텍사스 남서부 예술품 및 수집품

1850년경 Texian Campaigne 역사적인 스태퍼드셔 브라운 9.5인치 수프 그릇 제임스 비치(James Beech), 차풀테펙 전투 당시 재커리 테일러(Zachary Taylor) 장군. 칩이나 얼룩 없이 거의 새것 같은 상태입니다. 전체적으로 미세한 잔금이 있고 뒷면에 ​​앞면까지 이어지지 않는 1인치 미만의 매우 빡빡한 헤어라인이 있습니다. 다섯번째 사진의 왼쪽 중앙에 표시되어 있습니다. 이것은 이미 희귀하고 바람직한 패턴의 극히 드문 작품입니다. 9.5" 너비 x 1.5인치 깊이."Texian Campaigne" 트랜스퍼웨어 패턴은 1837년경에 소개되었습니다. Staffordshire에서 제작되었지만 미국인의 관심을 끌기 위해 제작되었습니다. 이 패턴은 텍사스인들이 독립을 위해 멕시코에 맞서 싸운 1835~1836년 혁명을 기념하기 위해 디자인되었습니다. 'Texian'이라는 단어는 텍사스의 영국식 표기입니다.) 텍사스 혁명(1835년 10월 2일 - 1836년 4월 21일)은 미국 식민지 개척자들과 테하노스(텍사스 멕시코인)가 멕시코 중앙집권 정부에 무장 저항을 펼친 반란이었습니다. 봉기는 안토니오 로페스 데 산타 안나 대통령 정권에 반대하는 다른 주들을 포함하는 더 큰 규모의 멕시코 연방주의 전쟁의 일부였지만, 멕시코 정부는 미국이 합병을 목표로 텍사스 봉기를 선동했다고 믿었습니다. 멕시코 의회는 토르넬 법령(Tornel Decree)을 통과시켜 멕시코 군대에 대항하는 모든 외국인은 "해적으로 간주되어 현재 공화국과 전쟁을 벌이고 있는 어떤 국가의 시민도 아니며, 인정된 국기도 없는 시민이 될 것"이라고 선언했습니다. 오직 텍사스 주만이 멕시코와의 결별에 성공하여 텍사스 공화국을 수립하고, 결국 미국에 합병되었다.혁명은 1835년 10월에 시작되었습니다. 멕시코 정부와 점점 늘어나는 텍사스의 미국 정착민 사이에 10년간의 정치적, 문화적 충돌이 있은 후였습니다. 멕시코 정부는 점점 중앙집권화되었고 시민의 권리, 특히 미국 이민과 관련된 권리가 점점 축소되었습니다. 식민지 주민과 테하노스는 궁극적인 목표가 독립인지 아니면 1824년 멕시코 헌법으로의 복귀인지에 대해 의견이 분분했습니다. 협의회(임시정부)의 대표들이 전쟁의 동기에 대해 토론하는 동안, 텍사스인과 미국에서 온 수많은 자원봉사자들이 1835년 12월 중순까지 소규모 멕시코 수비대를 격파했습니다. 자문위원회는 독립 선언을 거부하고 임시 정부를 수립했으며, 이로 인해 텍사스의 정치적 마비와 효과적인 통치가 부족해졌습니다. 마타모로스를 침공하겠다는 잘못된 제안으로 인해 신생 텍사스 군대에서 꼭 필요한 자원봉사자와 식량이 빠져나갔습니다. 1836년 3월, 두 번째 정치 대회가 독립을 선언하고 새로운 텍사스 공화국의 지도자를 임명했습니다.멕시코의 명예를 복수하기로 결심한 산타 안나는 직접 텍사스를 탈환하겠다고 다짐했습니다. 그의 작전군은 1836년 2월 중순에 텍사스에 입성했지만 텍사스군은 전혀 준비가 되어 있지 않은 상태였습니다. 멕시코 장군 호세 데 우레아(José de Urrea)는 텍사스 해안의 골리아드 작전(Goliad Campaign)에서 부대를 이끌고 그의 앞길에 있는 모든 텍사스 군대를 격파하고 항복한 사람들 대부분을 처형했습니다. Santa Anna는 더 큰 병력을 San Antonio de Béxar(또는 Béxar)로 이끌었고, 그곳에서 그의 군대는 알라모 전투에서 텍사스 수비대를 격파하여 거의 모든 수비수를 죽였습니다.샘 휴스턴(Sam Houston)의 지휘 하에 새로 창설된 텍시언 군대가 끊임없이 이동하는 동안, 겁에 질린 민간인들은 군대와 함께 도망쳤으며, 이는 Runaway Scrape로 알려진 근접전이었습니다. 3월 31일 휴스턴은 브라조스 강의 그로스 랜딩(Groce's Landing)에서 병력을 잠시 멈추었고, 다음 2주 동안 텍사스군은 엄격한 군사 훈련을 받았습니다. 안주하고 적의 힘을 과소평가한 산타 안나는 군대를 더욱 세분화했습니다. 4월 21일, 휴스턴의 군대는 샌재신토 전투에서 산타아나와 그의 선봉대를 기습 공격했습니다. 멕시코 군대는 빠르게 패주했고, 복수심에 불타는 텍사스군은 항복하려던 많은 사람들을 처형했습니다. 산타 안나가 인질로 잡혔습니다. 목숨을 대가로 그는 멕시코 군대에게 리오 그란데 남쪽으로 후퇴하라고 명령했습니다. 멕시코는 텍사스 공화국을 인정하지 않았고, 두 나라 사이의 간헐적인 갈등은 1840년대까지 계속되었습니다. 1845년 텍사스가 미국의 28번째 주로 합병되면서 멕시코-미국 전쟁이 직접적으로 발생했습니다.tw178

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Fleisch didn't do a lot of portraits, I've only seen s few others. One of which<br>brought $6100 on eBay in 2013. This piece is estate fresh, has never been<br>offered anywhere until now since it was purchased from the artist.<br><br>Frame measures 31"x 19", it's the original frame Made in Italy with 78061<br>sticker on it coinciding with the number on the back of the painting. Canvas is<br>24" x 12". Both the painting and the frame are flawless. This is one of his<br>earlier works c.1970's, also one of his better works in my opinion. He's well<br>listed and has brought some very high prices at auction even before he passed<br>away in 2008.<br><br>Ken Fleisch<br><br>(American, 1943-2008)<br><br><br><br>Ken Fleischs' paintings are stark, compelling and deceptively simple in their<br>appearance. Flawless in its detail and realism, Fleischs work reaches the core<br>of life in an almost classical fashion.<br><br><br><br>            Born in Texas on November 4, 1943, Fleischspent his early years<br>experiencing a wide perspective of life throughout the United<br>States and Europe as the son of an Air Force officer. Fleischs art education is<br>a combination of formal training in both American and European universities with<br>exacting practical experience gained through private study and joint projects<br>with internationally known artists.<br><br><br><br>            A self-described realist, he often draws inspiration from his native<br>state of Texas, yet his paintings transcend geographical boundaries, touching<br>the core of life in an almost classical fashion. His evocative paintings are<br>more than mere reflections of reality: they are a means by which he shares<br>philosophy and emotion. Using the commonplace to convey the complex, he often<br>uses old pottery, artifacts, and icons for his stark and still lifes, which many<br>find compelling. <br><br>            Fleisch began painting landscapes then moved on to architecture and<br>buildings and eventually was drawn inside to long forgotten objects sitting on<br>shelves. Fleisch now paints still lifes exclusively. He is interested in the<br>convergence of cultures and the stories behind the objects he paints.<br><br><br>Ken Fleisch's award winning work has been featured extensively in regional and<br>national publications and his paintings are in major private and public<br>collections across the country. The wide recognition of Ken Fleischs' art on a<br>national level, the popularity of his print series and the wide diversity of his<br>collectors, from Bob Dylan to CBS Television, can only underscore the depth and<br>integrity of his work.

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Mark Kohler Texas Artist 1997 Cowboy Watercolor Early Work. Guaranteed original Watercolor unframed with no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures 15" x 11" on high end watercolor paper. "I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world. tw6

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Mark Kohler Texas Artist 1995 Cowboy Watercolor Early Work Gift to a Friendwith no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures26" x 23.5", sight is 18.5" x 16". "I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world.

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c1850 Texian Campaigne Historical Staffordshire brown Transferware 9.25" plate<br>James Beech Historical Texas Battle Scenes. 2 small crows lines on reverse, one<br>slightly visible on front, none go to edge of plate, and one small chip on back<br>rim of plate. No restorations or excessive crazing/stains.<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw177

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c1850 Texian Campaigne Historical Staffordshire Black Transferware 9.5" plate<br>James Beech Historical Texas Battle Scenes No cracks, chips, crazing, stains, or<br>restorations. Clean as they get.<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw177

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c1850 Texian Campaigne Historical Staffordshire purple Transferware 9.25" plate<br>James Beech Historical Texas Battle Scenes. No cracks, chips, or restorations,<br>overall crazing with light stains in front and darker stains in back.<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw177

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c1850 Texian Campaigne Historical Staffordshire Blue Transferware platter James<br>Beech. No cracks, chips, restorations, or crazing. I few light expected<br>blemishes as shown. 17 5/8" x 14 1/8"<br><br>The "Texian Campaigne" transferware pattern was introduced about 1837; although<br>made in Staffordshire, it was produced to appeal to Americans. The pattern was<br>designed to commemorate the 1835-1836 revolution fought against Mexico by Texans<br>for their independence (the word 'Texian' is the British form for Texas.)<br><br>The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of<br>colonists from the United States and Tejanos (Texas Mexicans) in putting up<br>armed resistance to the centralist government of Mexico. While the uprising was<br>part of a larger one, the Mexican Federalist War, that included other provinces<br>opposed to the regime of President Antonio López de Santa Anna, the Mexican<br>government believed the United States had instigated the Texas insurrection with<br>the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring<br>that any foreigners against Mexican troops "will be deemed pirates and dealt<br>with as such, being citizens of no nation presently at war with the Republic and<br>under no recognized flag". Only the province of Texas succeeded in breaking with<br>Mexico, establishing the Republic of Texas, and eventually being annexed by the<br>United States.<br><br>The revolution began in October 1835, after a decade of political and cultural<br>clashes between the Mexican government and the increasingly large population of<br>American settlers in Texas. The Mexican government had become increasingly<br>centralized and the rights of its citizens had become increasingly curtailed,<br>particularly regarding immigration from the United States. Colonists and Tejanos<br>disagreed on whether the ultimate goal was independence or a return to the<br>Mexican Constitution of 1824. While delegates at the Consultation (provisional<br>government) debated the war's motives, Texians and a flood of volunteers from<br>the United States defeated the small garrisons of Mexican soldiers by<br>mid-December 1835. The Consultation declined to declare independence and<br>installed an interim government, whose in led to political paralysis and a<br>dearth of effective governance in Texas. An ill-conceived proposal to invade<br>Matamoros siphoned much-needed volunteers and provisions from the fledgling<br>Texian Army. In March 1836, a second political convention declared independence<br>and appointed leadership for the new Republic of Texas.<br><br>Determined to avenge Mexico's honor, Santa Anna vowed to personally retake<br>Texas. His Army of Operations entered Texas in mid-February 1836 and found the<br>Texians completely unprepared. Mexican General José de Urrea led a contingent of<br>troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in<br>his path and executing most of those who surrendered. Santa Anna led a larger<br>force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian<br>garrison in the Battle of the Alamo, killing almost all of the defenders.<br><br>A newly created Texian army under the command of Sam Houston was constantly on<br>the move, while terrified civilians fled with the army, in a melee known as the<br>Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the<br>Brazos River, and for the next two weeks, the Texians received rigorous military<br>training. Becoming complacent and underestimating the strength of his foes,<br>Santa Anna further subdivided his troops. On April 21, Houston's army staged a<br>surprise assault on Santa Anna and his vanguard force at the Battle of San<br>Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed<br>many who tried to surrender. Santa Anna was taken hostage; in exchange for his<br>life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico<br>refused to recognize the Republic of Texas, and intermittent conflicts between<br>the two countries continued into the 1840s. The annexation of Texas as the 28th<br>state of the United States, in 1845, led directly to the Mexican–American War.<br><br>tw178

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Margaret Fly (1927-2013) Listed Dallas Texas Artist Lilies Flowers Oil on Canvas. No issues or damage to painting or frame. Framed it measures 17.75" x 14.75" Canvas is 11" x 14". Margaret Fly Paintings rarely come up for auction but when they do, they tend to do well averaging over 1k.In Addition to being a Fantastic Artist and Art Teacher for both adults and children Margaret was true a Southern Lady. She was given the nickname Magnolia, due to her deep southern drawl. Margaret exemplified grace, kindness, compassion, fortitude, and a sharp but playful wit and treated everyone with the utmost kindness and respect. She was truly one of a kind.

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c1850 Texian Campaigne Cup Blue Transferware Staffordshire James Beech Historical Texas Battle Scenes in the 1840's or 50's. No cracks, chips, or restorations, fine overall crazing. 2.5" tall x 3.75" wide at rim, extremely rare. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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c1850 Texian Campaigne 8.25" Green Transferware Staffordshire James Beech Historical Texas Battle Scenes Plate made with Texas Revolution Scenes in the 1840's or 50's. No cracks, chips, restorations, stains, or crazing. I have a few of these plates so in some cases numbered them to make sure I don't mix them up at any stage. This one is as clean as they get with no cracks, chips, crazing, glaze wear or other issues. There are three stilt marks on the front which are present on all of these plates as they are from the potting process 170 years ago but they are a little more prominent on this plate so I'm mentioning them and taking them into consideration. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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c1850 Texian Campaigne 8.25" Green Transferware Staffordshire James Beech Historical Texas Battle Scenes Plate made with Texas Revolution Scenes in the 1840's or 50's. No cracks, chips, restorations, or stains. There is fine overall crazing but it's still as white as the day it was made 170 years ago or so. I have a few of these plates so in some cases numbered them to make sure I don't mix them up at any stage. This one is as clean as they get with no cracks, chips, glaze wear or other issues. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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c1850 Texian Campaigne 10.5" Purple Transferware Staffordshire James Beech Historical Texas Battle Scenes Plate made with Texas Revolution Scenes in the 1840's or 50's. No cracks, chips, restorations, stains, or crazing. There is expected glaze wear on rim and one firing flaw on back close to the stilt marks. I did just notice on the right side just inside the rim area a hairline type stain, it is visible on the back also, it goes nowhere near the rim and could possibly be a firing flaw. In my opinon it is not detrimental like a rim hairline but it exists. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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c1850 Texian Campaigne 10.5" Purple Transferware Staffordshire James Beech Historical Texas Battle Scenes Plate made with Texas Revolution Scenes in the 1840's or 50's. No chips or restorations. It does have overall crazing and some stains, it also has a very tight hairline on the upper right that extends almost to the footrim, it is stable and can't be seen from the front without very close examination. The "Texian Campaigne" transferware pattern was introduced about 1837; although made in Staffordshire, it was produced to appeal to Americans. The pattern was designed to commemorate the 1835-1836 revolution fought against Mexico by Texans for their independence (the word 'Texian' is the British form for Texas.) The Texas Revolution (October 2, 1835 – April 21, 1836) was a rebellion of colonists from the United States and Tejanos (Texas Mexicans) in putting up armed resistance to the centralist government of Mexico. While the uprising was part of a larger one, the Mexican Federalist War, that included other provinces opposed to the regime of President Antonio López de Santa Anna, the Mexican government believed the United States had instigated the Texas insurrection with the goal of annexation. The Mexican Congress passed the Tornel Decree, declaring that any foreigners against Mexican troops "will be deemed pirates and dealt with as such, being citizens of no nation presently at war with the Republic and under no recognized flag". Only the province of Texas succeeded in breaking with Mexico, establishing the Republic of Texas, and eventually being annexed by the United States. The revolution began in October 1835, after a decade of political and cultural clashes between the Mexican government and the increasingly large population of American settlers in Texas. The Mexican government had become increasingly centralized and the rights of its citizens had become increasingly curtailed, particularly regarding immigration from the United States. Colonists and Tejanos disagreed on whether the ultimate goal was independence or a return to the Mexican Constitution of 1824. While delegates at the Consultation (provisional government) debated the war's motives, Texians and a flood of volunteers from the United States defeated the small garrisons of Mexican soldiers by mid-December 1835. The Consultation declined to declare independence and installed an interim government, whose in led to political paralysis and a dearth of effective governance in Texas. An ill-conceived proposal to invade Matamoros siphoned much-needed volunteers and provisions from the fledgling Texian Army. In March 1836, a second political convention declared independence and appointed leadership for the new Republic of Texas. Determined to avenge Mexico's honor, Santa Anna vowed to personally retake Texas. His Army of Operations entered Texas in mid-February 1836 and found the Texians completely unprepared. Mexican General José de Urrea led a contingent of troops on the Goliad Campaign up the Texas coast, defeating all Texian troops in his path and executing most of those who surrendered. Santa Anna led a larger force to San Antonio de Béxar (or Béxar), where his troops defeated the Texian garrison in the Battle of the Alamo, killing almost all of the defenders. A newly created Texian army under the command of Sam Houston was constantly on the move, while terrified civilians fled with the army, in a melee known as the Runaway Scrape. On March 31, Houston paused his men at Groce's Landing on the Brazos River, and for the next two weeks, the Texians received rigorous military training. Becoming complacent and underestimating the strength of his foes, Santa Anna further subdivided his troops. On April 21, Houston's army staged a surprise assault on Santa Anna and his vanguard force at the Battle of San Jacinto. The Mexican troops were quickly routed, and vengeful Texians executed many who tried to surrender. Santa Anna was taken hostage; in exchange for his life, he ordered the Mexican army to retreat south of the Rio Grande. Mexico refused to recognize the Republic of Texas, and intermittent conflicts between the two countries continued into the 1840s. The annexation of Texas as the 28th state of the United States, in 1845, led directly to the Mexican–American War. tw144

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I can't make out the signature and am not really familiar with Mexican artists<br>anyways but it's incredible. No damage to painting or frame, estate fresh with<br>illegible to me signature. Measures 29" x 24" framed and 16" x 20" canvas.

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Signed Book The Sculpture and Drawing of Charles Umlauf (1911-1994). Estate fresh from a prominent Austin Texas Estate, guaranteed Authentic Signature I'm 100% positive. A little wear to dust jacket as shown, no issues with interior of book, lots of great photographs. Umlauf didn't hold book signings to the best of my knowledge, it's very rare to find a book signed by him. Charles Umlauf (July 17, 1911 – November 19, 1994) was an American sculptor and teacher who was born in South Haven, Michigan. His sculptures can be found in churches, numerous public institutions, outdoor locations, and museums, including the Houston Museum of Fine Arts, the Smithsonian Institution in Washington, D.C, and the Metropolitan Museum of Art in New York, as well as in many private collections. Umlauf received a number of accolades, including a Guggenheim Fellowship and a Ford Foundation Grant. In 1941 Umlauf accepted a position at the University of Texas School of Art in Austin, Texas, where he taught for 40 years. Artists teaching at UT included Loren Mozley, Everett Spruce, Kelly Fearing, Seymour Fogel, and William Lester. Umlauf retired as Professor Emeritus in 1981. In 1985, he and his wife Angeline Allen Umlauf gave their Austin home, Umlauf’s studio, and 168 sculptures to the City of Austin. Based on this gift and considerable community support, the UMLAUF Sculpture Garden and Museum was founded and opened its doors in 1991 as at 605 Azie Morton Road in Austin, Texas. The UMLAUF is a private–public partnership with the City of Austin. Contents 1 Early life 2 Work 3 Mentorship 4 Selected works 5 References 6 External links Early life Charles Umlauf was born in South Haven, Michigan, on a large farm where his family lived and worked. He was the sixth of eight children born to immigrant parents Christian Heinrich (Bavarian) and Charlotte Derouet (French-Alsatian). The Umlauf children were named Heinrich, Marie, Charlotte, Wilhelm, Edouard, Karl, Emelia, and Louis. The family moved frequently in search of work. The Umlauf family suffered from anti-German sentiment during the first World War. The family Americanized their names (Heinrich to Henry, Wilhelm to William, Karl to Charles) to avoid persecution in their Michigan town and schools. After enactment of the Espionage Act of 1917, Umlauf’s father was falsely accused of spying while working at an ammunition plant. Soon after, the windows were shattered in the family home. This treatment would influence the subjects and expression in Charles’ work. In 1918 the entire family relocated to Chicago in search of greater opportunities for work. Umlauf discovered sculpture early in his life, when he was a child, playing in the sand at Lake Michigan. He watched a sand artist on the beach, and subsequently sculpted a life-size sand sculpture of his own. Umlauf claimed that he knew at the age of ten that he was going to be a sculptor. At this age, he was living with his family in Chicago. In 1922, Christian Umlauf died, further impoverishing the family. Charlotte Umlauf died only 6 years later, leaving the children orphans and emotionally devastated. Charlotte had been a fervent supporter of artistic education for her children, spending a portion of their meager income on music lessons for Charles and his siblings. Work In 1918, when Charles was eight years old, the Umlauf family moved to Chicago. Charles and his brothers worked as caddies at Oak Park and Bryn Mawr Country Clubs. Charles was encouraged to pursue his artistic interests by his sister, Marie, who paid for her 11-year-old brother to attend weekend classes at the Art Institute of Chicago (AIC). He soon earned a scholarship for continued study. Umlauf was interested in carving and forming figures from an early age. Based on a small lion he molded in clay, Charles received his first commission of a full-sized lion in 1922, at age eleven. In 1929 Umlauf began three years of study with Albin Polasek at the AIC. He subsequently spent one year as an assistant to Lorado Taft at his Midway Studio before returning to the AIC where he remained until 1937. Those years saw a growth in Umlauf's interest in the more abstract sculptures being produced in Europe, and as a consequence, his own art became increasingly abstracted. From 1934 through 1941, Umlauf was employed by the WPA Federal Art Project, created during the Great Depression. He sculpted for several Federal projects, including two monumental sculptural heads for Merchandise Mart and sculptures for Cook County Hospital. His 1939 work War Mother caught the attention of Marion Koogler McNay and professors at the newly formed Art Department at the University of Texas at Austin. They offered him a position as Professor of Life Drawing and Sculpture and the Umlaufs permanently moved to Austin in 1943. Mentorship During his tenure at the University of Texas, Charles Umlauf taught many art students, including Farrah Fawcett. Fawcett, an art major, called Umlauf her "favorite professor" and they began a close mentoring relationship. Fawcett took classes and worked with Umlauf in his studio, as well as occasionally sitting for him as a muse. Her sculpture work is similar to Umlauf's in style. Work by Fawcett was exhibited at the UMLAUF in 2017 in the Mentoring a Muse exhibition.[1] Another of his pupils was Bob "Daddy-O" Wade, who studied at the University of Texas from 1961-65, and later became famous for his larger-than-life sized works inspired by Texan cowboy culture.

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1972 E Rice Bauknight Watercolor Quail Texas Landscape Wildlife Artist. Very nicely done watercolor by a listed artist that was very good at painting quail. 20.5" x 25" framed x 15" x 20" sight. Minor wear to frame, bottom left corner of matting has lightened, no issues with artwork.

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Tom Landry 1947 University of Texas Cactus Yearbook. Good condition as shown, some expected wear, seems to have all the pages. TW73

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Texas Tech Electrical Engineering Paperweight c1980 brass/ bronze. Nice quality<br>vintage paperweight, won't find another. Looks like it says class of 80. From an<br>Electrical engineers estate, I think maybe he was a professor.<br>Tw4

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Walt Glass Pottery(1943-2016) McQueeney San Antonio Texas Blue Red Drip Pitcher and Goblet Set. The pitcher is signed, the goblets aren't. All made by Walt Glass, all from same estate. One very small nick on footrim of one goblet shown in the back right of the last pic. No other cracks, chips, or restorations. The goblet vary a little as they're handmade. Pitcher is 7.5" tall, goblets average about 7.25" tall. TW14, Tw17 Walt grew up in San Antonio and, after serving in the Army, graduated from The University of the Incarnate Word where he later received an Outstanding Alumnus Award. He married Cynthia Vela, also a UIW graduate, in 1975, and they enjoyed 40 years together. After finding his artistic passion in creating beautiful, handmade, one of a kind pottery, Walt and Cynthia opened their shop, Village Gallery, in San Antonio's historic La Villita and a production studio in McQueeney, Texas. He and Cynthia loved participating in craft fairs around the country with a special fondness for the "Starving Artists Show" along the San Antonio River Walk and La Villita. They enjoyed a successful artistic venture for over forty years and their pottery has been appreciated across the globe. His unique pottery was collected by dignitaries from around the world, including the Queen of England, Ronald Reagan, and other notables, as well as being featured by San Antonio's sister city in Japan. As a master potter, Walt enjoyed mentoring professional potters from around the world, sharing his technique and skill. Later in his career, he loved teaching Ceramics at Texas Lutheran University in Seguin, Texas where he contributed both in and out of the classroom. With the help of TLU students and faculty, he introduced the "Empty Bowls Project" to the Seguin area, raising funds to help feed the hungry.

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I think these are 2014 players or right around that. Selling both footballs in<br>near mint condition. One has tiny white spot at tip which I believe to be a<br>factory flaw. I didn't see any duplicate signatures between the two balls.

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Roger Disney 2006 Oil on Canvas. 16" x 20" very cool with no issues or damage of any kind.

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Ida Spence Oils on Board Listed Texas Artist Raccoons and Flowers. Both 5" x 7" panels. Larger frame is 11.75" x 9.75". No issues or damage Tw49

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c1950 University of Texas Mechanical Engineering Laboratories UT STadium<br>Ashtray. 4" x 4 3/8", some oxidation as shown.<br>kitshelf

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Western mountain Landscape watercolor Painting Complex and Colorful signed<br>-Hare- 18.25" x 14.25" framed. 7.5" x 12" sight. Clean frame painting, and<br>matting.

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Inside of matting is 27" x 21", frame is 38" x 31.5". There are no issues with the drawing or the frame.Biography   Brenda Polsky Morgan ChildsObituary: "Clients Included Richard Nixon, John Wayne, Bob Hope, Barbara Jordan," by Patrict George, American Statesman, Sunday, November 09, 2008 In 1963, future President Richard Nixon attended a Texas vs. Arkansas football game in Austin. Wanting to give a gift to Nixon, then-U.S. Sen. John Tower of Texas commissioned Austin artist Brenda Polsky Morgan Childs to paint a scene from the game, which he then sent to Nixon. The painting was flown to Washington first class, but she flew coach, Childs' friends recall. It was a perfect example of how Childs' talent at painting — which brought her famous clients like John Wayne, Bob Hope and Barbara Jordan — never overshadowed her humility.

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Canvas measures 24" x 18", frame measures 38.5" x 32.5". Really nice frame, no issues with the painting or frame. It's dated 1985 just below the signature.Biography   Brenda Polsky Morgan ChildsObituary: "Clients Included Richard Nixon, John Wayne, Bob Hope, Barbara Jordan," by Patrict George, American Statesman, Sunday, November 09, 2008 In 1963, future President Richard Nixon attended a Texas vs. Arkansas football game in Austin. Wanting to give a gift to Nixon, then-U.S. Sen. John Tower of Texas commissioned Austin artist Brenda Polsky Morgan Childs to paint a scene from the game, which he then sent to Nixon. The painting was flown to Washington first class, but she flew coach, Childs' friends recall. It was a perfect example of how Childs' talent at painting — which brought her famous clients like John Wayne, Bob Hope and Barbara Jordan — never overshadowed her humility.

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1941 Bob Crabb Texas Hill country Bluebonnet Landscape Watercolor. Really nice<br>watercolor. This guy did a lot of exhibitions in his time, there's archives of<br>him in the Smithsonian. He was in the Dallas Museum of art in 1940. Frame<br>measures 18.75" x 14 5/8" inside of matting is 12" x 8". His art is in many<br>private collections but rarely comes on the market as he was not very prolific.

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1964 Harding Black Texas Studio Art pottery bowl 8.75" wide x 3" deep with no<br>damage or restorations. tw105<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.

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2 Signed first Editions The life of Pitser Garrison Bob Bowman. These are not just two signed copies of this book, these are from the Garrison Family and include all the legal paperwork, things submitted towards the publishing of the book, etc. I really didn't have time to look through it all but it's all important. These have to be the two most important copies of this book in existence I would think. Below is the bio of the estate they came from and it's significance. Both books with slight wear to dust jackets overall good, with all the paperwork included, not all of it shown. Garrison Brothers Honored Nathan Smith, Staff Writer February 10, 2012 Homer and Pitser Garrison, brothers and graduates of LHS, were honored by the Lufkin High School Alumni Associtation (LHSAA), for their distinct service to Lufkin and the state of Texas.Texas Rangers, family members, and friends including Reba Garrison, wife of Pitser Garrison and Tommie Garrison West, niece of the brothers, and Mayor Jack Gorden gathered in the Honor Hall as the Rangers dedicated a framed piece with two pictures found by Ranger Rayburn as he was doing research about the Garrisons.The Rangers gave a presentation in memory of Homer Garrison’s life and read through his achievements as a law enforcement officer.Homer Garrison, who lived from 1901 to 1968, served as the Texas Ranger Chief and the first director of the Texas Department of Public Safety. He began his law enforcement career at age 19, after being appointed as a deputy-sheriff in Angelina County. His father told him he would never get anywhere in that “dead end job”, but Homer continued to work at the job and became a state license and weight inspector for the Texas Highway Department and joined the Texas Highway Patrol when it was organized in 1930.In 1935, the Texas Highway Patrol and the Texas Rangers were placed under the same director, and the Texas Department of Public Safety was created. Homer Garrison Jr. was named as the first Assistant Director, and was tasked with training new DPS officers. His opportunities did not stop there, however. At the request of the governor of New Mexico, Homer was sent to help with the organization of the New Mexico State Police. He was even offered a position by Gen. Douglas MacArthur to structure Japan’s new police system, but declined so that he could stay with the Rangers an the DPS. Eventually, Homer Garrison Jr. went on to become the director of the DPS and took his position as chief of the Rangers. Under his leadership, many new and groundbreaking programs were created for the organization, and by the time of his death, the organizations themselves emerged as one of the most powerful and efficient police forces in America. Instead of choosing law enforcement like his older brother, Pitser Garrison chose a life of public political service in Lufkin and throughout the state of Texas. Pitser attended Lon Morris College and the University of Texas Law School where he graduated in 1935. He served as a senior partner at the J.J. Collins law firm for almost 30 years, before becoming president of the Lufkin National Bank. In 1970, Pitser Garrison became the mayor of Lufkin until his resignation in 1988, and he served for 18 years, longer than any other Lufkin mayor. Pitser was renowned for his hometown pride and his leadership skills during his career. He possessed a particular charisma and intellect and knew how to get things done. “Before Pitser, the local Lufkin government was in a very unstable shape,” mayor Gorden said. “It was not uncommon to have a new city manager every few years. But he changed that. He brought a stability and a sense of unity to the Lufkin government.” The character of each brother was just as much memorialized as the achievements they had while serving others. “Homer was a glowing man with a real gift for working with people,” added his niece, Tommie West. “He just had a way of motivating you and making you feel good about yourself.” And like his older brother, Pitser also had a way with people, and his kindness is still remembered by those close to him. “Pitser was just the nicest man. He had a booming voice that could really get you,” said Reba Garrison, laughing. “Everybody looked up to him, everybody respected him, and he deserved it.” These and other related items I'll be listing shortly are from the estate of multiple descendants of Homer Garrison Jr. GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and director of the Texas Department of Public Safety, son of Homer and Mattie (Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21, 1901, the eldest of nine children. After graduation from Lufkin High School he went to work in the office of his father, who was district clerk in Angelina County. Garrison received his first experience as a law officer at nineteen, when was appointed a deputy sheriff of Angelina County. In 1929 he became a state license and weight inspector for the Texas Highway Department, and he joined the Texas Highway Patrol when it was organized in 1930. When the Department of Public Safety was founded in August 1935 Garrison became the first assistant director. Among his initial duties was the task of developing a training program for DPS officers. At the request of the governor of New Mexico, he was sent to that state to help organize the New Mexico State Police. During World War II he was offered an appointment by Gen. Douglas MacArthur to reorganize and supervise the Japanese national police system for the War Department, but he declined in deference to his duties as director of the DPS and chief of the Texas Rangers. Among the many honors bestowed upon him during the nearly thirty years he served as the head of the state law-enforcement agency was the presentation of the sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety Foundation for distinguished service in highway safety. In 1963 Governor John Connally appointed Garrison director of civil defense and disaster relief for the state of Texas and chairman of the State Defense Council. The same year the governor also named him director of the Governor's Highway Safety Commission. In May 1966 he was elected chairman of the resolutions committee and a member of the steering committee of the Southern Region Highway Policy Committee of the Council of State Governments; in January 1967 he was named a member of the National Motor Vehicle Safety Advisory Council. Colonel Garrison became director of the Department of Public Safety and chief of the Texas Rangers in 1938. Under his leadership numerous major programs were developed, and the organization grew to a total of some 3,400 employees. The programs included crime control, police traffic supervision, driver licensing, vehicle inspection, safety responsibility, accident records, safety education, defense and disaster service, and police training. Garrison married Mary Nell Kilgore on June 1, 1939, and they had one son. Garrison died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas Ranger museum at Fort Fisher was named for him. BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980). Vertical Files, Barker Texas History Center, University of Texas at Austin. Bill Carter "GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57 US/Central 2002].

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1969 Lubbock TX Wrestling medal. Buying the medal shown with a penny for scale.

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Vintage University of Texas Football Pinback Buttons. Selling the three buttons with penny for scale, circa mid 20th century. isshelf

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Texas Ranger Homer Garrison Jr LBJ Signed Photograph Lady Bird/Lyndon Baines<br>Johnson. Extremely rare and Authentic from the estate of the descendants of<br>Homer Garrison Jr. I have another photo similar to this signed from LBJ and lots<br>of books from the estate signed and given to Homer Garrison Jr and his<br>descendants listed separately. This was given to Homer by LBJ and Lady Bird on<br>Homer Garrison's last Christmas on earth. Still in original frame untouched.<br>Genuine signatures, note written by Lady Bird and LBJ's signature as shown. I'd<br>bet my life against $1 it's authentic. This is far more important than the<br>"average" LBJ signed photo with the Texas ranger/dps association. Really it's a<br>museum piece. 14" x 12" total frame and all, clean with no issues, vibrant<br>signatures and photo.<br><br>This Photo/signature and other related items I'll be listing shortly are from<br>the estate of multiple descendants of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgore on June 1, 1939, and they had one son.<br>Garrison died on May 7, 1968, and was buried in the State Cemetery, Austin. A<br>Texas Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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Signed Famous Texas Ranger Family Dedication East Texas Troubles The Allred<br>Rangers by Jody Edward Ginn. Appears spotless inside and out including dust<br>jacket. I would bet my life this signature is Authentic because of where I got<br>it from. This estate was full of books that were given by the Authors to members<br>of this family.<br><br>These books and many more I'll be listing shortly are from the estate of<br>multiple descendants of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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2 Signed Walter E Long Austin Texas Texana Books. Both signed limited Editions<br>limited to 1000 copies. Four Score years published in 1971 has a post mortem<br>hand written inscription to Homer Garrison Jr Texas Ranger chief/Director of<br>DPS. Homer Garrison's bio is below along with Walter Long's.<br>"For all Time to come" first edition copyright 1964 signed and numbered as<br>shown. This one has a few stains on the edge of the pages as shown, they don't<br>penetrate far into the book. The other is very clean. Selling both rare signed<br>books. Both 8 5/8" x 11.25"<br><br>These books and many more I'll be listing shortly are from the estate of Homer<br>Garrison III, the son of Homer Garrison Jr.<br><br>LONG, WALTER EWING (1886–1973).Walter Ewing Long, businessman and civic leader,<br>was born on November 1, 1886, near Ladonia, Texas, the son of Andrew Davison and<br>Alice Madora (McCown) Long. He graduated from high school in Ladonia in 1905 and<br>from Austin College in Sherman with a B.A. degree in 1910 and an M.A. degree in<br>1911. He received a law degree with honors from the University of Texas in 1914,<br>but instead of practicing law he took a job with the San Antonio Chamber of<br>Commerce. Long became secretary of the Austin Chamber of Commerce in 1915; he<br>later was manager of that group for thirty-five years. Long was considered the<br>father of Austin city planning. He also helped organize the Colorado River<br>Improvement Association, which evolved into the Lower Colorado River Authority<br>and built the dams forming what is now the Highland Lakes chain. He obtained<br>options on land eventually used to increase the size of the University of Texas<br>campus, and in 1922 he arranged a sale of bonds to construct the Stephen F.<br>Austin Hotel, for many years a convention center in the city. He founded the<br>Texas Legislative Service in 1925 and supervised its activities for forty years;<br>he gave its collection of legislative history (1925–65) to the Texas State<br>Library. After his retirement in 1949 Long continued to work on various<br>committees and to write on his favorite subjects, Austin and Central Texas.<br>Among his many publications were Flood to Faucet (1956), The Longhorn Crossing<br>(1960), For All Time to Come (1964), and Stephen F. Austin's Legacies (1970). He<br>was appointed to the Texas State Library and Historical Commission in 1954, and<br>he served as president of the Texas Fine Arts Association. He was also a member<br>of the executive council of the Texas State Historical Association. He was<br>married to Janet Kaape on March 30, 1915, and they were the parents of two<br>children. Long died in Austin on November 8, 1973, and was buried in Oakwood<br>Cemetery.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br><br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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Texas Ranger Chief Homer Garrison Jr(1901-1968) Signed Books lot Jake Pickle Bob Alexander Donaly Brice Joe Combs. Selling the lot shown all from the estate of Homer Garrison jr's son. All signed as shown. James Jarrell "Jake" Pickle (October 11, 1913 – June 18, 2005) was a United States Representative from the 10th congressional district of Texas from 1963 to 1995 These and other related items I'll be listing shortly are from the estate of multiple descendants of Homer Garrison Jr. GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and director of the Texas Department of Public Safety, son of Homer and Mattie (Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21, 1901, the eldest of nine children. After graduation from Lufkin High School he went to work in the office of his father, who was district clerk in Angelina County. Garrison received his first experience as a law officer at nineteen, when was appointed a deputy sheriff of Angelina County. In 1929 he became a state license and weight inspector for the Texas Highway Department, and he joined the Texas Highway Patrol when it was organized in 1930. When the Department of Public Safety was founded in August 1935 Garrison became the first assistant director. Among his initial duties was the task of developing a training program for DPS officers. At the request of the governor of New Mexico, he was sent to that state to help organize the New Mexico State Police. During World War II he was offered an appointment by Gen. Douglas MacArthur to reorganize and supervise the Japanese national police system for the War Department, but he declined in deference to his duties as director of the DPS and chief of the Texas Rangers. Among the many honors bestowed upon him during the nearly thirty years he served as the head of the state law-enforcement agency was the presentation of the sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety Foundation for distinguished service in highway safety. In 1963 Governor John Connally appointed Garrison director of civil defense and disaster relief for the state of Texas and chairman of the State Defense Council. The same year the governor also named him director of the Governor's Highway Safety Commission. In May 1966 he was elected chairman of the resolutions committee and a member of the steering committee of the Southern Region Highway Policy Committee of the Council of State Governments; in January 1967 he was named a member of the National Motor Vehicle Safety Advisory Council. Colonel Garrison became director of the Department of Public Safety and chief of the Texas Rangers in 1938. Under his leadership numerous major programs were developed, and the organization grew to a total of some 3,400 employees. The programs included crime control, police traffic supervision, driver licensing, vehicle inspection, safety responsibility, accident records, safety education, defense and disaster service, and police training. Garrison married Mary Nell Kilgore on June 1, 1939, and they had one son. Garrison died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas Ranger museum at Fort Fisher was named for him. BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980). Vertical Files, Barker Texas History Center, University of Texas at Austin. Bill Carter "GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57 US/Central 2002].

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4 Signed Texas Rangers Books Dedicated to Family of Homer Garrison jr. Selling<br>the 4 books shown with very minor wear if any to exterior, no interior wear. All<br>signed as shown. I would bet my life this signatures are Authentic because of<br>where I got it from. This estate was full of books that were given by the<br>Authors to members of this family.<br><br>These books and many more I'll be listing shortly are from the estate of<br>multiple descendants of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].

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1963 Signed First Edition History of Travis County and Austin Texas. Selling the<br>rare signed book. 6 3/8" x 9.25" 388 pages chock full of info, minor exterior<br>wear, clean interior. I would bet my life this signature is Authentic because of<br>where I got it from. This estate was full of books that were given by the<br>Authors to members of this family.<br><br>These books and many more I'll be listing shortly are from the estate of Homer<br>Garrison III, the son of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].<br><br><br>Mary Starr Barkley<br><br>was a life-long resident of Austin whose penchant for local history led her to<br>write numerous colorful books, articles, and essays about her hometown and<br>Central Texas. Known to friends and colleagues as "Mamie", she liked to refer to<br>herself as a "housewife-historian".<br><br>Barkley's roots in Austin extended back four generations. She was born in 1907<br>to James Patrick Starr and Mary Ellen Dolan Starr (Nellie), devout Irish<br>Catholics who belonged to St. Mary's Parish in Austin. Mary attended St. Mary's<br>Cathedral School until her graduation in 1923. Her close ties to the Catholic<br>Church greatly influenced both her historical research and her charitable<br>activities throughout the rest of her life.<br><br>Mary attended the University of Texas for two years and then went to work for<br>Austin National Bank where she met her future husband, Fred C. Barkley. The two<br>were married in 1930. During World War II, when Fred was in service, Mary began<br>to write fiction and essays. One of her favorite personal anecdotes concerns the<br>time in 1946 that she sent out three articles and received a check for each one.<br>"After that", she said, "I could never quit writing." She regularly sold<br>stories, essays and articles to magazines such as The Cattleman, Farm and Ranch,<br>Catholic Digest, the Houston Chronicle Sunday Magazine, and the Atlanta Journal<br>Magazine .<br><br>Mary Starr Barkley wrote predominantly about Austin and the surrounding<br>communities. She liked to set out at about nine o'clock in the morning one day<br>each week and drive to communities within a fifty mile radius of Austin. She<br>conducted a substantial amount of her research through oral interviews and<br>enjoyed talking to "old timers" who could tell her all about the history of<br>their communities. Barkley's method of history writing was to weave human<br>interest stories into traditional date-oriented narratives; she called this<br>style her "trademark". Barkley also carried a camera with her during her travels<br>and took many of the pictures that accompanied her articles.<br><br>In addition to her work as an amateur historian, Barkley was involved in several<br>organizations, many of which were affiliated with the Catholic Church. In 1950,<br>she helped organize the Seton Hospital Auxiliary to which she ultimately gave<br>over 17,000 hours of her time during a 30-year period. In 1950, Barkley also<br>helped organize the Friends of the Adoration Convent, a group that served as<br>both the auxiliary and the fundraising arm of the Austin Adoration Convent. In<br>her later years, she served as the Chair of the Travis County Historical Survey<br>Committee, an organization dedicated to the preservation of the historical<br>buildings within Travis County.<br><br>Barkley was the author of several published works including: Fifty Years of the<br>Seton Hospital (1952), O ne Hundred Years: The History of St. Mary's Cathedral<br>(1952), The History of Travis County and Austin, 1839-1899 (1963), A History of<br>Central Texas (1970), St. Mary's Church (now a Cathedral) (1972), The History of<br>St. Mary's Cathedral, 1874-1974 (1974), and numerous essays and articles<br>published in local and national periodicals. She also wrote a book on the<br>history of the Austin National Bank, and tried her hand at fiction. In addition<br>to her activities as a writer, Barkley conducted extensive genealogical research<br>about her own family and composed an unpublished family history, "A Four Staff<br>Family".<br><br>Principle organizations Barkley belonged to include: Seton Hospital Auxiliary,<br>the Travis County Historical Survey Committee, the Adoration Convent, Austin<br>National Bank, and St. Mary's Cathedral Parish.<br><br>Mary Starr Barkley succumbed to cancer in 1981.

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3 1980's Texas Belt buckles. Selling the three shown, all high quality buckles taking up to 1.75" leather belt. I don't believe either has been worn, slight surface wear to Duncanville buckle 3.5" to 3 7/8" wide.

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Rare 1908 Austin Texas Centennial of the Birth of Jefferson Davis Medal 2 5/8" tall with some oxidation and loss to enamel.

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c1910 Lookout Mountain Tennessee Folk Art carved Pyrography Civil war rifles letter opener. Great piece from the first quarter of the 20th century with appropriate wear. 7.5" long tip isn't sharp as shown, likely broken off long ago. kitshelf

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c1940's Texas University Interscholastic League Golf State meet sterling medal. 1 3/8" tall.

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1936 Texas Centennial Universal Pottery Pitchers and Charger. Amazing to find three of these pieces together so well preserved. No chips, cracks restorations, or other detectable issues. Charger is 12 5/8" diagonal. Selling the pieces shown, both size pitchers with lids and charger. isshelf

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1936 Texas Centennial Depression glass juice glasses set. These are much more<br>difficult to find than the cobalt or clear glasses from the Texas centennial<br>fair. They are 3.75" tall x 2 3/16" wide at the rim. No damage to any, no issues<br>with lettering. Selling all 4 shown.<br>isshelf

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1975 Texas Dealer License plate. Clean as they come, 12" x 6", good original paint. Original dealer plate from 1975. tw270

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1936 Texas Centennial Dallas Chalkware lamp base. A few easy to touch up nicks<br>as shown, rare item. 7.5" wide x 5.5" tall.<br>isshelf

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Candy Tangney Texas Coastal child on beach watercolor 14.5" x 11.5" framed, 8" x 5.25" sight. No issues with painting or frame. I couldn't show the whole frame due to my current setup and time limitations but it's all clean like what's shown. tw71

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c1920's Austin Texas Advertising leather paperweight. 2 7/8" x 1.75" filled with<br>sand.<br>tw233

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1935 Ft Worth Texas Folk Art Order of the Eastern Star LFATA OES Campaign<br>Miniature chair pin cushion. In many ways this is one of the coolest items I've<br>ever had. It appears to be a hand carved campaign item from depression era Ft<br>worth Texas. I believe Thelma Smith was campaigning for the Position of Electa<br>in the Ft Worth chapter 820 of the Order of the Eastern star. Not sure if she<br>won, if she did maybe this was a presentation item. Also interestingly 1936 was<br>Texas centennial so that's cool also. Stable cracks in wood as shown. 6.75" tall<br>x 3 1/8" wide.<br><br>The Order of the Eastern Star (or Eastern Star, or OES), is the world’s largest<br>fraternal organization that can be joined by both men and women. It is a member<br>of the Masonic family, but joining does not make a member a mason. It’s more of<br>an axillary group, that supports masonic lodges, masonic youth organizations, as<br>well as their own agenda. Like all Masonic organizations, they support<br>membership when in need, both financially and emotionally. They also provide a<br>framework for introspective thought and philosophical discussion on ethical and<br>spiritual topics.<br>isshelf

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c1940 Capitol Chevrolet Austin Texas Keychain. As shown vintage used condition with broken snap. Possibly from the 30's, you be the judge. tw208

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1970 Texas Gauche Painting of Raccoons. Very nice painting with illegible signature. Very high quality painting, behind anti reflective glass and double matting, it's easy to see the pigments and stokes behind the glass. 12.5" x 11.5" framed. 8.5" x 7.25" sight.

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Thomas L. Lewis (1907-1978) Taos New Mexico Landscape Oil on Panel. Nice old painting from the mid 20th century by a well listed artist. No issue or damage, clean frame, signed on back. Also a note on the back indicating at one point is was cleaned and varnished, looks fantastic now. 21" x 26" framed 17.5" x 22" panel. Born in Bay City, Texas, Thomas became a painter of detailed Southwest landscapes and an art gallery owner in Taos, New Mexico. He was a professional artist from the age of nineteen and began by painting scenes of the American South. In the early 1930s, he began experimenting with sepia-tones and desert painting and developed a sophisticated range of colors, which were particularly expressive of the desert country. After the War, he settled in Taos, New Mexico, and Bert Phillips, founder of the Taos Art Colony, became one of his best friends. His paintings are in the Gilcrease Institute of American History, the University of Arizona Art Museum, and many private collections.

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Myrtle Lillian Stedman (1908-2007) 1931 Houston Texas Watercolor of Southern woman of color Feeding chickens. This is a really great watercolor from 1931 when she was living in Houston Texas and attending the Houston Museum of Fine Arts School. I personally find it extremely refreshing to find a picture from this era depicting a woman of color just "doing her thing" in a non derogatory fashion. 9.25" x 11.5" sight in a 15.5" x 18" frame. No issues with painting or frame. It's behind museum glass. It came with a note that I seem to have lost but it was just a pre-internet explanation of the importance of the artist with notes of when it was reframed behind museum glass. Myrle is more famous for her New Mexico landscapes, I personally find this one very interesting and refreshing. Myrtle Stedman was known as an “Artist in Adobe,” designing, building, and remodeling adobe homes under a contractor’s license. She was also a well-know artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Myrtle Stedman - Santa Fe Living Treasures http://sflivingtreasures.org/index.php/treasures/131-stedman-myrtle-.html Myrtle Stedman A painter, a poet, and a writer, Myrtle Stedman is best known for the work in adobe restoration and design she began shortly after arriving in Tesuque in 1934, with her artist husband, Wilfred Stedman. Myrtle Lillian Stedman Myrtle Lillian Stedman, American artist. Recipient Visual and Literature Arts award New Mexico Arts Commission, Mayor's award City of Santa Fe, 1994, Old Santa Fe Association award, 1993, Watercolor awards Houston Fine Arts Museum, 1933, New Mexico Governor's award for Excellence in the Arts Art/Architecture, 1997; named Living Treasure Santa Fe Networks, 1985. Background Stedman, Myrtle Lillian was born on February 5, 1908 in Charleston, Illinois, United States. Daughter of Edward Bullard and Myrtie (Harrell) Kelly. Education Student, Museum Fine Arts, Houston, 1934. Student, Art Student's League, New York City, 1980. Career Fine artist, illustrator Stedman Studio, Houston, 1927—1934. Designer, builder Tesuque Home Builder, 1952-1987. Achievements Myrtle Lillian Stedman has been listed as a notable artist by Marquis Who's Who.

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c1980 Bob white Quail Watercolor by Anita Diebel. Very nice watercolor from the seventies or 80's. 13.75" framed 9.5" sight. No issues or damage. ART has always been part of my life. It is my personal means of expression, of reaching out, of sharing my world and the wonder I find within it. The marvels of nature infuse my work, whether realistic or abstract. I am blessed, now, to live by the sea, where endless horizons meet marvelous sunrises and the sound of the gull, the heron, the crane mingle with the music of wind whistling in the palms. Every turn in my life brings new inspiration. My art is a delightful journey of never ending exploration. I find joy in each experience and delight when the viewer findS Something within my work that reaches out to them. I will never paint all the things that call to me but I shall surely try. Enjoy Anita Diebel is recognized for her sensitive water-media and collage paintings that resonate with layers of color and texture. An intuitive painter, her work evolves from an inner spirit as she responds to the interaction of colors and shapes, line and rhythm. Each painting is the combination of many layers: painted, collaged, obscured, found, hidden, enhanced and melded into the whole as the many events in our lives serve to make us who we are, a combination of that which has gone before, that which we experience and that of which we dream. Diebel's paintings hang in private and corporate collections throughout the US and abroad. Her work has been honored with awards at local, national and international levels. She has attained signature status in Texas Watercolor Society, Southwest Watercolor Society and Western Federation of Watercolor Society. b41

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1936 Texas Centennial souvenir Shoe collection. Selling the three with no damage. longest 3.5" kitshelf

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Texas 1937 Pan American Games Olympic Gold Medal. This is an Authentic (tested) 14k gold medal from the Pan-American games that took place in 1937 in Dallas Texas. This was the first year of the games, it received little attention, it's likely the only one in existence as very few people in the world even know these games took place even though athletes that were famous at the time and also competed in the 1936 Olympics in Germany also competed here. It took me a fair amount of time to figure out what this was as I could find no sales results from another. 999/1000 gold buyers would melt this without ever figuring out what it was. Maybe there is another one out there but I could find no evidence of that, regardless it's a very important part of sports and Texas history. I'm assuming TKC is the recipient of the Medal, at the moment I'm not sure who that is. I've had this for quite some time and I know I acquired it in Austin, probably about 4-5 year ago which would have made the recipient 100 when he passed if he competed at 20 assuming I acquired it directly from the recipients estate. 84 years is a long time. I'm putting this out there hoping to gather a little more info on it and the price might seem crazy but I think it or more could be possible at the right auction. 7/8" wide x 1" tall without loop. Below is a little info I gathered online from various sources in a few hours about the 1937 Games and a few of it's participants. Early games The idea of holding a Pan American Games was first raised at the 1932 Summer Olympics in Los Angeles, where Latin American representatives of the International Olympic Committee (IOC) suggested that a competition among all the countries in the Americas should be created.[7] The first event called the Pan American Games took place in Dallas in 1937 as part of the Greater Texas & Pan-American Exposition, but it attracted so little attention it has never counted in the records of the competition.[8][9] At the first Pan American Sports Congress, held in Buenos Aires in 1940, the participants decided that the first games should be held in Buenos Aires in 1942. The plans had to be postponed because of World War II. A second Pan American Sports Congress held in London during the 1948 Summer Olympics reconfirmed Buenos Aires as the choice of host city for the inaugural games, which were held in 1951. The games began on February 25[10] of that year, and offered 18 sports.[7] Countries that were part of the Commonwealth of Nations such as Canada did not compete at the first Pan American Games.[11] The second games were held in Mexico City, Mexico. Competitions started on March 12 and included 2,583 athletes from 22 countries, competing in 17 sports.[12] The Pan American Games have been held subsequently every four years.[12] Continental championships have long been a vital component of the four-year calendar for sports whose pinnacle is the Olympic Games. They began in continents with relatively few organised international competitions between neighbouring countries. The 1937 Pan American Games were followed by the Pacific Games, the African Games and the Asian Games. The Pan American Games The idea of Pan American Games was conceived in 1932 during the Los Angeles Olympic Games, but the first officially sanctioned Pan Am Games did not take place until 1951.1" World politics interfered from the start. 14 As a prelude to the Games originally planned for 1942, a festival called the 1937 Pan American Games was held in Dallas, Texas. At least 21 nations of South, Central and North America were invited, but only about a half dozen actually attended. In soccer, 1937 Pan-American Games (unofficial): The United States (represented by the Trenton Highlanders) lost to Winnipeg (representing Canada) 3-2 to finish in 3rd place of 3 teams. Dyreson, Mark. (2016). The Original Pan-American Games? The 1937 Dallas Pan-American Olympics. The International Journal of the History of Sport. 33. 1-23. 10.1080/09523367.2016.1152959. In 1937, Dallas, Texas, hosted a sporting festival that drew teams from across the Americas to a ‘Pan American Olympics’. Organized under the umbrella of the Greater Texas and Pan-American Exposition, the games drew hundreds of athletes for track and field contests, soccer football matches, and a boxing tournament. Though historians generally consider the 1951 Buenos Aires Pan-American Games as the genesis of the Western Hemisphere’s biggest sporting carnival, the Dallas games certainly inspired even if they did not directly inaugurate the Pan-American Games movement. Directed by George Preston Marshall, the owner of a professional gridiron football franchise and an ardent leader of segregation in that sport, the Pan-American Olympics paradoxically produced an interracial set of contests that matched black, white, and Latino athletes against one another in the heart of the segregated US South. The Dallas Pan-American festival reveals the enigmatic visions of their architect, illumines the racial and national cleavages of the 1930s, and highlights the persistent dream of an Olympic-style event that would include all of the Americas. Earle Meadows Inducted: 1996, athlete Born: June 29, 1913 - Corinth, Mississippi no longer with us: November 11, 1992 Events Pole Vault - 4.54 m A world record holder in the days of the bamboo pole, Earle Meadows achieved his greatest fame by winning the pole vault at the 1936 Olympic Games, but 1937 was perhaps his greatest year from a record standpoint. On May 8 at Stanford, Calif., Meadows and University of Southern California teammate Bill Sefton broke the world record when they cleared 4.48m/14 feet 8.50 inches, appropriately tying for first place. Three weeks later, they both bettered that mark with clearances of 4.55m/14-11. Since the standards couldn't be raised any higher, Meadows and his teammate lost their chance to become the first vaulters to clear 15 feet. Their performances while leading USC to three NCAA team titles earned Meadows and Sefton the nickname "Heavenly Twins." In 1935 and 1936, Meadows also shared the NCAA title with Sefton, and he tied Sefton for the 1935 AAU title. Meadows was equally as successful indoors, winning national titles in 1937, 1940 and 1941. In the latter meet, he set a world indoor best of 4.45m/14-7. Records Held World Record (indoor): Pole Vault - 4.45 m World Record: Pole Vault - 4.48 m (May 8, 1937 - ) World Record: Pole Vault - 4.54 m (May 29, 1937 - ) Championships 1936 Olympic Games: Pole Vault - 4.35 m (1st) 1935 USA Outdoor Championships: - 4.23 m (1st) 1936 Olympic Trials: Pole Vault - 4.34 m (1st) 1937 USA Indoor Championships: - 4.34 m (1st) 1940 USA Indoor Championships: - 4.34 m (1st) 1941 USA Indoor Championships: - 4.38 m (1st) 1937 Pan American Games: - 4.12 m (3rd) 1936 Olympic Games, Berlin, Germany John Loaring Jr’s second competitive experience in the 400m hurdles was on his 21st birthday, August 3rd, in the heats at the 1936 Berlin Olympic Games. The following day, Loaring ran in both the semi-final and final of the 400m hurdles. He was the youngest and most inexperienced finalist, but managed to win the silver medal, finishing only 3/10ths of a second behind the favourite and world record holder, Glenn Hardin. On August 6th and 7th, Loaring ran four 400m races: first round, second round, semi-final, and the final, in which he placed sixth. On August 8th, Loaring anchored the 4x400m Canadian relay team. In the semi-final heat, Loaring received the baton ahead of Germany’s Rudolf Harbig, who later, in 1939, broke World Records in the 400m and 800m runs. Loaring purposely slowed near the end, letting Harbig win in front of his countrymen, and knowing that a Canadian second would qualify for the final. However, in the final, Canada’s third relay runner was fouled by an American runner, and Loaring received the baton seven meters behind Harbig. Loaring nearly caught Harbig, with Germany and Canada receiving the same time, but Loaring behind by less than a metre — Canada placing fourth. International press reported that officials huddled about the obvious foul, but ultimately decided not to disqualify the USA team, because the Canadian team hadn’t protested. Such was the gentlemanly “roll-with-the-punches” sportsmanship and politics of that earlier time. The popular German weekly, Fussball, selected Loaring as: “The toughest competitor of 1936…” The noted Olympic authors, Ross and Norris McWhirter, commented: “Loaring’s competitive record at the 1936 Olympics…must just about represent the most severe test to which any Olympic athlete has ever been subjected.” Loaring is still the only athlete to compete in all three Olympic male finals involving the 400m distance in any combination of Olympic Games, and he did so as he turned age 21. Like other young athletes, the onset of World War II deprived him of two Olympic Games during his prime years – one can only surmise what performances he could have delivered as an experienced athlete. Post-Olympic Performances Immediately after the Olympic events, Loaring competed in a British Empire vs USA meet in London, England, on August 15th, 1936. In a four-by-two-lap steeplechase relay, Loaring ran the anchor leg in a World Best Time, winning gold for the British Empire Team. He overcame a 12yd lead of USA’s anchorman, who had held the 3,000m steeplechase World Record until one week prior. This was Loaring’s one and only steeplechase experience. In the 1937 Pan-American Games in Dallas, Texas, Loaring’s favourite 400m hurdles event wasn’t on the program. However, he won a fourth-place medal in the 400m run. Three days later, Loaring competed in an Oxford-Cambridge versus Canada Dual Meet in Hamilton, Ontario. After winning the 220yd hurdles, Loaring upset Britain’s Olympic silver and gold medalist while winning the 440yd run. John Woodruff African American runner at the 1937 Pan American Games, he faced Elroy Robinson, a white runner who had just set a world record in the 800 meters. Mr. Woodruff won the race by 12 yards with a time of 1:47.8, almost two seconds faster than Robinson’s week-old record. But officials disallowed Mr. Woodruff’s time, ruling the track was improperly measured and was several feet short.

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Signed Greater Tuna Posters Jaston Williams/Joe Sears. Two very cool original posters from Greater Tuna, likely before it went nationwide as it started in Austin. 14.25" x 22.25" each. Both originals with original signatures, estate fresh from a local estate that obviously had something to do with the production and/or were close friends. I actually purchased these a few years ago along with other Greater Tuna memorabilia the wife is pregnant so it's time to clear out stuff that I wanted to keep to make room for a baby. Selling both, framed behind anti glare glass.

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Vintage Texas Advertising items Tex Tan Leather Bendy figure Elsie cow push<br>puppet. Bendy figure 6" tall West Germany and makers mark on base probably<br>1960's or early 70's, Borden Elsie cow push puppet functional working condition<br>6" tall wood and hard rubber, possible restorations to one ear but it's a<br>perfect match in color so possibly a factory flaw.<br>Selling both<br>TW260

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Framed oil painting on canvas, The Cemetery, signed, dated lower left Paul<br>Burkle, '76 ((Paul David Burkle, Texas, 20th c.), 24" x 30" canvas, 33"h,<br>38.25"w framed. No issues with painting, some wear to frame that gives it a cool<br>weathered look. These are below par cellphone pics of a great painting.<br><br>Artist and proprietor, Paul Burkle, is one of the many long-time resident<br>artists who have made Georgetown the artist community that it is. Not long ago,<br>Paul Burkle ran the historic Georgetown Motor Court, which has been renovated<br>and transformed into the Two Rivers Retail establishment that sits on the old,<br>historic site today. Now Mr. Burkle runs an art studio within Two Rivers Retail<br>where he exhibits his fine art oil paintings and custom designed, handmade<br>furniture.

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1950's Ft Worth Texas Visitors guide Gay and Friendly experience. Selling the visitors guide shown, 4" x 9" folded. Super cool and rare in good condition would be great framed. tw260

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Texas Centennial Ice Cream Bowl Set Footed Sherberts set of 4 with multiple sets<br>available. These were made in 1936 I believe by Imperial Glass company to mark<br>the Texas centennial. They have no cracks, chips, or dings, no unacceptable or<br>detectable wear. The measure 4" wide x 3.5" tall. They are estate fresh,<br>guaranteed authentic. There are no reproductions other than the ones that were<br>reissued in 1946 which clearly say 1946 Edition on them and while still scarce<br>are much easier to come by than these that were actually from the 1936 Texas<br>centennial celebration and likely had ice cream served in them at that<br>celebration. I am selling 4 for one price with multiple lots of 4 available as<br>they had a large set that had been in the family since 1936.

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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Graziella Jacoby (American/Czech, 1885-1980) pencil drawing of a gentleman. 14" x 20" sight 19" x 25" framed. No issues with drawing, clean frame and matting. Born in Illinois on August 12, 1885, Jacoby worked in Chicago during 1908-27. While there, she studied at the Art Institute of Chicago and continued with Mucha in Czechoslovakia and with Bellows in New York City. Upon moving to southern California in 1928, she settled in Pasadena and became active in the local art scene. During the 1940s she gave art lessons to servicement at Pasadena's Hospitality House.

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Arthur Bishop Jeffreys (American/Texas, 1892-1970) large Texas landscape painting. 22" x 29" canvas 28" x 35" framed. No damage or notable issues. Nice old painting from the second quarter of the 20th century. Arthur Bishop Jeffreys, 1892-1970, was born in Hillsboro, Texas. He had a mixed career as a painter and newspaper journalist. Starting late to paint in 1923, when in his early thirties, he was employed, 1942 through 1969, by one newspaper, which changed its name three times: the Tyler Morning Telegraph, Tyler Courier-Times, and Courier-Times-Telegraph. He had moved to Tyler, Texas from Dallas in 1936, and for the newspaper worked primarily as a proofreader. However, using the name Arthur Bishop, he also wrote feature articles and shorter columns. As a young man, his destiny lay elsewhere, he was employed by the Missouri, Kansas and Texas Railway Company, apparently in Dallas, where he worked until 1918 as a road master's clerk, secretary to the chief engineer, and secretary to the general manager. Though he briefly studied in New York with Frederick Jarvis, Jeffreys was essentially self-taught. He died in Tyler, and is buried there.He was a member of the Art Students League, New York City; Chicago Art League, Illinois; Dallas Art Association; and Society of Independent Artists. His work is in the collections of the Hilton Hotel, Waco; and La Grange College, Georgia. His landscapes appeared in magazines including Holland's and Literary Digest in 1926. His 1927 painting of Charles Lindbergh's Spirit of St. Louis, autographed by the flyer, sold for $2,000 at an auction in New York City. Jeffrreys was able to make money from his similarly autographed paintings of World War I ace fighter pilot Eddie Rickenbacker, and Amelia Earhart, the first woman aviator to cross the Atlantic. Shows with Jeffreys work include the Exhibition of Texas Artists, Nashville Museum of Art, Tennessee (1927 prize); and Painters of Texas 1900-1950, Museums of Abilene (1989).

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Shep Chadhorn was a Blackfoot American Indian who had formal training at the Art Institute in New York. Chadhorn is known for several magazine and publication type art. Most of his works have been exclusively sold out of the Country Store Gallery and other galleries in the Southwest. 19" x 23" Framed, 12" x 16" sight. No damage to painting, clean frame, Authentic original oil circa 1980's from a very accomplished and well listed artist.

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1980's Porsche/Texas Sesquicentennial Bronze medallions. 1.5" and 1 5/8", both bronze, both from the 80's. Estate fresh with little wear. Selling both for one price, Texas and Porsche 911. anderasbag

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1953 Harding Black Texas Studio Art pottery footed bowl with the best Chinese Flambe glaze No cracks, chips, or restorations, no loss to glaze whatsoever. 6 1/8" wide x 3.25" tall. Harding Black San Antonio (1912 - 2004) A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also began to teach children's ceramic classes at the Witte. Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Black's collection and archive is housed at Baylor University. Harding Black's work with clay serves an an important bridge between early Texas and mid-century pottery. tw122

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No cracks, chips, or restorations, no loss to glaze whatsoever. 5.5" tall x 4 7/8" wide at rim. Selling the pair shown, wonderful glaze, varying slightly as they were handmade. Harding Black San Antonio (1912 - 2004) A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also began to teach children's ceramic classes at the Witte. Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Black's collection and archive is housed at Baylor University. Harding Black's work with clay serves an an important bridge between early Texas and mid-century pottery. b3

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John McClusky (1914-1994) Oil Painting of a Texas home. This a really nice<br>painting by a well listed artist with some high auction results. There are no<br>issues with the painting or frame, it has protective foamboard on the reverse.<br>12" x 24" in an 18" x 30" frame.

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