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c1890 Rubina Verde Vaseline/Cranberry Opalescent vase. 9 3/8" tall x 6.25" wide rim. The clear base and trim react to UV light. Really cool top, no cracks, chips, or restorations. TW232

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c1890 Schafer and Vater Super cool Porcelain figural match holder. Unmarked but guaranteed lat 19th century i'm 100% sure not 99%, I believe it's Schafer and Vater. 4.5" wide x 3" tall. B37

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c1890 Signed Webb Whimsy Brides Bowl in gilt metal stand. Clearly acid stamped<br>WEBB on base over where the old piece of tape is, I don't have all day to hold<br>it at just the right angle to show it in a picture. Smaller than typical brides<br>bowl 7.5" at widest point x 6" tall. No damage whatsoever.<br>tw270

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c1890 Sportsman Carved Italian Alabaster Figure by Picciole 11" tall. Great shape as shown with minimal wear, there may have been a bronze cane part that came out in the back, no longer here. B55

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c1890 Sterling Sugar Tongs Charles Stuart Harris London 3 7/8" long 22.1 grams.

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c1890 Stevens & Williams Cranberry Amberina Threaded Finger bowl set (4).<br>Selling the set of 4 130 year old bowls in near mint condition. I found two of<br>the tiniest pencil lead sized chigger bites to the threading after extremely<br>close scrutiny. One is shown in the center of the last pic. 5.75" wide x 2 5/8"<br>tall. No cracks, chips, or restorations.<br>TW127

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c1890 Thomas Webb Burmese cabinet vase. 3.5" tall with no damage or detectable wear, clean on all sides. Burmese glass is a type of opaque colored art glass, shading from yellow to pink. It is found in either the rare original "shiny" finish or the more common "satin" finish. It is used for table glass and small, ornamental vases and dressing table articles. It was made in 1885 by the Mount Washington Glass Company of New Bedford, Massachusetts, USA. Burmese glass found favor with Queen Victoria. From 1886, the British company of Thomas Webb & Sons was licensed to produce the glass. Their version, known as Queen's Burmeseware, which was used for tableware and decorative glass, often with painted decoration. Burmese was also made after 1970 by the Fenton art glass company. Burmese is a uranium glass. The formula to produce Burmese Glass contains uranium oxide with tincture of gold added. The uranium oxide produced the inherent soft yellow color of Burmese glass. Because of the added gold, the characteristic pink blush of color of Burmese was fashioned by re-heating the object in the furnace. The length of time in the furnace will determine the intensity of the color. Strangely, if the object is subjected to the heat again, it will return to the original yellow color isshelf

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c1890 Thomas Webb English Cameo Glass Bowl. 5 3/8" wide x 1" deep, amazing quality. I couldn't find a mark but the color and quality is spot on. Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background. The technique is first seen in ancient Roman art of about 30 BC, where it was an alternative to the more luxurious engraved gem vessels in cameo style that used naturally layered semi-precious gemstones such as onyx and agate. Glass allowed consistent and predictable colored layers, even for round objects.TW193

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c1890 Unger Brothers Douvaine Sterling Sardine Serving Fork. 6" long x 2 1/8" wide, no damage, some wear to gold wash on bottom section as expected. Monogram as shown.

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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c1890 Victorian Art Glass Collection, Rainbow blown mold vase, Brides bowl, Uranium Vaseline satin Rose bowl, Amberina mug. Selling the 4 pieces shown with no cracks, chips, or restorations. There is a gilt over factory chip on top rim of the amberian mug which is 3.25" tall, vase is 6.5" tall, rose bowl is 3.25" wide, brides bowl is 10 5/8 x 2.5" tall with a 3 5/16" footrim. TW203

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c1890 Volkstedt Porcelain Wall Mirror with Putti/Roses. 14.5"tall x 11.5" wide. I found 4 places with damaged leaves/stems. I didn't find any significant chips, no cracks, no restorations. Mirror is functional but cloudy as over 100 year old mirrors get. B7

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c1890 Hutschenreuther Porcelain Plaque After Heinrich Hoffman Christusknabe Depicting a young Jesus Christ 11.25" x 9 1/8" framed x 5 7/8" x 4" plaque. Guaranteed Authentic, 100% hand painted, factory stamped with Hutschenreuther mark from the period. Secured as shown with foam board, I removed for photos carefully then replaced quickly and carefully.

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c1890 Wavecrest Art Glass Jewelry Box Dresser Jar. No cracks, chips, or restorations. Beautiful clean liner that is likely not the original 125 year old one. 4" wide x 3.25" tall. tw146

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This is a magnificent glass vase on a metal base. Overall height is<br>approximately 10 3/8 ", the glass vase measures 9 1/2" and is up to 3 1/4" wide.<br>The diameter of the opening is 1 7/8". Pressed white milk glass with a beaded<br>top rim. Multiple embossed designs around the neck and base as well as embossed<br>scroll-like designs down the full length of the sides. Beautifully hand painted<br>on front and back with multiple small blue flowers with yellow centers and long<br>wispy brown stems and leaves. Reddish-brown accents and many white beads. The<br>metal base consists of a silver-colored ring and four attached gold-colored<br>feet. The ring appears to be made of brass with a silver colored paint, the feet<br>seem to consist of a white/grey metal with gold painting. Both ring and feet are<br>quite ornate. Manufactured by the C.F. Monroe Company in Meriden, CT and the<br>bottom of the vase is accordingly marked with the orange Wavecrest mark as used<br>around 1900. In excellent condition without any damage. No chips, no cracks, no<br>wear other than three enamel dots on the very top rim, no repairs.<br>B25

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c1890 Wavecrest Puffy Art Glass Jewelry Box Dresser Jar. 3.25" tall and wide with no cracks, chips, or other damage, good strong hinge. Hand painted and great. tw131

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c1890 Webb Mother of pearl Glass Blue Enameled sweetmeet jar. No detectable markings other than the British hallmarks under the lid. No damage, slightest wear to gold enamel. 4" wide x 5.5" tall to top of lid without the bail handle.

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1890 Willets American Belleek Hand Painted Beer Mug. 5 3/8" tall no cracks, chips, or restorations. Some minor wear to gilding.

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c1890 William B Kerr American Sterling Call card Case/Wallet. Rare and unusual in fantastic condition with minor scratches below center hand etched design which could either be an organization or initials I'm not sure but it's fancy and wonderful. Weighs 128.3 grams, it's thick and heavy. Faint Hatchet hallmark shown, I believe it's William B Kerr as they used similar designs. 4 7/8" tall x 3 3/8" wide. I've not seen this exact design before but my guess is the leather wore out on most of them, this one is particularly well preserved and could be used for credit cards and money. WM.B. KERR & CO - Newark, NJ Began as Kerr & Thiery in 1855. Kerr's hallmark was a fasces - a single-bit axe with rods bound with straps. They used this trademark of Ancient Rome origin from 1855 until 1892. Other hallmarks include a hammer, and three "X" marks. Purchased by Gorham Corporation in 1906 tw156

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c1890 Wood Glass Magic Lantern Slides Revolutionary war "Battle of Lexington"<br>and "Battle of Saratoga"each 4" x 7" total with 3" x 3.5" sight. No damage or<br>issues. Selling both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides South carolina Revolutionary war Battle of<br>cowpens and Eutaw springs each 4" x 7" total with 3" x 3.5" sight. No damage or<br>issues. Selling both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides Surrender of Cornwallis and Battle of<br>Bennington each 4" x 7" total with 3" x 3.5" sight. No damage or issues. Selling<br>both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides Washington at prayer and a portrait of<br>George Washington each 4" x 7" total with 3" x 3.5" sight. No damage or issues.<br>Selling both slides shown<br>isdrawer

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c1890 Yasuda Artist Signed Japanese Satsuma Koro. Yasuda mark in addition to artist signature that I didn't try to research. Very fine quality piece likely missing a lid which could have been metal or ceramic. Top measures 3 7/8" inside and 4.5" outside. 3.75" tall with no cracks, chips, or restorations. TW240

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c1890's American Sterling calling card case. 80 grams marked and tested sterling. 4 1/8" tall x 2.75" wide. Mark shown on pic with penny. A few small dents, top has a spring on the hinge like a zippo lighter to push and hold it open. TW208

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c1893 Wedgwood Kenlock Ware Bronze Mounted Cachepot. Extremely rare, one of a<br>kind item. No cracks, chips, or restorations to Pot but there are interior<br>stains and there is some loss to the bronze ormular floral swags that hang down<br>in the center.<br>6" tall x 6.5" wide, still one of the most attractive pieces of wedgwood I've<br>owned.<br>tw158

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1895 William Comyns London Sterling pierced repousse bowl. 5 5/8" x 4.5" wide with no damage. 79 grams. This is a very pretty Victorian silver bon bon dish hallmarked 1899 and by perhaps the most successful of all Victorian silversmiths - William Comyns. The dish has pierced sides, and has an expanded rim beautifully pierced and embossed with flowers and scrolls Condition: Excellent. The dish has no dents nicks splits or repairs and no breaks to the piercing. There is just a little spotting to the bottom.

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c1900 10k gold Reticulated mounted Pink Conch shell cameo brooch. Marked and<br>tested 10k gold. 1.25" x 1 1/8" with .75" x 9/16" cameo. No damage or issues.

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c1900 10k gold, ruby, and seed pearl pendant/pin. Apparently unmarked, tested and guaranteed solid 10k gold. I believe this was an enhancer pendant and the pinback which I think is gold filled was added later. The main part is solid gold.

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c1900 14k Gold Diamond Mounted French Enamel Portrait Brooch/Screw Back<br>Earrings. Guaranteed antique set over 100 years old, one of a kind, guaranteed<br>14k Gold, guaranteed all 10 diamonds are real tested by me with Gemoro<br>Testerossa. I'm not going to remove the diamonds to check karat weight, but I'm<br>sure the total is over 1 karat, they're decent sized. No issues whatsoever, no<br>damage to the portraits. Earrings are 1 5/8" long, brooch is 2.5" tall. 22.4<br>grams total weight.

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c1900 23.75" Palatial Moser gold decorated vase. Entirely hand painted, huge piece 23.75" tall x 6" wide at the rim. Some wear to gilding, no cracks, chips, or restorations. Guaranteed late 19th to first quarter of the 20th century. Apparently unmarked other than the engraved number or initial inside the factory ground pontil.

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c1900 830 Silver Twist stem Brite cut handles Boxed Teaspoon set. Well over 100 year old set in original wooden satin lined box. Extremely clean lightly used conditon. 74.5 grams silver weight. b70

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c1900 9ct Gold Edwardian Natural Pearl/Peridot Lavaliere Pendant on 14K gold necklace. The pendant is c1899, the necklace is later. Both are gold, marked and tested. Selling both. 18" necklace 1.75" long pendant. 2.4 grams.

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c1900 American Brilliant Period Cut Glass Bulbous Pitcher 7.5" tall x 7.5"<br>handle to spout. Near mint with no cracks, chips, or restorations. I found one<br>single tiniest chigger bite, some light scratches in base from cleaning.<br>Couldn't find any markings. Nice sized small water pitcher or large juice<br>pitcher.

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c1900 American Brilliant Period Cut Glass candelabra. Amazing piece with no<br>significant issues, no damage to glass, no identifying marks found. 21.25" tall<br>approx 13.5" wide x 12" tall to top of glass from base. To me it seems obviously<br>American though I didn't research the maker, whatever it is it's rare and super<br>special. Fresh from a 4 million dollar home, likely an early American mansion<br>before that. The mounts aren't marked, no wear to plating but I'm assuming<br>silver plate. Removable original bobeches and top insert for up to 5 lites.<br>isshelf

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c1900 American La Pierre Hand engraved sterling sash/belt buckle/hair piece. No<br>issues, hinge in center, late 19th to very early 20th century. 3.75" wide x 3"<br>tall, assume it's for a cloth belt. It is naturally curved to conform with a<br>body. Inside measurement where belt goes is 2", 40 grams.<br><br>"The La Pierre company started as early as 1888 in New York where Frank H. La<br>Pierre had a small shop at 18 East 14th St. making a variety of novelties and<br>small wares. In 1895 it was incorporated in New Jersey... In 1900 the firm was<br>again incorporated by La Pierre and H. C. Brown. In 1929 the La Pierre business<br>was purchased by the International Silver Company and moved to Wallingford,<br>Connecticut... "

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c1900 American Tramp Art box 13" x 7.5" x 5.5", some wear as shown, metal feet<br>bent but it sits level. Cool and functional.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1900 Antique Brass articulating wall mount candleholders. Over 100 years old with no issues. they do have holes for prisms if you like. They move freely from side to side and stick out 10" from wall when straight. Quite rare and unusual. isshelf

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This is an amazing antique Victorian blister shell snuff box or trinket purse or container. This little gem has the most beautiful mottled brown shell with a mother of pearl MOP that radiates out from the blister. This luminescent glow is hard to capture in a photo but please see the photos. This unique shell looks like a turtle or tortoise shell which makes it even more interesting and stunning! . Great box over 100 years old. 2.25" wide and deep with no damage, strong hinge and snaps shut securely with an audible snap. TW249

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Antique Cherry Pitter by Goodell New Hampshire. Very cool design in the most<br>amazing condition. A practical pitter for someone in the south that doesn't have<br>a billion cherries mounts to any counter top, would also work for olives.<br>TW233

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c1900 Antique Chinese Canton cream soups. Selling both shown in perfect condition with no cracks, chips, or restorations. 4 3/8" wide without handles x 2.25" tall. Well painted by hand on both sides. blkcrate

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c1900 Antique Chinese Lotus Shoes For feet binding 4" tall x 5" long. They<br>appear to be cotton and silk. Very well preserved with just enough appropriate<br>wear to indicate they were worn for a period of time. Interestingly have<br>buddhist symbols on the back.<br><br>tw188

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c1900 Antique Chinese Miniature Animals Lot of 21 Ducks, swans, Geese, Chickens. Great assembled collection all from the first quarter of the 20th century. These came from the estate of a former Estate seller that was collecting long before he started his business in the 90's. It took him about 50 years to assemble this collection. They vary from 2" to 3" tall. No cracks, chips, or restorations. TW249

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c1900 Antique Chinese Republic period carnelian and jade set pewter box 3"<br>square x 2" tall, a few scratches and small dents. Good looking hand engraved<br>box.<br><br>chinesedrawer

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c1900 Antique Chinese Shiwan Figure Sancai Glaze 9.5" tall. Nice large early 20th century Sancai Shiwan figure. old rpair to the bottom of the neck of his cloak. TW157

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c1900 Antique Cloisonne Censer. Antique gilt cloisonne censer 4" tall x 3.5" wide with no damage, very fine detailed work. Appropriate wear to gilding. The lid spins around. Great piece overall, uncommon form, guaranteed antique piece over 100 years old. tw125

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c1900 Antique Dresden Man and Woman Gathering Flowers with sheep. Selling the<br>two figures, 19th to early 20th century. 7.5" tall with no major damage, very<br>slight loss to a few petals on each figure, no major breaks or repairs.<br>TW201

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c1900 Antique French Hand Painted Sevres Style Goblet Form Wine Cooler. 8.5" tall x 7.75" wide, very large piece of antique 100% hand painted French porcelain. Would make a great Cachepot, ice bucket, centerpiece, etc but it's the perfect size for a wine cooler and likely began it's life as that. Artist signed Aly.

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c1900 Antique Italian Spice box. Antique spice box, 19th to very early 20th<br>century. Unsure where it was made but the writing is Italian I believe. Strong<br>and stable with gap to left side shown, not rickety. All drawers intact with no<br>issues. 14" tall x 9.5" wide.

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c1900 Antique Rosenthal Copenhagen Duck vases pair 6" tall each with no cracks,<br>chips, or restorations. Selling both.<br><br>isshelf

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c1900 Antique Royal Vienna Style Plate with heavy raised gold. 9 5/8" wide with no cracks, chips, or restorations. Mostly hand painted over a transfer decorated design. Artist signed, slight wear right at the signature. TW235

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c1900 Antique Star Mark Buermann Hercules Bronze California Spurs Pair. These are made of 'Hercules Bronze" special alloy invented by August Buermann.These spurs date pre-1914 with the Buermann Star hallmark, dating them before they were bought out by North & Judd in 1914. 5" long x 3" inner width at heel. As found with no damage Buermann Spurs are one of the most famous and sought after designs from one of the most famous makers in Cowboy Spur history. He can be considered to be a good businessman too, as he fulfilled the need of creating many different types of spurs and also aggressively patenting his brands/logos and designs.  What ever type or style was needed, Buermann was the first to step up and create them. History. August Buermann was born in Germany in 1842 but later traveled to the US after taking his apprenticeship in lock smithing. After joining the army as a substitute at the age of 22 he began making spurs for the civilian and military. Buermann fashioned the now infamous StarBrand that adorn his designs and creations.  The company had grown to have over 100 employees before the turn of the century. By the early 1900s, the majority of military men were wearing Augusts heel spurs and army officers were also entitled to wear heel chains and were all privately purchased from Buermann. August also had a son, August Jr, who succeeded him in running the company when he retired in 1896.  August Jr was also a good businessman like his father but, in 1914 the Buermann name and design was purchased by North and Judd, a large established hardware company. The infamous StarBrand of the Buermann boot spur was no more and was replaced by the North and Judd anchor mark. August Jr then retired. The Buermann name is not without some (slight) controversy too though.  Once the other well known manufacturers started to gain in-roads on the established business, selling new styles of spurs that were popular, Buermann was accused of making straight copies of these designs.  Even to the point where he was accused of taking copies of the images from other companies catalogs for his own use. At that time, the company was seen to be becoming more and more removed from it's customer, branching out and modernizing at a fast rate.  Other companies such as McChesney or Crockett were closer to their customers and Buermann was playing catch-up. Materials. Like many other spur makers, the majority of these spurs are made from solid brass or iron.  However, Buermann also invented 2 types of metal for use too, known as "Star Steel Silver" and "Hercules Bronze". Where these metals were used, the metal name was also stamped onto each piece. In fact, so good were the products that were being made in his modern factory in Jelliff Avenue, that he was able to win some awards of excellence.  The Centenial Commission of Philadelphia bestowed several awards for different products in several categories and the Star Brand also won awards at the St Louis Fair in 1904. tw154

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c1900 Antique Sterling Calling card case/wallet. 3.5" x 2.75" x 81.5 grams, some<br>small dents on sides as shown no other issues, monogrammed as shown.<br>silverdrawer

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c1900 Antique Sterling Calling card case/wallet. 3.75" x 2.75" x 117 grams, no<br>dents or other issues, monogrammed as shown.<br>silverdrawer

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c1900 Art Nouveau George Unite Sterling Scent Bottle with French Limoges Enamel Plaque. Very special and over the top in so many ways. 413.8 grams very thick solid sterling marked and tested of the best quality encasing a glass perfume bottle with ground stopper. A few very small dents on the top, no other issues. tw208

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c1900 Art Nouveau Royal Bonn Hand Painted Roses Vase. 8" tall x 7" wide with no<br>cracks, chips, or restorations, fine overall crazing with no stains.<br>Royal Bonn is the 19th and 20th Century Trade Name used by the renowned<br>craftsman Franz Anton Mehlem, who produced pottery in Bonn, Germany from 1836 to<br>1931. Fine Porcelain and Earthenware were manufactured in the factory. In 1921,<br>the firm was purchased by Villeroy & Boch and closed in 1931.<br>TW228

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c1900 Art Nouveau Sterling and Crystal perfume bottles Enamel/Cranberry silver overlay glass. Selling the three amazing bottles shown, all three fit for a queen, best of the best. 4" to 4 5/8" tall. The large cut glass with sterling enamel portrait top has some very small chigger bites as cut glass always does, no large chips. NO chips to other bottles, some mineral deposits in the large jar, none in the others. Selling the three bottles shown. All three marked sterling tw161

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c1900 Art Nouveau Sterling Napkin Ring Frank Whiting Lily/Florence with Betty<br>Monogram. 2" x 1 3/8" 34 grams with no issues.

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