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Large Southwestern turquoise Heishi necklace 22.5" long graduated stones,<br>turquoise and shell. High quality estate fresh necklace.

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Large Sterling Horse show Trophy Buckle Gold Coast Futurity Open Championship 1998 Rocking K Arena ADM Awards Design Metals. 5" x 3.75", take up to a 1.5" leather belt. 154.5 grams.

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Large Sterling Jasperware Porcelain brooch. Marked sterling, porcelain unmarked. 2 3/8" wide. My guess is it's from the first half of the 20th century. No damage or issues.

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Large Sterling Jose Marmolejo Mexico City Bird Sculpture 9.5" x 6.25" x 5.5",<br>1000 grams with no issues. The designer is the well known Maestro Jose Marmolejo<br>whose modernist designs are some of the best in Mexico and who collaborated with<br>Tane and worked in his own shop.

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Large Sterling mounted Amethyst Agate pendant. Beautiful and well made, tested sterling, marked 925 on bail. 43 grams 3" tall x 2.5" wide with no issues.

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Large Sterling Tom Bahe Navajo belt buckle with cowboy roping calf 4" x 3" x 122.2 grams. Fits a 1.5" belt.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Large Taxco Modernist Sterling on Wood Crucifix. I've had/seen much smaller versions of this. This one is very large with no issues, just the sterling part is bigger than complete versions I've had/seen before. Total height 12.25" x 7.5" Thick sterling tube recessed into the cross with a thick modernist sterling Jesus with his crown of thorns on top of that. isshelf

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Large Tim Vandever Navajo Sonoran Gold Turquoise sterling silver necklace with<br>no damage or detectable wear. Adjustable up to 28" long x 5/8" x 2.25" center<br>pendant, amazing necklace. 184.9 grams.

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Large Tommy Jackson navajo sterling turquoise and lapis pendant/pin.<br>Measurements and wieght in pics.<br><br>Tommy Jackson was born in Phoenix, Arizona on January20, 1958 but grew up in the<br>heart of Navajo land in Chinle, Arizona. He went to high school in Chinle, the<br>town at the mouth of the legendary Canyon de Chelly—a stronghold for 19th<br>century Navajo, known then as the “Lords of the Land”. Steeped in mythology,<br>this landscape echoes the strength and beauty in the Navajo bedrock of<br>beliefs—foremost of those is responsibility to family and clan. A husband,<br>father, and grandfather, Tommy is also a world-renowned gold and silversmith,<br>his award-winning pieces on exhibit in museums and treasured in collections<br>around the world. As a premier Navajo Silversmith he counted amongst those few<br>known as “The Supersmiths.”<br>Jackson started silversmithing in 1973, learning at the bench of his parents,<br>renowned silversmiths Gene and Martha Jackson. (He is also the nephew of Dan<br>Jackson, another well-known silversmith.) However, it was his mother who urged<br>him to pursue a degree, and he followed her footsteps into education, eventually<br>teaching elementary school at Wide Ruins on the Reservation. But jewelry-making<br>called to him in his spare time, in the after-hours, in the late night, and by<br>1988 he was winning prestigious awards, and has continued winning nearly every<br>year since at the big shows, including Santa Fe Indian Market and the Heard. He<br>was also chosen as Navajo Tribal representative for the Salt Lake City Winter<br>Olympics.<br>A striking example of Tommy’s pieces is the motif of Navajo rug designs. He<br>sometimes works these patterns directly into the gold or silver; or he inlays<br>stones in visually stunning creations that reflect the complexity of Navajo<br>tapestries. Other pieces are a declaration of his passion for high-grade<br>American turquoise. These pieces are all about the great stone. He will use<br>heavy-gauge silver, and in keeping with the old style tradition then chisel or<br>hand-stamp, all with an eye of showcasing a great old American turquoise stone<br>such as Bisbee, Morenci, Lander Blue or Candelaria. He is known for integrating<br>traditional Navajo designs with a modern flair, working with gold and silver and<br>a variety of precious and semi-precious stones.<br>He has won numerous awards for his beautiful and unique jewelry from the Heard<br>Museum Show in Phoenix, Santa Fe Indian Market and The Museum of Northern<br>Arizona, to name a few including First at Indian Market, as recently as 2014. He<br>and his wife, Marie, who does much of the stone-cutting for his pieces, have<br>pieces featured in national publications.

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Large Vintage 14k Lavender Jade Diamond and Lapis pendant 3 1/8" tall x 1 3/8"<br>wide, apparently unmarked. Tested by me guaranteed solid 14k gold, genuine<br>diamond, Lapis, and Jadeite. 28.8 grams.

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Large Vintage AIS Sterling/Turquoise Asian style pendant/brooch. Turquoise frog and bottom section, really cool marked and tested sterling. 4.75" long 84 grams.

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Large Vintage AT Sterling and turquoise Native American Necklace. Very substantial piece, thick gauge silver. 23" long, 1.5" x 1 1/8" bottom pendant. No issues, nice turquoise and silverwork. 70.8 grams. <br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Bell Trading post Fred Harvey Era Turquoise Cuff bracelet.<br><br>Established in the 1930s in Albuquerque, New Mexico, Bell Trading Post was<br>primarily known for its manufactured southwestern style jewelry that was<br>assembled and decorated by Native Americans. These souvenir jewelry pieces were<br>sold to tourists at their store on Rt. 66 and other tourist shops across the<br>Southwest. The company's name changed to Sunbell Corporation in 1969, and it<br>ceased operations in the late 1980s.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Bing and Grondahl boy on rock figure 7.5" tall x 6.25" deep with No cracks, chips, restorations, or crazing isshelf

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Large Vintage Carved Cameo Conch Shell 5.75" long x 4" wide x 3.75" tall with no<br>cracks or chips, lots of carving, fantastic shell from the first half of the<br>20th century.<br>tw147

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Large Vintage Carved Cameo Conch Shell 5.75" long x 4" wide x 3.75" tall with no<br>cracks or chips, lots of carving, fantastic shell from the first half of the<br>20th century.<br>tw147

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Large Vintage Carved Cameo Conch Shell 6" long x 4.5" wide x 3.75" tall with no<br>cracks or chips, lots of carving, fantastic shell from the first half of the<br>20th century. tw147

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Large Vintage Chinese Cloisonné Dragon Vases Mirror Pair. Nice, high quality pair of 12.5 x 5.75" mirrored dragon vases from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. isshelf

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Large Vintage Clowns Kachina Sculpture. Hand carved, hand painted, illegible<br>artist signature. 16" tall and wide. One horn missing off the top guy, no other<br>damage or issues. Two of the figures are removeable and of course will be<br>removed for shipping. Yes it's extremely fragile and will be treated that way<br>and packed with care in a huge box likely double boxed with tons of cushion.<br>isshelf

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Large Vintage Engraved sterling bangle 50.4 grams, solid thick gauge sterling<br>silver, hollow but thick. Rhodium plated with some wear to interior rhodium<br>plating.<br><br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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Large Vintage Gaspeite Native American sterling earrings. Solid silver, high quality workmanship and materials. Apparently unmarked, no issues. Weight and measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Hand stamped Navajo silver and variscite pin 2 5/8" x 2.25" x 41.1 grams. Amazing workmanship/stampwork/Repousse work. Only markings are a traders code.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Hopi Overlay Double sided spinner pendant/necklace. Very large and heavy pendant. Extremely high quality work on both the necklace and the pendant. Necklace links are soldered to the spinner bail of the pendant, so both likely made by the same silversmith. No apparent markings. 26" necklace

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Large Vintage Japanese Satsuma pinback brooch measurements in pics. First half of 20th century. I'm not sure if this was a button turned brooch, I just know the back isn't all that old but the ceramic is.

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Large Vintage Japanese Satsuma pinback brooch measurements in pics. First half of 20th century. I'm not sure if this was a button turned brooch, I just know the back isn't all that old but the ceramic is.

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Large Vintage Jose and Maria Barerra Swarovski Crystal Dangle drop articulated clip on earrings. 4.25" long x 1 3/16" wide, left earring missing one crystal in the center, takes a lot of close up looking to notice. No other missing stones.

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Large Vintage JPS Native American sterling collar necklace with turquoise pendant. 67 grams total weight with no issues. Necklace is 20" longAll precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Kabar Pocket knife. Nice old knife, I believe mid 20th century.<br>5.5" closed, tight knife with no wobble. Blades are sharp with some rust/pitting<br>shown.

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Large Matl Sterling Turquoise Amethyst repousse birds pendant/pin, 4" tall x 3<br>1/8" wide 47 grams. No damage.<br><br>MAT-MATILDE POULAT & RICARDO SALAS JEWELRY<br>Matl is the mark that appears on some of the most beautiful and unique jewelry<br>in Mexico.<br>Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her<br>designs and techniques have been carried on by her nephew, Ricardo Salas. For<br>sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl,<br>has greater meaning in its reference to the Nahuatl or Aztec word for water,<br>atl.<br><br>As a young woman, Matilde Poulat studied painting at the prestigious San Carlos<br>academy of fine arts in Mexico city, she went on to teach painting classes at an<br>art school until her interest turned exclusively to silver. Matilde Poulat´s<br>designs for jewelry and figures were part of the new cultural vision among<br>Mexico’s intellectuals after the revolution in 1920s, artists were searching for<br>Mexican aesthetic, rejection European subjects in favor of the art of the<br>pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration<br>in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of<br>motifs the dove, flowers, and tiny bells are reminiscent of the whimsical<br>subjects of contemporary Mexican folk art.<br><br>Matilde Poulat received international recognition for her jewelry when she was<br>asked in 1941 to participate in an exhibit of Latin American silver at the pan<br>American union in Washington, D.C. as a result of increasing demand for matl<br>silver during world war ii , the number of silversmiths in the taller increased<br>to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the<br>first floor of her home, where she also had the workshop. Ricardo Salas recalls<br>that they made three thousand types of silver jewelry and one hundred different<br>pieces.<br><br>Ricardo Salas worked closely with his aunt from the time he was eleven years of<br>age. He says she recognized his artistic talent when she saw him do a play with<br>puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where<br>he received the premio Diego Rivera. As a youth, he learned the techniques of<br>the silversmith and perfected the carving of "Off White", coral, turquoise, and<br>other stones used in the jewelry and figurines. From sr. Salas perspective, he<br>and his aunt collaborated so closely as designers, that there really cannot be a<br>comparison of their work.<br><br>In 1955, William Spratling wrote of Matilde Poulat: “she has continued to<br>produce some of the most charming native jewelry in Mexico, intensely her own.<br>Her jewelry has the same charm and delightful surface and colorful quality of<br>the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects<br>his recognition of their shared appreciation for Mexican native art. This mutual<br>inspiration led each of the two artists in different directions within the same<br>medium. The exuberance of matl silver resembles the interiors of the churches in<br>Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the<br>interior of the dome with polychromed and gilded angels. In matl silver, the<br>introduction of color is accomplished with bits of coral, turquoise, and<br>amethyst quartz. The surfaces are decorated with applied wire and elaborated<br>with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10).<br>Matilde Poulat and Ricardo Salas have been successful in incorporating the<br>artistic language of the Mixtecs into jewelry and silver figures with<br>imagination, drama, and with a style that is completely personal.

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Large Vintage Matl Style Rivera Sterling Turquoise Amethyst and coral necklace. Great looking necklace about 40 years old with no damage 32" long necklace 4" long pendant. 103.5 Grams. Matl - MATILDE POULAT & RICARDO SALAS JEWELRY. Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico.<br>Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.<br>As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.<br>Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.<br>Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.<br>In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Large Matl style Sterling Turquoise Amethyst repousse birds pendant/pin,MAT-MATILDE POULAT & RICARDO SALAS JEWELRY Matl is the mark that appears on some of the most beautiful and unique jewelry in Mexico. Matilde Eugenia Poulat introduced MATL in 1934 and, since her death in 1960, her designs and techniques have been carried on by her nephew, Ricardo Salas. For sr. Salas, who can recite poetry in the language of the Aztecs, the mark matl, has greater meaning in its reference to the Nahuatl or Aztec word for water, atl.As a young woman, Matilde Poulat studied painting at the prestigious San Carlos academy of fine arts in Mexico city, she went on to teach painting classes at an art school until her interest turned exclusively to silver. Matilde Poulat´s designs for jewelry and figures were part of the new cultural vision among Mexico’s intellectuals after the revolution in 1920s, artists were searching for Mexican aesthetic, rejection European subjects in favor of the art of the pre-conquest Indians and of the Mexican pueblos. Sra. Poulat found inspiration in the mextec gold jewelry discovered in 1932 at Monte Alban. Her choice of motifs the dove, flowers, and tiny bells are reminiscent of the whimsical subjects of contemporary Mexican folk art.Matilde Poulat received international recognition for her jewelry when she was asked in 1941 to participate in an exhibit of Latin American silver at the pan American union in Washington, D.C. as a result of increasing demand for matl silver during world war ii , the number of silversmiths in the taller increased to thirty-three. In 1950, Srta. Poulat and her nephew opened a showroom on the first floor of her home, where she also had the workshop. Ricardo Salas recalls that they made three thousand types of silver jewelry and one hundred different pieces.Ricardo Salas worked closely with his aunt from the time he was eleven years of age. He says she recognized his artistic talent when she saw him do a play with puppets he had made himself. Sr. Salas was sent to the San Carlos academy, where he received the premio Diego Rivera. As a youth, he learned the techniques of the silversmith and perfected the carving of "Off White", coral, turquoise, and other stones used in the jewelry and figurines. From sr. Salas perspective, he and his aunt collaborated so closely as designers, that there really cannot be a comparison of their work.In 1955, William Spratling wrote of Matilde Poulat: “she has continued to produce some of the most charming native jewelry in Mexico, intensely her own. Her jewelry has the same charm and delightful surface and colorful quality of the old lacquer work of Uruapan. Spratling`s admiration for matl silver reflects his recognition of their shared appreciation for Mexican native art. This mutual inspiration led each of the two artists in different directions within the same medium. The exuberance of matl silver resembles the interiors of the churches in Puebla, like the chapel of Santa Maria Tonantzintla, where Indians covered the interior of the dome with polychromed and gilded angels. In matl silver, the introduction of color is accomplished with bits of coral, turquoise, and amethyst quartz. The surfaces are decorated with applied wire and elaborated with embossing and repousse of astounding complexity (pl.XXIII-1, XXIII-10). Matilde Poulat and Ricardo Salas have been successful in incorporating the artistic language of the Mixtecs into jewelry and silver figures with imagination, drama, and with a style that is completely personal.

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Large vintage Mexican sterling screw back earrings 2" long with no damage and little wear. 10.6 grams

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Large Vintage Murano Mother of Pearl Satin Art glass pitcher9.5" tall with no cracks, chips, restorations, or dings. I purchased it as part of a large collection of victorian art glass that was collected in the eighties but feel it's Murano from the last half of the 20th century, 1970's Murano. TW 183

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Large Vintage Nakai Native American Sterling multi-stone cross pendant. Throwing in the 22" sterling figaro necklace. This would probably go better on a beaded necklace.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American Silver and Jasper cuff bracelet. Very nice old cuff 92.9 grams 2.25" wide in center, fits up to a 6 7/8" wrist, 1" gap, no issues. Interesting hallmark in two places, unsure of Artisan.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American Silver and turquoise Naja 4" tall x 3.5" wide x 74.9 grams. Once part of a large squash blossom, there is no hook or bail on the back. A chain or hooks could be attached to the rings, possibilities are endless. <br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Native American silver, turquoise, and coral belt buckle. Very nice buckle, sterling circa 50's-60's, 4 1/8" x 3", fits a 2" belt, 188 grams. Turquoise stones as shown, secure in bezels with old fractures.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Native American silver, turquoise, and coral belt buckle. Fits up to a 1.75" belt, 207.1 grams, no that isn't a typo. Very substantial with fancy hand stamped bezels, unsure of maker, circa 1970's. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Native American Sterling and turquoise squash blossom necklace. 27" long, other measurements in pics, no significant issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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large Vintage Native American Sterling button covers. Sterling fronts, the clip mechanism isn't sterling, never is. These are a little larger than average, compared to US penny for scale. Selling the 5 shown.

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Large Vintage Native American sterling onyx hand stamped necklace, measurements in pics, solid silver unmarked. The center pendant can be removed for that one day out of the month that you just don't want to be totally over the top. No issues, necklace 20" long.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Native American sterling Turquoise cuff bracelet. 6.75" inside diameter including the 1.5" gap. Marked sterling and engraved by the artist in 1977. 3.5" x 2.75" face 124.9 grams.

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Large Vintage Native American Sterling turquoise, and coral belt buckle circa 1960's, unmarked.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Native American sterling, branch coral, and turquoise pendant necklace. No issues, huge pendant. Circa 1960's-70's, unsure of maker. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Large Vintage Native American Sterling/turquoise Rattlesnake bolo. Nice large bolo with no issues, unmarked (tested) sterling both the tips and the bolo. Nice old piece from the third quarter of the 20th century. 95.2 Grams inclusive of all materials.

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Large Vintage Navajo bolo tie with turquoise and coral 3.5" tall x 2.5" wide x<br>36" long cord x 97.7 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Large Vintage Navajo Brooch/Convertible bolo tie silver and Malachite. This a really cool clip that can be switched out with other pins. The brooch is nice also, the stampings kind of match the pattern on the Malachite.

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Large Vintage Navajo Mary Chavez Sterling/turqoise/coral ring. 19.4 grams 2 1/8"<br>x 1.5" face, no issues, spectacular. Size 7.75.

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Large Vintage Navajo silver and turquoise pendant on beaded necklace. All metal<br>shown in high content silver, necklace 24" long, pendant 2 3/8" x 3", 72 grams<br>total weight.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large vintage Navajo silver chip inlay bolo tie. Nice bolo from the third<br>quarter of the 20th century. 40" long 3.5" x 2" 47.3 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Large Vintage Navajo silver pendant necklace with turquoise. Circa 1970's, 24" long necklace.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Navajo silver turquoise nugget belt buckle 4 1/8" x 3", fits a<br>1.5" belt, 134.5 grams. All precious metals are tested and guaranteed, any<br>Native American jewelry referred to as Silver or Sterling is guaranteed to be a<br>minimum of 90% (coin) silver and possibly higher content. Anything marked is<br>guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist<br>(non hairy), rings photographed on the appropriate sized finger when possible.<br>With bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure.

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Large Vintage Navajo Stamped silver nugget cluster bracelet, Fits up to a 6.75"<br>wrist 3.25" wide in center 121.8 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Large Vintage Navajo Sterling and onyx barette. Fully functional, appears unused. Clip is metal made in France. Main part is sterling and marked. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Large Vintage Navajo Sterling and Onyx pendant necklace 2.25" wide pendant. 26"<br>long pendant. 64.6 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Navajo Sterling and turquoise pendant 2 7/8" tall x 1 7/8" wide x 40.1 grams. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Navajo Sterling and turquoise pendant on link necklace. Necklace<br>22" long on possibly not Native American made, other measurements and weight in<br>pics. unmarked or marked as shown. If a mark isn't shown then it isn't marked<br>which is common with pre 1970's Native American jewelry that isn't from one of<br>the larger trading posts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Navajo sterling freeform turquoise bolo tie 38" long 2 7/8" x 1<br>7/8" bolo slide, 48 grams.

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Large Vintage Navajo sterling hand stamped natural turquoise concho clip earrings with no apparent markings. Nice old set from the third quarter of the 20th century. Strong springs on clips, no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Large Vintage Navajo sterling high grade turquoise shadowbox clip-on earrings 1.75" tall x 1" wide x 24.4 grams with no apparent markings. Nice old set fromt he third quarter of the 20th century. Strong springs on clips, no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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