1960's Murano JFK Paperweight John F Kennedy President. Nice large and uncommon<br>paperweight. 3.25" tall x 3.75" wide with no cracks, chips, dings, or scratches.<br>Minimal expected shelf wear on base.<br>pwdrawer

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c1940 French Baccarat Perfume Bottle Collection. Selling the 4 Bottles with<br>ground stoppers all French Crystal St Louis or Baccarat from the first half of<br>the 20th century. Average 3.5" tall with no chips, The Frosted Faberge has a<br>ground base that is acid etched Faberge Bottle Made in France.<br>TW162

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c1940 French Baccarat Perfume Bottle Collection. Selling the 4 Bottles with<br>ground stoppers all French Crystal St Louis or Baccarat from the first half of<br>the 20th century. Average 3.5" tall with no chips, The Frosted Faberge has a<br>ground base that is acid etched Faberge Bottle Made in France.<br>TW162

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1920's Durand Blue Cut to Clear glass Vase. 8 5/8" tall with no cracks, chips,<br>or restorations. Does appear to have some cloudiness in the interior which I<br>didn't attempt to remove. unmarked.<br><br>Durand art glass was made between 1924 and 1931. Durand was the art glass<br>division of Vineland Flint Glass Works in New Jersey which was founded by Victor<br>Durand in 1897. Many of the glass artists came from the Quezal Art Glass company<br>which closed in 1924. The artists at Durand were granted a great deal of freedom<br>to produce glass in a variety of styles. Many pieces were blown using an unusual<br>yellow glass which many collectors now refer to as "Ambergris". Durand produced<br>a wide variety of art glass items including bowls, vases, perfume bottles,<br>candlesticks and lamps. Durand's art glass quickly gained fame for its beauty<br>and quality. In 1926 Durand received a medal of honor at the Sesquicentennial<br>International Exposition in Philadelphia. Sadly production ceased in 1931 when<br>Victor Durand died in an auto accident.<br>b34

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c1910 Austrian Iridescent Art Glass Twist Stem candlestick. 12" tall, likely<br>made as a candlestick but would also work as a vase. No cracks, chips, or<br>restorations. Fully iridized exterior that doesn't show well in the pics.<br>isshelf

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2 1980's Steven Maslach Art Glass Goblets. 2 Handmade artist signed goblets<br>varying slightly as they are completely handmade. 7.75" tall x 3 3/16" wide at<br>rim with no cracks, chips, restorations, or other issues.<br>B15

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c1910 Loetz Candia Papillon Footed vase. 5 3/8" tall with 4.75" rim, unmarked<br>with no cracks, chips, or restorations.<br>B48

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Large David Lotton Art Glass Paperweight. 3 5/8" wide x 3" tall with no cracks,<br>chips, restorations, or scratches. Signed and dated David Lotton 1995<br><br>DAVID LOTTON<br>David Lotton is a second generation American glassblower. He is the oldest son<br>of Charles Lotton and was introduced to the world of glassblowing at a very<br>young age. In 1970, Charles started building a furnace and began blowing pieces<br>of glass from melted down pop bottles in a shed behind their house. David was<br>there in this infancy and he was Charles first assistant at the age of ten.<br>David has vivid memories of his childhood working in the shop with his father.<br>When most children were playing childhood games he was spending time after<br>school and on the weekends helping him at the bench. By the age of 14 he started<br>learning how to do finishing work, polishing the bottom of the glass flat. David<br>eventually followed in his fathers' footsteps and by the age of 15 began making<br>paperweights. That ignited a passion to begin glass blowing.<br><br>David has been creating his one of a kind vessels since 1978. His unique<br>handcrafted works are designed with precise attention to detail. Developing his<br>own glass formulas, David has created a complex palette of colors, giving him<br>the ability to create his multi-layering and sculpting style. Each year David<br>continues to study and refine the techniques he uses in creating his art.<br><br>David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed<br>Bouquets Series all reflect his floral patterns which capture his love for<br>detail. He combines color and layering to create depth and beauty. His Organic<br>Sculptures reflect movement and rich hues of a summer sunset. David is inspired<br>by all nature. He has a successful ranch in the hills of Kentucky where he is<br>inspired to evolve, change, and grow continually. He commutes back and forth to<br>fulfill both loves.<br>b48

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c1890 Cranberry Threaded Enameled Water pitcher. Great piece with no cracks,<br>chips, or restorations. Possibly Stevens and Williams, definitely 120-130 years<br>old. 9.25" tall x 7.5" handle to spout.<br>isshelf.

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Casa Del Regalo Bortoli Mid century Alabastro Murano Apple paperweight 3.5" wide x 3" tall with no cracks, chips, or restorations. pwdrawer

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c1880's Huge EAPG Priscilla by Dalzell, Gillmore and Leighton Glass Centerpiece<br>compote. Uncommon/difficult to find in the large size. 12.25" wide x 8" tall<br>with no cracks, chips, restorations, or detectable wear.<br>isshelf

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Arthur Allison Texas Studio Art glass miniature vase/toothpick holder. 3" tall with no damage or wear. toothpickdrawer

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c1890 Mt Washington art glass toothpick holder. 2" tall x 1 7/8" wide with no cracks, chips, or restorations. toothpickshelf

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4 Mid Century Murano Satin glass Toothpick holders/miniature vases. Selling the 4, all vintage from the third quarter of the 20th century. No damage or wear other than wear to labels. Two have original labels, others unmarked but guaranteed Italian Murano glass. Tallest 2 3/8" x 2.5" wide at rim. toothpickdrawer

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1920's Steuben Alabaster Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 9/16" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century. isshelf

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Mid Century Italian Murano Glass Ducks Sun colored amethyst 13.5" tall with no damage or wear. One red, one blue, a good old set. Definitely Murano, unsure of the company/artist. Estate fresh and they were in a window with tons of dust around where they were sitting. I'm 95% sure they were originally clear one with blue the other red highlights and they clear part turned purple from prolonged exposure to UV light from the sun. This happens when glass has Manganese in it. I realize this black background doesn't highlight the beautiful purple but I just didn't have time to change the background. Selling the pair shown. issshelf

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c1890 Poofy Mt Washington Art glass Melon Ribbed hand painted Biscuit jar with<br>silver plate mountings. I didn't polish the silverplate so it's possible there<br>is wear to the plating. No crack, chips, or other damage. 7.5" tall without<br>handle extended x 7.5" wide.<br>TW261

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c1910 French Renee Lalique Perfume bottles. Selling both substantial Renee<br>Lalique perfume bottles from the first quarter of the 20th century. The one on<br>the right, Violette D'Orsay's glass is made by Baccarat and the Metal Lalique.<br>It's marked with the Crown RL mark in the metal which I did a bad job showning.<br>It's a well documented but very scarce bottle that has surfaced at both Heritage<br>and Rago's Auction in excess of 2k. Debans Atomizer on the left which I didn't<br>attempt to use but the bottom of the bronze atomizer hose looks like it may be<br>stopped up. They measure 5" and 5 3/8" tall. No chips, cracks, or restorations.<br>TW60

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1989 Freeform Art glass paperweight. Dated 89 on one side and illegible signature on the other. 3.75" long x 2.5" tall with no damage or detectable wear. pwdrawer

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Mid Century Murano Cranberry Murano bowl. Great period mcm bowl from about the 1950's. Cased glass with clear outside of cranberry, ground pontil, unmarked. 6.5" wide x 2.75" tall. isshelf

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French Baccarat Angels Pair. Selling both the Baccarat Angels shown in original<br>boxes. Largest 4.5" long for the figure without the box. One with original<br>label, both signed in two places, no scratches, damage, or wear.<br>tw162

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c1920 Renee Lalique Coty Perfume Bottle collection. Selling the 4 bottles shown<br>Marked Coty and Coty France but made by Lalique in the first half of the 20th<br>century. Tallest 2 7/8", so they are not large bottles. No cracks, chips, or<br>restorations. The two taller ones lids come off and there are numbers scratched<br>on inside of stoppers. The two shorter ones have fronzen lids which can be<br>unfrozen with hot and cold.<br>TW229

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c1940 French Baccarat/Lalique perfume bottles in original boxes. Selling the<br>three bottles from the first half of the 20th century. All bottles are unmarked<br>other than some scratched numbers on ground base of the Narcisse bottle. The<br>Narcisse and the Guerlain are Baccarat and the Worth is Lalique. Guerlain box is<br>4 7/8" x 3" wide bottle is 4" tall Worth bottle is 2 7/8" tall, Narcisse is 2<br>1/8" tall. Tiny flakes to sharp ground rim of Narcisse bottle, no large chips.<br>No other chips, flakes or cracks. No lid for Narcisse bottle's box.<br>tw229

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c1930 Steuben Gold Aurene Electric lamp with Ornate brass fittings. Fantastic<br>Steuben lamp from the 1920's or 30's with very high quality original fittings,<br>Handel made many of Steuben's lamps but I see no markings. Please excuse<br>pathetic pics I don't have room to photograph the whole thing at once. 25.5"<br>tall, fresh from an amazing Steuben collection last acquired in 2008. No damage<br>whatsoever, the finial is amazing also with a cut Amber glass prism. Buying what<br>you see here with no damage and it will be packed by a pro.

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2 Mid Century Italian Murano Latticinio toothpick holders. Selling the two with no flaws, damage, or wear, all apparently unmarked but guaranteed Italian Murano glass. Tallest 2 7/8" x 2 1/8" wide., largest a little big for a toothpick but these were part of a toothpick collection put together in the mid to late 20th century. toothpickdrawer

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Pat 1909 Arts and Crafts Period Hand Hammered Copper and Stained Glass Lamp<br>shades. Fantastic pair of Period American Arts and Crafts lamp shades with no<br>damage and a fantastic patina to the copper. Pat May 4 1909 as shown in the<br>second pic. These could be Handel, Stickley, Roycroft, there are many<br>possibilities and all of them good. The construction and quality of these is<br>amazing, all hand hammered copper, completely hand made. 4 3/8" long x 3 3/8" at<br>fitter top 4" wide at base. Selling the pair shown.<br>tw193

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Mid Century Burmese art glass miniatures/toothpicks. Both the highest quality,<br>hand blown. Either Murano or Pairpoint. Tallest 2.5", both glow under<br>blacklight. These are both mid 20th century or older with no damage whatsoever,<br>no flaws.<br>toothpickdrawer

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3 Contemporary art glass shot glasses/toothpick holders. One signed Joel Bloomberg, two Astral glass dated 2017. Tallest 2 3/8", all with no damage or wear. Selling all three. toothpickdrawer

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c1930 Steuben Gold Aurene Candle holders with Sterling Silver Bobeches. 5 3/8"<br>tall x 3 1/8" wide at rim x 4.75" wide base. They will take up to 1.75" wide<br>votive or flameless candles or taper candlesticks. These are unsigned, I'm<br>attributing them to Steuben. I'm 100% sure they are American art glass from<br>c1910's to 1930's. I had a pair of these identical with the same sterling<br>bobeches heavily tarnished as these were about 25 years ago and they were<br>signed, I think it was Steuben but that was long ago. It's not a common shape.<br>Selling the pair with no cracks, chips, or restorations. My asking price on<br>these is slightly less than half what I seem to remember selling the other pair<br>for 25 years ago.<br><br>B15

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The Best 1960's Recycled Beer Bottle Art Glass Biomorphic Decanter/Tumbler set. Most likely Mexican, guaranteed 1970's at the latest, period MCM set of the best quality and design. Made from recycled beer/soda bottles likely out of necessity. The Artisan that made this didn't have the resources of Italian/Danish Artisans of the Era, but he overcame and did an amazing job on this one of a kind set. 8 tumblers 6.25" tall x 2.75" wide, 15" tall decanter with stopper that forms a tight seal. Selling the set shown, the only one you'll find like it. isshelf

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c1920 Tiffany Favrille Pitchers. Selling both Tiffany American art glass<br>pitchers from the first quarter of the 20th century. Tallest 5 3/8" unmarked,<br>slight roughness to ground pontil, no cracks, chips, or restorations. Smallest<br>Signed 1194 L.C. Tiffany Favrille and still retaining original label. Selling<br>both pitchers. Both Tiffany but only one signed. Both documented Tiffany shapes<br>with unmistakable quality from the same estate collection.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>B48

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c1920 Bohemian Art Deco Iridescent art glass biscuit jar 6.5" tall without<br>handle x 5.25" wide with no cracks, chips, or restorations. Great piece from the<br>first quarter of the 20th century.<br>B48

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1998 Zellique Intaglio Cat Perfume bottle. No cracks, chips, scratches, or<br>dings. 3.75" tall x 3.25" wide.<br>b48

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c1900 Art Nouveau Sterling Silver Overlay Art glass Vases. Selling both vases<br>shown, Loetz Iridescent 4.25" tall, The other pink cased Opaline 5 1/8" tall<br>with Sterling fish mark. Both tested sterling but I could find no markings on<br>the Loetz piece which is typical.. Neither with any cracks, chips, or<br>restorations.<br>tw134

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c1910 Bohemian Loetz Phaenomen Art glass shade. No cracks, chips, or<br>restorations, 3.75" tall x 4.5" wide at rim with no identifying marks. 2 3/16"<br>wide at fitter base.<br>TW134

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c1880 Moser Decanter with Applied Enamel Hawk. 12 7/8" tall with no cracks,<br>chips, or restorations, minor cloudiness in interior that could possibly be<br>removed or will disappear when filled with liquid.<br>tw217

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c1890 Cut Glass Double Castor in Silverplate holder. 10" tall x 8" wide with 5.75" jars with 2" openings. Great practical set ready to use. One jar has a shallow chip that could easily be polished out without effecting the jars beauty or usefulness. No other chips, cracks, or restorations. I ddin't polish it but looks as though brass may be showing through on the sharp edges. Sighed R Bros with Acorn Mark. tw161

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American Steuben MCM art glass Centerpiece. 10" wide x 4 5/8" wide with no<br>cracks, chips, or restorations. A few tiny non distractive scratches under close<br>examination and of course the expected shelf wear on base as this is an<br>old/heavy piece of glass.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is<br>in Steuben County, from which the company name was derived. Hawkes was the owner<br>of the largest cut glass firm then operating in Corning. Carder was an<br>Englishman (born September 18, 1863) who had many years' experience designing<br>glass for Stevens & Williams in England. Hawkes purchased the glass blanks for<br>his cutting shop from many sources and eventually wanted to start a factory to<br>make the blanks himself. Hawkes convinced Carder to come to Corning and manage<br>such a factory. Carder, who had been passed over for promotion at Stevens and<br>Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass<br>Works and became the Steuben Division. In July 2008, Steuben was sold by Corning<br>Incorporated for an undisclosed price to Schottenstein Stores,[2] which also<br>owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and<br>formerly Value City Department Stores; Value City Furniture, which changed its<br>name to American Signature Furniture; 15% of American Eagle Outfitters, retail<br>liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing<br>its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced<br>it was shutting down Steuben's Corning factory and Manhattan store, ending the<br>company's 108-year history. Soon after, Corning Incorporated repurchased the<br>Steuben brand. In early 2014, The Corning Museum of Glass announced that it<br>would work with independent contractors to reproduce Steuben using a new,<br>lead-free formula and their classic leaded crystal. Carder period<br>(1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder<br>produced blanks for Hawkes and also began producing cut glass himself. Carder's<br>great love was colored glass and had been instrumental in the reintroduction of<br>colored glass while at Stevens and Williams. When Steuben's success at producing<br>blanks for Hawkes became assured, Carder began to experiment with colored glass<br>and continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced<br>by Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br>These are a pair of handblown Steuben gold Aurene glass candlesticks designed by<br>Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private<br>collection in Manhattan, New York.)Steuben Glass Works continued to produce<br>glass of all sorts until World War I. At that time war time restrictions made it<br>impossible for Steuben to acquire the materials needed to continue manufacture.<br>The company was subsequently sold to Corning Glass Works and became the Steuben<br>Division. Carder continued as Division manager without any real change in the<br>company's operation except that he now had reporting responsibilities to Corning<br>Glass Works' management. Corning's management tried, mostly unsuccessfully, to<br>limit the articles that Steuben made to only the most popular. Production<br>continued until about 1932. In 1932, there was a major change in Steuben<br>management. The nationwide depression had limited the sale of Steuben and there<br>was a lessening of public interest in colored glass. In February 1932, John<br>MacKay was appointed to Carder's position. Carder became Art Director for<br>Corning Glass Works. Steuben then produced primarily colorless art glass.<br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943. Houghton period (1933–2012) An example of Steuben Glass design<br>during the Houghton era is the Balustrade Candlestick set, which mimics a<br>classical balustrade. Of special note is the hallmark of the perfectly formed<br>tear drop air bubble suspended in the design.Corning Glass Works<br>appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership<br>Steuben changed artistic direction toward more modern forms. Using a newly<br>formulated clear glass developed by Corning (referred to as 10M) which had a<br>very high refraction index, Steuben designers developed beautiful, fluid<br>designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art<br>Deco and modernist themes into glass. The themes during this period included<br>"balustrade" designs for water goblets and candlesticks, footed bowls and<br>serving pieces. Decorative forms included wildlife pieces representing owls,<br>penguins and other birds in smooth stylistic forms. Some pieces, such as the<br>Ram's Head Candy Dish, playfully included clean lines crowned by an ornate<br>design (a ram's head, complete with a ruff) on the lid as an homage to its<br>classic earlier pieces. The company also entered into the field of larger show<br>and presentation pieces celebrating various scenes (such as its cut-away design<br>featuring an Eskimo ice fisherman above the ice, and the fish below, or the<br>Cathedral Window design) and elements that incorporated etchings. In some cases<br>sterling silver or gold plating were used on metal finish elements such as the<br>golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with<br>"Steuben" on the underside of the object. Toward the 1990s, the company also<br>began production of small objects—"hand coolers"—in various animal shapes. Items<br>from this period were also noted for their careful and elegant packaging. Before<br>boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched<br>with the Steuben name), and then placed in a presentation box.<br><br>tw5

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Chinese Republic Period Peking Glass Mirrored Pair Bud Vases. Great pair of hand<br>cut Chinese Peking glass vases from the first quarter of the 20th century. 9<br>5/8" tall x 3 7/8" wide. One with very small flake to decoration shown in the<br>last pic. Not noticeable, the only way I found it was with my hand.<br>isshelf

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c1890 Nakara Art glass dresser box. No cracks, chips, or restorations. Tight strong hinge. 3.75" wide x 2.5" tall. dresserdrawer

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c1880's 6" Antique Kugel Christmas ornament Mercury glass ball. Very thick<br>antique glass guaranteed authentic. Good condition with no chips, cracks, or<br>dings, very clean 140 or so year old mirroring.<br><br>Holiday trees in 1840 were adorned with apples, gilded and natural fruits and<br>nuts, cookies, popcorn and cranberries, as well as homemade paper items,<br>candles, cornucopias, and presents. It was during this decade that the first<br>commercially produced Christmas decorations appeared. In 1848, the first glass<br>ornament, a kugel, appeared in Germany. The kugel was a large hollow ball<br>ranging in size from 1 inch to 18 inches. Smaller ones were used for tree<br>decorations. The blown, molded, figural glass ornaments that we are familiar<br>with today evolved from the tradition of blowing kugels. These ornaments were<br>not sold in America until 1880.<br><br>Kugel is a German word that means "ball" and can be used to describe any type of<br>ball-like object. Collectors used this term to describe any early thick glass<br>ornament with a decorative cap. Early Kugels were too heavy to hang on tree<br>branches; instead they were suspended from the ceiling. Soon after their<br>invention, the Germans decided small Kugels should adorn tree boughs in shapes<br>such as grapes, berry clusters, apples and pears. F. W. Woolworth is given<br>credit for bringing Kugels to America in the 1880s. His initial investment of<br>$25 turned into sales of at least $25 million worth of Kugels over the next<br>several years.<br>isshelf

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Vintage French Lalique Dresser Box. 5.5" x 2", nice large powder dish or box with no cracks, chips, or detectable wear. TW58

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Formia Sommerso Murano Vases Pair. Selling the pair of vases 10.25" tall with no damage or wear, one dated 2007, both with original labels. b13

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1920's Steuben Carder Era Fan Vase Pair, One green with castle etching, one<br>amber. Green with Steuben Acid stamp in pontil, amber apparently unmarked. No<br>cracks, chips, restorations, or significant wear. Both approximately 8.5" tall x<br>7" wide at rim.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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c1880's 7.5" Antique Kugel Christmas ornament Mercury glass ball. Very thick antique glass guaranteed authentic. Good condition with no chips, cracks, or dings, slight loss to 140 or so year old mirroring.Holiday trees in 1840 were adorned with apples, gilded and natural fruits and nuts, cookies, popcorn and cranberries, as well as homemade paper items, candles, cornucopias, and presents. It was during this decade that the first commercially produced Christmas decorations appeared. In 1848, the first glass ornament, a kugel, appeared in Germany. The kugel was a large hollow ball ranging in size from 1 inch to 18 inches. Smaller ones were used for tree decorations. The blown, molded, figural glass ornaments that we are familiar with today evolved from the tradition of blowing kugels. These ornaments were not sold in America until 1880.Kugel is a German word that means "ball" and can be used to describe any type of ball-like object. Collectors used this term to describe any early thick glass ornament with a decorative cap. Early Kugels were too heavy to hang on tree branches; instead they were suspended from the ceiling. Soon after their invention, the Germans decided small Kugels should adorn tree boughs in shapes such as grapes, berry clusters, apples and pears. F. W. Woolworth is given credit for bringing Kugels to America in the 1880s. His initial investment of $25 turned into sales of at least $25 million worth of Kugels over the next several years. tw198

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c1880's 7" Antique Kugel Christmas ornament Mercury glass ball. Very thick antique glass guaranteed authentic. Good condition with no chips, cracks, or dings, slight loss to 140 or so year old mirroring.Holiday trees in 1840 were adorned with apples, gilded and natural fruits and nuts, cookies, popcorn and cranberries, as well as homemade paper items, candles, cornucopias, and presents. It was during this decade that the first commercially produced Christmas decorations appeared. In 1848, the first glass ornament, a kugel, appeared in Germany. The kugel was a large hollow ball ranging in size from 1 inch to 18 inches. Smaller ones were used for tree decorations. The blown, molded, figural glass ornaments that we are familiar with today evolved from the tradition of blowing kugels. These ornaments were not sold in America until 1880.Kugel is a German word that means "ball" and can be used to describe any type of ball-like object. Collectors used this term to describe any early thick glass ornament with a decorative cap. Early Kugels were too heavy to hang on tree branches; instead they were suspended from the ceiling. Soon after their invention, the Germans decided small Kugels should adorn tree boughs in shapes such as grapes, berry clusters, apples and pears. F. W. Woolworth is given credit for bringing Kugels to America in the 1880s. His initial investment of $25 turned into sales of at least $25 million worth of Kugels over the next several years. tw198

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Cenedese Murano Centerpiece with applied fruit handles. Great piece in perfect condition from the last half of the 20th century. 11" handle to handle x 8" tall, signed on base as shown. B38

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c1890 Mt Washington Art glass Melon Ribbed hand painted creamer and sugar set<br>with pairpoint mountings. Selling the set shown with no damage, I didn't polish<br>the silverplate so it's possible there is wear to the plating. 3.5" tall.<br>TW233

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c1930 Pairpoint Sterling Silver Mounted Etched controlled bubbles covered candy dish in the Wickham etching. Rare if not one of a kind piece 11.5" tall x 5.25" wide. No cracks, chips, restorations, scratches to sterling or other issues. H monogram with what looks to be a P and B on either side. Very special piece in a beautiful honey amber. tw164

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Large 1960's Signed Barbini Murano Vase. 14.5" tall x 7.25" wide, great piece and a fantastic design sure to both stand out and fit in anywhere. Very high quality with no cracks, chips, scratches, or other issues. Signature shown in last pic. isshelf

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Swedish Art Glass Owl Paperweight. Last quarter of 20th century with no damage. No markings, just paper label. 4.25" tall isshelf

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Mid century Murano Controlled bubbles silver foil bowl. Great piece from the third quarter of the 20th century with no damage. 7" x 3" tall in deep amethyst color. Nice freeform piece with large slots for a cigar ashtray if desired. tw129

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Vintage Venetian cobalt blue gold and controlled bubbles ewer form sculptural<br>vase. 18.5" tall x 9.25" handle to spout. Vintage piece from about the mid 20th<br>century, high quality Italian glass that has been displayed in a safe place well<br>preserved for many years. It will be packed and shipped with the upmost care to<br>insure the pressure is not on the handle, spout, or stem.

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c1910 French Cameo Glass Sterling base Shot glass Cordial. Hallmarks on both sides of sterling base, tests sterling. 2" tall with no cracks, chips, or restorations.Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background. The technique is first seen in ancient Roman art of about 30 BC, where it was an alternative to the more luxurious engraved gem vessels in cameo style that used naturally layered semi-precious gemstones such as onyx and agate. Glass allowed consistent and predictable colored layers, even for round objects. B70

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Antique 800 Silver Mounted Cut overlay glass Vase. Fantastic piece from the first quarter of the 20th century. 8" tall with 2 5/8" rim. Beautiful cranberry/Amethyst mix, a unique color. Top quality piece that could easily be Baccarat/St Louis, Val St Lambert, or one of other worlds top glassmakers. 80% silver rim, hallmark looks like LY or LV with something in the center. No damage whatsoever.TW107

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c1900 Cut Glass Sterling Mounted Scent Bottle lot. Selling the collection shown all from the late 19th to early 20th century. The tallest is 9.5" tall, spring hinged lid tested sterling though I couldn't find the mark, monogrammed. Next tallest is 5.25" American sterling and American brilliant period cut glass, a few small nicks in design and on bottom of stopper, next is 4.5" tall with british hallmarked sterling repousse lid, no inner glass stopper, tiniest roughness on two sharp points, no other issues. Tall skinny shaker shaped one is 5" tall with one chip in center of decoration, it has a lever to open or close to release liquid, lid marked sterling. 3.5" tall cylindrical jar with british sterling repousse lid, no damage, 3" tall jar with brass lid and inner stopper, a few tiny flakes on base rim and no other issues. Selling this lot shown, all super clean, all display well, all with no noticeable damage without close scrutiny, all over 100 years old. tw107

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c1900 Kralik Martele Verre-de-Soie Art Nouveau Bohemian art glass vase. Fantastic piece of Bohemian Art Nouveau period and style art glass from the first quarter of the 20th century with no cracks, chips, or restorations. 5.5" tall nice iridescence that didn't show well in the pics. tw193

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Steuben Owl Hand Cooler and Baccarat Paperweight. Selling both with no cracks, chips, scratches, or dings. The owl is signed stueben on base, the dragon is signed baccarat twice and has original label. Owl is 2.5" tall, dragon is 4" tall. TW254

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Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

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Lalique Doves Lovebirds "Dampierre" Sparrows Vase 5" France 4.75" tall x 4 7/8" wide large, Heavy Vase.. Top quality authentic Lalique glass guaranteed with no cracks, chips, rubs, dings, or other issues. If you buy one vase you will get the exact one shown, if you change your quantity you will get how many ever you select all in the same condition with no damage or detectable wear as at the time of listing I have 3 of these. tw254

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c1890 Northwood Cranberry Opalescent Poinsettia Brides Basket/Bowl. Selling the<br>bowl and holder, the bowl has really exceptional color/opalescence. It fits the<br>Holder perfectly, estate fresh the came together. Bowl is 11" at widest point,<br>holder is 11" tall. Holder marked Great Northern Anchor Brand Quadruple plate.<br>tw256

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Antique Chinese Peking glass bowl. Amazing piece, amazing color. This would<br>likely be a 10-20k piece but a large section has been broken and restored<br>including several smaller pieces. You have to look close to see it, it's still<br>amazing to imagine how they came up with a color like this and how they carved<br>it with no modern tools. It's a very large 12.75" wide. Selling as it but it<br>will be packed very well to assure intact arrival.

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Large Vintage Murano Mother of Pearl Satin Art glass pitcher9.5" tall with no cracks, chips, restorations, or dings. I purchased it as part of a large collection of victorian art glass that was collected in the eighties but feel it's Murano from the last half of the 20th century, 1970's Murano. TW 183

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1970's Licio Zanetti Murano Art Glass Ducks. Nice large almost life sized ducks<br>extremely heavy. I'm sure they are both signed but one had this label on the<br>base as most items in the estate did stating where they bough them and what they<br>paid for them. It has likely protected the base from scratches all these years.<br>I removed the corners just to show it wasn't chipped under the label. I felt<br>leaving it to help establish provenance was appropriate. They both measure 12.5"<br>x 13" long varying slightly as they were handmade about 50 years ago. Selling<br>both with no chips, cracks, or restorations, no scratches on top, some expected<br>shelf wear on base.<br><br>Founded in 1956, the Zanetti Vetreria Artistica by glassmaster Oscar Zanetti and<br>his son Licio. In 1989 master Licio Zanetti stepped down in favor of his son<br>Oscar (named after his grandfather), who had been working by his side since his<br>youth. Licio's work shows a predilection for naturalistic subjects is reflected<br>in a lively collection inspired by the flora and fauna of his beloved Venetian<br>Lagoon.<br><br>isshlf

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Tall Antique Moser Bohemian Glass Vase 11.75" tall x 3.5" wide at base. slight roughness inside rim, no other chips, no crack, no restorations, minor wear to gilding. TW 254

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15.25" Baccarat Neptune Decanter c1990. 5.5" wide x 15.25" tall. No cracks, chips, scratches, dings, or hard water. This pattern was produced from 1988-1993 and is retired. TW 254

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Faceted Spider and flowers<br>paperweight. 3.5" wide x 2.25" tall in mint condition with no damage or wear of<br>any kind. The signature cane can be seen on the bottom. Guaranteed Authentic<br>c1980's Delmo Tarsitano Paperweight.

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Murano/Limoges Trinket box lot. Selling the 4 trinket boxes shown from the late 20th century. 2 limoges very good quality with strong snaps and hinges, great hand painting. Murano art glass box, and shell box. All with no issues tallest limoges is 2", shell is 2 3/8" wide. Selling all 4 for one price. TW109

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Fenton Ribbon Candy Basket Pink Iridescent Opalescent Hand Painted Coralene. Mint condition cabinet kept with no damage or wear. 8.75" tall x 8.5" wide.<br>TW109

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c1920 Art Deco Cut Glass Claret Jugs pair. Selling the pair of 90-100 year old English cut glass claret jugs in very clean condition. No cracks, chips, or restorations, some wear and oxidation to silverplate tops. 11.5" tall. isshelf

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c1890 Etched Amberina glass tumbler. 3.75" tall x 2 5/8" wide with no issues or<br>damage.<br>isshelf

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1997 Robert Eickholt Heavy Purple Abstract studio art glass vase. No cracks, chips, restorations, or scratches. 8.25" wide x 5 7/8" tall.Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California.Once home he continued his studies at Ohio State and at the Columbus College of Art and Design.Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique.Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw246

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c1900 Hand painted art glass dresser jar. 3.5" tall x 3.25" wide with no cracks, chips, or other damage, tight hinge and closure snaps shut. TW244

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1950's Seguso Alabastro Art Glass Green and Opalescent Swirled Art Deco Paperweight. No cracks, chips, dings, or scratches. The foil label is illegible other than San Antonio Texas at the bottom, so likely it's a retailers label. TW249

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1920's Steuben Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 3/8" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century.tw249

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Large c1890 Pigeon Blood Glass optic ruffled vase. Fantastic 12" tall x 8.5" rim antique Pigeon Blood with amberina highlights art glass vase. No cracks, chips, or restorations.

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c1890 Kelva American Art Glass Hand Painted Box5.5" wide x 3.5" tall with no<br>cracks, chips, restorations, or wear to decoration, nice strong hinge. Great<br>box.<br><br>Decorated Opal ware was at the height of its popularity from 1890 to 1910, and<br>the C. F. Monroe Company was one of the largest producers of this type glass.<br>Charles F. Monroe opened his shop first shop in 1880; is was located at 36 West<br>Main Street in Meriden, Connecticut and he dealt primarily in imported<br>glassware. By 1882, Monroe was operating his own glass-decorating studio, and<br>was soon employing highly talented local artists as decorators. When the 1890’s<br>arrived and the demand for finely decorated glass was its height, the Monroe<br>company was located in several large buildings on the corner of West Main Street<br>and Capitol Avenue, and employed such fine artists as Carl V. Helmschmied,<br>Walter Nilson, J.J. Knoblauch, Joseph Hickish, Carl Puffee, Flora Fiest, Gustave<br>Reinman, Florence Knoblauch, Emil Melchior, and Alma Wenk, Blanche Duval, Gussie<br>Stremlan, Elizabeth Zeibart, and Elizabeth Casey, The decorators often went back<br>and forth between the G934C Wavecrest Jewelry Box – Helmschmid Swirlcompanies,<br>and sometimes poses a problem of attribution. As is always, the case, public<br>tastes changed, and the demand for decorated Opal Ware began to decline after<br>1910. The C.F. Monroe Company went out of business in 1916. –<br>tw243

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c1890 New England Peachblow brides basket. 12" total height x 8" wide with<br>holder, no damage.

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c1890 Large Enameled art glass brides basket bowl. No cracks, chips, or restorations, some wear to gilding. 9" wide at rim x 3 5/8" tall. Made to fit two different sized holders the footrim is 5" wide, the second footrim is 6 3/8" wide.. or great without a holder. TW245

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9 Hawkes Eardley #7240 Water Goblets 7 5/8" tall x 3.5" wide at rim. Selling 9 with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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9 Hawkes Eardley 4 5/8" x 2.25" bowls. Selling 9 with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell. Uncommon shape in this pattern.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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7 Hawkes Eardley #7240 Claret Wine Glasses. Difficult to find shape in this pattern 6 5/8" tall x 2.75" wide at rim. Selling 7 of the 11 shown with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell. I sold 4 of these so there are only 7 available.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years. TW229

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c1890 Victorian Art Glass Collection, Rainbow blown mold vase, Brides bowl, Uranium Vaseline satin Rose bowl, Amberina mug. Selling the 4 pieces shown with no cracks, chips, or restorations. There is a gilt over factory chip on top rim of the amberian mug which is 3.25" tall, vase is 6.5" tall, rose bowl is 3.25" wide, brides bowl is 10 5/8 x 2.5" tall with a 3 5/16" footrim. TW203

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Vintage Murano Venetian Glass Ewers with gold flecks and hand painted flowers. Tallest is 13" neither have any chips, cracks, or restorations. Nice old pieces from the first half of the 20th century with no identifying marks. Selling both the ewers shown. TW244

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Robert Eickholt Heavy Large Studio Art glass paperweight. No cracks, chips, restorations, or scratches, 4 3/8" tall x 4 7/8" wide. dated 2000. very special difficult to photograph paperweight.Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California.Once home he continued his studies at Ohio State and at the Columbus College of Art and Design.Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique.Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. tw243

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c1900 Kralik/Loetz Bohemian Iridescent Art Glass Small Claret Jug/Syrup pitcher 8.5 total height 3 5/8" wide at base. A diminutive pitcher likely used for claret or cordials, possibly syrup. Threaded oilspot decoration with no damage whateover, it's been looked over very well, no identifying marks. TW229

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c1860 French 14k Gold top cut glass perfume bottle. Tested 14k gold, Dutch Oak leaf 14k Hallmark on lid base mounting in the center of the pic.. Another on other side of lid. The gold is tested and guaranteed. Amazing bottle with no issues, no inner stopper, no chips or cracks. 4.5" tall x 1 7/8" wide.

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Jeremiah Lotton Multi-Flora art glass vase. 8 3/8" tall x 4.25" wide with no damage or detectable wear. Shallow vase with convex bowl that makes it look really cool from up top.Jeremiah Lotton was born in 1982 into a family of successful glass artists. Fram an early age, Jeremiah was facinated with glass and learning the art of working with his hands to create beautiful things. At 13, Jeremiah worked in his father's studio learning to build and maintain glass furnaces. He also learned how to use glass and polishing equipment and began to gain a general understanding of how a glass studio functions. At 15, he began working with hot glass itself, and by 17, he had developed his own line of designs.Following in the tradition of his grandfather, father, and uncles, Jeremiah strives to produce the highest quality glass. These standards show through his designs and are evident in how quickly his is progressing. Being the first of the third generation, hold much responsibility. It is extremely important to Jeremiah that he lives up to the high standards associated with the Lotton name. Jeremiah continues to develop his talents by working at the bench daily creating new and exciting designs with increasing enthusiasm. Watching his work evolve and expand will be exciting for all of Jeremiah's numerous collectors. pwdrawer

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Rare David Lotton Engraved Multi-flora custom gift pendant. Engraved decoration on borders really sets it off and makes it unique. Signed and dated top reverse with gift dedication on reverse base. No issues. 1.75" without bail x 1.55" wide.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. pwdrawer

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c1890 Mt Washington decorated burmese vase. 4.75" tall x 5" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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Adelmo (Delmo) Tarsitano (1921-1990) Lampwork Salamander paperweight. 3.5" wide<br>x 2.25" tall in mint condition with no damage or wear of any kind. The signature<br>cane can be seen on the top on the opposite side of the salamanders tail.<br>Guaranteed Authentic c1980's Delmo Tarsitano Paperweight.

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c1900 Faceted Cut glass bohemian beer stein. Great half liter stein well over<br>100 years old, lots of cutting with no cracks, chips, or restorations. Tight<br>hinge, way better than pics suggest. 9.25" to top of thumbrest.<br>isshelf

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7.75" Vintage French Art glass beads costume jewelry bracelet. Super cool heavy<br>bracelet which I didn't test but believe is silverplate as the loops and shrouds<br>for the glass balls show some copper alloy underneath. No damage 99.3 grams.

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Antique Mold Blown Art glass Cranberry Opalescent finger bowl. Great piece of top quality glass with ground pontil, perfect clarity, etc. I believe it's victorian, I know It's top quality art glass. 2.5" tall x 6" diagonal.TW223

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c1890 Rubina Verde Vaseline/Cranberry Opalescent vase. 9 3/8" tall x 6.25" wide rim. The clear base and trim react to UV light. Really cool top, no cracks, chips, or restorations. TW232

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c1910 Fenton Carnival Glass Plate Pair in Concord Grape Amethyst. These are pretty rare to find one, to find a pair is really amazing. There's a tag on the back indicating they were sold as a pair sometime in the last quarter of the 20th century. Just over 9" wide each with no cracks, chips, or restorations. I have photographed each plate separately in a series. While there are slight variations I couldn't really decide which one was better. TW230

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