bends forward and open so it can be clipped on a set of Navajo<br>pearls or other beaded necklace, 18.9 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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530 gram Huge Vintage Sterling and turquoise Native American Squash blossom<br>necklace. Nice old very big necklace from the 60's or 70's, hallmarked as shown,<br>unsure of Artisan. 26" long, 530 grams, 4.75" tall x 4.5" wide Naja. Marked and<br>tested sterling silver.

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16" Los Castillo Modernist sterling and turquoise choker necklace. 16" long 14mm<br>wide, no issues, likely simulated or block turquoise 53 grams, rare design.<br><br>Los Castillo Jewelry - History<br>Antonio Castillo and his brothers Jorge, Miguel, and Justo began Los Castillo in<br>1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador<br>Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments.<br><br>Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s<br>for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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c1940 Vintage Chinese Carved Tigers Eye beaded necklace. Silver clasp marked<br>silver, hand tied, gorgeous with no issues. 58 grams. 25" long.

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Oversized Navajo Sterling/Turquoise Squash blossom necklace. Very big Squash<br>blossom with no damage or significant wear. 351 grams 24" long 4.75" x 4.5"<br>naja. Amazing, speaks for itself. I'll try to find time for better 3d pics<br>later.

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Charles Garnier Sterling Vermeil necklace 29" long 5/8" x 1.25" stations. Appears unworn with no issues. 16.6 grams.By 1901 Charles Garnier had established his reputation in Paris as a masterful designer of jewelry. Working in the time of Cartier and Vuitton, his creations soon became respected and admired for their exceptional quality and elegance. More than a century later, Charles Garnier Paris continues this tradition with the same dedication to excellence and workmanship that our namesake so proudly crafted into every piece. Our factory combines cutting edge technology with old world craftsmanship and hand finishing to create pieces that are sought after and sold throughout the world.

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James Avery Charm holder necklace with Texas charm sterling with bronze accents.<br>Necklace 17.5", Charm 1" with jump ring x .8" wide. Bottom charm holder ring has<br>a lever that opens to change or add charms. No issues.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.<br><br>anderas

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19" Vintage 14k clasp 14-15mm lapis lazuli beaded necklace. Nice quality vintage necklace with no issues. 122.2 grams.anderas

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Large Navajo silver and Royston turquoise pendant. 2 5/8" tall with bail x 1<br>3/8" wide x 25.6 grams. Unsure of artisan as many used this mark. High quality<br>work, nice bezel, and really nice stone.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.<br><br>anderas

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Large David Yurman Albion 14k/sterling cushion cut amethyst pendant enhancer. 2<br>5/8" tall x 15/16" wide x 18.7 grams with no damage or significant wear.<br><br>David Yurman<br>Sculptor David Yurman and his wife, Sybil, a painter, launched their house of<br>design in 1980. Their collaboration has left a legacy of iconic pieces that are<br>both style statements and works of art. Each creation is sketched by David<br>Yurman, made of the finest precious metals and rare gemstones, and fashioned by<br>some of the world's best craftspeople.<br><br>anderas

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Vintage Native American Hand Stamped Sterling Turquoise Pendant. Very<br>substantial pendant 3 3/8" tall x 2" wide, made to go on a thick set of Navajo<br>pearls or beaded type necklace.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Vintage Native American Sterling Chrysocolla Naja Pendant. Nice sized offset<br>Naja pendant. I personally don't believe it's bent and think it was cast like<br>this on purpose but have not owned it for the last 50+ years so can't be 100%<br>sure. It's very sturdy and solid.<br>2.25" tall x 2 1/8" wide.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Vintage RL Zuni Sterling turquoise/onyx channel inlay pendant 7/8" wide x 1.5"<br>tall with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Vintage Woven Native American Liquid Silver/turquoise necklace. Approx 20" long<br>with no issues.

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Vintage Woven Native American Liquid Silver/turquoise necklace. Approx 19" long<br>with no issues.

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David Yurman Sterling/14k cable choker necklace. Very clean with no issues and<br>minimal wear. 16" long, 8mm wide, 92.5 grams.<br><br>All precious metals are tested and guaranteed, guaranteed authentic David<br>Yurman.

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Charles Johnson Navajo Sterling/turquoise pendant 2.5" tall x .75" wide x 23grams with no damage or wear.Charles was taught silversmithing from his parents at about the age of 15, and continued to learn on his own during the summers. His parents are lifetime silversmith’s with his mother’s family having 5 generations, and his father’s family with 2 generations. Charles has worked full-time as a silversmith since the age of 20. He first started inlaying at the age of 13 for a few years while learning both.Starting with traditional Navajo jewelry, Charles then went into Navajo contemporary jewelry, then onto the Western style with swirl design cutouts. The majority of his jewelry are cutout overlay on bracelets, and buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet overlay with Western style and swirl design. Charles’ clans are Ashii (Salt People) and Todich’ii’nii (Bitter Water Clan).

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Betty Tom Navajo Sterling turquoise cluster pendant 2.75" tall x 1.5" wide 28grams with no damage or wear.Specializing in traditional Navajo cluster work, Navajo silversmith Betty Tom was born & raised in Thoreau, NM. Betty started silversmithing after high school, learning by watching her father. Mother of three and Grandmother of four, Betty still lives in Thoreau, and continues to provide the Southwest with collectible turquoise and silver jewelry.

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Chan Luu Peach Quartz beaded necklace. Very substantial 30" high quality necklace with graduated up to 20mm faceted natural peach quartz stones, hand tied with no issues.

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Vintage Egyptian silver necklace. Tested and guaranteed high content silver,<br>illegible hallmarks...eastern. Possibly Egyptian, Ottoman, one of those. 18"<br>long, center bead 16-17mm. 85 grams, very well made with no issues.<br><br>anderas

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Retired James Avery 14k/sterling pendant 1.75" tall x 15/16" wide 7.7 grams.anderasJames Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Antique Blue Topaz Sterling silver pendant/brooch. Great piece from the 19thcentury, unmarked tested 97% silver, stone tests as a topaz and it's gorgeous. Pendant approx 2" wide, stone approx 22mm wide, 25.9 grams. Unmarked.

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Retired James Avery Sterling Descending Dove charm 7/8" tall with jump ring x 9/16" wide x 3.3 grams.anderascollJames Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Vintage Native American Sterling/Turquoise squash blossom necklace. No damage or<br>significant issues. Great piece with no significant issues. 27" necklace 3" tall<br>x 2.25" wide Naja 108.5 grams

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18" Lagos Caviar Sterling Silver/18K Yellow Gold Beaded Rope Station Necklace.No damage or significant wear, retailed for over 1k. Designed by LAGOS, this Sterling Silver Caviar Rope Necklace features 18K yellow gold stations on a strand of luxurious signature Caviar beading. The 18" necklace is finished with a lobster clasp 4mm wide 51.9 grams.

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Retro Lois Hill Sterling pendant on 19" wheat chain. Chain appears unmarked,<br>tested and guaranteed solid sterling. Pendant 1.75" x 1", Necklace 5mm 57.6<br>grams.<br><br>anderas

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Vintage Native American Sterling/malachite Kokopelli pendant. 2.5" tall x 1.5" wide x 9.2 grams with no issues.

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Retro Mexican Sterling Aztec Warrior inlaid pendant 2 3/8" tall x 1.5" wide x 19.4 grams. Appears to be inlaid with colored glass, marked sterling 925.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. 1.5" tall x 5/8" wide x 5.4 grams. Marked with the Native American shop mark, forget which shop that is. No issues.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. 2.75" tall x 1 1/16" wide 8.5 grams.

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Retired James Avery Sterling Onyx Valencia pendant with 22" chain. All very<br>clean with no damage and little to no wear. 1 5/8" x 5/8" pendant.

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Retired James Avery 14k gold cross with dove pendant 1 1/16" tall with jump ring<br>5/8" wide x 2.3 grams.

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Retired James Avery Sterling Celtic cross pendant 1 3/8" tall with jump ring x .7" wide x 3 grams with no issues.James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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Vintage Chinese Cloisonne/Rose Quartz Necklace hand tied with silver clasp, high<br>quality necklace from the mid 20th century. 24" long with 2.25" drop, 110.9<br>grams. Approx 10mm beads, 16mm cloisonne beads.

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Vintage Native American Squash blossom necklace. Circa 1950's Native Americanold pawn Squash blossom necklace, Stable fracture in top stone, diminutive necklace with smaller than average beads 21" long with 2.25" x 1 5/8" central pendant. 55.9 grams.

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18k Natural Ethiopian Brown Opal/Diamond pendant. Beautiful pendant marked and tested 18k gold with appox .15ct diamonds and a .9ct natural opal 2 grams with no damage or significant wear. 1 1/8" tall x .5" wide.

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Vintage Zuni Sterling Channel inlay redbird pendant/pin 1 5/8" x 1.25" x 9 grams with no issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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19" Dian Malouf Large beaded crystals and sterling necklace. Hand tied, highest<br>quality faceted stones and sterling silver. Stones are 25mm wide. No wear to<br>stones 316.5 grams, heavy necklace with some wear to thread that holds it but<br>it's still strong and secure.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs.<br><br>anderas

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Vintage Woven Native American Liquid Silver/turquoise necklace. Approx 20" long with no issues.

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Vintage Native American Sterling Turquoise Pendant necklace. Unmarked, testedand guaranteed over 90% (coin) silver. Beautiful slab of turquoise. 2.75" tall x 1 5/8" wide pendant 24" necklace. Pendant does not appear removable from the necklace without modification. 62.8 grams.

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Samuel Benham Sterling/18k Citrine Double necklace 18.5" long with no damage ordetectable wear, this is much larger and heavier than most Benham necklaces. Limited production retired design. 129 grams.

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Large Tim Vandever Navajo Sonoran Gold Turquoise sterling silver necklace with<br>no damage or detectable wear. Adjustable up to 28" long x 5/8" x 2.25" center<br>pendant, amazing necklace. 184.9 grams.

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Native American Santo Domingo Pueblo Shell and turquoise necklace. Vintage necklace with sterling fittings and natural stones/shells. Clasp marked 925 possibly a replacement.

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Large Matl style Sterling Turquoise Amethyst repousse birds pendant/pin,MAT-MATILDE POULAT & RICARDO SALAS JEWELRYMatl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Retro Aztec/Incan warrior sterling chip inlay Pendant/pin 1 3/8" round.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Southwestern 14k/turquoise pendant. Likely Native American, very well made piece<br>with hallmark I don't recognize. The stone is greenish and untested, not 100%<br>sure what it is but typically junk isn't set in a nice handmade 14k gold<br>pendant. 1 1/8" with bail x .8" wide.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Collection of southwestern/Native American sterling and stone pendant/pins/clip.<br>Selling the lot shown with hand shown for scale.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Signed Mid Century bronze freeform pendant. Artist signed with what looks like a 7 after the name, unsure of artist 3" long.

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Vintage E.M. White Native American Silver/turquoise shadowbox necklace 16" long,tested sterling, no damage. 57.7 grams.

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Vintage Navajo Tufa cast silver and turquoise pendant/pin 2.5" x 1 5/8" with no issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Fred and Lolita Natachu Zuni sterling multi-stone inlay knifewing pendant 1.5"<br>wide x 1 7/8" tall with bail, clean.<br><br>Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Jeep Collins Hammered Sterling Heart pendant on collar necklace. Pendant 2" tall with bail x 2 3/8" wide, collar approximately 21" including the 3" flexible gap. 42.1 grams.In 1972 Jeep Collins, the son of Enid Collins Handbag designer started making jewelry from glass African trade beads that my sister gave me. She told me, "Why don't you put these together with brass wire and I will see if I can sell them in my store." I had just been discharged from the Marine Corps in July and was planning to go back to college in the fall. I needed to earn a little money while I waited to begin school so I took her up on the offer. By September she was selling all the jewelry I could make. I was so encouraged by the sales that I decided to put off college and make jewelry for awhile. Awhile turned into a lifetime career.In time I learned the art of lost wax casting and direct metal fabrication at the Southwest Craft Center in San Antonio. These new skills enabled me to turn sketches into pieces that reflect my interest; wildlife and nature. In 1974 after my redemption through Jesus Christ many of my designs reflected my new found faith.In the early years Dana and I traveled on weekends to arts and craft shows all over Texas to sell what I made during the week. Later we sold to resellers, and in the early 1990’s we opened our own stores in major Texas cities. This was an exciting time; we had over a hundred craftsmen making jewelry in our Fredericksburg workshop; our lives were at a fast pace.Today life is simple, the stores are all closed and we make jewelry in the old tin house on the ranch, very much like the log cabin of my mother’s where I started. We sell from our website and by phone. The downsizing has been a blessing for us. In addition to making jewelry, Dana and I are involved in several Christian ministries, taking care of grandchildren, raising cattle, and growing vegetables.anderas

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David Yurman Albion Petite Pendant Blue Topaz & Diamonds on Chain. Guaranteed<br>authentic David Yurman, diamonds, topaz, sterling, etc. Retails for $795. No<br>damage or significant wear. 17" necklace .75" tall pendant.

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