แจกัน

Large Vintage Chinese Cloisonné Dragon Vases Mirror Pair. Nice, high quality pair of 12.5 x 5.75" mirrored dragon vases from the third quarter of the 20th century with no damage, minor oxidation to exposed brass. No identifying marks. isshelf

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Lalique Doves Lovebirds "Dampierre" Sparrows Vase 5" France 4.75" tall x 4 7/8" wide large, Heavy Vase.. Top quality authentic Lalique glass guaranteed with no cracks, chips, rubs, dings, or other issues. If you buy one vase you will get the exact one shown, if you change your quantity you will get how many ever you select all in the same condition with no damage or detectable wear as at the time of listing I have 3 of these. tw254

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c1900 Japanese Meiji Satsuma Mirrored Pair of vases. Extremely high quality from<br>the late 19th to first quarter of 20th century 6.5" tall x 3.25" wide one with<br>the smallest reglued footrim chip shown in two pics. No other cracks, chips, or<br>restorations. Selling the pair.<br>b14

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Antique Meiji Japanese silver/bronze mixed metals Mt Fuji vase. Great condition a few tiny dents and a few scratches, signed by on base, unresearched by me. 8.5" tall x 5.25" wide

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Vintage Moorcroft columbine vase, mid 20th century 4.25" tall x 3" wide. No cracks, chips, or restorations, expected crazing. <br><br>William Moorcroft was employed by Staffordshire pottery manufacturers James Macintyre & Co. Ltd. as a designer in 1897, and after a year he was responsible for the company’s art pottery studio.<br><br>William Moorcroft created designs for the Macintyre’s Aurelian Ware range of high-Victorian pottery, which had transfer-printed and enamelled decoration in bold red, blue and gold colours. He also developed the art nouveau-influenced Florian Ware which was decorated entirely by hand, with the design outlined in trailed slip using a technique known as tubelining. William Moorcroft’s designs won him a gold medal at the St. Louis International Exhibition in 1904.<br><br>Each piece of pottery produced was personalised with Moorcroft’s own signature or initials.<br><br>William Moorcroft and James Macintyre & Co. Ltd. split up in 1913 and Moorcroft founded his own factory nearby. Some finance came from the famous London store Liberty, and Liberty continued to exercise control over Moorcroft until 1962.<br><br>Moorcroft’s reputation was further enhanced with the appointment of the Moorcroft company as Potter to HM The Queen in 1928. On the death of William Moorcroft in 1945, his elder son, Walter, took over management and design and he continued in this position until his retirement in 1987, after which he continued contributing to Moorcroft designs.<br><br>During the tenure of Walter Moorcroft, the Liberty store’s interest in Moorcroft was purchased by Moorcroft in 1962.<br><br>In the 1980s Moorcroft got into financial difficulties as a result of rising wages and fuel, which were exacerbated by the labour intensive techniques employed by Moorcroft and the company went through several changes in ownership with the result that from 1993 the company was controlled by the Edwards family, which is still the case.<br><br>The young 24 year old designer Rachel Bishop joined Moorcroft in 1993, as only its fourth designer in almost a hundred years and her designs become immediately popular. In 1997 the Moorcroft Design Studio was formed with eight designers, and with Rachel Bishop as head designer.<br><br>Moorcroft celebrated its centenary in 1997, marking the year that William Moorcroft joined MacIntyre as its founding date, rather than the year the company was founded.<br><br>Moorcroft is still producing art pottery in it’s own distinctive design style, and with astute promotion and limited edition designs, is selling more than it did in the mid-1920’s, its previous heyday.<br>isshelf

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12" pr Republic Period Antique Chinese Famille Rose vases. Great pair of Nice sized Chinese hand painted famille rose vases from the first quarter of the 20th century with no damage or restorations. isshelf

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Antique Meiji period Japanese vases, likely once had lids which aren't present. No cracks, chips, or restorations. 8" tall, selling both. isshelf

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13.5" Lalique Claude French Art Cut glass Vase. Very tall piece 13.5" x 5.5" wide, hand cut designs on base. No cracks, chips, or restorations.TW189

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10" c1910 Royal Bayreuth Portrait vase. 10" tall with no cracks, chips, or restorations. Wear to gilding on rim. isshelf

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Tall Meiji Period Matte Finish Japanese Cloisonné Lotus Vase 10" สูง งานศตวรรษที่ 19 แปลกตามาก โดดเด่นในทุกคอลเลกชั่น ไม่มีสูญหายหรือเสียหายTW195

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Vintage Native American Silver vase pin 2.25" wide x 2 1/8" tall x 21.5 grams with no issues. <br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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12.5" Pr c.1870 Meiji Period Japanese Imari Vases. Very large pair of Hand<br>Painted Japanese Imari vases from the last half of 19th century, 12.5" tall x<br>7.5" wide varying slightly in both size and painting as they were hand thrown<br>and hand painted about 150 years ago. No cracks, chips, or restorations,<br>expected wear to gilding.<br>isshelf

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VITTORIA MAZZOTTI (1907-1985) Mid Century Modern Abstract Vase Artist Signed.<br>Really nice piece in flawless conditon. No cracks, chips, restorations,<br>scraches, or crazing. 9" tall x 5" wide. If you recognize the name of the artist<br>please fill me in. The piece was designed by Mazzotti and decorated by the<br>artist that signed it circa 1960's.<br>B26

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Signed Art Glass Vase with controlled bubbles. No cracks, chips, dings, or scratches. I'm unsure of artist but the quality is incredible. 4.5" tall tw75

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Vintage Murano Vase Black gold flecks with Daisies. Nice guaranteed Murano made Italian Art Glass vase from the third quarter of the 20th century. No identifying marks I could find. No cracks, chips, or restorations. TW80

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Pizzichillo & Gordon Studio Art Glass Vase 7.25" tall x 6.5" wide.<br>No cracks, chips, or restorations.<br><br>Bruce Pizzichillo and Dari Gordon are internationally known artists who create<br>large, colorful handblown glass vases, sculptural vessels and bowls as well as<br>intriguing glass and mixed media sculptures. Using glassmaking techniques that<br>are thousands of years old, along with many of their own invention, Bruce and<br>Dari melt glass in furnaces that are designed for work in multiple colors. They<br>achieve a palette of distinctive colors by mixing various metallic oxide<br>formulations containing gold, silver, cobalt and others, into the molten glass.<br>They heat the raw materials in large ceramic pots inside a glass furnace at<br>temperatures in excess of 2400 degrees Fahrenheit. As the molten liquid glass<br>achieves a working temperature, the artists gather the fluid substance onto the<br>end of a five foot long steel pipe or rod. They blow, manipulate and shape the<br>mass of molten glass, constantly spinning it and dipping it back into the pot<br>for additional gathers if the piece is exceptionally large. For decoration, they<br>apply shards, frit, bits and strings of colored glass that they have pre-made to<br>the hot surface of the glass, and then reheat the piece to fuse the elements to<br>the surface. When they complete the blowing and shaping process, they remove the<br>piece from the pipe and place it into an annealing oven, where it will cool<br>slowly over a specific period. In general, the larger and thicker the piece, the<br>longer the time required for it to anneal. If not properly annealed, the piece<br>will shatter when exposed to room temperature. Finally, the artists inspect each<br>piece to determine if it meets their standards for first quality. They then<br>proceed with the finishing work, which can include cutting, grinding and<br>polishing before signing the completed piece. Depending on the size and<br>complexity of the piece, the artists may reject half the pieces they make, or<br>more, for lacking the requisites of first quality. Bruce studied at the<br>University of New Mexico and earned a Bachelor of Fine Arts degree in glass from<br>the California College of Arts & Crafts, where he studied with world-renowned<br>glass artist Marvin Lipofsky. Bruce has worked with glass since 1976. <br><br>TW9

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10.5" tall x 5.25" wide. No cracks, chips, or restorations. Minimal wear to<br>Gilding.

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3 5/8" tall x 2.75" wide with no cracks or chips, no loss of enamel or other<br>issues. Guaranteed circa late 19th century. Selling both for one price.<br><br>Burmese glass is a type of opaque colored art glass, shading from yellow to<br>pink. It is found in either the rare original "shiny" finish or the more common<br>"satin" finish. It is used for table glass and small, ornamental vases and<br>dressing table articles.<br><br>It was made in 1885 by the Mount Washington Glass Company of New Bedford,<br>Massachusetts, USA. Burmese glass found favor with Queen Victoria. From 1886,<br>the British company of Thomas Webb & Sons was licensed to produce the glass.<br>Their version, known as Queen's Burmeseware, which was used for tableware and<br>decorative glass, often with painted decoration. Burmese was also made after<br>1970 by the Fenton art glass company.<br><br>Burmese is a uranium glass. The formula to produce Burmese Glass contains<br>uranium oxide with tincture of gold added. The uranium oxide produced the<br>inherent soft yellow color of Burmese glass. Because of the added gold, the<br>characteristic pink blush of color of Burmese was fashioned by re-heating the<br>object in the furnace. The length of time in the furnace will determine the<br>intensity of the color. Strangely, if the object is subjected to the heat again,<br>it will return to the original yellow color

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No scratches, dings, cracks, or chips. Dated January 1978 and numbered 887<br><br>Bio<br><br>Randy Strong<br><br>Winner of the juried 2005 and 2008 Niche award for blown glass and finalist for<br>2010 – awarded by Niche magazine for the best of blown glass in the United<br>States – Randy Strong – artist and designer in hot glass for 40 years, has<br>worked continuously throughout his career producing innovative designs in glass<br>that continually influence the ever changing and growing community of studio<br>glass artists.<br><br>Randy is one of a handful of the early pioneering American Glass Artists to help<br>define American Studio Art Glass.  Before he was to enter the world of glass<br>however, he began his broad education in the arts by working in and collecting<br>photography.  In the late 60’s he was working as an events photographer for the<br>Oakland Tribune, and for a brief period, was privileged to work with and learn<br>from photographer Ansel Adams.  His first taste of working in glass came in 1969<br>at the California College of Arts and Crafts in Oakland, Calif. where he began<br>by studying ceramics and was fortunate to have as his mentor, the renowned<br>ceramicist, Peter Voulkos.  Upon graduation in 1970 he received one of the first<br>scholarships to the University of Art in Osaka, Japan as one of the first<br>exchange students between the Universities of Calif., Calif. College of Arts and<br>Crafts, and Osaka, Japan.  That grounding in ceramics led him into the largely<br>unknown (at that time ) frontier of studio art glass.  In 1970, he was with Dale<br>Chihuly when Dale and the Haubergs selected the location for the now renowned<br>Pilchuck Glass School in Seattle, Washington – and the journey into that<br>frontier was well underway.<br><br>Many of today’s successful, working glass artists are either former students, or<br>have worked with or  for him at one time.  His work, ranging from his<br>distinctive crystal and gold goblets and his ground-breaking work with dichroic<br>glass, to his imposing cast sculptures, and now his seemingly gravity defying,<br>color saturated, multi-piece sculptures, have been acquired by collectors<br>internationally and are a part of collections ranging from The Corning Museum in<br>New York, to the Louvre in Paris.<br><br>Randy’s work through the last 4 decades has been characterized by the use of<br>difficult, defining techniques, materials, colors and forms. His newest<br>sculptural work again breaks new ground by challenging the concept of solid form<br>in glass by further expressing its personality in lightness and movement.<br><br>In 1970, he built and established his own studio and gallery in Northern<br>California, where he continues to create, design and teach.  After 45 years of<br>making distinctive work in glass, he is continuing to make a limited number of<br>pieces a year while he compiles his book “The Glassmakers”, spotlighting and<br>detailing<br>the history of the pioneers in glass responsible for creating what now exists as<br>the American Glass Movement.

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Swedish Gustavsberg Mid Century Sterling overlay green pottery vases. no damage<br>or detectable wear. Tallest 5", widest 3.25" Selling all three with no<br>restorations. My color is off a little in the pics, it's a little greener.<br><br>Gustavsberg is a Swedish porcelain company that originated in 1826. It broke up<br>in the 1990s and was sold off in pieces, to the dismay of residents of the<br>Gustavsberg area.<br><br>Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the<br>illustrious Swedish ceramic design of the 20th century. He was the artistic<br>leader for Gustavsberg in the 1930s and 1940s and is often called the father of<br>Swedish modernism. Kage is represented at the Swedish National Museum of Art and<br>Design.

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Saul Alcaraz Studio Art Glass Vase 10.5" tall, signed and dated 2009, no damage<br>or wear. An amazing piece of glass with rich blues and purples that I couldn't<br>capture with the time/resources available.<br><br>Saul Alcaraz's fine art glass has been featured in galleries and museums<br>throughout the world. His visionary designs have literally pushed the art of<br>glassmaking to the edge of creative expression. His passion for his work is<br>inspired by the amazing works of Lois Comfort Tiffany, Steuben and Duran.<br><br>Saul's symbiotic relationship with fire has been a tenuous partnership over the<br>years. With the quest for a translucent form of perfection, Saul feels he has<br>captured the power of the sun and he brings this to tangible objects of pure<br>light and beauty. His style is reminiscent of the art nouveau glass being<br>produced in France by Galle and in Ausrria by Loetz. Saul has had but one ideal<br>- to make the finest glass the world has ever known, with strict adherence to<br>distinctive design.

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Robert Lagestee Lotton Art glass Vase. 8.5" tall x 5.75" wide with no cracks,<br>chips, or restorations. Amazing piece dated 2019 with no damage or detectable<br>wear.<br><br>Robert Lagestee is the grandson of Charles Lotton, the Patriarch of the Lotton<br>Family.<br>Robert is the son of Charles's daughter Rachel Lotton Lagestee. Born in 1991,<br>Robert grew up surrounded by the Beautiful glass of his grandfather and uncles,<br>Daniel and David.<br>He dreamed of blowing glass. In 2005 he tried his hand at glass blowing and was<br>naturally talented but decided to follow his father in the family grocery<br>business. But in 2015 he returned to his First Love...Glass Blowing. Working<br>under his grandfather, Charles. He absorbed like a sponge, soaking up every<br>detail.<br>Today Robert pursues his own career, developing vases, paperweights, perfumes<br>and bowls. His goal is to be established and worthy of the Lotton Fame. We Think<br>He Is On His Way...<br>Robert signs his glass .... Robert Lagestee Lotton

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UND Pottery North Dakota School Of Mines Vase Mattson. 4 5/8" tall with no damage or restorations. Really an incredible and complex glaze on a very cool form.UND pottery was a turn of the 20th century effort to promote “a wealth of design material peculiar to the prairies” — as Margaret Cable wrote in a 1926 brochure. UND Pottery is now highly collectible, has been featured on the PBS series Antiques Roadshow and is the subject of several books.Ms. Julia Mattson joined the University of North Dakota Pottery or ceramics department faculty in 1924 the same year she graduated from the school. She spent the next thirty-nine years teaching in the Ceramics Department. She was a hard worker and extremely devoted to the production of UND art pottery. Ms. Mattson continued making art pottery at UND until her retirement in 1963. Ms. Julia Mattson later moved to California, where she died in 1967.tw119

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Sarah Reid McLaughlin (1872-1939) for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw122 isshelf

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Weller Hudson Cherry Blossom Vase. 7.25" tall with no cracks, chips. or restorations. Some crazing with a few light stains. tw212

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Sarah Timberlake for Weller Hudson line vase. 8" tall x 5" wide with no cracks, chips, or restorations, overall crazing. tw119

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UND Pottery North Dakota School Of Mines Vase Mattson. 4 5/8" tall with no<br>damage or restorations. Really an incredible and complex glaze on a very cool<br>form.<br><br>UND pottery was a turn of the 20th century effort to promote “a wealth of design<br>material peculiar to the prairies” — as Margaret Cable wrote in a 1926 brochure.<br>UND Pottery is now highly collectible, has been featured on the PBS series<br>Antiques Roadshow and is the subject of several books.<br><br>Ms. Julia Mattson joined the University of North Dakota Pottery or ceramics<br>department faculty in 1924 the same year she graduated from the school. She<br>spent the next thirty-nine years teaching in the Ceramics Department. She was a<br>hard worker and extremely devoted to the production of UND art pottery. Ms.<br>Mattson continued making art pottery at UND until her retirement in 1963. Ms.<br>Julia Mattson later moved to California, where she died in 1967.<br><br>tw119

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Waterford Evolution vase. 7" tall x 5" wide with no cracks, chips, or restorations.

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Qing Chinese Monochrome Turquoise Glazed bottle form vase. 18th/19th century 5" tall with no cracks, chips, or restorations. Small glaze flakes inside and outside of foot rim.

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Pr Antique Meissen Potpourri vases model number 884 and artists mark 70, blue<br>crossed swords mark with cancellation, with iron read 9; 19th C., after a model<br>by Johann Friedrich Eberlein from 1747. Base and bowl fired in two pieces and<br>screw-mounted, with decorative cap on interior. Measurements Height: each, with<br>lid 13 inches Width: 6 3/4 inches Diameter: bowl, 6 1/8 inches Weight Each: 6<br>lbs. 8.5 oz. Combined: 13 lbs. 1 oz.<br><br>Condition: Each with minor areas of restoration to some flowers first vase: babe<br>and seated woman with losses to feet and one babe lacking right leg, with losses<br>to flowers, and leaves; second vase: babe and seated woman with losses to one<br>foot each, with losses to flowers, most notable to cover's finial, cover<br>interior rim with 1 3/4 inch chip to underside, with associated crack 5 3/4<br>inches in length and associated minor areas of restoration, and with repaired<br>chip approximately 1/2 inch in length. One with Factory firing flaw in base<br>where the porcelain is joined on the top, only visible on exterior with very<br>close examination.

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Vintage MCM Robert Brady California Studio Pottery Vase. 5.5" tall x 4.75" wide<br>with no damage or wear.<br><br>Robert Brady (1946–present) is an American modernist sculptor who works in<br>ceramics and wood. Born in Reno, Nevada, he has made his home in the San<br>Francisco Bay Area for many decades. Brady is a multi-faceted artist who works<br>in ceramics, wood, painting, and illustration, and is best known for his<br>abstract figurative sculptures. Brady came out of the California Clay movement,<br>and the Bay Area Arts scene of the 1950s and 1960s, which includes artists such<br>as Peter Voulkos, Viola Frey, Stephen de Staebler, and Robert Arneson who was<br>his mentor and teacher in college.<br><br>Don Reitz lived and worked in Clarkdale, Arizona. He claimed that he would have<br>been a poet but for dyslexia and his inability to process language. This<br>redirected him toward visual art where he found his voice in clay. Reitz’s art<br>is his legacy, and through constant reinvention and originality, he extended the<br>definition and potential of the ceramic arts.<br>isshelf

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Vintage Owens Pottery Seagrove NC Vase with complex glaze. 7" tall with no cracks, chips, or restorations. One glaze flake or skip on foot, possibly from before it left the kiln.

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Vintage Honey Amber Optic Mother of Pear Satin glass vase. Great lookin quality<br>piece of art glass. 5.25" tall x 7" wide with no cracks, chips, or restorations.<br>Guaranteed not to be Chinese but I'm not sure if it's Italian or American made,<br>not sure if it's 1890's or 1960's...but it's nice and one of the four.<br>tw132

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Pr Antique Asian Brass Vases with ornate Repousse work. Very nice pair of 19th<br>to very early 20th century vases with the most amazing hand done repousse/etch<br>work. 3.75" tall x 4.25" wide with no significant issues or damage. Selling the<br>pair.<br>tw206

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Vintage Japanese Kutani Bud Vase. No damage or detectable wear, hand painted. 4" wide x 3.5" tall. japanshelf

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Vintage Japanese Style Studio Pottery vase. Great vintage piece from the last half of the 20th century. Two glaze flakes one on top rim and one on the sharp neck, neither a distraction both shown in pics. No cracks, chips, or restorations. Very large piece 11" tall x 7" with, signed twice with a signature I'm unfamiliar with. I'm not sure if it's Japanese or American made. isshelf

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Very Fine Chinese PRoC Period Mirror Pair vases. Really nicely painted pair of<br>Chinese vases likely from the third quarter of the 20th century with no damage<br>or wear. All hand painted 11.25" tall, some of the best quality of the period.<br>isshelf

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Vintage Sterling Whistle brooch in form of Chinese vase. Gold plated sterling,<br>at first I thought it was to hold a perfumed sponge or something like that but<br>it whistles quite well. 1.5" tall 10.6 grams.

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Tall Antique Moser Bohemian Glass Vase 11.75" tall x 3.5" wide at base. slight roughness inside rim, no other chips, no crack, no restorations, minor wear to gilding. TW 254

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Royal Crown Derby 1128 Old Imari Candle snuffer and miniature vase. Both like new with no damage or wear, selling both for one price. Snuffer is 4.75" tall vase is 2.5" tall. TW243

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Robert Eickholt Iridescent Studio art glass vase. No cracks, chips, restorations, or scratches. 5" wide x 6" tall. Robert Eickholt is a well known glass artist who has been creating captivating blown glass for over 40 years. Robert founded Eickholt Glass in 1978 when he returned home to Columbus, Ohio after studying glassblowing in Berkeley, California. Once home he continued his studies at Ohio State and at the Columbus College of Art and Design. Since its founding the studio has produced numerous types of beautiful art glass creations such as paperweights, vases, eggs, sculptures and perfume bottles. Each piece is made one at a time and completely unique. Eickholt Glass is quite well known for their distinctive designs which incorporate precious metals including gold and silver and rare oxides like cobalt and copper. Their beautiful art glass has earned them accolades worldwide. isshelf

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Sebesta Cameo Glass Vase with Dolphins. 10.5" tall x 6.25" wide at rim. Great piece of late 20th century art glass with no cracks, chips, or scratches, expected shelf wear on base as it's a heavy piece. The pics don't do it justice. TW207

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Meissen Full Green Vine แจกัน/บุหรี่/ไม้จิ้มฟันที่ใส่ถาดเถ้า ไม้จิ้มฟันสูง 3.5 นิ้ว ด้านในลึก 2 นิ้ว ถาดถามขนาด 5" ไม่มีรอยขีดข่วน ร้าว ร้าว หลุดร่อน คราบ การบูรณะ หรือการสึกหรออื่นๆ

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แจกันแก้วศิลปะ Mont Joye Cameo ของฝรั่งเศสขนาดใหญ่รุ่น c1900 พร้อมการตกแต่งลงยาด้วยมือ กว้าง 12.5" สูง x 7" โดยไม่มีรอยแตก ร้าว หรือการบูรณะMont Joye เป็นชื่อทางการค้าที่ใช้โดย E. S. Mont ผู้สืบทอด และ Legas & Cie สำหรับจี้และเคลือบฟัน แก้วทาสีที่ผลิตระหว่างทศวรรษที่ 1880 ถึง 1920Mont Joye - ประวัติศาสตร์E S. Monot's Cristallerie de la Villette เป็นงานแก้วชิ้นแรกที่ผลิตแก้วจี้ด้วย "Mont Joye" เครื่องหมาย ” Monte รวมกิจการกับ Pantin และทำการเปลี่ยนแปลงความเป็นเจ้าของหลายครั้งหลังสงครามโลกครั้งที่ 1 Legras & Cie เข้าซื้อบริษัท

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แจกันใส่ดอกไม้ลายนกพิราบ 2 ตัว Lalique ใหญ่ ชิ้นใหญ่และหนัก ซึ่งหาได้ยากเมื่อใส่เม็ดมีด สูง 8.5 x 7 นิ้ว ปีกถึงปีก ไม่มีแตกหัก บิ่น หรือการบูรณะ ฐานมีรอยสึกเล็กน้อย สินค้าชิ้นนี้ขายปลีกได้มากกว่าสามเท่าของสิ่งที่ฉันถามเมื่อ 30 ปีที่แล้วshlf

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โทไท ชิปโป กระเบื้องเคลือบญี่ปุ่น สมัยเมจิ สูง 6 นิ้ว ไม่มีรอยแตก บิ่น มีการบูรณะ หรือสูญหาย มีตำหนิตามที่แสดงบนฐานTW198

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Meiji Period Totai Shippo Japanese Cloisonne Over Porcelain Vase8 3/8" tall with no cracks, chips, restorations, or loss.TW196

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c1930 Huge Art Deco Signed Frosted Cut Glass Vase signed Helbert?. Strange and<br>wonderful piece of quality period art deco glass. I'm confdent this is 80-100<br>years old but I don't recognize the signature which is weird. It's a very large<br>piece 9.75" tall and wide. The decoration is hand cut, the flower centers are<br>applied glass, the signature appears to be hand engraved. This is a handmade<br>skillful work or art so I'm finding it very strange that I don't recognize the<br>signature or maker. No chips on the top, no cracks, minor wear to frosting on<br>base rim possibly during the making. It is high quality high lead crystal glass,<br>rings like a bell.<br>twshlf

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Japanese Rokusan-Saku decorated Art pottery Vase. Great piece with no cracks, chips, or restorations. TW173

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c1920 Tiffany Favrille Pulled Feather trumpet bud vase. 10 3/8" tall x 2 1/16"<br>wide at rim. Guaranteed from the first quarter of the 20th century Tiffany<br>favrille art glass. Signed L.C. Tiffany Favrille 1506-9560 J No cracks, chips,<br>or restorations. No exterior scratches other than on bottom, a few interior<br>scratches from 100 years of cleaning. Money back guarantee of authenticity as<br>with everything. These are more often found in a 4" shorter 1504 model and I've<br>seen those bring 2k.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>TW178

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This piece and two more I'm listing are from the Estate of Lael Cater Seagert UT Art Department and later Director of Laa Gloria Art Museum here in Austin so these were likely gifts from Soto as they had signed books from so many Texas Artists that were given to them as gifts. Piece measures 7 5/8" tall x 5.25" wide. No cracks, chips, restorations, or crazing.Below is an excerpt from the artists eulogy.Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle with cancer. He was 84.“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco, director of Mexic-Arte Museum. “He was a great human being, teacher and artist. Ishmael was one of the first, if not the first Mexican-American Austinite to become a professional visual artist.”Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila MintzSoto won many prizes and was exhibited frequently in group and solo shows.A native Austinite, Soto earned his first degree from the University of Texas and his second from the famed Cranbrook Academy of Art in Michigan. His 57th Annual Potters Show and Sale took place in December 2016. He taught ceramics at UT for seven years — one of the first Hispanics to teach in the art department — then at St. Edward’s University and Austin Community College for a total of more than 30 years..“He was a modest, generous mentor and major inspiration to many artists,” said his widow, Cynthia Leigh. “He taught thousands of students over his lifetime. Many of his students decided to become artists from his encouragement and support. He did not try to mold his students to imitate his work; he encouraged them to follow their own artistic path and draw on their own talents. B26

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c1940 Art Deco Arthur Wood Garden Wall Vase. 9.25" tall x 9.5" handle to handle<br>with no cracks, chips, or restorations. Fine crazing with no stains. Very large<br>and good looking piece hand decorated from the first half of the 20th century.<br>TW137

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c1925 Royal Doulton Chang over Sung decorated Flambe Signed by Charles Noke<br>(1858 - 1941); Harry Nixon (1886 - 1955). Large, rare, one of a kind and<br>important. 9.75" 24.5cm tall x 6" 15cm wide. No cracks, chips, restorations or<br>wear. Overall crackle glaze from production. This is likely the most fun and<br>interesting piece of pottery I've owned and I've appreciated art pottery the<br>majority of my life. This piece was entirely decorated with the prunus<br>chinoiserie "Sung" decoration (Iridescent branches and flowers) and flambe glaze<br>then they poured this crazy thick Chang glaze on it and just let it run. I feel<br>this is likely a piece from the very beginning of Chang production in 1925 or<br>even before when they were experimenting as it's a most unusual and extremely<br>labor intensive piece, even the bottom seems like a party. In addition to the<br>painted marks and signatures there is also an impressed Doulton and something<br>else that I just couldn't decide what it was. For international shipment it will<br>be sent Fedex so it will be there in less than a week unless you have an<br>objection.<br>B33

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Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102

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c1960 Ercole Barovier & Toso Striato Murano Art Glass Vase. A large 11", complex<br>and uncommon(Documented) form from the mid 20th century. Incredible piece of art<br>glass. Unsigned with no cracks, chips, dings, or restorations. Estate fresh<br>piece.<br>B20

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Huge Antique Deruta Umbrella Stand/Floor Vase with Unusual Incised Decoration.<br>One very small chip on footrim, nothing. No other chips, no cracks, no<br>restorations.

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Great piece 9.75" wide x 7" tall with no cracks, chips, or restorations. There is a tiny flaw on the handle, very insignificant and minor crazing. TW79

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Fukagawa Seiji Arita Vase With Cobalt Imari Style Decoration c.1960. 8.5" tall with no cracks, chips, restorations or crazing. TW16

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Large Orrefors faceted Intaglio Etched Vase with Flower Seller No cracks, chips, dings, or scratches. 9" tall, I couldn't get good pics of this piece, but it's incredible. The etching stands out beautifully and really sets the piece off, it was just difficult to photograph.

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Huge Meiji Period Antique Japanese Rose Medallion Style Polychrome enamed Vase Hand Decorated no cracks, chips, no restorations. Some wear to gilding. 16.5" tall x 12.5" wide.

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c1920 R Lalique Vases 9 3/8" plate. No cracks, chips, or restorations.

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This piece measures 7" tall x 4" wide. It has no cracks, chips, restorations,<br>scratches, or crazing. Incredibly executed simplistic design that is surely to<br>blend in with any environment while standing out to those with good taste. Nice<br>vintage piece circa mid 20th century.

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Hand Painted Japanese Porcelain Double Gourd Vase 7.5" tall circa mid 20th century, excellent quality. No damage or wear whatsoever.

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4.25" tall x 3.5" wide with no cracks or chips, no loss of enamel or other issues. Some wear to Gilding on rim. Guaranteed circa late 19th century. Selling both for one price. Tw98

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Great jeweled Nippon double handled vase. The jewels over the roses create a nice tapestry effect. Some wear to the Gilding as shown in pics, also 4 of the moriage jewels are missing. Other than that there are no cracks, chips, excessive wear, or restorations. Guarantee circa late 19th century 6" wide x 9.25" tall.

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Unusual 19th century Chinese piece. Hand built and decorated. Wear as expected, come to Decoration. Gilding wear on rim, small chips on rim and tight .75" hairline on right corner at rim, also very tight 1" hairline on base.

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They measure 11.75" tall with no cracks, chips, or restoration guaranteed.<br>They're both impressed 125 P&A, both are missing much of the Gilding. Both are<br>100% hand painted portraits. Guarantee circa mid 19th century.

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Fostoria Midnight Rose Etched Footed Flared Vase 8 3/8" no chips, cracks, or stains. Light scratches in bottom inside of vase.

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c1960 Fukagawa Seiji Arita Vase Magnolia Blossom Japanese Vase 6.5" tall x 5.25" wide. It has no cracks, chips, restorations, scratches, or crazing. Incredibly executed simplistic design that is surely to blend in with any environment while standing out to those with good taste. Nice vintage piece circa mid 20th century. b15

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Mint with no cracks, chips, crazing, or restorations guaranteed. Clean inside and out, really tough to find in this condition.

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9" tall x 6" wide. Really special with all hand painted decoration. Circa 1930's to 1940's. No cracks, chips, gold wear, or other damage.

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Large Daniel Lotton Art Glass Vase 7" tall x 8.5" wide with no cracks, chips,<br>restorations, or other issues. Iridescent interior, amazing piece overall.<br><br><br>Daniel Lotton is the son of world renown glass artist Charles Lotton. Born into<br>an artistic family, Daniel was encouraged to express his creative energies. At<br>the age of 14 he started working in Charles' Lynwood glass shop learning to make<br>pendants and paperweights. At the age of 17 he started doing Charles' finishing<br>work which consisted of grinding and polishing glass. He later assisted and<br>apprenticed Charles for several years. When Daniel graduated high school he<br>started working full time in the studio for Charles as well as creating his own<br>glass. As his skills grew so did his commitment to his art. Through the years<br>Daniel has grown into the artist that he is now today.<br><br>A constant throughout his career and his work is the inspiration he derives from<br>nature. Some of those designs that he has created over his career is his Pulled<br>Fern design, Anthuriums Flowers, Tuliptokiss Flowers, Iris, Asters as well as<br>his signature Cynthia Flower. Surely these will stand the test of time in the<br>art world. Examination of any Daniel Lotton art from paperweights and perfume<br>bottles as well as vases, lamps, and chandeliers will inevitably communicate his<br>desire to emulate the Master's great hand in every laboring creation.<br><br>Daniels' passion for glass has changed throughout the years.Daniel spends many<br>hours sketching new designs, perfecting color formulas to personlly excute those<br>ideas to keep his art progressive. At the present time he is captivated in<br>creating beautiful lighting, such as lamps, lighted tables as well as<br>chandeliers. He creates beautiful custom lighting for collectors as well as<br>businesses.<br><br>You can find Daniel's studio surrounded by farm fields in the quaint town of<br>Crete, Illinois. Daniel's unique one-of-a-kind pieces can be found in many fine<br>galleries across the country.<br><br>His work is collected by art enthusiasts, celebrities, and prominent sports<br>icons both nationally and internationally. NASCAR Champion Tony Stewart, Grammy<br>Award Winner Singer Melissa Etheridge, and Actress Salma Hayek are just a few of<br>the prominent collectors of Daniel Lotton's Art Glass. Assuredly, Daniel Lotton<br>collectibles will be enjoyed by many generations to come.

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Weller Hudson Cherry Blossom Vase. 9.25" tall with no cracks, chips. or<br>restorations. Some crazing with a few light stains.

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Large 1920's Muller Frères Cameo Glass Landscape vase. 12" tall x 5.25" wide<br>with no cracks, chips, or restorations. tw108<br><br>Cameo glass is a luxury form of glass art produced by cameo glass engraving or<br>etching and carving through fused layers of differently colored glass to produce<br>designs, usually with white opaque glass figures and motifs on a dark-colored<br>background. The technique is first seen in ancient Roman art of about 30 BC,<br>where it was an alternative to the more luxurious engraved gem vessels in cameo<br>style that used naturally layered semi-precious gemstones such as onyx and<br>agate. Glass allowed consistent and predictable colored layers, even for round<br>objects.<br><br>From the mid-19th century there was a revival of cameo glass, suited equally to<br>Neo-Grec taste and the French Art Nouveau practiced by Émile Gallé. Cameo glass<br>is still produced today.<br><br>Muller Frères (Co.) was an esteemed French glassmaking company based in<br>Luneville, France, famous for its Art Nouveau vases, lampshades, and<br>chandeliers, which often incorporate layered and colored glass. Their workshop<br>was established by Henri Muller and his brothers in 1895 after they trained with<br>Émile Gallé—who would retain a grudge against Muller for setting up a rival<br>enterprise. In 1910, the company began making lamps in association with Chapelle<br>and, at its height, employed around 300 workers. Production was stopped in 1933<br>and the factory closed three years later, a victim of the Great Depression.

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Early Pre 1913 UND Pottery North Dakota School Of Mines Toothpick/Cabinet Vase 2.75" tall, though the style is Art Deco I believe this to be a pre 1913 mark, correct me if I'm wrong. No cracks, chips, or restorations.UND pottery was a turn of the 20th century effort to promote “a wealth of design material peculiar to the prairies” — as Margaret Cable wrote in a 1926 brochure. UND Pottery is now highly collectible, has been featured on the PBS series Antiques Roadshow and is the subject of several books. tw119

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c1920's Richard Cameo art glass vase/perfume 5.25" tall with no cracks, chips,<br>or restorations. May have started life as a perfume bottle.<br><br>Loetz produced cameo glass under the name 'Richard' in the 1920’s to satisfy<br>demand for cameo glass within the Parisian market. The French company Etling<br>sold Richard cameo glass in Paris in the 1920's. Richard was a retail outlet in<br>Paris owned by Edmond Etling. Etling commissioned Loetz to create French style<br>cameo glass that they could sell in their Richard boutique.<br>tw212

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Huge 1943 Tlaquepaque Vase Souvenir of Santa Fe New Mexico. Great piece of<br>1940's Mexican Folk/Art pottery. Two very shallow chips on foot, no other<br>cracks, chips, or restorations. Very substantial 12.5" tall

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Early Van Briggle Cabinet vase. Teens-20's 4" tall with no cracks, chips, restorations, or crazing. tw122Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art Pottery. The Art Nouveau style favored by its founders continues to influence the pottery's designs. Artus Van Briggle settled in Colorado Springs in 1899 after establishing himself as a notable artist with the Rookwood Pottery of Ohio. With Anne Louise (née Gregory), his new wife, Artus began exploring the Art Nouveau style in their pottery creations, drawing awards and accolades from the American and European art communities. Although he was a talented painter who had displayed and won awards in Europe, from 1899 until his death Artus devoted himself almost exclusively to the craft and art of pottery. Van Briggle's Art Nouveau designs and distinctive matte glazes were awarded high honors from prestigious sources, including the Paris Salon, the Saint Louis Exposition, the Lewis and Clark Centennial Exposition, and the American Arts and Crafts Exhibition in Boston.The Van Briggle Pottery Studio closed in spring 2012Artus Van Briggle in 1900. Born to artistic parents on March 21, 1869, Artus Van Briggle had an early introduction to painting using materials found about the home. The Van Briggle family lived in Ohio, one of America's hotbeds of ceramic design. At the age of 17 he moved to Cincinnati, Ohio, where he decorated china dolls at the Arnold Fairyland Doll Store, while attending his early art studies at the Cincinnati Art School. After a stint at the Avon Pottery where he was introduced to the ceramic arts, Artus took a job at Rookwood Pottery; there he excelled at hand-painting designs. His skill and talent were recognized by Rookwood founder, Maria Storer, who became his benefactor, even sending him to France to study art at the Académie Julian in Paris.In Europe, he was exposed to styles of art and became infatuated with an early matte glaze from the Chinese Ming Dynasty; a type that was lost to history. Artus also met his future wife, fellow American student Anne Lawrence Gregory, an accomplished artist in her own right. Finishing their Paris studies in 1896, they returned to America. Artus resumed his work at Rookwood and also started sculpting and experimented with recreating the lost Ming Dynasty glazes.Perfecting the distinctive dull or matte glaze In 1899, struggling with health issues due to tuberculosis, Artus left Rookwood and moved to the drier air of Colorado Springs, Colorado. Upon befriending the Holmes family of Chico Basin, he stayed at the HOP Ranch during the summers of 1899, 1900, and 1901 to reduce work stress and regain strength while pursuing his own styles of pottery, centered around the Art Nouveau movement. He continued his research on the ancient matte glazes that fascinated him in Paris. After two years of trials and experiments a matte glaze was perfected. One of the matte glazes perfected by Artus was the matte blue glaze, based on an ancient Chinese process that had long been lost to history.Artus opened Van Briggle Pottery in 1901 and was joined by Anne Gregory, who took a position as a high school art teacher in Colorado Springs. In 1903, Artus Van Briggle was appointed First Director of the Department of Art and Design in Colorado College, succeeding Louis Soutter, a Swiss artist (born in Geneva, Switzerland) he met in Paris in 1895.In 1902, Anne and Artus were married, and she devoted herself to their pottery; she created designs and collaborated in all aspects of the enterprise with her husband. Late 1902 brought Van Briggle awards for his glazes and designs in Art Nouveau from the prestigious Paris Salon; he was now an accepted artist. During their early years, Artus and Ann established hundreds of Art Nouveau styles of pottery under the Van Briggle name. The Despondency vase won Van Briggle wide acclaim and first place at the Paris Salon in 1903. A display at the 1904 Centennial Exhibit in St. Louis won Van Briggle more awards and greater international fame. Van Briggle Memorial Pottery Pottery loses its founder Artus Van Briggle died in July 1904, at the age of 35. Anne continued the pottery using the forms created by Artus as a foundation and adding more designs of her own. In 1907, Anne and pottery stockholder and city-founder William Jackson Palmer began construction on a new pottery on Uintah Street. The Van Briggle Memorial Pottery — designed by Dutch architect Nicholas Van den Arend — was opened in 1908 and stands today as an historic landmark noted for its architecture and use of ceramics in the facade.Having remarried in 1908, Anne Louise Gregory Ritter leased the pottery in 1912 to Edmund deForest Curtis, who ran it until 1916. She sold the company in 1922 to J.F. and I.H. Lewis and moved to Denver the following year, where she would concentrate on painting and where she remained until her death in 1929. In her absence, the pottery fell under financial hardships and was sold at sheriff's auction; later it was re-sold, once more becoming the property of Mr. Curtis.Surviving disaster and war The pottery was sold twice more in the ensuing decade and survived a fire in 1919 that gutted the interior but left the brick shell and kilns. New owners I.F. and J.H. Lewis took the opportunity to modernize and expand the facility beginning in 1920 and stabilized the production and financial aspects of the pottery for the first time. Despite damage from the flood of 1935—the most destructive flood in Colorado Springs history — that destroyed much of the company's records and molds, the pottery continued to enjoy success up to World War II, when they closed for approximately three years as the United States focused its resources on the war effort.With the increase of interstate travel in the United States a freeway was planned in 1953 for Colorado Springs which J.H. Lewis estimated would run through the Memorial Plant site. Although the freeway eventually was planned to avoid destroying the historic pottery, Mr. Lewis nonetheless put into action plans to relocate the pottery to a higher-traffic area of Colorado Springs. In 1955, Mr. Lewis and Clem Hull brought a new facility on line at a renovated railroad roundhouse on Midland Road. The new facility, known as the Midland Plant, had a smaller capacity but enjoyed quick success due to its location on the main highway to the Garden of the Gods and other tourist locations.In 1968, Mr. Lewis sold the Memorial Plant to Colorado College, and it fell into disrepair for the ensuing 40 years, being used variously as offices and storage.

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Hand Painted Chinese Famille rose vase. 14" tall x 6" wide with no cracks,<br>chips, or restorations. Likely apocryphal mark, unsure of exact age but I know<br>it's not new. High quality vase.

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7" Noritake Nippon Toki Kaisha Hand Painted Artist Signed Vase Really special with all hand painted decoration. Circa 1930's to 1940's. No cracks, chips, or other damage. tw58

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c1960 Fukagawa Seiji Arita cobalt blue bud Vase 8.5" tall with No cracks, chips,<br>restorations, gold wear, or scratches.<br>tw274

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Edward Hald (1883-1980) for Orrefors, Graal Fish Vase 1963 Mid century Modern.<br>This impressive vase designed by Edward Hald is extremely heavy and thick<br>walled. The flash pattern depicts a series of fish and sea weeds. The aquarium<br>effect is significantly enhanced by the reflection of the flashed pattern on the<br>inner walls of the glass vase.Dimensions: 4.75 tal, 6 pounds. Condition: Very<br>good. No chips, cracks or repairs. Wear consistent with age; some light<br>scratches mainly on base as it's very heavy. Signature: "Orrefors Graal vr 310t<br>Edward Hald" script on the base.<br><br>A Note About the Artist: Edward Hald (1883-1980) trained as an architect and<br>painter. He studied in Dresden, Stockholm, Copenhagen and Paris. His time in<br>Copenhagen included work under Johan Rohde; in Paris he worked under Matisse. In<br>1917, Hald worked briefly at Rorstrand, and then began his long association with<br>Orrefors. At the time Edward Hald joined Orrefors in 1917, the early experiments<br>of Simon Gate and the master glassblower, Knudt Bergkvist, for the Graal<br>technique were still evolving. The Graal technique used acid etching or wheel<br>carving to create thin designs in relief on the surface of multilayer, glass<br>blanks. The carved blanks were then heated to a molten state by glassblowers,<br>encased with an additional layer of clear glass to entrap the design, and<br>finally worked with blowing to a finished state. The result was literally,<br>"painting within the glass".Edward Hald created some of the earliest designs to<br>use the Graal method. He continued to work in Graal throughout his long career,<br>including the heavy "Fish Graal" pieces first shown in 1937. Also "Slip Graal"<br>and "Aqua Graal" were favored techniques. Hald also designed many important<br>engraved pieces such as the "Fireworks" bowl. He retired from Orrefors in 1978.

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Large Japanese Mixed Metals vase. 11" tall without base. Base has loss to one<br>foot therefore either needs a piece of felt under one foot or similar fix as it<br>wobbles on the base. Vase by itself weighs about 1200 grams of mostly pure<br>silver as even the copper sections have silver under them, then there's areas of<br>gold inlay in the flowers and as part of the signature, my big scale is locked<br>in the car, but it's close to that. A few small dents and abrasions, mainly in<br>one spot shown on the back.

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c1924 Roseville Imperial II Bulbous Vase no cracks, chips, restorations,<br>crazing, scratches, or detectable flaws. 7" tall x 6.5" wide. Above average<br>glaze with crisp molding.<br>isshelf

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Large Meiji Period Sumida Gawa Japanese vase. Late 19th to early 20th century with no damage, some wear to matte glaze. 12.5" tall.Sumida Gawa is a type of Japanese pottery that originated in the early 1800s. The name comes from the Sumida River, which runs near the Asakusa pottery district in Tokyo. The pottery is known for its bright, humorous, and sometimes odd motifs. Sumida Gawa is heavy and often covered with three-dimensional figures, such as humans, buildings, and monkeys. The Sumida River is a river that flows through central Tokyo, Japan. It branches from the Arakawa River and flows into Tokyo Bay. During the Edo period (17th through mid-19th centuries), the Sumida River was a key transportation artery and a popular spot for recreation.

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c1926 Roseville Carnelian II Art deco vase. Wonderful blue/green matte glaze with no cracks, chips, restorations, crazing, scratches, or detectable flaws. 8.25" tall.

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c1940 Rumrill Art Pottery Vase and Candle holder with unusual sponged green matte glaze. Vase is 6" tall x 6.5" wide at the rim. No damage or restorations to either of the pieces, candle holders are unmarked but from the same estate and obviously match. Selling the set shown. George Rumrill, a Little Rock, Arkansas native, was a founder of the Arkansas Products Company. The Arkansas Products Company was formed to promote Arkansas made products. Two of the products that were promoted were Niloak Pottery from Benton and Camark Pottery from Camden. George Rumrill's position as a founder and promoter of the Arkansas Products Company gave him access to many of the two pottery's catalogs and products. At some point in time, the Arkansas Products Company came to pass and George Rumrill decided to create his own pottery company. Since he had no facilities in which to make pottery, he contacted existing pottery companies to create his line of pottery. RumRill's most popular designs were made by Red Wing Stoneware Company from 1933-1936 and Red Wing Potteries from 1936-1938. Shawnee produced RumRill Pottery in 1938 for a short time. Then Florence and Gonder potteries produced RumRill until his death in 1942. George Rumrill created many of his own designs. It is interesting to note, however, that there are a number of RumRill pieces that are known Camark shapes. With George Rumrill's access to the Camark catalogs and products, this should be no surprise. There are also RumRill pieces that were made from Red Wing molds. Some of RumRill's designs were produced throughout RumRill's existence by all of the contracting pottery companies.

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Kimm Lanus Pop art large hand painted porcelain vase. 12.5" tall with no damage<br>or wear.<br><br>Kimm Lanus was born in Rome, New York, was raised in New England, and currently<br>resides in Granbury, Texas. Her studies in art began in 1972 at University of<br>Texas at Arlington, and from her first exposure to art history and the painting<br>of Toulouse Lautrec, Rossetti, Rapheal, Albrecht Durer, and later Carriere, and<br>Edward Hopper. She was so deeply moved by these artists that art become a way of<br>life and she made sure it was in the forefront of her life moving forward.<br><br>“I have been lead to paint images of Mary after a vision I experienced ten years<br>ago. I was seated alone at church, in the silence of prayer, her presence was so<br>clear I could hear the movement of her garments as she knelt before me. I paint<br>her in the perspective of many different s and nationalities to promote a sense<br>of unity. Her image speaks of unconditional love, family, peace, and healing.<br>Women often connect to her with a Goddess sense of empowerment.”<br><br>Lanus taught school for over six years to the middle school level, as well as<br>teaching privately to adults and teenagers. After teaching for over ten years as<br>well as doing workshops for the art guilds of Granbury, McKinney, Wylie, and<br>Richardson, Texas, she participated in several juried shows such as the Collin<br>County Annual Show, Holiday National Show, Dallas Visual Arts Annual Show,<br>Granbury Arts Annual Show, Plano Annual Art Show, Wylie Annual Art Show, Wylie<br>Annual Show, Richardson and Irving. She received first and second place awards<br>on numerous occasions, and ‘Best of Show’ from the Art Institute of Chicago.

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Edward Diers (1871 - 1947) 1904 Rookwood Vellum Vase. Ed Diers was an artist at Rookwood from 1896 to 1931. He was educated at the Ohio Mechanics Institute, Industrial Art School and the Cincinnati Art Academy, according to notes posted on AskArt.com. He is well known for his particular skill in executing landscapes on the Rookwood pieces he decorated. No cracks, chips, or restorations. 1904 Was the first Year this glaze was introduced, so this was likely an experimental piece. There are some flaws, crazing and peppering to the white part of the poppy 5.25" tall.

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Large 1960's Fenton Puffy Rose Cranberry Satin Cased milk glass vase. 8.5" tall<br>x 7" wide, made by Fenton for LG wright typically this shape was a lamp shade<br>but this one is a much less common vase. No cracks, chips, or other issues.<br>isshelf

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Large Antique Chinese Famille Rose Vase. 14.25" tall with no damage, UV<br>examination shows no restorations.

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Cobalt Fenton 75 Year Vase . Mint condition cabinet kept with no damage or wear. 9.75" tall vase. tw270

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High quality Vintage Asian Style Incised Celadon Studio pottery bottle form vase 5 5/8" tall with 1" interior opening of mouth, 4.5" wide. No cracks, chips, or restorations. At the moment I'm unfamiliar with the artisan but in my opinion the quality is top notch. isshelf

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Jose Arellano Castelló (1921-1997) Spanish Mid century modern art pottery vase.<br>8 5/8" tall x 7.25" wide with no cracks, chips, crazing, or restorations. Glazed<br>over pre production chip on footrim.<br><br>Jose Arellano Castelló (1921-1997) was a potter and ceramist Spanish , creator<br>of the seal Ceramistas Arellano in the field of oscense craft .<br>Heir to a pottery tradition of Moorish origin over 300 years old, he trained in<br>the family workshop, until in 1968, encouraged by the ethnographer Josep Llorens<br>i Artigas , he abandoned traditional pottery to train -with his daughter Carmen<br>and his Comrade Joaquín Javierre Rosel- the 'Arellano group', which in 1976 was<br>recognized with the National Ceramics Prize, and which at the beginning of the<br>1980s would sign the monument to «les dones de faldetes», donated to the Fraga<br>city council and which has presided over the town hall square since April 23,<br>1982 (the sculpture represents the popular Fragatina woman in typical costume<br>and with two jugs, in homage to her daily task of fetching water from the Cinca<br>River ).<br>Monument to «les dones de faldetes», in Fraga.<br>After his death in 1997, his native municipality awarded him the Medal of the<br>City of Fraga and gave his name to the street where he lived.<br>isshelf

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Meiji Period Japanese Studio Porcelain bottle form vase 14.25" tall with no cracks, chips, or restorations. Great piece with illegible to me signature. isshelf

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Chinese Republic Period Peking Glass Mirrored Pair Bud Vases. Great pair of hand<br>cut Chinese Peking glass vases from the first quarter of the 20th century. 9<br>5/8" tall x 3 7/8" wide. One with very small flake to decoration shown in the<br>last pic. Not noticeable, the only way I found it was with my hand.<br>isshelf

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