1953 Harding Black Texas Studio Art pottery footed bowl with the best Chinese Flambe glaze No cracks, chips, or restorations, no loss to glaze whatsoever. 6 1/8" wide x 3.25" tall. Harding Black San Antonio (1912 - 2004) A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also began to teach children's ceramic classes at the Witte. Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Black's collection and archive is housed at Baylor University. Harding Black's work with clay serves an an important bridge between early Texas and mid-century pottery. tw122

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1953 Rolex Oyster Shock Resisting watch w/box. Very clean, working automatic Rolex c1953. The serial number places it at 1953 or 1963, but the Brevet + on the side above the 6282 model number was only used until the late 50's. Seiko replacement band. Original Authetic Rolex, I acquired it with this box from a friend. It was his Grandfather's, I don't know enough to be 100% sure if this is the original box, there is no inner box, just what's shown. Case approx 33-34mm wide without the crown. Still has what I assume to be the original protective clear plastic sticker on the back of the watch.

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1954 10k gold/Sterling silver Maddox Amarillo TX Bronco Trophy belt buckle. Fits up to a 1.5" belt. Tested and guaranteed solid 10k gold bronco, the rest sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa mid 20th century.. Listed with ExportYourStore.com

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USS Boxer Far Eastern Cruise Book Navy/Marines. All pages intact, good spine.<br>Some shelf wear. Belonged to Boyce Ross U.S. Marine. I'll be listing two cruise<br>books and a scrapbook with photos separately. Only writing I noticed was notes<br>from his unit. Very interesting book approximately 180 pages printed in Japan.<br>10" x 11"<br>Tw87

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1955 Dallas Texas Anglers Club Medal 1st place. 1 5/16"

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USS Boxer Far Eastern Cruise Book Navy/Marines. All pages intact, the<br>spine/binding is a little weak in the center Some shelf wear, stain on back.<br>Belonged to Boyce Ross U.S. Marine. I'll be listing two cruise books and a<br>scrapbook with photos separately. Only writing I noticed was notes from his<br>unit. Very interesting book approximately 322 pages printed in Japan. 9" x<br>11.75"<br>Tw87

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Fenton Teal Blue cased glass barber bottle 9.75" tall with lid, part of cork<br>missing from bottom of stopper that still stays put when turned upside down, no<br>scratches or damage to bottle.<br>tw271

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1957 Harding Black Texas Studio Art pottery footed bowl with a fantastic complex<br>glaze<br>No cracks, chips, or restorations, no loss to glaze whatsoever. 6 3/8" wide x<br>1.25" tall.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br>b3

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1957 Harding Black Texas Studio Art pottery Lava Glaze vase. No cracks, chips,<br>or restorations 5 1/8" tall.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br>tw163

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1959 Boy Scouts Of America Transatlantic Council u.s. Scottish Exchange Presentation Beer Stein Lithopane. Rare one of a kind, there was likely one made and presented to each name on this Stein. So nine custom made and presented to each person. Oddly with a Lithopane in each Stein. No damage, very minor wear to Gilding, tight hinge.

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1959 Harding Black (1912-2004) Texas Studio Art pottery ginger jar with bubbly<br>cobalt blue glaze and hand incised decoration throughout. 7" tall x 6.5" tall,<br>an amazing Texas Mid century modern entirely handmade one of a kind jar made by<br>the celebrated potter Harding Black in 1959. It's amazing in so many ways, all<br>the incisions and decoration done by hand and a unique dark blue bubbly glaze.<br>It's estate fresh and has never been offered for sale anywhere until now, it's<br>mint with absolutely no damage, wear, or restorations.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br><br>anderas

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1959 Ty Cobb Autograph PSA/DNA Baseball Signed check. Guaranteed Authentic, comes with paperwork shown. 20" x 14.5" framed. Last purchased 10-15 years ago for 2k from Goodwill Ecommerce, in the last few years several of these have brought right around 3k and some more at auction. Tyrus Raymond Cobb Born: December 18, 1886 Georgia Died: July 17, 1961 (aged 74) Atlanta Georgia Awards And Honors: Baseball Hall of Fame (1936) Most Valuable Player (1911) Baseball Hall of Fame (inducted 1936. Triple Crown 1x MVP 12x batting champion Ty Cobb, in full Tyrus Raymond Cobb, byname the Georgia Peach, (born December 18, 1886, Narrows, Georgia, U.S.—died July 17, 1961, Atlanta, Georgia), professional baseball player, considered one of the greatest offensive players in baseball history and generally regarded as the fiercest competitor in the game. Cobb took to baseball early in his life: by age 14 he was playing alongside adults on the local baseball team in Royston, Georgia. In 1904 he joined a semiprofessional team in Anniston, Alabama, and the following year he signed with the minor league Augusta (Georgia) Tourists. While playing with the Tourists, Cobb had his personal life jolted by an unusual tragedy: on August 8, 1905, his mother shot and killed his father, who was atop the family’s porch roof in an attempt to catch her being unfaithful and whom she purportedly mistook for a burglar. That event overshadowed his promotion to the Detroit Tigers later that month. His combative reaction to his subsequent rookie hazing created animosity between Cobb and his teammates that lasted for years, which greatly helped to establish the antagonistic public persona that would become one of Cobb’s hallmarks. He spent 22 seasons as an outfielder with the Tigers (1905–26) and also managed the team from 1921 through 1926. Cobb led the team to three consecutive American League (AL) pennants (1907–09), but the Tigers lost all three World Series in which he appeared. A member of the Philadelphia Athletics when he retired in 1928, Cobb hit .323 in his last season, at age 41. He batted left-handed and threw right-handed, stood about 6 feet 1 inch (1.9 metres), and weighed 175 pounds (79.4 kg). During his 24-season career in the AL, Cobb established numerous batting records. His career hits record of 4,189 lasted until it was broken by Pete Rose in 1985. He also set the runs-scored mark of 2,246, a total that was not surpassed until 2001 by Rickey Henderson. Cobb’s total of 892 stolen bases was surpassed in 1979 by Lou Brock. Finally, Cobb’s lifetime batting average of .366 was unequaled through the 20th century. (It should be noted that there is disagreement among sports statisticians as to the exact figure for Cobb’s batting statistics.) Cobb led the AL in batting 12 times. Three times his batting average topped .400 (1911, .420; 1912, .409; and 1922, .401), and for 23 straight years he batted at least .300. In the first election to the Baseball Hall of Fame, in 1936, Cobb received the most votes. He invested his baseball earnings shrewdly and amassed a comfortable fortune. Cobb’s historic baseball accomplishments are occasionally overshadowed by his notorious personality. Known for sharpening his spikes in order to cause the most damage to opponents’ legs when sliding, he was one of the most aggressive players in baseball history, and his short temper led to numerous on-field scuffles (he even attacked a heckling fan in the stands on one occasion). His autobiography, My Life in Baseball, ghostwritten by sportswriter Al Stump, was published in 1961. Stump amended the record in 1994 with Cobb: A Biography, which presents a far more honest view of the great player. Cobb’s racism, misogyny, and volatile and violent personality are covered in Stump’s second book, which was the basis of a 1994 film, Cobb.

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1960 c-31 Elliott Qualo Zuni sterling silver intarsia inlay Ghan dancer bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa third quarter of the 20th century. Unmarked.38" long. Listed with ExportYourStore.com

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1960 Kentucky Derby Sterling clip. Buying the clip shown, tie clip or whatever kind of clip you want it to be. Or just the rare Kentucky Derby memorabilia item it is. 12.5 grams, sterling functional with no issues.

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1960's Beatles, Freedom Capsule Space Ship, and Coca Cola Piggy Banks Collection. Selling the 4 banks guaranteed authentic from the 1960's. Coke pigs are 4.5" long for reference. Tw60

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1960's Bell Trading Post Navajo Sterling and turquoise Spider Bolo Tie Good condition with no issues, I don't believe the tips are sterling. Bolo measures 1.75" x 1.25" 18" long with both strings together.

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1960's Bing and Grondahl Love Refused Figure Boy and Girl. No cracks, chips, or<br>restorations. 7" tall.<br>B22

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1960's Bing and Grondahl Tom and Willy Two brothers 7 5/8" tall x 5.5" deep with no cracks, chips, or restorations. TW190

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Paul E. Killinger ศิลปินชาวแคลิฟอร์เนียในช่วงปี 1960 (1927-1996) เปลี่ยนชามไม้มะฮอกกานีของบราซิลด้วยฝาปิด Mid Century Modern เขามาจาก PA แต่เดิมไปทางตอนใต้ของรัฐแคลิฟอร์เนีย เขาถูกรวมอยู่ในการแสดงงานฝีมือที่พิพิธภัณฑ์ศิลปะ Pasadena ในปี 1965 ซึ่งมีชื่อว่า California Design 9 ซึ่งเป็นผู้ที่อยู่เบื้องหลังการออกแบบ รวมถึง Evelyn Ackerman, Paul Soldner, Natzlers, Sam Maloof และอีกมากมาย เขามีชามไม้ 3 ใบในการแสดง ที่อยู่ของเขาในแคลิฟอร์เนีย คือ 5104 บาเลนเซีย ดร.ออเรนจ์ เขาเป็นคนร่วมสมัยกับ Paul Eshelman ช่างกลึงชามชื่อดังจาก Pa ซึ่งชามของเขามีราคาประมาณ 1,000 ดอลลาร์ ชามใบนี้มีตราประทับ "Paul" อยู่ที่ด้านล่าง สภาพดีไม่มีความเสียหายหรือการสึกหรอที่สำคัญTW 210

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1960's Cybis Porcelain Owl and Mouse Figures. Tallest 4.6" with absolutely no cracks, chips, flakes, scratches, restorations, or other issues! B8

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1960's Dobro 23 Jewel Calendar Watch. Nice vintage watch from the third quarter of the 20th century as clean as they come with no wear to gold plating, works, keeps good time, waterproof, uncommon watch from a company that made very good watches just didn't make that many. This would have been considered a Men's watch in it's time, but not every woman wants a tiny watch these days. 1 7/16" wide with winder.

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1960's Gerhard Meisel(1903-1979) Stahnsdorf German Studio pottery vase. 7" tall with no cracks, chips, restorations, or crazing. Fantastic glaze with subtle blue dots towards the top. Gerhard MEISEL 1903 born in Opole, Poland 1921-1923 School of Arts and Crafts, Breslau 1926-1928 traineeship at Kieler Kunstkeramik 1928-1931 studied at the Art Academy in Dresden (sculpture with Karl Albiker) 1931-1933 artistic director in Schramberg majolica factory 1933-1936 Carstens-Uffrecht KG (Neuhaldensleben) 1949-1968 own workshop in Stahnsdorf Died in 1979 in Stahnsdorf, Germany TW234

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1960's Hawaiian Dreams Sunbathing Woman Ashtray Bathing Beauty Lot of Two. Selling both from the mid 20th century. No cracks, chips, or restorations, they both have some crazing. Largest is 8.5" x 6.25" tall. tw145

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1960's JoAnn Dalsheim Huge Starfish Brooch 3.5" wide with no damage or<br>significant wear. I believe it's silverplated, to me it looks great just like<br>this with it's natural patina.

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1960's Kosta Boda Zoo Animals Glass Lion, elephant, and dog. Elephant is 6.5" long x 5.5", Dog is 7" long x 5.25" tall, Lion is 4" tall x 5.5" long no cracks, chips, or dings. Selling all three shown. Tw235

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1960's Matchbox 2 Muir-Hill Dumper with box. Very clean box, mint car with no paint loss, front and back are perfect the photographer forgot to picture them on a ton of cars and I don't have time to take more pics.

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1960's Matchbox 69 Nestles van in box. Some wear to box as shown, a few tiny specs of worn paint as shown. Front and back that aren't shown in pics are perfect.

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1960's Matchbox King Size K-14 Taylor Jumbo Crane in Box. 5.25" wide box, minor spots of paint wear in a few places and slight loss to decal on back as shown, writing on one flap of box and discoloration on one side of box.

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1960's Matchbox King Size K-4 International Tractor. Some wear to box, no wear to tractor, no touch ups, the glue that held the wheels on no longer works which is common, a dab of silicon will keep them on if necessary.

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1960's Matchbox King Size K-7 Refuse Truck. 4.5" long truck is near mint with no detectable wear. Box is rough as shown.

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1960's Matchbox Models of Yesteryear Y-14 1911 Maxwell Roadster in box. No touch ups, clean box, tiny dings on each of the pieces that stick out in the back, I guess they'd be steps, apparently missing license plate.

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1960's Matchbox Models of Yesteryear Y-2 London Bus. Never played with near mint to mint with some wear to box, no touch ups.

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1960's Matchbox Models of Yesteryear y-5 1929 4.5 Litre (5) Bentley, strong clean box with tiny tear by flap. One tiny pinhead sized nick to paint on rear passenger side fender. No other paint wear or touchups.

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1960's Matchbox Models of Yesteryear Y-6 1913 Cadillac. Clean box, mint car with no wear or touchups.

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1960's Matchbox Models of Yesteryear Y-6 1926 Type 35 Bugatti. Tear on reverse side of box, no wear or touchups to car.

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1960's Matchbox Models of Yesteryear Y-8 1914 Stutz Sealed on card. Mint sealed on card with some wear to box.

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1960's Matchbox Y-12 Models of Yesteryear Horse Bus Lipton's Tea. Clean box with mint toy with no wear or touchups. One spot on top rear of toy where they got an extra bit of white paint on it, I've removed these spots before but I won't mess with it as I don't have time for more photos, but that's what it is.

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1960's Matchbox Y-14 Models of Yesteryear Duke Of Connaught Locomotive. Clean box, very few tiny pinhead sized paint nicks which I believe happened from years of shuffling around in box. NO touchups.

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1960's Matchbox Y-15 Models of Yesteryear 1929 Bentley. This is in the wrong box as shown, box is rough, a few pinpoint sized paint nicks to car, no touchups.

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1960's Matchbox Y-8 Models of Yesteryear 1914 Sunbeam Motor Cycle in Box. Mint toy with no wear or touchups, near mint box.

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1960's Mazzega Murano Lamp Dichroic Paperweight Base. Great piece, it needs<br>wiring but since I do a high percentage of international shipping and the future<br>owner may want to put a different fixture on it I am not messing with it. It's<br>easy, one trip to the hardware store and 10 minutes and the possibilities are<br>endless...almost. No cracks, chips, dings, or restorations, a few scratches only<br>visible upon very close examination. 8.5" tall, 3.5" tall without fixture 6 3/8"<br>wide with handle. very heavy.<br>TW141

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1960's MCM Frankoma Aqua Orbit Gracetone collection. Selling the rare and<br>desirable collection shown, six pieces total counting the lid to the candy dish.<br>12 oz v8 can shown for scale. Tallest is the brandy snifter formed vase at 9"<br>tall x 5 7/8" wide. No cracks, chips, crazing, or restorations to any pieces,<br>One factory glaze pop shown in the interior of the deep compote to the right,<br>it's shown in the fifth pic. The lid to candy dish has some worn gold paint,<br>it's not covering a restorations I'm sure, I can remove the rest before shipping<br>upon request.<br><br>Gracetone Pottery was produced from 1959 to 1967. John Frank purchased a<br>Muskogee, Oklahoma company named Synar Ceramics in September, 1957, eventually<br>naming it Gracetone in December. He designed a new line of dinnerware named<br>Orbit, the name based on a circular motif. Many of the original Synar pieces<br>continued production. Unfortunately the company did not meet expectations, so<br>Frank closed it in May, 1962.<br><br>Frank's associate J.C. Taylor purchased the company, along with its assets, to<br>continue production with a reduced number of items. He eventually decided to<br>stop production entirely in February, 1967.

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1960's Murano JFK Paperweight John F Kennedy President. Nice large and uncommon<br>paperweight. 3.25" tall x 3.75" wide with no cracks, chips, dings, or scratches.<br>Minimal expected shelf wear on base.<br>pwdrawer

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เข็มกลัด Orb Mid Century Modern ในยุค 1960 Otto Robert Bade กว้าง 3 นิ้วโดยไม่มีการโค้งงอหรือรอยบุบOtto R. Badeช่างเงินที่สอนด้วยตนเองซึ่งมีต้นกำเนิดมาจากฟาร์มในเนแบรสกา Otto ซึ่งเคยไปเยี่ยมชม ปู่ของเขาไปเยี่ยมชมงาน World's Fair เมื่อปี 1940 โดยตระหนักว่าเขาไม่ต้องการใช้ชีวิตแบบชาวนา ดังนั้นในปี 1941 เขาจึงไปนิวยอร์กเพื่อค้นหาอนาคตของเขา เขาตอบโฆษณาจ้างงานเพียงฉบับเดียวและไปสัมภาษณ์งาน Frank (Francisco) Rebajes อธิบายว่าเขากำลังมองหาใครสักคนที่จะนำผลงานศิลปะในสตูดิโอของเขาและเพิ่มความสามารถในการผลิต เขาพูดกับ Otto "ดูว่าคุณทำอะไรได้บ้าง" และมอบผลงานชิ้นโปรดของเขาชิ้นหนึ่งให้กับ Otto นั่นคือ "Ubangi Face" ที่ ในตอนท้ายของวัน Frank รู้สึกประหลาดใจ Otto ได้สร้างจิ๊กและกระบวนการในการผลิตงานศิลปะของ Franks เป็นจำนวนมาก Otto สร้างขึ้นภายในวันเดียวด้วยหมุดแกะสลัก Ubangi Face ที่สมบูรณ์แบบหนึ่งร้อยอัน Frank รู้แล้วว่าเขาใฝ่ฝันที่จะมอบงานศิลปะที่สวมใส่ได้ให้กับ ตอนนี้คนจำนวนมากได้ตระหนักรู้แล้วFrank Rebajes ถือเป็นปรมาจารย์คนแรกในด้านศิลปะเครื่องประดับและงานฝีมือจากทองแดง และ Otto เป็นหัวหน้าคนงานที่รับประกันว่าการออกแบบนั้นผลิตอย่างมีศิลปะและเชี่ยวชาญ ที่สำคัญกว่านั้น แฟรงก์และออตโตมีมิตรภาพที่จะคงอยู่ตลอดไปRebajes Wearable Art เป็นหนึ่งในผู้ผลิตจิวเวลรี่ชั้นนำในช่วงทศวรรษที่ 1940 และ 50 โดยมีร้านค้าชั้นนำหลายร้อยแห่งทั่วประเทศที่ดำเนินธุรกิจ Otto ซึ่งปัจจุบันมีทักษะด้านช่างเงินมาหลายทศวรรษได้ลาออกจากบริษัทและเริ่มต้นธุรกิจของตัวเอง "Orb Originals" ในปี 1958 และประสบความสำเร็จอย่างมาก Frank ขายชื่อและธุรกิจของ Rebajes ให้กับ Otto ในปี 1960 และย้ายไปสเปนที่ซึ่งเขากลับมาทำงานในสตูดิโอขนาดเล็กและการวิจัยทางวิทยาศาสตร์เกี่ยวกับ "Mobius"เมื่อธุรกิจของ Otto เติบโตขึ้น เขาได้เพิ่มเวิร์กช็อป เครื่องจักร และการออกแบบแคตตาล็อกจาก Rebajes ธุรกิจเติบโตอย่างต่อเนื่องและดำเนินไปด้วยดี จนกระทั่งในปี 1981 เมื่อออตโตถูกควบคุมตัวและถูกเฆี่ยนด้วยปืนพกอย่างรุนแรง ทำให้เขาอยู่ในสภาพสาหัส หลังจากหายจากอาการบาดเจ็บมาเป็นเวลานาน Otto และ Dae ภรรยาของเขาก็ย้ายไปที่ New Hope, PAOrb Silvermiths ยังคงเป็นวัตถุดิบหลักของชุมชน New Hope, PA จนถึงทุกวันนี้ Otto ซึ่งขณะนี้เข้าสู่วัย 90 ปีแล้ว ยังคงมีบทบาทสำคัญในการรับรองว่าตราสัญลักษณ์ Rebajes จะสืบสานประเพณีและงานฝีมือที่ทำให้ชื่อ Rebajes มีชื่อเสียงและเป็นที่ต้องการมากว่าแปดสิบปี

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1960's Rosenthal Netter Bitossi Candlesticks in yellow. Great pair of super cool<br>functional collectible ceramic art candlesticks. 6 3/8" tall with no cracks,<br>chips, or restorations, a few glaze flakes on top; rim.<br>isshelf

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1960's Scandinavian Flora Danica Brooch by Eggert. Very fine piece of sculptural jewelry. No damage or issues. 2.25" wide.

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Stangl Children's Bowl and cup Mealtime Train Pattern. No cracks, chips, dings, or crazing. Bowl is 10.5" x 6.25" Tw49

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1960's Tribal India Coral and Hemp Beaded Multistrand Necklace with 1963 Coin<br>Clasp. Incredible piece with untold hours of work 27" long

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1960‘s Vintage Navajo sterling silver squash blossom necklace w/ nice turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Circa third quarter of the 20th century. 27" long. Great looking turquoise from unknown mine. Likely Natural American turquoise.

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1960‘s Vintage Navajo sterling silversquash blossom necklace w/nice turquoise. Tested and guaranteed solid sterling silver with weight and measurements in pictures. No issues. Circa third quarter of the 20th century. 25" long, Original 1960‘s price on back. 179 grams. 10-25

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1960‘s Vogt Sterling/10k hand engraved horse hair barrette. Fully functional, appears unused. Solid 10k gold horse on solid sterling back. This has been put up for 60 years or so untouched, I left it in that condition but it will clean up nicely with ease. I could polish before shipping upon request. anderas

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1960's Zuni Sterling, turquoise, and shell inlay Ghan Dancer belt buckle. Fully functional with some expected wear, weight and measurements in pics.

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1960's-70's Southwestern Sterling Turquoise Rocky Mountain Goat bolo tie. Heavy solid sterling bolo with copper tips. Bolo measures 2.5" tall x 2 1/8" wide x 84 grams total weight.

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1961 Bob Click "The Flying Dutchman" Mid Century Lithograph 7/10 Frame is 14.75" x 17.75", sight is 8.5" x 10.25".  No issues to print, clean matting with very minor blemishes,a few nicks on frame.

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1963 Signed First Edition History of Travis County and Austin Texas. Selling the<br>rare signed book. 6 3/8" x 9.25" 388 pages chock full of info, minor exterior<br>wear, clean interior. I would bet my life this signature is Authentic because of<br>where I got it from. This estate was full of books that were given by the<br>Authors to members of this family.<br><br>These books and many more I'll be listing shortly are from the estate of Homer<br>Garrison III, the son of Homer Garrison Jr.<br><br>GARRISON, HOMER, JR. (1901-1968). Homer Garrison, Jr., Texas Ranger chief and<br>director of the Texas Department of Public Safety, son of Homer and Mattie<br>(Milam) Garrison, was born in Kickapoo, Anderson County, Texas, on July 21,<br>1901, the eldest of nine children. After graduation from Lufkin High School he<br>went to work in the office of his father, who was district clerk in Angelina<br>County. Garrison received his first experience as a law officer at nineteen,<br>when was appointed a deputy sheriff of Angelina County. In 1929 he became a<br>state license and weight inspector for the Texas Highway Department, and he<br>joined the Texas Highway Patrol when it was organized in 1930.<br><br>When the Department of Public Safety was founded in August 1935 Garrison became<br>the first assistant director. Among his initial duties was the task of<br>developing a training program for DPS officers. At the request of the governor<br>of New Mexico, he was sent to that state to help organize the New Mexico State<br>Police. During World War II he was offered an appointment by Gen. Douglas<br>MacArthur to reorganize and supervise the Japanese national police system for<br>the War Department, but he declined in deference to his duties as director of<br>the DPS and chief of the Texas Rangers.<br><br>Among the many honors bestowed upon him during the nearly thirty years he served<br>as the head of the state law-enforcement agency was the presentation of the<br>sixth Paul Gray Hoffman Award, conferred annually by the Automotive Safety<br>Foundation for distinguished service in highway safety. In 1963 Governor John<br>Connally appointed Garrison director of civil defense and disaster relief for<br>the state of Texas and chairman of the State Defense Council. The same year the<br>governor also named him director of the Governor's Highway Safety Commission. In<br>May 1966 he was elected chairman of the resolutions committee and a member of<br>the steering committee of the Southern Region Highway Policy Committee of the<br>Council of State Governments; in January 1967 he was named a member of the<br>National Motor Vehicle Safety Advisory Council.<br><br>Colonel Garrison became director of the Department of Public Safety and chief of<br>the Texas Rangers in 1938. Under his leadership numerous major programs were<br>developed, and the organization grew to a total of some 3,400 employees. The<br>programs included crime control, police traffic supervision, driver licensing,<br>vehicle inspection, safety responsibility, accident records, safety education,<br>defense and disaster service, and police training.<br><br>Garrison married Mary Nell Kilgo on June 1, 1939, and they had one son. Garrison<br>died on May 7, 1968, and was buried in the State Cemetery, Austin. A Texas<br>Ranger museum at Fort Fisher was named for him.<br><br>BIBLIOGRAPHY: Ben Procter, "The Texas Rangers: An Overview," in The Texas<br>Heritage, ed. Ben Procter and Archie P. McDonald (St. Louis: Forum, 1980).<br>Vertical Files, Barker Texas History Center, University of Texas at Austin.<br>Bill Carter<br><br>"GARRISON, HOMER JR." The Handbook of Texas Online. [Accessed Wed Aug 7 11:36:57<br>US/Central 2002].<br><br><br>Mary Starr Barkley<br><br>was a life-long resident of Austin whose penchant for local history led her to<br>write numerous colorful books, articles, and essays about her hometown and<br>Central Texas. Known to friends and colleagues as "Mamie", she liked to refer to<br>herself as a "housewife-historian".<br><br>Barkley's roots in Austin extended back four generations. She was born in 1907<br>to James Patrick Starr and Mary Ellen Dolan Starr (Nellie), devout Irish<br>Catholics who belonged to St. Mary's Parish in Austin. Mary attended St. Mary's<br>Cathedral School until her graduation in 1923. Her close ties to the Catholic<br>Church greatly influenced both her historical research and her charitable<br>activities throughout the rest of her life.<br><br>Mary attended the University of Texas for two years and then went to work for<br>Austin National Bank where she met her future husband, Fred C. Barkley. The two<br>were married in 1930. During World War II, when Fred was in service, Mary began<br>to write fiction and essays. One of her favorite personal anecdotes concerns the<br>time in 1946 that she sent out three articles and received a check for each one.<br>"After that", she said, "I could never quit writing." She regularly sold<br>stories, essays and articles to magazines such as The Cattleman, Farm and Ranch,<br>Catholic Digest, the Houston Chronicle Sunday Magazine, and the Atlanta Journal<br>Magazine .<br><br>Mary Starr Barkley wrote predominantly about Austin and the surrounding<br>communities. She liked to set out at about nine o'clock in the morning one day<br>each week and drive to communities within a fifty mile radius of Austin. She<br>conducted a substantial amount of her research through oral interviews and<br>enjoyed talking to "old timers" who could tell her all about the history of<br>their communities. Barkley's method of history writing was to weave human<br>interest stories into traditional date-oriented narratives; she called this<br>style her "trademark". Barkley also carried a camera with her during her travels<br>and took many of the pictures that accompanied her articles.<br><br>In addition to her work as an amateur historian, Barkley was involved in several<br>organizations, many of which were affiliated with the Catholic Church. In 1950,<br>she helped organize the Seton Hospital Auxiliary to which she ultimately gave<br>over 17,000 hours of her time during a 30-year period. In 1950, Barkley also<br>helped organize the Friends of the Adoration Convent, a group that served as<br>both the auxiliary and the fundraising arm of the Austin Adoration Convent. In<br>her later years, she served as the Chair of the Travis County Historical Survey<br>Committee, an organization dedicated to the preservation of the historical<br>buildings within Travis County.<br><br>Barkley was the author of several published works including: Fifty Years of the<br>Seton Hospital (1952), O ne Hundred Years: The History of St. Mary's Cathedral<br>(1952), The History of Travis County and Austin, 1839-1899 (1963), A History of<br>Central Texas (1970), St. Mary's Church (now a Cathedral) (1972), The History of<br>St. Mary's Cathedral, 1874-1974 (1974), and numerous essays and articles<br>published in local and national periodicals. She also wrote a book on the<br>history of the Austin National Bank, and tried her hand at fiction. In addition<br>to her activities as a writer, Barkley conducted extensive genealogical research<br>about her own family and composed an unpublished family history, "A Four Staff<br>Family".<br><br>Principle organizations Barkley belonged to include: Seton Hospital Auxiliary,<br>the Travis County Historical Survey Committee, the Adoration Convent, Austin<br>National Bank, and St. Mary's Cathedral Parish.<br><br>Mary Starr Barkley succumbed to cancer in 1981.

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1964 Harding Black Texas Studio Art pottery bowl 8.75" wide x 3" deep with no<br>damage or restorations. tw105<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.

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1964 Santa Rosa Roundup and Livestock Exposition Ribbons in Shadowbox Frame<br>measures 20.5" x 22". No issues.

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1967 Hawaiian Black Coral Bust by Frank Schirman. 4" tall x 4" deep with no detectable wear. B50

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1967 Irvine & Jachens Sterling hand engraved belt buckle. Weight and measurements in pics, appears to have never been worn.

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1967 Stangl White Grape Pate sur Pate Star shaped Powder dish with Lid Candy Box. 5 1/8" wide with no cracks, chips, or restorations. Produced for only one year, less than a year in 1967. TW75

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1968 Sheet Metal Sculpture of Centaur Signed Neto. 16.5" talx 14.5" x 6.5" with base. Incredible piece of art, steel with wood base. I'd be interested in any possible info on the artist. Guaranteed 51 years old.

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1968 Diablo Sterling/10k CPHA Chapter 5 Trophy belt buckle. Fits up to a 1.5" belt.

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1969 Lubbock TX Wrestling medal. Buying the medal shown with a penny for scale.

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1970 Salt Glazed Studio Pottery Vase. Unsure of artist but obviously a skilled potter. 5.25" tall with no damage or wear. tw206

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1970‘s Alice Quam Zuni 14k gold belt buckle carved pyrite turquoise cluster. Tested and guaranteed solid 14k gold. Steel bar to catch the belt. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt. This is a style that was later adopted by Alice Quam‘s daughter Alvina Quam, though not in gold that I know of. I have seen a few Alice Quam pieces in gold, but not that many even though when she was active gold was 1/7 to 1/130 of the current price. Yes you read that correctly, during much of the time she was active gold was .7% of it‘s current price. The average was probably 1/20 current price. Still gold items by her are extremely rare and were likely custom items as it was always more expensive than silver and not as popular with top Native American artists as it is today. Alice Quam was definitely a top Zuni artist At the time of listing this melts for $8800 just counting the whole thing as gold. The stones are quality American turquoise which would of course be sold by the carat even if they were not carved by Alice Quam or possibly her daughter working under her. The stones are worth more than gold, the swivel on the back can‘t be that heavy. These days you hear a lot of people saying "NOT SCRAP" when referring to machine made gold jewelry, which is ridiculous to me as it‘s all scrap in my eyes. This is Historic Zuni jewelry that would improve the quality of any collection/wardrobe, it‘s not scrap, never will be. But really isn‘t priced at a ridiculous amount over scrap. Alice Quam (1929-2003), Zuni Pueblo Jeweler Zuni Pueblo artist Alice Quam was active 1930s - 2003. She was known for cluster jewelry. For over 50 years, collectors looking for the best cluster jewelry have beaten a path to the home of Alice Quam. Alice selects only the best natural turquoise and coral. Her stones are shaped to perfection. Alice‘s settings are clean and precise, often with twist wire and silver balls. She was the daughter of Doris and Wayne Ondelacy; wife of Duane Quam; mother of Alvina Quam, Lorraine Waatsa, Shirley Quam, Wayne Quam and Elgin Quam.

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1970‘s Alice Quam Zuni 14k gold bolo tie carved pyrite turquoise cluster. Tested and guaranteed solid 14k gold. Steel clip on the back. 40" long with weight and measurements in pictures, circa third quarter of the 20th century. This is a style that was later adopted by Alice Quam‘s daughter Alvina Quam, though not in gold that I know of. I have seen a few Alice Quam pieces in gold, but not that many even though when she was active gold was 1/7 to 1/130 of the current price. Yes you read that correctly, during much of the time she was active gold was .7% of it‘s current price. The average was probably 1/20 current price. Still gold items by her are extremely rare and were likely custom items as it was always more expensive than silver and not as popular with top Native American artists as it is today. Alice Quam was definitely a top Zuni artist At the time of listing this melts for $7800 just counting the whole thing as gold. The stones are quality American turquoise which would of course be sold by the carat even if they were not carved by Alice Quam or possibly her daughter working under her. The stones are worth more than gold, the leather and clip on the back can‘t be that heavy. These days you hear a lot of people saying "NOT SCRAP" when referring to machine made gold jewelry, which is ridiculous to me as it‘s all scrap in my eyes. This is Historic Zuni jewelry that would improve the quality of any collection/wardrobe, it‘s not scrap, never will be. But really isn‘t priced at a ridiculous amount over scrap. Alice Quam (1929-2003), Zuni Pueblo Jeweler Zuni Pueblo artist Alice Quam was active 1930s - 2003. She was known for cluster jewelry. For over 50 years, collectors looking for the best cluster jewelry have beaten a path to the home of Alice Quam. Alice selects only the best natural turquoise and coral. Her stones are shaped to perfection. Alice‘s settings are clean and precise, often with twist wire and silver balls. She was the daughter of Doris and Wayne Ondelacy; wife of Duane Quam; mother of Alvina Quam, Lorraine Waatsa, Shirley Quam, Wayne Quam and Elgin Quam.

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1970's Austin Texas watercolor "the Preacher's car" By Robert William"Windy" Winn. 12" x 16" sight 19" x 23" framed. Windy Winn was one of the co-founders of the Waterloo Watercolor Group in 1977. Painting is clean with no issues. Some wear to frame. It was local personality Cactus Pryor who introduced Wings wife Babs to his high school buddy, Windy. Jake Pickle and Windy were partners in the 1950s, handling political and advertising campaigns. Babs and Windy had a lot of fun together. They were original "founding" members of Austin Civic Theater (now the Zachary Scott Theater). They acted, danced, sang, directed and wrote plays, promoted the Austin Civic Theatre and organized the Laa Gloria Art Fiesta. He attended Austin High School in Austin, TX. In 1942, he enlisted in the US Navy and attended San Diego State university where he was editor of the Navy Base newspaper before being shipped out. When he returned, he worked briefly as a graphic artist for the Austin American Statesman newspaper and teamed with former US Rep Jake Pickle and Ed Eyers to form the advertising agency Eyers, Pickle and Winn in 1947.

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1970's Boxed Avon Collection Berry nice lip gloss, perfume pins, etc. Selling the collection shown, tallest box 2.5", the girl has some minor paint wear and marker on the back, the rest are like new, dent in strawberry box. TW120

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1970‘s Carved Bone/Shell Northwest coast Native American silver fetish necklace. Tested and guaranteed solid sterling silver, fittings. No damage or issues. All hand carved, Native American made. 18" necklace, other measurements in pictures.

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Photo measures 20" x 16", frame is 21" x 25". Don K Langson famous Texas Western<br>photographer from that era.

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1970‘s Edison Cummings Navajo sterling silver shadowbox bolo tie with turquoise. Marked and tested solid sterling silver Weight and measurements in pictures. Great bolo with no issues. 42" long. This is a very nice bolo, I should have cleaned it up just a tad but it was accidentally photographed before I could and time is everything for us.

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1970‘s Eustace Cochiti Pueblo Sterling silver carved turquoise coral pendant/pin. Tested and guaranteed solid sterling silver, nice large piece with weight and measurements in pictures. Larger turquoise with old fracture. All stones secure in bezels.

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1970‘s Fred and Lolita Natachu Zuni sterling silver inlaid sunface bolo tie. Solid sterling silver slide (tested), slide and tips. Weight and measurements in pictures. Great bolo with no issues. 39" long. Signed by the Artists. Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay silversmiths.

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Ida Spence Oils on Board Listed Texas Artist Raccoons and Flowers. Both 5" x 7" panels. Larger frame is 11.75" x 9.75". No issues or damage Tw49

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1970's Japanese Studio Pottery Bizen Vessel by Takeshi Inoue. Purchased in the late 70's by my client from the artist in Japan. Vessel itself if 7" tall without box. Comes with original box, a few small dents in lid of box. No cracks, chips, or restorations. Some firing flaws, etc as shown and expected with this type of pottery. isshelf

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1970's Jugtown Pitcher Blue Decorated Salt Glazed stoneware pitcher. 7.5" tall<br>without damage or wear, dated 1978.<br>isshelf

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1970's Justin Morris Navajo Sterling Turquoise and coral pendant/necklace. 24"<br>necklace, 3" x 2.25" pendant all with no issues. 74.8 grams total.<br><br>Silversmiths Justin and Irene Morris began making jewelry over 50 years ago. At<br>that particular time in American History many Native Americans were turning to<br>art to bring in extra income to support their families (particularly those<br>without college educations); he got the idea from his Grandpa Bitchittti. Not<br>surprisingly, Grandpa proved to be right. In the mid sixties, Southwestern<br>Indian jewelry started to make its way into mainstream America, finding its way<br>across Sacs of Fifth Avenue Catalogs to featured articles in Arizona Highways.<br>Before Justin decided to take up silver, he was a instructional aide for the<br>Government at Dilcon Boarding School. Morris recalls Grandpa looking out for the<br>livelihood of the family and notes, "the idea (for me to become a silversmith)<br>was all Grandpa's...the learning (however) was all self-taught."<br><br>Over the next few years, Morris began to learn and refine the skilled trait of<br>not only fabricating jewelry from sheets of silver and turquoise but also<br>learned the art of marketing. He managed to establish--over the course of 50<br>years--a clientele that spanned from as close as Sedona, Arizona to as far away<br>as Frankfort, Germany. Also over the next few years would come Justin and<br>Irene's children, Charles, Luskey, Calamity, and Keturah who would also take up<br>silversmithing. Today, the business is a family affair and Justin accredits his<br>success to his children's participation in the business and the support of his<br>wife Irene, "(Everyone) They all helped out in the shop, (the children) ever<br>since they were small...working together has brought us closer together." And<br>from the looks of it has kept them together as well.<br><br>Being in the business for over 50 years hasn't however been without its hard<br>times. The Morrises, for business proposes, decided rather than continue to<br>wholesale to retailers to take the business directly to his customers through a<br>market place venue. In the early 90's Justin and his family decided to start to<br>explore these markets. The bonus of exploring markets provided the Morrises with<br>the opportunity that they very rarely had--to meet collectors of his jewelry.<br>These markets also allowed the Morris name to take their business to a wider<br>range of customers, enabling them to hone business according to their customer's<br>needs.<br><br>Over the past years Morris has been able to instinctively, wield his business<br>according to seasons and market places which at times--the family unanimously<br>have admitted--have been a hard study. Surprisingly, the heard times, the<br>Morrises admit, are what measure the high points, which for them were building<br>the family business name. And even in the dreariest of times, which Morrises<br>have confessed their share, they comment, "you keep your mind on the Creator,<br>and keep laughter close." The both of which have propelled his business forward<br>in to the unknown. Today they, the Morrises, together, continue to forge into<br>unknowable.

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1970‘s KM Navajo sterling silver coral, turquoise belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. All stones are very secure in their bezels and are not going anywhere. Marked as shown.

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1970's Lalique Nina Ricci Bath salts box. These bath salts were bought fifty years ago and never used. A half century old bath crystals ready for current use and a magnificent Lalique frosted crystal vanity box as a premium -what a premium! Rene Lalique frosted glass box with molded relief decoration of a pair of love doves on l the lid. 5.5" wide x 3.5" tall. Near microscopic chigger bite on the very inside rim on the lid shown top center of the 5th picture. No other damage or wear. isshelf

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1970‘s LD Native American sterling quartz included turquoise pendant. Weight and measurements in pics, no issues. 24" necklace. All precious metals are tested and guaranteed,

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1970's Licio Zanetti Murano Art Glass Ducks. Nice large almost life sized ducks<br>extremely heavy. I'm sure they are both signed but one had this label on the<br>base as most items in the estate did stating where they bough them and what they<br>paid for them. It has likely protected the base from scratches all these years.<br>I removed the corners just to show it wasn't chipped under the label. I felt<br>leaving it to help establish provenance was appropriate. They both measure 12.5"<br>x 13" long varying slightly as they were handmade about 50 years ago. Selling<br>both with no chips, cracks, or restorations, no scratches on top, some expected<br>shelf wear on base.<br><br>Founded in 1956, the Zanetti Vetreria Artistica by glassmaster Oscar Zanetti and<br>his son Licio. In 1989 master Licio Zanetti stepped down in favor of his son<br>Oscar (named after his grandfather), who had been working by his side since his<br>youth. Licio's work shows a predilection for naturalistic subjects is reflected<br>in a lively collection inspired by the flora and fauna of his beloved Venetian<br>Lagoon.<br><br>isshlf

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1970's Linda Genet Texas Studio Pottery vase Mid Century Modern. Great piece by Retired professional potter Linda Genet, a former student of Ishmael Soto that made a name for herself locally and this piece shows you why. 6.75" tall x 5.5" wide with no damage. tw227

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1970‘s Little Turtle Navajo sterling silver carved Kingman turquoise belt buckle. Solid sterling silver with weight and measurements in pictures, some expected wear with no damage. Fits up to a 2" belt. Signed by Artist.

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1970‘s Louise Platero Navajo Sterling turquoise pendant necklace. 28" long necklace. No issues, weight and measurements in pics. Solid sterling with the markings shown. Louise Platero Diné silversmith Louise Platero was from the Navajo Nation - mother of ten daughters, three sons and two adopted sons. She created and sold fine jewelry to help support her large family. She and her husband Ramon passed the knowledge of making jewelry to their children and grandchildren. Louise Plateros handmade hallmark is simplyL Platero.

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1970‘s M Navajo sterling silver shadowbox bolo tie with nice turquoise. Solid sterling silver slide and tips (tested). Weight and measurements in pictures. Great bolo with no issues. 40" long. Marked as shown, unidentified.

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