c1950‘s Sterling/14k gold turquoise Shoshone Indians hand engraved belt buckle. Solid sterling silver with weight and other measurements in the pictures. Fits up to a 1.5" belt, no issues. No damage, minimal wear. Not sure if this was a presentation item or what, but it‘s great.

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6.25" Adjustable Fritch Bros 10k gold/Sterling silver hand engraved bangle bracelet. No issues,  weight and measurements in pictures. Fits from a 6" to 6 3/8" wrist.   Tested and guaranteed solid sterling silver with solid 10k gold embellishments.   There is no 10k marking but this was also verified by Robert Fritch that they didn't use gold filled embelishments on these bracelets, it's solid 10k gold.

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Vintage sterling silver 10k gold Bell Telephone (tested) belt buckle. Solid sterling silver with solid 10k gold bell telephone piece. One stone missing, stones untested (just no time) with weight and measurements in pics. Fully functional, with appropriate wear as shown in the pictures.

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14k High Grade spiderweb Carico Lake turquoise earrings AC. Weight and measurements in pics. Solid 14k gold with no issues, likely Native American made from the last quarter of the 20th century.

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Vintage 14k Jadeite Budhha pendant. Marked and tested 14k gold, Jadeite. Weight and measurements in pics. Estate fresh item with No chips, cracks, or other issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Robert Taylor Navajo Sterling/14k gold kokopelli cuff bracelet. Solid 14k gold Kokopelli‘s. No issues, weight and measurements in pics. Robert Taylor was born on the Navajo Reservation at Indian Wells in 1961. His father is a medicine man, and his mother is a weaver. He started working in metals as a child helping his father and older siblings. He turned to making jewelry professionally as a young adult after working in construction for several years. He is known for his overlay technique in silver and gold. He currently resides with his family on the Navajo Reservation. Marked or unmarked as shown in pics, weight<br>and other measurements in pics. Sorry but my jewelry is stored in a secure<br>location and cannot be accessed for more pictures, videos, or measurements until<br>sold. If you look at pictures/description your question should be answered.<br>Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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David Reeves Navajo 14k gold/sterling earrings. No issues, weight and measurements in pics. David Reeves (1949 - no longer with us) “Navajo silversmith David Reeves was the older brother of Gary Reeves (now no longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of silversmithing, along with half-brothers Andy and Darrell Cadman. David had an affinity for complex engraved and hand stamped geometric designs. He was a part of recreating and popularizing the old Navajo designs of the early 20th century. All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it‘s marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz8 70‘s-80‘s Saunsa 14k cobblestone band ring. I‘m not sure what ethnicity Saunsa was, this is the type of work they did. Very clean modernist Hopi style jewelry. No issues. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Bora Yasar Sterling/22k gold Ruby Emerald ring. Very well made ring with Natural Ruby and Emeralds. No issues. For Brooklyn-based designer Barbaros Yasar, craftsmanship reigns supreme for his artisanal jewelry brand, Bora. While he jets between his native home of Turkey and back to his studio in the U.S., Yasars lengthy trek doesnt seem to be slowing down his creative process. The brand, which boasts designs that are handcrafted by Yasar and his three brothers, makes up a plethora of styles ranging from charming antique baubles to a mixture of modern-meets-vintage adornments. Though each presents individual aesthetics that wonderfully harmonize in each collection. Following suit of their native Ottoman roots, the jewelrys intricate and ornate designs can be seen throughout the Bora collection thats seen in gilded oxidized diamond neckwear and a number of opulent tension-set rings. As Bora rounds its 10th year showing at Accessories, The Show, the Mediterranean designers clients, current and new, will be delighted as they step into the booth and are transported into a cultural realm of wearable art.

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c1890 Meiji Japanese Silver, gold, copper, mixed metals belt buckle. Amazing work of art with no detectable markings. Measurements in pics.

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14mm-15mm Lagos Caviar 18k gold and Sterling bracelet. Guaranteed authentic, top quality Lagos Caviar, solid 18k gold beads and logo mounted a thick high quality sterling silver bracelet. 107 grams total weight. No issues, preowned with little wear.

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Danny Romero Yaqui (1954-2018) 14k Gold Diamond, Tanzanite, Opal, sugilite, coral, boulder opal, and lapis necklace. Measurements in pics, accompanied with 2013 receipt. Still in like new condition with no damage or detectable wear. Please keep in mind that in 2013 gold averaged 1/2 the price it currently is so did the other top grade materials used to make this, not to mention a deceased artists talent and time. Also It seems this dealer sells secondary market items, so I believe this 7k was a used price in 2013 as it's really not a lot of money for this necklace now and wasn't then.  18.5" long Danny Romero 1954-2018 Danny Romero is of both Yaqui and Spanish heritage. He creates jewelry and paintings from his home in New Mexico. Growing up in Douglas, Arizona, he has been working with stone and silver for over 20 years. "I like E.S. Curtis photographs," he says, referring to the famous turn-of-the-century photographer and ethnographer who documented more than 80 Native American tribes. "I go through magazines. I've done drawings and I paint". He was one of five silversmiths invited to the Night of the First Americans at the Kennedy Center in Washington D.C., and he has had showings of his jewelry in galleries and museums in many parts of the country as well as in Germany, Japan, and Canada. Danny Romero is no longer producing jewelry. The jewelry we have was made by Danny Romero circa 2005. Danny received wide acclaim in the 1970's-80's for both his traditional turquoise jewelry as well as his inlay jewelry. Danny Romero was the first silversmith to literally put painted art into jewelry.  

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Andy Lee Kirk Isleta Pueblo (1947-2001) 14k gold Sugilite and Opal necklace. With accompanied 2008 appraisel from Waddell Gallery 2008, keep in mind gold averaged 1/3 of it's current price in 2008 so do the other materials not to mention a deceased master's labor and skill. No issues with the necklace or pendant, no damage or significant wear. 23" long and other measurements in pics. 64 grams total weight.Andy Lee Kirk was a Master contemporary Native American artist of Isleta and Navajo heritage, who died tragically at the height of his career at the age of 54. He created beautiful gold and silver jewelry using the finest materials from 1970 to 2001. Born in 1947, he originally earned a degree in biology continuing on to work for the Fish and Wildlife and Forest Services. Andy had learned the basics of jewelry making at the University of New Mexico and with the urging of Navajo artist, Gibson Nez, he made the decision to become a full time jeweler. Andy Lee Kirk was a consummate artist with many fine skills. He did lapidary work, rolling his own beads, and had mastered many types of precious metalwork including lost wax and sand cast techniques, stamping, engraving, overlay and fabrication. His artistic innovation reached further than aesthetic beauty alone. His designs were brilliant – a perfect balance between clean modern lines, meaningful symbolism, and bright southwestern colors such as lapis lazuli, turquoise, and red coral. He was the IACA Artist of the Year in 1996 and earned many other prestigious awards and accolades including First Place and Best of Division at Santa Fe Indian Market and Best of Category at the Inter-Tribal Indian Ceremonial in Gallup, NM.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Veronica Poblano Zuni 14k gold Turquoise and Coral modernist cuff bracelet. No issues, measurements in pics. 6 3/8" inside circumference including the 7/8" gap.. Appears unworn. The daughter of Leo Poblano and Ida Vacit Poblano, Veronica Poblano has become recognized as a top contemporary jeweler. While she draws on Zuni silverworking and lapidary forms and techniques, her work is characterized by a high degree of innovation and individual creative license, making it a fertile hybrid of the contemporary and the traditional. Veronica has gained notoriety as a contemporary innovator, working with uncommon materials in wide-ranging styles. All precious metals are tested and guaranteed,

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8" Melanie Kirk Isleta Pueblo 14k gold Opal and Sugilite reversible bracelet,  showing little to no signs of wear.   The quality of workmanship is absolutely amazing. Recognized as the leading voices of today’s Contemporary Native Jewelry scene, Designers and Goldsmiths Melanie Kirk-Lente and Michael Lente (Isleta Pueblo) command a distinctive presence at the top of collectors’ lists world-wide. The Lentes continue to carry on their well-known family tradition in fine jewelry design, being taught by Melanie’s father, renowned artist Andy Lee Kirk.

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sz6 c1880 Antique 14k Green Hardstone cameo ring. Tested and guaranteed solid 14k gold, illegible markings on band. It appears this was a pendant or brooch that was long ago soldered to a gold ring that used to have stones if you look at all the pics. It's really great with no issues. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Large Retro 14k gold Jade pendant with diamonds. Nice sized Jade pendant, marked and tested 14k gold. Diamonds are small but real diamonds. High quality Jadeite and Setting estate fresh so I don't know if it's type A, etc.

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sz5.75 Antique gold carved carnelian ring. Nice old 19th century ring. The shank is cut on the back but when closed it sits at size 5.75. I'll try to test carat and weigh later. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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c1960 14k gold Budweiser Executive ladies watch. Fits a 6"-6.5" wrist, just a little stretchy. Watch solid 14k gold, bracelet not. Watch is overwound and not currently ticking. This is a really rare if not one of kind item from the third quarter of the 20th century.

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10k Gold WW2 USN US Navy Sweetheart Pendant. Marked and tested 10k gold,guaranteed ww2 era. 1.4 Grams. 1.75" long x .5" wide.

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24" 14k Black Jade beaded necklace. 8.5mm black jade beads, solid 14k tested and guaranteed beads and clasp. 42.7 grams with no issues.

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34" Estate Black Jade, 14k, Carnelian beaded necklace. Extremely high quality piece on hand tied silk cord. 10mm natural black Jade beads with 20mm Carnelian agate largest beads. 14k yellow gold (tested) accent beads. 118.6 grams

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Vintage Ankh 14k gold/Amethyst mounted bronze. Measurements in pics. Looks to have been custom made from an antique piece of solid 14k gold/amethyst jewelry. Interesting, one of a kind. Tested and guaranteed solid 14k gold center piece.

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Antique HBJ 9ct gold hardstone watch key pendant/charm. Hallmarked by maker on one side, 375 and date/city codes on other. All unresearched by me, 19th century.

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sz4.25 14k Ming's of Hawaii Jadeite ring 20mm x 12mm face. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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sz7.25 14k Ming's of Hawaii Jadeite ring 22mm x 16mm face. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz7.25 14k Ming's of Hawaii Lavender Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. Ring face 20mm, Jadeite 15mm wide. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz7.25 14k Ming's of Hawaii Lavender Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 19mm x 15mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9 Vintage 14k Multi-color Natural Jadeite balls ring, balls approx 6mm, ring face approx 20mm, no issues. Scratched on inside of ring 14k and and illegible makers name. From a significant estate collection of mostly Ming's jadeite rings. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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sz7 Large Vintage Ming's of Hawaii Jadeite 14k gold ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 20mm x 30mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz9.5 vintage 14k carved Jadeite ring 21mm face, jade likely 20mm. Possibly an older/antique Jadeite piece made into a ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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18k Gold French Art Deco Lapis cufflinks for Nieman Marcus. I don't recognize the hallmark but these are the highest quality, similar to that of Van Cleef & Arpels, Boucheron. I feel this is likely an obscure hallmark only used for a short time by a well respected company such as the ones mentioned. 11/16" face, 16 grams.

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sz7 14k Ming's of Hawaii White Jadeite ring. Guaranteed Grade A Natural Jadeite, solid 14k gold marked and tested. The last two pics show Ming's Hallmark and 14k mark. 25mm x 15mm face of ring, stone a few mm smaller. <br><br>Ming’s opened in 1940’s by Wook Moon and eventually had retail stores not only<br>in Hawaii but in San Francisco and New York.<br>Ming’s became popular among folks in the downtown area with a store here in Fort<br>Street mall. Some of our clients themselves tell us their memories of Mr. Moon<br>offering no-interest lay-away for modestly paid downtown secretaries and office<br>workers to afford buying a piece every now and again.<br><br>Ming’s became a favorite staple in Hawaiian jewelry as it often featured<br>beautiful Hawaiian and Asian cultural themes.<br>They often featured delicately carved "Off White" pieces, as well as sterling<br>silver brooches, pearl and jade clusters, and gold bangles.<br>Popular themes includes the Peony, Lotus, Chrysanthemum, and Plum Flowers, the<br>infamous “Bird in Plum” and others. Some are said to represent the seasons, or<br>represent the blending of different Asian cultures. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Vintage Karl Lagerfeld Gold-tone and Faux Mabe pearl clip-on earrings, 1 1/8" wide with little wear. A few slight scratches to Faux pearls, no wear to gold. Guaranteed authentic, strong springs on clips. Very high quality. 15 grams each.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7 3/8" Thistle & Bee Hammered Cuff Sterling Silver with 18K gold vermeil bezels, white Topaz. Very clean condition with no issues.<br><br>Thistle & Bee maintains a longstanding reputation in the design and global manufacture of sterling silver. Established in 1998 to fill a niche for high quality, luxury sterling silver jewelry, Thistle & Bee epitomizes classical elegance, bringing unique design and luxury to the Sterling Silver arena.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! If you would like to chat, that would be great, but lets chat about something that isn't answered in this listing that we put so much effort into already :)<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.<br><br>anderas

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sz8.75 Retro Modernist 14k gold/onyx on sterling ring. Amazing work of art, unmarked, tested and guaranteed solid 14k yellow gold accents on solid sterling.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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c1860 French 14k Gold top cut glass perfume bottle. Tested 14k gold, Dutch Oak leaf 14k Hallmark on lid and mounting, both shown in the last pic, one in the center of the pic.. Another on other side of lid. The gold is tested and guaranteed. Original inner stopper intact. Amazing bottle with no issues, top gold lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.5" tall x 2" wide.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling the chunky ring shown.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling the chunky ring shown.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz6.5 Dian Malouf 14k gold Accented Sterling freeform modernist stackable ring. Selling one with two available by changing the qty. They stack very well, I believe were intended to wear that way. I believe this is a retro retired design, but a current version of these retails for $720 for each ring new. These are in like new condition.<br><br>A visionary who has spent her life searching the globe for unusual objects, Dian<br>Malouf is a nationally recognized jewelry designer, published author, mother and<br>obsessive measurer of electromagnetic fields. Known for bold silver and gold<br>jewelry enlivened by diamonds and vivid semiprecious stones,<br><br>Dian Malouf is one of the few fine jewelry designers whose work is instantly<br>recognizable as hers alone. Dian has designed over 10,000 pieces since the first<br>silver dome ring that she made for herself launched the business by popular<br>demand in 1986, and many are one-of-a-kind pieces prized by collectors.<br><br>Dian frequently incorporates her passion for environmental causes, and political<br>and social themes into her designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Duane Maktima Hopi 14k gold Multi-stone channel inlay cuff bracelet. 5" plus 1" gap, 6" total inside including gap. 25mm wide in center tapering down to 15mm on the tips, 10mm tall, 64.2 grams. Super clean with no detectable damage or wear inside or out. I don't believe it has ever been worn. Hallmarked by artist twice in interior, hallmarked 14k 3 times in interior.  This bracelet it composed of 14k gold, Gem Silica, Natural Australian Opal, Carnelian, Chalcedony, and Lapis Lazuli.   Duane Maktima was studying education at Northern Arizona University in Flagstaff, when a dean suggested he switch his major to art. “ I thought it would be a hobby.” Growing up in tiny towns in Arizona under the tutelage of his Hopi and Laguna relatives, Maktima learned how to carve and paint, but these artworks were referred to as “blessings” and not art. The Dean, having seen Duane’s work was insistent. When Maktima first laid eyes on the jewelry in the jewelry lab, he says, “It was like my whole life flashed before my eyes, I was hooked.” It took a decade for Maktima to complete his degree. He left college to work as a resident artist at the nearby Museum of Northern Arizona in Flagstaff. At only 19 years old he was given a studio and stipend to make jewelry which was snapped up by visitors from around the world.  Eventually he embarked on a personal retreat from the pressure and spent 3 years at Laguna Pueblo. Maktima worked there as a survey helper and everyday he walked the country from Second Mesa to Black Mesa.  During these long walks he came to deeply appreciate his heritage and decided to complete his education. When he did return to university, it was an exciting time for Native American artists. His research into African and Indian art led him create spiritual based  pieces from beads, shell work mosaics, motifs from Hopi pottery, hollow silver tubes, gold , lapis, turquoise , and red coral. In 1982, Maktima,  received a second-ever fellowship from the Southwestern Association for Indian Arts. He moved to Sante Fe a year later. An active community leader,  he has influenced many young people to pursue a career in art.  His brooches, buckles, and other exquisite jewelry have been featured in some of the best Native American galleries. In 1990, Northern Arizona University honored the artist with its 2000 Distinguished Alumni Artist Award, Distinguished Achievement Award, and member of the President’s Circle. Maktima credits his achievements to his education and his family. “I can hear grandpa saying, ‘You have really learned something. You’ve really excelled with what God gave you.’ ” According to his grandfather, the name “Maktima” means “searching for eagles.”

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Sz6.25 Estate 18k white gold Jadeite, Diamond ring. Nice old, extremely high quality ring, tested natural diamonds .4cttw, Approx 4ct assymetrical Jadeite stone, no tests have been done to the Jadeite other than to confirm it is Jadeite. Marked and tested 18k gold. Shown on a finger it fits. 4.5 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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sz4 Antique gold carved cat's eye ring. Unmarked, guaranteed solid gold, I'll test carat and get weight later. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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Vintage Southwestern/ Gold Mining Sterling silver charm bracelet. Circa mid 20th<br>century, all sterling even if some pcs are unmarked, they are all solid<br>sterling. No issues.

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Lagos caviar 18k gold on sterling large french clip earrings. Measurements and<br>weight in pics. Guaranteed authentic with no issues.

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จี้เพชรหยกลาเวนเดอร์ 14k วินเทจขนาดใหญ่และจี้ลาพิสสูง 3 1/8 "x 1 3/8" กว้างเห็นได้ชัดว่าไม่มีเครื่องหมาย ทดสอบโดยฉันรับประกันทองคำ 14k เพชรแท้ ลาพิส และหยกเจไดท์ 28.8 กรัม.

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จี้/เข็มกลัดหินแข็ง Cameo Onyx โบราณขนาดใหญ่ 14k สูง 43 มม. ไม่รวมแหวนจี้แบบหมุนได้ x กว้าง 35 มม. x 21.6 กรัม ไม่มีเครื่องหมายที่ตรวจพบได้ ผ่านการทดสอบ (ในหลายจุด) และรับประกันทองคำ 14k ที่เป็นของแข็ง จี้โอนิกซ์แกะสลักด้วยมือทั้งหมดประมาณปี 1870

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sz7.75 Dian Malouf ทองคำ 14k เน้นสเตอร์ลิงแหวนฟรีฟอร์มโมเดิร์นนิสต์ 8.9 กรัม DLM, 14k, 8, และ 925 ที่ได้รับการทำเครื่องหมายไว้ผู้มีวิสัยทัศน์ที่ใช้เวลาทั้งชีวิตค้นหาวัตถุแปลกตาไปทั่วโลก Dian Malouf เป็นนักออกแบบเครื่องประดับที่ได้รับการยอมรับในระดับประเทศ นักเขียนที่ได้รับการตีพิมพ์ มารดา และผู้ตรวจวัดสนามแม่เหล็กไฟฟ้าอย่างครอบงำ เป็นที่รู้จักในด้านเครื่องประดับเงินและทองที่โดดเด่นซึ่งมีชีวิตชีวาด้วยเพชรและหินสังเคราะห์ที่มีชีวิตชีวาDian Malouf เป็นหนึ่งในนักออกแบบเครื่องประดับชั้นเลิศไม่กี่คนที่ผลงานของเธอเป็นที่จดจำได้ทันทีว่าเป็นผลงานของเธอเพียงคนเดียว Dian ออกแบบแหวนไปแล้วกว่า 10,000 ชิ้นนับตั้งแต่แหวนโดมเงินวงแรกที่เธอผลิตเพื่อตัวเองเปิดตัวธุรกิจตามความต้องการที่ได้รับความนิยมในปี 1986 และหลายชิ้นเป็นแหวนที่ไม่ซ้ำใครที่นักสะสมให้คุณค่าDian มักนำแหวนนี้ไปใช้ ความหลงใหลในประเด็นด้านสิ่งแวดล้อม และธีมทางการเมืองและสังคมในการออกแบบของเธอ

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Meissen Full Green Vine Gold Trim หม้ออบมีฝาปิดขนาดใหญ่ สูง 12.5 "กว้าง x 8" ไม่มีรอยแตกร้าวหรือการบูรณะ นี่เป็นผลงานสมัยศตวรรษที่ 19 ที่เก่าแก่มาก มีการสึกหรอเล็กน้อยกับการปิดทองบนฐาน มีรอยสึกทั้งภายนอกและภายในโดยรวมบ้างตามการใช้งาน แสดงผลและทำงานได้อย่างสมบูรณ์แบบ

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Meissen Rose Pink Bone Dish Gold Trim Mint 8"(มีหลายชิ้น) ขายชิ้นเดียวมีหลายชิ้น ทั้งหมดนี้ไม่มีรอยแตก บิ่น รอยขีดข่วน รอยร้าว คราบสกปรก หรือการสึกหรอของทอง

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ไม่มีรอยแตกร้าวหรือซ่อมแซม มีรอยขีดข่วนและการเปลี่ยนสีน้อยมาก การตกแต่งที่คมชัดอย่างยิ่งและสภาพที่น่าทึ่ง รับประกันประมาณต้นถึงกลางปี ​​1800

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Preston Monongye (Hopi) (1927-1987) สร้อยข้อมือฝัง Tufa Cast Rose Gold Channel พอดีกับข้อมือขนาด 6 3/8" เทเปอร์กว้างตั้งแต่ 20 มม. ถึง 30 มม. สร้อยข้อมือที่ไม่เหมือนใคร ตัวอย่างที่หายากมากทำจากทองคำ Preston Monongye ไม่ได้ผลิตด้วยทองคำมากนัก มีเพียงไม่กี่ชิ้นที่ออกสู่ตลาด เมื่อพวกเขาทำมันมีราคาแพงมาก โดยส่วนตัวแล้ว ฉันได้ทำการทดสอบเครื่องนี้กับเครื่อง XRF มูลค่า $30,000+ และมีทองคำอยู่ประมาณ 40-43% (โดยเฉลี่ยประมาณ 10,000) ซึ่งสมเหตุสมผลจริงๆ เนื่องจาก P Monongye ไม่ได้ทำงานร่วมกับอะไรมากนัก เวลาที่เขาทำนั้นค่อนข้างเป็นการทดลอง ในกรณีนี้ ค่อนข้างชัดเจนว่าเขาได้ละลายเศษทองคำบางส่วน ซึ่งน่าจะเป็นบางส่วนที่ลูกค้าหรือเพื่อนนำมาให้เขาเพื่อทำสิ่งนี้ซึ่งน่าจะเป็นชิ้นงานสั่งทำพิเศษ ปริมาณทองคำต่ำสุดที่เราถ่ายแสดงให้เห็นว่ามีทองแดง 48.13% ทองคำ 40.08% เงิน 8.18% สังกะสี 3.49% และนิกเกิล .12%Preston Monongye (1927-1987) เป็นผู้แสดงอิทธิพลของสิ่งที่ เขาเรียกว่า "ศิลปะอินเดียยุคใหม่" เขาเขียนว่า "เราอาจใช้เทคนิคเก่าๆ ร่วมกับการออกแบบเก่าๆ ที่นำมาจากเศษเครื่องปั้นดินเผาหรือภาพสัญลักษณ์ แต่จากนั้น เราก็ออกแบบมันใหม่หรือเพิ่มนวัตกรรมของเราเอง"เพรสตันมีเส้นทางที่แหวกแนวและเติบโตช้าในการทำเครื่องประดับ เขารับใช้ ในสงคราม 2 ครั้ง เคยทำงานด้านกฎหมายและเป็นพนักงานสำนักกิจการอินเดียน ต่อมาในชีวิต เขาจึงตัดสินใจอุทิศตนเต็มเวลาทำเครื่องประดับซึ่งได้รับรางวัลมากมาย เขาทดลองทำเครื่องประดับมาโดยตลอด แต่ไม่ได้รับเสียงไชโยโห่ร้องจนกว่าจะทุ่มเทให้กับงานศิลปะของเขาอย่างเต็มที่ เพรสตันทำงานโลหะและการออกแบบชิ้นงานของเขาเป็นหลักโดยปล่อยให้เพื่อนของเขาและศิลปินผู้เจียระไนเพชรชื่อดัง ลี แยซซี เป็นผู้ฝัง และต่อมาก็อนุญาตให้ลูกชายของเขา เจสซี โมนองเย ทำงานเจียระไนของเขา ผลงานของเขาจัดแสดงทั่วประเทศเกิดในลอสแอนเจลิสตะวันออก แคลิฟอร์เนีย เป็นพ่อแม่ชาวเม็กซิกันและมิชชันอินเดีย Monongye ได้รับการรับเลี้ยงบุตรบุญธรรมโดยครอบครัว Hopi เมื่ออายุได้ 7 ขวบ เขาได้รับการเลี้ยงดูจาก Hopi โดยพูดภาษา Hopi และมีส่วนร่วม ในสมาคมกัตสินา เมื่ออายุเก้าขวบ Monongye เริ่มฝึกงานกับลุงของเขา ซึ่งเป็นปรมาจารย์ช่างเงินและจิตรกร Gene Pooyama “เขาสอนฉันถึงวิธีดำเนินชีวิตตาม 'วิถีโฮปี'” Monongye เล่า ตลอดอาชีพของเขา สีและภาพลักษณ์ของ Hopi มีความโดดเด่นในงานของ Monongyeแต่ Monongye ยืนกรานว่าเครื่องประดับพื้นเมืองจะไม่ถูกผูกมัดกับอดีต โดยอธิบายว่า "ปรัชญาชิ้นเก่าที่พ่อของฉันและคนอื่นๆ มอบให้ฉัน คนของ Hopi Mesas คือ 'ถ้าคุณก้าวหน้าได้โดยไม่กระทบต่อประเพณีหรือศาสนาของคุณ คุณก็ควรทำเช่นนั้น” เกิดในปี 1927 ในลอสแอนเจลิส เขาถูกทิ้งที่ Hopi เมื่ออายุได้ 7 ขวบและเป็นลูกบุญธรรมโดยครอบครัว Hopi ที่มีชื่อเสียง Monongye เข้าเรียนในโรงเรียนจองและกลายเป็นผู้มีส่วนร่วมอย่างเต็มที่ในชีวิตทางศาสนาและสังคมของ Hopi หลังจากรับราชการเป็นพลร่มในสงครามโลกครั้งที่สอง Monongye กลายเป็นจิตรกร Kachina โดยทำงานเป็นครั้งคราวให้กับพ่อค้า Roman Hubbell และ Fred Harvey Company Monongye กลับมาสมัครเป็นทหารอีกครั้งในช่วงสงครามเกาหลี และต่อมาทำงานในการบังคับใช้กฎหมายให้กับสำนักกิจการอินเดียนแดง ในขณะที่ยังคงทาสีและผลิตเครื่องประดับเงินต่อไป หลังจากลาออกจากงานเพื่อผลิตเครื่องประดับในช่วงต้นทศวรรษ 1960 Monongye ได้รับการยอมรับอย่างรวดเร็วว่าเป็นนักออกแบบและช่างเทคนิคที่มีนวัตกรรมอย่างรวดเร็ว โดยหมกมุ่นอยู่กับ "ศิลปะอินเดียแบบใหม่" โดยใช้เทคนิคและลวดลายดั้งเดิมเพื่อสร้างความร่วมสมัย โฉมใหม่. เขาเป็นที่รู้จักดีที่สุดจากงานหล่อเงินที่ประดับด้วยหินซึ่งมักจะถูกตัดโดยเพื่อนของเขา ลี แยซซี และต่อมาโดยเจสซี่ ลูกชายของเขา Monongye สอนศิลปะของเขาที่โรงเรียนและเวิร์คช็อปต่างๆ และบรรยายเกี่ยวกับการออกแบบพื้นเมืองร่วมสมัยอย่างกว้างขวาง เขาได้รับรางวัลมากมายจากการแสดงและการแข่งขัน และเครื่องประดับของเขาปรากฏอยู่ในคอลเลกชันของพิพิธภัณฑ์ เช่น พิพิธภัณฑ์แห่งแอริโซนาตอนเหนือในแฟลกสตาฟ และพิพิธภัณฑ์วีลไรท์ในซานตาเฟ

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sz7.5 c1960's Famor 14k แหวนมรกตและเพชร สาย 6 มม. มรกต 6 มม. x 11 มม. ทอง เพชร และมรกต ผ่านการทดสอบและรับประกันของแท้และมีคุณภาพสูง ฉันไม่มีเวลาวัดน้ำหนักประมาณกะรัตแต่มีน้ำหนักมาก ราคาจะดีกว่าถ้าไม่ต้องตกแต่งเพิ่มเติมจุดเด่น: 14KT Famor (Famor Inc. คือบริษัท New York City Jewelry Co ที่ก่อตั้งในปี 1960 - 1970)

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Joseph Coriz (ซานโตโดมิงโก) โอเวอร์เลย์สเตอร์ลิงและหัวเข็มขัดทอง 14k 3" x 1.75" ใช้เข็มขัดขนาด 1.5" หรือเล็กกว่านั้น 63.7 กรัมJoseph Coriz (1956-) เรียนรู้เรื่องการทำเงินจากพ่อแม่ของเขาและ Vidal Aragon ช่างทำอัญมณีของ Kewa โดยการสังเกตและจดจำสิ่งที่เขาเห็นอย่างรอบคอบ เติบโตขึ้นมา ที่ Pueblo เขาได้รับแรงบันดาลใจจากการชมธรรมชาติและชีวิตประจำวันของชาว Pueblo เขาสร้างสรรค์เครื่องประดับอย่างแข็งขันมาตั้งแต่ปี 1980 จี้มีลายเซ็นต์ของผู้ผลิตซึ่งมีชื่อย่อว่า "JDC"

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จี้ใยแมงมุมทอง 14k พื้นเมืองอเมริกัน สีเขียวเทอร์ควอยซ์/จี้สปินเนอร์แบบฝังช่อง สูง 50 มม. x กว้าง 25 มม. x 11.8 กรัม ทองคำ 14k ที่เป็นของแข็งทำเครื่องหมายและทดสอบแล้วโลหะมีค่าทั้งหมดได้รับการทดสอบและรับประกัน เครื่องประดับของชนพื้นเมืองอเมริกันใด ๆ ที่เรียกว่าเงินหรือสเตอร์ลิงรับประกันว่าจะมีแร่เงินอย่างน้อย 90% (เหรียญ) และอาจมีปริมาณที่สูงกว่า

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จี้หยกแกะสลักติดทอง 14k แบบจีนโบราณ สูง 1 7/16" พร้อมห่วง x กว้าง 13/16" x 4.8 กรัม รอยแยกตามธรรมชาติตามที่แสดง ไม่มีเครื่องหมาย ทดสอบทอง 14k

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แหวน Meiji Japanese Shakudo Sterling/Gold on Bronze Mixed Metal. แหวนหน้ายาว 1 3/8" ดูดี 15.4 กรัม

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Calvin Begay Early Work ต่างหูทรงเรขาคณิตหุ้มทอง 14K และเงินสเตอร์ลิง สูง 1 นิ้ว x กว้าง 13 มม. x หนัก 12.7 กรัมโดยไม่มีปัญหาCalvin Begay เป็นศิลปิน ช่างทำอัญมณี นักออกแบบ และช่างฝีมือระดับปรมาจารย์ที่ได้รับรางวัล เขาเกิดใน Gallup รัฐนิวเม็กซิโกในปี 1965 และเติบโตในเมือง Tohatchi ทางตะวันตกเฉียงเหนือของนิวเม็กซิโก Calvin ออกแบบเครื่องประดับชิ้นแรกของเขาเมื่ออายุ 10 ขวบ โดยเรียนรู้จากแม่ของเขาและลุงของเขา ในเวลากว่า 20 ปีในฐานะนักออกแบบเครื่องประดับและช่างฝีมือ เขาได้กลายเป็นผู้เชี่ยวชาญ ในทุกแง่มุมของกระบวนการออกแบบและการผลิต เขาได้รับรางวัลมากมายจาก Gallup Inter Tribal Ceremonial รวมถึงรางวัล Best of Show ในปี 1989 เครื่องประดับของเขาได้รับการนำเสนอใน Arizona Highways และ Southwest Art Magazines ศิลปินผู้มีพรสวรรค์คนนี้สร้างสรรค์นวัตกรรมและอัปเดตผลงานของเขาอย่างต่อเนื่อง ออกแบบโดยใช้ทั้งทองคำและเงินและเพิ่มลวดลายและหินใหม่ๆ ให้กับผลงานของเขา ในเวลาว่าง Calvin มีส่วนร่วมในการขี่โรดีโอและขี่ยานพาหนะทุกสภาพภูมิประเทศในพื้นที่ห่างไกล เมื่อเขาสร้างเครื่องประดับ จิตวิญญาณอิสระที่เป็นอิสระจะค้นพบ แสดงออกถึงโลหะมีค่าและหิน เขามีความสามารถพิเศษในการแปลเทคนิคการฝังนาวาโฮแบบดั้งเดิมให้เป็นเครื่องประดับที่สะท้อนถึงมรดกของชนพื้นเมืองอเมริกันของเขา แต่ยังคงความหรูหราและสไตล์ร่วมสมัย ผลงานของ Calvin ได้รับการยกย่องจากลูกค้าและนักสะสม ไม่เพียงแต่ในภาคตะวันตกเฉียงใต้เท่านั้น แต่ทั่วทั้งสหรัฐอเมริกาและทั่วโลก ในงานศิลปะของ Calvin Begay ความงามอันน่าทึ่งของตะวันตกที่ไร้ศีลธรรมสะท้อนให้เห็นในการผสมผสานระหว่างสีและการออกแบบที่สร้างสรรค์ผลงานศิลปะที่สวมใส่ได้ที่น่าจดจำ

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หม้อซุปหัวหอม Meissen โบราณขนาดใหญ่ประดับขอบทอง ชิ้นใหญ่ไม่มีแตกหัก บิ่น หรือซ่อมใดๆ ด้ามจับขนาด 15.5 นิ้ว x สูง 9.5 นิ้ว x 12 นิ้ว มีรอยสึกเล็กน้อยบริเวณขอบทอง ทำเครื่องหมายว่าอยู่ใต้ฝ่าเท้าอันที่สอง ซึ่งใหญ่กว่าหม้ออบที่มักพบในรูปทรงนี้มาก ฝาปิดเพียงอย่างเดียววัดได้ 11.75" x 9 3/5"

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Nixon Lodge ในยุค 50-60, Barry Goldwater, Stevenson Sparkman Campaign Lot ขายทุกอย่างที่แสดงไว้ ช้างโลหะสีทองเป็นของ Barry Goldwater ในปี 1964 The Stevenson Sparkman ขนาด 1 3/8" และเป็นของแท้จากปี 1952 สะอาดมาก เข็มกลัด Nixon ขนาดใหญ่เป็นโฮโลแกรม 2.5" สายนาฬิกา Nixon ยาว 7" ทุกอย่างใน สภาพดี เดิมทุกอย่าง ขายล็อตที่แสดงTW196

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c1870 14K gold lid Cut overlay Glass Perfume bottle Corset form. The lid is hallmarked, it's shown in the second pic but I can't make it out. It tests over 14k gold but less than 18k. No cracks, or chips, slight wear to ruby flashing on palm tree cut. Extremely complex and over the top perfume bottle. 4" tall x 2.5" wide. perfumedrawer

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Sz8 14K gold spiderweb Turquoise/Coral Native american ring.  . Fanatastic well made ring with no other markings other than 14k, marked and tested 14k gold. Very clean from the last quarter of the 20th century but likely never worn. 4 Grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Antique Chinese or Japanese 18K white gold Carved Coral Watermill with Peony<br>Flowers. Acid tested by me to be at least 18K gold but less than 22K, Only<br>marking is SPM indicating it was made for or retailed by J. Schnelwar & Sons,<br>fine New York jewelers of yesteryear (est. 1905). Fantastic work of art right<br>around 100 years old estate fresh. 22.3 grams, 2" x 1 3/16" and very 3<br>dimensional. The Pins are not gold, the reticulated back part is guaranteed. No<br>chips, cracks, or other issues.

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c1900 10k gold Reticulated mounted Pink Conch shell cameo brooch. Marked and<br>tested 10k gold. 1.25" x 1 1/8" with .75" x 9/16" cameo. No damage or issues.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece<br>tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by<br>a master and being offered at a fraction of it's original cost. I also have<br>another listed. No issues.<br><br><br>Ilias Lalaounis<br>From Wikipedia, the free encyclopedia<br>Jump to navigationJump to search<br>Ilias Lalaounis<br>LH OMRI<br>Ilias Lalaounis in 1920.jpg<br>Ilias Lalaounis in 1990<br>Born 4 October 1920<br>Athens, Greece<br>Died 30 December 2013<br>Athens, Greece<br>Nationality Greek<br>Alma mater University of Athens<br>Occupation Jeweler<br>Spouse(s) Lila Altitzoglou<br>Children 4 daughters<br>Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek<br>jewelry and an internationally renowned goldsmith.[1] He is especially known for<br>his collections inspired by Greek history.[2] In 1990 he became the only jeweler<br>ever to be inducted into the Académie des Beaux-Arts.[3][4]<br><br><br>Contents<br>1 Early life<br>2 Career<br>2.1 1969-1970s<br>2.2 1980s–1990s<br>3 Museum<br>4 Personal life<br>5 Honors and awards<br>6 References<br>Early life<br>Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a<br>fourth generation jeweler whose family originated from Delphi.[4] He graduated<br>from the University of Athens, where he studied Political Science and the<br>Law.[3][4]<br><br>Career<br><br>Ilias Lalaounis Jewelry Museum.<br>Lalaounis started his career working for the jewelry business of his uncle,<br>Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which<br>he managed and designed all jewelry for until 1968.[3] He founded the Greek<br>Jewelers' Association and exhibited his first collection, the Archaeological<br>Collection, at the Thessaloniki International Fair in 1957. It was inspired by<br>Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own<br>firm, Greek Gold - Ilias Lalaounis S.A..[4]<br><br>1969-1970s<br>Lalaounis provoked a sensation with his collection Blow Up (1970), draping the<br>human body in gold jewelry inspired by Minoan civilization.[5] The following<br>year he organized an international exhibition of jewelry in Athens, joined by<br>Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most<br>important commissions which would prove to be one of the most inspiring for his<br>portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection<br>of jewelry and objects inspired by Persian art, which went on display at the<br>Imperial Palace in Tehran.[6]<br><br>Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries.<br>He opened his first international store in Paris at 364 rue Saint-Honoré, near<br>Place Vendôme and produced a short film explaining the sources of inspiration<br>for the jewels on display. Since then, he regularly produced short films to<br>illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold,<br>Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and<br>Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In<br>1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and<br>57th Street. A year later, the Smithsonian Institution invited him to give a<br>lecture on his art and to exhibit his collection The Achilles Shield at the<br>National Museum of American History.<br><br>1980s–1990s<br>Ilias Lalaounis continued to create innovative collections and expand the brand<br>to international markets during the 1980s. On the inauguration of the Lalaounis<br>store in Tokyo, he created a jewelry collection inspired by Japanese art. The<br>same year, he opened a store in Hong Kong where he presented a collection of<br>jewels inspired by the drawings of the Greek geometric period, very similar to<br>the geometric designs of Chinese art. A second store was opened in Hong Kong in<br>1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in<br>Philadelphia as well as in Houston, Texas, where he was made an honorary citizen<br>by the mayor.<br><br>In 1984, he published Metamorphoses, a book in which he presented nineteen of<br>his collections by analyzing his philosophy on the nature and function of<br>jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object,<br>rather it carries a message, is an expression of inner life, a link with the<br>distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix<br>Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a<br>retrospective exhibition of his creations was presented in the Sorbonne Chapel.<br>For his contribution to the arts, Lalaounis was made Knight of the Order of Arts<br>and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government<br>and Commander of the Order of Academic Palms (Commandeur des Palmes<br>Académiques). He was also elected as a member of the Académie des Beaux-Arts of<br>the Institut de France, the only jeweler ever to be inducted.[3][7] The<br>Academicians' swords (épées d'Académiciens), given to members on their<br>induction, were originally designed by Salvador Dali, and when Dali became too<br>frail to continue, he named his close friend Ilias Lalaounis to continue his<br>work.<br><br>In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to<br>present his collection Treasures of the Holy Land, in an exhibition specially<br>organized by the Israel Museum and subsequently shown in New York, London and<br>Paris. The following year he presented Arabesques, a collection of gold and<br>silver creations set with precious and semi-precious stones. The Minister of<br>Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another<br>complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of<br>Istanbul.[8] He launched Ameridians in New York, a collection inspired by the<br>art of North American Indians and in 1991, opened his store on Madison Avenue in<br>New York, where he presented his collection inspired by Celtic art.<br><br>Museum<br>In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the<br>Acropolis, in the center of Athens. The permanent exhibition displays jewelry<br>and micro-sculptures from forty-five collections, designed by Lalaounis in the<br>period 1940-1992.[9] Some special commissions are also kept on permanent<br>display, such as the Olympic torch, designed by Ilias Lalaounis, used to start<br>the Olympic torch rally before every Olympic Games.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by a master and being offered at a fraction of it's original cost. I also have another listed. No issues. Ilias Lalaounis From Wikipedia, the free encyclopedia Jump to navigationJump to search Ilias Lalaounis LH OMRI Ilias Lalaounis in 1920.jpg Ilias Lalaounis in 1990 Born 4 October 1920 Athens, Greece Died 30 December 2013 Athens, Greece Nationality Greek Alma mater University of Athens Occupation Jeweler Spouse(s) Lila Altitzoglou Children 4 daughters Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith.[1] He is especially known for his collections inspired by Greek history.[2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts.[3][4] Contents 1 Early life 2 Career 2.1 1969-1970s 2.2 1980s–1990s 3 Museum 4 Personal life 5 Honors and awards 6 References Early life Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a fourth generation jeweler whose family originated from Delphi.[4] He graduated from the University of Athens, where he studied Political Science and the Law.[3][4]CareerIlias Lalaounis Jewelry Museum. Lalaounis started his career working for the jewelry business of his uncle, Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which he managed and designed all jewelry for until 1968.[3] He founded the Greek Jewelers' Association and exhibited his first collection, the Archaeological Collection, at the Thessaloniki International Fair in 1957. It was inspired by Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own firm, Greek Gold - Ilias Lalaounis S.A..[4]1969-1970s Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization.[5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which would prove to be one of the most inspiring for his portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection of jewelry and objects inspired by Persian art, which went on display at the Imperial Palace in Tehran.[6]Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries. He opened his first international store in Paris at 364 rue Saint-Honoré, near Place Vendôme and produced a short film explaining the sources of inspiration for the jewels on display. Since then, he regularly produced short films to illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold, Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In 1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and 57th Street. A year later, the Smithsonian Institution invited him to give a lecture on his art and to exhibit his collection The Achilles Shield at the National Museum of American History.1980s–1990s Ilias Lalaounis continued to create innovative collections and expand the brand to international markets during the 1980s. On the inauguration of the Lalaounis store in Tokyo, he created a jewelry collection inspired by Japanese art. The same year, he opened a store in Hong Kong where he presented a collection of jewels inspired by the drawings of the Greek geometric period, very similar to the geometric designs of Chinese art. A second store was opened in Hong Kong in 1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in Philadelphia as well as in Houston, Texas, where he was made an honorary citizen by the mayor.In 1984, he published Metamorphoses, a book in which he presented nineteen of his collections by analyzing his philosophy on the nature and function of jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object, rather it carries a message, is an expression of inner life, a link with the distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a retrospective exhibition of his creations was presented in the Sorbonne Chapel. For his contribution to the arts, Lalaounis was made Knight of the Order of Arts and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government and Commander of the Order of Academic Palms (Commandeur des Palmes Académiques). He was also elected as a member of the Académie des Beaux-Arts of the Institut de France, the only jeweler ever to be inducted.[3][7] The Academicians' swords (épées d'Académiciens), given to members on their induction, were originally designed by Salvador Dali, and when Dali became too frail to continue, he named his close friend Ilias Lalaounis to continue his work.In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to present his collection Treasures of the Holy Land, in an exhibition specially organized by the Israel Museum and subsequently shown in New York, London and Paris. The following year he presented Arabesques, a collection of gold and silver creations set with precious and semi-precious stones. The Minister of Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of Istanbul.[8] He launched Ameridians in New York, a collection inspired by the art of North American Indians and in 1991, opened his store on Madison Avenue in New York, where he presented his collection inspired by Celtic art.Museum In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the Acropolis, in the center of Athens. The permanent exhibition displays jewelry and micro-sculptures from forty-five collections, designed by Lalaounis in the period 1940-1992.[9] Some special commissions are also kept on permanent display, such as the Olympic torch, designed by Ilias Lalaounis, used to start the Olympic torch rally before every Olympic Games.

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Vintage 14k clasp Jadeite beaded necklace. Nice old necklace untreated Jadeite circa mid 20th century on hand tied silk with a 14k gold clasp. 10-11mm beads 128 grams. 33" long, it can easily be doubled up as a choker.

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Vintage Gumps A Jadeite beaded necklace. Selling the vintage Gumps Jadeite<br>necklace shown, graduated beads from 4.7mm to 10.2mm measured on digital<br>calipers 50.7 grams, 14k gold clasp. 22" long. Circa mid 20th century with no<br>damage, some natural fissures/color variations as it's untreated Jadeite that<br>isn't full of plastic and dye.<br><br>Since 1861, Gump's has been a destination for jewelry that is distinctive and<br>timeless. Once considered more precious than gold and treasured for thousands of<br>years, jade has been more highly prized in Asia than any other gemstone. It<br>represents harmony, balance and protection, and is thought to bring good luck to<br>the wearer.

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c1990 French Philippe Ferrandis Paris gold-tone runway necklace and clip-on<br>earrings. Amazing retro over the top set clean and ready to wear, estate fresh<br>from a multimillion dollar jewelry/clothing collection in which nothing could<br>have been worn but a few times. No damage or detectable wear. Earrings 3.5" tall<br>x 2" wide with strong springs on the clips. Necklace 20" long with no issues.<br><br>Guaranteed Late 80's-90's authentic set with no issues.<br><br>anderasbag

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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Large Georgian 14k Gold Mounted Portrait miniature pendant. Very fine portrait<br>miniature from the 18th to early 19th century mounted in a thick frame made of<br>solid 14+K gold. I disassembled this to get an accurate test without damaging<br>the exterior and it is solid 14k or more but less than 18k gold. Upon<br>disassembly I found three pieces of paper shown in the interior, one was the cut<br>in half, when put together it reads<br><br>Lane Portrait and Miniature Painter 135 High Street Portsmouth, then on the back<br>perhaps the reciept for this portrait.<br><br>Then the other paper reads this<br>Mr Oct. _______<br>Great George Street<br>Westminister<br><br>I was really surprised to find these clues though I don't have much time to<br>follow up on them they are interesting. I have put the pieces of paper back<br>inside where they have safely hid for the past 200 or so years. It is 3.5" tall<br>without the extra loose top ring x 2 3/8" wide 44.8 grams. The pictures were<br>taken after reassembly and careful cleaning of the 200+ year old gold frame.

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Large Antique 18k Hardstone Cameo Sardonyx Carnelian Brooch. Amazing 19th<br>century at the latest high relief tested and guaranteed to be a minimum of solid<br>18k gold. 2.25" tall x 1 5/8" wide 34.7 grams.

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Large Antique 14k Gold Sardonyx Shell cameo with natural pearls pendant/brooch.<br>2.75" x 2" x 21.2 grams. Part of an impressive collection of rare cameos.<br>Unmarked but acid tested to be just under 14k gold, guaranteed solid gold from<br>10-14 Carat.

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Vintage Chinese 14k Jadeite Pendant 2.5" tall x 1 5/8" wide 26.5 grams, marked<br>and tested 14k gold, tests as Jadeite

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sz4.5 Navajo Irvin Kee 14k Gem Grade Mediterranean red coral ring. Unmarked,<br>tested solid 14k gold. Most likely from the last quarter of the 20th century<br>though having next to no signs of wear. 4.9 grams. This is a really high quality<br>ring. I could not find much info on the artist but he did some really nice work<br>as evident here, but everything he did was really nice with the highest quality<br>stones and major attention to detail. He just wasn't very prolific, quality over<br>quantity it seems.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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Antique 14k Gold Hardstone cameo pendant with pearls. Unmarked, tested and<br>guaranteed solid 14-15ct gold. Approximately 150 years old, 1 7/8" tall with<br>bail and jumpring x 1.25" wide. 14 grams.

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Antique Engraved 14k gold Turquoise pin. Marked and tested solid 14k gold. Mark<br>is faint on catch, worn over time. Hand engraved, fantastic piece. 15/16" x 5/8"<br>x 2.5 grams.

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19" Vintage 14k clasp 14-15mm lapis lazuli beaded necklace. Nice quality vintage necklace with no issues. 122.2 grams. anderas

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Sz6 Estate 18k Jadeite, Diamond, and pearl ring. Natural untreated Jadeite, 12<br>decent sized natural tested diamonds likely over 1cttw. Quality pearls, marked<br>and tested 18k gold with illegible makers mark. 20mm x 24mm ring face. 11.8<br>grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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18k Natural Ethiopian Brown Opal/Diamond pendant. Beautiful pendant marked and tested 18k gold with appox .15ct diamonds and a .9ct natural opal 2 grams with no damage or significant wear. 1 1/8" tall x .5" wide.

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6.5" Christin Wolf Native American 14k gold and sterling bracelet<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.

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Vintage 14k gold Turquoise beaded necklace 18.5" necklace, 5/8" pendant, 5mm<br>beads 18.4 grams.

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Vintage 14k Jadeite and pearl beaded necklace. Selling the necklace shown marked and tested 14k gold beads and clasp, Jadeite oblong beads, and cultured pearls. 26" long 23.7 grams, 4mm wide.

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sz9 Barbara Bixby 18k Gold Sterling and Peridot ring. No damage or significant issues. 14.8 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Retro Chinese 14k gold 26" long Lapis Lazuli beaded necklace. 14k clasp and beads, natural Lapis, beads approx 8.5mm 60.7 grams.

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ST Dupont Fidelio Lignes Recoupees 3 pen set. Selling all three pens shown, fountain pen has a 14k nib and possibly dried out, the other two write very well. They are all three very clean with no dents or scratches, minimal wear. Guaranteed authentic, all with serial numbers on clips. trinketdrawer

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Large Antique 18k Gold Micro-Mosaic Pin. Amazing piece of 19th century artistic<br>jewelry 2" x 1 5/8" 39.4 grams on my scale. Tested by me and an independent<br>jeweler to be 18k gold, unmarked. Appraisal shown in last pic is included.

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Navajo Herman Smith 14k gold on Sterling Earrings 1" tall x .75" wide with no issues 13.3 grams. Born in 1964 Gallup, NM. Herman learned silversmithing from he`s mother. He is known for his detailed and unique stampwork, created by using very few stamps. He is known as a local artist and his jewelry is very popular in his home town.

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One of a Kind Gold mounted sterling silver ranger belt with 5 more sets mounted<br>to it. 6 Ranger sets total. All the ranger sets from the first half of the 20th<br>century, all sterling mounted in gold, all hand engraved, I believe all are Made<br>in Mexico except one has Made in Texas, I believe it's a Nelson Bringhoff. The<br>larger main buckle is a 1" ranger set, the others are 3/4" ranger sets. Total<br>length 41", I believe it will fit a 32" to 35" waist, an extra hole could likely<br>be added for a 36". The leather is in good condition, this was custom made by<br>"The Leather Bench" of Austin Texas. The belt is 2" at widest point and tapers<br>down to 15/16".

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David Yurman 14K Yellow Gold Sterling Silver Double "X" Twisted Cable earrings.<br>Marked inside Yurman 14k 925. 14.5 grams Guaranteed 100% Authentic David Yurman.

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sz6.5 John Atencio 18k/Sterling and Amethyst Golden Gate Horizontal ring.<br>Authentic, guaranteed super clean top quality with no issues. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Antique coral choker necklace with Dutch 14k gold clasp. Unmarked clasp tested and guaranteed solid 14k yellow gold with gold filled safety chain. 14" long, late 19th to<br>early 20th century. 84.3 grams total weight.

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Sterling/22k Gold and Ruby Cabochon Necklace. Nice multitrand 17" necklace<br>sterling silver and 22k gold, marked and tested. 40.3 grams total weight.<br>Unidentified by me hallmarks, in the Style of Konstantino or John Hardy.

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c1880 Robbins Clark & Biddle 14k gold retractable pendant physician's pencil,<br>just over 3.5" closed with jump ring, 4 7/8" fully extended with jump ring.<br>Fully functional with no issues. Unmarked but acid tested by me in multiple<br>places by me to be 14k gold with no signs or evidence of it being plated.<br>Retailer's Name on one side and engraved Doctor's name on the other. 18.6 grams.<br>Without damaging this I cannot be 100% sure that it is not gold filled but as I<br>stated there is no evidence that it's plated, no wear, and it tests strong for<br>14k in multiple places but fades at 18k, typically gold filled items were more<br>often 12k so wouldn't test at 14k so I believe it's solid gold. Some of the<br>inner mechanisms will be another metal as they are durable than gold. I have<br>disassembled different models of these from the same era before and they are<br>typically 50-75% gold with a small amount of steel or brass items for the<br>mechanism. As shown in the last pic, the inner shaft that holds the pencil is<br>brass.<br><br>Robbins, Clark & Biddle of 1124 Chestnut Street in Philadelphia. It was a<br>jewelry store that also sold sterling and plated wares, imported items, clocks,<br>watches, bronzes, "fancy goods in gilt, leather wood and crystal", which<br>included jardiniers, ink stands, vases, jewel cases, work boxes and baskets,<br>thermometers and barometers, vinaigrettes and card cases.<br><br>Samuel Biddle is the Biddle of Bailey, Banks & Biddle. He apprenticed with<br>Thomas C. Garrett 1857, took over his business at some point after 1860 as Clark<br>& Biddle. That became Robbins, Clark & Biddle (at least by 1876; they're in the<br>catalog for the Centennial exhibition) and then in 1878 the Bailey, Banks &<br>Biddle we know today. I've seen items by other makers (including Krider)<br>retailed by Clark & Biddle, but it seems likely they also made some items, at<br>least early on.

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Victorian 18k Rose gold High Relief Lava Cameo brooch. 19th century, unmarked<br>but tested and guaranteed solid 18k gold. 2" tall x 1.75" wide with no issues.

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Victorian 14k rose gold/pearl mounted Hardstone cameo brooch. 19th century<br>carved hardstone cameo with no issues, frame tested and guaranteed solid 14k<br>gold, unmarked. 1.75" tall x 1.45" wide. 19.4 grams.

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