เครื่องประดับเทอร์ควอยซ์ตะวันตกเฉียงใต้

สร้อยข้อมือ Navajo Sterling และ Blue Gem Turquoise โดย Harold Joe หินคุณภาพสูงทำเครื่องหมายและทดสอบสเตอร์ลิง เส้นผ่านศูนย์กลางภายใน 7.25" รวมช่องว่าง 1 3/8" สร้อยข้อมือหนัก 64 กรัม กว้าง 1.25" และกว้าง 1 7/8" โดยมีหินอยู่ตรงกลาง

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สร้อยข้อมือเทอร์ควอยซ์สีเงินเทอร์ควอยซ์ Ron Tom Navajo เส้นผ่านศูนย์กลางภายใน 7.25" รวมช่องว่าง 1.25" กว้าง 1 9/16" 77 กรัม

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สร้อยข้อมือวินเทจ Navajo Sterling Royston Turquoise Jacob Troncosa San Felipe เส้นผ่านศูนย์กลางภายใน 7 นิ้ว รวมช่องว่าง 1.25 นิ้ว น้ำหนัก 157.2 กรัม ขนาดใบหน้า 4.25" x 3 1/8".

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กำไลข้อมือเทอร์ควอยซ์เทอร์ควอยซ์และปะการังสไตล์นาวาโฮวินเทจ เส้นผ่านศูนย์กลางภายใน 7 นิ้วสเตอร์ลิงที่ผ่านการทดสอบแล้วโดยไม่มีเครื่องหมาย รวมถึงช่องว่าง 1.25 นิ้ว ด้านบนกว้าง 1 5/8" หนัก 40.3 กรัม

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Philbert Secatero Navajo Sterling และ Turquoise Squash Blossom Necklace เงินสเตอร์ลิง 27" ยาว 3" x 2.5" Naja 187.8 กรัม Squash Blossom ดูดี ทำเครื่องหมายและทดสอบสเตอร์ลิง

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แหวนเงินสเตอร์ลิงชนพื้นเมืองอเมริกัน (ทดสอบแล้ว) สลักลายเซ็น EL (Eugene Livingston, Dine/ Navajo, 20th c.) ลงวันที่ปี 1974 พร้อมขอบเทอร์ควอยซ์ขอบ ขนาดประมาณ 7, 11.9 กรัม

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จี้เทอร์ควอยซ์เทอร์ควอยซ์วินเทจและจี้ปะการัง Dine/ Navajo พร้อมขอบเทอร์ควอยซ์และปะการังแดง ขนาดประมาณ 2 3/8"h, 1 5/8"w, 27.1 กรัม

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กำไลข้อมือมาลาไคต์นาวาโฮสไตล์วินเทจและข้อมือเงินสเตอร์ลิงประดับด้วยมาลาไคต์ที่ขอบตัวเรือน ล้อมรอบด้วยลวดลูกคลื่น แต่งด้วยขนนกและลูกปัด ข้อมือแบบสองง่ามแบบเปิด สลักด้วยชื่อย่อ BK หรือ KB ที่เชื่อมติดกัน แผ่นป้าย: ประมาณ 2"สูง 1.5" W ภายใน: ประมาณ 5" ช่องว่าง: ประมาณ 1 3/8 ไม่มีปัญหา 54.5 กรัม

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สร้อยคอเงินสเตอร์ลิงของชนพื้นเมืองอเมริกัน (ทดสอบแล้ว) มีแนวโน้มว่าจะรับประทานหรือนาวาโฮ เกลียวประกอบด้วยลูกปัดทรงกลมและลูกปัดรูปแตงโม ดอกสี่ดอก ลูกปัดเทอร์ควอยซ์ร่วงลง ลูกปัด (สอง) ทำจากดาวพุธ (หัวเสรีภาพมีปีก) สลึง นาจาตรงกลาง จี้ ยาวประมาณ 27.5 นิ้ว นาจะ สูงประมาณ 1.75 นิ้ว กว้าง 1.75 นิ้ว หนัก 72.3 กรัม

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เงินสเตอร์ลิง | เทอร์ควอยซ์แท้ | Santo Domingo Pueblo สร้อยคอเทอร์ควอยซ์และสีเงิน | เครื่องประดับอินเดียตะวันตกเฉียงใต้ของชนพื้นเมืองอเมริกันนาวาโฮ | น้ำหนัก:46 กรัม | ขนาด: สร้อยคอ: ความยาว 14", จี้ 1.25" x 2.25" พร้อมลายเซ็น Brihilda Crispin ซึ่งเป็นนามสกุลเดิมของ Brihilda Coriz ดังนั้นนี่คือผลงานบางส่วนก่อนหน้านี้ของเธอก่อนที่เธอจะแต่งงานกับ Frank ลูกปัด Heishi สีเทอร์ควอยซ์มีขนาดตั้งแต่ 5 มม. ถึง 8 มม.

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เงินสเตอร์ลิง | เทอร์ควอยซ์แท้ ภูเขาเทอร์ควอยซ์ | Paul Livingston Turquoise สร้อยคอแมลงปอร่วมสมัยเทอร์ควอยซ์ภูเขา | เครื่องประดับอินเดียตะวันตกเฉียงใต้ของชนพื้นเมืองอเมริกันนาวาโฮ | น้ำหนัก:74.1 กรัม | ขนาด: สร้อยคอ: ยาว 18" จี้ตรงกลาง 3" x 2.75" | ลงนาม: Paul LivingstonPaul Livingston เกิดในปี 1954 และใช้เวลาทั้งชีวิตในเขตสงวน Navajo Church Rock ซึ่งเขาเติบโตมากับการเฝ้าดู ด้วยความหลงใหลในขณะที่ลุงช่างเงินของเขาประดิษฐ์โลหะดิบและ หินเป็นเครื่องประดับที่สวยงาม ผ่านการลองผิดลองถูกและความช่วยเหลือมากมายจากลุงของเขา พอลจึงกลายเป็นช่างทำเครื่องประดับรุ่นเยาว์ที่ประสบความสำเร็จเมื่อถึงเวลาที่เขา เมื่ออายุได้ 22 ปี เขาพร้อมที่จะเริ่มต้นอาชีพช่างเงินเต็มเวลา Paul Livingston เป็นช่างเงินชาวนาวาโฮผู้มีชื่อเสียงผู้ชื่นชอบเนื้อหาสาระในงานโลหะและหินธรรมชาติคุณภาพสูงในทุกสภาพแวดล้อมของเขา วันนี้ เกือบสี่สิบ หลายปีต่อมา พอลเป็นศิลปินจิวเวลรี่ที่เป็นที่รู้จักและสะสมในระดับประเทศ เขาเป็นที่รู้จักเป็นพิเศษจากสไตล์เครื่องประดับที่ช่างเงินส่วนใหญ่ไม่กล้าใช้เทคนิคที่เรียกว่า 'งานคลัสเตอร์และแถว' ที่ใช้หินเล็กๆ หลายก้อนรวมกันเพื่อสร้างเครื่องประดับที่ละเอียดอ่อนและมีสีสัน การออกแบบเครื่องประดับ Paul มีความสุขที่ได้ทำงานกับหินก้อนเล็กๆ แม้แต่หิน “ตางู” ทรงกลมเล็กๆ และมีชื่อเสียงในด้านการจัดวางกลุ่มหินและแถวของหินบนชิ้นงานของเขาอย่างประณีตแม้กระทั่งที่ อายุของเขาพอลยังคงทดลองเทคนิคเครื่องประดับและสไตล์การออกแบบใหม่ๆ ต่อไป เขาชอบทำงานพื้นผิวแปลกๆ ที่สร้างบนโลหะเป็นพิเศษ และมักจะนำการตกแต่งพื้นผิวใหม่ หรือการออกแบบอื่นๆ เพื่อดูว่าการเปลี่ยนแปลงเหล่านี้อาจปรับปรุงรูปลักษณ์และความน่าดึงดูดของเครื่องประดับได้หรือไม่ แม้ว่ามือขวาของเขาจะเป็นเครื่องประดับสไตล์นาวาโฮที่ดูดั้งเดิมแบบดั้งเดิมมากกว่า แต่ การออกแบบร่วมสมัยของเขาก็ยังเป็นที่ต้องการสูงเช่นกัน Paul Livingston สร้างสรรค์เครื่องประดับที่สวยงามโดยใช้หินที่ไม่พบบ่อยในเครื่องประดับของชนพื้นเมืองอเมริกัน 'การออกแบบงานเลื่อย' ที่ซับซ้อนของชิ้นงานของเขานั้นทำได้ยากเป็นพิเศษ แต่ก็ดึงดูดสายตามากในงานที่ทำเสร็จแล้วของพอล

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Measures 2.75 inches wide x 2 1/8 inches tall. This buckle has a tiny Blue<br>Turquoise Cabochon at one side and is done in the Overlay style with the bear.<br>Stamped Sterling and Hallmarked "BK". Weighs 45.9 Grams. Native American,<br>Navajo, Southwestern Indian Jewelry.. Fits up to a 1.5" wide belt.

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Measures 1.5 inches wide this piece has the Vibrant blue Golden Hills Turquoise<br>for a center that is done in a flower design. The bracelet has 9 Natural<br>Turquoise pieces accented with sterling rain drop beads. Inside measures 5.25<br>inches plus a gap of 1.25 inches. Stamped Sterling and Hallmarked "SH". Weighs<br>48.7 Grams. Native American, Navajo, Southwestern Indian Jewelry.

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Measures 2.5 inches wide. This is an unusual bracelet that has such subtle<br>design elements that make it so special. The piece is done in a Tufa Cast with a<br>wide Sterling Band which has been textured. The applied Dragonfly on the piece<br>has and inlay of Spiderweb Natural Turquoise and the Eyes are 18kt. Gold. Inside<br>measures 5.5 inches plus a gap of 1 1/8 inches. Sterling Silver, Hallmarked SB<br>18k. Weighs 104.5 Grams. Tested 18k gold eyes and sterling bracelet.

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Measuring 3.25 inches long this bracelet has Bright Blue Morenci Turquoise stones that are randomly bezel set with Shiny Sterling beads on a black background. The piece has a zig-zag edge to further enhance the look and a 5 way split band. Inside measures 5.25 inches plus a gap of 1.25 inches. Stamped Sterling and Signed by the artist Chimney Butte. Weighs 104.2 Grams. Chimney Butte, a famous Native American artist originally from Arizona, who now lives in New Mexico. He was introduced to pottery, carving and jewelry making as he was growing up in Arizona, and that is where the seed of self expression was first planted. Chimney Butte uses his art as a his own personal method of self expression, inspired by the things in his past and the love he feels for his family.

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Measures 1 3/8 inches long with Grooved sides and an inlay top. The top is a beautiful synthetic opal which is blue in color. Stamped Sterling and Hallmarked "R" for the artist Ray Jack. Weighs 27.6 Grams and is a Size 9.75 This ring is about twice as big as most of the rings this artist made.

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Sz 8 14K gold High Grade Turquoise and Coral Native American ring Possibly Hopi. Fanatastic well made ring with no other markings other than 14k, marked and tested 14k gold. Very clean from the last quarter of the 20th century but likely never worn. 4 Grams.

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Navajo J.B. Platero Sterling Silver Turquoise Kokopelli Pin/Brooch. No issues 2 1/8" x 1 1/8"

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Israeli Sterling Filigree and Turquoise Pendant. Nice vintage piece I believe israeli but could be wrong. 31.3 grams 2" tall x 1.5" wide.

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Vintage Old Pawn Navajo Sterling silver and turquoise cuff bracelet unmaked<br>(Tested sterling) cuff bracelet, with three bezel-set turquoise stones, on a<br>split-shank cuff with central twisted wire, approx 1.25"w (at center), interior:<br>approx 5 1/8"w, gap: approx 1.5"w, 79.2 grams

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Sterling Silver necklace marked, pendant/brooch unmarked but tested | Genuine Persian Turquoise | Vintage Pawn Persian Turquoise Pin & Pendant | Navajo Native American Southwest Indian Jewelry | Weight:40.6 Grams, | Dimensions: Necklace: 22" length, 1.5" x 2" pendant |

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Sterling Silver | Genuine Coral | Phil Garcia Coral Squash Blossom Necklace | Navajo Native American Southwest Indian Jewelry | Weight:57.1 Grams, | Dimensions: Necklace: 18" length, 1.75" x 2.75" center pendant | Signed: PG

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Measures 1.75 inches wide with a Natural Royston Boulder Turquoise Center Stone<br>accented with a bead frame. The sides of the stone have additional Sterling and<br>rope design. Inside measures 5.75 inches plus a gap of 1.25 inches. Stamped<br>Sterling and Hallmarked. Weighs 51.1 Grams. Native American, Navajo,<br>Southwestern Indian Jewelry.Leon MartinezNavajo artist Leon Martinez says he was<br>influenced by his parents, Leo and Edith Martinez, to become a jewelry artist as<br>early as 1970. “At the age of nine, I was assisting my parents with buffering,<br>solder, and setting stones,” recalls Leon. He also helped his parents make<br>squash blossom necklaces, rings, and bracelets during the high demand for Indian<br>Jewelry in the 1970s. Making jewelry soon became a passion for Leon and his<br>talent grew enormously. “I was a self starter artist using nature from plants,<br>flowers, rocks, and landscapes for designs and structures. I use everything<br>that’s in my environment, even clouds. Everything God has made. The designs are<br>used for bracelets, rings, conchos, bolos, and earrings. I do my art work for<br>competition, and the jewelry gives me unlimited joy,” says Leon.In addition to<br>his parents, Leon considers many people and artists his teachers and influences,<br>including Calvin Martinez, Kirk Smith, Sunshine Daniel Reeves, Ernest Begay,<br>Tommy Jackson, and Tommy Singer.Leon’s jewelry is described as early 1900s old<br>style mixed with contemporary style. “In making designs, even making one piece<br>has made me to become patient, putting quality time into the smallest item. This<br>helps me to perfect my work - soldering, setting stones by size, measurement for<br>perfect fitting, and selection of stones for each piece of work. I try to make<br>each piece of jewelry close to its perfection,” says Leon.Leon has won several<br>first place awards at the Navajo Nation Fair and Gallup Intertribal Ceremonial,<br>known as the largest fair and annual event.

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Measures 2 inches wide in the center and tapers at the opening. This piece has<br>the Sleeping Beauty Turquoise stones throughout. The center stone is Oval and<br>the accent cabochon pieces are meticulously hand set with hand made rain drop<br>beads. Inside measures 5.5 inches plus a gap of 1 inch. It could possibly be<br>sized by a professional. Stamped Sterling and Signed "Kathleen Chavez". Weighs<br>105.8 Grams. Native American, Navajo, Southwestern Indian Jewelry.Kathleen<br>Livingston Chavez was born in Church Rock, New Mexico, December 17, 1958. Today,<br>Kathleen lives in Church Rock with her husband Lorenzo Juan, and works out of<br>Gallup, New Mexico. She started to silversmith in 1974, making earrings, rings,<br>and ‘slave bracelets’. In 1994, she began to challenge herself to create<br>higher-end jewelry, which she says is “much more fun to make, because of the<br>amount of thought and imagination that goes into it.”

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Measures 1.5 inches wide and done in a Sand Cast style with a Natural Kingman<br>Center Stone. The piece has an inside measurement of 5.25 inches plus a gap of<br>1.5 inches. Stamped Sterling and Signed "Chimney Butte". Weighs 53.3 Grams.<br>Native American, Navajo, Southwestern Indian Jewelry.Chimney Butte, a famous<br>Native American artist originally from Arizona, who now lives in New Mexico. He<br>was introduced to pottery, carving and jewelry making as he was growing up in<br>Arizona, and that is where the seed of self expression was first planted.<br>Chimney Butte uses his art as a his own personal method of self expression,<br>inspired by the things in his past and the love he feels for his family.

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Vintage Sterling Silver Pendant Lot Navajo, Mexico, Parrot 82.1 Grams. Selling the lot shown all sterling except the one marked 900 which is 90% silver. The few that aren't marked are tested sterling. Parrot is 2.75" long for reference.

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5 Pairs Navajo and Artisan Sterling Earrings. Selling the 5 pairs shown from the<br>last quarter of the 20th century, all marked and tested sterling with<br>designers/artists marks, one also marked and tested 18k. Largest pair is 1", 3<br>pairs missing backs.

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4 Pairs Navajo Sterling and Mexican Silver vintage earrings. 4 pairs of great earrings from the estate of a woman with great taste, selling all four with no significant issues. They range from 7/8" to 1.25"

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1940's Fiesta Turquoise Ashtray. No cracks, chips, crazing, or glaze wear, very<br>clean.<br>5 7/16" wide.<br>TW169

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4 Pairs Navajo and Artisan Sterling Earrings. Selling the four pairs shown with<br>no issues all sterling, 3 with makers marks. Qt's are 1 5/8" long.

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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Vintage Fred Harvey Era Bell Trading Post Sterling/Turquoise Cuff bracelet. Approximately 6.5" with 1.25" adjustable gap. 13/16" wide in center.

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Sterling and Turquoise/Shell Navajo Heishi Necklace/Earrings. The necklace is<br>28", earrings are 2". This is a nice vintage set very good quality. The earrings<br>are clip on and marked sterling, the metal on the necklace tests sterling but is<br>unmarked. These came from the same estate and I'm assuming have been together<br>for 50 years or so.<br>tw7

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c1940's Navajo Sterling and Turquoise collar Tips. Nice navajo early to mid 20th century collar tips from the King Ranch Estate. 34.2 grams unmarked tested sterling. 2.25" long x 1 3/16" wide at rear each. selling both.

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6.5" Vintage navajo Sterling Turquoise cuff bracelet. Nice piece circa mid 20th<br>century, unmarked but tested sterling. 6.5" inner diameter with 1.5" adjustable<br>gap, 2" wide in center 51.3 grams

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Bruce Morgan Navajo 14K & Sterling Silver Heavy Cuff Bracelet 6.5" inside<br>diameter including the 1.5" gap 13/16" wide at widest point near gap. 106.3<br>grams, really solid with very thick layer of 14k gold. Most of the Bruce Morgan<br>cuffs you will find online in this price range weigh about half as much or less.Bruce Morgan (b. 1957) is an award-winning Navajo silversmith. He is well known<br>for his use of both silver and gold in his pieces and his iconic gold overlay.<br>Born in Rehoboth, New Mexico and raised in Brimhall, Morgan made his first piece<br>of jewelry while in high school. His aunt made jewelry and was sadly killed in<br>an accident. His grandmother gave Morgan her tools in hopes that he would make<br>use of them, which he gladly did.<br><br>After graduating in 1976, he moved to Phoenix, Arizona and began making jewelry<br>for others in 1978; however, it was a slow start for Morgan and in order to<br>support himself financially, he took a job as a miner in the Uranium Mine and<br>began training to become an electrician. After a year of training, he got laid<br>off and continued on to school for commercial electrician and planned on<br>becoming an electrical engineer. After realizing that it was too much physical<br>work, he went back to jewelry making and found a way to stand out from the rest.<br><br>Morgan started out with traditional style jewelry making conchas and turquoise,<br>but in 1983 he was one of the first artists to use the two tone method of silver<br>and gold. In 1982, he made a silver cane for the Prime Minister in Egypt and in<br>1983 began using “traditional and simple” stampwork and creating his signature<br>gold overlay. Although he admires the traditional pieces, he has said he will<br>continue to only make his gold overlay jewelry, because it is quicker to make<br>and allows people to have a one of a kind piece that can be worn daily or for a<br>special occasion. His rings are often used as wedding bands for that very<br>reason.<br><br>Morgan’s exceptionally clean lines and renowned gold overlay has brought<br>attention to his work in not only the US, but worldwide. He has been featured in<br>“Arizona Highways” and “Southwest Art” magazines and continues to create<br>beautiful pieces of jewelry to this day.

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Vintage Navajo Sterling and gold cuff bracelet. 6.5" inner diameter with adjustable 1.25" gap, 1 5/16" depth in center at figure. The figure tested 12k gold but is likely thick gold filled as it's only marked sterling. No detectable issues.

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Roger Francisco Woven Rope Navajo Sterling Silver Cuff Bracelet. Nice heavy cuff 57 grams from a gifted now no longer with us Navajo artist Roger Francisco. 7" inside diameter with 1.6" adjustable opening 1" wide band, Great condition.

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Antique Chinese Filigree Silver Enamel Turquoise and Coral Fingernail Brooch. 3 3/8" long x 5/8" wide with no damage.

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Vintage Mexican Silver Hinged Turquoise Inlaid BraceletNice heavy bracelet with a few scratches close to the hinge that stand out more in the pics than in real life, no other significant issues circa 1980's. 59 grams. About 7" inner diameter.

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1970's sz5 Navajo Sterling silver/Turquoise ring. No damage, nice vintage ring. Face is just over 1"

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QT Sterling Navajo Southwesters shop inlaid sterling link bracelet 7" long x .75" wide. No issues.

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Vintage Navajo Sterling chip inlay Cuff Bracelet. Nice old bracelet circa mid 20th century. Unmarked but tested sterling, minor loss to inlay. Inner diameter about 6" with a 1" adjustable gap. .5" width.

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Vintage Sterling Clip On Earring Lot Mid Century Navajo, Mexican, Siam, Roman coins. Selling the lot, 4 clip on and one screw back. The turquoise and Pink abalone are likely native american, turquoise unmarked pink Stamped S.J. Sterling. The siams were in the original 1960's or so box but I can't find it, I believe they've never been worn, One mexican, and then the unmarked but tested sterling extremely well cast Roman coin style earrings which I assume are top quality replicas from the mid 20th century. Largest is 1.25" wide. 59.8 grams total.

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Vintage Navajo Sterling Cuff Bracelet 6.25" Signed J. 1.25" adjustable gap, nice<br>early bracelet, 13.6 grams .5" wide. Marked and tested sterling.

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Sterling Pendant Navajo and Mexican Silver Lot of (6) vintage. Selling the lot of great pendants with no issues. 2 are likely Navajo, the rest mexican silver. The grape doubles as a brooch. Largest is 2" 77 grams

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Vintage Sterling Clip On and Screw Back Earring Lot Begay Navajo. Largest is the<br>Begay pair measuring 1.5" wide. I really like the pair marked "original" The<br>other two are vintage Mexican. Selling all four pairs all mid to late 20th<br>century.

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Leslie Nez Kingman Tuquoise Navajo Cuff Bracelet with large stone. Measures<br>6.75" including the 1.25" gap. No issues, rarely if ever worn. 72 grams. Front<br>mount measures 2.25" x 1.75"

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Sz 6.75 Cecil Atencio Navajo Sterling and Turquoise Statement Ring. Very well made ring by a well respected Navajo Artist with no issues. The stone is 1 1/8" at longest point.

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Navajo Sterling Cuff Bracelet Squash blossom Design. 1" at thickest point x 6.5" inner diameter with 1.25" adjustable opening. Just marked sterling. Circa third quarter of 20th century. 40 grams.

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Navajo Sterling Cuff Bracelet Hand Stamped with ropes 6.5" or 16cm inner diameter .75" thick with 1" adjustable opening. Tested and marked sterling circa 3rd quarter of 20th century. 32 grams.

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Vintage Navajo Cuff Bracelet with Squash Blossom and Mother of Pearl. Nice vintage mid 20th century Navajo cuff bracelet. Measures 2.5" wide with a 1 3/8" adjustable opening. 1 7/16" wide in center with stone.

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I'm listing several pieces today all from one estate. They were all purchased in<br>pawn shops in Albuquerque, NM in the 1970's and 1980's. Most pieces are circa<br>mid 20th century. Nice big old heavy ring. Measures 7/8" x 1 1/8" at top. Most<br>likely a mens ring originally, but I guess whoever can fit it. Unmarked but<br>guaranteed sterling turquoise and coral.

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I'm listing several pieces today all from one estate. They were all purchased in<br>pawn shops in Albuquerque, NM in the 1970's and 1980's. Most pieces are circa<br>mid 20th century. Unmarked other than three letters engraved on back possibly by<br>a previous owner. Nice design and cool agate. 2.25" innner width 2" depth in<br>widest spot in center. Guaranteed sterling silver and naturan stone.

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I'm listing several pieces today all from one estate. They were all purchased in<br>pawn shops in Albuquerque, NM in the 1970's and 1980's. Most pieces are circa<br>mid 20th century. Unmarked Nice design and Large malachite 2 3/8" adjustable<br>innner width 2" depth in widest spot. Guaranteed sterling silver and malachite<br>.

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sz 12.5 Vintage Navajo Sterling turquoise and coral men's ring. No issues, great<br>ring 13.8 grams unmarked but tested sterling.

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sz 8.5 Navajo Sterling Turquoise Ring Johnson. No damage, marked and tested sterling. 9.2 grams 1" wide at face.

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Southwestern Sterling Cactus Earrings. Estate earring, not sure how old. I can find no markings other than St Sil on the backs but guaranteed and tested sterling. Really nice well made earrings. They can be switched so the cacti are charms.

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1950's Los Castillo Sterling Silver Modernistic Turquoise and Malachite Brooch. 2 3/8" wide x 1.75" tall. Good vintage condition with no significant issues.

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Navajo Ray Tracey Knifewing Modernistic Inlaid Earrings 1.25" wide square. Light scratches, no deep scratches, bends, or damage to stones. The Creative Process Fueled by Inspiration “God blesses everyone with a variety of gifts and talents.” The Creator blessed Ray with the spirit of Creativity. Inspiration is the basis for his creative spirit. Inspiration arrives in many forms and disguises when least expected. Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray a feeling of reverence. Walking in peace with gratitude and thanksgiving opens up the senses to receive ideas. Petroglyphs carved on canyon walls turns into wearable art. Stories from an ancient past are re-lived on the faces of Yei pendants. The evening sky’s transformation of color inspired the Earth and Sky jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and accompanied him down the fairway. This incident brought the Butterfly and Dragonfly design concept to reality. Having awareness of this special gift, he aspires to know the origin. Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of working the goat bellows for his uncle. Asa would pump the goat bellows all day long to fuel the fire in the forge that would melt silver in a small cast iron crucible. This process was very labor intensive and his grandfather hated it. The molten silver would then be poured into a tufa stone mold to form an ingot. The jeweler would then execute his craft and a new piece of jewelry would be created. “I wanted to see finished jewelry and wanted to learn everything I could. Whenever we would go to Gallup, NM, I would visit curio stores to see creations in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on display; Ray could be seen viewing the works of art. Ray’s family moved to Ganado, AZ when he was six years old. One summer day when he was nine years old, he complained to his mother of how bored he was. The next day his mother enrolled him into summer school and changed his life forever. He went straight to art class and found a silver smithing table in the corner. He remembered his grandfather’s stories and the rest is history.  “In class I fabricated my first ring out of silver for my Mother. I found an unknown stone and made a cabochon. I tried to copy an old style ring design that I had seen at Hubbells Trading Post. One teardrop flanked the sides of the stone. It was a very simple design but it took me a week to finish. I kept melting the silver. I made my next silver and stone creation at the age of 21 and gave it to my mother. It was another ring, but this time it was a split shank with three ribs and three tear drops on the side of the stone.” I told my father, I want to make jewelry for the rest of my life.” Ray continued making jewelry while attending Brigham Young University. Studying chemistry and physics by day and making jewelry at night. “The designs were simple, my first love was Old Style Navajo jewelry. Weekends were spent traveling to Gallup, NM, to sell his work. While at BYU another opportunity arose to express his creativity—acting. “I wasn’t a very good student so Hollywood had an instant appeal. My gift of creativity carried over into acting. Acting was just another outlet of creative expression.” His adventurous nature allowed Ray to spend several years as an actor in feature films and television. This acting detour never made him lose interest in jewelry design. Eventually, Ray’s love of jewelry brought him back to New Mexico to permanently pursue this art form. “One time while traveling to Albuquerque from Gallup, I noticed the horizon over Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps into a bracelet design.” “Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned in a  row on the river bottom. Those pebbles became my inspiration to place them on the sides of an inlaid bracelet.” “Sometimes my creativity comes to a screeching halt. When this happens I go to my roots; Old Style jewelry. That is the place of fascination. The Old Ones utilized rudimentary tools to create their simple, yet perfected, pieces of craftsmanship. From this point I am able to create from an inspiring idea. On the flip side, sometimes my mind becomes flooded with more designs than I can remember. Ideas come so quickly I can’t draw them fast enough.” “When I see someone wearing one of my designs, it takes me back to the time when the piece was created. Sometimes I can recall what I was eating or even the music I was listening to. I will remember the inspiration that helped create that design.” Ray has found his path or gift of self-expression that has blessed, enlightened, and influenced his life and others. Awareness of this special gift, fuels his energy and creativity. Inspiration helps to translate his creativity into artistic-visual expression. His creations stand as transitional figures from traditional to contemporary.  He creates something good as he is drawn toward untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a legacy from which generations can learn and grow. Ray has learned to appreciate and embrace the journey of life and its gifts.

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