Antique Chinese Wucai Famille rose ink stand 5" wide x 2.25" tall, a few very<br>small nicks to inside of top rim, no other chips, cracks, or restorations.<br>chinadrawer

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1987 Walt Glass Pottery(1943-2016) McQueeney San Antonio Texas Art Pottery Vase.<br>5.75" tall An unusual piece from before he got more into mass production, great<br>piece of large art pottery.<br><br>Walt grew up in San Antonio and, after serving in the Army, graduated from The<br>University of the Incarnate Word where he later received an Outstanding Alumnus<br>Award. He married Cynthia Vela, also a UIW graduate, in 1975, and they enjoyed<br>40 years together. After finding his artistic passion in creating beautiful,<br>handmade, one of a kind pottery, Walt and Cynthia opened their shop, Village<br>Gallery, in San Antonio's historic La Villita and a production studio in<br>McQueeney, Texas. He and Cynthia loved participating in craft fairs around the<br>country with a special fondness for the "Starving Artists Show" along the San<br>Antonio River Walk and La Villita.<br>They enjoyed a successful artistic venture for over forty years and their<br>pottery has been appreciated across the globe. His unique pottery was collected<br>by dignitaries from around the world, including the Queen of England, Ronald<br>Reagan, and other notables, as well as being featured by San Antonio's sister<br>city in Japan.<br>As a master potter, Walt enjoyed mentoring professional potters from around the<br>world, sharing his technique and skill. Later in his career, he loved teaching<br>Ceramics at Texas Lutheran University in Seguin, Texas where he contributed both<br>in and out of the classroom. With the help of TLU students and faculty, he<br>introduced the "Empty Bowls Project" to the Seguin area, raising funds to help<br>feed the hungry.<br><br>isshelf

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Charles Garnier Sterling Vermeil necklace 29" long 5/8" x 1.25" stations. Appears unworn with no issues. 16.6 grams. By 1901 Charles Garnier had established his reputation in Paris as a masterful designer of jewelry. Working in the time of Cartier and Vuitton, his creations soon became respected and admired for their exceptional quality and elegance. More than a century later, Charles Garnier Paris continues this tradition with the same dedication to excellence and workmanship that our namesake so proudly crafted into every piece. Our factory combines cutting edge technology with old world craftsmanship and hand finishing to create pieces that are sought after and sold throughout the world.

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Archaistic Chinese Style Japanese Silver Tetsubin. Extremely high quality pot<br>likely from the first quarter of the 20th century. I believe it's Japanese in an<br>Archaistic Chinese style. Copper enamel lid with Jade finial. Tiny nick on the<br>tip of the Jade finial, lid is original as it fits like a glove. Not too tight,<br>not too loss, just perfect. I believe it would hold an airtight seal. 6.75" with<br>spout x 5.5" x 4.5" tall not counting the handle. 493 grams, tested and<br>guaranteed solid high content silver.<br><br>tw163

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c1890 French Napoleonic Carved Gourd bottle. A '92 on the base could likely be the production date. 3.5" tall x 2 5/8" wide with no issues, been enjoyed on a shelf for over 100 years. trinketdrawer

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling Turquoise and coral cuff bracelet. Unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Antique Sterling salt spoon lot. Selling the lot shown, largest 3" long Kirk and son repousse master salt spoon. 20.9 grams total. anderas

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c1890 Jacobi and Jenkins Sterling repousse shoe button hook 7.75" long, the handle is solid sterling, not hollow like most of these. This is about as good as these get. Years of polish residue embedded in design, easily removed with strong water from kitchen sink or similar. anderas.

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Antique Chinese Blue underglaze hand painted porcelain bowl. Nice early bowl 11"<br>wide Qing Dynasty, likely Kangxi. Thin porcelain, finely painted. Old, high<br>quality professional restoration bottom left, not really visible from front with<br>the eye, has yellowed slightly on reverse side from age.<br><br>chinadrawer

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15th/16th Century Early Printed bible page with hand rubricated initials. From a large collection of manuscripts, framed in the third quarter of the 20th century. 10.75" x 8.75" framed, 8.5" x 6.25" sight. paintingshelf

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19" Vintage 14k clasp 14-15mm lapis lazuli beaded necklace. Nice quality vintage necklace with no issues. 122.2 grams. anderas

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Silver and Mediterranean coral bracelet. Really nice mid<br>20th century native American Heavy stamped silver (tested 90% or more) cuff<br>bracelet with gem grade undyed red coral rows. Unmarked. One coral with tiny<br>ding, just enough to show it's not dyed coral to the untrained eye.

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Large Mayan Pre-Columbian polychrome decorated pottery footed Vessel. Measures 12.5" tall. A few inconsequential chips top and bottom and overall wear, no cracks or restorations. . Guaranteed authentic Central American pottery approximately 1000 years old.

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Sz6 Estate 18k Jadeite, Diamond, and pearl ring. Natural untreated Jadeite, 12<br>decent sized natural tested diamonds likely over 1cttw. Quality pearls, marked<br>and tested 18k gold with illegible makers mark. 20mm x 24mm ring face. 11.8<br>grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Vintage Zuni Native American Sterling Turquoise Micro Channel inlay ring size<br>5.25 unmarked<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Vintage Diablo Hand Engraved Sterling silver overlay belt buckle. Great buckle<br>from the third quarter of the 20th century with fine engraving. 4" x 3", fits up<br>to a 1.5" belt. 104.9 grams

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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5.75" Antique Navajo Ingot Silver Bracelet. Nice early bracelet from the first<br>quarter of the 20th century. A few slight bends. For a very small wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Large David Yurman Albion 14k/sterling cushion cut amethyst pendant enhancer. 1 5/8" tall x 15/16" wide x 18.7 grams with no damage or significant wear.   David Yurman<br>Sculptor David Yurman and his wife, Sybil, a painter, launched their house of<br>design in 1980. Their collaboration has left a legacy of iconic pieces that are<br>both style statements and works of art. Each creation is sketched by David<br>Yurman, made of the finest precious metals and rare gemstones, and fashioned by<br>some of the world's best craftspeople.<br><br>anderas

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Sterling Southwestern Modernist earrings. 1" tall x .75" wide x 13.3 grams. No issues. anderas

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* 7" Retired James Avery Overlay Sterling Native American Style bracelet 5/8" wide<br>30 grams, little to no wear, oxidation on reverse side, I can clean upon request<br>before shipping. I already hand polished the front leaving the recessed areas<br>beautifully oxidized.<br><br>anderascoll<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" c1930's-40's Navajo stamped silver and turquoise bracelet, no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Woven Native American Liquid Silver/turquoise necklace. Approx 20" long<br>with no issues.

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Vintage Woven Native American Liquid Silver/turquoise necklace. Approx 19" long<br>with no issues.

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Vintage Mexican Sterling abalone butterfly pin. No issues.

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John Hardy Paulu Macan Black Sapphire/Sterling Hammered finish ring. Very gorgeous stand out ring with no damage or detectable wear, guaranteed authentic top quality, estate fresh.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage TD Southwestern Sterling cuff bracelet with liberty dimes. Unsure of<br>Artisan, possibly Native American made. Fits up to a 6.75" wrist, 5 5/8" plus 1<br>1/8" gap. 1.25" wide in center 48.4 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Native American Sterling Turquoise and coral Cuff bracelet. Nice solid cuff in<br>great condition from the third quarter of the 20th century. Makers hallmark in<br>center, no other marks.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Early Chinese Earthenware Jarlet. Likely Ming, from an old collection collected<br>mid 20th century. 5.25" tall, firing crack on rim, tiny chip on rim, some<br>expected glaze wear on top rim. No restorations.<br>chinadrawer

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Large Antique Japanese Meiji period Imari shallow bowl. 16" wide x 3" deep,<br>extremely fine quality painting on this piece, really amazing, even the mark is<br>amazing. Guaranteed over 100 years old with no cracks, chips, or restorations.<br>isshelf

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Vintage Mexican Diablo Dance mask with 8 point deer antlers and snakes, Very old<br>mask from the first half of the 20th century, way over the top in my opinion,<br>very large and complex. Antlers are a little wobbly but intact. Packing this<br>will be a chore but it will be done properly. 22" tall with antlers x 18" wide.<br>. I will be offering a very large collection of these that was assembled in the<br>60's-80's, a large percentage are from the first quarter of the 20th century,<br>some perhaps a bit older. The ones that are more recent are of exceptional<br>quality. Some have tags identifying them, some of the tags are missing or have<br>been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.<br>isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" vintage Navajo silver and turquoise bracelet 6 5/8" including the 1 3/8"<br>gap 2 1/8" wide face in center, 51.7 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Vintage Navajo Sterling turquoise Roadrunner pin. Very nice pin with no issues from the second quarter of the 20th century. 2.75" wide.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Cross in sterling 1 3/16" tall with jump ring x 15/16" wide x 2.7 grams with no issues. James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick<br>heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested<br>90% or more silver.

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sz8 Vintage Navajo silver and turquoise ring 30mm long 10.6 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Barbaros Yasar Bora Sterling rutilated quartz bracelet with gold accents.<br>Fits up to a 6.5" wrist, 5.5" plus 1" gap. 1 1/8" band, 2" with quartz bezel.<br>69.7 grams.<br><br>For Brooklyn-based designer Barbaros Yasar, craftsmanship reigns supreme for his<br>artisanal jewelry brand, Bora. While he jets between his native home of Turkey<br>and back to his studio in the U.S., Yasar’s lengthy trek doesn’t seem to be<br>slowing down his creative process.<br><br>The brand, which boasts designs that are handcrafted by Yasar and his three<br>brothers, makes up a plethora of styles ranging from charming antique baubles to<br>a mixture of modern-meets-vintage adornments. Though each presents individual<br>aesthetics that wonderfully harmonize in each collection.<br><br>Following suit of their native Ottoman roots, the jewelry’s intricate and ornate<br>designs can be seen throughout the Bora collection that’s seen in gilded<br>oxidized diamond neckwear and a number of opulent tension-set rings. As Bora<br>rounds its 10th year showing at Accessories, The Show, the Mediterranean<br>designer’s clients, current and new, will be delighted as they step into the<br>booth and are transported into a cultural realm of wearable art.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Huge Vintage Native American Sterling/turquoise cuff bracelet 2 5/8" x 3" face, thick solid silver, signed J.W. Tested 90% or more silver.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" 30's-40's Navajo Hand stamped silver and turquoise bracelet<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" 30's-40's Navajo Hand stamped silver and turquoise bracelet<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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c1900 American Tramp Art box 13" x 7.5" x 5.5", some wear as shown, metal feet<br>bent but it sits level. Cool and functional.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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Marie Bahe Navajo Sterling/Turquoise cluster ring. No damage or significant wear. 17.8 grams 1.5" face.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 13 Ring.

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Antique Chinese Ink Stone in fitted box. 19th to early 20th century with no damage.

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C1890 Antique Porcelain Plaque Madonna in carved wood frame 4.5" x 3 5/8" total<br>with approx 2" x 1 5/8" sight on plaque. No damage to plaque, not examined<br>outside of frame, old glue restorations to frame.<br>trinketdrawer

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Sterling Multi-Gemstone bracelet. Adjustable from 7.5"-9", very substantial<br>marked and tested sterling with genuine stones/pearls 83.7 grams.

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Collection High end vintage ladies watches for parts. Most if not all from the first half of the 20th century, half or more working, none guaranteed to work. These were taken from gold watches by someone with "Gold fever" so they are all high end models. Selling what's shown.

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Charles Johnson Navajo Sterling/turquoise pendant 2.5" tall x .75" wide x 23 grams with no damage or wear.Charles was taught silversmithing from his parents at about the age of 15, and continued to learn on his own during the summers. His parents are lifetime silversmith’s with his mother’s family having 5 generations, and his father’s family with 2 generations. Charles has worked full-time as a silversmith since the age of 20. He first started inlaying at the age of 13 for a few years while learning both.Starting with traditional Navajo jewelry, Charles then went into Navajo contemporary jewelry, then onto the Western style with swirl design cutouts. The majority of his jewelry are cutout overlay on bracelets, and buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet overlay with Western style and swirl design. Charles’ clans are Ashii (Salt People) and Todich’ii’nii (Bitter Water Clan).

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Sz7 30's-40's Large Vintage Navajo silver and turquoise cluster ring 2.5" x 1<br>5/8" face 23.1 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Uncirculated 1864 Confederate States American Currency Richmond 10 dollars. Authentic 1864 Confederate currency uncirculated and preserved in plastic case, this was purchased in 1978 from Larry Chauncey dealer in Confederate and Southern states currency. I'll be listing a few more that were purchased at the same time. Measures 7" x 3"

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Sz8 Large Vintage Zuni silver inlay coral cluster ring. 2 3/8" x 1 7/8" face<br>29.3 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Uncirculated 1864 Confederate States American Currency Richmond 5 dollars.<br>Authentic 1864 Confederate currency uncirculated and preserved in plastic case,<br>this was purchased in 1978 from Larry Chauncey dealer in Confederate and<br>Southern states currency. I'll be listing a few more that were purchased at the<br>same time. Measures 7 3/16" x 3 1/8".

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Chan Luu Peach Quartz beaded necklace. Very substantial 30" high quality necklace with graduated up to 20mm faceted natural peach quartz stones, hand tied with no issues.

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sz 8.5 Vintage Southwestern Modernist sterling and turquoise ring. Unmarked,<br>great design that seems like something that could have came out of Frank<br>Patania's Thunderbird shop. 12.6 grams.<br><br>anderas Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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sz7.25 Carolyn Pollack Relios sterling and lapis bracelet. Selling the bracelet shown in unworn condition with no issues. anderas Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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c1880's Allen & Darwin Boxed Nutcracker/Grape Shears/Serving spoon set Sheffield Silver plated. Really nice set, appears unused, box appears to have had a harder life for the past 120 years or so. These are all hand engraved, the nut cracker handles fold all the way over so they can be used both ways, not sure why. The handles of the Grape Shears are much longer than the blades, so that you can insert the blades deeply into a cluster of grapes. Most of the scissor ends of these pieces of antique silver have blunt tips, so that they won’t puncture the fruit. The grape shears would sometimes be found as part of a set with a grapestand, and the earlier grape shears from the late Georgian period were more like scissors, with equally long blades and handles. These were often gold-gilt, demonstrating the high value that the grape shears had been imbued with as an item of cutlery, and as part of a dinner service. Later though, grape shears were usually made of sterling silver, as with most high quality dinnerware, so as to avoid tarnishing and to stand the test of time. After the 1850s, most of the shears produced included a flange which had been added to one of the blades, so that once the grapes had been cut, they could then be elegantly placed on to the diner’s plate while still holding the shears. The decoration on the shears varied widely, at first the shears often displayed a grape and vine motif, however many grape shears were part of a much larger dining set, so they would be embellished with the same pattern that was on the other cutlery. Because so many pieces of various shapes and sizes had to incorporate the same design, these were often more simple than the decoration on single items.

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c1960 Peter Broome California Modernist Sterling silver bangles set. Each approx<br>7 5/8" inside circumference, each different. Broome was active in the 50's-60's<br>in CA and produced some of the most amazing unique designs. He wasn't extremely<br>prolific but created some amazing unique designs that command respectable<br>prices. Selling all three bangles for one price.<br><br>anderas

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Antique European Bronze Mother and Child bonding. Late 19th to very early 20th century with no detectable marks or signatures. Very high quality cast bronze most likely French, possibly German. 12.5" tall, 7" base, approx 20 pounds. There was residue from a very old price tag on the top of the base, didn't notice it until after I took the photos, it's been removed.

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Tiffany Sterling Tea Caddy spoon shell form 3.25" long x 1 7/16" wide with no<br>issues. 17.7 grams.<br><br>anderas

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Tiffany Modernist Sterling silver letter opener/clip. Guaranteed Authentic<br>Tiffany from the third quarter of the 20th century, retailed by Tiffany.<br>6 5/8" long x 14mm wide x 23.4 grams.<br><br>anderas

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery 14k/sterling pendant 1.75" tall x 15/16" wide 7.7 grams. anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Heavy Sterling Tahe Navajo Cuff bracelet. Great cuff with no issues.

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Pr Antique Chinese Famille rose Monk Figures. 8.5" tall with no cracks, chips, or restorations. Last half of 19th century. tw106

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Early Booths thin British Ironstone bowl. This bowl is amazingly thinly potted for this type/era piece. This is an Early Booths mark, I believe from the third quarter of the 19th century. Large bowl with no cracks, chips, or restorations. 9" wide x 4.25" tall. isshelf

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Antique Blue Topaz Sterling silver pendant/brooch. Great piece from the 19th century, unmarked tested 97% silver, stone tests as a topaz and it's gorgeous. Pendant approx 2" wide, stone approx 22mm wide, 25.9 grams. Unmarked.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Retired James Avery Sterling Descending Dove charm 7/8" tall with jump ring x 9/16" wide x 3.3 grams. anderascoll James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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9 Venetian hand painted art glass wine goblets 6 7/8"h, 3 5/8" wide, extremely<br>high quality glasses from the first half of the 20th century with no damage or<br>significant wear. Hand blown, hand painted in Italy. Selling the exact 9 glasses<br>shown thoroughly examined, packed and shipped with experience.

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Antique French Sterling repousse Holy water font on wood. First quarter of 20th<br>century, 13.5" tall x 9 3/8" wide, solid sterling silver (unmarked but tested)<br>pieces mounted on wood.

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1980's Sterling Italian Montegrappa 402 pen set. Selling both pens in very clean<br>condition, both functional, one with good cartridge, one needed cartridge as<br>it's dry. No dents or major wear to either pen.<br><br>The 300 and 400 series were discontinued in the early 1990’s and are now<br>difficult to find in good condition. This was the flagship version of the 402,<br>with both pens being crafted from sterling silver and featuring a CANOVA<br>guilloche design on the barrel and cap – the trim is vermeil, so gold-plating<br>over silver. The pens have the 1055 VI hallmark, which indicates that it was<br>produced by the older Aquila owned company, prior to them selling to Richemont.<br>The newer Aquila pens have a 2670 VI hallmark.<br><br>The 402 was based on a model from the 1930’s and they’re incredibly comfortable<br>writing instruments to use, even for longer writing sessions.

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sz16 Navajo Sterling and White buffalo ring. Stone secure in bezel with old fracture. 22.4 grams. Approx size 16. It's loose on my thumb. All precious metals are tested and guaranteed,

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c1790 Chinese Export for American Market 13 Star flag tray. 14" wide with no<br>cracks, chips, or restorations. I'm offering two plates from this service in a<br>separate listing.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 12 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling/turquoise cuff bracelet. Nice old unmarked but<br>tested sterling cuff from about the mid 20th century, no damage.

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Retro Lois Hill Sterling pendant on 19" wheat chain. Chain appears unmarked,<br>tested and guaranteed solid sterling. Pendant 1.75" x 1", Necklace 5mm 57.6<br>grams.<br><br>anderas

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" 50's-60's Vintage Navajo silver and turquoise bracelet<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Vintage Zuni coral and shell channel inlay bracelet<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge c.1890 Wavecrest Jardiniere. 11" wide x 8" tall with no cracks, chips, or<br>restorations. It has some residue of museum putty on base because it came from a<br>California collection, I guess for earthquakes. I'll remove it before shipping<br>just didn't have time while taking pics since it's big and heavy and really need<br>to mess with it in a safer location.<br>isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Vintage Navajo sterling and turquoise bracelet, unmarked.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" Heavy vintage Native American Sterling and coral bracelet, unmarked.All precious metals are tested and guaranteed,

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Antique Pink Cut Velvet art glass vase 7" tall with no cracks, chips, or<br>restorations.<br>tw106

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1920's Durand Art Glass Candlestick. Very amazing candlestick, I've had a lot of<br>Tiffany, Steuben, etc candlesticks and they just don't come any better. 5.25"<br>tall x 4.5" wide rim with no damage or flaws.<br><br>Durand art glass was made between 1924 and 1931. Durand was the art glass<br>division of Vineland Flint Glass Works in New Jersey which was founded by Victor<br>Durand in 1897. Many of the glass artists came from the Quezal Art Glass company<br>which closed in 1924. The artists at Durand were granted a great deal of freedom<br>to produce glass in a variety of styles. Many pieces were blown using an unusual<br>yellow glass which many collectors now refer to as "Ambergris". Durand produced<br>a wide variety of art glass items including bowls, vases, perfume bottles,<br>candlesticks and lamps. Durand's art glass quickly gained fame for its beauty<br>and quality. In 1926 Durand received a medal of honor at the Sesquicentennial<br>International Exposition in Philadelphia. Sadly production ceased in 1931 when<br>Victor Durand died in an auto accident.<br><br>tw106

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c1890 Bohemian Crackle finish Peachblow art glass vases. 3 3/8" tall x 3.75"<br>wide with no cracks, chips, or restorations. Most likely Kralik. Selling both<br>vases for one price.<br>tw154

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19th Century French Sampson Chinoisiere Enameled Famille rose style Table Box. High quality box with strong hinge, snaps shut and stays shut when turned upside down. No cracks, chips, restorations, or other issues. 5.75" x 4" x 2 5/8" tall. tw108

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18th Century Sceaux French faience snuff box. Good hinge, metal mounts reglued, no restoration or major damage to Faience pieces, small glaze flakes on bottom corners and one small glaze flake on front right edge. 5.25" x 4" x 2.25"Sceaux ware, tin-glazed earthenware and porcelain made at a factory in Sceaux, Fr., from 1748 to 1794. Both were skillfully painted in a large range of enamel colours with landscape and figure subjects and with minutely exact flowers and birds. Cupids in pink outline derived from the paintings of François Boucher were typical of the period of Louis XV. Pieces decorated with naturalistic flowers, fruit, and the like in relief may have been modeled by Richard Glot, who purchased the factory in 1772.Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe.While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.tw108

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c1750's Battersea snuff box. 2 5/8" wide x 1.6" tall. Some overall crazing and some overpainting on base and two spots on side of base. This and a few more Battersea pieces I'm listing have tags indicating they were last purchased at Sotheby's Parke-Bernet in the 1970's.Having already opened an office in New York, in 1964 Sotheby’s bought Parke-Bernet, America’s largest fine art auction house.Battersea boxes developed in the mid 18th century as tiny decorative containers covered with enamel or porcelain and decorated with pleasing designs. Originally the boxes were made of copper covered with white enamel, decorated with classical or scenes or portraits. They evolved over time to become more sentimental. The Battersea box got its name from a firm under the tutelage of Sir Stephen Theodore Janssen, Once Lord Mayor of London at York House in Battersea. The boxes were decorated by transfer printing, which took an impression from an engraved plate painted with enamel and printed on to the box which was then hand painted and fired. The firm existed only from 1753 to 1756 however other firms producing similar boxes, especially those in the village of Bilston, took up this technique. Battersea became the collective name for all such boxes. With advancements in the pottery industry due to the Industrial Revolution, Battersea boxes gradually fell from favour. Allowing small boxes to be produced at less cost than the enameled competitors made Battersea boxes decline significantly by the mid 19th century. They became popular again in the second half of the 20th century with the development of commemorative boxes produced for such well known firms as Tiffany & Co.

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c1880 French Orientalist Bronze Didier Debut(1824-1893) Foundry Stamp Garanti Au<br>Titre Paris. 12" tall x 8" deep with no damage.<br>isshelf

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Vintage Native American Sterling/malachite Kokopelli pendant. 2.5" tall x 1.5" wide x 9.2 grams with no issues.

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Native American Sterling Multi-Stone Channel inlay pendant. Nice work with no damage, all natural stones. 1.5" tall x 5/8" wide x 5.4 grams. Marked with the Native American shop mark, forget which shop that is. No issues.

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1920's French Legras Cameo Art Glass Vase. 9" tall with no cracks, chips, or restoraitons.The Legras glassworks – ultimately a multi-centred concern employing hundreds of people across several manufacturing centres – produced enough highly-distinctive pieces to be considered an art-glass movement in its own right.It’s more accurate, of course, to consider the name one of the foremost in the panoply of innovative, experimental and overtly artistic producers who revolutionised decorative glassware from the mid 1860's, throughout the fin de siècle, across the duration of the Great War and beyond The founding father of the company, François-Théodore Legras, came from humble stock, having be life as a woodsman in the Vosges department south of Strasbourg. In 1859, Legras determined that there was potentially more to life than trees and leaves, and secured himself a clerical apprenticeship at the glassworks in Clairey, a long-established manufactory producing drinking glasses and tableware which – crucially for Legras – included the manufacture of crudely-frosted pieces. After learning his trade for five years, Legras moved to Paris and took a job at the Plaine St Denis factory, securing a senior managerial role by the age of 27. He was director of the works when, underwritten by expat-philanthropist Sir Richard Wallace, it was significantly extended and modernised; the duo also took over another factory at Pantin, on the northern fringes of the city. Unrestrained by the financial strictures of facilities lacking patrons such as Wallace, Legras was able to encourage an experimental approach to glass production, harking back to his childhood in the Darney Forests and using opaque glass – based on Clairey’s frosted material – as a canvas on which designs could be created. The businesses were also underwritten by the production of utilitarian glassware for industry – distilleries and pharmacies – and this security gave François-Théodore the freedom to develop his art-glass production techniques. Intricately cut cameo glass pieces, acid-etched and enamelled imagery – requiring up to five separate firing processes to achieve the desired effect – became the Legras hallmark, with many pieces featuring forested landscapes and the favoured themes of the artistic director - irises, orchids and chrysanthemums.Additional members of the Legras family were apprenticed in to the company, notably a nephew – Charles – whose expertise in the chemical treatment of glass to produce marbled, opaline surfaces on which designs could be overlayed, was to prove a valuable commodity. Charles was ultimately to take over the running of the businesses in 1909, seven years before the death of his uncle. He was able to maintain a level of innovation which sustained the company for another decade – achieving notable successes in developing synthesised “gemstones” which could be ground up and incorporated in to the glass melt to give an extraordinary depth of colouration which provided the base for the production of striking cameo vessels.tw108

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Charles Johnson Navajo Sterling Gold Filled Blue topaz bracelet No issues.Charles was taught silversmithing from his parents at about the age of 15, and continued to learn on his own during the summers. His parents are lifetime silversmith’s with his mother’s family having 5 generations, and his father’s family with 2 generations. Charles has worked full-time as a silversmith since the age of 20. He first started inlaying at the age of 13 for a few years while learning both.Starting with traditional Navajo jewelry, Charles then went into Navajo contemporary jewelry, then onto the Western style with swirl design cutouts. The majority of his jewelry are cutout overlay on bracelets, and buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet overlay with Western style and swirl design. Charles’ clans are Ashii (Salt People) and Todich’ii’nii (Bitter Water Clan).

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Southwestern sterling and turquoise bracelet<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling channel inlay turquoise cuff bracelet. Circa mid 20th century unmarked in any way, tested and guaranteed Coin silver or better (90%).

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 7/8" Vintage Navajo Overlay Sterling - Turquoise channel inlay bracelet,<br>unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Fred Harvey Era Native American Cuff Bracelet. Nice old cuff from the second quarter of the 20th century. No makers or purity markings as it is will older 1970's and before Native American Cuffs, tested and guaranteed a minimum of coin silver (90%). No issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Eugene Belone Navajo Sterling Spiney Oyster cuff. No issues.Eugene Belone is an accomplished Navajo jeweler and silversmith. Hailing from Gallup, New Mexico, Eugene has been making jewelry for over a decade. Eugene's wife, Elouise Kee, taught him the craft of jewelry and silversmithing. No issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.5" Native American Sterling and abalone cuff. Nice thick cuff with no issues.

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