All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" 30's-40's Native American Stamped silver Green turquoise row cuff<br>bracelet 6mm wide, other measurements and weight in pics. Unmarked unless shown<br>in pics.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6" Vintage Navajo Twisted silver wire turquoise cuff bracelet 7/8" wide in<br>center, unmarked, weight and other measurements in pics. Sorry but my jewelry is<br>stored in a secure location and connot be accessed for more pictures, videos, or<br>measurements until sold. If you look at pictures/description your question<br>should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" Leonard Nez Navajo Sterling Channel inlay cuff bracelet 3/8" wide in<br>center. Marked or unmarked as shown in pics, weight and other measurements in<br>pics. Sorry but my jewelry is stored in a secure location and connot be accessed<br>for more pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>Fine chisel, stamp work and deeply grooved silver overlay are the hallmarks of<br>Leonard Nez’s silver jewelry whose work is featured in the Smithsonian<br>Institute. By combining the elements of the traditional with the contemporary in<br>detailed scrollwork and classic feather styling, Nez’s work is distinct and<br>recognizable.<br>Born in Keams Canon, Arizona, Nez met his wife Marian through his sister. It was<br>Marian, a silversmith in her own right, who first taught Nez jewelry-making. In<br>1977, he made his first pieces and by 1993 he began showing his work. He is<br>consistently the recipient of awards and his work can be found in private<br>collections, which include a silver bowl at the Smithsonian. An avid horseman<br>and highly skilled team roper, he divides his time between his silverwork and<br>the rodeo circuit,<br>He attributes his inspiration to God and says that sometimes design ideas come<br>to him while he is in church. “I want each piece to be better than the last.<br>I do my own designs, the ones that speak to me.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Zuni silver snake eye turquoise cross pendant, measurements and weight<br>in pics. Unmarked or marked as shown. If a mark isn't shown in the pictures then<br>it isn't marked which is common with pre 1970's Native American jewelry that<br>isn't from one of the larger trading posts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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7" Vintage Chinese Coral Silver Filigree enamel bracelet. No detectable issues,<br>no detectable loss to enamel. Gilt silver, fantastic in every way.<br><br>Pictured on a 6" wrist. Marks or lack of, measurements, and weight shown in<br>pics. No other pictures, videos, or measurements can be provided. Thank you so<br>much for understanding!

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c1950's Vintage Native American Silver Squash blossom necklace 23" long with<br>2.5" tall x 2" wide naja. 148 grams. Yes I realize the blossoms should point<br>out. Wife took the pics. I'll try to follow with more pics later, other<br>measurements and weight in pics. Unmarked or marked as shown. If a mark isn't<br>shown in the pictures then it isn't marked which is common with pre 1970's<br>Native American jewelry that isn't from one of the larger trading posts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.35" 30's-40's Stamped Silver Cuff Bracelet with turquoise 9 mm wide in center, weight and other measurements in pics, no issues, unmarked or marked as shown.All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Native American Silver and turquoise twisted wire Cuff bracelet 30<br>mm wide in center, weight and other measurements in pics, no issues, unmarked or<br>marked as shown. If a mark isn't shown then it isn't marked which is common with<br>pre 1970's Native American jewelry that isn't from one of the larger trading<br>posts.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Brazalete de plata de ley con estampado pesado J Nelson Navajo de 6,25" de 9 mm de ancho en el centro, peso y otras medidas en las fotografías, sin problemas, sin marcar o marcados como se muestra. Si no se muestra una marca, entonces no está marcada, lo cual es común en la década anterior a 1970. Joyas de nativos americanos que no provienen de uno de los puestos comerciales más grandes.Todos los metales preciosos son probados y garantizados, cualquier joyería de nativos americanos denominado Plata o Libra Esterlina se garantiza que será un mínimo del 90% (moneda) plata y posiblemente mayor contenido. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras están fotografiadas en una muñeca de 6" (sin pelo), anillos fotografiado en el dedo del tamaño apropiado cuando sea posible. Con pulseras si La medida no se proporciona en la descripción, entonces la circunferencia interior es Se muestra donde el metal se encuentra con el número de la cinta métrica de tela.

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6 1/8" Leroy Begay Navajo pulsera de adoquines múltiples de 20 mm de ancho en el punto más ancho 39,4 gramos. Charoita, turquesa y coral. Todos los metales preciosos se prueban y garantizan; se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6 ", los anillos se fotografían en el dedo del tamaño apropiado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, entonces se muestra la circunferencia interior donde se encuentra el metal. el número en la cinta métrica de tela.

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Brazalete de alambre de plata trenzado Navajo #8 de 6,5" de 1940 de 18 mm de ancho, 65,6 gramos, brazalete de turquesa natural de muy alta calidad del segundo cuarto del siglo XX.  Todos los metales preciosos están probados y garantizados. Se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90% de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6", los anillos se fotografian en el dedo del tamaño apropiado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, entonces se muestra la circunferencia interior donde el metal se encuentra con el número en la cinta métrica de tela.

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6" Carl Luthey Shop (1902-1975) Brazalete de plata y turquesa nativo americano 41,6 gramos 20 mm de ancho, brazalete de alta calidad sin problemas. Carl W Luthey en los años 1960 y 1970 tenía excelentes plateros navajos trabajando para él haciendo las joyas que diseñaba. Gran parte de sus joyas tienen el diseño de hojas y flores que era tan popular en ese entonces. Algunos de los artistas que trabajaron con él hicieron trabajos muy distintivos y reconocibles. Algunos de esos artistas fueron Luke Billy Yazzie y Louise y Ramone Platero.Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada Plata o Esterlina tenga un mínimo de 90%. (moneda) plata y posiblemente mayor contenido. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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Botella de perfume Sabino French Art Glass Petalia de 5,5" de alto x 3,5" de ancho. Artículo antiguo nuevo de la finca en perfecto estado sin uso.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" 20's-30's Native American Silver and turquosie snake eye cuff bracelet.<br>9mm wide, this is the nicest one of these I've had, very special, basically what<br>the rest that are similar are copying, really great in every way.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" vintage Native American silver and turquoise cuff bracelet 33mm wide in center. All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Zuni Pink Shell Silver Channel inlay cuff bracelet 19mm wide with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 7/8" Mike Thompson Navjo Sterling hand Chiseled/stamped cuff bracelet 22mm<br>wide.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" 20's-30's Ingot Silver Navajo turquoise cuff bracelet 11mm wide,<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 1/8" Heavy Silver Cuff Bracelet with Sugilite, Cat's Eye, and turquoise inlay,<br>very well made and substantial bracelet with high quality materials. I recognize<br>the hallmark but the Artisan isn't registering.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. With Bracelets now I am trying to give the<br>length of the center of the bracelet or the widest point that points from your<br>hand to upper arm in Millimeters, 1 inch = 25mm.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.25" Vintage Wilson Begay silver and turquoise cuff bracelet. 60mm wide in<br>center tapering down at ends.<br><br>Wilson and Carol Begay are traditional Navajo silversmiths. These talented<br>silversmiths have been creating traditional Navajo jewelry since 1969. They came<br>from families well known for their jewelry making. Wilson’s father, Luke, taught<br>John Adair, author of “Navajo and Pueblo Silversmiths” how to make sand cast<br>jewelry. He worked for many years with Mike and Dean Kirk, at the famous Kirk<br>Brothers Trading Company in Gallup, New Mexico.<br><br>Carol’s parents, Angela and Allen Chee were both silversmiths who worked by C.G.<br>Wallace, the famous jewelry trader from Zuni, New Mexico.<br><br>The Begays began their career making sandcast jewelry, a traditional type of<br>Navajo jewelry that requires the artist to make carvings in Tufa stone to make<br>forms to shape molten silver. They first worked for Tobe Tupen, a well known<br>trader in Gallup. Carol remembers that silver was only $1.25 an ounce when they<br>started.<br><br>Today they are independent artists whose work is widely sought after and<br>admired. Wilson concentrates on the casting and building the foundations of the<br>jewelry and Carol sets the stones and does the finishing work. They work<br>together to design their jewelry.<br><br>Traditional sandcast silver jewelry is a unique Navajo art form. The process,<br>although it sounds simple, requires careful discipline and years of practice to<br>obtain quality results.<br><br>The artist takes two pieces of pumice stone and grinds them together to create<br>two flat surfaces. Then the design is carved into one of the two pumice stones.<br>An opening is carved from the design to the top and bottom of the stone. The two<br>pieces of stone are then tied together so that the carved design is between the<br>two flat areas. Silver is then melted in a crucible, and when it reaches the<br>proper molten form, it is poured into the opening on the top of the design. If<br>it is the proper temperature, it flows through to the bottom where it cools and<br>hardens, filling the design space. After cooling, the stones are separated, the<br>casting removed and the protrusions on the top and bottom are cut off. The<br>silver is then filed smooth and shaped.<br><br>If stones are to be set on the piece, the artist builds a silver bezel to hold<br>the stone and then solders it to the piece of jewelry. Sawdust is put in the<br>bottom of the bezel to cushion the stone and the bezel is tightened. The piece<br>is then polished to the shine the artist likes.<br><br>Wilson Begay of Gallup is the acknowledged master of the art of sandcast<br>jewelry. Luke Begay, Wilson's grandfather, demonstrated this skill to John Adair<br>in the early 1930's when Adair was conducting a survey of native silversmiths of<br>the Smithsonian. Luke taught the skill to Wilson as a young man. Today, in his<br>60's, Wilson continues to make sandcast jewelry in his Gallup home. His wife,<br>Carol, chooses the stones to be used and sets them in bezels. The Begays have<br>three daughters, Nichole, Yvonne and Bonnie, are continuing the family<br>tradition.<br><br>Wilson's stamped signature is a flat brimmed Navajo hat with his initials under<br>it. His signature is one of the most recognized in Indian jewelry. His work has<br>won top awards at the Gallup Inter-tribal Ceremonial and is a "must have" for<br>serious collectors of contemporary Indian jewelry.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Vintage Foley Artist Signed Hand Painted Tea Cup and Saucer with Roses. Full sized tea cup and saucer 5 5/8" saucer cup 4" wide at the rim. Set very clean with no crazing, chips, cracks, or loss to gold. isshelf

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c1850 Campaña texana histórica Staffordshire marrón 9.Tazón de sopa de 5" James Beech, General Zachary Taylor en la Batalla de Chapultepec. en condiciones casi perfectas sin virutas ni manchas. Fino enloquecimiento general y una línea de cabello muy apretada de menos de 1" en el reverso que no llega al frente. Se muestra en el centro izquierdo de la quinta imagen. Esta es una pieza extremadamente rara de un patrón ya raro y deseable. 9.5" de ancho x 1.5" de profundidad.El patrón de transferencia de software "Texian Campaigne" se introdujo alrededor de 1837; Aunque se fabricó en Staffordshire, se produjo para atraer a los estadounidenses. El patrón fue diseñado para conmemorar la revolución de 1835-1836 que los texanos libraron contra México por su independencia (la palabra "texano" es la forma británica de Texas.) La Revolución de Texas (2 de octubre de 1835 - 21 de abril de 1836) fue una rebelión de colonos de Estados Unidos y tejanos (mexicanos de Texas) que opusieron resistencia armada al gobierno centralista de México. Si bien el levantamiento fue parte de uno más grande, la Guerra Federalista Mexicana, que incluyó otras provincias opuestas al régimen del presidente Antonio López de Santa Anna, el gobierno mexicano creía que Estados Unidos había instigado la insurrección de Texas con el objetivo de anexión. El Congreso mexicano aprobó el Decreto Tornel, declarando que cualquier extranjero contra las tropas mexicanas "será considerado pirata y tratado como tal, no siendo ciudadano de ninguna nación actualmente en guerra con la República y bajo ninguna bandera reconocida". Sólo la provincia de Texas logró romper con México, establecer la República de Texas y finalmente ser anexada por Estados Unidos.La revolución comenzó en octubre de 1835, después de una década de enfrentamientos políticos y culturales entre el gobierno mexicano y la población cada vez mayor de colonos estadounidenses en Texas. El gobierno mexicano se había vuelto cada vez más centralizado y los derechos de sus ciudadanos se habían restringido cada vez más, particularmente en lo que respecta a la inmigración procedente de Estados Unidos. Los colonos y los tejanos no estuvieron de acuerdo sobre si el objetivo final era la independencia o el regreso a la Constitución mexicana de 1824. Mientras los delegados en la Consulta (gobierno provisional) debatían los motivos de la guerra, los texanos y una avalancha de voluntarios de los Estados Unidos derrotaron a las pequeñas guarniciones de soldados mexicanos a mediados de diciembre de 1835. La Consulta se negó a declarar la independencia e instaló un gobierno interino, cuya entrada provocó una parálisis política y una escasez de gobernanza efectiva en Texas. Una propuesta mal concebida para invadir Matamoros desvió voluntarios y provisiones muy necesarios del incipiente ejército de Texas. En marzo de 1836, una segunda convención política declaró la independencia y nombró líderes para la nueva República de Texas.Decidido a vengar el honor de México, Santa Anna prometió retomar personalmente Texas. Su Ejército de Operaciones entró en Texas a mediados de febrero de 1836 y encontró a los texanos completamente desprevenidos. El general mexicano José de Urrea encabezó un contingente de tropas en la Campaña Goliad por la costa de Texas, derrotando a todas las tropas texanas a su paso y ejecutando a la mayoría de los que se rindieron. Santa Anna dirigió una fuerza mayor a San Antonio de Béxar (o Béxar), donde sus tropas derrotaron a la guarnición de Texas en la Batalla del Álamo, matando a casi todos los defensores.Un ejército texano recién creado bajo el mando de Sam Houston estaba en constante movimiento, mientras civiles aterrorizados huían con el ejército, en un combate cuerpo a cuerpo conocido como Runaway Scrape. El 31 de marzo, Houston detuvo a sus hombres en Groce's Landing en el río Brazos y, durante las siguientes dos semanas, los texanos recibieron un riguroso entrenamiento militar. Santa Anna, complaciente y subestimando la fuerza de sus enemigos, subdividió aún más sus tropas. El 21 de abril, el ejército de Houston organizó un asalto sorpresa contra Santa Anna y su fuerza de vanguardia en la Batalla de San Jacinto. Las tropas mexicanas fueron rápidamente derrotadas y los vengativos texanos ejecutaron a muchos de los que intentaron rendirse. Santa Anna fue tomada como rehén; a cambio de su vida, ordenó al ejército mexicano retirarse al sur del Río Grande. México se negó a reconocer la República de Texas y los conflictos intermitentes entre los dos países continuaron hasta la década de 1840. La anexión de Texas como estado número 28 de los Estados Unidos, en 1845, condujo directamente a la guerra entre México y Estados Unidos.tw178

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Caja para té de cebolla Meissen, porta cerillas, plato para huesos y bandeja pequeña. Bonito lote de la primera mitad del siglo XX. Al carrito de té de 4 1/8" de alto le falta tapa, plato para huesos de 7,25", bandeja cuadrada de 4", soporte para cerillas de 5,25". Vendo todas las piezas mostradas sin daños.TW177

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Pulsera vintage Navajo Childs Cuff de primera ley, turquesa y coral. Espacio de 3 5/8" + 7/8", se adapta a muñecas de 4,5". 1 1/8" de ancho en el centro, 27,6 gramos. Muy sustancial, obviamente usado desde una edad muy temprana, básicamente desde que el niño era un bebé, luego se colocaron dos pequeños agujeros a cada lado para usarlo como colgante. He tenido muchas esposas para niños, pero esta es la más bonita, la más grande y la más pequeña que he tenido. Para una muñeca muy pequeña pero tan sustancial. He incluido dos fotos de mi hijo de 14 meses.

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Collar vintage de jaspe negro y de primera ley nativo americano. Collar de aproximadamente 19", colgante de 4" x 2,25" con fianza. Todos los metales preciosos se prueban y garantizan, se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % (moneda). ) plata y posiblemente mayor contenido. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (no peluda), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. En el caso de las pulseras, si la medida no aparece en la descripción, se muestra la circunferencia interior donde el metal se encuentra con el número de la cinta métrica de tela.

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Brazalete de bebé de 4,75" de plata nativa americana y turquesa de 20 mm de ancho en el centro, en la foto de un bebé de 16 meses. Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada plata o ley un mínimo de 90% de plata (moneda) y posiblemente un contenido mayor. Con las pulseras ahora estoy tratando de dar la longitud del centro de la pulsera o el punto más ancho que apunta desde la mano hasta la parte superior del brazo en milímetros, 1 pulgada = 25 mm.

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Brazalete retirado James Avery Sterling Thatch Cuff de 6,5". Sin daños ni desgaste significativo.

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Herramienta grande de cuchillo tallado de nativos americanos en montura de plata de ley. Colgante de 4,75" con fianza x 1 7/8" de ancho. Rotura limpia por el centro de la punta, pegada. Parece ser un viejo trabajo de pegamento, muy difícil de ver. Creo que este es un viejo punto que alguien en la última mitad del siglo XX había montado en una montura personalizada de plata esterlina sin marcar. 51 gramos en total. Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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Colgante de plata esterlina, turquesa y coral modernista del sudoeste de mediados de siglo de 3" de alto con fianza x 1,8" de ancho, incluido el collar de plata de ley de 24". Peso total de 33,4 gramos. Todos los metales preciosos son probados y garantizados, cualquier nativo Se garantiza que las joyas estadounidenses conocidas como plata o esterlina tienen un mínimo de 90% de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo). anillos fotografiados en el dedo del tamaño apropiado cuando sea posible. En el caso de las pulseras, si la medida no aparece en la descripción, se muestra la circunferencia interior donde el metal se encuentra con el número de la cinta métrica de tela.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" CAA Southwestern Modernist sterling Cuff bracelet Tapers from 25mm to approx 12.5mm. All precious metals are tested and guaranteed,

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" E Yazzie Navajo Silver and pink stone bracelet 60mm wide at widest point.<br>Easily adjustable to make smaller or larger, can adjust just a few of the<br>tenticles or all to suit your style or mood. I'm not sure what the stones are.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 8" David Andersen Norway Sterling Modernist cuff bracelet 16mm wide in center. I believe it's meant to be worn more like a bangle loosely. Sturdy but flexible enough to adjust the gap to suit your purpose.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.25" Vintage Native American silver and turquoise cuff bracelet 25mm wide with<br>no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Vintage Zuni Sterling - Turquoise, coral, and shell channel inlay cuff<br>bracelet 40mm wide with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" 50's-60's Navajo silver Shadowbox cuff with turquoise 22mm wide, very<br>nicely done bracelet with nice old natural turquoise.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Henry Steig (1906-1973) sterling pins (2). Selling both one of a kind pins, both<br>signed, one stamped, one by hand. Part of a significant collection of Henry<br>Steig Jewelry purchased directly from him in the 50's-60's that I'm lucky enough<br>to be able to offer. Largest 3" x 1 1/8", other 2" x 1.25"...Both seem to<br>possibly represent human forms. 38.6 grams total.<br><br>Jules Brenner and Henry Steig were among group of prominent of New York<br>mid-century studio jewelers who hand-crafted pieces of wearable art that<br>celebrated the avant-garde, rejected traditional jewelry forms, and appealed to<br>an intellectual and liberal middle class. Jules Brenner was born in the Bronx,<br>grew up in Washington Heights, and studied acting with Stella Adler and painting<br>and sculpture in Greenwich Village. Henry Steig (also known as Henry Anton)<br>studied at City College and the National Academy of Design, and began his career<br>as a New York City jazz musician, writer, novelist, cartoonist, and painter.<br>During the 1950s, both Brenner and Steig operated shops and studios in Manhattan<br>and in Provincetown, Massachusetts—then a prominent artists’ enclave—where they<br>sold hand-wrought silver and gold designs which often emphasized biomorphic,<br>surrealist, cubist, and geometric forms.<br><br>Everyone knows the famous picture from the film The Seven Year Itch, of Marilyn<br>Monroe standing on a New York sidewalk, her skirt blown up by on updraft from<br>the subway grate below. However, not everyone knows that at that moment she was<br>standing in front of Henry Steig's jewelry shop at 590 Lexington Avenue.<br>Henry Steig was a man of many talents. Before he became a jeweler, he was a jazz<br>musician, painter, sculptor, commercial artist, cartoonist, photographer, short<br>story writer and novelist.<br><br>"Henry was a Renaissance man," says New Yorker cartoonist Mischa Richter, who<br>was Steig's good friend and Provincetown neighbor.<br><br>Henry Anion Steig was born on February 19, 1906, in New York City. His parents,<br>Joseph and Laura, had come to America at the turn of the century, from Lvov<br>(called Lemberg in German), which was then in the Polish port of the<br>Austro-Hungarian Empire. Joseph was a housepainter and Laura, a seamstress.<br><br>They had four sons, Irwin, Henry, William and Arthur, all of them versatile,<br>talented and artistic. William Steig is the well-known New Yorker cartoonist and<br>author-illustrator of children's books. lrwin was a writer of short stories for<br>the New Yorker. Arthur was a painter and poet whose poems were published in the<br>New Republic and Poetry magazines.<br><br>William Steig recalls, "My father and mother both began pointing and become<br>exhibiting artists after their sons grew up." In the May 14, 1945, issue of<br>Newsweek magazine, an article was published about an exhibition, "possibly the<br>first one family show on Art Row (57th Street)" at the New Art Circle Gallery.<br>It was called "The Eight Performing Steigs, Artists All." Included were<br>paintings By Joseph and Laura Steig; drawings and sculpture by William and<br>paintings by his wife, Liza; paintings by Arthur and his wife, Aurora; and<br>photographs by Henry and paintings by his wife, Mimi. The only brother not<br>included was Irwin, "the only non-conformist Steig," who was working at that<br>time as advertising manager of a Connecticut soap manufacturer.<br><br>In the article "the brothers attribute the family's abundance of good artists to<br>the fact that we all like each other's work…get excited about it. Whenever<br>anyone starts they get lots of encouragement. Joseph Steig adds, 'Painting is a<br>contagious thing. If you lived in our environment, you would probably point.'"<br><br>Henry Steig grew up in this extraordinary environment. The family lived in the<br>Bronx. After graduating from high school, Henry Steig went to City College<br>(CCNY). After three years he left to study painting and sculpture at the<br>National Academy of Design. He was also an accomplished musician, playing<br>saxophone, violin and classical guitar, and while he was in college, he began<br>working as a jazz musician. From about 1922, when only sixteen years old, until<br>1932 he played reed instruments with local dance bands.<br><br>After four years at the National Academy, Steig worked as a commercial artist<br>and cartoonist. He signed his cartoons "Henry Anton" because his brother William<br>was working as a cartoonist at the same time, for many of the same magazines.<br>From about 1932 to 1936, Henry Anton cartoons appeared in Life, Judge, New<br>Yorker and other magazines.<br><br>Steig began a writing career in 1935 that lasted until about 1947. He became<br>very successful and well known as a short story writer, with stories appearing<br>regularly in Saturday Evening Post, New Yorker, Esquire, Colliers and others.<br>They were often humorous tales about jazz and the jazz musicians who populated<br>the world of music in the roaring twenties. Other stories were about his Bronx<br>childhood. He also wrote nonfiction magazine pieces, including a New Yorker<br>profile of Benny Goodmon and jazz criticism. Several of his nonfiction articles<br>were illustrated by William Steig.<br><br>In 1941 , Alfred A. Knopf published Henry Steig's novel, Send Me Down. The<br>story, told with absolute realism, is about two brothers who become jazz<br>musicians in the twenties. On the book jacket, Steig wrote, "Much of the<br>material for Send Me Down was gathered during my years as a jazz musician<br>playing with local jazz bands and with itinerant groups in vaudeville and on<br>dance hall tour engagements. Although I was only second-rate as a musician, I<br>know my subject from the inside, and I believe I was the first to write stories<br>about jazz musicians, based on actual personal experience." His son, Michael,<br>recalls that there was some interest in making a movie of the book. "My father<br>told me that John Garfield wanted to play the lead character."<br><br>Steig did go to Hollywood in 1941, under contract to write screenplays. He was<br>going to work with Johnny Mercer, the songwriter. After the ing of Pearl Harbor<br>on December 7, he returned to New York. "He undoubtedly would have returned<br>anyway," says Michael Steig. "He was not happy with the contract his agent had<br>negotiated for him." Mischa Richter odds, "Henry was very unimpressed with<br>Hollywood."

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Henry Steig (1906-1973) Par de aretes con cierre de rosca de forma libre de ley modernista (3). Vendo los 3 pares mostrados, el más grande.25" de largo, 19.7 gramos en total. Jules Brenner y Henry Steig formaban parte del grupo de destacados joyeros de estudio de Nueva York de mediados de siglo que elaboraban a mano piezas de arte vestible que celebraban la vanguardia, rechazaban las formas de joyería tradicionales y atraían a un intelectual y clase media liberal. Jules Brenner nació en el Bronx, creció en Washington Heights y estudió actuación con Stella Adler y pintura y escultura en Greenwich Village. Henry Steig (también conocido como Henry Anton) estudió en el City College y en la Academia Nacional de Diseño, y comenzó su carrera como músico de jazz, escritor, novelista, caricaturista y pintor de jazz de la ciudad de Nueva York. Durante la década de 1950, tanto Brenner como Steig operaban tiendas y estudios en Manhattan y en Provincetown, Massachusetts (entonces un enclave de artistas prominentes), donde vendían diseños en plata y oro labrados a mano que a menudo enfatizaban formas biomórficas, surrealistas, cubistas y geométricas.Todo el mundo conoce la famosa imagen de la película The Seven Year Itch, de Marilyn Monroe parada en una acera de Nueva York, con la falda levantada por la corriente ascendente de la rejilla del metro. Sin embargo, no todos saben que en ese momento ella estaba parada frente a la joyería de Henry Steig en 590 Lexington Avenue.Henry Steig era un hombre de muchos talentos. Antes de convertirse en joyero, fue músico de jazz, pintor, escultor, artista comercial, caricaturista, fotógrafo, cuentista y novelista."Henry era un hombre del Renacimiento", dice el caricaturista neoyorquino Mischa Richter, buen amigo de Steig y vecino de Provincetown.Henry Anion Steig nació el 19 de febrero de 1906 en la ciudad de Nueva York. Sus padres, Joseph y Laura, habían llegado a Estados Unidos a principios de siglo, desde Lvov (llamado Lemberg en alemán), que entonces se encontraba en el puerto polaco del Imperio austrohúngaro. Joseph era pintor de casas y Laura, costurera.Tuvieron cuatro hijos, Irwin, Henry, William y Arthur, todos ellos versátiles, talentosos y artísticos. William Steig es el conocido caricaturista y autor-ilustrador de libros infantiles neoyorquino. Irwin fue un escritor de cuentos para el New Yorker. Arthur fue un pintor y poeta cuyos poemas se publicaron en las revistas New Republic y Poetry.William Steig recuerda: "Mi padre y mi madre comenzaron a señalar y a convertirse en artistas expositores cuando sus hijos crecieron." En el número del 14 de mayo de 1945 de la revista Newsweek, se publicó un artículo sobre una exposición, "posiblemente la primera exposición familiar en Art Row (57th Street)" en la New Art Circle Gallery. Se llamaba "Los ocho Steigs intérpretes, todos artistas"."Se incluyeron pinturas de Joseph y Laura Steig; dibujos y esculturas de William y pinturas de su esposa, Liza; pinturas de Arthur y su esposa, Aurora; y fotografías de Henry y pinturas de su esposa, Mimi. El único hermano no incluido fue Irwin, "el único Steig inconformista", que trabajaba en ese momento como director de publicidad de un fabricante de jabón de Connecticut.En el artículo "los hermanos atribuyen la abundancia de buenos artistas de la familia al hecho de que a todos nos gusta el trabajo de los demás... nos entusiasmamos con él. Cada vez que alguien empieza recibe mucho estímulo. Joseph Steig añade: “La pintura es algo contagioso. Si vivieras en nuestro entorno, probablemente señalarías.'"Henry Steig creció en este entorno extraordinario. La familia vivía en el Bronx. Después de graduarse de la escuela secundaria, Henry Steig fue al City College (CCNY). Después de tres años lo dejó para estudiar pintura y escultura en la Academia Nacional de Diseño. También era un músico consumado, tocaba el saxofón, el violín y la guitarra clásica, y mientras estaba en la universidad, comenzó a trabajar como músico de jazz. Aproximadamente desde 1922, cuando sólo tenía dieciséis años, hasta 1932 tocó instrumentos de lengüeta con bandas de baile locales.Después de cuatro años en la Academia Nacional, Steig trabajó como artista comercial y caricaturista. Firmaba sus dibujos animados como "Henry Anton" porque su hermano William trabajaba como dibujante al mismo tiempo, para muchas de las mismas revistas. Aproximadamente entre 1932 y 1936, las caricaturas de Henry Anton aparecieron en Life, Judge, New Yorker y otras revistas.Steig comenzó una carrera como escritor en 1935 que duró hasta aproximadamente 1947. Se volvió muy exitoso y conocido como escritor de cuentos, y sus historias aparecían regularmente en Saturday Evening Post, New Yorker, Esquire, Colliers y otros. A menudo eran cuentos humorísticos sobre el jazz y los músicos de jazz que poblaron el mundo de la música en los locos años veinte. Otras historias trataban sobre su infancia en el Bronx. También escribió artículos para revistas de no ficción, incluido un perfil neoyorquino de Benny Goodmon y crítica de jazz. Varios de sus artículos de no ficción fueron ilustrados por William Steig.En 1941, Alfred A. Knopf publicó la novela de Henry Steig, Send Me Down. La historia, contada con absoluto realismo, trata sobre dos hermanos que se convierten en músicos de jazz en los años veinte. En la sobrecubierta, Steig escribió: "Gran parte del material de Send Me Down fue recopilado durante mis años como músico de jazz tocando con bandas de jazz locales y con grupos itinerantes en vodevil y en giras de salones de baile. Aunque como músico sólo era de segunda categoría, conozco mi tema desde dentro y creo que fui el primero en escribir historias sobre músicos de jazz, basadas en experiencias personales reales." Su hijo, Michael, recuerda que había cierto interés en hacer una película del libro. "Mi padre me dijo que John Garfield quería interpretar el personaje principal."Steig fue a Hollywood en 1941, bajo contrato para escribir guiones. Iba a trabajar con Johnny Mercer, el compositor. Después de la invasión de Pearl Harbor el 7 de diciembre, regresó a Nueva York. "Sin duda habría regresado de todos modos", afirma Michael Steig. "No estaba contento con el contrato que su agente había negociado para él." Probabilidades de Mischa Richter, "Henry no estaba muy impresionado con Hollywood."

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Henry Steig (1906-1973) Alfileres de primera ley modernistas de mediados de siglo (2). Vendo pines únicos, ambos firmados. Parte de una importante colección de joyas de Henry Steig que le compré directamente en los años 50 y 60 y que tengo la suerte de poder ofrecer. Amatista 2.75" x .75" Perla 2.75" x 5/8" 19.2 gramos de peso total. Jules Brenner y Henry Steig estaban entre el grupo de destacados joyeros de estudio de Nueva York de mediados de siglo que crearon a mano piezas de arte vestible que celebraban la vanguardia, rechazaban las formas de joyería tradicionales y apelaban a una clase media intelectual y liberal. Jules Brenner nació en el Bronx, creció en Washington Heights y estudió actuación con Stella Adler y pintura y escultura en Greenwich Village. Henry Steig (también conocido como Henry Anton) estudió en el City College y en la Academia Nacional de Diseño, y comenzó su carrera como músico de jazz, escritor, novelista, caricaturista y pintor de jazz de la ciudad de Nueva York. Durante la década de 1950, tanto Brenner como Steig operaban tiendas y estudios en Manhattan y en Provincetown, Massachusetts (entonces un enclave de artistas prominentes), donde vendían diseños en plata y oro labrados a mano que a menudo enfatizaban formas biomórficas, surrealistas, cubistas y geométricas.Todo el mundo conoce la famosa imagen de la película The Seven Year Itch, de Marilyn Monroe parada en una acera de Nueva York, con la falda levantada por la corriente ascendente de la rejilla del metro. Sin embargo, no todos saben que en ese momento ella estaba parada frente a la joyería de Henry Steig en 590 Lexington Avenue.Henry Steig era un hombre de muchos talentos. Antes de convertirse en joyero, fue músico de jazz, pintor, escultor, artista comercial, caricaturista, fotógrafo, cuentista y novelista."Henry era un hombre del Renacimiento", dice el caricaturista neoyorquino Mischa Richter, buen amigo de Steig y vecino de Provincetown.Henry Anion Steig nació el 19 de febrero de 1906 en la ciudad de Nueva York. Sus padres, Joseph y Laura, habían llegado a Estados Unidos a principios de siglo, desde Lvov (llamado Lemberg en alemán), que entonces se encontraba en el puerto polaco del Imperio austrohúngaro. Joseph era pintor de casas y Laura, costurera.Tuvieron cuatro hijos, Irwin, Henry, William y Arthur, todos ellos versátiles, talentosos y artísticos. William Steig es el conocido caricaturista y autor-ilustrador de libros infantiles neoyorquino. Irwin fue un escritor de cuentos para el New Yorker. Arthur fue un pintor y poeta cuyos poemas se publicaron en las revistas New Republic y Poetry.William Steig recuerda: "Mi padre y mi madre comenzaron a señalar y a convertirse en artistas expositores cuando sus hijos crecieron." En el número del 14 de mayo de 1945 de la revista Newsweek, se publicó un artículo sobre una exposición, "posiblemente la primera exposición familiar en Art Row (57th Street)" en la New Art Circle Gallery. Se llamaba "Los ocho Steigs intérpretes, todos artistas"."Se incluyeron pinturas de Joseph y Laura Steig; dibujos y esculturas de William y pinturas de su esposa, Liza; pinturas de Arthur y su esposa, Aurora; y fotografías de Henry y pinturas de su esposa, Mimi. El único hermano no incluido fue Irwin, "el único Steig inconformista", que trabajaba en ese momento como director de publicidad de un fabricante de jabón de Connecticut.En el artículo "los hermanos atribuyen la abundancia de buenos artistas de la familia al hecho de que a todos nos gusta el trabajo de los demás... nos entusiasmamos con él. Cada vez que alguien empieza recibe mucho estímulo. Joseph Steig añade: “La pintura es algo contagioso. Si vivieras en nuestro entorno, probablemente señalarías.'"Henry Steig creció en este entorno extraordinario. La familia vivía en el Bronx. Después de graduarse de la escuela secundaria, Henry Steig fue al City College (CCNY). Después de tres años lo dejó para estudiar pintura y escultura en la Academia Nacional de Diseño. También era un músico consumado, tocaba el saxofón, el violín y la guitarra clásica, y mientras estaba en la universidad, comenzó a trabajar como músico de jazz. Aproximadamente desde 1922, cuando sólo tenía dieciséis años, hasta 1932 tocó instrumentos de lengüeta con bandas de baile locales.Después de cuatro años en la Academia Nacional, Steig trabajó como artista comercial y caricaturista. Firmaba sus dibujos animados como "Henry Anton" porque su hermano William trabajaba como dibujante al mismo tiempo, para muchas de las mismas revistas. Aproximadamente entre 1932 y 1936, las caricaturas de Henry Anton aparecieron en Life, Judge, New Yorker y otras revistas.Steig comenzó una carrera como escritor en 1935 que duró hasta aproximadamente 1947. Se volvió muy exitoso y conocido como escritor de cuentos, y sus historias aparecían regularmente en Saturday Evening Post, New Yorker, Esquire, Colliers y otros. A menudo eran cuentos humorísticos sobre el jazz y los músicos de jazz que poblaron el mundo de la música en los locos años veinte. Otras historias trataban sobre su infancia en el Bronx. También escribió artículos para revistas de no ficción, incluido un perfil neoyorquino de Benny Goodmon y crítica de jazz. Varios de sus artículos de no ficción fueron ilustrados por William Steig.En 1941, Alfred A. Knopf publicó la novela de Henry Steig, Send Me Down. La historia, contada con absoluto realismo, trata sobre dos hermanos que se convierten en músicos de jazz en los años veinte. En la sobrecubierta, Steig escribió: "Gran parte del material de Send Me Down fue recopilado durante mis años como músico de jazz tocando con bandas de jazz locales y con grupos itinerantes en vodevil y en giras de salones de baile. Aunque como músico sólo era de segunda categoría, conozco mi tema desde dentro y creo que fui el primero en escribir historias sobre músicos de jazz, basadas en experiencias personales reales." Su hijo, Michael, recuerda que había cierto interés en hacer una película del libro. "Mi padre me dijo que John Garfield quería interpretar el personaje principal."Steig fue a Hollywood en 1941, bajo contrato para escribir guiones. Iba a trabajar con Johnny Mercer, el compositor. Después de la invasión de Pearl Harbor el 7 de diciembre, regresó a Nueva York. "Sin duda habría regresado de todos modos", afirma Michael Steig. "No estaba contento con el contrato que su agente había negociado para él." Probabilidades de Mischa Richter, "Henry no estaba muy impresionado con Hollywood."

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Henry Steig (1906-1973) Juego de aretes modernistas con pasador de forma libre y cierre de rosca de 2 5/8" x 2 1/8", aretes de 1". 14 gramos de peso total. Jules Brenner y Henry Steig formaban parte del grupo de destacados joyeros de estudio de Nueva York de mediados de siglo que elaboraban a mano piezas de arte vestible que celebraban la vanguardia, rechazaban las formas de joyería tradicionales y atraían a un intelectual y clase media liberal. Jules Brenner nació en el Bronx, creció en Washington Heights y estudió actuación con Stella Adler y pintura y escultura en Greenwich Village. Henry Steig (también conocido como Henry Anton) estudió en el City College y en la Academia Nacional de Diseño, y comenzó su carrera como músico de jazz, escritor, novelista, caricaturista y pintor de jazz de la ciudad de Nueva York. Durante la década de 1950, tanto Brenner como Steig operaban tiendas y estudios en Manhattan y en Provincetown, Massachusetts (entonces un enclave de artistas prominentes), donde vendían diseños en plata y oro labrados a mano que a menudo enfatizaban formas biomórficas, surrealistas, cubistas y geométricas.Todo el mundo conoce la famosa imagen de la película The Seven Year Itch, de Marilyn Monroe parada en una acera de Nueva York, con la falda levantada por la corriente ascendente de la rejilla del metro. Sin embargo, no todos saben que en ese momento ella estaba parada frente a la joyería de Henry Steig en 590 Lexington Avenue.Henry Steig era un hombre de muchos talentos. Antes de convertirse en joyero, fue músico de jazz, pintor, escultor, artista comercial, caricaturista, fotógrafo, cuentista y novelista."Henry era un hombre del Renacimiento", dice el caricaturista neoyorquino Mischa Richter, buen amigo de Steig y vecino de Provincetown.Henry Anion Steig nació el 19 de febrero de 1906 en la ciudad de Nueva York. Sus padres, Joseph y Laura, habían llegado a Estados Unidos a principios de siglo, desde Lvov (llamado Lemberg en alemán), que entonces se encontraba en el puerto polaco del Imperio austrohúngaro. Joseph era pintor de casas y Laura, costurera.Tuvieron cuatro hijos, Irwin, Henry, William y Arthur, todos ellos versátiles, talentosos y artísticos. William Steig es el conocido caricaturista y autor-ilustrador de libros infantiles neoyorquino. Irwin fue un escritor de cuentos para el New Yorker. Arthur fue un pintor y poeta cuyos poemas se publicaron en las revistas New Republic y Poetry.William Steig recuerda: "Mi padre y mi madre comenzaron a señalar y a convertirse en artistas expositores cuando sus hijos crecieron." En el número del 14 de mayo de 1945 de la revista Newsweek, se publicó un artículo sobre una exposición, "posiblemente la primera exposición familiar en Art Row (57th Street)" en la New Art Circle Gallery. Se llamaba "Los ocho Steigs intérpretes, todos artistas"."Se incluyeron pinturas de Joseph y Laura Steig; dibujos y esculturas de William y pinturas de su esposa, Liza; pinturas de Arthur y su esposa, Aurora; y fotografías de Henry y pinturas de su esposa, Mimi. El único hermano no incluido fue Irwin, "el único Steig inconformista", que trabajaba en ese momento como director de publicidad de un fabricante de jabón de Connecticut.En el artículo "los hermanos atribuyen la abundancia de buenos artistas de la familia al hecho de que a todos nos gusta el trabajo de los demás... nos entusiasmamos con él. Cada vez que alguien empieza recibe mucho estímulo. Joseph Steig añade: “La pintura es algo contagioso. Si vivieras en nuestro entorno, probablemente señalarías.'"Henry Steig creció en este entorno extraordinario. La familia vivía en el Bronx. Después de graduarse de la escuela secundaria, Henry Steig fue al City College (CCNY). Después de tres años lo dejó para estudiar pintura y escultura en la Academia Nacional de Diseño. También era un músico consumado, tocaba el saxofón, el violín y la guitarra clásica, y mientras estaba en la universidad, comenzó a trabajar como músico de jazz. Aproximadamente desde 1922, cuando sólo tenía dieciséis años, hasta 1932 tocó instrumentos de lengüeta con bandas de baile locales.Después de cuatro años en la Academia Nacional, Steig trabajó como artista comercial y caricaturista. Firmaba sus dibujos animados como "Henry Anton" porque su hermano William trabajaba como dibujante al mismo tiempo, para muchas de las mismas revistas. Aproximadamente entre 1932 y 1936, las caricaturas de Henry Anton aparecieron en Life, Judge, New Yorker y otras revistas.Steig comenzó una carrera como escritor en 1935 que duró hasta aproximadamente 1947. Se volvió muy exitoso y conocido como escritor de cuentos, y sus historias aparecían regularmente en Saturday Evening Post, New Yorker, Esquire, Colliers y otros. A menudo eran cuentos humorísticos sobre el jazz y los músicos de jazz que poblaron el mundo de la música en los locos años veinte. Otras historias trataban sobre su infancia en el Bronx. También escribió artículos para revistas de no ficción, incluido un perfil neoyorquino de Benny Goodmon y crítica de jazz. Varios de sus artículos de no ficción fueron ilustrados por William Steig.En 1941, Alfred A. Knopf publicó la novela de Henry Steig, Send Me Down. La historia, contada con absoluto realismo, trata sobre dos hermanos que se convierten en músicos de jazz en los años veinte. En la sobrecubierta, Steig escribió: "Gran parte del material de Send Me Down fue recopilado durante mis años como músico de jazz tocando con bandas de jazz locales y con grupos itinerantes en vodevil y en giras de salones de baile. Aunque como músico sólo era de segunda categoría, conozco mi tema desde dentro y creo que fui el primero en escribir historias sobre músicos de jazz, basadas en experiencias personales reales." Su hijo, Michael, recuerda que había cierto interés en hacer una película del libro. "Mi padre me dijo que John Garfield quería interpretar el personaje principal."Steig fue a Hollywood en 1941, bajo contrato para escribir guiones. Iba a trabajar con Johnny Mercer, el compositor. Después de la invasión de Pearl Harbor el 7 de diciembre, regresó a Nueva York. "Sin duda habría regresado de todos modos", afirma Michael Steig. "No estaba contento con el contrato que su agente había negociado para él." Probabilidades de Mischa Richter, "Henry no estaba muy impresionado con Hollywood."

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sz8.5 Anillo navajo vintage de plata y turquesa, cara de 20 mm de largo, 9,9 gramos, sin marcar. Todos los metales preciosos se prueban y garantizan, se garantiza que cualquier joyería de nativos americanos denominada plata o ley tiene un mínimo de 90 % (moneda) de plata y posiblemente mayor contenido. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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sz11 Anillo Buck Navajo Sterling y turquesa. Buck Sterling firmado, cara de 33 mm de largo, 15,7 gramos. Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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sz12.5 Rana grande tallada Zuni turquesa, anillo de plata coral, cara larga de 34 mm, 38,4 gramos, sin marcar. Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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Sz11.5 Enorme anillo vintage de plata esterlina y turquesa de nativos americanos de 37 mm de cara larga, 56,7 gramos, sin marcar. Todos los metales preciosos son probados y garantizados, se garantiza que cualquier joyería de nativos americanos denominada plata o libra esterlina tendrá un mínimo de 90 % de plata (moneda) y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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Cruz grande con incrustaciones de cara solar plateada Vintage Zuni de 3" de altura total x 1 7/8" de ancho x 29,2 gramos.

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Colgante grande Rita Touchine Navajo Fossil y Sterling de 3 5/8" de alto con fianza x 1,5" de ancho x 36,5 gramos sin problemas. La fianza se ajustará a un collar de aproximadamente 13 mm.

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Sz11 Enorme coral tallado Zuni vintage, turquesa, anillo de ley de 48 mm de largo, 30,1 gramosTodos los metales preciosos se prueban y garantizan, se garantiza que cualquier joyería de nativos americanos denominada plata o ley tiene un mínimo de 90% (moneda) plata y posiblemente mayor contenido. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (sin pelo), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. Con las pulseras, si la medida no se proporciona en la descripción, se muestra la circunferencia interior. donde el metal se encuentra con el número de la cinta métrica de tela.

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Hebilla de cinturón vintage Zuni Frog tallada en turquesa y plata coral de 3" x 2", se adapta a un cinturón de 1,5", 66,2 gramos. Todos los metales preciosos son probados y garantizados, cualquier joyería nativa americana denominada Plata o Esterlina es Se garantiza que tendrá un mínimo de 90 % (moneda) de plata y posiblemente un contenido mayor. Se garantiza que todo lo marcado será lo que está marcado, la mayoría de las pulseras se fotografían en una muñeca de 6" (no peluda), los anillos se fotografían en el dedo del tamaño adecuado cuando sea posible. . En el caso de las pulseras, si la medida no aparece en la descripción, se muestra la circunferencia interior donde el metal se encuentra con el número de la cinta métrica de tela.

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sz5.25 30's-40's Navajo silver and turquoise ring 21mm long, 7.8 grams. All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Anything marked is guaranteed to be what it's marked,<br>most bracelets are photographed on a 6" wrist (non hairy), rings photographed on<br>the appropriate sized finger when possible. With bracelets if the measurement is<br>not given in the description then inside circumference is shown where the metal<br>meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Vintage Siam Sterling enamel dragon boat and dancer pins. Selling both with no<br>apparent damage. Dancer 2 3/8" tall, boat 2.5" long, 15.6 grams total.

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sz7 Long Vintage Navajo silver and turquoise ring 50mm long 16.6 grams, no<br>issues.All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Anything marked is guaranteed to be<br>what it's marked, most bracelets are photographed on a 6" wrist (non hairy),<br>rings photographed on the appropriate sized finger when possible. With bracelets<br>if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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2 Vintage Sterling silhouette Pendants/pins, both 1.5" tall, one pendant, one<br>pin. One English, other possibly Scandinavian. 18.3 grams total weight.

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4 pr Vintage Native American Sterling clip-on earrings. Buying all 4 pairs with<br>no issues, strong clips, all sterling. Largest 2.5" tall x 1.25" wide. 63.1<br>grams total weight. All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Anything marked is guaranteed<br>to be what it's marked, most bracelets are photographed on a 6" wrist (non<br>hairy), rings photographed on the appropriate sized finger when possible. With<br>bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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sz8 30's-40's Navajo silver and turquoise ring 30mm long in center, 6.1<br>grams.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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sz7.5 30's-40's Navajo silver and turquoise ring 14mm long in center, 4.2 grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz5.75 Navajo Silver and turquoise long ring 55mm long, unmarked, 21.4 grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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sz7.25 Vintage Native American silver and turquoise ring 32mm long, 15.3 grams.<br>High quality work and stone.All precious metals are tested and guaranteed, any<br>Native American jewelry referred to as Silver or Sterling is guaranteed to be a<br>minimum of 90% (coin) silver and possibly higher content. Anything marked is<br>guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist<br>(non hairy), rings photographed on the appropriate sized finger when possible.<br>With bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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sz6 Vintage Native American silver, turquoise, and shell ring 48mm long 12<br>grams, very complex engravings on back as shown. All precious metals are tested<br>and guaranteed, any Native American jewelry referred to as Silver or Sterling is<br>guaranteed to be a minimum of 90% (coin) silver and possibly higher content.<br>Anything marked is guaranteed to be what it's marked, most bracelets are<br>photographed on a 6" wrist (non hairy), rings photographed on the appropriate<br>sized finger when possible. With bracelets if the measurement is not given in<br>the description then inside circumference is shown where the metal meets the<br>number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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sz8 Vintage Native American Sterling Cardinal inlay ring 44mm long, 15.8 grams,<br>marked as show.All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Anything marked is guaranteed<br>to be what it's marked, most bracelets are photographed on a 6" wrist (non<br>hairy), rings photographed on the appropriate sized finger when possible. With<br>bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Men's Size 10 Ring.

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sz6 70's Navajo Sterling and turquoise ring 45mm long face, 14.1 grams. All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Anything marked is guaranteed to be what it's marked,<br>most bracelets are photographed on a 6" wrist (non hairy), rings photographed on<br>the appropriate sized finger when possible. With bracelets if the measurement is<br>not given in the description then inside circumference is shown where the metal<br>meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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sz7 70's Native American sterling channel inlay ring 23mm long 12.1 grams,<br>unmarked. All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Anything marked is guaranteed to be<br>what it's marked, most bracelets are photographed on a 6" wrist (non hairy),<br>rings photographed on the appropriate sized finger when possible. With bracelets<br>if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Sterling 1978 Mapes Invitational Golf Tournament belt buckle. Very cool, 3.25" x<br>2 3/8", fits up to a 1.5" belt, 81.5 grams.

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c1960 c-31 Native American Sterling channel inlay Overlay bolo tie 1.25" x 1.5"<br>slide, 38" long 24.2 grams.

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Large Vintage 14k Lavender Jade Diamond and Lapis pendant 3 1/8" tall x 1 3/8"<br>wide, apparently unmarked. Tested by me guaranteed solid 14k gold, genuine<br>diamond, Lapis, and Jadeite. 28.8 grams.

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William Spratling(1900-1967) Taxco Modernist sterling Amethyst cufflinks 18mm<br>wide 12.9 grams. William Spratling(1900-1967) Spratling, an architect and artist<br>who taught at Tulane University in New Orleans, came to Mexico in the late 1920s<br>and settled in the city of Taxco. Having developed an interest in Mesoamerican<br>archaeology and culture from his colleagues at Tulane, he traveled to Mexico for<br>several summers lecturing and exploring. He sought out remote villages in the<br>state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the<br>Aztec language, was spoken. Spratling collected artifacts and contemporary<br>indigenous crafts. Spratling made a fortune manufacturing and designing silver,<br>but his true life's work was to conserve, redeem, and interpret the ancient<br>culture of his adopted country. He explained for North American audiences the<br>paintings of Mexico's modern masters and earned distinction as a learned and<br>early collector of pre-Columbian art. Spratling and his workshop gradually<br>became a visible and culturally attractive link between a steady stream of<br>notable American visitors and the country they wanted to see and experience.<br>Spratling had the rare good fortune to witness his own reputation -- as one of<br>the most admired Americans in Mexico -- assume legendary status before his<br>death. William Spratling, His Life and Art vividly reconstructs this richly<br>diverse life whose unique aesthetic legacy is but a part of its larger cultural<br>achievement of profoundly influencing Americans' attitudes toward a civilization<br>different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling mixed metal cufflinks.<br>Each side 18mm x 14mm, 15.3 grams. William Spratling(1900-1967) Spratling, an<br>architect and artist who taught at Tulane University in New Orleans, came to<br>Mexico in the late 1920s and settled in the city of Taxco. Having developed an<br>interest in Mesoamerican archaeology and culture from his colleagues at Tulane,<br>he traveled to Mexico for several summers lecturing and exploring. He sought out<br>remote villages in the state of Guerrero, 110 miles from Mexico City, where in<br>some places Nahuatl, the Aztec language, was spoken. Spratling collected<br>artifacts and contemporary indigenous crafts. Spratling made a fortune<br>manufacturing and designing silver, but his true life's work was to conserve,<br>redeem, and interpret the ancient culture of his adopted country. He explained<br>for North American audiences the paintings of Mexico's modern masters and earned<br>distinction as a learned and early collector of pre-Columbian art. Spratling and<br>his workshop gradually became a visible and culturally attractive link between a<br>steady stream of notable American visitors and the country they wanted to see<br>and experience. Spratling had the rare good fortune to witness his own<br>reputation -- as one of the most admired Americans in Mexico -- assume legendary<br>status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Moonstone cufflinks, No<br>issues whatsoever, fully functional. 20mm x 18mm face, 14.3 grams.Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks, No issues<br>whatsoever, fully functional. 20mm square, 21.2 gramsAntonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

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Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 28mm x 20mm x 25.1 grams. Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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William Spratling(1900-1967) Taxco Modernist sterling Frog in pool cufflinks,<br>fully functional with no issues. 16mm x 12mm x 16.5 grams. William<br>Spratling(1900-1967) Spratling, an architect and artist who taught at Tulane<br>University in New Orleans, came to Mexico in the late 1920s and settled in the<br>city of Taxco. Having developed an interest in Mesoamerican archaeology and<br>culture from his colleagues at Tulane, he traveled to Mexico for several summers<br>lecturing and exploring. He sought out remote villages in the state of Guerrero,<br>110 miles from Mexico City, where in some places Nahuatl, the Aztec language,<br>was spoken. Spratling collected artifacts and contemporary indigenous crafts.<br>Spratling made a fortune manufacturing and designing silver, but his true life's<br>work was to conserve, redeem, and interpret the ancient culture of his adopted<br>country. He explained for North American audiences the paintings of Mexico's<br>modern masters and earned distinction as a learned and early collector of<br>pre-Columbian art. Spratling and his workshop gradually became a visible and<br>culturally attractive link between a steady stream of notable American visitors<br>and the country they wanted to see and experience. Spratling had the rare good<br>fortune to witness his own reputation -- as one of the most admired Americans in<br>Mexico -- assume legendary status before his death. William Spratling, His Life<br>and Art vividly reconstructs this richly diverse life whose unique aesthetic<br>legacy is but a part of its larger cultural achievement of profoundly<br>influencing Americans' attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling cufflinks 30mm both ways,<br>10.8 grams. Fully functional with no issuesWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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Fred Davis (1880-1961) Taxco Modernist sterling cufflinks 30mm x 11mm x 20.9<br>grams.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks 18mm square,<br>19.9 grams. Antonio Pineda (1919-2009)  Pineda’s jewelry is especially known for<br>its elegant acknowledgment of the human form. It is often said that a Pineda<br>fits the body perfectly, that it feels right when it is worn. So, for example, a<br>thick geometric necklace that might at first glance seem too weighty or rigid to<br>wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it<br>gracefully encircles the neck or drapes down the décolletage.  In addition, no<br>other taxqueño jeweler used as many costly semiprecious stones or set them with<br>as much ingenuity, skill, and variety as did Pineda. Only the most talented of<br>silversmiths could master.

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Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 29mm x 25mm face, 27 grams. Antonio Pineda<br>(1919-2009) Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

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William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 22mm square, 12.7 grams. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 20mm wide, 14.7 gramsWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" c1940's Native American silver and turquoise row cuff bracelet 8mm wide in<br>center. All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Most cuff bracelets are shown<br>photographed on a 6" woman's wrist and will include a photo showing the inside<br>circumference where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" c1940's-50's Navajo Stamped silver bracelet with turquoise 32mm wide in<br>center, old/stable fracture in center stone. All precious metals are tested and<br>guaranteed, any Native American jewelry referred to as Silver or Sterling is<br>guaranteed to be a minimum of 90% (coin) silver and possibly higher content.<br>Most cuff bracelets are shown photographed on a 6" woman's wrist and will<br>include a photo showing the inside circumference where the metal tip meets the<br>number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 3/8" Navajo Silver Overlay cuff bracelet with turquoise. Nice vintage bracelet<br>34mm wide in center. All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown<br>photographed on a 6" woman's wrist and will include a photo showing the inside<br>circumference where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Zuni silver and turquoise channel inlay bracelet 9mm wide. All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Most cuff bracelets are shown photographed on a 6"<br>woman's wrist and will include a photo showing the inside circumference where<br>the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Zuni Carved Turquoise Frog Sterling cast cuff bracelet 53mm wide in<br>center, fantastic old bracelet.All precious metals are tested and guaranteed,<br>any Native American jewelry referred to as Silver or Sterling is guaranteed to<br>be a minimum of 90% (coin) silver and possibly higher content. Most cuff<br>bracelets are shown photographed on a 6" woman's wrist and will include a photo<br>showing the inside circumference where the metal tip meets the number on the<br>tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.25" Vintage Zuni Cardinal Inlay sterling bracelet 50mm wide in center.All<br>precious metals are tested and guaranteed, any Native American jewelry referred<br>to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Most cuff bracelets are shown photographed on a 6"<br>woman's wrist and will include a photo showing the inside circumference where<br>the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.375" Vintage Navajo sterling Silver turquoise row cuff bracelet 32mm wide in<br>center.All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Most cuff bracelets are shown<br>photographed on a 6" woman's wrist and will include a photo showing the inside<br>circumference where the metal tip meets the number on the tape measure.

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c1970's Modernist Sterling Cufflinks by Ed Harris 7/8" square, 23.2 grams total.

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Morris Robinson (1900-1987) Hopi Silver box with turquoise 3 1/8" x 2.25" x 1"<br>tall. 120.8 grams. Some expected wear and scratches shown. Morris Robinson<br>(1900-1987) is one of the most masterful goldsmith and silversmith producers,<br>who is from the Hopi and Third Mesa and born into the Snake Clan. His iconic<br>hallmark is the letter H and a snake representing his people and his clan.In the<br>1920’s Robinson’s deco designs became groundbreaking jewelry at the turn of the<br>century, which paved the way to be set apart from his peers. He became the most<br>influential artist in his time, including influencing the infamous Charles<br>Loloma and Kenneth Begay.In the first half of the twentieth century, Hopi<br>silverware resembled that of the neighboring Navajo. In the early years of his<br>career, Hopi silversmith Morris Robinson worked in that style, producing jewelry<br>and boxes for Vaughn’s Indian Shop, which later became Fred Wilson’s Trading<br>Post in Phoenix. This stamped box was made by Robinson and is the type marketed<br>by Wilson. Robinson would later become a recognized artist in the overlay<br>technique.All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Anything marked is guaranteed to be<br>what it's marked, most bracelets are photographed on a 6" wrist (non hairy),<br>rings photographed on the appropriate sized finger when possible. With bracelets<br>if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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sz9 Large Vintage Navajo silver and turquoise ring 48mm long face, 20.1 grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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sz8.5 Large Vintage Zuni silver turquoise and coral ring 48mm long face, 17.7<br>grams. One stone with old, stable fracture. All precious metals are tested and<br>guaranteed, any Native American jewelry referred to as Silver or Sterling is<br>guaranteed to be a minimum of 90% (coin) silver and possibly higher content.<br>Anything marked is guaranteed to be what it's marked, most bracelets are<br>photographed on a 6" wrist (non hairy), rings photographed on the appropriate<br>sized finger when possible. With bracelets if the measurement is not given in<br>the description then inside circumference is shown where the metal meets the<br>number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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sz7.5 Large Vintage Native American silver turquoise and coral ring 53mm long<br>face, 21.6 grams. All precious metals are tested and guaranteed, any Native<br>American jewelry referred to as Silver or Sterling is guaranteed to be a minimum<br>of 90% (coin) silver and possibly higher content. Anything marked is guaranteed<br>to be what it's marked, most bracelets are photographed on a 6" wrist (non<br>hairy), rings photographed on the appropriate sized finger when possible. With<br>bracelets if the measurement is not given in the description then inside<br>circumference is shown where the metal meets the number on the the cloth tape<br>measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Gary and Paulinus Vacit Zuni Rainbow dancer pendant/pin 1 5/8" x 1" x 6.5 grams.<br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Modernist Sterling agate bolo tie. Cool bolo, some wear to cord, overall<br>brittle, tips are not sterling. 34" long 7/8" slide, 21.7 grams.All precious<br>metals are tested and guaranteed, any Native American jewelry referred to as<br>Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and<br>possibly higher content. Anything marked is guaranteed to be what it's marked,<br>most bracelets are photographed on a 6" wrist, rings photographed on the<br>appropriate sized finger when possible. With bracelets if the measurement is not<br>given in the description then inside circumference is shown where the metal<br>meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Native American Sterling, turquoise, and coral cuff bracelet 54mm wide in<br>center. All precious metals are tested and guaranteed, any Native American<br>jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90%<br>(coin) silver and possibly higher content. Most cuff bracelets are shown<br>photographed on a 6" woman's wrist and will include a photo showing the inside<br>circumference where the metal tip meets the number on the tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7.25" Fine Antique African Stamped silver cuff bracelet 16mm wide at ends, 11mm<br>wide in center.<br><br><br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 7" Retired James Avery cuff bracelet in sterling 35mm wide at widest point.James<br>Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission<br>was simple: to create jewelry with meaning—both for himself and others. With a<br>focus on creating straightforward designs and a core belief of integrity in all<br>things, his jewelry became more than precious metals and gemstones. Guests came<br>to him with their stories—their special moments—so he could craft them into<br>pieces they would wear with pride for a lifetime. From writing letters to<br>greeting Customers, Mr. Avery prioritized developing lasting relationships with<br>each person who connected with his designs.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" c1930's Navajo silver and turquoise cuff bracelet 8.5mm wide.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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