c1890 Mt Washington Burmese New England Peachblow collection. Selling the 5 piece collection shown all guaranteed American art glass from the late 19th century. All from the same collection that has been together for generations. Every piece is perfect after very close examination. No damage to handles, no damage whatsoever. No cracks, chips, or restorations. All with factory ground pontils, 4 Burmese pieces glow under a blacklight and the Peachblow vase doesn't. Tallest Vase 7", tallest pitcher, 7 5/8", Peachblow vase 6" MT. WASHINGTON AND PAIRPOINT GLASS Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass. In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties). MT. WASHINGTON ART GLASS AND CUT GLASS Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful. In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively. Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” tw273

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c1890 Mt Washington Burmese Thomas Hood poem vase with rigaree. Absolutely perfect with no damage or restorations whatsoever, amazing one of a kind piece that belongs in a museum. 4" tall x 4 1/8" wide. MT. WASHINGTON AND PAIRPOINT GLASS Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass. In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties). MT. WASHINGTON ART GLASS AND CUT GLASS Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful. In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively. Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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c1890 Mt Washington Burmese Trumpet Vases Graduated sizes. Selling both pieces of guaranteed authentic Mt Washington late 19th century American Burmese glass. No cracks, chips, or restorations. They were both purchased from Early's Art Glass Auction in the nineties. They measure 12.75" tall and 9.25" tall.Burmese glass is a type of opaque colored art glass, shading from yellow to pink. It is found in either the rare original "shiny" finish or the more common "satin" finish. It is used for table glass and small, ornamental vases and dressing table articles.It was made in 1885 by the Mount Washington Glass Company of New Bedford, Massachusetts, USA. Burmese glass found favor with Queen Victoria. From 1886, the British company of Thomas Webb & Sons was licensed to produce the glass. Their version, known as Queen's Burmeseware, which was used for tableware and decorative glass, often with painted decoration. Burmese was also made after 1970 by the Fenton art glass company.Burmese is a uranium glass. The formula to produce Burmese Glass contains uranium oxide with tincture of gold added. The uranium oxide produced the inherent soft yellow color of Burmese glass. Because of the added gold, the characteristic pink blush of color of Burmese was fashioned by re-heating the object in the furnace. The length of time in the furnace will determine the intensity of the color. Strangely, if the object is subjected to the heat again, it will return to the original yellow color isshelf

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c1890 Mt Washington Burmese vase hand painted with rigaree. Absolutely perfect with no damage or restorations whatsoever, amazing piece 3" tall and wide. MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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c1890 Mt Washington Crown Milano American art glass hand painted marmalade jar.<br>4" tall x 4" wide with handle with no damage.<br><br><br>MT. WASHINGTON AND PAIRPOINT GLASS<br><br>Mt. Washington and its successor, the Pairpoint Corporation, was one of<br>America’s longest-running luxury glass companies (1837-1957), one that rivaled<br>its better known contemporaries, Tiffany and Steuben. It constantly reinvented<br>and re-invigorated its business through creativity in texture, decoration,<br>pattern, and color - developing a variety of styles and decorating techniques<br>which were so technically complex that few are even practiced today.<br><br>The Mt. Washington Glass Company was founded in South Boston in 1837, and moved<br>to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English<br>silversmith, was hired to run the Pairpoint Manufacturing Company, another<br>company in New Bedford which Mt. Washington’s owners established to produce<br>ornate silver-plated mounts for Mt. Washington glass.<br><br>In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the<br>company was renamed the Pairpoint Corporation in 1900, which remained the<br>company’s name until it went out of business in 1938. It was revived briefly as<br>the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The<br>company’s most successful years were from 1880 (in the height of the opulent<br>Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).<br><br>MT. WASHINGTON ART GLASS AND CUT GLASS<br><br>Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s<br>chandelier department, and two years later was put in charge of the entire<br>company. Shirley was entrepreneurial and litigious, quick to adopt new designs<br>and quick to complain if he thought any other firm was copying his wares. By the<br>time he resigned in 1891, he had amassed a total of 27 patents and five design<br>patents for various types of glass, most of which were quite successful.<br><br>In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from<br>yellow to pink, which was highly decorated in the elegant and sophisticated<br>style characteristic of the day. It became an immediate success on the Art Glass<br>market. Shirley was a good businessman and took advantage of the dawning age of<br>advertising to promote Burmese glass extensively.<br><br>Mt. Washington’s large decorating shop specialized in enameling. The decorators<br>who worked on Burmese glass also applied their skills to a variety of other<br>decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial,<br>and Pearl Satin Ware. By 1890, the company was advertising itself as<br>“Headquarters in America for Art Glass Wares.”

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c1890 Mt Washington Crown Milano American art glass vase. 8" tall with no cracks, chips, or restorations, and nearly no wear to enamel/gold. Amazing square shaped vase continuously decorated throughout. tw273 MT. WASHINGTON AND PAIRPOINT GLASS Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass. In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties). MT. WASHINGTON ART GLASS AND CUT GLASS Englishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful. In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively. Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.”

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c1890 Mt Washington Crown Milano Melon Ribbed Muffineer Sugar Shaker. 5.75" tall x 2 7/8" wide with no cracks, chips, or restorations. TW214

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c1890 Mt Washington decorated burmese Shot glass. 2.75" tall x 2.25" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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c1890 Mt Washington decorated burmese toothpick holder. 2 3/8" tall x 2.5" wide with no damage, some dirt/rust in bottom of interior.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today. The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” toothpickdrawer

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c1890 Mt Washington decorated burmese vase. 4.75" tall x 5" wide with no damage.MT. WASHINGTON AND PAIRPOINT GLASSMt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture, decoration, pattern, and color - developing a variety of styles and decorating techniques which were so technically complex that few are even practiced today.The Mt. Washington Glass Company was founded in South Boston in 1837, and moved to New Bedford, Massachusetts, in 1870. In 1880, Thomas J. Pairpoint, an English silversmith, was hired to run the Pairpoint Manufacturing Company, another company in New Bedford which Mt. Washington’s owners established to produce ornate silver-plated mounts for Mt. Washington glass.In 1894, the Pairpoint Manufacturing Company absorbed Mt. Washington, and the company was renamed the Pairpoint Corporation in 1900, which remained the company’s name until it went out of business in 1938. It was revived briefly as the Gundersen-Pairpoint Glass Company but closed permanently in 1957. The company’s most successful years were from 1880 (in the height of the opulent Gilded Age) to 1930 (the end of the exuberant Roaring Twenties).MT. WASHINGTON ART GLASS AND CUT GLASSEnglishman Frederick Shirley was hired in 1872 to run Mt. Washington’s chandelier department, and two years later was put in charge of the entire company. Shirley was entrepreneurial and litigious, quick to adopt new designs and quick to complain if he thought any other firm was copying his wares. By the time he resigned in 1891, he had amassed a total of 27 patents and five design patents for various types of glass, most of which were quite successful.In 1885, Shirley introduced Burmese glass, a translucent glass that shaded from yellow to pink, which was highly decorated in the elegant and sophisticated style characteristic of the day. It became an immediate success on the Art Glass market. Shirley was a good businessman and took advantage of the dawning age of advertising to promote Burmese glass extensively.Mt. Washington’s large decorating shop specialized in enameling. The decorators who worked on Burmese glass also applied their skills to a variety of other decorated glasses with exotic names like Royal Flemish, Crown Milano, Colonial, and Pearl Satin Ware. By 1890, the company was advertising itself as “Headquarters in America for Art Glass Wares.” isshelf

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c1890 Mt Washington Napoli Hand Painted Nappy. No cracks, chips, or restorations. 7 1/8" wide with handle. tw130

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c1890 Mt Washington Pairpoint perfume flask 6.25" tall x 3 3/8" wide with no damage. isshelf

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c1890 Nakara Art glass dresser box. No cracks, chips, or restorations. Tight strong hinge. 3.5" wide x 2.75" tall. dresserdrawer

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c1890 Nakara Art glass dresser box. No cracks, chips, or restorations. Tight strong hinge. 3.75" wide x 2.5" tall. dresserdrawer

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c1890 New England Peachblow brides basket. 12" total height x 8" wide with<br>holder, no damage.

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c1890 Nippon Cobalt butterfly chocolate set. Fantastic set in perfect condition<br>Standard sized chocolate/coffee cups and saucers with standard sized pot. All<br>marked as shown likely pre-nippon era hence the absense of a Nippon mark. Pot is<br>10" tall saucers 4 7/8" wide. No chips or cracks, little to no wear. 5 cups, 4<br>saucers, and chocolate pot with built in strainer and lid.<br>tw272

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c1890 Nippon Hand Painted Dresser tray 12.5". Unmarked, likely from just before<br>1891 when they started using the Nippon mark as a legal requirement. No cracks,<br>chips, or restorations, expected wear to gilding.<br>isshelf

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c1890 Nippon Hand Painted Serving Plate with Reticulated gold gilt Cobalt Blue Rim. Nice contrast and painting on this piece. There's a firing flaw on bottom rim but No cracks, chips, decoration loss, or restorations. 11 1/8" wide

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c1890 Nippon Moriage Trinket Box 2.25" wide x 1.5" tall. No cracks,chips, or restorations. A few small when areas to dark orange ground, mainly on lower rim of lid, may actually be glaze skip.

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c1890 Northwood Cranberry Opalescent Poinsettia Brides Basket/Bowl. Selling the<br>bowl and holder, the bowl has really exceptional color/opalescence. It fits the<br>Holder perfectly, estate fresh the came together. Bowl is 11" at widest point,<br>holder is 11" tall. Holder marked Great Northern Anchor Brand Quadruple plate.<br>tw256

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c1890 Nut Pick set in leather covered wood bad derby silver company silverplate. Box measures 5.5" x 3.5". The hinge on the box is broken, loose threads. The pecan or nut picks appear unused. No wear to plating. tw136

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c1890 Papier Mache with Mother of pearl Inlay Double Inkwell with Pen rest.<br>Measures 11.5" x 9.75" with some typical wear but in overall good condition. No<br>damage to glass inkwells, no cracks or repairs to base. Hinges are good and<br>strong on inkwells, they're dirty.<br>TW10

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c1890 Poofy Mt Washington Art glass Melon Ribbed hand painted Biscuit jar with<br>silver plate mountings. I didn't polish the silverplate so it's possible there<br>is wear to the plating. No crack, chips, or other damage. 7.5" tall without<br>handle extended x 7.5" wide.<br>TW261

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c1890 Price Booker San Antonio Texas Sun Colored Amethyst Pickle Bottle Embossed Just under 11" tall with No cracks or chips. isshelf

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c1890 Punch and Judy Vesta match holder/striker. Late 19th to early 20th<br>century, plated brass. 2 3/8" tall, with strong lid that makes and audible click<br>when sprung open and stays shut tightly.<br>trinketdrawer

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c1890 Quarter Sawn Oak Piano Form Desk Caddy with double inkwell. Unusual piece<br>from the last quarter of the 19th century. Nice sized desk caddy with multiple<br>drawers and compartments shaped like a piano. The top grill comes out but also<br>has a slot to keep it in, the possibilities are endless, imagine all the stuff<br>you could keep in this. 11" wide x 10.5" tall with no damage or issues, even has<br>the porcelain inserts for the inkwells. Also has a brass presentation plaque on<br>the top that was never engraved.<br>isshelf

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C1890 Red Wing 4 gallon American blue decorated salt glazed Stoneware churn 15"<br>tall x 9.25" wide at rim.<br>No cracks, chips, or restorations. Minimal wear. 15" tall x 9.25" wide at rim.<br>Unmarked but attributed to redwing. No lid.

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c1890 Royal Rudolstadt Japonesque/Satsuma style large porcelain inkwell. 5" tall x 3" square, amazing, hand decorated with no damage. Unmarked other than some illegible incised numbers. Guaranteed well over 100 years old with no cracks, chips, or restorations, and a good tight hinge on the lid. isshelf

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c1890 Royal Vienna Style Hand Painted Raised Gold Neoclassical Style Cabinet<br>Creamer and Sugar . Great pair over 100 years old with no cracks, chips, or<br>restorations and near mint to mint gold. They are both 4.25" tall, a nice larger<br>sized creamer and sugar, sugar is 6" handle to handle.tw174

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c1890 Royal Vienna Style Hand Painted Shallow Bowl with Neoclassical Greek scene<br>9 5/8" wide with no cracks, chips, or restorations, some wear to gilding as<br>shown. 100% hand painted and artist signed.TW175

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c1890 RS Prussia Deep Bowl 10.5" x 3.5" deep no cracks chips, or restorations, some wear to gold but extremely attractive. Colors much more vibrant than pics suggest.

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c1890 RS Prussia Deep Bowl 10.5" x 3.5" deep no cracks chips, or restorations,<br>some wear to gold but extremely attractive. Colors much more vibrant than pics<br>suggest.

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c1890 Rubina Art Glass Stoppered Jug Honeycomb Pattern. I'm reluctant to call it a cruet because the mouth and stopper are much wider than typical. Nice practical jug with no damage. 8" tall. TW189

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c1890 Rubina Art Glass Wine Carafe. Guaranteed late 19th century likely American, possibly Northwood or Hobbs. 8.5" tall x 6" wide with no cracks, chips, restorations, or dings. B25

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c1890 Rubina verde Twisted Thorn Handled Art Glass Basket 8 3/8" tall x 5 3/8"<br>wide with no cracks, chips, or restorations. No heat checks in handles, the<br>whole thing including handles rings like a bell when tapped.<br>B48

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c1890 Rubina Verde Vaseline/Cranberry Opalescent vase. 9 3/8" tall x 6.25" wide rim. The clear base and trim react to UV light. Really cool top, no cracks, chips, or restorations. TW232

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c1890 Schafer and Vater Super cool Porcelain figural match holder. Unmarked but guaranteed lat 19th century i'm 100% sure not 99%, I believe it's Schafer and Vater. 4.5" wide x 3" tall. B37

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c1890 Signed Webb Whimsy Brides Bowl in gilt metal stand. Clearly acid stamped<br>WEBB on base over where the old piece of tape is, I don't have all day to hold<br>it at just the right angle to show it in a picture. Smaller than typical brides<br>bowl 7.5" at widest point x 6" tall. No damage whatsoever.<br>tw270

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c1890 Sportsman Carved Italian Alabaster Figure by Picciole 11" tall. Great shape as shown with minimal wear, there may have been a bronze cane part that came out in the back, no longer here. B55

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c1890 Sterling Sugar Tongs Charles Stuart Harris London 3 7/8" long 22.1 grams.

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c1890 Stevens & Williams Cranberry Amberina Threaded Finger bowl set (4).<br>Selling the set of 4 130 year old bowls in near mint condition. I found two of<br>the tiniest pencil lead sized chigger bites to the threading after extremely<br>close scrutiny. One is shown in the center of the last pic. 5.75" wide x 2 5/8"<br>tall. No cracks, chips, or restorations.<br>TW127

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c1890 Unger Brothers Douvaine Sterling Sardine Serving Fork. 6" long x 2 1/8" wide, no damage, some wear to gold wash on bottom section as expected. Monogram as shown.

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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c1890 Victorian Art Glass Collection, Rainbow blown mold vase, Brides bowl, Uranium Vaseline satin Rose bowl, Amberina mug. Selling the 4 pieces shown with no cracks, chips, or restorations. There is a gilt over factory chip on top rim of the amberian mug which is 3.25" tall, vase is 6.5" tall, rose bowl is 3.25" wide, brides bowl is 10 5/8 x 2.5" tall with a 3 5/16" footrim. TW203

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c1890 Volkstedt Porcelain Wall Mirror with Putti/Roses. 14.5"tall x 11.5" wide. I found 4 places with damaged leaves/stems. I didn't find any significant chips, no cracks, no restorations. Mirror is functional but cloudy as over 100 year old mirrors get. B7

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c1890 Hutschenreuther Porcelain Plaque After Heinrich Hoffman Christusknabe Depicting a young Jesus Christ 11.25" x 9 1/8" framed x 5 7/8" x 4" plaque. Guaranteed Authentic, 100% hand painted, factory stamped with Hutschenreuther mark from the period. Secured as shown with foam board, I removed for photos carefully then replaced quickly and carefully.

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c1890 Wavecrest Art Glass Jewelry Box Dresser Jar. No cracks, chips, or restorations. Beautiful clean liner that is likely not the original 125 year old one. 4" wide x 3.25" tall. tw146

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This is a magnificent glass vase on a metal base. Overall height is<br>approximately 10 3/8 ", the glass vase measures 9 1/2" and is up to 3 1/4" wide.<br>The diameter of the opening is 1 7/8". Pressed white milk glass with a beaded<br>top rim. Multiple embossed designs around the neck and base as well as embossed<br>scroll-like designs down the full length of the sides. Beautifully hand painted<br>on front and back with multiple small blue flowers with yellow centers and long<br>wispy brown stems and leaves. Reddish-brown accents and many white beads. The<br>metal base consists of a silver-colored ring and four attached gold-colored<br>feet. The ring appears to be made of brass with a silver colored paint, the feet<br>seem to consist of a white/grey metal with gold painting. Both ring and feet are<br>quite ornate. Manufactured by the C.F. Monroe Company in Meriden, CT and the<br>bottom of the vase is accordingly marked with the orange Wavecrest mark as used<br>around 1900. In excellent condition without any damage. No chips, no cracks, no<br>wear other than three enamel dots on the very top rim, no repairs.<br>B25

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c1890 Wavecrest Puffy Art Glass Jewelry Box Dresser Jar. 3.25" tall and wide with no cracks, chips, or other damage, good strong hinge. Hand painted and great. tw131

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1890 Willets American Belleek Hand Painted Beer Mug. 5 3/8" tall no cracks, chips, or restorations. Some minor wear to gilding.

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c1890 William B Kerr American Sterling Call card Case/Wallet. Rare and unusual in fantastic condition with minor scratches below center hand etched design which could either be an organization or initials I'm not sure but it's fancy and wonderful. Weighs 128.3 grams, it's thick and heavy. Faint Hatchet hallmark shown, I believe it's William B Kerr as they used similar designs. 4 7/8" tall x 3 3/8" wide. I've not seen this exact design before but my guess is the leather wore out on most of them, this one is particularly well preserved and could be used for credit cards and money. WM.B. KERR & CO - Newark, NJ Began as Kerr & Thiery in 1855. Kerr's hallmark was a fasces - a single-bit axe with rods bound with straps. They used this trademark of Ancient Rome origin from 1855 until 1892. Other hallmarks include a hammer, and three "X" marks. Purchased by Gorham Corporation in 1906 tw156

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c1890 Wood Glass Magic Lantern Slides Revolutionary war "Battle of Lexington"<br>and "Battle of Saratoga"each 4" x 7" total with 3" x 3.5" sight. No damage or<br>issues. Selling both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides South carolina Revolutionary war Battle of<br>cowpens and Eutaw springs each 4" x 7" total with 3" x 3.5" sight. No damage or<br>issues. Selling both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides Surrender of Cornwallis and Battle of<br>Bennington each 4" x 7" total with 3" x 3.5" sight. No damage or issues. Selling<br>both slides shown<br>isdrawer

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c1890 Wood Glass Magic Lantern Slides Washington at prayer and a portrait of<br>George Washington each 4" x 7" total with 3" x 3.5" sight. No damage or issues.<br>Selling both slides shown<br>isdrawer

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c1890 Yasuda Artist Signed Japanese Satsuma Koro. Yasuda mark in addition to artist signature that I didn't try to research. Very fine quality piece likely missing a lid which could have been metal or ceramic. Top measures 3 7/8" inside and 4.5" outside. 3.75" tall with no cracks, chips, or restorations. TW240

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c1890's American Sterling calling card case. 80 grams marked and tested sterling. 4 1/8" tall x 2.75" wide. Mark shown on pic with penny. A few small dents, top has a spring on the hinge like a zippo lighter to push and hold it open. TW208

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c1893 Wedgwood Kenlock Ware Bronze Mounted Cachepot. Extremely rare, one of a<br>kind item. No cracks, chips, or restorations to Pot but there are interior<br>stains and there is some loss to the bronze ormular floral swags that hang down<br>in the center.<br>6" tall x 6.5" wide, still one of the most attractive pieces of wedgwood I've<br>owned.<br>tw158

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c1900 10k gold Reticulated mounted Pink Conch shell cameo brooch. Marked and<br>tested 10k gold. 1.25" x 1 1/8" with .75" x 9/16" cameo. No damage or issues.

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c1900 10k gold, ruby, and seed pearl pendant/pin. Apparently unmarked, tested and guaranteed solid 10k gold. I believe this was an enhancer pendant and the pinback which I think is gold filled was added later. The main part is solid gold.

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c1900 23.75" Palatial Moser gold decorated vase. Entirely hand painted, huge piece 23.75" tall x 6" wide at the rim. Some wear to gilding, no cracks, chips, or restorations. Guaranteed late 19th to first quarter of the 20th century. Apparently unmarked other than the engraved number or initial inside the factory ground pontil.

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c1900 830 Silver Twist stem Brite cut handles Boxed Teaspoon set. Well over 100 year old set in original wooden satin lined box. Extremely clean lightly used conditon. 74.5 grams silver weight. b70

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c1900 American Brilliant Period Cut Glass Bulbous Pitcher 7.5" tall x 7.5"<br>handle to spout. Near mint with no cracks, chips, or restorations. I found one<br>single tiniest chigger bite, some light scratches in base from cleaning.<br>Couldn't find any markings. Nice sized small water pitcher or large juice<br>pitcher.

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c1900 American Brilliant Period Cut Glass candelabra. Amazing piece with no<br>significant issues, no damage to glass, no identifying marks found. 21.25" tall<br>approx 13.5" wide x 12" tall to top of glass from base. To me it seems obviously<br>American though I didn't research the maker, whatever it is it's rare and super<br>special. Fresh from a 4 million dollar home, likely an early American mansion<br>before that. The mounts aren't marked, no wear to plating but I'm assuming<br>silver plate. Removable original bobeches and top insert for up to 5 lites.<br>isshelf

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c1900 American La Pierre Hand engraved sterling sash/belt buckle/hair piece. No<br>issues, hinge in center, late 19th to very early 20th century. 3.75" wide x 3"<br>tall, assume it's for a cloth belt. It is naturally curved to conform with a<br>body. Inside measurement where belt goes is 2", 40 grams.<br><br>"The La Pierre company started as early as 1888 in New York where Frank H. La<br>Pierre had a small shop at 18 East 14th St. making a variety of novelties and<br>small wares. In 1895 it was incorporated in New Jersey... In 1900 the firm was<br>again incorporated by La Pierre and H. C. Brown. In 1929 the La Pierre business<br>was purchased by the International Silver Company and moved to Wallingford,<br>Connecticut... "

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c1900 American Tramp Art box 13" x 7.5" x 5.5", some wear as shown, metal feet<br>bent but it sits level. Cool and functional.<br><br>Tramp art<br>Tramp art is a style of woodworking which emerged in America the latter half of<br>the nineteenth century. Some of tramp art's defining characteristics include<br>chip or notch carving, the reclaimation of cheap or available wood such as that<br>from cigar boxes and shipping crates, the use of simple tools such as penknives,<br>and the layering of materials into geometric shapes through glue or nails. One<br>technique used in tramp art is Crown of Thorns joinery.<br><br>History<br>Although widespread use of wooden cigar boxes in the 1850s sparked involvement<br>in tramp art, it was most prevalent during the Great Depression. Tramp art was<br>made around the world but it prospered in the United States. Examples can be<br>found in every state. The most common forms were the box and the frame and<br>although there were no rules or patterns to lend commonality in the artists’<br>work there were objects made in every conceivable shape and size including full<br>sized furniture and objects of whimsy.<br><br>Tramp art was a democratic art form made wherever the raw materials used in its<br>construction were found. It appealed to men who might have made an important<br>body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 –<br>1920) or the wonderfully expressive wall pockets by John Zadzora (active circa<br>1910) but also to men who might have made one piece in their lifetime. It was<br>easy to make and appealed to anyone who had a desire to take a pocketknife to<br>wood.<br><br>There were countless men, some women, and even children who historically<br>constructed tramp art.<br><br>Origins of the Term<br>A 1959 article by Frances Lichten in Pennsylvania Folklife used the term "tramp<br>work" to describe crafts constructed from waste materials such as discarded<br>cigar boxes and assembled with a penknife. Contemporary scholars and art dealers<br>such as Clifford A. Wallach have noted that while this art form may have been<br>practiced among America's itinerant population, it was by no means unique to<br>them and was practiced by factory workers, farmers, and laborers in other<br>occupations.<br><br>In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an<br>Itinerant's Folk Art. The book acted as a catalog to the first museum show on<br>the art form sponsored by the American Museum of Folk Art.<br>b30

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c1900 Antique Brass articulating wall mount candleholders. Over 100 years old with no issues. they do have holes for prisms if you like. They move freely from side to side and stick out 10" from wall when straight. Quite rare and unusual. isshelf

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Antique Cherry Pitter by Goodell New Hampshire. Very cool design in the most<br>amazing condition. A practical pitter for someone in the south that doesn't have<br>a billion cherries mounts to any counter top, would also work for olives.<br>TW233

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c1900 Antique Chinese Canton cream soups. Selling both shown in perfect condition with no cracks, chips, or restorations. 4 3/8" wide without handles x 2.25" tall. Well painted by hand on both sides. blkcrate

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c1900 Antique Chinese Republic period carnelian and jade set pewter box 3"<br>square x 2" tall, a few scratches and small dents. Good looking hand engraved<br>box.<br><br>chinesedrawer

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c1900 Antique Chinese Shiwan Figure Sancai Glaze 9.5" tall. Nice large early 20th century Sancai Shiwan figure. old rpair to the bottom of the neck of his cloak. TW157

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c1900 Antique Dresden Man and Woman Gathering Flowers with sheep. Selling the<br>two figures, 19th to early 20th century. 7.5" tall with no major damage, very<br>slight loss to a few petals on each figure, no major breaks or repairs.<br>TW201

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c1900 Antique French Hand Painted Sevres Style Goblet Form Wine Cooler. 8.5" tall x 7.75" wide, very large piece of antique 100% hand painted French porcelain. Would make a great Cachepot, ice bucket, centerpiece, etc but it's the perfect size for a wine cooler and likely began it's life as that. Artist signed Aly.

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c1900 Antique Italian Grand Tour gilt Bronze Micromosaic cross. Nice antique cross, over 100 years old Measurements in pictures, very little if any loss to decoration.

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c1900 Antique Italian Spice box. Antique spice box, 19th to very early 20th<br>century. Unsure where it was made but the writing is Italian I believe. Strong<br>and stable with gap to left side shown, not rickety. All drawers intact with no<br>issues. 14" tall x 9.5" wide.

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c1900 Antique Rosenthal Copenhagen Duck vases pair 6" tall each with no cracks,<br>chips, or restorations. Selling both.<br><br>isshelf

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c1900 Antique Star Mark Buermann Hercules Bronze California Spurs Pair.สิ่งเหล่านี้ทำจากโลหะผสมพิเศษ 'Hercules Bronze" ที่คิดค้นโดย August Buermann เดือยเหล่านี้เกิดขึ้นก่อนปี 1914 โดยมีเครื่องหมายรับรองคุณภาพ Buermann Star ซึ่งมีอายุก่อนที่จะถูกซื้อ ออกโดย North & Judd ในปี 1914 ความกว้างด้านใน 5" x 3" ที่ส้น พบว่าไม่มีความเสียหายBuermann Spurs เป็นหนึ่งในดีไซน์ที่มีชื่อเสียงและเป็นที่ต้องการมากที่สุดจากหนึ่งในผู้ผลิตที่มีชื่อเสียงที่สุดในประวัติศาสตร์ Cowboy Spur .เขาถือได้ว่าเป็นนักธุรกิจที่ดีเช่นกัน เมื่อเขาตอบสนองความต้องการในการสร้างสเปอร์สประเภทต่างๆ มากมาย และยังจดสิทธิบัตรแบรนด์/โลโก้ และการออกแบบของเขาอย่างจริงจัง  ไม่ว่าจะต้องการประเภทหรือสไตล์ใดก็ตาม Buermann เป็นคนแรก เพื่อก้าวขึ้นมาสร้างสิ่งเหล่านี้ประวัติศาสตร์August Buermann เกิดที่ประเทศเยอรมนีในปี 1842 แต่ต่อมาได้เดินทางไปสหรัฐอเมริกาหลังจากฝึกงานด้านช่างทำกุญแจหลังจากเข้าร่วมกองทัพ ในฐานะตัวสำรองเมื่ออายุ 22 ปี เขาเริ่มสร้างแรงกระตุ้นให้กับพลเรือนและทหาร Buermann ได้สร้าง StarBrand ที่น่าอับอายในปัจจุบันซึ่งประดับประดาการออกแบบและการสร้างสรรค์ของเขา บริษัทเติบโตขึ้นจนมีพนักงานมากกว่า 100 คนก่อนช่วงเปลี่ยนศตวรรษในช่วงต้นทศวรรษ 1900 ทหารส่วนใหญ่สวมเดือยส้นออกัส และนายทหารกองทัพก็มีสิทธิ์สวมโซ่รัดส้นและซื้อเป็นการส่วนตัวจาก Buermannสิงหาคมยังมีลูกชายคนหนึ่งชื่อ August Jr ซึ่งรับช่วงต่อจากการบริหารบริษัทเมื่อเขาเกษียณในปี 1896  August Jr ยังเป็นนักธุรกิจที่ดีเหมือนพ่อของเขา แต่ในปี 1914 ชื่อและการออกแบบ Buermann ถูกซื้อโดย North และจัดด์ บริษัทฮาร์ดแวร์ขนาดใหญ่ที่จัดตั้งขึ้น StarBrand ที่น่าอับอายของเดือยบูทของ Buermann หมดไปแล้วและถูกแทนที่ด้วยเครื่องหมายสมอเรือ North และ Judd จากนั้น August Jr ก็เกษียณออกไปชื่อ Buermann ก็ไม่ได้ปราศจากข้อโต้แย้ง (เล็กน้อย) เช่นกัน เมื่อผู้ผลิตที่มีชื่อเสียงรายอื่นๆ เริ่มเข้ามามีส่วนร่วมกับธุรกิจที่จัดตั้งขึ้น โดยขายเดือยรูปแบบใหม่ๆ ที่ได้รับความนิยม Buermann ก็ถูกกล่าวหาว่าทำสำเนาการออกแบบเหล่านี้โดยตรง แม้กระทั่งถึงจุดที่เขาถูกกล่าวหาว่าคัดลอกภาพจากแค็ตตาล็อกของบริษัทอื่นเพื่อการใช้งานของเขาเองในเวลานั้น บริษัทเริ่มถูกถอดออกจากลูกค้ามากขึ้นเรื่อยๆ โดยขยายสาขาและปรับให้ทันสมัยที่ อัตราที่รวดเร็ว บริษัทอื่นๆ เช่น McChesney หรือ Crockett ใกล้ชิดกับลูกค้ามากขึ้น และ Buermann ก็ตามทันวัสดุเช่นเดียวกับผู้ผลิตเดือยอื่นๆ เดือยเหล่านี้ส่วนใหญ่ทำจากทองเหลืองแข็ง หรือเหล็ก อย่างไรก็ตาม Buermann ยังได้คิดค้นโลหะไว้ใช้ 2 ประเภทเช่นกัน ซึ่งเรียกว่า "Star Steel Silver" และ "Hercules Bronze"ในกรณีที่มีการใช้โลหะเหล่านี้ ชื่อโลหะก็จะถูกประทับลงบนแต่ละชิ้นด้วยในความเป็นจริง ผลิตภัณฑ์ที่ผลิตในโรงงานอันทันสมัยของเขาในเจลลิฟฟ์อเวนิวนั้นดีมากจนเขาสามารถได้รับรางวัลความเป็นเลิศมาบ้าง Centenial Commission of Philadelphia มอบรางวัลมากมายสำหรับผลิตภัณฑ์ที่แตกต่างกันในหลายประเภท และ Star Brand ยังได้รับรางวัลที่งาน St Louis Fair ในปี 1904tw154

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c1900 Antique Sterling Calling card case/wallet. 3.5" x 2.75" x 81.5 grams, some<br>small dents on sides as shown no other issues, monogrammed as shown.<br>silverdrawer

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c1900 Antique Sterling Calling card case/wallet. 3.75" x 2.75" x 117 grams, no<br>dents or other issues, monogrammed as shown.<br>silverdrawer

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c1900 Art Nouveau George Unite Sterling Scent Bottle with French Limoges Enamel Plaque. Very special and over the top in so many ways. 413.8 grams very thick solid sterling marked and tested of the best quality encasing a glass perfume bottle with ground stopper. A few very small dents on the top, no other issues. tw208

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c1900 Art Nouveau Royal Bonn Hand Painted Roses Vase. 8" tall x 7" wide with no<br>cracks, chips, or restorations, fine overall crazing with no stains.<br>Royal Bonn is the 19th and 20th Century Trade Name used by the renowned<br>craftsman Franz Anton Mehlem, who produced pottery in Bonn, Germany from 1836 to<br>1931. Fine Porcelain and Earthenware were manufactured in the factory. In 1921,<br>the firm was purchased by Villeroy & Boch and closed in 1931.<br>TW228

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c1900 Art Nouveau Sterling and Crystal perfume bottles Enamel/Cranberry silver overlay glass. Selling the three amazing bottles shown, all three fit for a queen, best of the best. 4" to 4 5/8" tall. The large cut glass with sterling enamel portrait top has some very small chigger bites as cut glass always does, no large chips. NO chips to other bottles, some mineral deposits in the large jar, none in the others. Selling the three bottles shown. All three marked sterling tw161

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c1900 Art Nouveau Sterling Silver Overlay Art glass Tankard. Nice sized tankard<br>10 1/8" tall x 3 5/8" wide at rim including spout. No cracks, chips, or<br>restorations. Looks to have an illegible hallmark at top of silver above the<br>handle, tests sterling.<br>isshelf

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c1900 Art Nouveau Sterling Silver Overlay Art glass Vases. Selling both vases<br>shown, Loetz Iridescent 4.25" tall, The other pink cased Opaline 5 1/8" tall<br>with Sterling fish mark. Both tested sterling but I could find no markings on<br>the Loetz piece which is typical.. Neither with any cracks, chips, or<br>restorations.<br>tw134

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c1900 Austrian bronze Figural Toothpick/Match holder Boy carrying bag. Guaranteed late 19th to every early 20th century. 2 5/8" long x 1 7/8" tall. Not sure if it was originally a match holder or toothpick holder but I'm sure it's great. tw135

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c1900 Bahr and Proschild 247 Dep Agnes Lucas Puppenmutterchen's Nahschule "The Doll Mother's sewing room". Selling everything shown, looks to have been played with very little. I think there may be a few extras that were added by the previous owner and I'm sure not everything that came in it over 100 years ago is here but it's great with little wear to the box. The doll is marked 247 Dep, eyes open and close Box is 12 3/8" x 9 3/8" Doll is 11.5" in great condition doesn't look to have been played with. I think most of the patterns from the doll pattern book have been used and are presumably in the case. There's a tiny book that looks to be a replica of the larger book, possibly more recent. TW239

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c1900 Beaded Handbag with intricate Architectural Landscape. Amazing condition, amazing piece of art. One tassle at bottom separated, otherwise incredible condition.

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