JP Ukestine Zuni sterling snake eye turquoise cross. Solid sterling, weight and measurements in pics. No issues.

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Sure to be the star of any collection or room it's in. It measures 18" without<br>the frame and 23 7/8" with. A graceful work of art that will blend in with most<br>settings. The porcelain is perfect with no damage or wear. The frame is clean<br>but missing four of the beads surrounding the plaque.

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Juan Calavaza Zuni cast sterling silver turquoise nugget cluster belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.25" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Juan Willie Navajo 14k/Sterling silver freeform pebble brutalist collar necklace. Very high quality with no issues. Weight and measurements in pictures. 44 Solid 14k yellow gold beads mixed with sterling beaded accents..

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Late 19th century Family Of Merino Sheep Jules Moigniez - This Highly Detailed<br>Bronze By Animal Sculptor Jules Moigniez (French, 1835-1894) Was First Exhibited<br>At The 1861 Salon In Paris. Not Only Has The Sculptor Created An Attractive,<br>Well-Balanced Family Group But He Has Detailed Every Curl Of The Wool And<br>Modelled An Almost Barye-Like Series Of Folds In The Loose Skin And Wool Of The<br>Necks. The Modelling Of The Foliage Is Excellent, A Moigniez Trademark. - In<br>Common With The Accepted Ideas Of The Period, Moigniez Has Put One Of The Sheep,<br>In This Case The Proud Ram, With His Front Feet On A Rock, Giving It Added<br>Height And Perspective, And Allowing The Viewer'S Attention To Be Drawn In A<br>Slightly Asymmetrical Triangle. - Family Of Merino Sheep Was Cast In France In<br>The 19Th Century, Most Likely In The Highly Regarded Foundry Operated By The<br>Artist's Father. The Sculpture Has An Aged Patina In Tones Of Browns. It Stands<br>11.5" High By 15.5 " Wide.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes. His bird sculptures were among the finest ever created in his time.

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Guaranteed mid to late 19th century bronze sculpture with incredible detail that<br>I really couldn't capture in the photographs. It's approximately 30 pounds and<br>21" x 13" without the wood platform that may or may not be original to the piece<br>but I'm including. An incredible example by an artist that was famous 150 years<br>ago.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes.[1] His bird sculptures were among the finest ever created in his<br>time.[2]

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Julia Etsitty Navajo Sterling silver/gold filled turquoise/coral belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa fourth quarter of the 20th century. Fits a 1.5" belt.

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Julius Heinrich HAHNEL (1823-1909) Bronze Playful Cat 6.75" wide x 3 5/8" tall. Nice antique bronze c1900 with incredible patina and no issues. This artist tends to do well at auction and I can see why. b29

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Julius Manuelito Southwestern Sterling purple stone channel inlay necklace and<br>earrings. 16" necklace, .75" earrings without clips. Strong clips with no<br>issues. I'm unsure what the stones are but it's a great looking set with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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K Navajo sterling silver onyx pendant necklace with feather links. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. 26" long. Circa 1970‘s-80‘s.

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K Yazzie Navajo heavy vintage sterling silver deep stamped belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century.

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K Yazzie Navajo sterling silver 3/4" vintage ranger belt buckle set. Tested and guaranteed solid sterling silver weight and measurements in pictures, circa last quarter of the 20th century. Fits a 3/4" belt. Ranger belts taper down at the buckle/keeper/tip as shown. Belt not guaranteed for condition, I‘m selling the sterling ranger belt buckle set and the belt is free, last hole on belt is 39.5".

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Kamiwaza Japanese Pure Silver Horse Head Plaque. Marked and tested to be Pure<br>silver 99% or greater. Incredible piece of art. 1187 Grams, 10.75" x 8.25", It's<br>entirely silver, front back, not weighted in any way. A tea set by this<br>maker/retailer brought $37,500 with the buyers premium at Heritage Auction last<br>year.<br>b70

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Karl Heinz Stittgen (1930 - 2023) 18k/Sterling chrysocolla pendant/necklace. 28" necklace, solid 18k gold slab at the top of the bezel/pendant. I know it didn‘t photograph well due to contrasts and time limitations but it‘s great. No issues, weights and measurements in pics. STITTGEN, Karl Heinz 1930 - 2023 Karl Stittgen emigrated from Germany in the early 1950s and established himself as a prominent jeweller and watchmaker in West Vancouver. His creations soon gained global recognition and consequently he opened additional Stittgen stores in Calgary, New York and San Francisco. In his golden years, he trained many Master Goldsmiths who carry on his traditions and techniques today. Karl Stittgens profound impact on both local and international jewellery design was honoured in 2009, when he received the Creative Achievement Award of Distinction at the 5th annual British Columbia Creative Achievement Awards for Applied Art and Design. Karl was born in Bad Durkheim, Germany, and emigrated to Canada in 1952 at the age of 21. Although trained as a watchmaker, his creative urge led him to try his hand at jewelry making, where he gained the confidence of a loyal clientele drawn to his discerning eye for design. His reputation soon spread globally, and he expanded with stores in Calgary, New York, and San Francisco. Karl‘s loyal clients, recognizing his sense of style, taste, and precision, convinced him to design and furnish the unique homes of a very select few. Karl‘s first wife, Gabrielle Pontoppidan, whom he married in 1961, admired and supported these forays into new areas of creative work. Karl‘s second wife, Nora Sasaki, was a talented artist who complemented his vision and unique creative style. Together, they designed and built an exquisite architectural landmark home, "Halcyon Days," on Pender Island. The home reflected Karl‘s admiration for Frank Lloyd Wright in every detail. Both Karl and Nora took great delight in hosting many different creative people on the island and visitors from all over the world, entertaining them with a feast for all senses in their home. They were also renowned for their generosity towards the artistic community on Pender Island and beyond. Well into his eighties, Karl began working in the new medium of ceramics. His studio was a place where he cultivated imagination and had the incredible self-assurance to traverse new and uncharted territory. To see his creations, free in form but precise in construction, was to be in the presence of genius. Karl‘s childhood was difficult, bereft of encouragement to explore or parental affection and support. This may have forged Karl‘s inner strength and determination to become his own person strong in creative conviction with the courage to try the unthinkable. How else would a person move from being a watchmaker to a celebrated jeweler, to an architectural designer, and finally taking creativity literally back into his hands as an acclaimed ceramicist? Karl‘s creative trajectory was only possible because, as he often mentioned, he left Germany to live in Canada where he felt free to tread new terrain without formal training. In September 2009, Karl received the B.C. Creative Achievement Award of Distinction in Vancouver. He was selected for his "profound and lasting impact on applied art and design in British Columbia" and for a "lifetime of creative vision and innovation." His designs were largely inspired by organic sculptural forms found in nature. His exquisite jewelry received much critical acclaim during what some have called the golden age of design in Vancouver. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Kee Joe Benally Navajo sterling silver lapis modernist belt buckle vintage, fits up to a 1.5" wide belt. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Kee Joe Benally was a top prize-winning Navajo contemporary jeweler. He used only the finest natural stones and materials. He was influenced by Kenneth Begay but could work in many different styles. He served his people as President of the Lupton Chapter of the Navajo Tribal Government.

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Kee Nataani Navajo Hand stamped sterling cuff bracelet. Fits up to a 6.5" wrist<br>23.2 grams.<br><br>Karl "Kee" Nataani believes that becoming a silversmith must have been in his<br>blood: His maternal grandmother was from the Peshlaki family, "peshlaki" being<br>the Navajo word for silver. His impeccable craftsmanship, developed through<br>decades of practice, is testament to the thought. He lives and works within the<br>Navajo Nation in Arizona where he and his wife also tend an assembly of farm<br>animals that range from cattle to chickens to a llama.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Kee Nez Navajo Modernist sterling feather pin with high grade coral. Solid sterling, weight and measurements in pics. Navajo silversmith, Kee Nez, is a member of the Many-Goats clan and is from an artistic family. His mother is a rug weaver and his grandfather was a silversmith, but he credits his award-winning brother, Al Nez, with influencing his style. Kee uses 14K gold and sterling silver to create his stunning handcrafted surface design on bolas, rings, pendants, and earrings. He often uses sandcasting techniques to produce each item and many times uses the finest American turquoise or richly colored coral as a focal point on the piece. Kee was featured in Arizona Highways in the article “A New Generation of Indian Artists and has several pieces showcased in the books, Enduring Traditions and Navajo Indian Jewelry by Jerry and Lois Jacka. He has garnered numerous awards at Gallup, New Mexicos Annual Intertribal Ceremonial.

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This piece is signed on the bottom with "Acoma Keith Chino" as pictured. Keith Chino was born in 1960, Keith Chino is a member of both the Eagle and Sun Clans of Acoma Pueblo and has been a potter for over 30 years.He studied at Haskell Indian College and his work can be found at the Heard Museum, Phoenix, Arizona.He works closely with his wife, Sharlyn. They reside in Acoma Pueblo 60 miles west of Albuquerque, New Mexico. 5.5" long x 3.5" tall with no cracks, chips, or restorations. isshelf

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Keith Jack 10k/Sterling Compass pendant. Clean with no issues. 1.75" x 1 5/16"<br>8.3 grams.

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Kelsey Jimmie Navajo 18k Accented Sterling and turquoise Oversized spider bolo<br>tie. 50" long with 3.75" x 2 3/8" bolo slide 191.6 grams.<br><br>Kelsey has a design background as a carver of fine pottery, but with the<br>guidance of Artist Darryl Begay, Kelsey is working magic with silver. Kelsey<br>does both tufa cast and sand cast designs, with beautifully carved features.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Fleisch didn't do a lot of portraits, I've only seen s few others. One of which<br>brought $6100 on eBay in 2013. This piece is estate fresh, has never been<br>offered anywhere until now since it was purchased from the artist.<br><br>Frame measures 31"x 19", it's the original frame Made in Italy with 78061<br>sticker on it coinciding with the number on the back of the painting. Canvas is<br>24" x 12". Both the painting and the frame are flawless. This is one of his<br>earlier works c.1970's, also one of his better works in my opinion. He's well<br>listed and has brought some very high prices at auction even before he passed<br>away in 2008.<br><br>Ken Fleisch<br><br>(American, 1943-2008)<br><br><br><br>Ken Fleischs' paintings are stark, compelling and deceptively simple in their<br>appearance. Flawless in its detail and realism, Fleischs work reaches the core<br>of life in an almost classical fashion.<br><br><br><br>            Born in Texas on November 4, 1943, Fleischspent his early years<br>experiencing a wide perspective of life throughout the United<br>States and Europe as the son of an Air Force officer. Fleischs art education is<br>a combination of formal training in both American and European universities with<br>exacting practical experience gained through private study and joint projects<br>with internationally known artists.<br><br><br><br>            A self-described realist, he often draws inspiration from his native<br>state of Texas, yet his paintings transcend geographical boundaries, touching<br>the core of life in an almost classical fashion. His evocative paintings are<br>more than mere reflections of reality: they are a means by which he shares<br>philosophy and emotion. Using the commonplace to convey the complex, he often<br>uses old pottery, artifacts, and icons for his stark and still lifes, which many<br>find compelling. <br><br>            Fleisch began painting landscapes then moved on to architecture and<br>buildings and eventually was drawn inside to long forgotten objects sitting on<br>shelves. Fleisch now paints still lifes exclusively. He is interested in the<br>convergence of cultures and the stories behind the objects he paints.<br><br><br>Ken Fleisch's award winning work has been featured extensively in regional and<br>national publications and his paintings are in major private and public<br>collections across the country. The wide recognition of Ken Fleischs' art on a<br>national level, the popularity of his print series and the wide diversity of his<br>collectors, from Bob Dylan to CBS Television, can only underscore the depth and<br>integrity of his work.

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Ken Romero Taos/Laguna Pueblos sterling spiny oyster cobblestone pendant. This pendant has a clip on the back to clip on a "Navajo Pearl" or other beaded necklace, but also comes with the removable bail. No issues, weight and measurements in pics. Ken Romero (1956-Present) Pueblos: Taos and Laguna Pueblos Ken is a full-time contemporary jewelry artist, working in the arts for over two decades. His work has been described as being ‘Contemporary in Traditional Native Design. He has an Associate of Fine Arts Degree from the Institute of American Indian Arts and a BA from the California College of Art and Design. \ Ken is known for his beautiful and intricately inlaid jewelry creations using semiprecious gemstones and cutting-edge designs. When he sits down to make a piece, the exact pattern of the inlay comes as he places one stone at a time and the piece takes on a life of its own. Through his work, he wants to convey the beauty and resilience of his pueblo ancestry. Many of the pieces in his inlay process take on the texture, feel, and look of a village, particularly multi-storied Taos Pueblo. Each piece is made entirely by Ken from start to finish. “I design my pieces with inlay to look and feel like a village or pueblo building. I call this my pueblo village design inlay. All of the jewelry is completed with Kens hallmark. Ken is known for his beautifully wearable works of art. Romero has received numerous honors, including awards at Santa Fe Indian Market, Heard Museum Indian Fair & Market, Eiteljorg Museum Indian Market, and SWAIAs Santa Fe Indian Market. He resides in Albuquerque, New Mexico. All precious metals are tested and guaranteed,

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Ken Romero Taos/Laguna sterling silver cobblestone inlay belt buckle turquoise/coral. Tested and guaranteed solid sterling silver, fits a 2" wide belt. No issues, some expected wear. Circa last quarter of the 20th century. Weight and measurements in pictures. Signed illegibly with a hallmark I don‘t recognize. Ken Romero (1956-Present) Pueblos: Taos and Laguna Pueblos Ken is a full-time contemporary jewelry artist, working in the arts for over two decades. His work has been described as being ‘Contemporary in Traditional Native Design. He has an Associate of Fine Arts Degree from the Institute of American Indian Arts and a BA from the California College of Art and Design. Ken is known for his beautiful and intricately inlaid jewelry creations using semiprecious gemstones and cutting-edge designs. When he sits down to make a piece, the exact pattern of the inlay comes as he places one stone at a time and the piece takes on a life of its own. Through his work, he wants to convey the beauty and resilience of his pueblo ancestry. Many of the pieces in his inlay process take on the texture, feel, and look of a village, particularly multi-storied Taos Pueblo. Each piece is made entirely by Ken from start to finish. “I design my pieces with inlay to look and feel like a village or pueblo building. I call this my pueblo village design inlay. All of the jewelry is completed with Kens hallmark. Ken is known for his beautifully wearable works of art. Romero has received numerous honors, including awards at Santa Fe Indian Market, Heard Museum Indian Fair & Market, Eiteljorg Museum Indian Market, and SWAIAs Santa Fe Indian Market. He resides in Albuquerque, New Mexico.

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Kenneth Begay Navajo White Hogan Modernist Sterling salt spoons/ironwood bowl. Selling the three Kenneth Begay salt spoons and Ironwood salt bowl shown. No issues. Weight and measurements in pics. Kenneth Begay (1913-1977) was called the “Father of Contemporary Navajo jewelry for his clean, bold, modern designs. Begay began as a blacksmith, took his first course in silversmithing from Fred Peshlakai at the Fort Wingate Vocational School for the Native Americans in Fort Wingate, New Mexico in 1938. Fred Peshlakai had been taught by his father, Slender Maker of Silver, who was trained by Atsidi Chon, one of the earliest Navajo silversmiths. Begay in turn taught traditional techniques of silversmithing to his own students from 1968-1973 at Navajo Community College in Many Farms, Arizona. In 1946, Begay started working with John Bonnell at the White Hogan shop in Flagstaff, Arizona, beginning an 18 year relationship. In collaboration with Bonnell, Begay moved Indian jewelry beyond personal adornment and into the arena of pure metalsmithing making, amongst other things, flatware sets, plates, boxes, and vessels of various kinds. Although highly unusual at this time among silversmiths, 1951-1952, he also began signing his jewelry using KB. When working for the White Hogan he additionally stamped his pieces with a small hogan. A master metalsmith, Kenneth Begay was very creative and strongly influenced by his traditional background. In his jewelry this translated to a balance between silver, stone and bold but unpretentious designs. He created clean, elegant designs based on streamlined shapes that were repeated to form balanced and harmonious patterns, a style that has been compared to Navajo weaving. Although he used and taught the old techniques, Begay explained near the end of his life, “I like to create something new and still use the old Navajo design style. All precious metals are tested and guaranteed,

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Kenneth Wyatt (1930-2021) "Texican" and "Arbuckle" Polished pewter Sculptures.<br>Selling both Sculptures each with no damage or detectable wear.<br><br>Dr. Kenneth Wyatt (1930-2021) was a well-known Western artist in the Texas<br>Panhandle. He was widely known through his paintings, bronze and pewter<br>sculptures, writing, speaking and preaching. He lived in Tulia, Texas, where he<br>maintained his studio gallery, bronze foundry and Y-8Publishing, Co. He was also<br>an ordained Methodist minister for 30 years. As an example of his success, his<br>works are in prestigious collections ranging from the White House to the Capitol<br>Building in Washington DC.

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Kevin Billah Navajo Sterling Silver Naja with turquoise and Beaded Necklace and silver pearl earrings, New old stock from "Eight Point Ranch" in Elgin TX, they had a small Native American jewelry store, now no longer with us. 21" necklace, 3" x 2 3/8"pendant with bail, 2" long earrings. 73.8 grams Marked and tested sterling, entire necklace is sterling so are earrings. Earrings and necklace are unmarked as typical.

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Kimm Lanus Pop art large hand painted porcelain vase. 12.5" tall with no damage<br>or wear.<br><br>Kimm Lanus was born in Rome, New York, was raised in New England, and currently<br>resides in Granbury, Texas. Her studies in art began in 1972 at University of<br>Texas at Arlington, and from her first exposure to art history and the painting<br>of Toulouse Lautrec, Rossetti, Rapheal, Albrecht Durer, and later Carriere, and<br>Edward Hopper. She was so deeply moved by these artists that art become a way of<br>life and she made sure it was in the forefront of her life moving forward.<br><br>“I have been lead to paint images of Mary after a vision I experienced ten years<br>ago. I was seated alone at church, in the silence of prayer, her presence was so<br>clear I could hear the movement of her garments as she knelt before me. I paint<br>her in the perspective of many different s and nationalities to promote a sense<br>of unity. Her image speaks of unconditional love, family, peace, and healing.<br>Women often connect to her with a Goddess sense of empowerment.”<br><br>Lanus taught school for over six years to the middle school level, as well as<br>teaching privately to adults and teenagers. After teaching for over ten years as<br>well as doing workshops for the art guilds of Granbury, McKinney, Wylie, and<br>Richardson, Texas, she participated in several juried shows such as the Collin<br>County Annual Show, Holiday National Show, Dallas Visual Arts Annual Show,<br>Granbury Arts Annual Show, Plano Annual Art Show, Wylie Annual Art Show, Wylie<br>Annual Show, Richardson and Irving. She received first and second place awards<br>on numerous occasions, and ‘Best of Show’ from the Art Institute of Chicago.

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King Navajo sterling silver, turquoise/coral vintage belt buckle. Tested and guaranteed sterling silver. Fits up to a 1.5" belt, fully functional with age appropriate wear. Please look at pictures.

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Kokopelli Overlay Navajo sterling belt buckle. Circa 1980‘s, unknown artist. Solid sterling, marked as shown, weight and measurements in pics.

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Konstantino 18k/Sterling Clio Collection Citron hoop earrings. 1 1/8" x .25"<br>wide with no issues, guaranteed authentic Konstantino and solid 18k gold and<br>sterling. 12.7 grams, uncommon retired design.<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br><br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br><br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br><br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br><br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br><br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Konstanty Mackiewicz (Polish, 1894–1985) Huge Mid Century Modern Forest<br>Landscape Oil on Canvas. Great oil painting with no damage or repair. Measures<br>47" x 35" framed x 39" x 27" canvas. There is minor damage to the frame. It's an<br>old mid 20th century painting.

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Kordes & Lichtenfels 835 Silver Mid Century Modern brooch. Great 1960's well made piece 1.5" wide, no issues.

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Koshiro Ueki Minister of Justice Presented Pure Silver Sake Cup, some minor wear, tiny dent in bowl, overall good. 1.75" tall x 4 7/8" wide 129.4 grams.

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Kosta Boda Sweden Hand Painted Mirrored Glass Sphere Artist Signed. 5" tall x 6"<br>wide. No cracks, chips, restorations, or wear to enamel. A few expected<br>scratches on the base that rests on the table.<br>Tw120

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L Burnside Navajo vintage sterling silver stamped beads squash blossom necklace. Tested and guaranteed solid sterling silver with weight and measurements in pictures. 28" long with no significant issues. Listed with ExportYourStore.com

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L Straus & Sons Limoges Plate 8 3/8" Hand Painted heavy gold No cracks, chips, or restorations. Minimal wear to Gilding. 8. 3/8" wide.

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L Straus & Sons Limoges Plate 8.5" Hand Painted heavy gold No cracks, chips, or restorations. Minimal wear to Gilding. 8.5" wide.

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L/M Navajo sterling multi-stone intarsia inlay bib necklace. Measurements in pics, hinges are good and no damage to stones.

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LA Native American sterling Charoite pendant/beaded necklace. Weight and measurements in pics, all solid sterling.

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Lag Zuni Sterling heavy stamped cuff bracelet. 24.4 grams with no issues.

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Lagos Caviar 18k gold and sterling French clip earrings 20mm wide, 20.9 grams. High quality, guaranteed authentic with no issues.

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Lagos caviar 18k gold on sterling large french clip earrings. Measurements and<br>weight in pics. Guaranteed authentic with no issues.

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LAGOS Caviar 18k/14k/Silver Door Knocker style earrings. Sterling with 18k enhancements and solid 14k gold posts. Please see pictures for weight and measurements. No issues, preowned with little wear.

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LAGOS Caviar 18k/Silver Hoop earrings. Sterling balls with solid 18k gold centers and posts. Please see pictures for weight and measurements. No issues, preowned with little wear. I believe this is a retired design but comparable Lagos earrings are retailing for about 1k.

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라고스 캐비어 18k/스털링 마베 진주 목걸이. 문제 없는 최고 품질의 정통 라고스 캐비어를 보장합니다. 길이는 14.75인치입니다.

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Lalique Blois(1981-1996) French Crystal Sherry Glasses 4.75" x 2.5" rim (3).<br>Selling the three shown for this price. At the time of listing I have multiple<br>lots of 3 available if you change the number on the quanity, if you change the<br>number to 3 you will receive 9 Stems. All are in mint condition with no cracks,<br>chips, scratches, cloudiness, or restorations, not even any wear on the base.<br>They've been in a cabinet for 30 years. This pattern was retired in 1996.B61

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Lalique Doves Lovebirds "Dampierre" Sparrows Vase 5" France 4.75" tall x 4 7/8" wide large, Heavy Vase.. Top quality authentic Lalique glass guaranteed with no cracks, chips, rubs, dings, or other issues. If you buy one vase you will get the exact one shown, if you change your quantity you will get how many ever you select all in the same condition with no damage or detectable wear as at the time of listing I have 3 of these. tw254

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Lalique Isabelle Open Footed Candy Dish 3.25" tall x 4.75" wide no cracks, scratches, chips, or restorations. B9

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Lalique Roses Large Centerpiece Bowl French Crystal. 13 3/8" diagonal x 3" tall.<br>No cracks, chips, or restorations, expected scratches on base because it's very<br>large and heavy. Not noticeable unless held to light.<br>B9

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Lalique Tokyo Art Deco Style French Art Glass Ashtray. No cracks, chips, or restorations.5 3/8" wide x 2 1/8" deep. TW190

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Lalique Twin Angels Figures 4.25" wide x 3.5" tall Top quality authentic Lalique glass guaranteed with no cracks, chips, or other issues. B9

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c1950 Lambert Homer Sr. Zuni Blue Gem Turquoise flush inlay sterling silver screw back earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa second quarter of the 20th century to mid 20th century, large and unique with high grade turquoise.  Unmarked, attributed. Homer, Lambert Sr. Biography (1917-1972)Widely recognized as a fine lapidarist, Lambert Homer collaborated with other artists who worked with trader C. G. Wallace. He is perhaps best known for pieces featuring intricate mosaic inlay on spiny oyster shell that closely resemble shell inlay work found at prehistoric Southwestern sites. After removing the spines from these distinctively coral-colored shells, Homer inlaid them with white shell, turquoise and jet, creating vibrant geometric patterns. Some of his most spectacular pieces are belts with conchas of inlaid spiny oyster shell. Homer also made inlaid Knife Wings and Rainbow Gods, and he is credited with the first use of the Gan dancer as a jewelry design motif. 

Zuni artists with whom Lambert Homer collaborated include Dan Simplicio, Leo Poblano, Ida Poblano, and his son Lambert Homer, Jr. He also worked with Navajo silver-workers Roger Skeet and Charlie Bitsui. Lambert, who was married to Juanita Homer, and his brother Bernard, who was married to Alice Homer, worked closely with their wives, both of whom were daughters of Leekya.

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Lambert Homer Zuni sterling silver Kachina dancer shell inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa third quarter of the 20th century. 40" long. Listed with ExportYourStore.com

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Lambert Poseyesva Hopi overlay dangle earrings sterling. Solid sterling silver, weight and measurements in pics. No issues. Marked as shown in the pictures.

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Well here it is! What you've always wanted but couldn't justify doing<br>financially or with a clear conscience. Someone did it for you about 50 years<br>ago. They did a good job it appears. Though I guess they had to drill the<br>pitcher. The pitcher is perfect otherwise with no cracks, chips, or<br>restorations. The bowl has a very tight crowsfoot on the base that doesn't go<br>through to interior. Both pieces have the expected crazing from 120 year old<br>earthenware. A couple worn glaze spots on rim of bowl, no chips or cracks. The<br>bowl is 15.75" wide, pitcher is 11.5" tall without brass hardware. Lamp and<br>switch work.<br><br>I'll include the shade if you want, but my main concern will be the careful<br>packaging of the bowl/pitcher. They will for sure reach you in the condition<br>they're currently in.

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Large Vintage Asian Sterling Repousse Labradorite Pendant. Extremely high quality piece that I believe was already old when purchased while traveling throughout Asia in the 1970's. Unmarked tested and guaranteed solid sterling, nice large Labradorite stone. 3" x 1.75" x 36.7 grams.

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Large 1.5" R Initial Sterling silver Rubies Ranger belt buckle set MAC 1991. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Appears to have been made by MAC in 1991.

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Large 10k/Sterling 1970‘s Glad Hand Buffalo belt buckle LC Initials. Ruby Eyes. Solid sterling silver with solid (tested) 10k gold LC at bottom. No issues. Weight and Measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I‘m guaranteeing it to be 90% or more silver. This isn‘t something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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Large 15th Century Thai Sawankhalok Celadon Jar. 6" tall x 7" wide, Stable 3" long hairline in body shown in third pic, likely excavated or shipwreck item as it appears to have calcium deposits/worn glaze. Detailed description in 1984 appraisal included with item. isshelf

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15th Century Thai Sawankhalok Kiln Condiment Jar with Lid. Very early piece of<br>Thai pottery 15th century collected in the mid 20th century by a woman that is<br>now 96. I'll be selling more of her items shortly. 3 3/8" tall x 5" wide with no<br>cracks or restorations, 4 small chip on rim of base.<br>asianshelf

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Large 1820's Staffordshire Lion Indian/African/Egyptian Scene Pyramids Serving bowl. Amazing condition 12 5/8" diagonal, extremely cool pattern that seems to be extremely rare as I can find no exact matches. Guaranteed 190+ years old with no cracks, chips, restorations, or significant wear. Has am impressed Asterix type mark on the reverse side that may be an early Adams mark. tw272

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Large 1920's Muller Frères Cameo Glass Landscape vase. 12" tall x 5.25" wide<br>with no cracks, chips, or restorations. tw108<br><br>Cameo glass is a luxury form of glass art produced by cameo glass engraving or<br>etching and carving through fused layers of differently colored glass to produce<br>designs, usually with white opaque glass figures and motifs on a dark-colored<br>background. The technique is first seen in ancient Roman art of about 30 BC,<br>where it was an alternative to the more luxurious engraved gem vessels in cameo<br>style that used naturally layered semi-precious gemstones such as onyx and<br>agate. Glass allowed consistent and predictable colored layers, even for round<br>objects.<br><br>From the mid-19th century there was a revival of cameo glass, suited equally to<br>Neo-Grec taste and the French Art Nouveau practiced by Émile Gallé. Cameo glass<br>is still produced today.<br><br>Muller Frères (Co.) was an esteemed French glassmaking company based in<br>Luneville, France, famous for its Art Nouveau vases, lampshades, and<br>chandeliers, which often incorporate layered and colored glass. Their workshop<br>was established by Henri Muller and his brothers in 1895 after they trained with<br>Émile Gallé—who would retain a grudge against Muller for setting up a rival<br>enterprise. In 1910, the company began making lamps in association with Chapelle<br>and, at its height, employed around 300 workers. Production was stopped in 1933<br>and the factory closed three years later, a victim of the Great Depression.

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Large 1940's Hummel Crown Mark Tmk1 To Market. 6.5" tall with no cracks, chips, or restorations, tiniest amount of crazing on rim of base. humshelf

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1940's Japanese Hand Engraved 950 Silver compact. Large compact 4" 127.5 grams, hand engraved, no dents or bends, snaps shut well, some wear to gold gilding, no mirror but pice that would hold it in is intact and present.

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1940's Japanese Hand Engraved 950 Silver compact. Large compact 4" 127.5 grams, hand engraved, no dents or bends, snaps shut well, some wear to gold gilding, no mirror but pice that would hold it in is intact and present.

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Large 1950's Murano Biomorphic Ashtray/Centerpiece. 10 5/8" x 8.5" x 4" deep. Guranteed Murano from the 50's-70's. No cracks, chips, or dings. Appropriate natural wear on base. Nice abstract design was likely once a large cigar ashtray but doesn't have to be anymore. tw183

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Large 1950's Sterling Los Castillo Amethyst fly pinLos Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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Large 1960's Fenton Puffy Rose Cranberry Satin Cased milk glass vase. 8.5" tall<br>x 7" wide, made by Fenton for LG wright typically this shape was a lamp shade<br>but this one is a much less common vase. No cracks, chips, or other issues.<br>isshelf

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Large 1960's Signed Barbini Murano Vase. 14.5" tall x 7.25" wide, great piece and a fantastic design sure to both stand out and fit in anywhere. Very high quality with no cracks, chips, scratches, or other issues. Signature shown in last pic. isshelf

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Large 1964 Native American sterling/turquoise Silver half dollar belt buckle. 4" x 3 1/8", takes up to a 1.75" belt. 110.3 grams. Tested sterling by the Navajo artist R Chee.

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Large 1968 Austin Texas Potter Don Herron covered jar 8" tall x 8.5" wide with<br>no cracks, chips, or restorations. Nice Early work by Local Potter Don Herron<br>who has also been an Art professor at the University of Texas since 1974. Signed<br>DH 1968.

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Large 1970‘s BJS Sterling silver and jasper southwestern bolo tie. Solid sterling silver slide and tips. Weight and measurements in pics. 39" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course.

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Large 1970‘s Brutalist Sterling Modernist pendant with Chrysoberyl Cat‘s eye stone. Dated 1973 with other illegible hallmarks. No issues, weight and measurements in pics. I know nothing about this piece other than it‘s 50 years old, solid sterling, most likely American made and fantastic. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Large 1970's Case Buffalo knife in wood presentation box, appears unused and unsharpened. Sight oxidation in places but overall clean and untouched by me. 9.75" total length, 4.5" blade. trinketdrawer

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Large 1970's Native American silver and turquoise bolo tie. 44" long, stones secure in bezels with old fractures.

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