c1890 Mt Washington Art glass Melon Ribbed hand painted creamer and sugar set<br>with pairpoint mountings. Selling the set shown with no damage, I didn't polish<br>the silverplate so it's possible there is wear to the plating. 3.5" tall.<br>TW233

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c1930 Pairpoint Sterling Silver Mounted Etched controlled bubbles covered candy dish in the Wickham etching. Rare if not one of a kind piece 11.5" tall x 5.25" wide. No cracks, chips, restorations, scratches to sterling or other issues. H monogram with what looks to be a P and B on either side. Very special piece in a beautiful honey amber. tw164

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Large 1960's Signed Barbini Murano Vase. 14.5" tall x 7.25" wide, great piece and a fantastic design sure to both stand out and fit in anywhere. Very high quality with no cracks, chips, scratches, or other issues. Signature shown in last pic. isshelf

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Swedish Art Glass Owl Paperweight. Last quarter of 20th century with no damage. No markings, just paper label. 4.25" tall isshelf

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Mid century Murano Controlled bubbles silver foil bowl. Great piece from the third quarter of the 20th century with no damage. 7" x 3" tall in deep amethyst color. Nice freeform piece with large slots for a cigar ashtray if desired. tw129

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Vintage Venetian cobalt blue gold and controlled bubbles ewer form sculptural<br>vase. 18.5" tall x 9.25" handle to spout. Vintage piece from about the mid 20th<br>century, high quality Italian glass that has been displayed in a safe place well<br>preserved for many years. It will be packed and shipped with the upmost care to<br>insure the pressure is not on the handle, spout, or stem.

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Large Mid Century Eugenio Ferro Murano Art glass vase 12.2 Pounds, 13" tall x 7"<br>wide with no cracks, chips, or restorations, expected shelf wear on base along<br>with signature E Ferro & Co. Old piece with original label intact close to the<br>base.<br><br>The glass factory was founded on 18th August 1929 by Eugenio Ferro in<br>partnership with Giovanni Lazzarini and was initially called FERRO EUGENIO & CO.<br>Its first creations were artistic glass objects and Venetian chandeliers.<br>Following the premature death of Eugenio Ferro in 1947, the glass factory was<br>managed by his young heirs. From thereon, Giovanni Lazzarini became more<br>involved in the company’s activities and the name was therefore changed to FERRO<br>& LAZZARINI S.R.L.

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c1910 French Cameo Glass Sterling base Shot glass Cordial. Hallmarks on both sides of sterling base, tests sterling. 2" tall with no cracks, chips, or restorations.Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background. The technique is first seen in ancient Roman art of about 30 BC, where it was an alternative to the more luxurious engraved gem vessels in cameo style that used naturally layered semi-precious gemstones such as onyx and agate. Glass allowed consistent and predictable colored layers, even for round objects. B70

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Antique 800 Silver Mounted Cut overlay glass Vase. Fantastic piece from the first quarter of the 20th century. 8" tall with 2 5/8" rim. Beautiful cranberry/Amethyst mix, a unique color. Top quality piece that could easily be Baccarat/St Louis, Val St Lambert, or one of other worlds top glassmakers. 80% silver rim, hallmark looks like LY or LV with something in the center. No damage whatsoever.TW107

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c1900 Cut Glass Sterling Mounted Scent Bottle lot. Selling the collection shown all from the late 19th to early 20th century. The tallest is 9.5" tall, spring hinged lid tested sterling though I couldn't find the mark, monogrammed. Next tallest is 5.25" American sterling and American brilliant period cut glass, a few small nicks in design and on bottom of stopper, next is 4.5" tall with british hallmarked sterling repousse lid, no inner glass stopper, tiniest roughness on two sharp points, no other issues. Tall skinny shaker shaped one is 5" tall with one chip in center of decoration, it has a lever to open or close to release liquid, lid marked sterling. 3.5" tall cylindrical jar with british sterling repousse lid, no damage, 3" tall jar with brass lid and inner stopper, a few tiny flakes on base rim and no other issues. Selling this lot shown, all super clean, all display well, all with no noticeable damage without close scrutiny, all over 100 years old. tw107

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c1900 Kralik Martele Verre-de-Soie Art Nouveau Bohemian art glass vase. Fantastic piece of Bohemian Art Nouveau period and style art glass from the first quarter of the 20th century with no cracks, chips, or restorations. 5.5" tall nice iridescence that didn't show well in the pics. tw193

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Steuben Owl Hand Cooler and Baccarat Paperweight. Selling both with no cracks, chips, scratches, or dings. The owl is signed stueben on base, the dragon is signed baccarat twice and has original label. Owl is 2.5" tall, dragon is 4" tall. TW254

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Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

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Lalique Doves Lovebirds "Dampierre" Sparrows Vase 5" France 4.75" tall x 4 7/8" wide large, Heavy Vase.. Top quality authentic Lalique glass guaranteed with no cracks, chips, rubs, dings, or other issues. If you buy one vase you will get the exact one shown, if you change your quantity you will get how many ever you select all in the same condition with no damage or detectable wear as at the time of listing I have 3 of these. tw254

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c1890 Mt Washington Burmese Trumpet Vases Graduated sizes. Selling both pieces of guaranteed authentic Mt Washington late 19th century American Burmese glass. No cracks, chips, or restorations. They were both purchased from Early's Art Glass Auction in the nineties. They measure 12.75" tall and 9.25" tall.Burmese glass is a type of opaque colored art glass, shading from yellow to pink. It is found in either the rare original "shiny" finish or the more common "satin" finish. It is used for table glass and small, ornamental vases and dressing table articles.It was made in 1885 by the Mount Washington Glass Company of New Bedford, Massachusetts, USA. Burmese glass found favor with Queen Victoria. From 1886, the British company of Thomas Webb & Sons was licensed to produce the glass. Their version, known as Queen's Burmeseware, which was used for tableware and decorative glass, often with painted decoration. Burmese was also made after 1970 by the Fenton art glass company.Burmese is a uranium glass. The formula to produce Burmese Glass contains uranium oxide with tincture of gold added. The uranium oxide produced the inherent soft yellow color of Burmese glass. Because of the added gold, the characteristic pink blush of color of Burmese was fashioned by re-heating the object in the furnace. The length of time in the furnace will determine the intensity of the color. Strangely, if the object is subjected to the heat again, it will return to the original yellow color isshelf

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c1890 Northwood Cranberry Opalescent Poinsettia Brides Basket/Bowl. Selling the<br>bowl and holder, the bowl has really exceptional color/opalescence. It fits the<br>Holder perfectly, estate fresh the came together. Bowl is 11" at widest point,<br>holder is 11" tall. Holder marked Great Northern Anchor Brand Quadruple plate.<br>tw256

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Antique Chinese Peking glass bowl. Amazing piece, amazing color. This would<br>likely be a 10-20k piece but a large section has been broken and restored<br>including several smaller pieces. You have to look close to see it, it's still<br>amazing to imagine how they came up with a color like this and how they carved<br>it with no modern tools. It's a very large 12.75" wide. Selling as it but it<br>will be packed very well to assure intact arrival.

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Large 1950's Murano Biomorphic Ashtray/Centerpiece. 10 5/8" x 8.5" x 4" deep. Guranteed Murano from the 50's-70's. No cracks, chips, or dings. Appropriate natural wear on base. Nice abstract design was likely once a large cigar ashtray but doesn't have to be anymore. tw183

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Large Vintage Murano Mother of Pearl Satin Art glass pitcher9.5" tall with no cracks, chips, restorations, or dings. I purchased it as part of a large collection of victorian art glass that was collected in the eighties but feel it's Murano from the last half of the 20th century, 1970's Murano. TW 183

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1970's Licio Zanetti Murano Art Glass Ducks. Nice large almost life sized ducks<br>extremely heavy. I'm sure they are both signed but one had this label on the<br>base as most items in the estate did stating where they bough them and what they<br>paid for them. It has likely protected the base from scratches all these years.<br>I removed the corners just to show it wasn't chipped under the label. I felt<br>leaving it to help establish provenance was appropriate. They both measure 12.5"<br>x 13" long varying slightly as they were handmade about 50 years ago. Selling<br>both with no chips, cracks, or restorations, no scratches on top, some expected<br>shelf wear on base.<br><br>Founded in 1956, the Zanetti Vetreria Artistica by glassmaster Oscar Zanetti and<br>his son Licio. In 1989 master Licio Zanetti stepped down in favor of his son<br>Oscar (named after his grandfather), who had been working by his side since his<br>youth. Licio's work shows a predilection for naturalistic subjects is reflected<br>in a lively collection inspired by the flora and fauna of his beloved Venetian<br>Lagoon.<br><br>isshlf

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Tall Antique Moser Bohemian Glass Vase 11.75" tall x 3.5" wide at base. slight roughness inside rim, no other chips, no crack, no restorations, minor wear to gilding. TW 254

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15.25" Baccarat Neptune Decanter c1990. 5.5" wide x 15.25" tall. No cracks, chips, scratches, dings, or hard water. This pattern was produced from 1988-1993 and is retired. TW 254

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Faceted Spider and flowers<br>paperweight. 3.5" wide x 2.25" tall in mint condition with no damage or wear of<br>any kind. The signature cane can be seen on the bottom. Guaranteed Authentic<br>c1980's Delmo Tarsitano Paperweight.

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Murano/Limoges Trinket box lot. Selling the 4 trinket boxes shown from the late 20th century. 2 limoges very good quality with strong snaps and hinges, great hand painting. Murano art glass box, and shell box. All with no issues tallest limoges is 2", shell is 2 3/8" wide. Selling all 4 for one price. TW109

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Fenton Ribbon Candy Basket Pink Iridescent Opalescent Hand Painted Coralene. Mint condition cabinet kept with no damage or wear. 8.75" tall x 8.5" wide.<br>TW109

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c1920 Art Deco Cut Glass Claret Jugs pair. Selling the pair of 90-100 year old English cut glass claret jugs in very clean condition. No cracks, chips, or restorations, some wear and oxidation to silverplate tops. 11.5" tall. isshelf

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c1890 Etched Amberina glass tumbler. 3.75" tall x 2 5/8" wide with no issues or<br>damage.<br>isshelf

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Vintage Modernist sterling/art glass ring by Faust of Taxco. No issues 7.7<br>grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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1997 Robert Eickholt Heavy Purple Abstract studio art glass vase. No cracks, chips, restorations, or scratches. 8.25" wide x 5 7/8" tall.Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California.Once home he continued his studies at Ohio State and at the Columbus College of Art and Design.Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique.Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw246

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c1900 Hand painted art glass dresser jar. 3.5" tall x 3.25" wide with no cracks, chips, or other damage, tight hinge and closure snaps shut. TW244

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1950's Seguso Alabastro Art Glass Green and Opalescent Swirled Art Deco Paperweight. No cracks, chips, dings, or scratches. The foil label is illegible other than San Antonio Texas at the bottom, so likely it's a retailers label. TW249

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1920's Steuben Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 3/8" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century.tw249

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Large c1890 Pigeon Blood Glass optic ruffled vase. Fantastic 12" tall x 8.5" rim antique Pigeon Blood with amberina highlights art glass vase. No cracks, chips, or restorations.

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c1890 Kelva American Art Glass Hand Painted Box5.5" wide x 3.5" tall with no<br>cracks, chips, restorations, or wear to decoration, nice strong hinge. Great<br>box.<br><br>Decorated Opal ware was at the height of its popularity from 1890 to 1910, and<br>the C. F. Monroe Company was one of the largest producers of this type glass.<br>Charles F. Monroe opened his shop first shop in 1880; is was located at 36 West<br>Main Street in Meriden, Connecticut and he dealt primarily in imported<br>glassware. By 1882, Monroe was operating his own glass-decorating studio, and<br>was soon employing highly talented local artists as decorators. When the 1890’s<br>arrived and the demand for finely decorated glass was its height, the Monroe<br>company was located in several large buildings on the corner of West Main Street<br>and Capitol Avenue, and employed such fine artists as Carl V. Helmschmied,<br>Walter Nilson, J.J. Knoblauch, Joseph Hickish, Carl Puffee, Flora Fiest, Gustave<br>Reinman, Florence Knoblauch, Emil Melchior, and Alma Wenk, Blanche Duval, Gussie<br>Stremlan, Elizabeth Zeibart, and Elizabeth Casey, The decorators often went back<br>and forth between the G934C Wavecrest Jewelry Box – Helmschmid Swirlcompanies,<br>and sometimes poses a problem of attribution. As is always, the case, public<br>tastes changed, and the demand for decorated Opal Ware began to decline after<br>1910. The C.F. Monroe Company went out of business in 1916. –<br>tw243

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c1890 New England Peachblow brides basket. 12" total height x 8" wide with<br>holder, no damage.

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c1890 Large Enameled art glass brides basket bowl. No cracks, chips, or restorations, some wear to gilding. 9" wide at rim x 3 5/8" tall. Made to fit two different sized holders the footrim is 5" wide, the second footrim is 6 3/8" wide.. or great without a holder. TW245

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9 Hawkes Eardley #7240 Water Goblets 7 5/8" tall x 3.5" wide at rim. Selling 9 with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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9 Hawkes Eardley 4 5/8" x 2.25" bowls. Selling 9 with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell. Uncommon shape in this pattern.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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7 Hawkes Eardley #7240 Claret Wine Glasses. Difficult to find shape in this pattern 6 5/8" tall x 2.75" wide at rim. Selling 7 of the 11 shown with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell. I sold 4 of these so there are only 7 available.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years. TW229

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c1890 Victorian Art Glass Collection, Rainbow blown mold vase, Brides bowl, Uranium Vaseline satin Rose bowl, Amberina mug. Selling the 4 pieces shown with no cracks, chips, or restorations. There is a gilt over factory chip on top rim of the amberian mug which is 3.25" tall, vase is 6.5" tall, rose bowl is 3.25" wide, brides bowl is 10 5/8 x 2.5" tall with a 3 5/16" footrim. TW203

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Vintage Murano Venetian Glass Ewers with gold flecks and hand painted flowers. Tallest is 13" neither have any chips, cracks, or restorations. Nice old pieces from the first half of the 20th century with no identifying marks. Selling both the ewers shown. TW244

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Robert Eickholt Heavy Large Studio Art glass paperweight. No cracks, chips, restorations, or scratches, 4 3/8" tall x 4 7/8" wide. dated 2000. very special difficult to photograph paperweight.Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California.Once home he continued his studies at Ohio State and at the Columbus College of Art and Design.Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique.Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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c1900 Kralik/Loetz Bohemian Iridescent Art Glass Small Claret Jug/Syrup pitcher 8.5 total height 3 5/8" wide at base. A diminutive pitcher likely used for claret or cordials, possibly syrup. Threaded oilspot decoration with no damage whateover, it's been looked over very well, no identifying marks. TW229

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c1860 French 14k Gold top cut glass perfume bottle. Tested 14k gold, Dutch Oak leaf 14k Hallmark on lid base mounting in the center of the pic.. Another on other side of lid. The gold is tested and guaranteed. Amazing bottle with no issues, no inner stopper, no chips or cracks. 4.5" tall x 1 7/8" wide.

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Jeremiah Lotton Multi-Flora art glass vase. 8 3/8" tall x 4.25" wide with no damage or detectable wear. Shallow vase with convex bowl that makes it look really cool from up top.Jeremiah Lotton was born in 1982 into a family of successful glass artists. Fram an early age, Jeremiah was facinated with glass and learning the art of working with his hands to create beautiful things. At 13, Jeremiah worked in his father's studio learning to build and maintain glass furnaces. He also learned how to use glass and polishing equipment and began to gain a general understanding of how a glass studio functions. At 15, he began working with hot glass itself, and by 17, he had developed his own line of designs.Following in the tradition of his grandfather, father, and uncles, Jeremiah strives to produce the highest quality glass. These standards show through his designs and are evident in how quickly his is progressing. Being the first of the third generation, hold much responsibility. It is extremely important to Jeremiah that he lives up to the high standards associated with the Lotton name. Jeremiah continues to develop his talents by working at the bench daily creating new and exciting designs with increasing enthusiasm. Watching his work evolve and expand will be exciting for all of Jeremiah's numerous collectors. pwdrawer

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c1890 Mt Washington decorated burmese toothpick holder. 2 3/8" tall x 2.5" wide with no damage, some dirt/rust in bottom of interior.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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Rare David Lotton Engraved Multi-flora custom gift pendant. Engraved decoration on borders really sets it off and makes it unique. Signed and dated top reverse with gift dedication on reverse base. No issues. 1.75" without bail x 1.55" wide.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. pwdrawer

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Jerry Heer Lotton Art glass perfume vial. No damage or detectable wear 6.5" tall x 4" wide. Signed and dated as shown.

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c1890 Hobbs Brockunier Wheeling Peachblow cruet. No damage to base, a few miniscule "chigger bites" to facets, bruises and small chips to bottom of stopper as always. 7" tall x 4" wide Guaranteed authentic and original late 19th century American art glass.In 1886, a Chinese porcelain vase with "Peach Bloom" glaze sold at auction for $18,000. The tremendous price and the phrase Peach Bloom were widely publicized. Within months, American glass companies developed new formulas to capitalize on the Peach Bloom name. This glassware is now collectively referred to as "Peachblow".One type of Peachblow, shading from yellow at the bottom to deep red at the top, was made by the Hobbs, Brockunier and Company of Wheeling, West Virginia. It is now called Wheeling Peachblow after the town where it was made. Wheeling Peachblow is a two-layered glass or cased glass. The inside layer is white; the outer layer shades from yellow at the bottom to deep red at the top. Original Wheeling Peachblow was made in two finishes, shiny and satin. tw273

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c1890 Mt Washington decorated burmese vase. 4.75" tall x 5" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Salamander paperweight. 3.5" wide<br>x 2.25" tall in mint condition with no damage or wear of any kind. The signature<br>cane can be seen on the top on the opposite side of the salamanders tail.<br>Guaranteed Authentic c1980's Delmo Tarsitano Paperweight.

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c1900 Faceted Cut glass bohemian beer stein. Great half liter stein well over<br>100 years old, lots of cutting with no cracks, chips, or restorations. Tight<br>hinge, way better than pics suggest. 9.25" to top of thumbrest.<br>isshelf

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7.75" Vintage French Art glass beads costume jewelry bracelet. Super cool heavy<br>bracelet which I didn't test but believe is silverplate as the loops and shrouds<br>for the glass balls show some copper alloy underneath. No damage 99.3 grams.

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Antique Mold Blown Art glass Cranberry Opalescent finger bowl. Great piece of top quality glass with ground pontil, perfect clarity, etc. I believe it's victorian, I know It's top quality art glass. 2.5" tall x 6" diagonal.TW223

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c1890 Dresden and Baccarat Celery Dishes. Baccarat Rose Tiente unmarked Celery dish 9 7/8" x 3.5" some chips to ground footrim, no cracks, no chips or detectable wear to top. Dresden impressed Meissen 9.25" long x 2 1/8" wide with no chips, cracks, or detectable wear. Hand painted. Both well over 100 years old, selling both. After listing I'm thinking the Dresden piece might likely have originally been some sort of pencil holder or something of the sort. TW232

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c1890 Rubina Verde Vaseline/Cranberry Opalescent vase. 9 3/8" tall x 6.25" wide rim. The clear base and trim react to UV light. Really cool top, no cracks, chips, or restorations. TW232

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c1910 Fenton Carnival Glass Plate Pair in Concord Grape Amethyst. These are pretty rare to find one, to find a pair is really amazing. There's a tag on the back indicating they were sold as a pair sometime in the last quarter of the 20th century. Just over 9" wide each with no cracks, chips, or restorations. I have photographed each plate separately in a series. While there are slight variations I couldn't really decide which one was better. TW230

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14" Huge Wimberly Glassworks art glass fan vase. 8" wide at rim with no cracks, chips, restorations, or wear. Signed WGW 2007 on base. While not very old, this would retail for about $400-$500 new from Wimberly Glassworks and it's in new condition, handmade. TW221

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Robert Eickholt Iridescent Studio art glass vase. No cracks, chips, restorations, or scratches. 5" wide x 6" tall. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. isshelf

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c1860 French Cobalt blue cut glass perfume with ornate silver mounting. Illegible hallmark shown center of last pic in the center of the lip of the silver lid. Original inner stopper intact. Amazing bottle with no issues, top silver lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.25" tall x 1.5" wide.

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6 Antique Crystal Cut Overlay Sherry Glass Stems. Very nice, best of the best quality. They have to be Val St Lambert, St Louis, Baccarat, one of the handful of top quality glass makers in the world. They are about 4 oz, believe they would be sherry glasses. Estate fresh with healthy natural wear on outside of footrim. I believe they are 19th century, though they could be early 20th century. 4" tall x 3" wide at the rim, controlled bubble stem. No cracks, chips, restorations, cloudiness, or detectable wear. Selling all 6 shown. TW225

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1920's Steuben Etched Glass compote in Selenium red. Engraved pattern on stem making it rare if not one of a kind. 8" tall x 8" wide, acid stamped Steuben on base, no damage or detectable wear.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943isshelf

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David Lotton Art Glass Birdhouse. 10.25" tall x 4.25" wide, unused with paperwork and take, signature shown in last pic. No cracks or chips but roughness in inner rim of factory ground base, likely always been like that.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves.

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c1890 Mt Washington decorated burmese Shot glass. 2.75" tall x 2.25" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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Italian Uranium glass Mid Century Murano Burmese dolphin figure. Selling the figure shown from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. 7.25" tall, first pic shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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Italian Mid Century Murano Burmese Chicken and Swan figures. Selling the two from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. Tallest 7 5/8", first two pics shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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Antique Bohemian Hand painted cut overlay glass decanter with heavy gold. Incredible decanter with no cracks, chips, or restorations, early 20th century. 16" tall x 3 3/8" wide at base. Probably holds about a liter. isshelf

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1930's Art Deco Tumblers Dancing Nymphs by Consolidated Martele 9 oz 5 5/16" tall. All authentic 1930's consolidated glass with no cracks, chips, or restorations. Selling the 6 shown. Designed by Reuben Haley and introduced in 1926, Consolidated’s Martele’ line of art glass was inspired by the glorious works of Rene’ Lalique featured at the 1925 Paris Exposition. Haley, who had previously been associated with Hocking and Fostoria, worked with his son Kenneth to produce the Martele collection. tw222

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c1890 Mt Washington Crown Milano Melon Ribbed Muffineer Sugar Shaker. 5.75" tall x 2 7/8" wide with no cracks, chips, or restorations. TW214

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1920's Steuben Gold Aurene Calcite Compote. 3.5" tall x 6.75" wide, guaranteed authentic Carder Era Steuben Unmarked. No cracks, chips, restorations, or significant wear. Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. tw210

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Tittot Chinese Art Glass Green Dragon Paperweight Sculpture. Still in box with paperwork and COA, no damage or glass sculpture. 3 1/8" square x 1.25" deep. TW219

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Maytum Studios Signed Rudin Art Glass perfume bottle 4.5" tall No scratches, dings, cracks, or chips. tw201

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Vintage Baccarat/Salvador Dali Designed Le Roy Soleil. Very large sized 3.4 oz<br>mostly full with original contents. This is a limited reissue from the last<br>quarter of the 20th century with the bottle being high quality crystal and the<br>top being lucite or acrylic.<br>7" tall with no damage.<br><br>The perfume was launched as a collaborative effort between Dali and Elsa<br>Schiaparellli under Schiaparelli parfums in 1947. The two were friends and often<br>collaborated on fashion and accessories.<br>tw150

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