![1940's Japanese Yamazaki Shoten [山崎商店] (1893 ~ 1990) Fine silver case - Estate Fresh Austin](http://estatefreshaustin.com/cdn/shop/files/1940s-japanese-yamazaki-shoten-1893-1990-fine-silver-caseestate-fresh-austin-374473.jpg?v=1734934253&width=645)
일본, 한국, 태국, 캄보디아, 베트남 및 중국을 제외한 아시아 대부분 지역의 골동품 및 예술품 컬렉션입니다.
일본, 한국, 동남아시아 미술
-
Antique Japanese Lacquer Brush/Pen/Calligraphy Box
Measures 8 7/8" x 2.5" x 1 1/8" deep. No cracks, but some roughness and general<br>wear, the clasp doesn't catch, but could be fixed with needle nose pliers and a<br>little patience, neither of which I can find at the moment. All hand painted.<br>The lacquer is over wood. I see some initials on top left that are barely<br>noticeable unless under strong light and close inspection. Definitely over 100<br>years old, no telling how much older.
$85.00
-
Harris Strong Tile "Ancestor I" Listed Artist Good Egyptian/Asian Mask Pottery M
Frame measure 20.25" x 24.25" x 2" deep. Time is approximately 7.5" x 10.25".<br>Very unusual piece from a well listed artist.<br><br>BIOGRAPHY: Harris Strong was born in Waukesha, Wisconsin in 1920. His aunt<br>owned a greeting card company, and that influenced him to become an artist. He<br>also had a strong scientific bent, so he was meticulous about the "engineering"<br>of his tiles, which featured many innovations when competitors were creating<br>"pie plates," in his own dismissive works. <br><br>During the war, he was a cryptographer, working directly under General Douglas<br>MacArthur during World War II. Afterward, he studied ceramics* and the<br>chemistry of ceramic glazes at North Carolina State University. Then he worked<br>in Brooklyn, New York at Kelby Pottery. <br><br>Later his own business really took off. He had showrooms in Chicago, New York<br>and Tokyo… he created a 30' long free-standing ceramic tile mural for the<br>Waldorf-Astoria in York City, which remains in place. One friend says he was<br>the first to ever show art at a home furnishings show. <br><br>He loved, and sang Gilbert & Sullivan, collected stamps, and played bridge. In<br>1970, Strong relocated to Trenton, Maine, but after a fire destroyed his glazes<br>developed over 20 years, he shifted his focus to prints, serigraphs*, woodcuts*,<br>etchings*, engravings*, collage* and paintings. <br><br>Strong died in 2006.
$390.00
-
Meiji Period Miniature Japanese Samurai Figure Hand Painted c.late 19th century
2 3/8" tall x 1 5/8" wide. Circa late 1800's too early 1900's. No cracks, chips,<br>or restorations, paint wear on nose.
$185.00
-
Meiji Period Imari Sake Cup 1 1/8" tall x 2 1/8" wide c.1900 signed
All hand decorated with great detail and care. Circa late 19th century. No cracks, chips, restorations, crazing, or stains. Wear to gold on rims and minor wear in other places.
$55.00
-
21 pc 1940's Japanese Sterling Silver Beverage/snack spoon set
21 pc 1940's Japanese Sterling Silver Beverage/snack spoon set. Most complete<br>set ever, great condition with just a few minor bends. I didn't polish them but<br>upon request could give them a quick hand polish before shipping. Buying<br>everything in the picture 220.8 grams.<br>anderas
$455.00
-
Antique Japanese Black-Lacquer Suzuribako (Writing Box) and Cover, late Meiji or
Antique Japanese Black-Lacquer Suzuribako (Writing Box) and Cover, late Meiji or early Taisho Period. Amazing item in original box. Some wear to lacquer but overall clean in good condition. Outer box measures 8.75" x 6". Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. History The first suzuri-bako were developed in 9th-century Japan. At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture.[3] Inside of the square or rectangular boxes rested a number of different trays and holders, the layout of which differed from period to period.[2] Early boxes were large enough to accommodate both the writer's implements and papers, while later boxes only housed tools. A second type of box, the ryōshibako, were used in later periods to house completed papers. Suzuri-bako became more elaborate as over time. While early period boxes are often decorated with solid red lacquer, more modern boxes are decorated in any number of ways. From the Muromachi period onward, many writing boxes have been decorated with images from Japan's great works of literature. Kōdaiji Temple in Kyoto became associated with a style of Suzuri-bako decoration that featured asymmetrical patterns and autumn grasses. In terms of lacquerware, black, brown, and gold are the most common colors seen in more modern suzuri-bako. During the Edo period many dowries included a suzuri-bako. Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes. The craft declined after the wide scale replacement of calligraphy, though the boxes are still produced in small numbers.
$1,265.00
-
19th Century Japanese Carved wood puppy netsuke
19th Century Japanese Carved wood puppy netsuke 1 3/8" wide x 1" tall with no<br>damage apparently unmarked.<br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.
$290.00
-
19th Century Japanese Carved Boxwood Toad Netsuke
19th Century Japanese Carved Boxwood Toad Netsuke. 2 1/8" long x 1 1/8" wide,<br>very well carved with no damage, natural cracks in wood. Signed as shown.<br><br><br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.<br>Traditionally, Japanese clothing – first the kosode and its later evolution, the<br>kimono – did not have pockets. Though the sleeves of the kimono could be used to<br>store small items, the men who wore kimono needed a larger and stronger<br>container in which to store personal belongings, such as s, , money and seals,<br>resulting in the development of containers known as sagemono, which were hung by<br>cords from the robes' sashes (obi). These containers may have been pouches or<br>small woven baskets, but the most popular were crafted boxes (inrō) held shut by<br>ojime, sliding beads on cords. Whatever the form of the container, the fastener<br>which secured the cord at the top of the sash was a carved, button-like toggle<br>called a netsuke. Netsuke, like inrō and ojime, evolved over time from being<br>strictly utilitarian into objects of great artistic merit and an expression of<br>extraordinary craftsmanship. Netsuke production was most popular during the Edo<br>period (1603–1867). Netsuke and inrō declined as Japanese clothes were gradually<br>westernized from the Meiji period (1868–1912). Because of their popularity<br>amongst Western collectors at the time, some of the greatest collections are now<br>found outside of Japan
$350.00
-
19th Century Japanese Hirado School Porcelain Netsuke b
19th Century Japanese Hirado School Porcelain Netsuke 1 7/8" tall x 1.5" wide<br>with no damage, 150ish years old.<br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.<br><br>History<br><br>An "Off White" netsuke with an eagle design and an inrō with a deer design. The<br>combination of netsuke and inrō creates a story of an eagle preying on deer. Edo<br>period, 18th century<br>Traditionally, Japanese clothing – first the kosode and its later evolution, the<br>kimono – did not have pockets. Though the sleeves of the kimono could be used to<br>store small items, the men who wore kimono needed a larger and stronger<br>container in which to store personal belongings, such as s, , money and seals,<br>resulting in the development of containers known as sagemono, which were hung by<br>cords from the robes' sashes (obi).<br><br>These containers may have been pouches or small woven baskets, but the most<br>popular were crafted boxes (inrō) held shut by ojime, sliding beads on cords.<br>Whatever the form of the container, the fastener which secured the cord at the<br>top of the sash was a carved, button-like toggle called a netsuke. Netsuke, like<br>inrō and ojime, evolved over time from being strictly utilitarian into objects<br>of great artistic merit and an expression of extraordinary craftsmanship.<br>Netsuke production was most popular during the Edo period (1603–1867).<br><br>Netsuke and inrō declined as Japanese clothes were gradually westernized from<br>the Meiji period (1868–1912). Because of their popularity amongst Western<br>collectors at the time, some of the greatest collections are now found outside<br>of Japan
$290.00
-
18th/19th century Japanese Jakushi school gold/silver/copper inlaid Iron Tsuba
18th/19th century Japanese Jakushi school gold/silver/copper inlaid Iron Tsuba. With later custom fitted box. Tsuba 3 3/16" wide.
$390.00
-
4 c1900 Meiji Japanese Hikite Door Handles
4 c1900 Meiji Japanese Hikite Door Handles . Selling the 4 shown, 2 pairs. One<br>with some holes from rust as shown, other enameled bronze. Enameled bronze pair<br>are 3" wide.
$85.00
-
Meiji Japanese Silver Enamel Tea Ceremony Set
Meiji Japanese Silver Enamel Tea Ceremony Set. Cchashaku with maker's mark, all<br>pieces with jungin (pure silver) hallmark, including: (1) cup, approx 3.75"h,<br>(1) narrow spoon with enamel-accented handle, approx 6.5"l, (1) chashaku with<br>enamel-accented handle, approx 6.5"l, (1) approx 5.25"l No damage or significant<br>wear. Nice antique set over 100 years old.<br><br>353.3 grams total weight.<br><br>tw163
$1,510.00
-
Early Korean Buncheong inlaid dish
Early Korean Buncheong inlaid dish. 4.75" wide, small chips and glaze wear on rim, glaze wear to bottom of bowl, no cracks or restorations. tw147
$400.00
-
WW2 Era Japanese Pathology Surgical blade
WW2 Era Japanese Pathology Surgical blade. The top of the blade inscribed<br>Nothung... Nacht, the case inscribed Keijo Imperial University School of<br>Medicine Department of Pathology, Common Pathology. So possibly German made<br>blade. A few small chips in blade, otherwise sharp, not sure what type of handle<br>it had but it's not present. Box is 12 1/8" long, some wear and lose joinery to<br>box.
$300.00
-
1940's Japanese Oversized sterling case with trick door
1940's Japanese Oversized sterling case with trick door. 6.5" x 3.25" x 230 grams. That's over half a pound of silver, very heavy..Overall clean with no issues. The door has a trick catch. The hinge slides up to free the catch. I tried to show it in the last two pics, pointed to it.
$400.00
-
1940's Japanese Hand Engraved 950 Silver case fg
1940's Japanese Hand Engraved 950 Silver case 4.25" x 3" slight dents and wear, overall clean. 143.8 grams.
$355.00
-
1940's Japanese Hand Engraved 950 Silver Occupied Troops case
1940's Japanese Hand Engraved 950 Silver Occupied Troops case 3" x 2.25" x 1" x 107.5 grams with overall wear and a few slight dents.
$280.00
-
Christmas 1960 Japanese Sterling Jewelry box
Christmas 1960 Japanese Sterling Jewelry box. Tarnished, appears unused other than monogram, very minor wear from 63 years of an easy life on a shelf. No dents, closes tightly. 7" x 4" x 1.75", lined with lightweight wood interior. 332 grams.
$300.00
-
Engraved Chrysanthemum Box Japanese 950 Silver Toyo Koki
Engraved Chrysanthemum Box Japanese 950 Silver Toyo Koki. Japanese 950 sterling<br>silver arc form box with detachable lid, decorated with engraved chrysanthemum<br>flowers on the top. Made by Toyo Koki. Marked "CPO" - it stands for Central<br>Purchasing Office which was the US office in charge of buying items for the US<br>Army & Navy in Post War Japan and can be found on all sorts of Japanese items<br>made between 1946 - 1948.This fabulous box is 6 5/8" long, 2 3/8" wide and<br>weighs 306.4 grams, lightweight cloth liner in base.
$700.00
-
1940's Japanese Hand Engraved 950 Silver case kl
1940's Japanese Hand Engraved 950 Silver case 4.25" x 3 1/8" x 133.9 grams, do<br>bends or dents, snaps shut, sealed tight.
$350.00
-
Large 1940's Japanese Hand Engraved 950 Silver compact r
1940's Japanese Hand Engraved 950 Silver compact. Large compact 4" 127.5 grams, hand engraved, no dents or bends, snaps shut well, some wear to gold gilding, no mirror but pice that would hold it in is intact and present.
$330.00
-
Japanese pure silver wood lined box
Japanese pure silver wood lined box 5.25" x 3.75" x 2" tall, minor wear and<br>dents, overall attractive. Lined with lightweight wood interior. Likely intended<br>as a humidor, no tobacco smell. 402.3 grams. Center emblem possibly gold,<br>untested.
$400.00
-
Antique Japanese Lacquer on wood Kushi comb
Antique Japanese Lacquer on wood Kushi comb. No issues, has what appears to be a<br>natural curve, I believe it was carved that way. 4.75" x 3".
$250.00
-
Vintage Koshida Japanese Satsuma bowl 5
Vintage Koshida Japanese Satsuma bowl 5" wide x 2" deep with no damage, overall<br>expected crazing, no major stains. Hand painted.
$100.00
-
Vintage Koshida Japanese Satsuma bowl 4
Vintage Koshida Japanese Satsuma bowl 5" wide x 2" deep with no damage, overall expected crazing, no major stains. Hand painted.
$95.00
-
Antique Japanese Fujii Yoshitoyo Taisho Period Mixed Metals box Allie gift
Antique Japanese Taisho Period Mixed Metals box. 2 3/8" wide x 1.75" deep x 1 1/8" tall with no issues, amazing work of art. First quarter of 20th century, Allie monogram in interior. Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo" as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified form of 豐. Fujii's family is known as early as 17th century and for four generations has enjoyed renown as the producer of inlaid work of first rank. Early in life, Yoshitoyo trained himself in this art, which led him to perceive the fact that there was ample room for further improvements and developments. Long experience and careful study gave him the skill and knowledge by which he could perfect the art, but Kyoto in those days was quite conservative, so that it was practically impossible for him to carry into practice the results of his investigation. He left home and came to Tokyo, the centre of learning, where he devoted himself to the art for a number of years, and finally succeeded in introducing valuable improvements. In 1902, at the age of 35, Fujii obtained his first patent from the Imperial Government. In 1909 he was granted his second patent. His damascene work, being made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School, well met the taste and requirements of the time.
$500.00
-
Vintage Neiman Marcus Japanese Koi form bowl
Vintage Nieman Marcus Japanese Koi form bowl 8" x 2.75" with no damage or<br>significant wear.<br><br>tw122
$110.00
-
Antique Asian Sterling gold accent and garnet filigree dragon collar necklace
Antique Asian Sterling gold accent and garnet filigree dragon collar necklace.<br>Extremely well made necklace from the early 20th century with no damage or<br>significant wear. Completely handmade, hand stamped scales, stones test as<br>garnets, gold tests as 14k, marked 925 with no other markings. Unsure of exact<br>origin. 17" total length 33.4 grams.
$230.00
-
Large Antique Japanese Meiji period Imari Graduated bowl set
Large Antique Japanese Meiji period Imari Graduated bowl set. Nicely painted, unusual to find a set like this. Largest 12" wide x 4" deep. Selling all three shown. Guaranteed over 100 years old with no cracks, chips, or restorations. isshelf
$1,005.00
-
Antique Japanese Calabash Sake Bottle Hyotan Natural Gourd with Woven basket ext
Antique Japanese Calabash Sake Bottle Hyotan Natural Gourd with Woven basket<br>exterior 10.5" tall x 6" wide. These gourd bottles are desirable without the<br>fancy basket exterior, a basket of this quality is amazing in itself. The gourd<br>with the basket exterior is just absolutely amazing. Very old antique item<br>approximately 100 years old with no significant issues.
$760.00
-
19th Century Japanese Carved boxwood Baku netsuke
19th Century Japanese Carved boxwood Baku netsuke. Signed as shown, 2 1/8" tall<br>x 1 1/8" wide with no damage and minimal wear<br><br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.<br><br>Traditionally, Japanese clothing – first the kosode and its later evolution, the<br>kimono – did not have pockets. Though the sleeves of the kimono could be used to<br>store small items, the men who wore kimono needed a larger and stronger<br>container in which to store personal belongings, such as s, , money and seals,<br>resulting in the development of containers known as sagemono, which were hung by<br>cords from the robes' sashes (obi).<br><br>These containers may have been pouches or small woven baskets, but the most<br>popular were crafted boxes (inrō) held shut by ojime, sliding beads on cords.<br>Whatever the form of the container, the fastener which secured the cord at the<br>top of the sash was a carved, button-like toggle called a netsuke. Netsuke, like<br>inrō and ojime, evolved over time from being strictly utilitarian into objects<br>of great artistic merit and an expression of extraordinary craftsmanship.<br>Netsuke production was most popular during the Edo period (1603–1867).<br><br>Netsuke and inrō declined as Japanese clothes were gradually westernized from<br>the Meiji period (1868–1912). Because of their popularity amongst Western<br>collectors at the time, some of the greatest collections are now found outside<br>of Japan
$400.00
-
19th Century Japanese Carved boxwood toads netsuke
19th Century Japanese Carved boxwood toads netsuke 1.75" tall x 1 5/8" deep x 1.25" wide with no damage. A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship. History An "Off White" netsuke with an eagle design and an inrō with a deer design. The combination of netsuke and inrō creates a story of an eagle preying on deer. Edo period, 18th century Traditionally, Japanese clothing – first the kosode and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as s, , money and seals, resulting in the development of containers known as sagemono, which were hung by cords from the robes' sashes (obi). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes (inrō) held shut by ojime, sliding beads on cords. Whatever the form of the container, the fastener which secured the cord at the top of the sash was a carved, button-like toggle called a netsuke. Netsuke, like inrō and ojime, evolved over time from being strictly utilitarian into objects of great artistic merit and an expression of extraordinary craftsmanship. Netsuke production was most popular during the Edo period (1603–1867). Netsuke and inrō declined as Japanese clothes were gradually westernized from the Meiji period (1868–1912). Because of their popularity amongst Western collectors at the time, some of the greatest collections are now found outside of Japan
$355.00
-
18th/19th century Japanese Samurai sword fittings collection
19th century Japanese Samurai sword fittings collection. Selling the lot shown.
$455.00
-
Early Korean Buncheong Celadon glazed inlaid dish
Early Korean Buncheong Celadon glazed inlaid dish 4.75" wide x 1 7/8" tall,<br>overall wear and degradation to glaze, no cracks, chips, or restorations.<br>tw147
$350.00
-
1942 WW2 Era Japanese Mitsubishi Fighter plane vase
1942 WW2 Era Japanese Mitsubishi Fighter plane vase. 6" tall with no damage or restorations, some wear to gilding as shown. This vase was created in 1942 by Mitsubishi, which manufactured fighter planes at that time, as a memento of the Army commendation
$350.00
-
1940's Japanese 950 silver gold overlay perfume bottle
1940's Japanese 950 silver gold overlay perfume bottle 2 3/8" tall 20.9 grams with no issues.
$125.00
-
![1940's Japanese Yamazaki Shoten [山崎商店] (1893 ~ 1990) Fine silver case - Estate Fresh Austin](//estatefreshaustin.com/cdn/shop/files/1940s-japanese-yamazaki-shoten-1893-1990-fine-silver-caseestate-fresh-austin-374473.jpg?v=1734934253&width=645)
1940's Japanese Yamazaki Shoten [山崎商店] (1893 ~ 1990) Fine silver case
1940's Japanese Yamazaki Shoten [山崎商店] (1893 ~ 1990) Fine silver case. Clean with no dents, 3.5" x 3" x 84.4 grams.
$240.00
-
c1900 Japanese Russian War Period Kikumon Flags Cloisonne ceremonial sake dish
c1900 Japanese Russian War Period Kikumon Flags Cloisonne ceremonial sake dish<br>6" wide x 1.25" tall with no damage or restorations.
$760.00
-
Large 1940's Japanese Hand Engraved 950 Silver compact n
1940's Japanese Hand Engraved 950 Silver compact. Large compact 4" 127.5 grams, hand engraved, no dents or bends, snaps shut well, some wear to gold gilding, no mirror but pice that would hold it in is intact and present.
$330.00
-
1940's Japanese Hand Engraved 950 Silver case n
1940's Japanese Hand Engraved 950 Silver case 5" x 3.25" x 152.3 grams, good condition with some minor scratches and small dings, edges clean.
$400.00
-
Antique Japanese Mandarin Duck form Kushi Comb
Antique Japanese Mandarin Duck form Kushi Comb 5 3/8" x 3.25", overall clean, amazing detail, hand painted with gold.
$250.00
-
Vintage Koshida Japanese Satsuma bowl 2
Vintage Koshida Japanese Satsuma bowl 5" wide x 2" deep with no damage, overall expected crazing, no major stains. Hand painted.
$95.00
-
Antique Meiji Japanese Satsuma Vase
Antique Meiji Japanese Satsuma Vase 6" tall x 4.5" wide with no cracks, chips,<br>or restorations, very nicely decorated.
$455.00
-
Antique Japanese Fujii Yoshitoyo Taisho Period Mixed Metals trinket dish
Antique Japanese Taisho Period Mixed Metals trinket dish 4 1/8" x 2 3/8", no<br>issues.. Great piece from the first quarter of the 20th century.<br><br>Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo"<br>as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's<br>first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified<br>form of 豐. Fujii's family is known as early as 17th century and for four<br>generations has enjoyed renown as the producer of inlaid work of first rank.<br>Early in life, Yoshitoyo trained himself in this art, which led him to perceive<br>the fact that there was ample room for further improvements and developments.<br>Long experience and careful study gave him the skill and knowledge by which he<br>could perfect the art, but Kyoto in those days was quite conservative, so that<br>it was practically impossible for him to carry into practice the results of his<br>investigation. He left home and came to Tokyo, the centre of learning, where he<br>devoted himself to the art for a number of years, and finally succeeded in<br>introducing valuable improvements.<br>In 1902, at the age of 35, Fujii obtained his first patent from the Imperial<br>Government. In 1909 he was granted his second patent. His damascene work, being<br>made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School,<br>well met the taste and requirements of the time.
$230.00
-
Archaistic Chinese Style Japanese Silver Tetsubin
Archaistic Chinese Style Japanese Silver Tetsubin. Extremely high quality pot<br>likely from the first quarter of the 20th century. I believe it's Japanese in an<br>Archaistic Chinese style. Copper enamel lid with Jade finial. Tiny nick on the<br>tip of the Jade finial, lid is original as it fits like a glove. Not too tight,<br>not too loss, just perfect. I believe it would hold an airtight seal. 6.75" with<br>spout x 5.5" x 4.5" tall not counting the handle. 493 grams, tested and<br>guaranteed solid high content silver.<br><br>tw163
$2,400.00
-
Large Antique Japanese Meiji period Imari shallow bowl
Large Antique Japanese Meiji period Imari shallow bowl. 16" wide x 3" deep,<br>extremely fine quality painting on this piece, really amazing, even the mark is<br>amazing. Guaranteed over 100 years old with no cracks, chips, or restorations.<br>isshelf
$1,005.00
-
Antique Japanese Bizen Pottery Soldier Figure
Antique Japanese Bizen Pottery Soldier Figure. 7 5/8" tall with no cracks,<br>chips, or restorations. Signed on bottom of reverse side as shown.
$285.00
-
Huge 14.75" Antique Japanese Meiji Period Imari centerpiece bowl
Huge 14.75" Antique Japanese Meiji Period Imari centerpiece bowl 14.75" wide x<br>4.25" deep, a very significant piece of approximately 130-160 year old Japanese<br>Imari hand painted porcelain with no damage or restorations. Expected wear to<br>gilding on rim, other gold clean. Signed as shown, top notch piece. From a very<br>fine estate collection. Some of the pieces in this collection were previously in<br>Museum collections hence the acquisition number on base. That is over glaze and<br>will easily come off with alcohol, I can remove before shipping if requested.
$1,005.00
Show more of this type of stuff