4.5" wide x 4.25" tall. Speaks for itself. Mint condition with no cracks, chips, scratches, or wear. Guaranteed late 19th century, unknown maker. Tw98

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19" tall x 13" wide x 8.75" deep. Excellent "no brainer" patina, guaranteed over<br>150 years old, likely much older. Excellent, flawless casting. 35 pounds

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Retro 18" Lanfeld Sterling/14k Collar necklace. 85,4 grams, substantial and well<br>made with no issues.

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Lee Bennett Navajo Sterling silver Spiny oyster and turquoise pendant/heishi necklace 2" wide pendant, 21"-25" necklace with extending chain. 89.5 grams with no issues.

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I couldn't find a signature on this piece, but I guarantee it to be early 20th<br>century art glass, most likely French. Most likely Degue or Schneider. The<br>holder measures 17.5" wide x 9.5"tall. The bowl is 9 7/8" wide x 2 5/8" deep.<br>There are three very small flakes on the bowl rim, not noticeable on such a<br>stand out piece. Looks to be cased with Vaseline in interior and mottled<br>exterior.

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9" tall x 4.5" wide. No cracks, chips, or other issues. Beautiful pieces<br>guaranteed c. Late 19th century.

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The Coolest Retro Artisan 14k gold on Sterling silver Hear shaped rock pendant. This is really cool, extremely well made with strips of solid 14k gold on top of a really nicely done sterling silver frame. All formed around just a plain old rock that happens to be shaped like a heart. Just incredible. 2.5" tall x 2 1/8" wide, an amazing unmarked work of art made from precious metals, one of a kind for sure. 48 grams. Tested thoroughly by me and guaranteed solid 14k gold accents and solid sterling silver.

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Vintage 14k clasp Jadeite beaded necklace. Nice old necklace untreated Jadeite circa mid 20th century on hand tied silk with a 14k gold clasp. 10-11mm beads 128 grams. 33" long, it can easily be doubled up as a choker.

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Vintage Gumps A Jadeite beaded necklace. Selling the vintage Gumps Jadeite<br>necklace shown, graduated beads from 4.7mm to 10.2mm measured on digital<br>calipers 50.7 grams, 14k gold clasp. 22" long. Circa mid 20th century with no<br>damage, some natural fissures/color variations as it's untreated Jadeite that<br>isn't full of plastic and dye.<br><br>Since 1861, Gump's has been a destination for jewelry that is distinctive and<br>timeless. Once considered more precious than gold and treasured for thousands of<br>years, jade has been more highly prized in Asia than any other gemstone. It<br>represents harmony, balance and protection, and is thought to bring good luck to<br>the wearer.

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10.5" tall x 5.25" wide. No cracks, chips, or restorations. Minimal wear to<br>Gilding.

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4.25" tall x 3.5" wide with no cracks or chips, no loss of enamel or other issues. Some wear to Gilding on rim. Guaranteed circa late 19th century. Selling both for one price. Tw98

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3 5/8" tall x 2.75" wide with no cracks or chips, no loss of enamel or other<br>issues. Guaranteed circa late 19th century. Selling both for one price.<br><br>Burmese glass is a type of opaque colored art glass, shading from yellow to<br>pink. It is found in either the rare original "shiny" finish or the more common<br>"satin" finish. It is used for table glass and small, ornamental vases and<br>dressing table articles.<br><br>It was made in 1885 by the Mount Washington Glass Company of New Bedford,<br>Massachusetts, USA. Burmese glass found favor with Queen Victoria. From 1886,<br>the British company of Thomas Webb & Sons was licensed to produce the glass.<br>Their version, known as Queen's Burmeseware, which was used for tableware and<br>decorative glass, often with painted decoration. Burmese was also made after<br>1970 by the Fenton art glass company.<br><br>Burmese is a uranium glass. The formula to produce Burmese Glass contains<br>uranium oxide with tincture of gold added. The uranium oxide produced the<br>inherent soft yellow color of Burmese glass. Because of the added gold, the<br>characteristic pink blush of color of Burmese was fashioned by re-heating the<br>object in the furnace. The length of time in the furnace will determine the<br>intensity of the color. Strangely, if the object is subjected to the heat again,<br>it will return to the original yellow color

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Unmarked c. 1880-1890. No cracks,chips, or restorations. Some wear to holding and apparent factory flaw of a slash going through her face. 10.75" wide.

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9" wide x 10.75" tall without burner, 14.5" tall with burner. Takes a 2 3/8"<br>wide chimney and 3 7/8" maybe 4" globe, would take a 3" globe. No damage to the<br>doulton base, few dings on the brass French insert.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 3.5" the whistle works but has an old repair. Seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces, they're all four very heavy like store, but appear to be made<br>from clay. The larger 5" head appears intact, the other pieces seem to be<br>missing limbs possibly.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces one pipe or whistle looks to have old chips and possibly be<br>missing some feet. One face appears to be a shard, another face effigy, and some<br>sort of funnel or incense cover. Largest piece is 3 7/8"

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Like new condition with no cracks, chips, or scratches. It has good color and strong molding. 9" wide x 3" deep.

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Heavy Vintage Sterling Flower brooch 2 3/8" 31.3 grams.

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Vintage Southwestern sterling turquoise howlite clip-on earrings. Great looking pair of earrings, I believe the stones are Howlite. 12.6 grams, no issues strong functional clips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery or art. I<br>bought a collection, the collectors are no longer with us so I'm having a<br>difficult time with it but I'm sure it's all old. I probably won't list it all<br>at once, but it's all pre Columbian and guaranteed to be so. I won't lie about<br>regions or centuries because I don't know all that and don't have time to become<br>an expert. I'm going to try to pass on what I would pay to a good auction house<br>to you.<br><br>This piece is 8.5" tall with base x 3 3/8" wide without base. It has a no<br>brainer patina and was mounted on the metal base at a later date for display.

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Royal doulton Lady, beautiful. Great painting, nice old one. No cracks, chips, or crazing. 7.5" tall x 5" wide.

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No damage whatsoever 6" tall. Rundskuedag is a Danish folk holiday during which everyone does things backwards or upside down.  I have heard it translated as "Upside Down Day" but I often think of it as "Skewed 'Round Day" (a transliteration of Rund-skue-dag).  Typically, bosses join the workers and one of the workers becomes the boss, and everybody has a good time doing things differently for one day of the year.  Street entertainment is prevalent, and special events and sales are held to raise money for charity.  Royal Copenhagen issued this series of vases as souvenirs of the day, with the proceeds going to charity.  (Anyone with Danish ancestry who would like to expand or correct this description, please contact me!) The first Rundskuedagen vase was produced in 1910, and  they continued every year through at least 1942. They were made in many shapes and sizes, often with a scene of a Copenhagen landmark on the vase, and always with the inscription RUNDSKUEDAG  (or RUNDSKUEDAGEN) and the date.  The designs are first molded into vase, and then handpainted, mostly in cobalt blue, in the same manner as Christmas plates.  Some years are highlighted with additional colors.

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1976 Named Vietnam War Zippo in box USS Biddle DLG-34. Clean lighter that's seen little use. Has the now no longer with us Navy Veteran's name Mike Zubay crudely but nicely engraved on it. Tight hinge, clean working condition, needs flint and fluid of course.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Tana Acton Woven Sterling wire agate cuff bracelet. Estate piece likely never<br>worn, thoroughly cleaned by me. Tube on end says Acton on one side, Sterling on<br>another. I believe this to be one of her earlier pieces.<br><br>Tana Acton has lived a life focused on creative and artistic expression.<br>She was born in Birmingham, Michigan, to Cranbrook Art School parents and<br>schooled at home and throughout the U.S. and abroad. In Florence, Italy, she<br>studied with Tomaso after studying silversmithing in Haystack's high school<br>program with Glenda Arentzen. Later, Tana earned an Antioch College BFA in<br>painting and completed the Parsons School of Design Fashion Design program.<br><br>Both as an artist and entrepreneur, she started with craft fairs at the age of<br>16. Tana then progressed to graphic artist, dance, choreography, painting, and<br>eventually fashion design for some of New York's leading knitwear and house-ware<br>companies.<br>Through her unique perspective as designer/choreographer, she combines air,<br>movement, and light to create pieces that are at once delicate and yet solid.<br>Tana's jewelry line is contemporary, lightweight, affordable, and can be worn<br>casually or dressed up. Her work is featured in fine craft galleries, museum<br>stores, and boutiques throughout the U.S.<br><br>Technique<br>Each piece of fine art jewelry by Tana Acton is created from a single "thread"<br>of precious metal, either sterling silver, 12k gold-filled, or copper.<br><br>The filament is wrapped precisely and tautly on its frame structure or "loom" in<br>a classic textile technique, translated in metal. The pieces may or may not have<br>a kinetic element captured in the structure or riding on the crossing wires. The<br>fabric created has a faceted effect from the light finding each individual<br>crossing, yet leaving space and air to breathe through each piece.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Measures 7.5" wide at top x 16.75" tall. Guaranteed right around 110-130 years<br>old and wonderful. No cracks or chips, or excessive wear to enamel. One small<br>nick on inside of the base rim. Some wear to Gilding on rim and foot. This piece<br>is the deepest cranberry I have ever seen. Ruby with a hint of cranberry.

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Measures 7.25" wide with handle x 9.75" tall. Guaranteed right around 110-130<br>years old and wonderful. No cracks or chips, or wear to enamel.<br>Tw98

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1880's Fanciest sterling spoons ever. Ok, maybe not fanciest ever but they are<br>great and better than anything anybody makes these days, better than most stuff<br>that was being made in that period. Two dated 1889 xmas gifts. All marked,<br>tested, guaranteed 80% silver or more. Longest 6" 113.3 grams total weight, all<br>solid and heavy for their sizes.

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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Plaque measures 3" frame measures 6"" no damage of any kind to porcelain, frame<br>has small spot that could easily be touched up with a gold paint pen or<br>something similar. Circa mid 19th century. Hand Painted.

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Retro Sterling silver hoop earrings. 2 pair of high quality hinged earrings, stones untested, both pairs fully functional with very secure clips. Selling both pairs for one price 1 1/8" tall. 37.2 grams total weight.

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sz 9.5 Vintage Native American sterling high grade turquoise ring. High quality<br>ring with high grade natural turquoise from the 40's or 50's. Stone is stable in<br>setting with slight damage to one side. 7.9 grams. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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950 Silver Baroque pearl Czechoslovakian crystal necklace. Marked and tested 95%<br>silver high quality art glass prisms and authentic baroque pearls. 18" long 76.1<br>grams, clean estate fresh piece with no issues.

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C.1900 marked est 1774 Cauldon China England. Then below William Junor 352 Yonge Street Toronto, which was a large high end China shop in Toronto around the turn of the century. 9" wide with no chips, cracks, crazing, or repairs on any of them. A few light scratches, but very clean in general with good gold. I believe the border is transfer printed and the house decoration is hand painted over transfer due to the slight variations on each plate. Selling all six for one price.

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11 1/8" tall x 8.5" wide with no damage. Guaranteed antique cure 1890-1910,<br>strong tight hinge on stand. It won't wiggle when pushed in the standing<br>position. Great functional antique.

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Mid Century Vintage Whiting and Davis Mesh handbag with Rhinestone top. Likely from the 50's or 60's but looks like new with no damage or detectable wear. 6" wide frame, 9.25" wide at base, nice functional size in a beautiful black enamel mesh with an uncommon rhinestone encrusted goldtone top. kitshelf

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5" tall x 5.25" minimal loss to floral and leaf decoration. No restorations, cracks, or chips other than applied florals. Mirror is well over 100 years old and has spots on it. No identifying marks other than I believe a 14 scratches on the base.

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Collection Antique Pewter Ice Cream molds. All marked by various makers, French Brevete, S&C, the one Bruningmeyer is a different lighter alloy similar to aluminum/zinc. Hand shown in two pics for scale. Selling the lot shown. isshelf

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4.5" long x 1 7/8" tall with no cracks, chips, or restorations. B7

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c1990 French Philippe Ferrandis Paris gold-tone runway necklace and clip-on<br>earrings. Amazing retro over the top set clean and ready to wear, estate fresh<br>from a multimillion dollar jewelry/clothing collection in which nothing could<br>have been worn but a few times. No damage or detectable wear. Earrings 3.5" tall<br>x 2" wide with strong springs on the clips. Necklace 20" long with no issues.<br><br>Guaranteed Late 80's-90's authentic set with no issues.<br><br>anderasbag

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Not 100% sure whether it's Dresden or Capodimonte. It's very nice, circa early 20th century maybe older, estate fresh. 7.5" tall with three fingers missing, I could find no damage to applied florals. No restorations or cracks.

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Total weight 10.6 pounds. 19.5" total height, the flawless tray is 10.75" wide.<br>The cameo glass vase has one small chip on the inside rim that's not at all<br>noticeable when displayed. A few chips on prisms. The holder is immaculate, no<br>scratches, no bends, appears unused even though it's over 100 years old.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. c1930's Heavy Stamped Navajo silver and turquoise cuff bracelet. Really nice<br>intricate stampwork and interestingly enough it had whirling logs stamped on<br>each side and I would be that they were obliterated during ww2 or around that<br>time as they were very crudely obliterated and I can tell a natural patina from<br>a very long time of being worn has occured over time. Fits up to a 6.5" wrist.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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13.25"wide x 7.5" tall. No cracks, chips, or restorations. Incredible piece with<br>hand painted Gilding and decoration. Guaranteed circa 1830's.<br>Decoration possibly by Joseph Bancroft. In 1808 the brothers John and William<br>Ridgway jointed their father Job's factory at Cauldon Place, Hanley in<br>Staffordshire and in the same year the production of bone china was added to<br>that of earthenwares. The early Ridgway porcelains were in Spode style, with<br>quality, scenic bat-prints and some colourful designs in "London"- shape<br>tea-wares. In 1830 the two brothers separated. William Ridgway concentrated on<br>the production of earthenwares. John continued the Cauldon Place Works and was<br>later appointed Potter of Queen Victoria, making some magnificently decorated<br>porcelains. Around 1833 five hundred people were employed at the pottery, and<br>many talented artists were engaged in production of fine painted pieces, some of<br>which are believed to be the work of George Speight and Daniel Lucas, known for<br>their landscape and figure painting. Thomas Brentnall, George Hancock, and<br>Joseph Bancroft have also been employed, specializing in flower painting. John<br>Ridgway exhibited at the Great Exhibition of 1851 and their catalogue shows the<br>great variety and quality of the porcelain produced by the factory at this time.<br>In 1856 John Ridgway & Co. gave way to Ridgway, Bates & Co., to be followed on<br>John's retirement in 1858 by Bates, Brown-Westhead, Moore & Co and than from<br>December 1861 by Brown-Westhead, More & Co., a firm that continued until 1904.

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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Very hard to find character jug. Measures 4.25" tall with No cracks, chips, or crazing.

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No cracks, chips, or restorations. Wear to Gilding as expected and shown in pics. 4.75" tall x 3" wide. Guaranteed circa mid to late 19th century.

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Great early Inkwell with no cracks, chips, restorations. Some wear to Dore on the bronze. All hand decorated. 3.5" tall x 3.75" wide.

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Mid Century Modernist sterling and wood cufflinks. Both marked sterling with no<br>other markings, great pair of possibly one of kind cufflinks from the third<br>quarter of the 20th century.

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Vintage Native American sterling/turquoise ring. Nice old ring from the second<br>quarter of the 20th century. sz 9.5 24.8 grams.

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Great early Inkwell with no cracks, chips, restorations. Some wear to Gilding. All hand decorated. 3.5" tall x 3.25" wide.

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sz 8.75 vintage Native American sterling/turquoise ring. Nice old ring circa mid<br>20th century, unmarked, tested sterling. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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Vintage Sterling Marcasite Pendant/brooch with faux pearl. Marked sterling with<br>Judith Jack makers mark. No damage. 28 grams.<br><br>Judith and her husband Jack Rosenberg created the company Judith Jack in 1969<br>when they realized there was very little marcasite estate jewelry available.<br>They had been selling antique pieces, and they could not keep up with the demand<br>for this beautiful victorian-inspired jewelry from their buyers. Exquisite style<br>and quality made Judith Jack the leading marcasite fashion jewelry brand,<br>leading Judith to be named the queen of marcasite in the U.S.

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Used with no breaks or bends. These are part of a large collection I'll be<br>listing. 5 3/8" long without leathers 1" Rowel.<br>Tw30

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Guaranteed antique hand carved santos doll most likely Mexican or Italian.<br>Measures 13" tall x 5.5" wide. Looks as though three tops of the fingers are<br>missing as though it was holding something. Not sure what the deal is with the<br>eyes. One may be missing or maybe it's painted over. You can tell at one point<br>it was painted pink and the paint was painstakingly removed, not by me. The base<br>appears to have a few thin coats of paint on it.<br>Tw62

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14" x 9" wide. No cracks,chips, or restorations. Firing flaws below foot are<br>interesting. Guaranteed mid 19th century.

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Vintage Garnet baroque pearl sterling bracelet. Nice mid century looking<br>bracelet with no issues, worn but present 925 mark, no other detectable<br>markings, clasp appears to be later.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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* Carl McConnell / Pinjarra Pottery 4" tall x 3.5" wide. All with no damage or<br>wear.<br><br><br><br>Carl McConnell (1926-2003) was born in Chicago. He attended art schools in<br>Chicago, Dallas and Memphis, before serving in the US Navy from 1943-1945. He<br>was stationed at Brisbane for some of this time. He continued his art studies in<br>Pittsburgh after the war, but returned to Brisbane in 1948 with his<br>Australian-born wife and son Phillip (1946- ). He studied art at the Brisbane<br>Technical College, becoming interested in ceramics, setting up a studio in<br>Norman Park in 1954, and moving to the Pinjarra Hills in 1959. He taught at the<br>College from 1958-1963, resigning to become a full-time potter a year or so<br>after losing the position of Head of Pottery to Milton Moon. He taught again at<br>the College from 1971-74 and ceased working as a potter in 1983. He has come to<br>be regarded as Queensland's most significant contemporary potter and an exemplar<br>of the Anglo-Oriental tradition in Australia. He used a variety of marks, all<br>well-documented in Glenn Cooke's 1986 monograph

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Retro sterling silver grey pear toggle bracelet. Clean with no issues. Authentic<br>pearls.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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Guaranteed 19th century or older. I believe it may even be 18th century. There<br>is no damage or restorations. The separations of the lace are from the firing.<br>Unsure of manufacturer. 4" tall.

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Retro Christin Wolf Reversible Native American Sterling bracelet with amber.<br>Reversible, can be worn either way. I believe the stones are amber.<br><br>Christin Wolf is a nationally recognized jewelry designer known for blending<br>timeless lines and contemporary style with a vibrant southwest color pallette.<br>For the past 30 years Christin Wolf has been recognized as a leader in Southwest<br>jewelry design.<br><br>Christin Wolf Jewelry is handcrafted by Native Americans in the Christin Wolf<br>Studio in Albuquerque’s Old Town.<br><br>All precious metals are tested and guaranteed, if Stated sterling it's<br>guaranteed to be 90% silver or more, all clasps are functional, I will not offer<br>anything here with any significant issues. Measurements and weight should be<br>shown in the pics if not otherwise described in the listing.<br><br>When I call a piece of jewelry "retro", I mean last quarter of the 20th century,<br>"vintage" would be second or third quarter of the 20th century, "antique" would<br>be first quarter of the 20th century or earlier.

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I believe this figure to be antique. There is no under glaze mark and the mold number 35 is hand incised. I believe that dates it prior to 1860. There is no damage or restorations. Guaranteed Nymphemburg. Not a common figure. The four season figures are similar, but have a different base and figures.

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.<br>Guaranteed 19th century or older Extremely heavy piece of hard porcelain for its<br>size. Very Good quality. I believe there's very old professional restoration to<br>the right hand. No other damage. 6" tall.

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Unmarked, but guaranteed early 20th century Japanese or older. Tiny paint flake on spout. No cracks, chips, or restorations. 3 1/8" tall x 5" wide with handle.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Sterling Carol Felley Horse Cuff with Malachite. Very unusual variation, Felley<br>made several varieties of horse cuffs and the others seem more prolific. Fits up<br>to a 6.25" wrist.<br><br>Following her passion for painting and jewelry design Carol moved to New Mexico<br>after graduating from Carnegie Mellon University with a Fine Arts degree. She<br>was inspired by the jewelry making community in the Southwest and opened a<br>design and jewelry manufacturing business in Albuquerque, New Mexico which she<br>owned and operated for thirty years.<br><br>She has also been deeply moved by her volunteer work with hospice and decided to<br>develop a new jewelry company called “Style Conscience” dedicated to raising<br>awareness and support for specific causes that she is passionate about. Carol<br>has rededicated her efforts and has combined her love and talent for jewelry<br>design with her passion for making a difference in the world.<br><br>Carol has developed her own unique signature jewelry collections that raise<br>awareness jewelry to a new level of design and beauty. She believes that women<br>want to wear something precious and meaningful that is beautifully designed to<br>express their support for important causes. Carol’s jewelry is crafted from<br>precious metals and gemstones and each individual piece is beautifully finished<br>by hand.”

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Auguste Moreau (1834 – 1917) French Bronze sculpture putti with cymbals. High<br>quality well cast, heavy solid bronze sculpture from the last half of the 19th<br>century. 8 5/8" tall, was likely once mounted to a marble base which isn't<br>present. Estate fresh with remnants of "museum putty" on the base to hold the<br>figure upright. It stands upright fine by itself but I'd keep it out of reach of<br>children or pets.<br><br><br>Auguste Moreau (1834 – 1917) was a French sculptor born in Dijon. The third and<br>youngest son of sculptor and painter Jean-Baptiste Moreau, Auguste began<br>creating sculptural works alongside his older brothers Hippolyte and Mathurin.<br><br>In 1861, Auguste Moreau made his debut at the Salon, where he exhibited<br>regularly and abundantly until 1913. Moreau cast much of his sculptural work

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Measures 3 5/8" wide x 2" deep. No cracks, chips, or restorations.

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Hermann Sontag (1873-1944) Antique Porcelain Plaque hand painted woman. 10 3/8" x 8 3/8" framed x 6 3/8" x 4.25" plaque. No damage to plaque or frame.

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Guaranteed early to mid 19th century. No cracks, chips, crazing, or restorations. Very uncommon piece. 7" wide.

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c1950's Zuni Native American Sterling multi-stone inlay tie bar. Fantastic item,<br>top isn't sterling, knifewing is sterling, slight loss to inlay at bottom left<br>foot. 2.5" wide x 2" tall x 10 grams total weight.

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Vintage Rivera Matilde Poulat Style Mexican Sterling Snake Choker with<br>turquoise, amethyst, and coral. Very well made and substantial necklace with no<br>issues. 16" long, 98.7 grams.<br><br>Rivera was a maestro silversmith who created pieces in Mexico City along the<br>same lines as Matilde Poulat and other Mexico City silversmiths.<br><br>anderasbag

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No cracks, chips, or restorations guaranteed. Small worn glaze area on rim of<br>sugar. Sugar Measures 3.75" tall with lid x 5.25" wide. Creamer is 3" tall x<br>5.25" handle to spout.<br>B7

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c1890 Victorian 14k Micro-Mosaic Dog earrings. Great pair of hollow but solid<br>(tested) 14k gold earrings from the last half of the 19th century. 2" tall x<br>5/8" wide 6.5 grams. unmarked

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No cracks, chips, or restorations guaranteed. A few discolored areas that may or may not clean. Measures 2" tall without Silverplate lid x 5.25" wide.

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Super condition with no cracks, chips, or scratches. It has good color and strong molding. Unmarked, but guaranteed early 20th century Northwood cardinal glass.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 5 pieces, largest piece is 4 3/8", it's been broken and glued, there seems to be some ancient chips. The whistle works very well, missing horn.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 8 pieces, largest piece is 4", there seems to be some ancient chips.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling Turquoise and coral Cuff bracelet, fits up to a 6" wrist, great looking older unmarked cuff. All precious metals are tested and guaranteed,

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14 5/8" wide x 7 3/8" tall. No cracks, chips, or restorations. Some wear to<br>lustre on rim, overall crazing as expected. Impressed Furnival mark. Mid 19th<br>century.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 5", there seems to be some ancient chips.

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c1890 Gorham St Cloud Solid Bright Cut Ice Cream Slicer 10 5/8" long x 1 5/8"<br>wide blade, very clean with no issues, monogram as shown. If you've spent your<br>life struggling with cutting your ice cream, here's an extremely rare answer to<br>your problems. 139.5 grams.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 6 pieces, largest piece is 4 3/8" pedant is 2" seems to be some ancient chips.

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1786-1821 George III British Sterling Sugar tongs. Illegible makers mark and no town mark so uncertain of exact year or maker. Late 18th to early 19th century 5 5/8" long 28.3 grams.

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Large Sterling mounted Amethyst Agate pendant. Beautiful and well made, tested sterling, marked 925 on bail. 43 grams 3" tall x 2.5" wide with no issues.

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3.25" tall x 3.5" wide with no cracks, chips, dings, scratches, or other issues. Beautiful, better than the pics. Irving returned to college in his fifties and earned an MA in Art from Vanderbilt University specializing in glass technology and art glass making. Irving Slotchiver developed several glass formulas that are still being used today. Having spent almost twenty years in the art glass business and receiving top awards from many shows across the country, he once again retired.

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Frame measures 32" x 28", canvas is 24" x 20". Really nice coastal landscape<br>with Houses in a really good looking heavy frame. Painting is mint condition<br>with no issues. Frame is very clean and presentable.

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Herend Fortuna Triangular Vegetable Bowl Rust Butterflies Chinoiserie Pattern 10<br>1/8" x 2" deep, selling one with multiple available all with no cracks, chips,<br>restorations, crazing, wear to gilding, or utensil marks.<br>isshelf

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Great jeweled Nippon double handled vase. The jewels over the roses create a nice tapestry effect. Some wear to the Gilding as shown in pics, also 4 of the moriage jewels are missing. Other than that there are no cracks, chips, excessive wear, or restorations. Guarantee circa late 19th century 6" wide x 9.25" tall.

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Large Georgian 14k Gold Mounted Portrait miniature pendant. Very fine portrait<br>miniature from the 18th to early 19th century mounted in a thick frame made of<br>solid 14+K gold. I disassembled this to get an accurate test without damaging<br>the exterior and it is solid 14k or more but less than 18k gold. Upon<br>disassembly I found three pieces of paper shown in the interior, one was the cut<br>in half, when put together it reads<br><br>Lane Portrait and Miniature Painter 135 High Street Portsmouth, then on the back<br>perhaps the reciept for this portrait.<br><br>Then the other paper reads this<br>Mr Oct. _______<br>Great George Street<br>Westminister<br><br>I was really surprised to find these clues though I don't have much time to<br>follow up on them they are interesting. I have put the pieces of paper back<br>inside where they have safely hid for the past 200 or so years. It is 3.5" tall<br>without the extra loose top ring x 2 3/8" wide 44.8 grams. The pictures were<br>taken after reassembly and careful cleaning of the 200+ year old gold frame.

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Nice piece measuring 4" tall x 2.75" wide. Some minor loss too heavy white enamel. No cracks, chips, or restorations.

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Guaranteed circa 19th century to Late Qing Dynasty. Nice whimsical decoration 4.5" tall x 3 5/8" wide. Some minor flakes shown in pics. Very functional and presentable. Wheel thrown and hand decorated. No cracks or restorations.

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Guaranteed circa late 19th century, Late Qing Dynasty. 17.25" tall x 5.25" wide<br>at base.<br><br>There is a firing flaw in the back and a tight and stable very old restoration<br>of a crack that starts there and goes up along the neck on the opposite side of<br>the boy he's holding and stops right before his beard. No other damage or<br>restorations. I acquired these as a set of three but I'm listing separate so I<br>can give them the photographic attention they deserve. Also the Shou Figure is<br>heavier, so it may be a married set. Weighs 2.5 pounds.

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3 5/8" tall x 4"wide with no damage or restorations whatsoever. I could find no<br>definite losses to applied decoration.<br><br>circa 1860's.

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Sz 5.5 Large Royston Turquoise Vintage Native American sterling ring 12.2 grams with no issues. Unmarked but tested and guaranteed to be sterling. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Guaranteed mid to late 19th century bronze sculpture with incredible detail that<br>I really couldn't capture in the photographs. It's approximately 30 pounds and<br>21" x 13" without the wood platform that may or may not be original to the piece<br>but I'm including. An incredible example by an artist that was famous 150 years<br>ago.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes.[1] His bird sculptures were among the finest ever created in his<br>time.[2]

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