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Preston Monongye (Hopi) (1927-1987) Tufa Cast Silver turquoise and coral<br>cobblestone inlay bracelet. 1 7/8" (48mm) wide, 1 1/8" (29mm) gap, fits up to a<br>6.25 " (159mm) wrist. 125.2 grams. Incredible design, quality, and . A work of<br>art by anyone's standards, one of a kind piece. <br>Recognized as an innovative designer and technician, immersing himself in “the<br>new Indian art,” using traditional techniques and motifs to create a<br>contemporary new look. He was best known for cast silver set with stones that<br>often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye<br>taught his art at various schools and workshops and lectured widely on<br>contemporary Native design. He won many awards at shows and competitions and his<br>jewelry appears in museum collections such as the Museum of Northern Arizona in<br>Flagstaff and the Wheelwright Museum in Santa Fe.

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Preston Monongye (Hopi) (1927-1987) Tufa Cast Silver turquoise, coral, and Jet<br>scary monster bracelet. 1 11/16" (44mm) wide, 1 1/8" (29mm) gap, fits up to a 6<br>3/16" (157mm) wrist. 92.5 grams. Incredible design, quality, and . A work of art<br>by anyone's standards, one of a kind piece. <br>Recognized as an innovative designer and technician, immersing himself in “the<br>new Indian art,” using traditional techniques and motifs to create a<br>contemporary new look. He was best known for cast silver set with stones that<br>often were cut by his friend Lee Yazzie, and later by his son Jesse. Monongye<br>taught his art at various schools and workshops and lectured widely on<br>contemporary Native design. He won many awards at shows and competitions and his<br>jewelry appears in museum collections such as the Museum of Northern Arizona in<br>Flagstaff and the Wheelwright Museum in Santa Fe.

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Price Booker San Antonio Texas Sun Colored Amethyst Pickle Bottles Embossed With<br>Rare Original Labels Tooled Lips 9.5" and 11" c.1900. No cracks or chips. Very<br>clean, both are light amethyst. I assume sun colored. They've been packed since<br>the 1970's and belong in a Texas history museum.

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PSA 10 1999 Pokemon #30 Ivysaur Gem Mint. Buying the exact card shown, it's been in a plastic sleeve since it was graded.

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Nice embossed and scalloped border. Measures 17" x 13.5" Fine example of Chinese mid 18th century craftsmanship. No cracks, large chips, or restorations. Some wear to Gilding and several very small flakes on outer run as shown in rim pics.

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Qing c1880 Chinese Famille Rose Man and Woman serving tea Figures. Very nice<br>quality pair from the late 19th century with no cracks, chips, or restorations.<br>Tallest is 8.5".<br>B18

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Qing Chinese Blue underglaze porcelain dish described in detail on 1984 appraisal which will be included and a pic of is included in the attached pictures. Jo Ann Adams was a very well respected, thorough, and knowledgeable appraiser that specialized in Asian antiques. And as you most likely know if you're reading this Chinese porcelain is one of the few areas of Antiques/Collectibles that have proven to be an excellent investment in the last 38 years since these appraisals were done. 2 old chips on rim, no other chips, no cracks, no restorations.

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Qing Chinese Blue/White Slip Decorated bowls. Selling the three bowls, 18/19th<br>century. One with chip and hairline shown to the right side of the first pic. No<br>other cracks, chips, or restorations. A few glaze pops and crazing lines through<br>hand applied white slip decoration. These are really nice bowls. 8.25" wide x 3"<br>deep. Selling all three.

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Qing Chinese Monochrome Turquoise Glazed bottle form vase. 18th/19th century 5" tall with no cracks, chips, or restorations. Small glaze flakes inside and outside of foot rim.

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Qing Chinese Watercolor mother of pearl inlaid enamel fan. Very fine antique<br>chinese 19th century fan with some expected wear, separation on one side and a<br>few small pin holes, some loss to wood/enamel. Very old fragile item that should<br>probably be framed. I didn't want to mess with it much for the pics but did what<br>I felt comfortable doing. 10" long, all hand painted, etc.<br>chinashelf

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Qing Dynasty Antique Chinese Bowl blue/white underglaze. Large bowl 8.5" wide x<br>4.25" tall.<br>described in detail on 1984 appraisal which will be included and a pic of is<br>included in the attached pictures. Jo Ann Adams was a very well respected,<br>thorough, and knowledgeable appraiser that specialized in Asian antiques. And as<br>you most likely know if you're reading this Chinese porcelain is one of the few<br>areas of Antiques/Collectibles that have proven to be an excellent investment in<br>the last 38 years since these appraisals were done.<br><br>No cracks, chips, or restorations.<br>Chineseshelf

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Qing Dynasty Antique Chinese Silk Embroidery Panel. Nicely framed in Acrylic. Chinese Qing framed embroidery panel.From the Estate of Ms. Louise Moorrees (maiden name). Her great grand uncle, Mr. Guus Moorrees (having a Chinese name "Guo Ye") had traveled to China during the beginning of the 20th C. 23"H x 16.5"W,

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Qing Dynasty Chinese Celadon Crackle Glazed Bowl. 5.25" wide x 2" tall. No<br>cracks, chips, or restorations. Natural wear to footrim, guaranteed 19th century<br>or older.<br>b31

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Qing Dynasty Chinese Shiwan Pottery Food Lion Figures Male and Female. Great<br>Mirrored pair of figures from the Mid 19th century, Chinese. 8.5" long x 7.5"<br>tall each. Matching anatomically correct pair male and female. No restorations,<br>no cracks, both have some los to eyelashes, nibs on tail, and the male has a<br>chip to the back right leg as shown. They are wonderful and display very well,<br>interesting and rare pair but not perfect so please examine pics.tw104

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Qing Dynasty Jade mounted Embroidered Silk Antique Chinese Collar. Frame<br>measures 17.5" x 13.5" Guaranteed late 19th century or earlier Qing Dynasty<br>Chinese Collar with Authentic Jade hung on real untested gold chains.

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QT Southwestern sterling hearts bracelet 8" long, 20 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Qt Southwestern sterling onyx bracelet. No issues. Signed qt sterling on back of concho. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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QT Sterling Navajo Southwesters shop inlaid sterling link bracelet 7" long x .75" wide. No issues.

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Quartz Amethyst Cats Carved Eagle Head paperweight 2.5" wide, natural hand carved stones with glass eyes. No damage. pwdrawer

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R Navajo Sterling pendant with pretty turquoise. No issues, weight and measurements in pics. Last quarter of the 20th century.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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R.A. Guthrie Sterling Overlay 1985 East Texas No Pro Futurity Rodeo Belt Buckle.<br>The front is sterling mounted on a stronger metal so it can actually be used.<br>4.25" x 3 3/8" for up to a 1.5" belt. Nice clean 36 year old buckle with no<br>significant issues, hand engraved.<br>tw106

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Some gold wear on rim and flowers closest to the rim. No chips, cracks, or restorations. Unmarked, but guaranteed RS Prussia.

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Ralph Grimm (1889-1935) Arts and Crafts sterling plate made at Walter Reed<br>General Hospital 7 1/8" wide, some expected wear, displays well. 158.6 grams.<br><br>Ralph Grimm was born July 1889 in Santa Barbara, California, and died 23<br>February 1935 in Washington DC. He was blacksmith and coal miner who lost both<br>his legs as private in WWI. Learned silversmithing trough occupational therapy<br>courses at Walter Reed Hospital. Grimm gained notoriety for his ability to go<br>beyond his handicap and open one business in Washington

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Ramon Dalangyawma Hopi sterling earrings. No issues, weight and measurements in pics. Capital letters spelling DALANGYAWMA identify the sterling overlay jewelry produced by Hopi/Navajo silversmith Ramon Dalangyawma. Born Ramon Albert, Jr. at the Grand Canyon Village, January 26, 1954, Ramon was raised by his grandparents, and, aunts in the pueblo at Hotevilla, Arizona. In his formative years, Ramon worked the family five acre farm growing corn, beans and squash. He vividly remembers the time spent checking the plants daily for worms, and the unmistakable aroma of home made piki bread. As an initiated member of the Hopi Kachina Society, responsible for tending his five acre field, hauling the family water (five gallons per bucket, sometimes hauling twobuckets per day), one wonders where he finds time to make jewelry. Ramon moved from the pueblo to study at the IAIA school in Santa Fe for two years, transferring to Phoenix Indian High School high school, where he graduated in 1972. After high school, he enlisted in the Marine Corps. He was promoted from Private to Corporal taking his training at the Communications school in Twenty Nine Palms, California. He says that President Nixon is his “big hero because it was his decision to begin the withdrawal of troops from Viet Nam that kept him from being shipped overseas as a Field Radio Operator. Ramon completed a 12 month tour on Okinawa, in the pacific, and after the military, he worked for a short time with the Bureau of IndianAffairs in Tuba City. Ramon returned to Hotevilla in 1978 and began Silver work at the Hopi Arts and Crafts center. Working in copper, brass, and bronze, he signed his earliest work with stylized initials RA. (Ramon Albert) Many of Ramons works went unsold because they lacked a distinguishable Hopi surname. Like his father before him, Ramon was named after the son of Lorenzo Hubbell, who owned and operated the New Oraibi Trading Post. His grandmother gave Ramon Albert, Jr. the Hopi name Dalangyawma, which he has adopted as his hallmark. Ramon sells most of his jewelry at Indian art and craft fairs. Ramons designs often reflect his Hopi culture. Designs such as clouds, thunderbolts, and rain reflect the importance of weather in an area where there is no irrigation. Clan symbols, such as the bear, spider, and antelope, mixed with prayer feathers, kachinas, Kokopelli and corn are all combined in Ramons work. Ramon dislikes doing the smaller pieces not because of limited space for his hallmark, but because holding and cutting small pieces of silver is difficult and tedious. He prefers to work on larger items. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Randall Endito Navajo Waterweb Turquoise and Spiny oyster sterling Lariat<br>necklace approx 20" long with a 3.5" drop 50.5 grams.<br><br>Randall Endito grew up in a family of silversmiths and learned his art from his<br>parents. Born in Gallup, January 1, 1980 to the Tangle Water into Bitterwater<br>Clan, Randall continues to live and work in New Mexico. His clean lines and<br>detailed stamp and scrollwork give him a unique style that is delighting patrons<br>in the Southwest.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Randy Glover Sterling Engraved Abstract Cowboy Art Silver Copper and Onyx Mixed metals Necklace/pendant. Made of sterling and copper. The larger beads are sterling, the small ones on the back are copper, face is hand engraved sterling and copper with genuine onyx. No issues or damage. Necklace is 16"Randy Glover has been a full time cowboy in the Davis Mountains & Big Bend region of West Texas most of his life. Learning to engrave in the 1990's from master engraver Johnny Weyerts. Thats when Randy started pursuing a sideline business making jewelry and belt buckles.Randy gets his inspiration from nature while on the back of a horse. Working mainly with sterling silver & copper, incorporating natural stones he strives to make unique pieces with a contemporary southwestern flair.

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Randy Strong 1998 Studio Art Glass Heart Dichroic Paperweight. No cracks, chips,<br>scratches, or dings. 3.25" x 2.75"<br>b31

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No scratches, dings, cracks, or chips. Dated January 1978 and numbered 887<br><br>Bio<br><br>Randy Strong<br><br>Winner of the juried 2005 and 2008 Niche award for blown glass and finalist for<br>2010 – awarded by Niche magazine for the best of blown glass in the United<br>States – Randy Strong – artist and designer in hot glass for 40 years, has<br>worked continuously throughout his career producing innovative designs in glass<br>that continually influence the ever changing and growing community of studio<br>glass artists.<br><br>Randy is one of a handful of the early pioneering American Glass Artists to help<br>define American Studio Art Glass.  Before he was to enter the world of glass<br>however, he began his broad education in the arts by working in and collecting<br>photography.  In the late 60’s he was working as an events photographer for the<br>Oakland Tribune, and for a brief period, was privileged to work with and learn<br>from photographer Ansel Adams.  His first taste of working in glass came in 1969<br>at the California College of Arts and Crafts in Oakland, Calif. where he began<br>by studying ceramics and was fortunate to have as his mentor, the renowned<br>ceramicist, Peter Voulkos.  Upon graduation in 1970 he received one of the first<br>scholarships to the University of Art in Osaka, Japan as one of the first<br>exchange students between the Universities of Calif., Calif. College of Arts and<br>Crafts, and Osaka, Japan.  That grounding in ceramics led him into the largely<br>unknown (at that time ) frontier of studio art glass.  In 1970, he was with Dale<br>Chihuly when Dale and the Haubergs selected the location for the now renowned<br>Pilchuck Glass School in Seattle, Washington – and the journey into that<br>frontier was well underway.<br><br>Many of today’s successful, working glass artists are either former students, or<br>have worked with or  for him at one time.  His work, ranging from his<br>distinctive crystal and gold goblets and his ground-breaking work with dichroic<br>glass, to his imposing cast sculptures, and now his seemingly gravity defying,<br>color saturated, multi-piece sculptures, have been acquired by collectors<br>internationally and are a part of collections ranging from The Corning Museum in<br>New York, to the Louvre in Paris.<br><br>Randy’s work through the last 4 decades has been characterized by the use of<br>difficult, defining techniques, materials, colors and forms. His newest<br>sculptural work again breaks new ground by challenging the concept of solid form<br>in glass by further expressing its personality in lightness and movement.<br><br>In 1970, he built and established his own studio and gallery in Northern<br>California, where he continues to create, design and teach.  After 45 years of<br>making distinctive work in glass, he is continuing to make a limited number of<br>pieces a year while he compiles his book “The Glassmakers”, spotlighting and<br>detailing<br>the history of the pioneers in glass responsible for creating what now exists as<br>the American Glass Movement.

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Rare 1908 Austin Texas Centennial of the Birth of Jefferson Davis Medal 2 5/8" tall with some oxidation and loss to enamel.

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Rare 1950's American Hull Art Pottery Lamps Pair. Selling the pair of working<br>lamps, two lamps for the listed price. The exact lamps shown. 1950's Hull<br>pottery with no cracks, chips, restorations, or other issues. I took the<br>original felt off the bases because it got wet when cleaning. The ceramic<br>sections are 8.5" tall x 6" wide without the brass fitting. 11.5" tall with<br>brass bulb socket. I have personally seen one of these lamps bring $600 within<br>the past year, and typically a pair is worth three times a single so I feel my<br>price on these is fair.<br><br>isshelf

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Rare 1950's Mantequilla Del-KA Cermeria Nacional Venezuela Champ Austrian<br>lighter from South American Dairy. So significant wear, amazing condition, super<br>rare lighter if not the only one in existence.<br>TW253

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Rare 1970's Carol Kee Navajo Multi-stone Inlay Mickey Mouse bolo tie. Bolo slide 3.5" x 1.75" x 45 grams total weight, no issues. Carol Kee was a Navajo Native American Artisan active in the 60's and 70's, the did other work but is most famous for her extremely collectible character pieces. She made a lot less bolo's than she did rings. Some of her character pieces have brought 2-3k at auction and a few even more.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Rare Antique Round Rock/Georgetown Texas Souvenir lot. Interesting lot of souvenirs from places that one wouldn't typically expect to be tourist attractions. These are from about 1910, and at that time it was likely the closest thing to tourist attraction in Round Rock/Georgetown which have both really blown up in the past 20 years. The "ladies Annex for Southwestern University" burnt down in 1925, Trinity Lutheran College moved sometime around 1929. Selling the 4 pieces shown with no damage. blkcrateredbag

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Rare Cambridge Rose Point Blown Divided Bowl 9 5/8" wide x 2.75" deep c.1940 No issues at all, no cracks, chips, scratches, cloudiness. Hard to find piece.

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Rare David Lotton Engraved Multi-flora custom gift pendant. Engraved decoration on borders really sets it off and makes it unique. Signed and dated top reverse with gift dedication on reverse base. No issues. 1.75" without bail x 1.55" wide.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. pwdrawer

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Rare Large 1950's Full Bee Mark Goebel Googly Eye Musician Children. These are<br>fabulous with absolutely no damage or repairs, no crazing. Tallest is 10", they<br>have glass googly eyes one is impressed 73 on the base. Both with underglaze<br>full bee marks.

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Rare Retired James Avery 14k/Sterling Bolo Tie. Very difficult to find item, the tips are sterling and James Avery though unmarked, I'm 100% sure they are James Avery though because while I have never seen or owned this extremely rare Bolo, I have had some bronze Avery bolo's and the tips were the same. Bolo measures 1 3/8", 47.1 grams total weight. anderas

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Rare Retired James Avery Archer Girl in Horseshoe Oversized charm/pendant in<br>sterling, no damage or significant wear. Cut jump ring 1" tall x 7/8" wide.<br>Looks like Raggedy Ann holding a bow and arrows, don't believe there's another<br>out there to find or will be anytime soon.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.<br><br>anderas

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Rare Retired James Avery fish pendant in sterling. No issues, weight and<br>measurements in pics. I cannot provide any additional measurements, videos, or<br>pictures that aren't provided as my jewelry is stored at a separate secure<br>location until it ships. Thank you so much for taking the time to look and your<br>consideration.<br><br>anderascoll<br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Rare Retired James Avery Laugh Now Cry later madonna pendant/oversized charm. 1<br>3/8" x 5/8" x 4.9 grams.<br><br>anderascoll

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Rare Retired James Avery Modernist Patinated Brass belt buckle. 2" x 1.5", fits a 1" belt, no issues or wear.

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Rare Retired James Avery rose charm. 7/8" tall x 11/16" wide with no issues.<br><br>anderas<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Rare Retired James Avery Soccer ball charm. This is the most difficult to find<br>version. .75" with bail x .5" with no issues.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.

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Rare Retired James Avery Sterling Bicycle charm 1 1/8" 4.8 grams.<br><br>anderascoll

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Rare Retired James Avery Sterling Sunface pendant/oversized charm 1 1/8" x 1" x<br>5.6 grams.<br><br>anderascoll

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Rare Shelley Melody Chintz Ring Planter ชามกุหลาบ รูปร่างที่แปลกมากใน Shelley Chintz ลึก 8" x 7" x 1.5" โดยไม่มีรอยแตกร้าว รอยแตกร้าว การบูรณะ หรือคราบสกปรกtw209

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Rare WW1 Era Flying Squadron W.S.S. Postal Service pinback button. 1.25" wide This effort to raise money for WWI was sponsored by the postal system 1917-1920. The title "Flying Squadron" applied to experienced solicitors that worked with teams of local volunteers.

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Rare/retired James Avery 60th Anniversary Sterling Shimmering Leaves Necklace. Produced in a limited qty for a short time in 2014. This has been in the box for 9 years unworn, comes with original box, paperwork, and bag. This is likely the first one to reach the secondary market as it's great and... Who in their right mind would want to get rid of it? Buying the estate fresh item shown. 16" or 18" long depending which loop you use, 16.8 grams.anderas

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Ray Adakai Navajo Sterling ranger belt buckle set, fits a .5" belt, other measurements in pics. Unworn.Jack Adakai was able to pass on his silversmithing skills to his son Ray Adakai. Ray’s traditional Navajo Jewelry reflects designs echoing from the old school Navajo silversmithing. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ray Begay Navajo Royston turquoise sterling pendant2.5" tall x 1.5" wide x 23.6 grams with no issues.

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Ray Bennett Navajo Sterling Gaspeite necklace. No issues, 16" long, other weight and measurements in pics. Ray Bennet Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles. Raymond Bennett (Navajo) is a listed silversmith in Barton Wright‘s "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett in 1978. At one time Ray was the resident silversmith for Atkinsons Trading Company. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Bennett Navajo Sterling high grade turquoise squash blossom necklace 24" long, other weight and measurements in pics. Ray Bennet Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles. Raymond Bennett (Navajo) is a listed silversmith in Barton Wright‘s "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett in 1978. At one time Ray was the resident silversmith for Atkinsons Trading Company. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Bennett Navajo Sterling Mediterranean Coral cuff bracelet. No issues, appears unworn. Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles. Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one time Ray was the resident silversmith for Atkinson’s Trading Company. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ray Bennett Navajo Sterling Waterweb Turquoise Mountain turquoise pendant. 3.25" tall with bail x 1 5/8" wide x 33.1 grams with no issues, appears unworn.Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was born and raised, in Gallup, New Mexico. He learned his craft from his family members, including both his parents and his uncles.Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one time Ray was the resident silversmith for Atkinson’s Trading Company.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ray Bennett Navajo Sterling/14k amethyst cabochon cuff bracelet. Fits up to a<br>6.5" wrist, no issues.<br><br>Raymond Bennet, Navajo, has been a silversmith since 1994. He lives where he was<br>born and raised, in Gallup, New Mexico.<br>He learned his craft from his family members, including both his parents and his<br>uncles.<br><br>Raymond Bennett (Navajo) is a listed silversmith in Barton Wright's "Hallmarks<br>of the Southwest". He began using “R. Bennett or Ray Bennett” in 1978. At one<br>time Ray was the resident silversmith for Atkinson’s Trading Company.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Ray Delgarito Navajo sterling and variscite pendant. Measurements in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Jack Navajo Sterling multi-stone intarsia inlay clip-on earrings. No issues, weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Ray Tracey Knifewing Navajo Sterling Turquoise, Sugilite, and Coral Bear pendant<br>with no issues. Weight and measurements in pics.<br><br>Artist Ray Tracey has had a life-long love of jewelry. As a child growing up in<br>Sawmill, AZ, Asa Tracey, his Grandfather, influenced him with his stories of<br>working the goat bellows for his uncle. Asa would pump the goat bellows all day<br>long to fuel the fire in the forge that would melt silver in a small cast iron<br>crucible. This process was very labor intensive and his grandfather hated it.<br>The molten silver would then be poured into a tufa stone mold to form an ingot.<br>The jeweler would then execute his craft and a new piece of jewelry would be<br>created.<br><br>“I wanted to see finished jewelry and wanted to learn everything I could.<br>Whenever we would go to Gallup, NM, I would visit curio stores to see creations<br>in silver.” Ray spent time viewing jewelry designs at the Gallup Intertribal<br>Indian Ceremonial and at the Navajo Nation Fair. Anywhere, there was jewelry on<br>display; Ray could be seen viewing the works of art.<br><br>Ray’s family moved to Ganado, AZ when he was six years old. One summer day when<br>he was nine years old, he complained to his mother of how bored he was. The next<br>day his mother enrolled him into summer school and changed his life forever. He<br>went straight to art class and found a silver smithing table in the corner. He<br>remembered his grandfather’s stories and the rest is history.<br><br>“In class I fabricated my first ring out of silver for my Mother. I found an<br>unknown stone and made a cabochon. I tried to copy an old style ring design that<br>I had seen at Hubbells Trading Post. One teardrop flanked the sides of the<br>stone. It was a very simple design but it took me a week to finish. I kept<br>melting the silver. I made my next silver and stone creation at the age of 21<br>and gave it to my mother. It was another ring, but this time it was a split<br>shank with three ribs and three tear drops on the side of the stone.” I told my<br>father, I want to make jewelry for the rest of my life.”<br><br>Ray continued making jewelry while attending Brigham Young University. Studying<br>chemistry and physics by day and making jewelry at night. “The designs were<br>simple, my first love was Old Style Navajo jewelry. Weekends were spent<br>traveling to Gallup, NM, to sell his work. While at BYU another opportunity<br>arose to express his creativity—acting. “I wasn’t a very good student so<br>Hollywood had an instant appeal. My gift of creativity carried over into acting.<br>Acting was just another outlet of creative expression.” His adventurous nature<br>allowed Ray to spend several years as an actor in feature films and television.<br>This acting detour never made him lose interest in jewelry design. Eventually,<br>Ray’s love of jewelry brought him back to New Mexico to permanently pursue this<br>art form.<br><br>“One time while traveling to Albuquerque from Gallup, I noticed the horizon over<br>Laa Pueblo. I saw steps on a mesa. I incorporated this imagery of tiered steps<br>into a bracelet design.”<br><br>“Another time, while golfing at Hobble Creek Golf Course, I saw pebbles aligned<br>in a row on the river bottom. Those pebbles became my inspiration to place them<br>on the sides of an inlaid bracelet.”<br><br>“Sometimes my creativity comes to a screeching halt. When this happens I go to<br>my roots; Old Style jewelry. That is the place of fascination. The Old Ones<br>utilized rudimentary tools to create their simple, yet perfected, pieces of<br>craftsmanship. From this point I am able to create from an inspiring idea. On<br>the flip side, sometimes my mind becomes flooded with more designs than I can<br>remember. Ideas come so quickly I can’t draw them fast enough.”<br><br>“When I see someone wearing one of my designs, it takes me back to the time when<br>the piece was created. Sometimes I can recall what I was eating or even the<br>music I was listening to. I will remember the inspiration that helped create<br>that design.”<br><br>Ray has found his path or gift of self-expression that has blessed, enlightened,<br>and influenced his life and others. Awareness of this special gift, fuels his<br>energy and creativity. Inspiration helps to translate his creativity into<br>artistic-visual expression. His creations stand as transitional figures from<br>traditional to contemporary. He creates something good as he is drawn toward<br>untouched fields of yet-to-be-discovered imagery. Unknowingly he is creating a<br>legacy from which generations can learn and grow. Ray has learned to appreciate<br>and embrace the journey of life and its gifts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Raymond Coriz-Kewa (Santo Domingo Pueblo) 14k/Sterling Smoky Quartz cuff<br>bracelet. Fits up to a 6.5" wrist with a 1.25" gap, no issues.<br><br>Raymond is an award winning artist from Santo Domingo Pueblo. He learned the art<br>of silversmithing from his father. Raymond continued learning the craft by<br>attending the Institute of American Indian Arts. After finishing school, he<br>worked for Sunbell Trading Company until they closed their doors. Raymond has<br>received 1st place for his craftsmanship at the State Fair and at the Gallup<br>Arts and Crafts Show. He made a traveling gavel that has been all over the state<br>of New Mexico. It now rests in a place of honor at a lodge in Albuquerque.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Raymond Delgarito Navajo Silver and turquoise pendant, Ray Delgarito for Running Bear shop, appears unworn.<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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