สินค้า

Navajo Golden Hills turquoise sterling cuff bracelet. No damage, appears unworn,<br>fits up to a 6.5" wrist, 1" gap, .75" wide, 50 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Navajo Herman Smith 14k gold on Sterling Earrings 1" tall x .75" wide with no issues 13.3 grams. Born in 1964 Gallup, NM. Herman learned silversmithing from he`s mother. He is known for his detailed and unique stampwork, created by using very few stamps. He is known as a local artist and his jewelry is very popular in his home town.

Read more less

Navajo J.B. Platero Sterling Silver Turquoise Kokopelli Pin/Brooch. No issues 2 1/8" x 1 1/8"

Read more less

Navajo Larry Begay Modernist Sterling High Grade Spiderweb turquoise cuff<br>bracelet. Fits up to a 6.5" wrist, no issues, super clean piece in both design<br>and condition.

Read more less

Navajo Martin Perry Sterling/spiny oyster heishi necklace/pendant necklace 24"<br>length, 1.25" x 2.25" pendant, 70 grams total with no damage or significant<br>wear.

Read more less

Navajo Multi-Stone Sterling dangle earrings. 1 7/8" tall x 1" wide 10.7 grams<br>with no issues.

Read more less

Navajo Phillip Guerro Heavy sterling cuff bracelet.<br><br>A master Navajo silversmith, all of Phillip Guerro’s jewelry is of the highest<br>quality craftsmanship, with natural Turquoise and other genuine gemstones, No<br>detail is missed, his work is authentic and beautiful, & because each piece is<br>unique, with one of a kind stones, there will never be another exactly the same.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

Read more less

Navajo Ray Tracey Knifewing Modernistic Inlaid Earrings 1.25" wide square. Light scratches, no deep scratches, bends, or damage to stones. The Creative Process Fueled by Inspiration “God blesses everyone with a variety of gifts and talents.” The Creator blessed Ray with the spirit of Creativity. Inspiration is the basis for his creative spirit. Inspiration arrives in many forms and disguises when least expected. Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray a feeling of reverence. Walking in peace with gratitude and thanksgiving opens up the senses to receive ideas. Petroglyphs carved on canyon walls turns into wearable art. Stories from an ancient past are re-lived on the faces of Yei pendants. The evening sky’s transformation of color inspired the Earth and Sky jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and accompanied him down the fairway. This incident brought the Butterfly and Dragonfly design concept to reality. Having awareness of this special gift, he aspires to know the origin. Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of working the goat bellows for his uncle. Asa would pump the goat bellows all day long to fuel the fire in the forge that would melt silver in a small cast iron crucible. This process was very labor intensive and his grandfather hated it. The molten silver would then be poured into a tufa stone mold to form an ingot. The jeweler would then execute his craft and a new piece of jewelry would be created. “I wanted to see finished jewelry and wanted to learn everything I could. Whenever we would go to Gallup, NM, I would visit curio stores to see creations in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on display; Ray could be seen viewing the works of art. Ray’s family moved to Ganado, AZ when he was six years old. One summer day when he was nine years old, he complained to his mother of how bored he was. The next day his mother enrolled him into summer school and changed his life forever. He went straight to art class and found a silver smithing table in the corner. He remembered his grandfather’s stories and the rest is history.  “In class I fabricated my first ring out of silver for my Mother. I found an unknown stone and made a cabochon. I tried to copy an old style ring design that I had seen at Hubbells Trading Post. One teardrop flanked the sides of the stone. It was a very simple design but it took me a week to finish. I kept melting the silver. I made my next silver and stone creation at the age of 21 and gave it to my mother. It was another ring, but this time it was a split shank with three ribs and three tear drops on the side of the stone.” I told my father, I want to make jewelry for the rest of my life.” Ray continued making jewelry while attending Brigham Young University. Studying chemistry and physics by day and making jewelry at night. “The designs were simple, my first love was Old Style Navajo jewelry. Weekends were spent traveling to Gallup, NM, to sell his work. While at BYU another opportunity arose to express his creativity—acting. “I wasn’t a very good student so Hollywood had an instant appeal. My gift of creativity carried over into acting. Acting was just another outlet of creative expression.” His adventurous nature allowed Ray to spend several years as an actor in feature films and television. This acting detour never made him lose interest in jewelry design. Eventually, Ray’s love of jewelry brought him back to New Mexico to permanently pursue this art form. “One time while traveling to Albuquerque from Gallup, I noticed the horizon over Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps into a bracelet design.” “Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned in a  row on the river bottom. Those pebbles became my inspiration to place them on the sides of an inlaid bracelet.” “Sometimes my creativity comes to a screeching halt. When this happens I go to my roots; Old Style jewelry. That is the place of fascination. The Old Ones utilized rudimentary tools to create their simple, yet perfected, pieces of craftsmanship. From this point I am able to create from an inspiring idea. On the flip side, sometimes my mind becomes flooded with more designs than I can remember. Ideas come so quickly I can’t draw them fast enough.” “When I see someone wearing one of my designs, it takes me back to the time when the piece was created. Sometimes I can recall what I was eating or even the music I was listening to. I will remember the inspiration that helped create that design.” Ray has found his path or gift of self-expression that has blessed, enlightened, and influenced his life and others. Awareness of this special gift, fuels his energy and creativity. Inspiration helps to translate his creativity into artistic-visual expression. His creations stand as transitional figures from traditional to contemporary.  He creates something good as he is drawn toward untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a legacy from which generations can learn and grow. Ray has learned to appreciate and embrace the journey of life and its gifts.

Read more less

Navajo Ray Tracey Knifewing Sugilite/Onyx sterling channel inlay earrings 1"<br>square 11 grams, no issues.<br><br>The Creative Process Fueled by Inspiration<br><br>“God blesses everyone with a variety of gifts and talents.” The Creator blessed<br>Ray with the spirit of Creativity. Inspiration is the basis for his creative<br>spirit. Inspiration arrives in many forms and disguises when least expected.<br>Hiking the canyons of the Southwest, where his ancestors did the same, gives Ray<br>a feeling of reverence. Walking in peace with gratitude and thanksgiving opens<br>up the senses to receive ideas. Petroglyphs carved on canyon walls turns into<br>wearable art. Stories from an ancient past are re-lived on the faces of Yei<br>pendants. The evening sky’s transformation of color inspired the Earth and Sky<br>jewelry line. Once while golfing, a white butterfly landed on Ray’s golf bag and<br>accompanied him down the fairway. This incident brought the Butterfly and<br>Dragonfly design concept to reality. Having awareness of this special gift, he<br>aspires to know the origin.<br><br>Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in<br>Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of<br>working the goat bellows for his uncle. Asa would pump the goat bellows all day<br>long to fuel the fire in the forge that would melt silver in a small cast iron<br>crucible. This process was very labor intensive and his grandfather hated it.<br>The molten silver would then be poured into a tufa stone mold to form an ingot.<br>The jeweler would then execute his craft and a new piece of jewelry would be<br>created.<br><br>“I wanted to see finished jewelry and wanted to learn everything I could.<br>Whenever we would go to Gallup, NM, I would visit curio stores to see creations<br>in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal<br>Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on<br>display; Ray could be seen viewing the works of art.<br><br>Ray’s family moved to Ganado, AZ when he was six years old. One summer day when<br>he was nine years old, he complained to his mother of how bored he was. The next<br>day his mother enrolled him into summer school and changed his life forever. He<br>went straight to art class and found a silver smithing table in the corner. He<br>remembered his grandfather’s stories and the rest is history. <br><br>“In class I fabricated my first ring out of silver for my Mother. I found an<br>unknown stone and made a cabochon. I tried to copy an old style ring design that<br>I had seen at Hubbells Trading Post. One teardrop flanked the sides of the<br>stone. It was a very simple design but it took me a week to finish. I kept<br>melting the silver. I made my next silver and stone creation at the age of 21<br>and gave it to my mother. It was another ring, but this time it was a split<br>shank with three ribs and three tear drops on the side of the stone.” I told my<br>father, I want to make jewelry for the rest of my life.”<br><br>Ray continued making jewelry while attending Brigham Young University. Studying<br>chemistry and physics by day and making jewelry at night. “The designs were<br>simple, my first love was Old Style Navajo jewelry. Weekends were spent<br>traveling to Gallup, NM, to sell his work. While at BYU another opportunity<br>arose to express his creativity—acting. “I wasn’t a very good student so<br>Hollywood had an instant appeal. My gift of creativity carried over into acting.<br>Acting was just another outlet of creative expression.” His adventurous nature<br>allowed Ray to spend several years as an actor in feature films and television.<br>This acting detour never made him lose interest in jewelry design. Eventually,<br>Ray’s love of jewelry brought him back to New Mexico to permanently pursue this<br>art form.<br><br>“One time while traveling to Albuquerque from Gallup, I noticed the horizon over<br>Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps<br>into a bracelet design.”<br><br>“Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned<br>in a  row on the river bottom. Those pebbles became my inspiration to place them<br>on the sides of an inlaid bracelet.”<br><br>“Sometimes my creativity comes to a screeching halt. When this happens I go to<br>my roots; Old Style jewelry. That is the place of fascination. The Old Ones<br>utilized rudimentary tools to create their simple, yet perfected, pieces of<br>craftsmanship. From this point I am able to create from an inspiring idea. On<br>the flip side, sometimes my mind becomes flooded with more designs than I can<br>remember. Ideas come so quickly I can’t draw them fast enough.”<br><br>“When I see someone wearing one of my designs, it takes me back to the time when<br>the piece was created. Sometimes I can recall what I was eating or even the<br>music I was listening to. I will remember the inspiration that helped create<br>that design.”<br><br>Ray has found his path or gift of self-expression that has blessed, enlightened,<br>and influenced his life and others. Awareness of this special gift, fuels his<br>energy and creativity. Inspiration helps to translate his creativity into<br>artistic-visual expression. His creations stand as transitional figures from<br>traditional to contemporary.  He creates something good as he is drawn toward<br>untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a<br>legacy from which generations can learn and grow. Ray has learned to appreciate<br>and embrace the journey of life and its gifts.

Read more less

สร้อยข้อมือ Navajo Sterling และ Blue Gem Turquoise โดย Harold Joe หินคุณภาพสูงทำเครื่องหมายและทดสอบสเตอร์ลิง เส้นผ่านศูนย์กลางภายใน 7.25" รวมช่องว่าง 1 3/8" สร้อยข้อมือหนัก 64 กรัม กว้าง 1.25" และกว้าง 1 7/8" โดยมีหินอยู่ตรงกลาง

Read more less

Navajo Sterling and Blue ridge turquoise pendant. Signed RB, marked and tested sterling 1.5" x 3", 26 grams.

Read more less

Navajo Sterling and Carico Lake Turquoise pendant by Lorenzo Juan. 1.5" x 2.5"<br>23.3 grams with no damage or issues, marked and tested sterling.

Read more less

Navajo Sterling and onyx cuff bracelet by Chimney Butte. Huge cuff 144.3 grams, a hair over 2.5" wide in the center, 7.5" counting the 1.5" gap. No issues, natural stone.

Read more less

Navajo sterling and turquoise bolo tie 38" long, 2" x 1.5" bolo slide, 31.7<br>grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

Read more less

เงินสเตอร์ลิง 27" ยาว 2" x 2" นาจา 87.2 กรัม สเตอร์ลิงสควอชบลอสซั่มหน้าตาดี ลายเซ็น B ทำเครื่องหมายและทดสอบแล้ว

Read more less

Navajo sterling Begay Large concho with turquoise earrings 13.8 grams 1 5/8" wide with no issues.

Read more less

Navajo Sterling Cuff Bracelet. 6 7/8" including the 1 3/8" gap. 2 3/8" wide in center 49 grams, marked and tested sterling, no other marking found. Nice heavy gauge cuff.

Read more less

Navajo Sterling Cuff Bracelet Hand Stamped with ropes 6.5" or 16cm inner diameter .75" thick with 1" adjustable opening. Tested and marked sterling circa 3rd quarter of 20th century. 32 grams.

Read more less

Navajo Sterling Cuff Bracelet Squash blossom Design. 1" at thickest point x 6.5" inner diameter with 1.25" adjustable opening. Just marked sterling. Circa third quarter of 20th century. 40 grams.

Read more less

Navajo Sterling Emma Lincoln Cuff Bracelet 6.75" including the 1 1/8" gap 78.3<br>gram, nice solid cuff bracelet with no issues. 1.25" wide.

Read more less

Navajo Sterling Kachina Head pendant for Golden Eagle Trading Company. No issues, measurements in pics.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

Read more less

เข็มกลัด Navajo Sterling Kingman Turquoise โดย F Burnside เนื้อเก่าสวยประมาณกลางศตวรรษที่ 20 2.25" x 1.25" x 19 กรัม โดยไม่มีปัญหาใดๆ

Read more less

Navajo Sterling Onyx Pendant 19.5 grams 2.25" tall with no issues.

Read more less

Navajo Sterling Sleeping beauty Turquoise cowboy and Lasso Brooch. Mid 20th century 1.75" x 1.5" x 9.7 grams. No issues, unmarked tested sterling.

Read more less

Navajo Sterling Spiny oyster, Peridot, and pearl Cross Pendant by Chimney Butte. Marked and tested sterling 4 1/8" tall x 2 1/8" wide 49.8 grams

Read more less

Navajo sterling Tufa Cast High Grade Royston turquoise pendant. 3.25" tall x 1 5/8" wide 42.7 grams. No issues, very wonderful stone and amazing casting, unsure of artisan, possibly Kenneth Jones Sr.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

Read more less

Navajo Sterling Turquoise and Coral Wolf Necklace Pendant and Earrings set. Necklace is 18" long, There's a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is solid sterling but the beads of course are hollow. No damage or issues. Earrings don't quite match but they are Navajo and sterling. Total weight 54.8 grams.

Read more less

Navajo Sterling Turquoise conchos leather bracelet. Selling the bracelet shown,<br>No holes in the leather so never worn, can easily make a hole or holes for the<br>perfect fit.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Navajo Sterling Turquoise Cross with Stamped Bead necklace with earrings. Necklace is 19" long, There's a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is solid sterling but the beads of course are hollow. No damage or issues. I'll be listing several of these all different from an estate collection in which the previous owners had a Native American trading post in the last quarter of the 20th century. Total weight 66.7 grams.

Read more less

Navajo Sterling Turquoise Nugget beaded necklace. Necklace is 20" long, There's<br>a 1" ruler at the bottom of the pics. Marked and tested sterling, everything is<br>solid sterling but the beads of course are hollow. No damage or issues. Earrings<br>don't quite match but they are Navajo and sterling. Total weight 61 grams.

Read more less

Navajo Sterling turquoise/coral pendant and beaded necklace. New old stock item never worn, 24" necklace, 3 1/8" with bail x 1.25" pendant 55.5 grams.

Read more less

Navajo Sterling white Buffalo Earrings. New old stock earrings never worn with<br>no issues or wear. 24.7grams 2 1/8" long x 1 1/8" wide

Read more less

Navajo Sterling White buffalo turquoise and coral cuff bracelet. 6" including the 1" gap. 1.85" wide in center. Marked and tested sterling. 43 grams

Read more less

ต่างหูนาวาโฮสเตอร์ลิง/ เจ้าหญิงนิทราเทอร์ควอยซ์ ทรงคอนโชขนาดใหญ่ 26 กรัม 3.5" x 1.5" ไม่มีปัญหา

Read more less

Navajo Sterling/Malachite necklace and earrings set. Selling the vintage set<br>shown with no issues. Tested sterling with no purity markings. 1" tall earrings<br>Necklace has an extender so it can be worn at 22" or 28". 113 grams total

Read more less

Navajo Sterling/mother of pearl bib necklace 23.8 grams. Approx 18" long, tested<br>sterling.

Read more less

Navajo Sterling/turquoise dragonfly pin 7.6 grams, 2.25" x 1.75" with no issues All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

Read more less

Navajo Sterling/Turquoise necklace. Approximately 18" long, no damage or issues,<br>marked and tested sterling. 47.2 grams

Read more less

Navajo Tom Hawk Sterling Cuff bracelet. Tom Hawk is an award-winning Navajo silversmith whose signature style showcases highly dimensional polished ribs of sterling silver against deep blackened channels of oxidized silver. Known for his cuff bracelets, he also handcrafts unique earrings, rings, and pendants all in his signature style. Working exclusively with heavy gauge sterling silver anyone who owns a piece of Tom Hawk’s artwork knows that it will stand the test of time and become a go-to piece for any collection. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

Read more less

Navajo Walter Vandever Sterling Mudhead Kachina pendantAll precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Nel J Navajo sterling, turquoise, and coral bolo tie 39" long. Other measurements in pics. No issues.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

Read more less

Nellie Tso (1932-2011) Navajo Sterling and Turquoise Concho Belt signed N. Tso<br>(Nellie Tso, Navajo/ Dine, Arizona, 1932-2011), nine conchos and belt buckle,<br>spoked wheel design, each set with a turquoise cabochon, on a black leather<br>belt, only one hole punched in belt strap, belt: approx 40"l (flat, buckle to<br>single hole), buckle: approx 2"h, 2.5"w; 1.25lbs total 10 Conchos including the<br>buckle, I weighed one it was 46.5 grams, conchos test sterling, so it's about<br>470 grams of silver/turquoise with the small copper backs.<br>Tw208

Read more less

Nelson Garcia - Kewa Sterling and high grade turquosie pendant. No issues, weight and measurements in pics. Nelson Garcia is a very competent silversmith that uses the best materials and does extremely clean/high end work as is hopefully evident here. <br><br>Nelson Garcia was born October sixth, 1955 in the village of Santo Domingo Pueblo, New Mexico. He was raised in a large family made up of four brothers and four sisters. One of the eldest, he matured early and with a good heart, shared in the responsibilities of his youth. From working in the fields with his brothers or watching the trade of his father, the seeds of perfection were sown.<br><br>His father, Joe Jay Garcia, was a silversmith with talents in traditional designs and Heishi necklaces. From studying his fathers workmanship more than a talent was formed. Nelson learned that any job can be completed but if not done correctly, it is a pointless task. In his grade school years he created his first works. Buying silver from his uncle, he would make silver cones that are used as the ending tips to a Heishi necklace. Once completed, he would walk throughout the village selling his silver cones to the many artists. Who knew that these elements would lay foundations to greater achievements in the years to come.<br><br>After high school Nelson said farewell to the comforts of home and in 1974 moved to Phoenix, Arizona. In school and full of optimism, he would begin the next chapter to his life. He started working in a local jewelry store as a silversmith. Once again studying his surroundings, this experience would give him the momentum to go into business for himself. As time passed, like every man he would find his happiness. In 1975 he married his wife Helen, a Navajo from the Naakaii Dinee clan. A year later his first child was born, a daughter whom they would name Coreen. To any business the early years define character and will. In 1983 with a newborn son, AAron, he decided to go into business for himself. With his creations packed and loaded into his car he drove to Page, Arizona for his first Art show. That Saturday he would make his first sale as an independent artist. Sadly, that would be his only sale for that day. One ring, in which he had to debate the price, but was finally sold. With a fresh fourteen dollars in hand, one would think dread would set in. Showing resilience he drove the next day to the Coconino center in Flagstaff, Arizona. This bold step would define his business ethic. He would attend this next art show with high hopes and patient hands. Driving home later that night with four-hundred eighty dollars in his pocket, his American dream had become a reality.<br><br> As the years have passed, Nelson has won many distinguished awards at some of the nations largest art exhibits. From the Santa Fe Indian Market to Red Earth in Oklahoma city. His jewelry has traveled into the heart of Europe with shows in Germany, Austria and Switzerland. He has formed relationships of trust with his many customers in the western world. Assured perfection in his work is what should be expected. Only selecting the finest stones and designing the most careful expressions. He lives a life of success in Phoenix to this day with his wife and family. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

Read more less

Nelson Garcia Santo Domingo Silver bolo tie with high grade turquoise 43" long, 68.7 grams, 2.25" x 1.75" slide, 1 7/8" tall x 10mm wide custom handmade tips, very high grade leather cord all in excellent condition. Nelson Garcia is a very competent silversmith that uses the best materials and does extremely clean/high end work as is hopefully evident here. <br><br>Nelson Garcia was born October sixth, 1955 in the village of Santo Domingo Pueblo, New Mexico. He was raised in a large family made up of four brothers and four sisters. One of the eldest, he matured early and with a good heart, shared in the responsibilities of his youth. From working in the fields with his brothers or watching the trade of his father, the seeds of perfection were sown.<br><br>His father, Joe Jay Garcia, was a silversmith with talents in traditional designs and Heishi necklaces. From studying his fathers workmanship more than a talent was formed. Nelson learned that any job can be completed but if not done correctly, it is a pointless task. In his grade school years he created his first works. Buying silver from his uncle, he would make silver cones that are used as the ending tips to a Heishi necklace. Once completed, he would walk throughout the village selling his silver cones to the many artists. Who knew that these elements would lay foundations to greater achievements in the years to come.<br><br>After high school Nelson said farewell to the comforts of home and in 1974 moved to Phoenix, Arizona. In school and full of optimism, he would begin the next chapter to his life. He started working in a local jewelry store as a silversmith. Once again studying his surroundings, this experience would give him the momentum to go into business for himself. As time passed, like every man he would find his happiness. In 1975 he married his wife Helen, a Navajo from the Naakaii Dine’e clan. A year later his first child was born, a daughter whom they would name Coreen.<br><br> To any business the early years define character and will. In 1983 with a newborn son, AAron, he decided to go into business for himself. With his creations packed and loaded into his car he drove to Page, Arizona for his first Art show. That Saturday he would make his first sale as an independent artist. Sadly, that would be his only sale for that day. One ring, in which he had to debate the price, but was finally sold. With a fresh fourteen dollars in hand, one would think dread would set in. Showing resilience he drove the next day to the Coconino center in Flagstaff, Arizona. This bold step would define his business ethic. He would attend this next art show with high hopes and patient hands. Driving home later that night with four-hundred eighty dollars in his pocket, his American dream had become a reality.<br><br> As the year’s have passed, Nelson has won many distinguished awards at some of the nations largest art exhibits. From the Santa Fe Indian Market to Red Earth in Oklahoma city. His jewelry has traveled into the heart of Europe with shows in Germany, Austria and Switzerland. He has formed relationships of trust with his many customers in the western world. Assured perfection in his work is what should be expected. Only selecting the finest stones and designing the most careful expressions. He lives a life of success in Phoenix to this day with his wife and family.<br><br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

Read more less

Nelson Silvia 10K/Sterling Houston Texas hand engraved belt buckle. Great buckle with no issues. The monogram makes it one of a kind and rare, but it is in 10k gold, likely $100-$150 worth of gold just in the center so someone could likely get their name put in the center in trade for the gold. 4" x 2.75" fits up to 1 5/8" belt. 67.5 grams

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 5 7/8" Teaspoon. I have a<br>small set of this in "New old Stock" condition. They have never been out of the<br>sleeve, never used, this pattern was discontinued in 2019 so they have been in a<br>drawer for awhile and will be some wear to plastic sleeves but the pieces inside<br>are absolutely new and unused, not machine polished with a worn down pattern<br>like some of the big replacement patterns offer but new and not available<br>anywhere at any price in this condition. I'm still pricing them at way less than<br>they cost new and about what the big companies charge for a refinished piece<br>that typically has lost the original crispness of the pattern.<br><br>Selling (1) 5 7/8" Sterling silver Francis the 1st by Reed and Barton Teaspoon<br>sealed in the pack, unused with more available. You can change the qty to<br>purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 6 1/8" Individual Salad Fork.<br>I have a small set of this in "New old Stock" condition. They have never been<br>out of the sleeve, never used, this pattern was discontinued in 2019 so they<br>have been in a drawer for awhile and will be some wear to plastic sleeves but<br>the pieces inside are absolutely new and unused, not machine polished with a<br>worn down pattern like some of the big replacement patterns offer but new and<br>not available anywhere at any price in this condition. I'm still pricing them at<br>way less than they cost new and about what the big companies charge for a<br>refinished piece that typically has lost the original crispness of the pattern.<br><br>Selling (1) 6 1/8" Sterling silver Francis the 1st by Reed and Barton 6 1/8"<br>individual salad fork sealed in the pack, unused with more available. You can<br>change the qty to purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 6 3/8" Modern Hollow Butter Spreader with sterling handle and (Stainless blade). I have a small set of this in "New old Stock" condition. They have never been out of the sleeve, never used, this pattern was discontinued in 2019 so they have been in a drawer for awhile and will be some wear to plastic sleeves but the pieces inside are absolutely new and unused, not machine polished with a worn down pattern like some of the big replacement patterns offer but new and not available anywhere at any price in this condition. I'm still pricing them at way less than they cost new and about what the big companies charge for a refinished piece that typically has lost the original crispness of the pattern. Selling (1) 6 3/8" Modern Hollow Butter Spreader (Stainless blade) sealed in the pack, unused with more available. You can change the qty to purchase more than one. An American Classic, Francis 1st by Reed & Barton continues to be as popular today as it was when it was introduced in 1907. The grandeur of this unique sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen different fruit-and-flower clusters. Each handle bears one of these exquisitely detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 6" Round Bowl Soup Spoon<br>(Cream Soup). I have a small set of this in "New old Stock" condition. They have<br>never been out of the sleeve, never used, this pattern was discontinued in 2019<br>so they have been in a drawer for awhile and will be some wear to plastic<br>sleeves but the pieces inside are absolutely new and unused, not machine<br>polished with a worn down pattern like some of the big replacement patterns<br>offer but new and not available anywhere at any price in this condition. I'm<br>still pricing them at way less than they cost new and about what the big<br>companies charge for a refinished piece that typically has lost the original<br>crispness of the pattern.<br><br>Selling 1 6" long with 1 7/8" wide bowl cream soup spoon with more available by<br>changing the qty.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 7.25" Fork. I have a small set<br>of this in "New old Stock" condition. They have never been out of the sleeve,<br>never used, this pattern was discontinued in 2019 so they have been in a drawer<br>for awhile and will be some wear to plastic sleeves but the pieces inside are<br>absolutely new and unused, not machine polished with a worn down pattern like<br>some of the big replacement patterns offer but new and not available anywhere at<br>any price in this condition. I'm still pricing them at way less than they cost<br>new and about what the big companies charge for a refinished piece that<br>typically has lost the original crispness of the pattern.<br><br>Selling (1) NEW Reed and Barton Francis 1 Sterling Silverware 7.25" Fork sealed<br>in the pack, unused with more available. You can change the qty to purchase more<br>than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern Hollow Knife<br>(Stainless blade) with sterling handle, 4 7/8" long blade. I have a small set of<br>this in "New old Stock" condition. They have never been out of the sleeve, never<br>used, this pattern was discontinued in 2019 so they have been in a drawer for<br>awhile and will be some wear to plastic sleeves but the pieces inside are<br>absolutely new and unused, not machine polished with a worn down pattern like<br>some of the big replacement patterns offer but new and not available anywhere at<br>any price in this condition. I'm still pricing them at way less than they cost<br>new and about what the big companies charge for a refinished piece that<br>typically has lost the original crispness of the pattern.<br><br>Selling (1) NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern<br>Hollow Knife (Stainless blade) sealed in the pack, unused with more available.<br>You can change the qty to purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

Read more less

Great estate fresh piece. Frame measures 15.75" x 12 5/8". Inside of matting is<br>8" x 5.75". The paper is a little dark and there's a small damaged spot on the<br>very right center. Replacing the matting with slightly smaller would easily fix<br>that issue. Here's a link for this print at Rago's.<br><br>https://www.ragoarts.com/auctions/2015/02/14/early-20th-c/246<br>B3

Read more less

Nice Antique Duck Decoy. Great duck decoy 19th century to first quarter of 20th century. 13.25" long x 5.25" wide, glass eyes, well carved and painted, some loss to paint shown. No identifying marks that I could find.

Read more less

Great looking painting in a shadowbox frame with no issues. I can't make out the<br>signature, but it's a good quality painting that's very well presented. 9" x 13"<br>sight in a 16.5" x 20.5" Shadowbox frame behind glass.

Read more less

Nice old Hopi Native American pottery bowl. Nice old piece I believe from the<br>second quarter of the 20th century with no damage and little wear. 6.25" wide x<br>3" tall.<br>isshelf

Read more less

Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested 90% or more silver.

Read more less

Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick<br>heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested<br>90% or more silver.

Read more less

Nice Vintage Navajo Hand stamped silver concho pin. Weight and measurements in pics. Hallmarked with an S, likely 50's-60's.

Read more less

Nice Vintage Sterling/turquoise cuff bracelet. Great cuff from the second quarter of the 20th century with no issues.

Read more less

Nicholas J. Lutz(1835-1906) Attributed Unusual Victorian Art Glass Enameled<br>Latticino Vase. 7.75" tall, extremely special piece of glass. Latticino like the<br>best Italian glass with Enameling equivalent to the best French/American art<br>glass of the period. This piece is definately well over 100 years old I'm<br>certain and guaranteeing it to be. Ground pontil, natural wear on base, best<br>quality imaginable with no damage or flaws other than minor wear to gilding.<br>Really if this is what I think it is it belongs in a museum as it's a top<br>example of someone's work, if you have any better ideas base on<br>reality/experience I'd also be grateful for that.<br><br>Nicholas J. Lutz (21 February 1835 St. Louis-lès-Bitche, France - 31 March 1906<br>Somerville, Massachusetts) was a French glassmaker who received his training at<br>the Cristalleries de St. Louis, and later emigrated to the United States where<br>he settled in White Mills in Pennsylvania, later working at the Boston and<br>Sandwich Glass Company<br>isshelf

Read more less