Vintage Peruvian Folk Art Traditional Mate Burilado Carved Gourd 3.5" wide x 2.5" tall, extremely well detailed, telling a story as shown. This is a nice old one circa mid 20th century with a fantastic patina and no issues. People from the valley at the basin of the Mantaro River, who are known as huancas, produce carved gourds, masks, jewelry, embroidery, ceramics and textiles for the national and international markets. In the 1930s, after the introduction of highways and railroads brought low-cost industrial products into the market, many of these crafts evolved from functional to decorative, replacing the use of the traditional vessels. On the gourds you can see stories ranging from cultural events—celebrations, folklore, myths and tragedies—to displays of everyday life. However, carved gourds incorporate more than just visual storytelling as the textural qualities of the gourd offer a new perspective to understanding the story itself. The gourds are brought to Cochas from traveling merchants, and after a gourd is skinned, cleaned and dried, artists can begin carving to create a three-dimensional design. Some artisans even use a burning technique, called quemado, to incorporate varying shades of brown to the art. They may also use the process called fondo negro to create black backgrounds on the carved gourds using fat and straw ash. The Canto sisters use small engraving tools to create each design by hand. T

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vintage Safety Razor Collection Gillette Black Beauty Adjustable Gem and more.<br>Selling the lot, most if not all from the first half of the 20th century, some<br>as far back as the 20's. All functional, will clean up nicely. Selling the 10<br>razors shown, all different.<br>tw224

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c1940 Royal Winton Hand Painted Flowers and fruit Salt dips/Nut dishes Shell<br>form. Selling the 5 shown, no cracks, chips, stains, or significant wear to<br>gilding, all have some crazing. 3.25" x 2 7/8"<br>b60

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Peint Mein Limoges Fan shaped hand painted trinket box. 2.5" both ways x 7/8" deep. Tight hinge, no wear, snaps shut. TW153

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Hand Forged Tortilla Pan with Thick Hammered copper skillet. Personally found by me in an old Barn on a Ranch in Wimberley Texas. I have no way of knowing for sure how old it is but it's obviously old and obviously handmade completely 100% hand hammered copper and hand forged handle. It's functional and ready to use. 20.5" total length with 8 5/8" skillet section 12" handle. This is way thicker and heavier than any copper cookware I have seen. Likely intended for and used over open fire at a camp. I don't know if it's from 1800 or 1960 but a similar pot today would cost a small fortune and not be as well made. No issues, ready to use for whatever. TW224

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c1900 Sugar Shaker collection Muffineer Cut Cranberry, Hand Painted Bavaria, Art glass, etc. Selling the lot of 6 all from 1890-1910. Tallest 7.5", shortest 5" the clear cut glass one has some chips on the base, other than that no cracks, chips, or restorations. The bavaria one is hand painted and artist signed, the camel one is mostly hand painted and marked hand painted on base. TW217

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Large Castel Limoges Trinket Box shell form jewelry. 5.25" x 4.5" x 2.75" deep with no damage or wear, tight hinge, snaps shut. TW153

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Antique Persian Middle Eastern Silver Inlay Copper Tray 11" wide and very heavy for it's size as it's copper and silver. Guaranteed 18th-19th century. 90+% silver (tested) on copper. Hanging tab later added to reverse side. TW153

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Vintage Silvered Bronze Aztec Head. I'm not sure what the deal is with this but it's solid bronze, weighs a ton for it's size and it's great. 6" x 4" I'm assuming mid 20th century, likely a listed artist, part of something and i have no idea where the rest is but surely this was the best part. isshelf

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c1890 8 Dresden Demitasse Espresso Cups and Saucers Turkish Coffee. These are small demitasse cups and saucers typically used today for strong coffee in various countries, they're great. All hand painted 4.75" wide saucers, 2.25" tall and wide cups. One cup matches on one side but not the other, it was made by the same company but looks to have been decorated by another. One saucer has a small chip and associated hairline, it's on top right of group pic. NO other chips cracks, restorations, or other issues. Very rare to find a set of these. Selling the exact 8 cups and saucers shown. The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born. TW233

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ww1 German Copper Shell Trench Art letter openers. Selling the two letter openers shown longest 8.25", both with the best 100 year old unpolished "no brainer" patina ever. I think these were made from a Grenade Mortar guide band. tw187

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c1900 Dresden Flowers Cake Plate with handles 10.25" wide with handles, no cracks, chips, or restorations. tw232

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Vintage Sterling baby rattle collection. Selling the collection shown, some beat up, all sterling. 94 grams total weight inclusive of all materials. b3

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Paul Jean Marie Sain (1853-1908) 1901 French Portrait of Chincholle. Really great original oil on Canvas. The man in the portrait resembles a French author named Charles Chincholle who died of a stroke in 1902. Hopefully I'll have more info at a later date. 16" x 19" framed, 11" x 14" canvas. No restorations, clean frame, clean painting other than two small scuffs one to the left of the top of his head, another just above it to the right of the signature. Below are the Biographies of both the artist and Charles Chincholle. One thing they have in common is They were both at one point named knights of the Legion of Honor. Charles Chincholle was appointed the year this painted was done, a year before his death. I've found a few portraits of him online and it looks like him to me. Jean-Paul Marie Saïn (5 December 1853, Avignon - 6 March 1908, Avignon) was a French painter, known primarily for landscapes and portraits. Paul Jean Marie Sain studied under noted Academic painters Jean Leon Gerome and Charles Michel Guilbert d'Anelle. Sain made his debut at the Paris Salon in 1879. His paintings of marine scenes and lush romantic landscapes were well received and he was awarded honorable mention in 1883, a third place medal in 1886, a bronze medal in 1889 and in 1900 at the Paris Exposition Universelle. He was made a Knight of the Legion of Honor in 1895. His works are in the collection of the Musee du Louvre, Paris, Musee du Luxembourg, Paris, Musee de Perpignan and the Alencon Fine Art Museum. Charles Henri Hippolyte Chincholle , born on July 16, 1843 in Amiens 1 and died onAugust 26, 1902in Paris , is a French journalist and writer . He is considered to be the first major French reporter. Biography Son of Barthélémy Hyppolite Chincholle and Pélagie Victoire Aimée Quequet, Charles Chincholle was declared by his father under the first names of Henri Charles Hippolyte 4 , 5 . He began studying medicine, which he left quite quickly. Last secretary of Alexandre Dumas from 1865 to 1870 6 , Chincholle wrote in the newspapers founded by the latter such as Le Mousquetaire or Le D'Artagnan , as well as the Parlement , la Liberté , Paris-Journal , before entering, in 1872, at Villemessant 7 au Figaro where he became one of the main reporters, following all the important public events and signing some of his articles under the pseudonym of Henri Hamoise 8 or Georges Rip 7 . He thus follows the Boulangist campaignand let himself be seduced for a time by the personality of General Boulanger , of whom he became the unofficial memorialist. However, when the latter was installed in Jersey, Chincholle wanted to see him and was not received. Therefore, it burned down what he loved, and we could read, under his signature, the phrase: "I leave the Boulangism as it leaves a bad love 9 . " Founder of several newspapers such as Le Lucifer , which only saw a few issues 10 and L'Estampe, artistic journal (1884-?) 11 , being a great fan of engravings, he was also president of the Cercle de l'escrime. We owe him numerous interviews with celebrities such as Paul Verlaine and Auguste Rodin . In addition to his countless reportage and current affairs articles and despite his active life and his almost daily collaboration with Le Figaro , Chincholle has written a dozen novels, including La Juive du Château-Trompette published under the name of Ponson du Terrail , serialized in the Little Bordelais, in 1871 12 , eight plays, five or six volumes of contemporary history or biography, and a number of short stories, fantasies and varieties 7 . In 1870, he had a very cheerful little act performed at the Folies-Dramatiques , Uncle Margottin , which had more than three hundred performances. He then praised the theater's new order to give a drama of it, the husband of Joan , black drama that ended with the of the wife and the lover 10 . One fine day, passers-by stopped, bewildered, in front of his poster which read "Free entry for adulterous women." »The story does not say if there were many of them at the control.9 . Entered the Société des gens de lettres in 1885, he made eleven years on the Committee, and has successively served as secretary, Quaestor and Vice President 7 . He had also succeeded Aurélien Scholl as president of the Cercle de l'Escrime et des Arts 13 . In 1901, he was appointed knight of the Legion of Honor 14 . He succumbed to a stroke the following year 15 . He is buried in the cemetery of Cergy 7 : 175 .

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c1900 Dresden Hand Painted Rosenthal Platter. Dresden decorated on a Rosenthal blank with near mint gold and no cracks, chips, or restorations. 11 3/8" x 7.75" The term "Dresden porcelain" refers more to an artistic movement than a particular line of figurines or dinnerware. Several decorating studios emerged in this Saxony capital in response to the rise of "Romanticism" during the 19th century. Dresden was an important center of this artistic, cultural and intellectual movement, which attracted painters, sculptors, poets, philosophers and porcelain decorators alike. In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous blue crown Dresden mark, and the widely popular "Dresden style" was born. TW230

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c1910 Chicago & North Western Railway Tall Globe Railroad lantern. Both the lantern and the globe are embossed. Some bends to lantern, appears to be some epoxy or something fixing the handle in place, burner works, wick comes up when knob is turned, no holes in oil resivoir. Clean globe with one small nick on outside rim of ground base shown in left of last pic. Not a common lantern. TW222

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3 Antique straight razors. Selling the three razors shown all sharp untouched condition with no chips out of blades, could use a little cleaning, one side of one handle is broken at the hinge. TW68

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Graziella Jacoby (American/Czech, 1885-1980) pencil drawing of a gentleman. 14" x 20" sight 19" x 25" framed. No issues with drawing, clean frame and matting. Born in Illinois on August 12, 1885, Jacoby worked in Chicago during 1908-27. While there, she studied at the Art Institute of Chicago and continued with Mucha in Czechoslovakia and with Bellows in New York City. Upon moving to southern California in 1928, she settled in Pasadena and became active in the local art scene. During the 1940s she gave art lessons to servicement at Pasadena's Hospitality House.

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c1910 Antique Cast Iron Bank Collection Building and Policeman with billy club. The Policeman is 5.75" tall for scale on the others. No breaks, original paint, all guaranteed antique over 100 years old. Selling all three for one price. tw219

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1940's Pinocchio German Noise Maker toy. Items similar to this were used as battle calls in the civil war and possibly before. 10.5" tall in good condition with no breaks and original paint. isshelf

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Vintage Western Cows/Cowboys Copper Printing blocks.. No totally sure how to date these, but they're old, unusual and cool. Largest is 9.25" long, tallest is 2.25" tall, selling all three for one price.

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Louis-Ernest Barrias (French, 1841 - 1905) Ferdinand Barbedienne (1810-1892) Diminutive Bronze footed vase with Child hanging from vines. A Barrias work cast by Barbedienne. A fantastic piece from the last quarter of the 19th century that everyone has room for. 4.25" tall x 4" handle to handle, solid bronze, extremely heavy for it's size, great patina. Louis-Ernest Barrias (13 April 1841 – 4 February 1905) was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome. Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux. He was born in Paris into a family of artists. His father was a porcelain-painter, and his older brother Félix-Joseph Barrias a well-known painter. Louis-Ernest also started out as a painter, studying under Léon Cogniet, but later took up sculpture with Pierre-Jules Cavelier as teacher. In 1858 he was admitted to the École nationale supérieure des Beaux-Arts in Paris, where his teacher was François Jouffroy. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome. Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux. In 1878 he was made a knight of the Legion of Honour, an officer in 1881, and a commander in 1900. Barrias replaced Dumont at the Institut de France in 1884 then succeeded Cavelier as professor at the École des Beaux-Arts. In 1900-03 he served on the Council for the National Museums. Among his students were Josep Clarà, Charles Despiau, Henri Bouchard, Fernand Hamar, and Victor Ségoffin. Ferdinand Barbedienne (1810-1892) was the inspiration and driving force behind one of the most important French art foundries. He pioneered the use of mounts and, more commonly, bronze sculpture including figures and animals. Barbedienne produced catalogues of bronze reproductions of Greek and Roman classical sculpture and experimented with champlève and cloisonné enamels during the third quarter of the century. Barbedienne exhibited several pieces of furniture at the 1855 Paris Exhibition including an ormolu mounted oak dressing table and an ormolu mounted ebony veneered bookcase. Both pieces were executed in his favoured Renaissance revival style for furniture. Furniture with mounts signed by Barbedienne is extremely rare. The Barbedienne foundry handled the casting of numerous national monuments and architectural schemes. Ferdinand Barbedienne himself also took an active part in the promotion of contemporary sculpture and became one of the founders for Davis d'Angers' medallions as well as much of Rude's sculpture. His signature varied from hand written capitals to stamp in capitals, usually F. Barbedienne, Fondeur or BARBEDIENNE PARIS. In 1839 Barbedienne collaborated with the inventor Achille Collas who had succeeded in enlarging and reducing works of art to arbitrary sizes by a simple mathematical calculation, allowing the accurate reduction of classical and contemporary marbles for the purpose of reproduction in bronze. In 1850 Barbedienne was commissioned to furnish the Paris town hall for which he was awarded with the 'medaille d' honneur' at the Paris Exposition Universelle in 1855. Barbedienne's awards: Paris, 1878; 'Grand Prix', 'Grande Médaille d'Or', 'Diplôme d'honneur' , and 28 'Médailles de Coopérateurs'. Vienna 1873; 2 'Diplômes d'Honneur', 'Médailles de Progrès', and 25 'Médailles de Coopérateurs'. Paris 1867: 'Jure Rapporteur (Hors Concours)'. London 1862; 3 Medals for Excellence. Paris 1855; 'Grande Médaille d'Honneur'. London 1851; 2 Council Medals. Makers Bibliography: Barbedienne, Ferdinand, Catalogue des Bronzes d'art 1886 , Fonderie d'art Français: Val d'Osne, Fonderie de Tusey, Antoine-Louis Barye, Fonderie Rudier, Charles Crozatier, Ferdinand Barbedienne, Livres Groupe, (Paris) 2010 Mestdagh, Camille and Pierre Lecoules, L'Ameublement d'art français: 1850-1900, Editions de l'Amateur (Paris), 2010, pp.23, 120, 155, 161 and 179. Kjellberg, Pierre, Les Bronzes du XIX Siècle, dictionnaire des sculpteurs, Editions de l'Amateur (Paris) 1987, pps.653-658. Meyer, Jonathan, Great Exhibitions: London, New York, Paris, Philadelphia, 1851-1900, Antique Collector's Club (Woodbridge, UK), 2006. Ledoux-Lebard, Denise, Les Ebénistes du XIX Siècle, Editions de l'Amateur, (Paris) 1984, p.38. Cooper, Jeremy, 19th Century Romantic Bronzes, New York Graphic Society, 1975 pps. 25, 41,149. tw203

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Antique Spanish colonial / knife. Good early knife 17" total length, 11 x 2 1/8" blade. Solid knife with original tooled leather sheath that fits like a glove. Makers mark stamped on metal. Estate fresh piece from a large cowboy collection, never been to auction.  tw219

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Antique Sterling Repousse Master salts and Pepper shaker in presentation box. A really great set as shown, no bends or dents. Some wear to box but exterior is clean, the catch doesn't keep the box shut. Pepper 3.75" tall, salts 3.5" wide, British sterling hallmarks, tests sterling. Box measures 10.5" x 5.5" x 3.25" tw203

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1844 Oeuvres de J Racine 6 Volume set in French. Complete set 6" x 9" books in<br>great condition for 177 year old set of books. Some foxing in the first few<br>pages on each side, gilt edges, externally clean with minor shelf wear. No water<br>damage or missing pages.

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c1920 Art Deco 935 Silver guilloche enamel box. Descreetly fancy as can be. Extremely high quality tick solid silver. Gilt interior and exterior, wear to exterior gilding. No damage to enamel anywhere. Lid forms airtight seal. 2.75" wide without hinge or catch, 7/8" deep 120 grams.

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c1870 Old Paris Porcelain Snuff Box/Powder Jar. No cracks, chips, or restorations, some wear to gilding. 3 5/8" wide x 1.25" tall. tw201

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Antique Bronze Water Dropper. Late 19th century solid heavy, well cast bronze water dropper.. Best of the best quality. I'm not sure if it's Chinese or Japanese, you be the judge. I'm guaranteeing it's antique. 2" tall x 3.5" long. TW227

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1797 British George III Sterling fish server. No damage or issues, 11.5" x 3.1" at widest point. 144.3 grams. The handle may be slightly weighted, but most of the weight is in the thick blade with fantastic hand engraving. Monogram as shown, likely some sort of royalty. London hallmark dating it 1797, makers mark I.O, I am unsure who that is, possibly John Orme. tw255

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c1840 British Imari hand painted earthenware platter. No damage or restorations. 10" x 7.75" unmarked. isshelf

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c1900 Cast Iron Art Nouveau Woman dresser tray 7" tall x 6.25" wide, great looking piece guaranteed over 100 years old. very light surface rust on reverse that'll take less than a minute to remove. TW226

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Webster American MCM Sterling individual Ashtrays/salts. Selling the set shown with no issues or significant wear. 2.5" long each. They are whatever you want them to be of course, great design. 52.3 grams total tw120

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18th Century French Chinoisiere Carved Abalone perfume bottle 3.5" tall x 1.75" wide with no damage. No identifying marks, 18th to early 19th century guaranteed. Hand engraved mounting and mother of pearl.

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1933 University of Texas 50 year Anniversary Magic Lantern Slides George Littlefield Brackenridge Hall. Ok, the newest these can be is the thirties, they may be older. I'm assuming they are the same age. The one that just say's University had some writing on the outside that I didn't realize was on the outside when I cleaned them. I know I remember the word fifty. These are actual slides of course and nothing is going to clean off of them, I was very careful I just didn't see that was on the outside. I wouldn't mention it but I think it might help date them as I think they are one of a kind slides from the University. I think these were custom ordered by the University and likely shown at an important event there. I have no idea, but these are the only three I have. The one with the writing that came off has a crack in the corner, no other cracks or chips on the others. 4" x 3.5".  They are backlit in the pictures.   isshelf

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c1880 Crown Derby Kings Imari Cranberry bowl/Open sugar. 4 7/8" wide x 2 13/16" tall. Seems more the size or a waste or cranberry bowl to me than an open sugar. Tough to tell as measurements and shapes changed over time. Very clean with no cracks, chips, restorations, or crazing, and very clean gold. TW217

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c1900 Art Nouveau Sterling and Crystal perfume bottles Enamel/Cranberry silver overlay glass. Selling the three amazing bottles shown, all three fit for a queen, best of the best. 4" to 4 5/8" tall. The large cut glass with sterling enamel portrait top has some very small chigger bites as cut glass always does, no large chips. NO chips to other bottles, some mineral deposits in the large jar, none in the others. Selling the three bottles shown. All three marked sterling tw161

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18th century Cast iron hardware locks Texas/Mexico frontier. From an Austin Artists/Geologists estate that had some connection to UT. I'm not sure where they originate from but they are almost as old as dirt, really nice, hand forged. LIkely older than the 18th century I am conservatively calling them. Longest is 8.75" long without the added part that goes behind the door or whatever it came off of. b7

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c1890's American Sterling calling card case. 80 grams marked and tested sterling. 4 1/8" tall x 2.75" wide. Mark shown on pic with penny. A few small dents, top has a spring on the hinge like a zippo lighter to push and hold it open. TW208

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Pre 1850 Staffordshire transferware multicolor medici and pearlware historical bowl. Selling the three pieces shown with no cracks, chips, or restorations. Cup is 3.5" wide x 3 1/8" tall, saucer is 6 1/8" wide, bowl is 6 3/8" wide. tw148

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c1870 Pewter Relief Plaque Signed crawford. 7 3/8" square 4.5" sight with no damage. Much better in person as it's difficult to photograph behind the glass. TW148

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c1900 Haviland Limoges Butter Pat Set of 10. Selling the 10 early 20th century Haviland Limoges butter pats shown with no cracks, chips, or restorations, minor wear to gilding. 3" wide. TW224

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1920's Austria Portrait Butter Pat set for Herzog Galleries Houston. Selling the set of 5 shown, combination of hand painted accents over a transfer. 3" wide with no cracks, chips, or restorations. isshelf

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2 c1870 Imari Plates. Selling both Japanese imari hand painted plates from the last half of the 19th century with no cracks, chips, or restorations and expected minimal wear to gilding and enamel as shown. 8.75" wide imshelf

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Vintage Shiva Bronze statue. Nice well cast bronze from the first half of the 20th century. Very heavy for it's size solid bronze with no damage. 10" tall x 8.5" wide. TW223

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c1890 Guilloche Enamel Gilt 900 Silver Calling card case. I believe this is Austrian, the quality is the best from the construction of the heavy for it's size box to the painting on the front enamel plaque to the the guilloche sides and reverse, all great. Some damage as shown to the Guilloche on sides, front and back are good with no scratches. 154.2 grams 2.25" x 3.5. Entirely hand painted portrait with thick gold interior, the box only opens just under 90 degrees as shown, that's how it was manufactured 130 or so years ago. tw208

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c1900 Art Nouveau George Unite Sterling Scent Bottle with French Limoges Enamel Plaque. Very special and over the top in so many ways. 413.8 grams very thick solid sterling marked and tested of the best quality encasing a glass perfume bottle with ground stopper. A few very small dents on the top, no other issues. tw208

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c1880 French Sterling Silver Chamberstick made by George Boin. Very heavy for<br>it's size, solid silver with minerva head hallmark indicating the purity shown<br>in last pic. 8.5" long with handle x 4.5" wide. 228.4 grams. Exceptional<br>functional handmade work of art by a silvermith that has had some of his later<br>art deco pieces sell in the 20-40k range.<br><br>Established in Paris 1873 by George Boin and Emile Taburet, the highly regarded<br>Mâison Boin-Taburet produced high quality silver and metalwork pieces for the<br>high-end retail market supplying pieces for Royalty and affluent customers<br>around the world. They exhibited at the 1889 Exposition Universelle in Paris<br>where they were awarded a gold medal. The firm continued until 1900 when they<br>were renamed Boin & Henry silversmiths.<br><br>Born in 1849, Boin came from a family of antique dealers and jewellers. For many<br>years his grandfather and father managed the upscale shop, L’escalier de<br>Cristal. The Boin-Taburet partnership was formed in Paris at 3 rue Pasquier in<br>about 1873. Boin was Émile Taburet’s son-in-law, and was a great collector of<br>18th C French silver in the Rococo style. The firm won numerous prizes at the<br>Espositions Universelles of 1878 and 1889 for high quality Rococo style silver,<br>inspired by pieces in Boin’s personal collection of antiques.<br>tw217

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c1890 Douverdrey & Bloquel French Carriage clock in Travel case. Great clock in attractive wood case. Case has some expected wear, Interior chip to bottom right of glass on front, exterior chip in same place on back. Insignificant issues in my opinon. It's running right now and keeping good time. When you get it, if you set it turning the hands clockwise it should start ticking if you wound it first and don't overwind it of course. 4.25" tall without handle or case. Case is just over 5" tall. key included Great clock. isshelf

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c1900 Sterling Silver Guilloche Writing set with letter opener. Pen, Pencil holder, and letter opener with pocket knife. the pencil holder has damage to guilloche on the top and bottom both on the same side, no other damage to enamel anywhere. Some pitting on knife blade. tw187

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Meissen Porcelain Cat Figure. No cracks, chips, restorations, or flaws. From the mid 20th century 7" long x 3.75" to top of tail. Figcab1

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Germany Hohner Harmonica "The Echo Harp" Very good quality beautiful sounding harmonica with no damage or issues, plays well, clean box with one place on top shown. Box is 5 1/8" x 2.3", harmonica isn't much smaller. I can't find a model number anywhere. tw209

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c1909 Austin Texas Postcards. 3 1909, one 1906 in the condition shown. tw209

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c1900 Antique Brass articulating wall mount candleholders. Over 100 years old with no issues. they do have holes for prisms if you like. They move freely from side to side and stick out 10" from wall when straight. Quite rare and unusual. isshelf

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c.1830 Antique British Porcelain Hand Painted oval vegetable bowl. 11" x 9.5" x 2" deep with no cracks, chips, restorations, or stains. Factory underglazed chip on footrim, expected crazing, and minor wear to decoration in center. tw146

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Schumann Empress Soup Tureen with lid 12.25" handle to handle x 7" tall with no cracks, chips, or restorations. Perfect gold other than the tiniest spot on the very tip of the lid finial. isshelf

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c1940 Hickory Nut Head Hand Carved American Folk art Dolls. I believe these are from Arkansas, second quarter of the 20th century. The man had this note in his pocket. 7.25" tall, selling both. TW223

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Vintage Pinocchio Walt Disney Multi Products Chicago figure. Very clean piece from the mid 20th century 5 1/8" tall. TW221

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Huge Kosta Boda Artists Choice Kjell Engman Centerpiece. No cracks, chips, scratches, or other issues, two original labels. 12.25" tall x 10 7/8" wide at rim. Piece weighs about 10 pounds, heavy quality piece.

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1980's Porsche/Texas Sesquicentennial Bronze medallions. 1.5" and 1 5/8", both bronze, both from the 80's. Estate fresh with little wear. Selling both for one price, Texas and Porsche 911. anderasbag

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1950's sterling shakers in original box. 16.5 grams without box, near mint with<br>no dents 2 3/8" tall. lid for box included.<br>tw255

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Antique French Grapevine burl corkscrew Bernard Siret. Very nice antique corkscrew from the first quarter of the 20th century, France. 7" wide handle, no significant issues. isshelf

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19th century gold/silver inlaid Tortoise Shell change purse. Very fantastic and amazing, nicer than most. Rose gold, yellow gold, and sterling silver inlay, 3" wide x 2.25" deep, a few edge chips on back side to tortoise shell, still overall great condition. These were all purchased in New York at Parke-Bernet Galleries before they were bought out by Sotheby's in 1964.

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c1850 Blacksmith Signed Horseshoe Scraper. 14" long x 1.75" wide blade, old stable crack in wood handle, no other issues. Circa mid 19th century. I'm pretty confident that's what this is but if you know otherwise let me know. Maker signed B.T. TW222

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c1900 Cast Iron drugstore/ pharmacy cork roller tool. The wheel that turns and the plate below it both have an angle on them. 13.5" long x 6.5" tall x 3 3/8" wide base. Nothing broken. Original paint that I wiped down with orange oil. TW222

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Randy Glover Sterling Engraved Abstract Cowboy Art Silver Copper and Onyx Mixed metals Necklace/pendant. Made of sterling and copper. The larger beads are sterling, the small ones on the back are copper, face is hand engraved sterling and copper with genuine onyx. No issues or damage. Necklace is 16"Randy Glover has been a full time cowboy in the Davis Mountains & Big Bend region of West Texas most of his life. Learning to engrave in the 1990's from master engraver Johnny Weyerts. Thats when Randy started pursuing a sideline business making jewelry and belt buckles.Randy gets his inspiration from nature while on the back of a horse. Working mainly with sterling silver & copper, incorporating natural stones he strives to make unique pieces with a contemporary southwestern flair.

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Antique Decoupage Jewelry box. Antique box made of wood with brass hardware circa 1900 maybe late 19th century with victorian themed decoupage done in the last half of the 20th century. 9" x 6.5" x 4.25" with no damage, no key. TW219

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c1900 Limoges Porcelain Soup Tureen with Heavy gold green trim. Nice antique over 100 years old with no cracks, chips, or restorations, very minimal wear to gilding on edges of handles. 13.5" handle to handle x 8" x 10" tall.

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Antique Lobmeyr Austrian Double Eagle bottle. Great piece likely from the last<br>quarter of the 19th century. 6 7/8" tall x 3 5/8" wide. Measurement doesn't<br>include cork. At one point it likely had a metal mount and cap. They made a ton<br>of flasks with that type of enclosure and this is pretty much better than all of<br>them so it wouldn't be a very difficult task to find a lid. All hand painted,<br>very fine faceting all over. No cracks, chips, rough spots, or other issues,<br>some expected wear to gilding.<br>Unmarked But obviously top end antique bohemian glass of the Moser/Lobmeyr<br>class.<br>b14

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2 Vintage Tins. Selling the two tins from the first half of the 20th century in very good condition. Largest is 6 5/8" long x 3" wide. TW153

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1940's Art Deco Perfume Boxes only. Selling the two boxes with no perfume,<br>tallest 4 3/8".<br>tw254

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