Manuel Felguerez (Mexican, 1928-2020) Painted Black pottery mermaid. No<br>identifying marks that I could find but I was told it was one of his older<br>pieces from before he got into designing the more mass produced metal<br>sculptures. 11.5" tall with no cracks, chips, or restorations.<br>isshelf

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Manuel Hoyungowa Hopi Large sterling silver dancer pendant in overlay style. Solid sterling, weight and measurements in pics. Fully functional and attractive vintage piece in good condition with no significant issues, but some expected wear. Manuel Hoyungowa (ca. 19532011) Hopi Tribe was from the village of Hotevilla on Third Mesa and has been an active silversmith at Hopi Pueblo since the 1970s. His hallmark is a strong raincloud. Although he has produced some jewelry with coral and turquoise, more in the style of Navajo work, Hoyungowa is a master silversmith which is evident in his traditional Hopi silver overlay technique jewelry. Hoyungowa actually learned silver overlay technique from Preston Monongye (his uncle and another famous Hopi artisan) and the Institute Of American Indian Arts in Santa Fe, New Mexico. More History: The Indian Arts and Crafts Board (a government department) and the Hopi Tribe collaborated on the formation of the Hopi Silvercraft Guild in 1949 and noted Hopi artist Fred Kabotie became the manager. It was then that Hopi overlay jewelry found it acceptance. Hopi overlay technique involves cutting out the desired design in one piece of silver and overlaying that onto another piece that has been incised and oxidized. Polishing is accomplished with steel wool which results in a matte rather than a shiny surface.

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Manuel Hoyungowa Hopi Overlay belt buckle pipe smoker, corn, sterling silver. Tested and guaranteed solid sterling silver. Fits up to a 1.5" wide belt. Some expected wear, marked as shown with the artists hallmark. Good condition, functional. Circa last quarter of the 20th century. Manuel Hoyungowa (ca. 1953-2011) Hopi Tribe Hopi artist Manuel Hoyungowa. c:(1953-2011). He began his career in jewelry in 1970 and presented his work at the Inter Tribal Ceremonial in Gallup, NM. He learned the technique of silver overlay from his grandfather, Preston Monongye and also studied at the Institute of American Indian Arts, in Santa Fe, NM. He was not only a talented jeweler, but also a Hopi Prophet, religious leader and author. He wrote "Cry of the Earth Statement" a Hopi prophecy message, which he delivered to the United Nations General Assembly and Re-submitted 11/23/93.

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Manuel Hoyungowa Hopi overlay link concho belt w/ Kokopelli‘s sterling silver. Tested and guaranteed sterling silver. Fits up to a 43.5" waist and can be hooked anywhere below. Marked as shown, high quality workmanship from the last quarter of the 20th century in immaculate possibly unworn condition. Manuel Hoyungowa (ca. 19532011) Hopi Tribe Manuel Hoyungowa is from the village of Hotevilla on Third Mesa and has been an active silversmith at Hopi Pueblo since the 1970s. His hallmark is a strong raincloud. Although he has produced some jewelry with coral and turquoise, more in the style of Navajo work, Hoyungowa is a master silversmith which is evident in his traditional Hopi silver overlay technique jewelry. Hoyungowa actually learned silver overlay technique from Preston Monongye (his uncle and another famous Hopi artisan) and the Institute Of American Indian Arts in Santa Fe, New Mexico.

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Manygoats Navajo Turquoise, lapis, spiny oyster channel inlay silver belt buckle. Solid sterling silver with weight and measurements in pics. Fully functional, with appropriate wear as shown in the pictures.

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Mao Zedong (1893-1976) Chinese Porcelain pinback button 1 5/8" wide with no damage. Mao Zedong (1893-1976) was the founding father of the People’s Republic of China, which he governed from 1949 until his death. Chairman Mao is one of the most significant figures in modern world history, and also among its most controversial. His ability to modernize China, drive out imperialists, improve healthcare and education, and promote the status of women is as undeniable as his profound human rights abuses. Some estimate that Mao was responsible for 70 million deaths in his long reign—the most ever in human history.

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Marcella James Navajo sterling silver concho style deep stamped belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa last quarter of the 20th century. Fits a 1.5" belt. Functional with age appropriate wear, no significant issues.

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Marco Begaye Navajo sterling silver high grade waterweb kingman belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1.5" wide belt. Weight and measurements in pictures, circa last quarter of the 20th century. Marco Begaye was born in Ganado, Arizona. He grew up on the Navajo reservation with his family of silversmiths. Marco is the son of Jimmy Begaye; and brother of Vernon Begaye, who is also recognized for his excellent craftsmanship. Marco blends the traditional along with the contemporary styles. He is known for beautiful stones and fine silver work. His superb craftsmanship, attention to detail, and attractive designs have earned him recognition with numerous awards for his jewelry over the years. His work has been featured in magazines, and in the book “Navajo Indian Jewelry” by Jerry and Lois Jacka.

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Margaret Fly (1927-2013) Listed Dallas Texas Artist Lilies Flowers Oil on Canvas. No issues or damage to painting or frame. Framed it measures 17.75" x 14.75" Canvas is 11" x 14". Margaret Fly Paintings rarely come up for auction but when they do, they tend to do well averaging over 1k.In Addition to being a Fantastic Artist and Art Teacher for both adults and children Margaret was true a Southern Lady. She was given the nickname Magnolia, due to her deep southern drawl. Margaret exemplified grace, kindness, compassion, fortitude, and a sharp but playful wit and treated everyone with the utmost kindness and respect. She was truly one of a kind.

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Margot De Taxco 5740 Sterling Pendant/pin and earrings set. Pin has loops and a hook to fix onto a necklace if wanted. Measurements in pics. 23.4 grams. No issues.Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify th

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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Maria Platero Navajo sterling lapis pendant, no issues, measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Marian Nez Navajo Sterling and turquoise necklace 18" long necklace, 4" x 1.25" pendant, 48.3 grams with no issues.Marian Nez (’Alch’i’håå baa’); a Navajo originally from Tohajiilee, New Mexico. Marian is the wife of Navajo Silversmith, Leonard Nez.“The love of being a silversmith started long before I knew to design jewelry. I had watched my parents work on their jewelry and decided to solder some pieces for them when they made a trip to town. Little did I know that this was to be the beginning of my love of jewelry making. I will always give thanks and forever be grateful to my parents for introducing me to the craft and handing down this amazing skill to me.Starting in the late 1970’s I worked in various jewelry shops through Albuquerque, New Mexico, doing mass production work and designing individual pieces. During my work with Zachary Jewelry Company, they promoted my creativity and entered some individual pieces of my jewelry in art shows. My designs were awarded first and second place ribbons. In addition, a photo of me working on my jewelry was published in the book, “Allure of Turquoise Book” written by Joe Dan Lowry.In early 2000’s my husband Leonard Nez (whom I taught the craft to) and I started our own jewelry business. After my father passed from complication of diabetes, I decided to explore the health field to understand and educate myself about diabetes and help others. I enrolled in Community Colleges where I accomplished my goal of becoming a Certified Community Health Worker, specializing in diabetes prevention with Native people. My passion for my jewelry still lingered, so I worked part-time on my jewelry. I did not want to lose the unique craftsmanship and design work I so loved.The designs that I now create represent a tribute to my parents, who I am, and where I come from. Each piece that is created comes from the humble heart and positive thoughts. I want the person wearing my jewelry to know and feel the love that’s behind my work.”-Marian NezAll precious metals are tested and guaranteed,

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Marie Bahe Navajo Sterling/Turquoise cluster ring. No damage or significant wear. 17.8 grams 1.5" face.

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Marioni Italy Handmade Ceramic Seal Figure. 7.5" tall x 8.25" long with no cracks, chips, restorations, or crazing. Figshelf

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Marita Benally Navajo Sterling Fox Turquoise cuff bracelet, no damage or detectable wear.Marita Benally was born and raised in Steamboat, AZ, and she is from the Navajo tribe.Marita started silversmithing in the late 90’s, and she credits her husband, Daniel Benally for teaching her to design and work silver.She loves to create detailed, articulate designs. Today, Marita works out of Gallup, New MexicoAll precious metals are tested and guaranteed,

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Marita Benally Navajo Sterling silver Royston turquoise pendant w/dangledoo. Solid sterling silver, marked as shown with weight and measurements in the pictures. No damage or significant wear. Collected but unworn, fairly modern.

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Mark Hopkins Bronze Eagle with flag sculpture 846/2500. Extremely high quality<br>piece 5.5" tall x 6.5" wide 6.3 pounds, solid bronze and very heavy for it's<br>size.<br><br>Biography<br>Mark Hopkins, Sculptor, Loveland, Colorado.<br><br>Mark Hopkins is considered one of the premier sculptors in the United States<br>today. From tabletop sculpture to monuments, his work is displayed in homes,<br>offices, and public settings around the world.<br><br>Mark Hopkins’ work is in everyway, a reflection of its creator. It reveals<br>Mark’s total fascination with nearly every conceivable aspect of life: from<br>history, children, sports, music and to wildlife of the land, sea and air. With<br>a style so flowing and alive it has been called “bronze in motion,” the work is<br>as passionate and expressive as the artist himself.<br><br>For as long as he can remember, Mark has been captivated by form and design.<br>From the time he was young boy, with the encouragement of family and teachers,<br>he worked to develop his innate talent, and explore the various techniques and<br>mediums of sculpture.<br><br>In addition to his skill as an artist, Mark made himself a technical expert in<br>the art of “lost wax” bronze casting. At the Mark Hopkins Sculpture foundry,<br>Mark monitors the casting process, insuring that the integrity of his work is<br>maintained throughout its creation in bronze. With the help of many talented<br>craftsmen, Mark endeavors to establish an enduring legacy of high-quality bronze<br>sculpture.<br><br>It has taken half a lifetime for Mark to attain his preeminent status in the<br>world of art. For many years, the necessity of providing for his large family<br>took Mark into other, more traditional vocations. Throughout those years,<br>though, Mark never stopped sculpting. He knew in his heart that it was the work<br>he was born to do. From the many challenges and experiences of his life came a<br>remarkably unique style of art.<br><br>Mark Hopkins constantly challenges himself to translate the richness of life and<br>nobility of the human soul into enduring sculptural form. In his words, “I<br>strive to express beyond the image, to catch spirit, to reveal deeper emotions,<br>and to share joy.” As he continues to rise to that challenge, his work is<br>attaining an honored place in the history of art.

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Mark Kohler Texas Artist 1995 Cowboy Watercolor Early Work Gift to a Friendwith no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures26" x 23.5", sight is 18.5" x 16". "I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world.

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Mark Kohler Texas Artist 1997 Cowboy Watercolor Early Work. Guaranteed original Watercolor unframed with no damage. The estate it came from were friends of Kohler's and I'll be listing a few of his works. According to his website he's been painting commercially for over 23 years, so this would be right about that time. Measures 15" x 11" on high end watercolor paper. "I have a passion for the American West, and for the last 16 years I've dedicated my God-given talent to one goal: documenting the independent spirit and pride that the modern working cowboy has inherited from his predecessors. It is uniquely American and worthy of preservation. Like artists before me, I am drawn to the West and the people and animals that tame this oftentimes harsh environment. I strive to capture the honor, the strength and the dignity with which they pursue their lives. It is my hope that these paintings reveal the heart and soul of my subjects, and the profound respect I have for them. It is my privilege to chronicle this amazing lifestyle and the rewards have been beyond measure." Mark Kohler is an award-winning watercolorist, the recipient of the 2008 Cowboy Artists of America Founders Award and the 2009 Phippen Museum Foundation Award. He has been invited to some of the oldest, traditional ranches still left in the country, including the O RO Ranch in Arizona and the Pitchfork Ranch in the Texas Panhandle. His works are included in private and corporate collections throughout the world. tw6

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Mark Yazzie Navajo Sterling/turquoise cuff bracelet. Fits up to a 6 7/8" wrist, 1 1/8" gap 7/8" wide in center, 43.8 grams, appears unworn. Veteran artist Mark Yazzie creates some of the most intricate & balanced jewelry coming out of the Navajo Nation.His clean techniques & attention to detail & testaments to his over 30 years of mastering the many traditional & contemporary silversmithing skills evident in his work. Born in Fort Defiance, AZ. & raised in the reservation community of wild ruins. Back in the mid-70's as Native jewelry began a resurgence in worldwide attention & popularity, Mark be his silversmithing professionally at the "3 Hogans" near the AZ./NM border. Through the years & eventually moving to Gallup,NM, he crafted probably every type of jewelry in the Navajo tradition, like Squash Blossom necklaces, concho belts, story teller bracelets, earrings & rings. Thousands of beautiful silver pieces & 100's of pieces of turquoise later, his creative talents now bring us masterfully hewn jewelry,resplendent designs with high grade stones. His designs in sterling,gold,copper & stone are collected by a worldwide fan base who are always eager to get their hands on just about anything this incredible artist creates! All precious metals are tested and guaranteed,

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Marque Peint Main Menu Board Pig Trinket Box Hand Painted 3.25" tall with no damage whatsoever. I will be adding a nice little collection to my store at a fraction of what they cost 25 years ago and they are all in mint condition have been stored in a china cabinet for 25 years. TW52

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Martha Cayatineto Navajo sterling and turquoise belt buckleMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Marvelyne L Cheama Vintage Zuni sterling silver, turquoise, coral belt buckle. Tested and guaranteed solid sterling silver, fits a 1.5" wide belt. No issues, some expected wear. Circa third quarter of the 20th century. Weight and measurements in pictures. This is much heavier and better workmanship in general than Marvelyne Cheama pieces I have had. I‘m not sure what her maiden name was, but this is clearly marked Marvelyne L. The work is similar, just the quality is better. Maybe it‘s her mother, I don‘t have time to find out.

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Marvin c Lomaheftewa Hopi silver cufflinks 7/8" wide, 10.7 grams.<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Marvin Lomaheftewa Hopi Overlay high grade turquoise sterling silver belt buckle. Solid sterling silver with weight and other measurements in the pictures. Fully functional vintage condition with minimal wear.

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Mary Alaku Inuit Stone Carving. Nice vintage carving from the last quarter of the 20th century. Measures 8" x 5" x 1.5"-2" as the stone is curved. Very small amount of wear on a few of the corners, no significant issues. TW107

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Mary Cayatineto Navajo sterling silver Naja pendant with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, fairly modern.

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Mary Cayatineto Navajo Sterling Silver Naja with turquoise and Beaded Necklace and silver pearl earrings, New old stock from "Eight Point Ranch" in Elgin TX, they had a small Native American jewelry store, now no longer with us. 20" necklace, 3.5" x 2.25"pendant with bail, 2" long earrings. 78.2 grams Marked and tested sterling, entire necklace is sterling so are earrings. Earrings and necklace are unmarked as typical.

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Mary Cayetineto Sandcast sterling and turquoise pin.

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Mary Ellen Navajo Sterling/turquoise pendant. Very nice high quality natural dark blue turquoise. 3.75" tall x 1 1/8" wide x 25.7 grams with no issues, appears unworn.Kathleen Livingston Chavez was born in Church Rock, New Mexico, December 17, 1958. Today, Kathleen lives in Church Rock with her husband Lorenzo Juan, and works out of Gallup, New Mexico. She started to silversmith in 1974, making earrings, rings, and ‘slave bracelets’. In 1994, she began to challenge herself to create higher-end jewelry, which she says is “much more fun to make, because of the amount of thought and imagination that goes into it.”All precious metals are tested and guaranteed,

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Mary Marie Yazzie Lincoln Navajo sterlin with spiny oyster pendantMary Marie is the current matriarch of the talented and prolific Yazzie family of Gallup, New Mexico which are among the most celebrated Navajo jewelry making families of our time. Mary has been creating beautiful jewelry and actively silversmithing since the 1970's. She has won many awards for her work and is featured in several publications.Her parents were Chee and Elsie Yazzie who lived and worked at Zuni Pueblo at Kelsey’s Trading Post in the 1940s. They had 13 children and nine of them became silversmiths. Mary Marie is known for her elegant settings which highlight the beauty of a single stone. Mary Marie’s solid silverwork is distinctive. The pendant is signed with her hallmark, MARY MARIE.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Mary Marie Yazzie Lincoln Navajo sterling silver high grade turquoise necklace. Authentic with no damage, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. 24.5" long necklace. Mary Marie Lincoln is an accomplished Navajo jeweler. For over 35 years she has been known for her simple, yet elegant designs that are timeless. She often combines various colored stones such as coral and turquoise, in her popular “cluster work pieces. She works closely with her brothers, Lee and Raymond Yazzie, who are both well-known award winning jewelers. Mary Marie lives with her family near Gallup, NM. She is featured in Navajo Indian Jewelry by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin.

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Mary Marie Yazzie Lincoln Navajo Sterling silver Pilot Mountain turquoise bolo tie . Solid sterling silver slide and tips. Weight and measurements in pics. 44" long. Expected wear with no apparent damage. Weight shown is just the entire bolo, if there is a tray pictured it will be tared out of course. Marked Mary Marie behind the cord, not currently shown in pictures but it‘s there. Mary Marie Lincoln is an accomplished Navajo jeweler. For over 35 years she has been known for her simple, yet elegant designs that are timeless. She often combines various colored stones such as coral and turquoise, in her popular “cluster work pieces. She works closely with her brothers, Lee and Raymond Yazzie, who are both well-known award winning jewelers. Mary Marie lives with her family near Gallup, NM. She is featured in Navajo Indian Jewelry by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin.

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Mary Marie Yazzie Lincoln sterling high grade coral cluster clip-on earrings. Weight and measurements in pics. Solid sterling. Strong springs on clips Mary Marie Lincoln is an accomplished Navajo jeweler. For over 35 years she has been known for her simple, yet elegant designs that are timeless. She often combines various colored stones such as coral and turquoise, in her popular “cluster work pieces. She works closely with her brothers, Lee and Raymond Yazzie, who are both well-known award winning jewelers. Mary Marie lives with her family near Gallup, NM. She is featured in Navajo Indian Jewelry by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Hand Painted Japanese Porcelain Double Gourd Vase 7.5" tall circa mid 20th century, excellent quality. No damage or wear whatsoever.

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Mata Ortiz Pottery jar by Luis Ortiz. No damage or wear 8.5" tall x 7" wide. Very well done pot signed by listed potter Luis Ortiz. b17

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Inside of matting measures 9" x 11.25", frame measures 13" x 15". A little foxing just inside matting. Appears to be a Victorian frame. B1

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Maurice Heaton(1900-1989) 16" Mid Century Modern Enameled Art Glass Charger. No<br>cracks, chips, restorations, or scratches. Guaranteed authentic, great piece of<br>art glass by well listed artist that has works in all the big museums.<br><br>Maurice Heaton grew up with two generations of English glass artists and began<br>experimenting with flat and molded glass as early as 1930. He invented a process<br>in 1947 for firing and shaping his glassware in the studio furnace, which<br>started the ball rolling for the studio glass movement of the 1960s. Heaton’s<br>work spans seven decades, and through his unique range of murals, window<br>hangings, lighting fixtures and tableware, he is considered by many a “true<br>original” (Neues Glas, April 1985).<br>tw177

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Ancient Artifact Prehistoric Mayan Pre-Columbian Pottery Carved Cylindrical<br>Vessel. This and a few more I'm listing are part of an estate collection, I<br>believe they had a small museum in the nineties or before. There was everything<br>from Native American to Pre columbian pottery, everything so far was real. I<br>purchased awhile back but am just now getting around to listing. Guaranteed<br>authentic, hassle free returns. Very old cracks and restorations throughout. 7"<br>tall x 5.5" wide. This is a very special, rare, and labor intensive museum<br>quality piece.<br>tw94

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Maytum Studios Signed Rudin Art Glass perfume bottle 4.5" tall No scratches, dings, cracks, or chips. tw201

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McCabe Belt Buckle Sterling & 10k Gold Cowboy with Lasso Cacti Mountains Custom<br>One of A Kind MAC Likely Presentation Piece 1.5" belt. 95.5 grams, big chunk of<br>gold. Measures 3 11/16" x 2 11/16".

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McCabe Sterling Silver Belt Buckle Sunset Trails. Measures 1.75" x 1.5" and fits a 3/4" belt. Good looking old hand engraved cowboy buckle. Selling two pieces shown, keeper isn't marked but obviously matches.

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MCM 13pc 1930's Cobalt Blue Water Set Cambridge Royal Blue Ball Jug and Mushroom Tumblers. The latest this set can be is 1950's. Great, large Art deco/MCM water set in beautiful, useable condition. Pitcher is 80 oz 8.5" tall x 8.25" handle to spout. Tumblers are 4 5/8" tall and 2 5/8" wide at the rim and hold 12 oz. No cracks, chips, restorations, dings, or scratches. An exceptionally large and clean set that is 70-85 years old.

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MCM 1960's Endre Peter Darvas, Hungary, United States, b.1946 Landscape watercolor. 12.75" x 10.75" framed, 5 5/8" x 3 5/8" sight. Great painting in original period frame, both in wonderful condition. TW187

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MCM Enamel on copper hand painted bowl. Small bowl from the third quarter of the 20th century, well made, signed illegible to me. 3 1/8" wide x 7/8" tall. No damage to enamel, small dent on footrim.

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MCM Libermann Pottery Bantu Folklore Tiles. Selling the 3 cool framed tiles from<br>the 60's or 70's. 7.5" square each with no damage and minimal wear.<br>TW153

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MCM Miniature enamel on copper flowers picture 6" wide frame, no damage, slight wear to frame. Illegible signature. tw271

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MCM Sterling Danecraft Necklace 16" long 43.5 grams. Great design with no damage<br>or issues.<br><br>In the early 1900s, as Italy was continuing to become the world leader in<br>fashion, the Primavera family worked as jewelry artisans in the beautiful area<br>of Pescara, Italy. In 1918, the family founded Primavera Designs and by 1921 it<br>had become the largest jewelry company in the Abruzzo region.<br><br><br><br>It was there that the family became well known throughout the region for their<br>ability to design and make jewelry for royalty and wealthy families. Often one<br>of the Primavera jewelry artisans would go directly into the home of a patron to<br>design and reproduce a cherished object of art into jewelry.<br><br><br><br>This continued in Italy until 1934, when Mr. Victor Primavera, Sr. immigrated to<br>the United States and incorporated his company in Rhode Island; the jewelry<br>capital of the United States. Primavera Designs now had a United States<br>division, known as Danecraft, with a small factory and Mr. Victor Primavera, Sr.<br>heading up the design and model making teams.<br><br><br><br>His forte in designing product was always timeliness. He often said that it was<br>easy to design a piece to be shown in a museum, but it took research and talent<br>to design product that would be worn by a woman with fashion sense.<br><br><br><br>Although the candlelight has been replaced by fluorescent light and some of the<br>painstaking handwork has been supplemented by modern machinery, the rich and<br>beautiful handcrafted look of distinction continues.<br><br>Since 1934, Danecraft has been privately owned and operated by the Primavera<br>family.

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MCM Sterling Pietra Dura Multistone Mosaic Inlay southwestern mountains pendant with Lapis, Coral, and other stones. A somewhat confusing piece made by an artist that seemed to be able to think for oneself and combine many styles but didn't care to sign such a work of art. A fantastic Mid century style to the silver mounting which I have no way of know is period or not, really good lapidiary work on a level that has never really been common in the US, but the scene sure reminds me of an Arizona mountain landscape. All hand done approaching micromosaic level. Tests sterling, completely unmarked. 29 grams 3.5" tall x 2.5" wide. This piece is really clean, there are some marks on the wings in the pics, they were residues of silver polish which I have removed.

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MCM Victoria Sterling/Copper/Brass Mexican Mixed Metals Pin/Screw back earrings<br>set. Doesn't appear ever worn, 2" wide brooch for scale. 19 grams total weight.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. 1 3/8" long<br>face, great looking ring 15,4 grams.

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Meiji Japanese Shakudo Sterling/Gold on bronze Mixed Metal ring. Some wear to gold overlay, no other issues.

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Meiji Japanese Silver Enamel Tea Ceremony Set. Cchashaku with maker's mark, all<br>pieces with jungin (pure silver) hallmark, including: (1) cup, approx 3.75"h,<br>(1) narrow spoon with enamel-accented handle, approx 6.5"l, (1) chashaku with<br>enamel-accented handle, approx 6.5"l, (1) approx 5.25"l No damage or significant<br>wear. Nice antique set over 100 years old.<br><br>353.3 grams total weight.<br><br>tw163

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Meiji Period Bronze Japanese Censer. Very fancy high quality Japanese censer from the last half of the 19th century. 12.25" tall 8.5 handle to handle. Very heavy solid bronze. The only identifying mark I found is some dots on the lip of the lid. Nice casting, estate fresh, definitely an antique.

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All hand decorated with great detail and care. Circa late 19th century. No cracks, chips, restorations, crazing, or stains. Wear to gold on rims and minor wear in other places.

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Meiji Period Japanese Arita Hand Painted Porcelain vase. Very high quality<br>painting 10" tall vase from the late 19th century. No cracks, chips, or<br>restorations, wear to most of the gold band on the rim.<br>TW256

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Meiji period Japanese Imari Charger Fine Quality 12.25"<br>Really nice piece, lots of time was spent on this piece 120+ years ago. Gold<br>wear on rim and throughout. No cracks, chips, or restorations.

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Meiji Period Japanese Imari Stacking Bento Box Jubako Stacking Dishes 9" tall x 7" wide One small chip on bottom bowl shown to the left of the first pic. No other cracks, chips, or restorations. From the last half of the 19th century with above average colors and decoration. imshlf

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Meiji Period Japanese Imari Urn with 1940's mountings. Nice urn from the last half of the 19th century, hand painted Japanese Imari. It has been drilled at the top and bottom center, clean holes with no cracks. Looks great and would make a great storage jar though the bottom hole may need to be plugged depending what you're storing, or a lamp, or just leave it like this in all it's glory. No damage other than two drilled holes. 14.5" from base of mounting to top of finial, the porcelain jar with no mountings is about 9" tall. isshelf

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Meiji Period Japanese Studio Porcelain Imari Palette centerpiece.. Great large<br>low bowl over 100 years old, from the first quarter of the 20th century, hand<br>painted, signed on back. No cracks chips, or restorations. 15.5" wide.<br>isshelf

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2 3/8" tall x 1 5/8" wide. Circa late 1800's too early 1900's. No cracks, chips,<br>or restorations, paint wear on nose.

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Meiji Period Totai Shippo Japanese Cloisonne Over Porcelain Coffeepot with<br>Chicken Finial. 19th century extremely rare if not one of a kind. 10" tall x<br>7.5" handle to spout. No restorations, tiniest flake with 1cm long tight<br>hairline on spout.TW196

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Meiji Period Totai Shippo Japanese Cloisonne Over Porcelain Vase 6" tall with no cracks, chips, restorations, or loss. Marked as shown on base.TW198

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Meiji Period Totai Shippo Japanese Cloisonne Over Porcelain Vase8 3/8" tall with no cracks, chips, restorations, or loss.TW196

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Meissen Blue Onion Bell, 3 Toe Creamer, and Vase. 3 older pieces of Meissen from the first half of the 20th century. Creamer is 3.5" tall, vase is 4.25" tall, bell is 4.5" tall. All pieces with no damage, the bell is lighter blue than the others. tw219

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Meissen Full Green Vine Butter/Cheese Dish with lid 8.25" wide x 4.25" tall. Two<br>small glaze flaw firing flaws on lid. No scratches, cracks, chips, crazing,<br>stains, restorations, or other wear.

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Meissen Full Green Vine Condiment Jar with 6.75" Underplate 5.5" tall total. No<br>scratches, cracks, chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Covered Vegetable 13.25" wide with handles x 7" tall No<br>scratches, cracks, chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Gold Trim Large Covered Tureen 12.5" wide x 8" tall. No<br>cracks, chips, or restorations. This is a very old 19th century piece. Minor<br>wear to Gilding on base. Some general wear inside and out from use. Displays and<br>works perfectly.

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Meissen Full Green Vine Large Covered Tureen 15" wide x 10" tall. This piece is<br>second quality the green is a little lighter than other pieces. No cracks,<br>chips, restorations, crazing, or wear.

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Meissen Full Green Vine Relish 11.5" x 9.25" No scratches, cracks, chips,<br>crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Rimmed Fruit Bowl 4 7/8" wide x 1 5/16" tall (multiple available) Selling one with multiple available, you can change quantity in listing. All perfect with No scratches, cracks, chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine Scalloped 8 7/8" luncheon Plate (multiple available).<br>Selling one with multiple available, All appear unused with no wear or damage<br>whatsoever.

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Meissen Full Green Vine Scalloped 8" Plate (multiple available) (multiple available).<br>Selling one with multiple available, All appear unused with no wear or damage<br>whatsoever.

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Meissen Full Green Vine Serving Bowls 9.25" oval and 10" No scratches, cracks,<br>chips, crazing, stains, restorations, or other wear.

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Meissen Full Green Vine vase//match Toothpick Holder Ash Tray. Toothpick is 3.5"<br>tall, the inside is 2" deep. Ask tray is 5". No scratches, cracks, chips,<br>crazing, stains, restorations, or other wear.

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17" tall x 9.5" at widest point. All original and very hard to come by. One very<br>small chip on base shown in second pic, and 4 petals missing from boy's wreath.<br>No other chips, no cracks, no restorations. Solid piece not wobbly.

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마이센 양파 차통, 성냥갑, 뼈 접시, 작은 쟁반 묶음. 20세기 전반기의 좋은 작품입니다. 뚜껑이 없는 4 1/8인치 높이의 차통, 7.25인치 뼈 접시, 4인치 정사각형 트레이, 5.25인치 성냥 홀더. 표시된 부분 모두 파손 없이 판매합니다.TW177

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Meissen Onion Vented lid with three holes 7 3/16". Unusual Meissen onion lid top quality, unmarked Measurement is exact. I've only seen one other of these before and it was just placed on the top of a slightly larger bowl, so maybe that's it's purpose. tw172

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Meissen Porcelain Cat Figure. No cracks, chips, restorations, or flaws. From the mid 20th century 7" long x 3.75" to top of tail. Figcab1

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Meissen Rich Court Dragon Dinner Plate Blue with Red Accents 9.75" wide with no<br>cracks, chips, restorations, or wear to gilding/enamel.<br>isshelf

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Meissen Rich Court Dragon Green Demitasse Espresso cup and saucer (multiple available). Selling one Coffee/Demitasse cup and saucer with multiple available. All first quality with no scratches through marks, no chips, no cracks, and very clean to perfect gold. If you want more than one just change the qty please. Saucers 4.25" wide, cups 2 5/8" wide at the rim without handle x 2" tall. osshelf

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