เซรามิกโบราณ ไม่เรียงลำดับ

เหยือกนกแก้ว French Majolica ประมาณปี 1880 Uncommon Form Early St Clements Mark สูง 11.25 นิ้ว นี่คือรูปแบบก่อนหน้านี้และเป็นเครื่องหมายช่วงปลายศตวรรษที่ 19 สะอาดสุดๆ ไม่มีรอยแตกร้าว การบูรณะ หรือคราบสกปรก และมีรอยตำหนิเล็กน้อย สีเหลือเชื่อ เสื้อw85

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ไม่มีรอยแตกร้าวหรือซ่อมแซม มีรอยขีดข่วนและการเปลี่ยนสีน้อยมาก การตกแต่งที่คมชัดอย่างยิ่งและสภาพที่น่าทึ่ง รับประกันประมาณต้นถึงกลางปี ​​1800

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c1910 ชุดจานขนม Ovington Bros Vienna Austria ขอบสแกลลอปทองหนา 9" ชุดจานชามสภาพสวยมากๆ อายุประมาณ 100 ปี ขายทั้งหมด 7 ใบ หน้ากว้าง 9" ไม่มีรอยแตก บิ่น รอยขีดข่วน หรือตำหนิอื่นๆที่เห็นได้ชัดเจน . ผลิตในเวียนนา ออสเตรีย และขายปลีกโดย Ovington Bros ในสหรัฐอเมริกา ซึ่งเป็นผู้ค้าปลีกอัญมณี/สินค้าหรูหราชั้นนำในสหรัฐอเมริกาที่ดูแลสินค้าอย่าง Tiffany และผู้ผลิตชั้นนำอื่นๆ จากทั่วโลก

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1919 Bernardaud Limoges หัวสิงโต ด้ามจับ Jardinière และแท่น Chinoisiere ตกแต่งโดยศิลปินลงนาม รูปทรงหายากสุดๆ โดยเฉพาะฐานพร้อมการตกแต่งที่แปลกยิ่งกว่าเดิม สูงรวม 12", ด้ามจับ 14", ขอบกว้าง 9" ไม่มีรอยแตก ร้าว หรือซ่อมแซม มีการสูญเสียเล็กน้อยจากการยกทองตามที่แสดงในภาพ บางส่วนมีรอยปิดทองบนฐานเดิมของอุ้งเท้าสิงโตซึ่งมีสภาพมาก Jardinière หนักได้พักผ่อนมานานกว่า 100 ปี

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Royal Doulton Character Jug King Charles I 1721/2500 Limited Edition ใหญ่ สูง 7.5"สินค้านี้อยู่ในสภาพใหม่มาก โดยไม่มีรอยบิ่น รอยขีดข่วน รอยแตก รอยแตกร้าว หรือการซ่อมแซมใดๆ โดยจะระบุไว้เมื่อตรวจสอบอย่างละเอียดแล้ว

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Dudson Jasper Ware Pitcher 6 1/8" x 5 1/8" handle to spout ไม่มีความเสียหายหรือการบูรณะใดๆ

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รับประกันค. ปี 1890-1910 ไม่มีความเสียหาย ขอบทองมีรอยสึกเล็กน้อย โดยรวมสะอาด ไม่มีรอยแตกร้าว การบูรณะ หรือรอยขีดข่วน เครื่องลายครามผลิตโดยโรเซนธาล ตกแต่งด้วยมือโดยบริษัทเดรสเดนอีกแห่งหนึ่ง รับประกันการทาสีด้วยมือ 100%

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ค.ศ. 1960 รูป Rosenthal Dachshund โดย Kuspert สูงและกว้าง 4 นิ้วโดยไม่มีรอยแตก รอยแตก หรือการบูรณะ TW205

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c1870 Masons Flying Bird Chinoisiere เหยือกน้ำและชามล้างโพลีโครมทาสีด้วยมือ สองชิ้นนี้เป็นส่วนหนึ่งของชุดน้ำยาล้างที่อร่อยและสะอาดที่สุดเท่าที่ฉันเคยเจอมา มันอยู่ในบ้านของ Doctor's มูลค่า 3 ล้านเหรียญสหรัฐตลอด 40 ปีที่ผ่านมา และดูเหมือนว่าจะไม่เคยเห็นการใช้งานใด ๆ เลยในช่วง 110 กว่าปีก่อนหน้านั้น เหตุผลเดียวที่ฉันแยกมันออกก็คือ มันใหญ่มากจนยากที่จะนำเสนอเป็นชุดได้อย่างแม่นยำ ชามกว้าง 16.25 นิ้ว และเหยือกสูง 11.5 นิ้ว ไม่มีรอยแตก รอยแตก การบูรณะ หรือคราบ ไม่มีการสูญเสียการเคลือบอย่างมีนัยสำคัญ โดยรวมแล้วคุณจะพบกับความบ้าคลั่งบนเครื่องปั้นดินเผาอายุ 150 ปีขึ้นไป

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นี่เป็นสำเนาภาพวาดของ S. Koninck (1609-1659) ในศตวรรษที่ 17 ในช่วงต้นศตวรรษที่ 20 ที่สวยงาม เป็นภาพชายชราคนหนึ่ง ซึ่งอาจจะเป็นนักบุญเจอโรมกำลังอ่านหนังสืออยู่ แผ่นอยู่ในสภาพดีเยี่ยม เฟรมมีเส้นอายุอยู่บ้างและมีการซ่อมแซมบางส่วน ผลิตในประเทศเยอรมนี อาจเกิดขึ้นในช่วงไตรมาสแรกของศตวรรษที่ 20 แผ่นโลหะ: 10" X 8" กรอบ: 17 3/4" X 15 3/4" ความลึก: 3 1/2" การบูรณะเก่า มั่นคง และรอบคอบสองครั้งที่ด้านซ้ายบนและล่างของกรอบ โดยไม่ทำให้แผ่นโลหะเสียหาย

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c1950 รูปร่าง Rosenthal Sanssouci R53 ลวดลายดอกไม้เดรสเดนที่ห่อหุ้มด้วยทองคำประดับจานผักจากเส้นรูปทรง Sanssouci ของ Rosenthal ซึ่งโดดเด่นด้วยขอบสแกลลอปและขอบโครงบังตาที่เป็นช่องที่ยกขึ้น รูปแบบ R53 นี้ยังระบุว่าเป็น 682 เป็นช่อดอกไม้ที่น่ารัก ลวดลายประกอบด้วยดอกกุหลาบอังกฤษสีชมพูตรงกลางบนก้านยาว และมีดอกสีเหลืองสองดอกทางด้านซ้าย โดยมีแม่สีม่วงอยู่ระหว่างดอกเดซี่สีม่วงสองดอกทางด้านขวาของดอกกุหลาบอังกฤษ ทั้งหมดนี้อยู่บนฉากหลังสีครีม ขลิบด้ายสีทองหนา และมีประทับตราด้านหลัง US Zone ระบุว่าทำขึ้นในช่วงปลายทศวรรษที่สี่สิบถึงต้นทศวรรษที่ 50 หลังจาก WW2 สภาพเหมือนใหม่ไม่มีรอยแตก บิ่น รอยขีดข่วน คราบสกปรก หรือการสึกหรอของทอง หูหิ้วถึงด้ามจับ 10.5" x สูง 6.25" พร้อมหูหิ้วTW200

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c1900 Royal Dux Art Nouveau Goose Girl พร้อมตะกร้าวางกลางหรือถาดวางโต๊ะเครื่องแป้ง กว้าง 9 1/8"x สูง 7.5" เก่ากว่า 100 ปี จะทำถาดใส่เครื่องประดับขนาดใหญ่หรือกระถางต้นไม้ตื้นๆ สะเก็ดเคลือบเล็ก ๆ สามอันที่ขอบด้านนอกขวาสองอันถึงแผ่นลิลลี่ด้านในขอบด้านบน ไม่มีชิปอื่นๆ ไม่มีรอยแตก ไม่มีการบูรณะtw154

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c1900 ที่คั่นหนังสือ Royal Dux Art Nouveau นีโอคลาสสิก ขายที่กั้นหนังสือทั้ง 2 ขนาด สูง 8 x 6 นิ้ว อายุประมาณ 120 ปี สวยจริงๆ ผู้หญิงมีสะเก็ดเล็กๆ มากสำหรับทาสีเขียวบนฐานและข้อบกพร่องจากการเผาไหม้ของโรงงานในฐานซึ่งเกิดขึ้นระหว่างการผลิตและมีความเสถียรและไม่สามารถมองเห็นได้จากภายนอก ผู้ชายมีสะเก็ดเล็กๆ บนดอกลิลลี่ดอกหนึ่ง และฉันเชื่อว่าศีรษะของเขาหายดีแล้ว สิ่งเหล่านี้ทั้งเหลือเชื่อและดูสมบูรณ์แบบในตัวเอง ปัญหาเล็กๆ น้อยๆ ที่อาจถูกมองข้ามโดยตัวแทนจำหน่ายที่มีประสบการณ์น้อย ทW199

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Porcelaine Limousine Limoges France Hand Painted Limoges Porcelain Wash Bowl and<br>Pitcher Set Pitcher and bowl 13.25" tall, (1) basin, approx 5"h, 16.25"diam;<br>10.5lbs No cracks, chips, or restorations. Extremely rare/one of kind item. All<br>hand painted, very minor wear to paint where large heavy pitcher has rested in<br>it for over 100 years.

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c1870 Masons Flying Bird Chinoisiere Hand Painted Polychromed Transferware Soap Dish and Toothbrush Holder. These pieces are part of the nicest, cleanest wash set I've ever came across. It's been in a 3 million dollar Doctor's home for the past 40 years and looks as if it never saw any use the 110+ years before that. The only reason I'm splitting it up is it's so big it's difficult to accurately present as a set. Toothbrush is 5.5" tall x 2 7/8" wide at rim, soap dish is 8" wide x 3" tall. No cracks, chips, restorations, or stains, no significant loss, overall expected crazing you'll find on 150+ year old earthenware. Selling both pieces shown, well all three really.

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c1870 Masons Flying Bird Chinoisiere Hand Painted Polychromed Transferware Slop Pail. This really big piece is part of the nicest, cleanest wash set I've ever came across. It's been in a 3 million dollar Doctor's home for the past 40 years and looks as if it never saw any use the 110+ years before that. The only reason I'm splitting it up is it's so big it's difficult to accurately present as a set. The piece has the original slotted lid, original wicker handle. 11.5" tall and wide without handle. No cracks, chips, restorations, or stains, no significant loss, overall expected crazing you'll find on 150+ year old earthenware.

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Antique French Faience Quimper Nevers Secouette Flask/Hand warmer. 4" x 3" x 7/8" One tiny glaze flake on book clasp, no other cracks, chips, or restorations, circa early 20th century. TW190

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c1920 Quimper Leroy Dubois Malicorne Butter Dish. Great piece from the early 20th century in good condition with one tiny reglued glaze flake on bottom corner of womans dress shown in first pic and slight glaze wear to sharp edges. NO other cracks, chips, or restorations. 8" x 6" x 2.75" TW190

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Vintage Wallendorf Porcelain Woman White Bisque Figure. Great piece circa mid 20th century with no damage. 8" tall. TW200

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c1920 Richard Ginori Blanc De Chine Figure of Hungry Brothers. Great piece from the first quarter of the 20th century in mint condition with no damage or wear. 6.5" tall x 4.5" wide. TW199

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c1860 Staffordshire Figures Man and Woman Holding Flags Pair. 9" tall both clean with no cracks, loss or restorations. Expected crazing man with possible fracture to foot that didn't break off. tw193

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Antique French Faience/Delft Blue Hand Painted Horseman Tiles in Frame. Guaranteed antique 19th century tiles framed around 1980. I'm thinking they're French because of the Fleur De Lis but could be Dutch. They measure 6 1/8" square and are in great conditon with no cracks or restorations, only a few tiny nicks on edges as shown. 18.75" x 6.5" total. B62

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c1860 Staffordshire Prattware Transferware Plates Sebastopol and 123 Cattle Scene. 2 great pieces from mid to late 19th century. They measure 8.25" and 8 7/8". Neither have any cracks, chips, or restorations. Large one has crazing on the back and none on the front, smaller one has no crazing. Selling both pieces shown. In the 19th century, the Pratt name was associated with the fine, usually multi-coloured, transfer printed engravings used to decorate the lids of earthenware pots used for food, pharmaceutical products and toiletries. The business also produced domestic earthenware including relief moulded earthenware (especially jugs) and tableware with underglaze, multi-coloured decoration (‘Prattware’). Terracotta and parian ware were other wares, and Godden (1988) notes that there are examples of mid-19th century porcelain printed with Pratt multi-colour underglaze prints, however, these may have been bought-in ware decorated by the company. Whilst Felix Pratt was the commercial driving force behind the business, the artist was a Jesse Austin who joined Pratt in the early-1840. He was an accomplished watercolour artist and engraver and over nearly 40 years, the business produced over 550 poly chrome prints used to decorate the now well known pot lids. Pratt’s first under-glaze, polychrome pot lid was made in 1847 and was a scene ‘Grace before Meals’. Austin’s subject included royalty, famous people, city scenes – there are eleven views of London – and this portrayal of the life and times of Victorian England is one of the reasons for the lid’s popularity today. Austin also made minature watercolour copies of famous paintings and these too appear on pot lids and Prattware. Although the pot lids have become well known, the engravings were also used on the containers themselves, on plates and on other domestic earthenware manufactured by the business and it is this good-quality domestic pottery that is termed ‘Prattware’. tw176

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c1900 Dresden Flowers hand painted serving bowl with gold 9.75". Great piece with no cracks, chips, restorations, and near mint gold. TW175

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c1890 Royal Vienna Style Hand Painted Shallow Bowl with Neoclassical Greek scene<br>9 5/8" wide with no cracks, chips, or restorations, some wear to gilding as<br>shown. 100% hand painted and artist signed.TW175

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c1890 Royal Vienna Style Hand Painted Raised Gold Neoclassical Style Cabinet<br>Creamer and Sugar . Great pair over 100 years old with no cracks, chips, or<br>restorations and near mint to mint gold. They are both 4.25" tall, a nice larger<br>sized creamer and sugar, sugar is 6" handle to handle.tw174

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c1860 Staffordshire Tam O'Shanter & Souter Johnny Figure. 13.5" tall x 10" wide<br>with no cracks, chips, or restorations. Typical firing flaws and crazing, some<br>loss to paint. Marked on base Sampson Smith 1851 Longton.<br>SAMPSON SMITH<br>1851<br>LONGTON Mark was used from c.1851-90<br>rare mark (in relief) on some earthenware dogs, jugs and figures - most 19thC<br>ware was unmarked.<br>B34

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Wedgwood Black Basalt President Eisenhower Bust 8.5" tall with no cracks, chips, or restorations, paperwork included as shown. Tw53

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c1860 Staffordshire Prattware Teapot Stand and Plate with Cattle Farm Scene. 2 great pieces from mid to late 19th century. Teapot stand is 6.5" and plate is 8 5/8". Neither have any cracks, chips, or restorations. Both have the expected crazing of 150 year old earthenware. Selling both pieces shown. In the 19th century, the Pratt name was associated with the fine, usually multi-coloured, transfer printed engravings used to decorate the lids of earthenware pots used for food, pharmaceutical products and toiletries. The business also produced domestic earthenware including relief moulded earthenware (especially jugs) and tableware with underglaze, multi-coloured decoration (‘Prattware’). Terracotta and parian ware were other wares, and Godden (1988) notes that there are examples of mid-19th century porcelain printed with Pratt multi-colour underglaze prints, however, these may have been bought-in ware decorated by the company. Whilst Felix Pratt was the commercial driving force behind the business, the artist was a Jesse Austin who joined Pratt in the early-1840. He was an accomplished watercolour artist and engraver and over nearly 40 years, the business produced over 550 poly chrome prints used to decorate the now well known pot lids. Pratt’s first under-glaze, polychrome pot lid was made in 1847 and was a scene ‘Grace before Meals’. Austin’s subject included royalty, famous people, city scenes – there are eleven views of London – and this portrayal of the life and times of Victorian England is one of the reasons for the lid’s popularity today. Austin also made minature watercolour copies of famous paintings and these too appear on pot lids and Prattware. Although the pot lids have become well known, the engravings were also used on the containers themselves, on plates and on other domestic earthenware manufactured by the business and it is this good-quality domestic pottery that is termed ‘Prattware’. tw176

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c1920 Carl Thieme Dresden Flowers Cup and Saucer. All hand painted with No<br>cracks, chips, or wear to gilding. Selling the cup and saucer shown. Cup is 3<br>5/8" wide without handle x 2" tall Saucer is 5.5" wide.<br>TW172 and bdrmshlf

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c1910 Bourne & Leigh Blue Willow England Soup Bowls 9" Selling both earthenware<br>with light expected crazing no stains, no cracks, or chips.<br>B55

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Cantagalli Antique Itanian Faience Reticulated Plate with Crest. 9.5" wide with no cracks, chips, or restorations. 19th century. About Ulisse Cantagalli Ulisse Cantagalli was a superb artist and an even better businessman. Not much of him is known before 1878 when he took over the family factory in Florence and started to produce highly decorative Italian ceramics in the Renaissance style. At the time the taste for this kind of pottery was a very hot trend in the English speaking countries. He devoted his artistic energy to the understanding of the techniques and the designs of the old masters from Gubbio, Deruta, Urbino and other important ceramic centers. His ability to master the ruby and golden luster techniques of Mastro Giorgio Andreoli brought the factory to fame, particularly in Britain. The passion for Italian pottery and its role in the success of Cantagalli’s factory is well described in a delicious article published in the New York Times in 1879, titled “The Making of Majolica: A Florence Pottery Factory”. The event that more than any other contributed to the International success of Cantagalli was his friendship with William de Morgan, Britain’s most talented and most admired pottery and tile designer of his days. He introduced him to influential collectors in England and US and encouraged him to participate to International exhibitions. In a short time, Cantagalli works were highly regarded in English speaking countries, where they still are popular Collector’s items. Cantagalli died in 1901. His wife and daughter continued to operate the factory in Florence. In 1934 they sold it together with the Cantagalli’s trademark to Amerigo Menegatti, former artistic director of the factory. The economic turmoil following World War II forced Menegatti to a step change in production. He began to offer more utilitarian items, which still bore the famous cockerel that English speaking collectors find so appealing. The Cantagalli factory closed in 1985. The production of Cantagalli ware is now over, although the Menegatti family still owns the trademark. TW156

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Abstract Raku Planter Vase. I can't make out the mark but it's fantastic. 6.75" tall x 5.75" wide with no damage or wear. B54

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c1900 Sevres Style Bronze Mounted Porcelain Cabinet Flate French Hand Painted woman w/Cherub artist signed Huet. No scratches, cracks, chips, or restorations, minor wear to inside ring of gold just outside the portrait. TW165

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c1890 St Malo Terracotta Tobacco Jar Scottish Man. 6" tall with no cracks, chips, or restorations. Guaranteed late 19th to early 20th century. TW162

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c1790 Derby Figure Group Pair "The Welsh Tailors" Woman Breastfeeding guy with tongue out. Selling the pair late 18th century. Interesting pair with the Tailor sticking his tongue out at his wife that's breastfeeding, strange. Tallest is a hair under 6". Minor losses and some old restorations, woman is missing part of one leg. TW162

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c1920's Haviland Art Deco Woman Cabinet Plate. 8 5/8" wide with no cracks, chips, restorations, or significant wear. Very unusual one of a kind plate. tw146

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c1910 Art Nouveau Hand painted limoges portrait plate 8.5". No cracks, chips, or<br>restorations.<br>B50

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c1900 Vinranka Gefle Flow Blue Sweden Pitcher6.25" tall x 7.75" wide handle to<br>spout. A nice milk or juice pitcher much larger than a creamer, probably one<br>liter. They made a few sizes of these and this is the largest and most difficult<br>to find. No cracks, chips, restorations, or crazing.<br>TW144

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This piece and two more I'm listing are from the Estate of Lael Cater Seagert UT Art Department and later Director of Laa Gloria Art Museum here in Austin so these were likely gifts from Soto as they had signed books from so many Texas Artists that were given to them as gifts. Piece measures 7 5/8" tall x 5.25" wide. No cracks, chips, restorations, or crazing.Below is an excerpt from the artists eulogy.Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle with cancer. He was 84.“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco, director of Mexic-Arte Museum. “He was a great human being, teacher and artist. Ishmael was one of the first, if not the first Mexican-American Austinite to become a professional visual artist.”Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila MintzSoto won many prizes and was exhibited frequently in group and solo shows.A native Austinite, Soto earned his first degree from the University of Texas and his second from the famed Cranbrook Academy of Art in Michigan. His 57th Annual Potters Show and Sale took place in December 2016. He taught ceramics at UT for seven years — one of the first Hispanics to teach in the art department — then at St. Edward’s University and Austin Community College for a total of more than 30 years..“He was a modest, generous mentor and major inspiration to many artists,” said his widow, Cynthia Leigh. “He taught thousands of students over his lifetime. Many of his students decided to become artists from his encouragement and support. He did not try to mold his students to imitate his work; he encouraged them to follow their own artistic path and draw on their own talents. B26

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c1890 Dresden Porcelain Casket in the Capodimonte Style. Great antique porcelain box likely Ernst Bohne or a Dresden company. Crown over N mark inside. Guaranteed over 100 years old with no cracks, chips, or restorations, hand painted. tw145

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Pair of Derby Boy and Girl Figures 5" tall. Beautiful pair. The boy has one leaf<br>chipped on basket, girl has slight loss to basket and a 1" hairline in the base<br>that is really difficult to find. I believe these may be" King Street Derby"<br>perhaps from the early 20th century.<br><br>King Street, Derby(1848 to 1935)<br>A group of former employees set up a factory in King Street in Derby, and<br>continued to use the moulds, patterns and trademarks of the original business,<br>but not the name. No mechanical processes were used and no two pieces produced<br>were exactly the same. Among the items preserved was the original potters wheel<br>used by the Duesburys.<br>There is much damage to the applied Florals on both pieces. I believe there is a<br>very old professional restoration to his hat and her arm.<br><br>tw138

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Early Celadon Jar 3" tall x 4 3/8" wide. Earthenware from a collection of mostly Ming Chinese ceramics put together in the mid 20th century. One hairline shown in center of first pic if you look very closely and a few small chips on rim, no restorations. TW132

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Early Celadon Stoneware Tea Bowl with Lotus Decoration. From a collection of<br>mostly Ming chinese porcelain but some other asian ceramics mostly from the same<br>era. 5 old stable hairlines as shown. 4.25" wide x 1 13/16" deep.<br>TW132

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Antique Delft Tiles in Mahogany Frames. Delft earthenware tiles, 19th c., in polychrome tin glazes, stylized blue border, central octagonal reserve depicting ships in canal, centered in circular mahogany frame, (one) tile with hairline, tile: approx 6"h, 6"w, overall: approx 9.75"diam; 3.75lbs total. TW140

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c1920 Porcelain plaque with courting scene in gilt metal frame. Frame measures<br>7.75" x 5.5". I believe it has hand painted accents over a transfer.<br>B36

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1950's Mexican Coin Art Ashtray. Made from 1940's and 50's coins, made in the<br>fifties or sixties. 4 1/8" wide with no issues.<br>tw7

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c1960 Su Casa Chicago Restaurant Ashtray Tlaquepaque Mexican Folk pottery . 7 3/8" wide rare and unusual. No cracks or chips but some glaze surface wear as expected and shown. tw130

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c1940s Tlaquepaque Mexican Folk Man by barrel. Very unusual and super whimsical piece. 8" tall, there is a chip on the back top of his hat and his head has been glued back on long ago. Still great and rare. b30

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c1880 Nautical Set Folding with Hand painted Porcelain Inserts Cigar Cutter,<br>Match Holder. Extremely rare item Traveling Ships Pocket sized set from the late<br>19th century. Ships wheel cigar cutter, very nice hand painted porcelain plaques<br>likely bohemian.4 7/8" tall open x 4.25" wide closed x 2.5" tall closed. It<br>would create quite a bulge in a pocket but fit in most. Cigars were really small<br>back when this was made.

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3 Stangl Pottery Birds figure groups in Mint condition. Selling all three with<br>no cracks, chips, restorations, or crazing. Largest is 9.25" tall. I've examined<br>these very closely, especially the beaks and tails, they're perfect The bottom<br>beak on the largest has a slight glazed over flaw, not a repair. Better than<br>average colors, crisp molding, no touch ups.<br>tw103

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1882 18.5" Crown Derby Imari Tea Tray Rare form of early tray with an uncommon<br>pattern. No cracks, chips, or restorations, some wear to gilding as shown. 138<br>years old.<br>b22

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18th century Porcelain Cherub with applied Florals Possibly Capodimonte. Very early piece guaranteed 200+ years old. I believe it's capodimonte, but it could be German. Some restorations to body, missing bouquet, some missing petals. 5.5" tall. tw82

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c1920 Haviland Limoges hand painted cabinet plate. No cracks, chips, or<br>restorations.<br>TW82

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c1880 Austrian Hand Painted and Gilt multicolor Pitcher. Unusual decoration on<br>this piece. No cracks, chips, or restorations. Very minor wear in a few spots to<br>painting and some wear to gilding as shown.<br>Tw117

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Herend Fruits and Flowers Cream Soups and Underplates (6). Selling all 6 cream soups with matching saucers. The underplates are 6.5", cream soups are 4 3/8" wide without handles. These are all in like new unused condition with no cracks, chips, gold wear, utensil marks, or any other defects. All hand painted therefore all unique. TW20

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c1910 Sevres Style Muville Artist Signed Hand Painted Courting Cabinet Plate. No cracks, chips, or restorations. Likely framed about 30-40 years ago, but the plate is much older. It is one of a pair I'm listing the other separately under similar keywords. Frame is 14.25", plate is 9.5" Tw55

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c1910 Sevres Style Muville Artist Signed Hand Painted Courting Cabinet Plate. No cracks, chips, or restorations. Likely framed about 30-40 years ago, but the plate is much older. It is one of a pair I'm listing the other separately under similar keywords. Plate is 9.5", frame is 14.25" Tw55

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c1860 British Historical Staffordshire Transferware Jug with Eton College and<br>Fontville Abbey Wiltshire. 7" tall x 7" handle to spout with no cracks, chips,<br>crazing, or restorations. I'm listing a larger mate to this pitcher in a larger<br>size with different scenes separately. Both pitchers have some illegible to me<br>impressions on the footrim.<br>TW10

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c1860 British Historical Staffordshire Transferware Jug with Eton College and<br>Fontville Abbey Wiltshire. 5.5" tall x 5.5" handle to spout with no cracks,<br>chips, crazing, or restorations. I'm listing a larger mate to this pitcher in a<br>larger size with different scenes separately. Both pitchers have some illegible<br>to me impressions on the footrim.<br>TW10

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