สินค้า

Daslin Southwestern Sterling beaded hearts earrings. Marked and tested sterling with no damage or issues. 1.25" wide x 1.75" tall with hangers 15.5 grams.

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Dave Sellers Canada Geese at Elkhorn 1991 Painting San Jose California Artist Waterfowl 39.75" x 23.5" framed x 13.5" x 29.5" sight. Incredible guaranteed original painting.Biography of the ArtistDave began his career as a means to fund his college education.   His initial focus was wildlife.  After attending Humboldt State University in Northern California, he began his career in earnest.  Success came early with requests from California Ducks Unlimited and The California Waterfowl Association to be their artist of the year.   Dave was also among the youngest artists to be asked to exhibit his work at the internationally recognized “Birds in Art” exhibit at the Leigh Yawkey Woodson Art Museum.   For the first decade of his career, Dave held his focus on wildlife paintings,  however, by the mid 1990’s, he turned to landscape painting.   Most of his early work in landscape was done outdoors but, over time, he shifted to more refined studio work with his outdoor work done primarily in pencil.  This eventually led to his original concept of “Notebook” paintings.   He was first inspired to pursue this location focused artistic expression by an exhibit at the Denver Museum of Art displaying the famous notes and sketches by the cowboy artist Charles M. Russell.   With Dave’s active life in backpacking and extensive outdoor exploration, carrying small. light weight notebook sized prepared surfaces was the only practical way to express himself in art while on long back country trips.More recently, in 2015, Dave and his wife, Christiane, began working together.   Chris took up refined craftsman style wood working and all of Dave’s painting are now framed exclusively in these beautiful, finely crafted hardwood frames. Chris uses only American hardwoods sourced and milled in America.  Both Dave and Chris are committed to the highest quality work using American made materials – even Dave’s paints are American made.Dave has enjoyed a quiet, yet long and successful career by pursuing his individual artistic goals.   Most of his work is sold in galleries catering to clients who appreciate Dave’s approach to art and his powerful desire to express his interests with authenticity and honesty.  He is an expert fly caster and fly tyer and remains very active in backpacking and outdoor travel.   He lives with his wife and two dogs on the shores of a beautiful Sierra mountain lake in far Northern California.

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Davey Morgan Navajo Sterling turquoise cluster pendantAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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David Andersen Norway Modernism Sterling collar necklace. No damage or issues.<br>very flexible to fit most anyone. 12 grams. Marked D.A. Norway sterling s925. I<br>have a pendant and earrings listed separately that would look great on it by the<br>same designer..

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David Andersen Norway Sterling Enamel MCM Abstract pin 1 5/8" x 1.25" 17.2 grams with no damage to enamel.

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David Lotton Art Glass Birdhouse. 10.25" tall x 4.25" wide, unused with paperwork and take, signature shown in last pic. No cracks or chips but roughness in inner rim of factory ground base, likely always been like that.DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing.David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art.David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves.

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David Reeves Navajo หัวเข็มขัดสเตอร์ลิงประทับตรา 2 3/8" x 2" ใส่ได้ถึงเข็มขัด .75", 26.6 กรัมDavid Reeves(1949 - Deeased)“Navajo silversmith David Reeves เป็นพี่ชายของ Gary Reeves (ปัจจุบันเสียชีวิตแล้ว) และ Daniel "Sunshine" Reeves เขาสอนพวกเขาทั้งงานฝีมือช่างเงิน พร้อมด้วยพี่ชายต่างมารดา Andy และ Darrell CadmanDavid ชื่นชอบงานแกะสลักที่ซับซ้อนและ การออกแบบทางเรขาคณิตที่ประทับด้วยมือเขาเป็นส่วนหนึ่งของการสร้างและสร้างความนิยมให้กับการออกแบบนาวาโฮเก่าของต้นศตวรรษที่ 20”

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David Reeves navajo Sterling Spiderweb turquoise/lapis cuff bracelet. Fits up to<br>a 6.25" wrist with a 1 1/8" gap, no issues.<br><br>David Reeves<br>(1949 - no longer with us)<br>“Navajo silversmith David Reeves was the older brother of Gary Reeves (now no<br>longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of<br>silversmithing, along with half-brothers Andy and Darrell Cadman.<br>David had an affinity for complex engraved and hand stamped geometric designs.<br>He was a part of recreating and popularizing the old Navajo designs of the early<br>20th century.”

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David S Clow Kansas City Listed Artist Impressionism Watercolor on handmade paper. Very interesting piece with no significant issues, a few scratches on frame. 10.25" x 18.25" framed x 4.75" x 12.5" sight. B2

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David Salazar Sports and music Themed Limited Production 2016 Toothpick Holder KC. Signed DPS KC 2016, My guess is this was made for a club of some sort as he also made toothpicks for the Toothpick collectors clubs for certain years. No damage, very special limited production item with no damage. 2.75" tall David Salazar has been a glassblower and designer for over 50 years. He began in 1972 at Lundberg Studios in Davenport, California. Using new techniques to decorate glass, he eventually became their chief designer. Some of his pieces during this period were exhibited at the Corning Museum of Glass. It was during this time that he became associated with Larry Selman, one of the foremost paperweight dealers in the world. David’s work has been featured in many of Selman’s catalogues, as well as books for the paperweight collector. David also exhibited pieces at the Tiffany Exhibit for the Museum of Art in Chicago. In 1981, David left Lundberg’s to form his own studio. David’s work in miniatures led to doing marbles in flower and sea life patterns, as well as traditional swirls. His Angelfish marble was featured in the April 1988 issue of the Smithsonian Magazine. Today, his marbles are some of his most popular items, and he carries over 30 different kinds. His work is featured in many periodicals and reference books, including Marilyn Barrett’s book, Immies, Aggies, Shooters and Swirls, The Art of the Paperweight by L.H. Selman, and Mark Block’s, Contemporary Marbles and Related Art Glass. toothpickdrawer

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David Yurman 14K Yellow Gold Sterling Silver Double "X" Twisted Cable earrings.<br>Marked inside Yurman 14k 925. 14.5 grams Guaranteed 100% Authentic David Yurman.

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David Yurman 18k Gold 925 Sterling Silver Cable Bangle bracelet. 1 cm wide Weight 46.5 grams. Comfortably fits average wrists up to 7.25 inches Metal 18k Yellow Gold & 925 Sterling Silver. This piece is in excellent pre-owned condition, and has been professionally cleaned, inspected by our jeweler. Guarantee100% Authentic David Yurman.

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David Yurman 18k/Diamond on sterling Albion enhancer pendant. Measurements and scale in pics. 16mm wide. No issues.<br><br>David Yurman<br>Sculptor David Yurman and his wife, Sybil, a painter, launched their house of<br>design in 1980. Their collaboration has left a legacy of iconic pieces that are<br>both style statements and works of art. Each creation is sketched by David<br>Yurman, made of the finest precious metals and rare gemstones, and fashioned by<br>some of the world's best craftspeople.<br><br>anderas

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David Yurman Albion Petite Pendant Blue Topaz & Diamonds on Chain. Guaranteed<br>authentic David Yurman, diamonds, topaz, sterling, etc. Retails for $795. No<br>damage or significant wear. 17" necklace .75" tall pendant.

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David Yurman Sterling/14k cable choker necklace. Very clean with no issues and<br>minimal wear. 16" long, 8mm wide, 92.5 grams.<br><br>All precious metals are tested and guaranteed, guaranteed authentic David<br>Yurman.

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David Yurman Sterling/14k cable stud earrings. No damage or significant wear<br>7/8" tall x 5/8" wide x 11.4 grams.<br><br>All precious metals are tested and guaranteed, guaranteed authentic David<br>Yurman.

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David Yurman Sterling/14k Collar necklace. Guaranteed authentic David Yurman,<br>marked and tested 14k gold and sterling. 90.2 grams 15" including the 1.5"<br>adjustable gap. This is a very flexible necklace that springs back to where it<br>was naturally.

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Dawn Lucas Native American sterling silver shadowbox cuff bracelet. Great lookin cuff with no damage and little wear, tested sterling.

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Dean Brown Navajo Sterling slim and sturdy concho belt 225 grams, 36" total length, 33" max wearable length. 1 7/8" x 1 1/8" very sturdy conchos.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Della & Francis James Navajo silver squash blossom necklace 23" long with no issues.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Denby Baroque Cobalt Blue Art Nouveau Covered Casserole 2 qt England Discontinued 2000 10.5" handle to handle x 7" tall. Unused condition with no cracks,chips, scratches, stains, or crazing.

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Dene Tsosie Bini Navajo Silver and turquoise 1940's dimes squash blossom necklace. No issues, Measurements and scale in pics.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Dennis & Nancy Edaakie Zuni Cardinal inlaid sterling earrings 2.25" long with hooks x 5/8" wide. 13.5 grams total.Dennis and Nancy Edaakie started making jewelry in 1965 and have become known for finely detailed bird imagery on pieces made in the overlay inlay technique. Dennis’s father, Merle Edaakie, did stonework for trader C. G. Wallace.In 1970, at the urging of traders Ruth and Leon Ingram, Dennis and Nancy first produced inlay jewelry bearing images of birds. Overlay inlay is similar to Hopi overlay. In both methods, one piece of silver with a cut-out pattern is overlaid on another piece of the same size and shape. In the Hopi technique the bottom layer is darkened so that the cut-out areas contrast with the polished silver of the top layer. In the Zuni overlay inlay technique, mosaic stonework fills the blanks, forming a brilliantly colored counterpoint to the monochromatic silver. Beginning in the late 1970s, Dennis and Nancy further innovated on the overlay technique through the use of gold, as opposed to silver.Dennis has been given credit for development of the spinner pendant, another design he developed at the urging of the Ingrams. This form of pendant can be reversed while remaining on the wearer’s neck. Dennis first produced flat spinner pendants, but he now also makes a domed version.Nancy started out doing some of the inlay details on Dennis’s work and now does all of the inlay. Dennis has always done the silverwork on their pieces. They originally used a parrot beak stamp as their hallmark, since Dennis is of the parrot clan. Later, they used DENNIS E., and, subsequent to that, DENNIS AND NANCY EDAAKIE. Dennis and Nancy Edaakie’s sons, Myron, Sanford, Derrick and Dale, also make overlay inlay jewelry.Unfortunately, Dennis passed away in early 2008.Their sterling silver and genuine gemstone inlay bird pins and pendants are some of the most sought after pieces in Native American Indian jewelry. Much of their jewelry is made from sterling silver, turquoise, jet, mother of pearl, abalone, and coral. The Edaakie’s pieces are well known as being excellently hand-crafted; from their silver and gold technique to their impeccable inlay. They have passed the torch to their sons, who are trying to carry on their parents traditions. Dennis passed away close to Memorial Day of 2008, and Nancy is no longer producing jewelry. Their work will truly be appreciated by the world over for years to come!All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Denys Pierre Puech, French, (1854-1942), marked in the cast Barbedienne Fondeur, circa 1880's-1890's a very uncommon bronze by an important French Sculptor in very good condition. 16.25"h, 8.5" wide x 26.75lbs From a family of farmers (his brother was Louis Puech, Député for the Seine Department from 1898 to 1932, and Minister of Public Works from 3 November 1910 to 27 February 1911), he began as an apprentice in the marble workshop of François Mahoux in Rodez. In 1872, after two years training, he pursued an apprenticeship in Paris in the workshop of François Jouffroy then of Alexandre Falguière and Henri Chapu, at the same time following an evening course at the Beaux-Arts. 1881 and 1883 saw his first successes, when he twice won the second prize in the prix de Rome contest, for his Tyrtaeus singing the Messanians (Tyrtée chantant les Messéniennes) and Diagoras dying for joy on learning of his two victorious children's triumph at the Olympic Games (Diagoras mourant de joie en apprenant le triomphe de ses deux enfants vainqueurs aux Jeux Olympiques) respectively. He at last won first prize in 1884, with Wounded Mezentius (Mézence blessé). From then on he received several official commissions from the French Third Republic, sculpting (among others) busts of Jules Ferry (1895), Charles Augustin Sainte-Beuve (1898), Émile Loubet (1901) and Benito Mussolini (1925). In all, 573 works are inventoried. He founded a museum of fine art in Rodez in 1903 (now the Musée Denys-Puech). The building, inaugurated in 1910, was designed by him in conjunction with the architect Boyer to best show off his sculptures. He was elected a member of the Académie des Beaux-Arts in 1905, and made a knight of the Légion d'honneur on 17 January 1908. On 13 May 1908, he married princess Anina Gagarine Stourdza (1 June 1865 – 14 April 1918), a painter herself, of whom he sculpted a statue holding a painter's palette in 1914. He was Director of the French Academy in Rome from 1921 to 1933. Among those who studied with him were the American sculptors Clara Hill,[2] Ernest Keyser[3] and Helen Farnsworth Mears.

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Designer Sterling Pop Art Moderne Mesh screen bracelet. Very unusual piece that I feel should be by an important designer. I don't recognize the hallmark but I didn't try, maybe one day I'll have time. It's marked and tested sterling, very lightweight, very well made and in good condition. Weighs 10 grams 7.75" inside diameter.

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Dewey Bradford (1896-1985) Austin Texas Landscape c1920's Oil on Canvas Board.<br>9" x 12" painting in a 14.5" x 17.5" original frame. This painting is about<br>85-100 years old with no significant issues to painting or frame.<br><br>Dewey Bradford was the founder of The Country Store Gallery, Austin, Texas. In<br>1939, Porfirio Salinas began working with Dewey Bradford (1896-1985), one of the<br>great characters of Texas art. Bradford was a second-generation dealer whose<br>family operated the Bradford Paint Company in Austin, where they sold art<br>supplies, framed artwork, restored paintings and hung artists work. Salinas was<br>struggling when he met Bradford, but the older man took the young artist under<br>his wing and began to sell his work reliably, even though the prices that people<br>would pay for a painting were still low due to the lingering effects of the<br>Great Depression.<br><br>Bradford was a born salesman with a gift for storytelling, and truth be told, a<br>bit of embroidery. The relationship between Bradford and Salinas was often<br>rocky, but it was to last the rest of the artists life and give him a modest<br>sense of loyalty and security, things which are all too rare in the art world.<br>While Bradford could be critical of his work, Salinas knew that he had a dealer<br>who encouraged him, believed in him and was not shy about singing his praises to<br>anyone who entered Bradford's store on Guadalupe Street.

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7 1/8" Vintage Zuni sterling - Coral, Jet, and shell cuff bracelet. 26" long, no issues, 11 year old receipt included.

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Dini & Cellai Italian Bronze Mounted Terracotta Cachepot. Nice piece from the early 20th century. 3.5" tall x 4" wide with no damage. TW53

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Dishta Zuni and other Native American Sterling silver cross. Selling both<br>crosses with no issues. Tallest 2 5/8" tall, 21 grams total weight.. Selling<br>both the crosses shown.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Don Dewa Zuni Spinner Heart pendant Sterling coral/turquoise channel inlayAll precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Don Lucas Southwestern sterling coral, and Sugilte Hatpin 3" x 1 1/16" with no<br>issues.<br><br>The Don Lucas Heritage Collection was launched nearly 40 years ago. Handmade and<br>crafted jewelry, with Earth's rare gems and potent semi-precious stones. Don is<br>committed to preserving the origins of our country's lost traditions; honoring<br>America's Native and artful history. His authentic wearable works are at once<br>classic and bold. His commitment to custom techniques and celebrated ritual,<br>exalts the Don Lucas collection as one of the world's most appreciated bespoke<br>fine jewelry lines still alive today.

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Don Reitz(1929-2014) Lidded Salt glazed Studio Pottery Vessel 4.75" tall and<br>wide. No issues, incredible example of the artists skill.<br><br>Don Reitz (1929 – 2014) was one of the most virtuosic throwers the field has<br>ever seen, the foremost leader of the workshop circuit, a charismatic educator<br>and man of exceptional warmth, kindness and generosity. In 1981 he was named one<br>of the top twelve world’s greatest living potters by Ceramics Monthlyreaders.<br><br>Reitz earned his MFA at Alfred University in 1962, where he began experimenting<br>with salt-glazing, a technique largely neglected by the post-World War II<br>ceramic studio movement.  Readily embracing this firing technique, Reitz quickly<br>realized that it allowed the clay to keep its natural character, and its<br>malleability did not obscure the creator’s hand.  In a decade’s time, he was<br>dubbed “Mr. Salt” by his peers.<br><br>He spent many years as an educator as well as a potter; he taught at the<br>University of Wisconsin-Madison for more than 25 years before retiring as a<br>professor emeritus in 1988. His extensive body of work is represented in over 50<br>distinguished public and private collections.<br><br>Don Reitz lived and worked in Clarkdale, Arizona. He claimed that he would have<br>been a poet but for dyslexia and his inability to process language. This<br>redirected him toward visual art where he found his voice in clay. Reitz’s art<br>is his legacy, and through constant reinvention and originality, he extended the<br>definition and potential of the ceramic arts.

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Donald Douglas Navajo Multi-stone earrings inlaid with Tiger's Eye, Picture Jasper, and Black Jade. 7/8" square 13 grams with no issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Doug Nava Taos/Apache Sterling silver multistone Channel inlay Necklace.<br>Approximately 17" total length, unmarked other than Nava's hallmark, tests<br>sterling. Composed of a large Central amethyst, Charoite, Spiny oyster shell,<br>and Opal. 44.9 grams.<br><br>Doug Nava was born and grew up in Southwest Colorado. His father was Apache and<br>his grandfather(mother’s father) was a Taos Indian. Doug’s grandfather’s name<br>was on the list of students at St. John’s school in Taos.<br><br>Doug went to college in Gunnison in Western Colorado. He earned a degree in art<br>and was also self taught as he went along. His wife, Elizabeth, also has an art<br>degree. One year after graduation, Doug bought Bennett’s Indian and Lapidary. He<br>made jewelry and sold it in his shop. His jewelry has evolved over the years<br>from Navajo style to fine inlay work. Doug is very talented in other art mediums<br>as well including painting and sculpting. He uses only the finest materials in<br>his jewelry.

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Douglas Magnus 1002 Sterling silver 5/8" Ranger belt buckle set. Nice vintage set from the 80's that is clean with no issues. Fantastic estate fresh set, great looking with no issues. Fits a 5/8" belt so it measures 5/8" inside the keepers and buckle, slightly smaller inside tip as belts taper down. Selling the exact set shown. anderas“Countless craftsman have worked Cerrillos turquoise from Turquoise Hill for a thousand years, and I am the last of that long line.” –Doug MagnusThe past and present coalesce in Doug Magnus’s eclectic jewelry. A man of many passions, his interest in nature and world cultures inspire his distinctive jewelry designs. Masterfully crafted using silver, gold, and precious and semi-precious gemstones, his jewelry collections combine contemporary references, Latin motifs and ancient cosmic and natural symbols. His most recent museum-quality collection embraces a variety of design styles using 18-karat gold and the rare and unique Cerrillos turquoise sourced from his historic mines near Santa Fe.Mostly self-taught, Magnus mastered a variety of techniques for metalworking and lapidary gemstone cutting. His early visits to the ancient turquoise mines near Santa Fe were instrumental in his learning the art of stone cutting. Today, his interest in the mines goes beyond the intense, clear blue beauty of the gemstone - he owns three of the fabled Cerrillos mines that have produced some of the most spectacular and historically significant turquoise found in the U.S. “I want to be assured that the mines will always be available for historical, archaeological, and mineralogical study,” Magnus offered.

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Douglas Magnus Sterling silver 1" Ranger belt buckle set. Dated 1981, this is a retro version of a set currently offered called the "One thousand Santafean", which retails for $1355. That one is very close but this exact set is not available anywhere for any price....until now. Fantastic estate fresh set, great looking with no issues. Fits a 1" belt so it measures 1" inside the keepers, tip, and buckle. Selling the exact set shown. anderas “Countless craftsman have worked Cerrillos turquoise from Turquoise Hill for a thousand years, and I am the last of that long line.” –Doug Magnus The past and present coalesce in Doug Magnus’s eclectic jewelry. A man of many passions, his interest in nature and world cultures inspire his distinctive jewelry designs. Masterfully crafted using silver, gold, and precious and semi-precious gemstones, his jewelry collections combine contemporary references, Latin motifs and ancient cosmic and natural symbols. His most recent museum-quality collection embraces a variety of design styles using 18-karat gold and the rare and unique Cerrillos turquoise sourced from his historic mines near Santa Fe. Mostly self-taught, Magnus mastered a variety of techniques for metalworking and lapidary gemstone cutting. His early visits to the ancient turquoise mines near Santa Fe were instrumental in his learning the art of stone cutting. Today, his interest in the mines goes beyond the intense, clear blue beauty of the gemstone - he owns three of the fabled Cerrillos mines that have produced some of the most spectacular and historically significant turquoise found in the U.S. “I want to be assured that the mines will always be available for historical, archaeological, and mineralogical study,” Magnus offered.

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Not 100% sure whether it's Dresden or Capodimonte. It's very nice, circa early 20th century maybe older, estate fresh. 7.5" tall with three fingers missing, I could find no damage to applied florals. No restorations or cracks.

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รับประกันค. ปี 1890-1910 ไม่มีความเสียหาย ขอบทองมีรอยสึกเล็กน้อย โดยรวมสะอาด ไม่มีรอยแตกร้าว การบูรณะ หรือรอยขีดข่วน เครื่องลายครามผลิตโดยโรเซนธาล ตกแต่งด้วยมือโดยบริษัทเดรสเดนอีกแห่งหนึ่ง รับประกันการทาสีด้วยมือ 100%

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5" tall x 5.25" minimal loss to floral and leaf decoration. No restorations, cracks, or chips other than applied florals. Mirror is well over 100 years old and has spots on it. No identifying marks other than I believe a 14 scratches on the base.

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Drew M Ruiz Modernist Navajo Sterling/Turquoise Cuff bracelet 6.75" including the 1.25" gap. 1.5" wide in center. 57.3 grams with no damage or issues. I left it unpolished but could polish before shipping upon request.

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Dudley Yazzie Navajo Sterling, Cobblestone turquoise, ironwood, and Channel<br>inlay bolo tie. Extremely complex work of art mixed media bolo tie. 37" long<br>with 1 7/8" tall x 1 5/8" wide bolo slide. 51 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Dudson Jasper Ware Pitcher 6 1/8" x 5 1/8" handle to spout ไม่มีความเสียหายหรือการบูรณะใดๆ

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8 5/8" long x 7.5" tall with no cracks, chips, or other damage. Very hard to find item.

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Frame measures 26.25" x 30.5" some wear to the frame and a few small dents in<br>the canvas (with slight paint loss at those locations) that can only be seen<br>upon close inspection. Really nice painting.

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E King Navajo sterling, turquoise gold filled belt buckle. Solid sterling with gold accents. Hallmarked as shown, tested sterling with no issues. Weight and measurements in pics.

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เอล. Billah Navajo สร้อยคอลูกปัดเงินสเตอร์ลิงประทับตราพร้อมจี้ Sandcast Buttferly สร้อยคอยาว 20 นิ้ว พร้อมจี้กว้าง 2 นิ้ว 63 กรัม

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Eagle Boy Jemez Pueblo Sterling and Turquoise Cuff Bracelet 76.7 Grams, | Dimensions: Bracelet: 5.75" inner, 1" gap, 6.75" total, 1.5" face width No issues. Made in the 1980s by Jemez jeweler Royce Kohlmeyer AKA Eagle Boy

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Early 1920's Van Briggle Rabbit Paperweight in mulberry. No cracks, chips, restorations or crazing. 3 7/8" long x 2.5" tall. tw122Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art Pottery. The Art Nouveau style favored by its founders continues to influence the pottery's designs. Artus Van Briggle settled in Colorado Springs in 1899 after establishing himself as a notable artist with the Rookwood Pottery of Ohio. With Anne Louise (née Gregory), his new wife, Artus began exploring the Art Nouveau style in their pottery creations, drawing awards and accolades from the American and European art communities. Although he was a talented painter who had displayed and won awards in Europe, from 1899 until his death Artus devoted himself almost exclusively to the craft and art of pottery. Van Briggle's Art Nouveau designs and distinctive matte glazes were awarded high honors from prestigious sources, including the Paris Salon, the Saint Louis Exposition, the Lewis and Clark Centennial Exposition, and the American Arts and Crafts Exhibition in Boston.The Van Briggle Pottery Studio closed in spring 2012Artus Van Briggle in 1900. Born to artistic parents on March 21, 1869, Artus Van Briggle had an early introduction to painting using materials found about the home. The Van Briggle family lived in Ohio, one of America's hotbeds of ceramic design. At the age of 17 he moved to Cincinnati, Ohio, where he decorated china dolls at the Arnold Fairyland Doll Store, while attending his early art studies at the Cincinnati Art School. After a stint at the Avon Pottery where he was introduced to the ceramic arts, Artus took a job at Rookwood Pottery; there he excelled at hand-painting designs. His skill and talent were recognized by Rookwood founder, Maria Storer, who became his benefactor, even sending him to France to study art at the Académie Julian in Paris.In Europe, he was exposed to styles of art and became infatuated with an early matte glaze from the Chinese Ming Dynasty; a type that was lost to history. Artus also met his future wife, fellow American student Anne Lawrence Gregory, an accomplished artist in her own right. Finishing their Paris studies in 1896, they returned to America. Artus resumed his work at Rookwood and also started sculpting and experimented with recreating the lost Ming Dynasty glazes.Perfecting the distinctive dull or matte glaze In 1899, struggling with health issues due to tuberculosis, Artus left Rookwood and moved to the drier air of Colorado Springs, Colorado. Upon befriending the Holmes family of Chico Basin, he stayed at the HOP Ranch during the summers of 1899, 1900, and 1901 to reduce work stress and regain strength while pursuing his own styles of pottery, centered around the Art Nouveau movement. He continued his research on the ancient matte glazes that fascinated him in Paris. After two years of trials and experiments a matte glaze was perfected. One of the matte glazes perfected by Artus was the matte blue glaze, based on an ancient Chinese process that had long been lost to history.Artus opened Van Briggle Pottery in 1901 and was joined by Anne Gregory, who took a position as a high school art teacher in Colorado Springs. In 1903, Artus Van Briggle was appointed First Director of the Department of Art and Design in Colorado College, succeeding Louis Soutter, a Swiss artist (born in Geneva, Switzerland) he met in Paris in 1895.In 1902, Anne and Artus were married, and she devoted herself to their pottery; she created designs and collaborated in all aspects of the enterprise with her husband. Late 1902 brought Van Briggle awards for his glazes and designs in Art Nouveau from the prestigious Paris Salon; he was now an accepted artist. During their early years, Artus and Ann established hundreds of Art Nouveau styles of pottery under the Van Briggle name. The Despondency vase won Van Briggle wide acclaim and first place at the Paris Salon in 1903. A display at the 1904 Centennial Exhibit in St. Louis won Van Briggle more awards and greater international fame. Van Briggle Memorial Pottery Pottery loses its founder Artus Van Briggle died in July 1904, at the age of 35. Anne continued the pottery using the forms created by Artus as a foundation and adding more designs of her own. In 1907, Anne and pottery stockholder and city-founder William Jackson Palmer began construction on a new pottery on Uintah Street. The Van Briggle Memorial Pottery — designed by Dutch architect Nicholas Van den Arend — was opened in 1908 and stands today as an historic landmark noted for its architecture and use of ceramics in the facade.Having remarried in 1908, Anne Louise Gregory Ritter leased the pottery in 1912 to Edmund deForest Curtis, who ran it until 1916. She sold the company in 1922 to J.F. and I.H. Lewis and moved to Denver the following year, where she would concentrate on painting and where she remained until her death in 1929. In her absence, the pottery fell under financial hardships and was sold at sheriff's auction; later it was re-sold, once more becoming the property of Mr. Curtis.Surviving disaster and war The pottery was sold twice more in the ensuing decade and survived a fire in 1919 that gutted the interior but left the brick shell and kilns. New owners I.F. and J.H. Lewis took the opportunity to modernize and expand the facility beginning in 1920 and stabilized the production and financial aspects of the pottery for the first time. Despite damage from the flood of 1935—the most destructive flood in Colorado Springs history — that destroyed much of the company's records and molds, the pottery continued to enjoy success up to World War II, when they closed for approximately three years as the United States focused its resources on the war effort.With the increase of interstate travel in the United States a freeway was planned in 1953 for Colorado Springs which J.H. Lewis estimated would run through the Memorial Plant site. Although the freeway eventually was planned to avoid destroying the historic pottery, Mr. Lewis nonetheless put into action plans to relocate the pottery to a higher-traffic area of Colorado Springs. In 1955, Mr. Lewis and Clem Hull brought a new facility on line at a renovated railroad roundhouse on Midland Road. The new facility, known as the Midland Plant, had a smaller capacity but enjoyed quick success due to its location on the main highway to the Garden of the Gods and other tourist locations.In 1968, Mr. Lewis sold the Memorial Plant to Colorado College, and it fell into disrepair for the ensuing 40 years, being used variously as offices and storage.

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Early 1920's Van Briggle Rabbit Paperweight in mulberry. No cracks, chips,<br>restorations or crazing. 3 7/8" long x 2.5" tall.<br>tw122<br><br>Van Briggle Art Pottery was at the time of its demise the oldest continuously<br>operating art pottery in the United States, having been established in Colorado<br>Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant<br>impact on the Art Nouveau movement in the United States, and his pottery is<br>foundational to American Art Pottery. The Art Nouveau style favored by its<br>founders continues to influence the pottery's designs.<br><br><br>Artus Van Briggle settled in Colorado Springs in 1899 after establishing himself<br>as a notable artist with the Rookwood Pottery of Ohio. With Anne Louise (née<br>Gregory), his new wife, Artus began exploring the Art Nouveau style in their<br>pottery creations, drawing awards and accolades from the American and European<br>art communities. Although he was a talented painter who had displayed and won<br>awards in Europe, from 1899 until his death Artus devoted himself almost<br>exclusively to the craft and art of pottery. Van Briggle's Art Nouveau designs<br>and distinctive matte glazes were awarded high honors from prestigious sources,<br>including the Paris Salon, the Saint Louis Exposition, the Lewis and Clark<br>Centennial Exposition, and the American Arts and Crafts Exhibition in Boston.<br><br>The Van Briggle Pottery Studio closed in spring 2012<br><br>Artus Van Briggle in 1900.<br>Born to artistic parents on March 21, 1869, Artus Van Briggle had an early<br>introduction to painting using materials found about the home. The Van Briggle<br>family lived in Ohio, one of America's hotbeds of ceramic design. At the age of<br>17 he moved to Cincinnati, Ohio, where he decorated china dolls at the Arnold<br>Fairyland Doll Store, while attending his early art studies at the Cincinnati<br>Art School. After a stint at the Avon Pottery where he was introduced to the<br>ceramic arts, Artus took a job at Rookwood Pottery; there he excelled at<br>hand-painting designs. His skill and talent were recognized by Rookwood founder,<br>Maria Storer, who became his benefactor, even sending him to France to study art<br>at the Académie Julian in Paris.<br><br>In Europe, he was exposed to styles of art and became infatuated with an early<br>matte glaze from the Chinese Ming Dynasty; a type that was lost to history.<br>Artus also met his future wife, fellow American student Anne Lawrence Gregory,<br>an accomplished artist in her own right. Finishing their Paris studies in 1896,<br>they returned to America. Artus resumed his work at Rookwood and also started<br>sculpting and experimented with recreating the lost Ming Dynasty glazes.<br><br>Perfecting the distinctive dull or matte glaze<br>In 1899, struggling with health issues due to tuberculosis, Artus left Rookwood<br>and moved to the drier air of Colorado Springs, Colorado. Upon befriending the<br>Holmes family of Chico Basin, he stayed at the HOP Ranch during the summers of<br>1899, 1900, and 1901 to reduce work stress and regain strength while pursuing<br>his own styles of pottery, centered around the Art Nouveau movement. He<br>continued his research on the ancient matte glazes that fascinated him in Paris.<br>After two years of trials and experiments a matte glaze was perfected. One of<br>the matte glazes perfected by Artus was the matte blue glaze, based on an<br>ancient Chinese process that had long been lost to history.<br><br>Artus opened Van Briggle Pottery in 1901 and was joined by Anne Gregory, who<br>took a position as a high school art teacher in Colorado Springs. In 1903, Artus<br>Van Briggle was appointed First Director of the Department of Art and Design in<br>Colorado College, succeeding Louis Soutter, a Swiss artist (born in Geneva,<br>Switzerland) he met in Paris in 1895.<br><br>In 1902, Anne and Artus were married, and she devoted herself to their pottery;<br>she created designs and collaborated in all aspects of the enterprise with her<br>husband. Late 1902 brought Van Briggle awards for his glazes and designs in Art<br>Nouveau from the prestigious Paris Salon; he was now an accepted artist. During<br>their early years, Artus and Ann established hundreds of Art Nouveau styles of<br>pottery under the Van Briggle name. The Despondency vase won Van Briggle wide<br>acclaim and first place at the Paris Salon in 1903. A display at the 1904<br>Centennial Exhibit in St. Louis won Van Briggle more awards and greater<br>international fame.<br><br><br>Van Briggle Memorial Pottery<br>Pottery loses its founder<br>Artus Van Briggle died in July 1904, at the age of 35. Anne continued the<br>pottery using the forms created by Artus as a foundation and adding more designs<br>of her own. In 1907, Anne and pottery stockholder and city-founder William<br>Jackson Palmer began construction on a new pottery on Uintah Street. The Van<br>Briggle Memorial Pottery — designed by Dutch architect Nicholas Van den Arend —<br>was opened in 1908 and stands today as an historic landmark noted for its<br>architecture and use of ceramics in the facade.<br><br>Having remarried in 1908, Anne Louise Gregory Ritter leased the pottery in 1912<br>to Edmund deForest Curtis, who ran it until 1916. She sold the company in 1922<br>to J.F. and I.H. Lewis and moved to Denver the following year, where she would<br>concentrate on painting and where she remained until her death in 1929. In her<br>absence, the pottery fell under financial hardships and was sold at sheriff's<br>auction; later it was re-sold, once more becoming the property of Mr. Curtis.<br><br>Surviving disaster and war<br>The pottery was sold twice more in the ensuing decade and survived a fire in<br>1919 that gutted the interior but left the brick shell and kilns. New owners<br>I.F. and J.H. Lewis took the opportunity to modernize and expand the facility<br>beginning in 1920 and stabilized the production and financial aspects of the<br>pottery for the first time. Despite damage from the flood of 1935—the most<br>destructive flood in Colorado Springs history — that destroyed much of the<br>company's records and molds, the pottery continued to enjoy success up to World<br>War II, when they closed for approximately three years as the United States<br>focused its resources on the war effort.<br><br>With the increase of interstate travel in the United States a freeway was<br>planned in 1953 for Colorado Springs which J.H. Lewis estimated would run<br>through the Memorial Plant site. Although the freeway eventually was planned to<br>avoid destroying the historic pottery, Mr. Lewis nonetheless put into action<br>plans to relocate the pottery to a higher-traffic area of Colorado Springs. In<br>1955, Mr. Lewis and Clem Hull brought a new facility on line at a renovated<br>railroad roundhouse on Midland Road. The new facility, known as the Midland<br>Plant, had a smaller capacity but enjoyed quick success due to its location on<br>the main highway to the Garden of the Gods and other tourist locations.<br><br>In 1968, Mr. Lewis sold the Memorial Plant to Colorado College, and it fell into<br>disrepair for the ensuing 40 years, being used variously as offices and storage.

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Early African Benin Kingdom Bronze Double Warrior Figure Nigeria Bini. Guaranteed good early piece likely a few hundred years old with incredible patina 10 1/8" tall without base, it's hollow like maybe it was originally a drinking vessel. It does have a hole on one side between the two arms and a very old soldered restoration to one of the arms. It stands well without the stand. It came with these photos and paper where it was formerly cataloged as part of a collection.

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Early African Benin Kingdom Bronze Leopard, Edo peoples, Benin, Nigeria, lowered<br>head, open mouth with bared teeth, regular spotted pattern, tail curved above<br>his back, on an integral plinth, approx 5.25"h, 7"w, 3"d, 3.5lbs **Provenance:<br>From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014),<br>founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They<br>were world travelers and dealers of eclectic art, jewelry, antiquities, and<br>gems. Their friends, acquaintances, and customers included people from all<br>continents, including sheiks, prime ministers, royals, business leaders,<br>politicians, and oil magnates. Florence was also a published author.<br>b28

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African Dogon/ Taureg brass and iron horse ring bit, early 19th c., with<br>engraved geometric designs, approx 12"h, 5"w, 3.5"d, 1.25lbs. Great no brainer<br>patina as shown, guaranteed authentic some small old cracks to brass as shown.<br>B12

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Early Antique Bronze Shiva Hindu . High quality early bronze shiva 17th century or earlier. 5.25" tall x 4 1/8" wide Appears to have had part of the base in the back cut long ago, possibly removed from something, the cut section has an incredible patina so whatever happened was likely over 100 years ago, nose is slightly flattened..

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Early Antique Sterling Bangle bracelet. Tests sterling, 18th/19th century, I<br>don't have time at the moment to figure it out but it's really old with a great<br>natural patina, patina and tarnish have nothing do do with each other when<br>silver is concerned in my opinion. A piece can be hand polished and still retain<br>it's patina.

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Early Antique Primitive Childs Soldered tin Watering can. 7.5" tall with handle x 10.25" handle to spout. Early handmade piece predates the tin litho ones you see from the mid 20th century. I actually think it's likely from the last half of the 19th century but it could be early 20th. Great condition, it was collected mid 20th century and has been displayed since. TW222

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Archaistic Chinese Bronze Ritual Wine Vessel. Very old piece guaranteed 18th<br>century or older, possibly much older/archaic. 9" x 8.5" x 4.5", one top handle<br>is broken and not present. No other issues.

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Early Asian brownware bowl 9" wide x 2 3/8" tall with minimal wear and no<br>restorations from a collection of mostly Ming Chinese ceramics put together in<br>the mid 20th century.<br>b25

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Early Booths thin British Ironstone bowl. This bowl is amazingly thinly potted for this type/era piece. This is an Early Booths mark, I believe from the third quarter of the 19th century. Large bowl with no cracks, chips, or restorations. 9" wide x 4.25" tall. isshelf

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