Large Vintage spiderweb carved turquoise moth fetish inlaid coral/opal Zuni?. Unknown artist, fetish carving likely made by a different person than the silversmith. Neither known by my, likely Native American made. Listed with ExportYourStore.com

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Big Vintage 1980‘s Crumrine Jeweler‘s Bronze Eagle silver-plated belt buckle. Fully functional. Circa last quarter of the 20th century.

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Big Vintage Billy Eagle Navajo high grade turquoise sterling silver pendant/pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Has a hook on the back to hook on to any necklace. Very nice Natural American turquoise. It could be from a few different mines, I didn‘t mine it.

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Big Vintage Boyd Reno Nevada hand engraved sterling silver dollar belt buckle. Tested and guaranteed solid sterling silver with, weight and measurements in pictures with some expected wear, fully functional. Circa third quarter of the 20th century with authentic 19th century American 90% silver dollars.

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Big Vintage EG Southwestern sterling silver cross pendant with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Unknows artist.

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Big Vintage J Navajo sterling silver mother of pearl cluster necklace. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. 19" long, circa fourth quarter of the 20th century with no significant issues. Unknown artist.

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Big vintage Loyolita Tsatte zuni carved turquoise/coral sterling silver bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 42" long. Circa last quarter of the 20th century.

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Big Vintage Mitchell Sockyma Hopi overlay bolo tie sterling silver. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 46" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Navajo First Phase style sterling silver concho belt. Will fit up to a 36" waist, but obviously could be worn shorter. I would be happy to add holes upon request at requested intervals.. Tape measure shown in pics.. Weight and measurements in pictures. No damage or issues, tested and guaranteed solid sterling silver. 7 Conchos and 1 Buckle. All solid sterling silver, circa third quarter of the 20th century. Apparently unmarked. Listed with ExportYourStore.com

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Big Vintage Navajo or Hopi Overlay belt buckle with turquoise sterling silver. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Big Vintage Navajo sandcast sterling silver belt buckle with center turquoise. Tested and guaranteed solid sterling silver. Fits up to a 1.5" wide belt. Some expected wear, unmarked. Good condition, functional, turquoise with very old crack, secure in bezel. Circa third quarter of the 20th century.

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Big vintage Navajo sterling silver 2" belt buckle with turquoise blossom design. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits a 2" belt. Listed with ExportYourStore.com

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Big Vintage Navajo sterling silver 3-D eagle belt buckle. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 2" belt. Functional with age appropriate wear, no significant issues. Unknown maker, likely Native American made. Listed with ExportYourStore.com

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Big Vintage Navajo sterling silver 3d Buffalo belt buckle turquoise/coral. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.75" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Big vintage Navajo sterling silver belt buckle w/Geometric overlay design. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.75" belt.

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Big vintage Navajo sterling silver cross with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.

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Big vintage Navajo sterling silver deep stamped concho style bolo tie Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 38" long. Circa last quarter of the 20th century.

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Big Vintage Navajo sterling silver high grade turquoise cluster belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Big vintage Navajo sterling silver rippled cross with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Unmarked.

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Big Vintage Navajo sterling silver shadowbox belt buckle feather accents. Tested and guaranteed solid sterling silver weight and measurements in pictures, Circa third quarter of the 20th century. Fits a 1.75" belt. Functional with age appropriate wear. Listed with ExportYourStore.com

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Big Vintage Navajo sterling turquoise and coral belt buckle w faux claw Solid sterling silver with weight and measurements in pictures. Fully functional with no unexpected wear or damage. Hallmarked what looks like a paw. 60‘s--70‘s and better than average quality for this era.

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Big vintage Navajo Tufa cast sterling silver cross with turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Unmarked.

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Big Vintage Navajo tufa/sand cast sterling silver belt buckle with turquoise. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Fits a 2" belt.

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Big Vintage Ornate Southwestern sterling silver cross pendant with turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century. Unknows artist, possibly Native American made.

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Big Vintage Royston turquoise sterling silver Native American cross pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Illegibly marked, likely Native American made.

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Big vintage southwestern sterling silver agate channel inlay bolo tie. Tested and guaranteed solid sterling silver slide with silverplated tips. Weight and measurements in pictures. 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Southwestern sterling silver green Cerrillos turquoise belt buckle. Tested and guaranteed solid sterling silver. Fits up to a 1.75" wide belt. Some expected wear. Good condition, functional with no damage or unsightly wear.. Most likely Native American made, unrecognized hallmark.

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Big Vintage Sterling silver Chrysocolla southwestern/Native American bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 38" long with no issues. Tray is tared out, so weight shown is just the bolo of course.

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Big Vintage Sweet Bird Studio Sterling silver turquoise heart belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa early 21st century. Fits a 1.75" belt. 2 chips to flower petals.

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Big vintage Zuni sterling silver sunface bolo tie shell/turquoise/coral inlay.   Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 42" long with no issues. Weight shown is the entire bolo. Listed with ExportYourStore.com

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Big Vintage Zuni sterling silver turquoise cluster belt buckle Ghan dancer inlay. Unmarked, attributed to Valentino & Matilda Banteah Zuni. Fits up to a 2.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa second quarter of the 20th century. Apparently unmarked.

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Big Vintage Zuni sterling silver turquoise cluster belt buckle Ghan dancer inlay. Unmarked, attributed to Valentino & Matilda Banteah Zuni. Fits up to a 2.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa second quarter of the 20th century. Apparently unmarked. Listed with ExportYourStore.com

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Big vintage Zuni sterling silver turquoise, coral, shell roadrunner pin/brooch. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa mid 20th century.

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Bill Fenton Diamond Jubilee Green Cased glass pitcher. No damage or wear, no<br>heat checks in handle. 7" tall.<br>tw2

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Bill Setalla Hopi Vintage sterling silver overlay style bolo tie salamander Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 44" long. Circa third quarter of the 20th century. One tip bent as shown

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Billy Jaramillo southwestern sterling silver, turquoise, spiny oyster necklace. Solid sterling silver tested and guaranteed with artists hallmark on the pendant in the back, weight and measurements in the pictures. No issues, circa last quarter of the 20th century. 21" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics in "new old stock" condition.Billy JaramilloJeweler, Billy Jaramillo, is known for bold designs which incorporate colorful high quality stones and substantial, chunky silver-work. He is the son of the well-known silversmith, Ray Jaramillo. Billy also studied silversmithing under renowned smith Scott Patrick, as well as inlay from Kathy Sanchez of San Felipe Pueblo and Audrey Toribio of Zia Pueblo, both considered best in the shop at that time. Billy cuts all his own stones from raw material and does all his own silversmithing. He resides and works in Rio Rancho, New Mexico and has been designing and creating jewelry for over 35 years. Listed with ExportYourStore.com

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Billy Long Navajo sterling and turquoise channel inlay necklace 18" necklace with 2.5" drop in the center. No issues.

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Frame measures 25.75" x 18.5" dimensions inside inner matting is 12" x 19". It's<br>triple matted. Frame shows some wear, picture and matting are perfect.<br><br>Billy Molokeng<br><br>Born 1944 - Gauteng<br><br>About the Artist<br><br>Billy Molokeng was born in 1944 in the Alexandria Township in Johannesburg. He<br>was orphaned at a very young age and brought up by his sisters. In order to make<br>a day-to-day living he started selling his drawings, and later, paintings. This<br>brought him to the attention of a wealthy sponsor, who enabled him to attend a<br>private art school, which in turn helped to develop his style and technique.<br><br>Molokeng is an unusual and dynamic personality who enjoys and excels in all<br>forms of creativity. He composes and performs his own songs, enjoying enormous<br>popularity under the stage name of “Billy Africa”.<br> <br><br>Style and Format<br><br>Versatility, dynamism and inventiveness have kept Billy Molokeng’s work fresh<br>and ever changing, ensuring that both he and his art do not become stereotyped.<br>This is demonstrated by the fact that his work was initially typically<br>“township” in character, but developed into his own more unique style in later<br>years.<br><br>His early paintings portray scenes taken directly from life in the townships.<br>The compositions of these early works are dense and on a single plane, usually<br>with several figures depicted in a bold and heavy manner. His individuality and<br>originality, however, is still strongly evident. His figures are lively and<br>filled with movement, containing a subtle humour, underlying joy and<br>light-heartedness which so many art lovers relate to, and enjoy.<br><br>During the 1970s and 1980s, this South African artist’s work became more<br>sophisticated, both technically and conceptually, representing a more mature<br>artist at work. Molokeng’s work started to move away from direct township<br>depictions towards a fusion of the urban experience with African motifs and<br>culture.<br><br>Compositionally, his African art became lighter and began to incorporate more of<br>the figurative and abstract than the literal. Many of his paintings began to<br>display a more sketchy landscape background, containing forms such as huts,<br>missionary churches, ox wagons, oxen and human figures in tribal and rural dress<br>partaking in traditional customs.<br><br>Towards the end of the 1970’s, a calligraphic element within his work began to<br>emerge. This, together with the Bushman-like figures that started to populate<br>his township art, gave his work a potent African flavour that still exists to<br>this day, and makes Billy Molokeng’s work so appealing to South Africans and<br>foreigners alike.<br><br>In the 1980’s Molokeng’s work witnessed further developments, resulting in a<br>more refined technique and style. Township life, once again, became important<br>subject matter, although it was rendered in a more personal manner and blended<br>with the African landscape. The landscape element of this newer work is more<br>solid and is rendered as an integral part of the more abstract compositions and<br>forms. Influenced by life and politics within the townships during the most<br>volatile period of South African history, Molokeng’s work began to demonstrate<br>strength and a sensitivity that were to remain an intrinsic part of his work.<br> <br><br>Exhibitions<br><br>Molokeng had his first exhibition at Dorkey House, Eloff Street, Johannesburg.<br>In 1974 he participated in several group exhibitions – at the Canadian Embassy,<br>Gallery 101, Lidchi Art Gallery and at the Herbert Evans Art Gallery,<br>Johannesburg. In 1976, he participated in the Second International Art Fair in<br>Tel Aviv, Israel. This was followed by a one-man show in Germany in 1979. The<br>next year (1980), he took part in group shows in Athens and in Rome and<br>subsequently had a one-man show at the Lidchi Art Gallery in Johannesburg. In<br>1981, Billy Molokeng was awarded one of the three prizes for painting at the<br>Republic Art Festival.<br><br>Molokeng has also been featured in a group exhibition at the World Bank offices<br>in Washington, U.S.A. along with other artists chosen from Cameroon, Ghana, Mali<br>and Nigeria.<br><br>Currently, Billy Molokeng presents a strong sense of “Africa” within his<br>paintings. Their potency and appeal lie in his bold use of colour, his strong<br>compositions and his unique use of his medium. The acrylic and oils are used as<br>an overlay, which is often scratched away to create different textures and<br>layers, as well as expose various underlying colours. His use of black<br>strengthens and enhances the burnt sienna, ocher, gold, greens and blues as well<br>as emphasizing his trademark white and black eyes of his figures.<br><br>Billy Molokeng’s South African artworks are appreciated by thousands and are<br>part of many private and public collections both in South Africa and abroad.

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Bing and Grondahl "The little Player" Porcelain Figure c1960 2402. 5" tall with<br>No cracks, chips, restorations, or crazing<br>B8

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Bing and Grondahl Boy feeding chickens figure 6.5" No cracks, chips,<br>restorations, or crazing<br>b36

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Bing & Grondahl dog B&G 1676 Bulldog Design Dahl Jensen, Very nice Royal<br>Copenhagen Bing & Grondahl Bulldog figurine numbered "1676". Displays extremely<br>well and in very nice condition with no chips or cracks! 3 1/4 inches tall, 4<br>1/4 inches in length, and 1 3/4 inches wide. Very nicely designed Bulldog<br>featuring one "chewed ear" (part of the design). Signed underneath: "MADE IN<br>DENMARK" "B & G" "1676"<br>tw162

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Bing and Grondahl Girl Holding baby figure 8" tall with no damage or wear.

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Bing and Grondahl Girl with cat figure 5" wide x 4" tall with no damage or wear.

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Bjarne Meyer (1896-1949) and HK Denmark Brooch. Selling the two brooches shown, largest 2 1/8". The HK could be Henning Koppel whol worked for Jensen, both top quality and from the same collection. Bjarne Meyer, a silversmith that did work for Kalo, Art Metal Studios, Georg Jensen and Gorham silver.Not much is known about him personally, but his work is sought after by arts and crafts and Chicago silver collectors. anderas

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Blackhorse Native American Sterling, turquoise, gold filled bolo tie. Solid sterling slide and tips with thick gold over the sterling on the bezel and back, weight and measurements in pics.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Blackinton 14k gold/Sterling silver hand hammered pendant necklace. Very high quality with no issues. Weight and measurements in pictures. 18" necklace, Pendant is hand hammered with a very thick gauge solid 14k gold sphere. 1862 R. Blackinton & Co Founded North Attleboro, MA As the Civil War raged, Roswell Blackinton (Susanne Ross Blackinton-Juaires great-great-grandfather) co-founded R. Blackinton & Co with Walter Ballou; a full silver house that specialized in silver and goldsmithing, engraving, enameling, metal spinning, and more. The company stands as a significant chapter in the history of American silverware and jewelry manufacturing. Into the early 20th century, R. Blackinton & Company increased its lines to include, at various times, sterling silver jewelry, dresser ware, fancy table pieces, novelties, and 14 karat gold merchandise. In 1937, the company added an exclusive line of fine Sterling flatware and hollowware for retail jewelers. It remained for over 100 years under the management of its founding families until its sale in 1967. One of the companys notable achievements occurred in the mid-1960s when their Marie Louise flatware pattern was selected by the U.S. State Department. This elegant design was chosen for use in all United States embassies around the world, serving as a testament to the companys reputation for producing items of exceptional quality and design. A heritage of quality craftsmanship that S. R. Blackinton continues today.

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Blue and White Stoneware Cameron, Texas Advertising Rolling Pin c.1905 7 7/8" wide x 3 1/8" deep. No cracks, chips, or restorations. Two small glaze pops shown in pic, no big deal. No handles, but they can be taken off a wood pin.

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I'll be listing a nice collection of Amy Freeman Lee Drawings and paintings that<br>have not been offered anywhere else. These are all originals that were inherited<br>when she passed and have been stored.<br><br>Boating to Windward Watercolor Amy Freeman Lee Listed Artist San Antonio, Texas<br>(1914-2004) 25.5" x 30.5" framed, 19" x 25" sight. No issues. To art, clean<br>frame.<br><br>Amy Freeman Lee (1914-2004 ) A native of Seguin, Texas, Lee would become a<br>permanent resident of San Antonio. A self-taught watercolorist, Lee helped found<br>the Texas Watercolor Society in 1949. Her works were exhibited in Mexico City<br>and in traveling exhibits at arranged by the Smithsonian and California National<br>Watercolor Society. She worked as an art critic for the San Antonio<br>Express-News and radio station KONO. She was the focus of a 1984 CBS documentary<br>titled Reality is Becoming. Her works are included in the collections of<br>the University of Texas at Austin, the Norfolk Museum of Arts and Sciences and<br>the San Antonio Art League.

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Bob Banford Strawberries with blooms lampwork paperweight. No damage or wear 3.25" wide x 2 5/8" tall.American paperweight artist Robert “Bob” Banford (1951– ), together with his father, Raymond Banford (1918–2003), developed a mutual interest in paperweights while Bob was a teenager. Bob received a torch as a high school graduation present from his father in 1971 and apprenticed for a year as a scientific glassblower while teaching himself how to make paperweights. After the Banfords produced their first saleable weights in 1973, they formed R. Banford, Inc. in their native New Jersey, where they made and sold their own paperweights and art glass, in addition to antique paperweights. Banford retired from weight making in 2006 and resides in the Florida Keys.

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Bobby Johnson Navajo Sterling Sleeping Beauty จี้คลัสเตอร์เทอร์ควอยซ์ น้ำหนัก:20.4 Gram, | ขนาด: จี้: 1.75" x 2.5" ไม่มีปัญหาหรือความเสียหายBobby Johnson มาจาก Church Rock รัฐนิวเม็กซิโก เขาเริ่มทำเงินในช่วงต้นทศวรรษที่ 70 ภายใต้การดูแลของพี่ชายและน้องสาวของเขา ซึ่งเป็นช่างเงินที่เชี่ยวชาญเช่นกัน ความรักในเทอร์ควอยซ์และเงินของ Bobby ทำให้เขาเลือกงานในชีวิตของเขา และเขายังคงสร้างความพึงพอใจให้กับผู้ชื่นชอบเครื่องประดับของชนพื้นเมืองอเมริกันด้วยทั้งการออกแบบที่เป็นเอกลักษณ์และเทคนิคดั้งเดิมของเขา

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Bobby Lujan Taos Pueblo (1922-2012) silver Branch coral and turquoise pendant/pin. 1 7/8" x 1 5/8".<br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Boehm Egyptian Revival Egypt Salutes 1976 Bicentennial Large Porcelain Plaque.<br>Very large plaque total measurement with frame is 17.5" x 12". It's a high<br>relief plaque. No damage or wear, super high quality, lots of gold and platinum.<br>Retail price was $1950 45 years ago, it was limited to 250 and sold out being<br>retailed through museums.

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Boehm Porcelain Lamb and Sow Piglet. No cracks, chips, or restorations. Longest 5.5" Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Boehm Porcelain Pink American Express Rose Made in USA. No cracks, chips, or restorations. 7.25" long, not even the tiniest flake anywhere and it will be packed with the most care imaginable.Biography of Edward Boehm: In 1950, Edward and Helen Boehm started a basement studio in Trenton, New Jersey, and Ed created sculptures in realistic style that were admired enough that in 1951, two of them entered the collection of the Metropolitan Museum of Art. By the end of the decade, Boehm was represented in 11 other museums including the Buckingham Palace, Elysee Palace and the Vatican. Today the porcelains are in 134 museums and institutions throughout the world isshelf

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Measures 3.5" wide x 2.75" tall. I think there's mother of pearl behind the<br>reverse painted widows. Guaranteed right around 100-120 years old and wonderful.<br>No cracks or chips, or wear to enamel, tight hinge, snaps shut tightly.<br>Tw97

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Measures 7.5" wide at top x 16.75" tall. Guaranteed right around 110-130 years<br>old and wonderful. No cracks or chips, or excessive wear to enamel. One small<br>nick on inside of the base rim. Some wear to Gilding on rim and foot. This piece<br>is the deepest cranberry I have ever seen. Ruby with a hint of cranberry.

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Borghese Terracotta Cherubs set of 3. Selling the three shown 8.25" tall with no cracks, chips, or restorations. Minor wear to gilding on bases. TW246

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Boyd Ashley Nevada New Lander Chalcosiderite Heavy Stamped Sterling Pendant .<br>Weight:36.6 Grams | Dimensions: Pendant: 1.25" x 4" No damage or issues.

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Boyd Tsosie Navajo 14k gold, diamond, opal, and coral beaded necklace. All of the metal on this necklace is tested and guaranteed solid 14k gold, weight and measurements in pictures. No issues, circa last quarter of the 20th century. Natural Opal and Mediterranean coral beads and inlay outside the pendant. My monitor is off, but these pics look really bad to me. It‘s gold, it‘s beautiful. Boyd Tsosie is a jeweler who draws inspiration from the rich heritage of his Navajo traditions. Born in 1954, he has been making jewelry since he was sixteen years of age. In 1979, Boyd Tsosie was only 23. He was already among the top echelon of Southwestern jewelers / silversmiths (both past and present). Boyd was featured in Arizona Highways along with other greats like Jesse Monongye, his brother Richard Tsosie, Gibson Nez, James Little, and Larry Golsch. These Navajo silversmiths all would go on to build fine reputations and set the standards you see today for Southwest jewelry. Kenneth Begaye, a teacher at the Navajo Community College on the Navajo Reservation, inspired Boyd at a young age. Boyd gives credit to Kenneth for teaching him his trade. Kenneth Begay has been deemed the father of modern Navajo jewelry. Before Kenneth Begay, Navajo Indian Jewelry was much like it had been for the past 100 years. Navajo jewelry had a strong Spanish influence. Which is entirely understandable since it was a Mexican silversmith (who learned from the Spanish) that taught the first Navajo to work silver. Boyd considers Kenneth Begay a major influence and carries on today the work of Kenneth Begay. Boyd Tsosie continues to move Navajo jewelry forward and he, like Kenneth Begay, generously shares his knowledge with other silversmiths. Boyd, working with his brother Richard, first gained widespread recognition for his soldered flower and leaf designs. Later, he moved his jewelry designs to a more complex, contemporary look. Over the years Boyd has developed a contemporary style of work primarily in 14K gold combined with turquoise, coral, lapis, and sugilite. Boyd feels that he is creating “tomorrows tradition in Navajo jewelry by being given the rights and prayers by his elders to create his special pieces. He is featured in Navajo Indian Jewelry and Enduring Traditions by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. In recent years, Boyd and his son have given back to the Navajo Nation with a nonprofit to give counsel and help to those with substance challenges.

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Boyd Tsosie Navajo silver smoky Bisbee turquoise modernist pendant. Weight and measurements in pictures. Very attractive stone in this pendant that I believe to be Bisbee. Boyd Tsosie is a jeweler who draws inspiration from the rich heritage of his Navajo traditions. Born in 1954, he has been making jewelry since he was sixteen years of age. In 1979, Boyd Tsosie was only 23. He was already among the top echelon of Southwestern jewelers / silversmiths (both past and present). Boyd was featured in Arizona Highways along with other greats like Jesse Monongye, his brother Richard Tsosie, Gibson Nez, James Little, and Larry Golsch. These Navajo silversmiths all would go on to build fine reputations and set the standards you see today for Southwest jewelry. Kenneth Begaye, a teacher at the Navajo Community College on the Navajo Reservation, inspired Boyd at a young age. Boyd gives credit to Kenneth for teaching him his trade. Kenneth Begay has been deemed the father of modern Navajo jewelry. Before Kenneth Begay, Navajo Indian Jewelry was much like it had been for the past 100 years. Navajo jewelry had a strong Spanish influence. Which is entirely understandable since it was a Mexican silversmith (who learned from the Spanish) that taught the first Navajo to work silver. Boyd considers Kenneth Begay a major influence and carries on today the work of Kenneth Begay. Boyd Tsosie continues to move Navajo jewelry forward and he, like Kenneth Begay, generously shares his knowledge with other silversmiths. Boyd, working with his brother Richard, first gained widespread recognition for his soldered flower and leaf designs. Later, he moved his jewelry designs to a more complex, contemporary look. Over the years Boyd has developed a contemporary style of work primarily in 14K gold combined with turquoise, coral, lapis, and sugilite. Boyd feels that he is creating “tomorrows tradition in Navajo jewelry by being given the rights and prayers by his elders to create his special pieces. He is featured in Navajo Indian Jewelry and Enduring Traditions by Jerry and Lois Jacka and North American Indian Jewelry and Adornment by Lois Dubin. In recent years, Boyd and his son have given back to the Navajo Nation with a nonprofit to give counsel and help to those with substance challenges.

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BPOE No 30 ร้านอาหาร New Orleans Elk Lodge China Egg Cups ต้นศตวรรษที่ 20 แปลกมาก ตัวเล็กมีเส้นผมสั้นด้านนอกที่ไม่ทะลุเข้าไปด้านใน ดังนั้นมันจึงเป็นเพียงรอยเปื้อนจริงๆ ไม่มีปัญหาอื่นๆ ขายทั้งสองครับ.

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Great set of early candlesticks with a nice patina. Will clean up really well<br>without too much work. Guaranteed 19th century. These are a different style from<br>the many I've owned. They measure 8.25" tall. One is missing the button on the<br>pushup, and both are stuck with wax.

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Brenda Schoenfeld Modernist Mexican Sterling Pendant/necklace. Necklace and Pendant test sterling, I could find no identifying marks on the necklace. They are estate fresh and were together when found. 42.9 grams total weight, pendant is 2" tall. After graduating from TCU, Brenda set out to make a name for herself, working retail in Dallas Texas while also trying to get a wholesale operation for her own silver jewelry and belt buckle designs off the ground. “I was literally going door to door to stores saying, ‘Hi, would you like to look at my line?’ ” Brenda recalls. “I would wear the belt and everything, and they would say, “I like your earrings. Where’s your showroom?’ I said, ‘Right here!’ ” Within a few years, her Taxco-​crafted accessories line was sold at 2,000 stores around the country, including Neiman Marcus and her own Lovers Lane shop.

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เงินสเตอร์ลิง | เทอร์ควอยซ์แท้ | Santo Domingo Pueblo สร้อยคอเทอร์ควอยซ์และสีเงิน | เครื่องประดับอินเดียตะวันตกเฉียงใต้ของชนพื้นเมืองอเมริกันนาวาโฮ | น้ำหนัก:46 กรัม | ขนาด: สร้อยคอ: ความยาว 14", จี้ 1.25" x 2.25" พร้อมลายเซ็น Brihilda Crispin ซึ่งเป็นนามสกุลเดิมของ Brihilda Coriz ดังนั้นนี่คือผลงานบางส่วนก่อนหน้านี้ของเธอก่อนที่เธอจะแต่งงานกับ Frank ลูกปัด Heishi สีเทอร์ควอยซ์มีขนาดตั้งแต่ 5 มม. ถึง 8 มม.

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British Porcelain Fruit Compote with Butterflies C.1850 9.5" x 3.5" no cracks, chips, or restorations. Near perfect gold, some wear and scratches on top. Very attractive. Hand painted, possibly over a transfer.

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หน้ากากชนเผ่าสีบรอนซ์แอฟริกัน เอสเตทสด. เด็กๆ ที่ตอนนี้อายุหกสิบเศษแล้วจำได้ว่ามันอยู่ที่นั่นเสมอ ดังนั้นจึงมีอายุอย่างน้อย 50 ปีหรือน่าจะแก่กว่านั้น ฉันไม่มีที่มาอื่น มีการบูรณะแบบเก่าและมีคราบที่ดูดี ดังนั้นผมคิดว่ามันค่อนข้างเก่า ไม่มีความเสียหายอื่นใด มีเพียงพื้นที่ซ่อมแซมด้านล่างเท่านั้น กว้าง 13" สูง x 8"TW10

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Bronze Buddha Sculpture 8.5" tall x 6" wide, estate fresh from an old<br>collection. I'm not sure how old, but I believe first half of 20th century.

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ศูนย์กลางด้วยเท้าแก้วสีบรอนซ์ Dore Art กว้าง 9.75" x สูง 9" โดยไม่มีความเสียหาย มีการสึกหรออย่างมากที่ปลายสีทองบนที่ยึดทองแดง แก้วสวยมาก แวววาวทั้งด้านในและด้านนอก ฉันไม่พบเครื่องหมายระบุบนที่วางหรือกระจกtw187

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Bronze mounted wood cross pendant with Polish sterling/baltic amber modernist pendant. Selling both pendants 4.5" tall bronze and wood, 3" tall modernist sterling with amber. Small dent in base of sterling cross and some wear to amber cabochon. Selling both pieces for one price.

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Brother and Sister Carved Wood Bust Statue by Florentino Hensen Guagua Pampanga<br>Phillipino Artist Mid 20th century. 21.5" high x 9.5" high. Wood carving doesn't<br>get any better than this, this guy was great. Sounds like he did some great work<br>in the the Phillipines with 23 feet statues and such. Very heavy with no issues.

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The egg tempera painting is 8" x 10", the frame is 13.75" x 15 3/8". Auckland<br>artist Bruce Harvey is one of New Zealand's best known painters of birds and<br>animals. His paintings are displayed in public and private collections around<br>the world. He exhibits at the Kennedy Galleries in New York and at Country<br>Stores Galleries in Texas. Collectors of his works include: Mrs. Lyndon Johnson,<br>former Secretary of the Treasury, John Connelly, and the Governor of Hawaii, Mr.<br>George Ariyoshi.<br>TW89

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Buchschmid & Gretaux Marquetry Wood Inlay work Germany Chimneysweep and his daughter. 12.5" x 10.25" with no damage or detectable wear. THE B&G INLAY COMPANY WAS LOCATED IN THE PROVINCE OF STUTTGART-VAIHINGEN, GERMANY AND CEASED OPERATIONS IN 1910.  MR. GRETAUX WAS THE ARTIST AND MR. BUCHSCHMID WAS THE ARTISAN WHO MADE THE DECISIONS FOR HIS PARTNERS DESIGNS. BOTH ARE no longer with us AND THE COMPANY'S ASSETS WERE ALL SOLD IN 2005.  THEIR WORKS ARE HIGHLY COLLECTIBLE DUE TO THE END OF PRODUCING ANYMORE OF THESE INCREDIBLE WORKS OF SKILLED CRAFTSMEN. THE METHOD THEY USED WAS AND STILL IS KNOWN AS THE 'DEKORPIER' METHOD. B&G MADE AND SOLD MANY OF THEIR PIECES TO RAILWAY COMPANIES AND SHIPPING LINES TO DECORATE CARRIAGES AND STATE ROOMS DATING FROM THE EARLY YEARS OF THE 20TH CENTURY.  THEY WERE SOLD WORLDWIDE.  THEY MARKETED THEIR PANELS TO AMERICAN SERVICEMEN SERVING IN MILITARY BASES IN WESTERN EUROPE IN THE 50'S, 60'S AND 70'S. tw254

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