ศิลปะพื้นเมือง/ตะวันตกเฉียงใต้ เครื่องปั้นดินเผา ตะกร้า คาชินา งานแกะสลัก และอื่นๆ

2 pound Vintage Sterling silver Eagle Kachina doll turquoise, coral inlay. 973 Grams 8.5" total height x 4" wide. Marked, tested, and guaranteed solid sterling silver. Engraved Semion F on the base, no other detectable markings. Previously sold at Cowan‘s Auctions, Cincinnati, OH, American Indian and Western Art, 13 September, 2008, lot 203

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Frances Blinebry(1910-1995) 1950's Peak Mountain in Arizona, El Paso Texas Artist. 8" x 10" board 13" x 11" framed with no issues. Frances Blinebry(1910-1995) first exhibited at the El Paso Woman's Club Exhibition in 1943 and continue to exhibit there for many years through her life. She is a listed artist in the seminal Texas reference Dictionary of Texas Artists, 1800-1945 . This is a rare find and sweet oil on board. This is sure to complement your David Swing, El Boone or Willard Page collections. Signed Frances Blinebry, as shown. TW159

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งานชิ้นนี้มีลายเซ็นที่ด้านล่างว่า "Acoma Keith Chino" ตามภาพ Keith Chino เกิดในปี 1960 Keith Chino เป็นสมาชิกของทั้ง Eagle และ Sun Clans ของ Acoma Pueblo และเป็นช่างปั้นมานานกว่า 30 ปี เขาศึกษาที่ Haskell Indian College และผลงานของเขาอยู่ที่ Heard Museum, Phoenix รัฐแอริโซนา เขาทำงานอย่างใกล้ชิดกับชาร์ลิน ภรรยาของเขา อาศัยอยู่ใน Acoma Pueblo 60 ไมล์ทางตะวันตกของเมืองอัลบูเคอร์คี รัฐนิวเม็กซิโกสูง 5.5 นิ้ว x 3.5 นิ้ว ไม่มีรอยแตก รอยแตก หรือการบูรณะชั้นวาง

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Corn Moquino began making pottery since 1963. He is the son of Benina Moquino (Zia) and a Hopi father. He is married to Christine Herrara (Santa Clara) and creates sgraffito pottery at Santa Clara Pueblo. His children Bernice, Melvin, Marvin, James, and Michael are all potters. 3" tall x 3 5/8" wide with no damage or wear. tw148

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c1920's Acoma Pueblo Native American Pottery Bowl with Thunderbirds. Nice early<br>estate fresh piece from the first quarter of the 20th century. 9.5" wide x 3.25"<br>deep with no cracks, chips, or restoration. Some wear in interior most likely<br>from Acoma use when it was first made as it was purchased as a collectible in<br>New Mexico in the mid sixties by my consignors mother according to my consignor.<br>TW134

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c1900 Sioux Quillwork Beaded Tobacco Bag 29.25" long x 6.25" wide. Guaranteed<br>over 100 years old, late 19th to early 20th century authentic Sioux Native<br>American tobacco bag. Minor soiling and wear, very attractive with no<br>significant issues. From a local ex IBM executives estate. My asking price is<br>half what he reportedly paid in the nineties.<br>B12

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Native American Pottery Micaceous Clay Jar with Lid. Very high quality hand<br>coiled jar with hand stamped decoration. 5" tall x 5.5" wide with no cracks,<br>chips, restorations, or scratches. Marked on base, I'd be grateful if you<br>recognized it and told me who made it.<br>b22

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Large Native American Carved Alabaster Sculpture of Buffalo Robe by D Hales<br>1990. Large and heavy piece by an accomplished artist. 12" tall x 13" wide x 12"<br>deep abs it weighs 56 pounds.

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Vintage Hopi Snake-Sand Marked Pottery Piece with Pinecone Design. No cracks, chips, or restorations. TW75

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Bud McCaulley(1932-2014) Listed Texas Artist Native American Portrait. Bud was a<br>veteran in the United States Marines. He was a successful artist in Commercial<br>art, fine art, and Cowboy cartooning. He is best known for his Caricature<br>cartoons portraying western scenes in the 1970's. There were table mats and so<br>many things made from his art. 10.5" x 8.5" each framed with 6" x 8" panels.<br>No issues with paintings or frames.<br>Tw3

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Bud McCaulley(1932-2014) Listed Texas Artist Native American Portrait. Bud was a veteran in the United States Marines. He was a successful artist in Commercial art, fine art, and Cowboy cartooning. He is best known for his Caricature cartoons portraying western scenes in the 1970's. There were table mats and so many things made from his art. 14" x 17" framed 9" x 12" canvas. No issues with painting or frame. B4

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Rose Gonzales (1900-1989), San Ildefonso Pueblo Wide Bowl with Carved Avanyu.<br>6.5" wide x 4 3/8" wide. No cracks, chips, or restorations. As found estate<br>fresh condition with some minor scuffs and that green florist stuff in interior.<br><br>In the 1920s, Rose learned first how to make polished blackware. She then<br>learned the new technique of black-on-black pottery, using a matte black paint<br>for designs. Rose also learned the older technique of black-on-red pottery, most<br>associated with Tonita Martinez Roybal (1892-1945) Antonita and her mother. Rose<br>was credited as the innovator of deep carved pottery around 1930 at San<br>Ildefonso. Rose Gonzales sometimes collaborated with her son, Tse-Pé, especially<br>in duotones. Rose signed her pottery, Rose Cata, Rose Cata Gonzales, and Rosa<br>Gonzales.

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John Jones (American b. 1943) Native American Oil On Canvas Portrait. 8" x 10"<br>canvas 14.5" x 16.5" framed. No issues whatsoever with painting, frame has minor<br>wear but attractive.

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1940's Hopi Kachina Doll estate fresh guaranteed 1940's or 50's at the latest. These are from the estate of Bill Netherton 1924-2021. 8.25" without the feathers. tw119

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No cracks, chips, or restorations. Really cute hard to find pieces that took<br>much work to create. They measure approximately 7/8" tall and wide each.

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Quartz Amethyst Cats Carved Eagle Head paperweight 2.5" wide, natural hand carved stones with glass eyes. No damage. pwdrawer

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Malcolm Furlow Cut Steel 3 Dimensional Pop Art Sculpture of Native American Man.<br>Measures 21.5" tall x 17.5"wide x 8" deep with , weighs 20 pounds. Fresh from a<br>local estate along with a painting on canvas by the same artist. Guaranteed<br>authentic. This had to be extremely labor intensive and would stand out<br>anywhere, he did do much of this type of work. Malcolm Attended University of<br>Texas here in Austin and Studied art. This piece came from Austin, I believe it<br>is one of his earlier pieces when he was still trying to figure out what<br>direction to take his career, obciously it is super cool.<br><br>The comes out and will be removed for shipping. The paint is very sturdy, I<br>believe it is a special metal paint similar to auto paint but it will be well<br>wrapped to prevent abrasion or wear during transportation.<br><br>Taos resident, Malcolm Furlow, an award winning painter, hasn't always been an<br>artist. As a young man he received a track scholarship to the University of<br>Texas and decided to choose art as his major. Unfortunately, his art professor<br>disapproved of his style of painting and a disappointed Furlow left college to<br>become a rock and roll musician. For 18 years he played the sax, bass and<br>sometimes the guitar, playing back up for such notable groups and soloists as<br>the Beach Boys and Lou Rawls.<br><br>Leaving his music career behind, Furlow used his artistic talent to construct<br>models for movie sets at Walt Disney Studios. He also delved into photography,<br>writing a book for Kodak, called Close-Up Photography, that explained the best<br>way to photograph miniatures, especially models. But, in 1987 after hearing<br>scholar Joseph Campbell's words "Follow Your Bliss," Furlow decided to go back<br>to his first love, painting.<br><br>Furlow began drawing American Indians at the age of six, when his father had<br>Malcolm accompany him on business trips throughout New Mexico. Beginning with<br>watercolors, Furlow realized the medium was ill suited for large canvases and<br>switched to brightly colored acrylic images of Native Americans. In all his<br>works, Furlow strives to show his deep admiration and respect for his Choctaw<br>heritage.<br><br>About his subject matter and painting style, Furlow has said, "I knew I wanted<br>to say it with color because that's the emotion of it. I've got to make the<br>viewer feel what I feel . All I'm trying to do is paint them as they are - paint<br>their culture, their dignity and their stature . I didn't want to do portraits<br>of Indians, I wanted to say something about the human condition." He paints two<br>worlds: the Native American and their place in the Anglo World. In addition,<br>Furlow rides and decorates motorcycles.<br><br>A recently filmed documentary entitled the "Life and Art of Malcolm Furlow,<br>"refers to him as a "Renaissance Man": the quintessential cowboy, musician, and<br>intellectual artist. He is an award-winning painter, whose accolades include the<br>Silver award from the Sorbonne, and the highly coveted Gold Award from the<br>world-renown Luxembourg Museum, Paris. PBS featured him in a documentary called<br>"The Life and Art of Malcolm Furlow", he was also awarded the Gold Award from<br>the Luxembourg in Paris (an honor shared with Pablo Picasso)<br><br>As of spring 2007, Furlow has "sold-out" over fifty solo shows. Malcolm Furlow's<br>paintings command principal placement in exhibitions, philanthropist campaigns,<br>and private collections around the world, including the U.S. Embassies of<br>Morocco, Belgium and Beijing; the White House; CEO Magazine; The Smithsonian;<br>Mobil Oil; Arnold Schwarzenegger; Samuel Goldwyn; Richard Pryor; Presidents<br>George H.W. Bush, Bill Clinton, and George W. Bush; Senator Hillary Clinton;<br>Bernadette Peters; Wes Studi; Phyllis Diller; William DeVane; B.J. Thomas; Jane<br>Goodall Institute; Darryl Hannah; Eiteljorg Museum; Jon Bon Jovi; National<br>Wildlife Museum; Koshare Museum; Santa Fe Fine Arts Museum; Paul Clarkson; Coca<br>Cola Olympic Pavilion; Make a Wish Foundation; NBC's Today Show; Raymond James<br>Financial Art Collection; Columbia University; and many others Malcolm is<br>equally celebrated in the industry of Model Railroading. He has written several<br>"How-To" books for Kodak photograghy, worked as a photogragher for Italian Vouge<br>. Malcolm has also written several "How-To" books for Model Railroading. His<br>published articles about photograghy and model railroading are inumerable.

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Legoria Tafoya (1911-1984) Santa Clara Blackware jar signed by both her and her daughter Celes. 5" wide x 4 3/8" tall with no damage or significant wear.Legoria Tafoya (1911-1984) worked with Celes (her daughter) for many years. Legoria was a sister of Pablita Velarde and therefore was almost solely represented in the sale of her pottery by The Enchanted Mesa Indian Arts, located on Route 66 at the east end of Albuquerque, for most of her career."Legoria was one of the first Santa Clara Pueblo artists to have a brochure with her personal biographical statement. The document states in part: 'Along with many other children of the Rio Grande Pueblos, Legoria attended St. Catherine's Indian School at Santa Fe...Married quite young to Pasqual Tafoya, Legoria was soon very busy with a family of her own. Marriage, children, and the resultant responsibilities prompted Legoria to become interested in making pottery to sell to supplement the family income.'In 1930 Legoria learned the art of pottery making from her grandmother...Legoria's first work consisted mostly of clever, small animal figurines, which she molded with her fingers. Lions, bears, birds and turtles are design forms which are much in evidence in Tewa mythology. These little -like ceramics proved to be extremely popular, and Legoria sold many of them to the tourists who came to the Pueblo...Legoria decided to exhibit her work. At her first exhibit in 1940 she won a blue ribbon for a plain polished bowl. This was at the Indian Market at Santa Fe...Legoria has received many awards for pottery making...'" (Schaaf). tw108

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Southwestern Style Signed Puffer Fish Studio Art pottery Blowfish. 6" x 5", great piece with no damage, illegible to me artist signature. isshelf

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Vintage Native American Plains Indians sheath with Russell Green River Works<br>Knife. Unsure of Age of either but both are extremely high quality and came to<br>me together from a multi-million dollar collection that was all over the place.<br>Knife is razor sharp and appears unused, slight oxidation to blade on reverse<br>side 5" blade 9" knife 12" sheath with fringe.<br>I found this plastic sleeve for the knife inside the sheath after I wrote this.

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Nice old Hopi Native American pottery bowl. Nice old piece I believe from the<br>second quarter of the 20th century with no damage and little wear. 6.25" wide x<br>3" tall.<br>isshelf

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c1940's Hopi pottery bowl. Crca mid 20th century, unmarked, slight wear to top rim. No cracks, chips, or restorations. 4.75" wide x 2.25" tall.

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c1890 Crow Native American Beaded Moccasins. Buffalo hide soles 10.75" long x 4"<br>wide soles, incredible beadwork with minimal loss. Leather tops are supple for<br>their age. I placed some bubble wrap in the interior for the last pics and they<br>took form nicely. Estate fresh with this old not shown found inside. Right foot<br>with markings mostly intact. Some splits in the soles and sides as shown.<br>isshelf

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Vintage Hopi pottery jar. Very well painted with no damage or significant wear. 4 7/8" tall x 4.25" wide. Circa mid 20th century.

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30's-40's Hopi pottery bowl. Some wear shown, no cracks, chips, or restorations. 4.75" wide x 3 1/8" tall.

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Vintage Carla Nampeyo Hopi Pottery vessel 4" tall x 4.5" wide with no cracks,<br>chips, or restorations, some exterior wear. Came from the estate with original<br>gallery card shown.<br><br>Carla Nampeyo Claw is a daughter of noted potter Thomas Polacca and a<br>granddaughter of Fannie Nampeyo. She is also a great-granddaughter of Nampeyo of<br>Hano. Her brother is Gary Polacca and she is married to Raul Claw (Navajo).<br>Carla is known for her innovative incised pottery as well as her carved pottery.

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c1940's Hopi Shallow bowl. 6" x 1.5" with no damage or restorations, some minor<br>rim wear and wear to decorations.

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Hopi M.Hoyee Walpi Village figural bowl. Nice older piece from the 60's or 70's. 4.75" x 3 1/8" with no damage, minor expected wear.

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Tomasita Montoya(1899-1978) San Juan Pueblo pottery vessel 5" wide x 3.75" tall, no damage or restorations, very minor exterior wear. Comes with tag from when it was last purchased. Tomasita Montoya was one of the original 7 San Juan potters who revived the art form in the 1930’s. Her daughters Rosita de Herrera and Dominguita Herrera learned to make pottery from her. The Pueblo had a wonderful history of pottery making, but by about 1890 there were no potters left. In 1930 Regina Cata organized a pottery study group at San Juan Pueblo with the intent of revitalizing pottery production. The group studied ancient potsherds of wares made at San Juan in earlier times and selected Potsuwi‘i Incised Ware (1450-1500) as a basis for a contemporary pottery type. By the late 1930s, further development resulted in deeply-carved polychrome wares, and incised wares, both of which are still being produced today. Tomasita was especially known for her incised red ware jars, bowls, and vases. The decoration on these vessels was primarily fine line geometric hatching. On occasion she utilized micaceous clay, adding some texture and sparkle to the geometric elements. Tomasita also made deeply carved polychrome pieces which included designs of clouds, kiva steps, and plants.

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Albert & Josephine Vigil (1927-2009) San Ildefonso pottery vessel 4.25" wide x 3.5" tall, no damage or restorations, very minor exterior wear. Comes with tag from when it was last purchased. Albert & Josephine Vigil worked together on their pottery. They began making pottery in 1945. Josephine made the pottery and Albert painted the designs. Albert Vigil (1927-2009) was a nephew of Maria Martinez. He was also the son of noted San Ildefonso painter Romando Vigil, one of the members of the San Ildefonso School of watercolor artists and also know for his work with Walt Disney Studios. Josephine Cordova Vigil (1927-2001) was from Taos Pueblo and she moved to San Ildefonso when she married Albert. Josephine learned pottery making by watching her aunts-in-law Maria Martinez, and Maria’s sister Clara Montoya, who are considered San Ildefonso Pottery Matriarchs. Maria Martinez taught Josephine how to coil-shape the clay and Clara Montoya taught her how to polish the pottery before it was designed or painted. They began making pottery in 1945. Josephine and Albert used the traditional methods of hand-coil, polishing, and traditionally open fired pottery.

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Large Vintage Clowns Kachina Sculpture. Hand carved, hand painted, illegible<br>artist signature. 16" tall and wide. One horn missing off the top guy, no other<br>damage or issues. Two of the figures are removeable and of course will be<br>removed for shipping. Yes it's extremely fragile and will be treated that way<br>and packed with care in a huge box likely double boxed with tons of cushion.<br>isshelf

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c1870 Native American Silver Plains Indians rocker engraved hair piece. Amazing<br>piece of Native American hand worked silver from the c1870's-80's. 86.8 grams,<br>tested silver guaranteed at least 90% (coin silver) Just over 5.5" wide, an<br>amazing museum quality piece from a long time collection with the most awesome<br>natural patina. There's a hallmark shown in the bottom of the reverse side pic,<br>appears to be a T R in a rectangle. I'm thinking likely this was made from<br>another silver piece that was traded to the Native Americans, as I don't believe<br>they were mining silver. They were getting it by trade. I'll be listing another<br>piece from the same collection.

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J.D. Media Zia Pottery Jar. Nicely painted jar with no damage or loss. 8.25" wide x 5.5" tall. Jose de la Cruz Medina, Zia Pueblo was born in 1935. I'm not sure if he's still creating art at 87 or not. Tw123

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c1930 Hopi Pottery Collection. Fresh from the Estate who's family owned Herring<br>Bros Curio Shop in San Angelo Texas that shut down in the 30's, it was a Native<br>American trading post from what I know. Selling the lot shown from the 1930's or<br>before. Largest pot is 5.5" wide x 3.25" tall. The mug has a hairline shown in<br>center of one pic, no other cracks, no chips, minor wear shown.<br>TW110

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Helen Naha (1922-1993) Feather Woman Hopi Pueblo Spider clan Ladle. 6.5" long x<br>4 1/16" wide with no damage or detectable wear. There are some numbers engraved<br>on the base and I'm not sure of their significance. They look like museum<br>collection inventory numbers but could be polished out if for some reason became<br>a distraction.<br><br>Helen Naha (1922-1993) Feather Woman was a member of the Spider Clan at Hopi<br>Pueblo Arizona. She was the daughter-in-law of Paqua Naha (the first Frog<br>Woman). She was married to Paqua’s son, Archie. At first, she followed the style<br>of her mother-in-law and her sister-in-law, Joy Navasie. She eventually<br>developed her own distinctive style, using black and red paint on a white slip<br>to create bold designs. Often, she would take the effort and time to polish the<br>inside of a bowl as well as the outside. Both of her daughters, Sylvia and<br>Rainy, as well as her granddaughter, Tyra Naha, have followed in her footsteps.<br>tw250

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Reycita Cosen (1927-2012) Santa Clara Pueblo Pottery Pieces. Selling the three<br>pieces in clean condition all from one estate collection. They range from 3" to<br>4" tall and the widest is 5", there is a small chip on the rim of the vase, no<br>cracks or restorations on any of the pieces. Two have etched numbers on the base<br>of the pieces. Cosen was a daughter of potter Pasqualita Baca and a niece of<br>Nestora Silva. She was a sister of noted potter Helen Shupla. She was known for<br>the complex carving on her pottery. Each piece was coil built, carved, stone<br>polished, and traditionally fired.<br>tw250

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Shep Chadhorn was a Blackfoot American Indian who had formal training at the Art Institute in New York. Chadhorn is known for several magazine and publication type art. Most of his works have been exclusively sold out of the Country Store Gallery and other galleries in the Southwest. 19" x 23" Framed, 12" x 16" sight. No damage to painting, clean frame, Authentic original oil circa 1980's from a very accomplished and well listed artist.

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c1990 Hopi Mudhead Kachina Rattle. Nicer quality than most with the carved<br>feathers, unmarked. Guaranteed at least 25 years old. Good condition with no<br>breaks, one paint blemish on front as shown. 12.75" tall x 5.75" ear to ear,<br>sounds great.<br>tw209

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