Northwestern Terra-Cotta Denver Colorado Sample Dog Doorstop/Bookend. 5.5" tall x 5" deep, a few glaze flakes on base, no large chips, no cracks, no restorations. Rare example tw119 Northwestern Terra Cotta Co. Founded in Chicago in 1878 by a group of investors including John R. True, this company became a major producer of terra cotta trimmings used by the construction industry. By the early 1890s, when Northwestern Terra Cotta employed approximately 500 men, annual sales approached $600,000. By 1910, its large plant at Clybourn and Wrightwood Avenues had about 1,000 workers. The popularity of placing terra cotta moldings on building facades peaked in the 1920s, and Northwestern Terra Cotta led the way, in Chicago and around the country. Around this time, the company opened plants in St. Louis and Denver. Beginning with Louis Sullivan earlier in the century, prominent Chicago architects like Frank Lloyd Wright had extensive contracts with the company. Included among the many landmark Chicago buildings for which Northwestern supplied extensive decorative moldings were the Civic Opera House, the Chicago Theater, the Wrigley Building, and the Randolph Tower. Northwestern's operations in Chicago declined alongside the construction industry during Great Depression and never returned to their 1920s levels. In 1965, Northwestern Terra Cotta Co.'s only remaining plant, in Denver, closed.

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Super condition with no cracks, chips, or scratches. It has good color and strong molding. Unmarked, but guaranteed early 20th century Northwood cardinal glass.

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Like new condition with no cracks, chips, or scratches. It has good color and strong molding. 9" wide x 3" deep.

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NT Native American sterling pendant with turquoiseAll precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Nusie Belon Navajo Sterling Turquoise Choker and Earrings set. 17" long necklace 9/16" wide at widest point, earrings are 1" wide, 49 grams total weight. Marked and tested sterling.

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I believe this figure to be antique. There is no under glaze mark and the mold number 35 is hand incised. I believe that dates it prior to 1860. There is no damage or restorations. Guaranteed Nymphemburg. Not a common figure. The four season figures are similar, but have a different base and figures.

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Nymphenburg 1012 Hand Painted Dresden Flowers pattern graduated handled trays.<br>Smaller 1012z with gold trim 6" wide, larger 10" wide 1012 pattern. No cracks,<br>chips, scratches, or wear to gilding. Selling both.<br>isshelf

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Nymphenburg 865 Hand Painted Porcelain tray. Great piece from the first half of<br>the 20th century. 7.25" x 5 1/8"<br>tw260

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Nymphenburg Blanc de Chine Allegorical Figure and two lions. Selling the three figures in perfect condition. Tallest 4.5". These are from the third quarter of the 20th century but the lions or a very similar version in the same size are still available from Nymphenburg directly for $195 each. Selling the lot of three with no cracks, chips, or restorations. figshelf

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Nymphenburg Blanc de Chine Allegorical Figure Set. Selling the set, tallest 7.5"<br>from the third quarter of the 20th century with 5 of Bustelli's Ovidian s<br>standing on plinths. From 1754 to 1763 Franz Anton Bustelli modeled a set of<br>small putti at Nymphenburg, representing the Roman s as described by the Latin<br>poet Ovid. He took a different approach from previous representations of s,<br>seeing them as smiling, playful children in a Baroque style, with sculptural,<br>three-dimensional poses that twist and turn. Each figure has to be seen in the<br>round to be fully appreciated. Each figure is also accompanied by a specific<br>object or objects that identify which is represented, for example, a wine barrel<br>and an upraised cup for the of wine, Bacchus. Bustelli's figures of Ovidian s<br>have been reissued since the early 20th century by the Nymphenburg factory in<br>Munich as a fitting tribute to the genius of its greatest sculptor.<br>No cracks, chips, or restorations. I've seen these sell on the secondary marked<br>for over $300 ea. I don't believe they are in production anymore but heard they<br>last retailed for close to 1k each.<br>tw166

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Nymphenburg Dog Figures Fox Terrier and Great Dane. Great Dane is 8.5" tall, Fox Terrier is 7.25" tall. Both with no cracks, chips, or restorations. Selling both figures shown, Nymphenburg dog figures this size currently retail for about 2k each new. These are really good quality, they make a great pair and have likely been together for the past 40-50 years but I would consider splitting them up for a reasonable offer as I realize some people only love certain types of dogs to a certain extent.. Selling both shown. tw106

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Nymphenburg Hand Painted Bon Bon Dish Set. Selling the three shallow bowls One 8.5" x 6", two 6.25" x 4.25". No cracks, chips, restorations, or detectable wear. TW211

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Nymphenburg Hand Painted Porcelain Candy Box with fruit finial. Great piece from about the mid 20th century 7.25" handle to handle x 5.25" tall with no damage or restorations. tw166

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Nymphenburg Hand Painted Porcelain diminutive bud vases. No cracks, chips, or restorations. 4.25" tall, hand painted, no wear to gold. Selling the pair of vases shown from the mid 20th century. TW166

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Obsolete Badge. I'm not sure if it's police, looks like police but I'm not sure where from. I's really old, I think close to 100 years old. 2.5" tall. The shield and 1641 date below it should be a clue. If you don't want it and have time to tell me the deal on it that would be great.

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African carved wood full helmet mask, Mende people, Sierra Leone, worn exclusively by women, particularly by women of the Sande Society, devoted to initiate women coming into adulthood, the carved coifed hairdo with top knot over the nicely carved face, the base with tie down holes, approx 15.5"h, 10.5"w, 11"d. Nice patina, came from what looked to me like an honest collection put together in the 1970's. isshelf

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No cracks, chips, or restorations. Wear to Gilding as expected and shown in pics. 4.75" tall x 3" wide. Guaranteed circa mid to late 19th century.

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They measure 11.75" tall with no cracks, chips, or restoration guaranteed.<br>They're both impressed 125 P&A, both are missing much of the Gilding. Both are<br>100% hand painted portraits. Guarantee circa mid 19th century.

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10.5" tall x 5.25" wide. No cracks, chips, or restorations. Minimal wear to<br>Gilding.

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Old Pawn Native American Sterling belt buckle. Nice old large sterling(tested) native American belt buckle. Arrow hallmark shown in bottom of second pic J.L. scratched in center, likely not maker. 4" x 2.5" x 105.8 grams x will handle up to a 2 1/8" leather belt.

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Old Pawn Native American Sterling silver ranger belt buckle set. Great set fits<br>a 3/4" belt tapering down to 5/8 at the buckle. Estate fresh I believe from the<br>mid 20th century. All pieces marked sterling with no other marks. 42.7 grams.

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Old Pawn Vintage Turquoise and sterling cuff bracelet. 55 grams, 6.5" counting<br>the 1.25" gap. 1.75" face width, unmarked tested sterling.

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Old Sandcast Native American Turquoise/sterling belt buckle. 113.7 grams, takes up to a 1.75" belt, other measurements in pics. Nice old buckle likely from the second quarter of the 20th century.

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Old Zuni Native American silver channel inlay ranger belt buckle set. Great buckle set with no apparent issues, measurements in pics.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Olga Quezada Mata Ortiz pottery jar 5" wide x 3 7/8" tall with no damage or detectable wear. Olga Quezada Hernandez is one of the first generation master potters whose work is highly sought after in Mata Ortiz, Mexico. She is married to Humberto Ledezma, and her son is the very well known potter Guadalupe Ledezma. Olga Quezada works in the traditional cuadricula pattern of squares, and favors the use of a gorgeous deep earthy brown clay that stands out from the rest. Her work is easily identifiable for it's beauty, precision and precisely painted design. Olga is one of the few original first generation potters that are still faithfully crafting gorgeous pottery, and her work bears all the hallmarks of light weight museum quality work.There is so much elegance in this piece. Contemporary, modern and sleek.. yet using all of the traditional techniques of Mata Ortiz pottery. With all of the precision in this piece, it is hard to believe that it was hand polished using an agate stone and painted with long strands of human hair. The clay used in this piece has been dug from the local countryside, and then refined to remove most impurities. This allows the clay to be used in hand forming this pot without the use of a potters wheel! tw147

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Olivia Whitethorne Navajo Sterling cobblestone link bracelet. Weight and measurements in pics. No damage or significant wear, solid sterling. Marked as shown in pics. Clasp functional. Jet, Fossil, Coral, Turquoise. I think there are three different types of fossilized bone/etc used in making this one of a kind bracelet. Navajo artist Olivia Whitethorne makes fascinating pieces of wearable art. She is the wife of Hank Whitethorne and the two artists have a very similar style of art.

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One of a Kind Gold mounted sterling silver ranger belt with 5 more sets mounted<br>to it. 6 Ranger sets total. All the ranger sets from the first half of the 20th<br>century, all sterling mounted in gold, all hand engraved, I believe all are Made<br>in Mexico except one has Made in Texas, I believe it's a Nelson Bringhoff. The<br>larger main buckle is a 1" ranger set, the others are 3/4" ranger sets. Total<br>length 41", I believe it will fit a 32" to 35" waist, an extra hole could likely<br>be added for a 36". The leather is in good condition, this was custom made by<br>"The Leather Bench" of Austin Texas. The belt is 2" at widest point and tapers<br>down to 15/16".

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Onyx and Opal Channel inlay sterling earrings. No issues other than one missing the back, hallmarked as shown, possibly Native American made.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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OO Vintage Sterling and Charoite bolo tie 39" long. No markings as typical of this era, weight and measurements in pics. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<b>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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OP Lag Zuni Sterling Modernistic Cuff Bracelet with Onyx. No scratches on Onyx. Great looking cuff with no issues, fits up to a 7" wrist.. The stone is 1.25" x 7/8".

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Measures 4.5" tall. No chips, cracks, restorations, scuffs, or crazing.

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Measures 4.5" tall. No chips, cracks, restorations, scuffs, or crazing.

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The last picture is the base which you can see from the next to the last pic is hammered on. So I guess this is one hookah base hammered onto another layer of brass to ensure being waterproof. Guaranteed early, maybe 18th century. Guaranteed 100+ yrs old maybe 300, you be the judge.10" tall x 5.5" wide x the inside of the lip is 1.25" wide.

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Orrefors Royal Swedish Air Force Presentation Plate to Captain John Gallaher. I'm not sure when this was presented, sometime in the 20th century, likely during or directly after some sort of war or conflict. 9.25" wide, super heavy, rare and one of a kind. Some wear here and there but no cracks, chips, or restorations. b43

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Orville Tsinnie (1943-2017) Large silver and turquoise bolo tie 43 long. No issues, measurements in pics, weight is for the who bolo not the box. Very solid and heavy bolo with heavy custom tips.Orville Tsinnie: A Luminary in Navajo ArtistryIn the early 1970s, Orville Tsinnie, a distinguished Navajo artist, embarked on a journey of artistic discovery under the tutelage of his Hopi brother-in-law. This marked the genesis of a career that would see him garner numerous accolades, including the prestigious Lifetime Achievement Award from the Indian Arts and Crafts Association. This honor is reserved exclusively for the crème de la crème of American Indian artists, underscoring Tsinnie's exceptional talent.Orville Tsinnie (1943-2017) signs his work with "Orville Tsinnie, New Mexico" along with two stamps of Shiprock.Tsinnie's work was a testament to his superior craftsmanship. While he was adept at creating traditional jewelry, his true genius lay in his ability to conceive and execute innovative designs. His meticulous attention to detail and unwavering commitment to precision were the hallmarks of his work, resulting in pieces that were unmistakably his own.Operating from his studio in Shiprock, New Mexico, Tsinnie was a stalwart presence at Santa Fe's annual Indian Market. His participation in this yearly event further cemented his status as a luminary in the realm of Navajo artistry. His legacy continues to inspire and influence the world of indigenous art.Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Ottoman Sterling silver coin lid trinket box. 1 1/8" wide x 5/8" tall, test<br>silver high content over 80% hallmark in interior.

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Oystein Balle Norwegian Sterling enamel pansy earrings and pin. Top quality with<br>no damage to the enamel or wear. Earrings 7/8" x 7/8", pin 1.25" x 1.5". The<br>earrings were a little dirty in the pic but it cleaned off, no issues.

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P Navajo sterling and spiderweb turquoise earrings. Weight and measurements in pics. Solid sterling. Strong springs on clips Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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P&W Natewa Zuni sterling mother of pearl inlay bib necklace. 20" long with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Pair of Derby Boy and Girl Figures 5" tall. Beautiful pair. The boy has one leaf<br>chipped on basket, girl has slight loss to basket and a 1" hairline in the base<br>that is really difficult to find. I believe these may be" King Street Derby"<br>perhaps from the early 20th century.<br><br>King Street, Derby(1848 to 1935)<br>A group of former employees set up a factory in King Street in Derby, and<br>continued to use the moulds, patterns and trademarks of the original business,<br>but not the name. No mechanical processes were used and no two pieces produced<br>were exactly the same. Among the items preserved was the original potters wheel<br>used by the Duesburys.<br>There is much damage to the applied Florals on both pieces. I believe there is a<br>very old professional restoration to his hat and her arm.<br><br>tw138

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Pair of Mid Century Modern Vintage Moroccan African Berber Pillows c.1960 new<br>Never Used 23.5" x 18" selling two for one price. Both in unused condition with<br>no issues.<br><br>Great piece Never used, it's been in a blanket chest for 50-60 years.

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Pairpoint Oversized Brilliant Period Cut Glass Casket Jewelry box. Very large box in grat condition with no large chips, no cracks, no other issues. There are some small chips to the vertical cuts on the base only visible upon close examination 7.5" wide x 4.5" tall, I didn't find a mark. This piece was made in the US from about 1890-1915. isshelf

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Palatial c1900 Art Nouveau Franz Mehlem Royal Bonn Hand Painted Portrait vase. 22" Tall, rare size. The portrait is hand painted and artist signed J. Duren. Raised gold flowers hand painted. The overall floral decoration appears to be hand painted over a transfer base. This piece is really over the top. I didn't notice until I was photographing this and it was on a mantle when I bought it, but there is a fairly clean break in the green area where the base tapers. It has been glued with epoxy and is strong. This is by far the best piece of Royal Bonn I've ever had or seen, I'm discounting heavily for this repair and the fact that it possibly once had a lid.Royal Bonn is the 19th and 20th Century Trade Name used by the renowned craftsman Franz Anton Mehlem, who produced pottery in Bonn, Germany from 1836 to 1931. Fine Porcelain and Earthenware were manufactured in the factory. In 1921, the firm was purchased by Villeroy & Boch and closed in 1931. TW228

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Pandora Charm Bracelet with Christmas Tree, Angel, and other charms shown. All Pandora charms marked 925 ALE, all authentic, two with gold accents 39.4 grams.

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Pandora Charm Bracelet with Mickey mouse, Great Britain, and Class of 2015. Bracelet and every charm shown guaranteed authentic Pandora, every charm marked ALE 925 except for class of 2015 which is just marked Pandora. Appears unworn. 22.2 grams.

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Pandora Sterling Charm Bracelet with 5 charms 7.25" authentic estate fresh with no detectable wear. All charms marked 925 ALE. I believe they're all retired.

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pat 1879 Iron/Brass doorbell body. Fancy, just the body shown, no guts. 5.5" center to center mounting holes. isshelf

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Pat 1909 Arts and Crafts Period Hand Hammered Copper and Stained Glass Lamp<br>shades. Fantastic pair of Period American Arts and Crafts lamp shades with no<br>damage and a fantastic patina to the copper. Pat May 4 1909 as shown in the<br>second pic. These could be Handel, Stickley, Roycroft, there are many<br>possibilities and all of them good. The construction and quality of these is<br>amazing, all hand hammered copper, completely hand made. 4 3/8" long x 3 3/8" at<br>fitter top 4" wide at base. Selling the pair shown.<br>tw193

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Pat 1920 Creek Chub Dingbat Glass Eyes wood fishing lure. Missing hairs that come out the the two back holes, obviously and easy fix, otherwise extremely clean as shown. isshelf

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Pat Areias Hammered Sterling belt buckle with cool monogram. Heavy extremely high quality buckle 2 3/8" x 1 5/8", fits a 1" belt. 53.7 grams Each piece of Pat Areias's artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original." Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer's business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style. Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara. While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own. Areias's designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen. "The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs." While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling. After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company. tw208

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Pat Areias Sterling silver modernist pin, no issues.Each piece of Pat Areias's artistry is hand rendered, one by one. As such, they may be similar, but they are not the same. “The essence of hand fabrication," Areias says, “is that every piece is made by an artisan as an original."Using a jewelry saw, buckles are cut by hand out of sheet silver and hand forged, then dapped and individually chased and soldered to produce her finished works. Pat Areias Sterling began in 1987 in Cuernavaca, Mexico, with the introduction of a three-piece buckle set which became the foundation of the designer's business. Two years later, she added silver jewelry to her collection. Reminiscent of the Art Deco era, her designs are marked by a contemporary style.Though she was born and raised in the San Joaquin Valley to third generation Portuguese dairy farmers, she pursued her interest in the traditions of her Latin descent by studying the Portuguese and Spanish cultures, arts and languages at the University of California at Santa Barbara.While subsequently serving in the Peace Corps throughout Central and South America, she had occasion to apprentice with both silver and leather craftsmen of Ecuador and Mexico. Something inside beckoned her to pursue the artistry on her own.Areias's designs are a true reflection of her love and appreciation for both Latin and Scandinavian aesthetics, dating back to an era of silver designers from the 1930s and 1940s which originated in Denmark. As silver became scarce during World War II, argent veins running through Mexico lured Danish designers to the area, where their pure designs and silversmithing finesse were shared with the native craftsmen."The Danish designers," she says, "have both a sincere affinity for the arts and an eye for contemporary lines which brings out the best of the silver. I have a great love and respect for this style of silversmithing. It is the inspiration for my own creativity which, when forged with the Latin influence of my heritage, emerges in my signature designs."While in Mexico, Areias met and married her husband, Fred Sanchez, a mechanical engineer who has since abandoned his business to become fully involved in Pat Areias Sterling.After more 30 years in business, Pat Areias sterling is not only recognizable in itself, but the name has become synonymous with quality. The provision of fine sterling silver accessories and specialized customer service has proved a successful combination for the growing company.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Pat Bedoni Navajo 14k on Sterling modernist clip-on earrings. 24mm tall x 16mm<br>wide x 8.1 grams with no issues.Pat BedoniNavajo silversmith, Pat Bedonie, was<br>born in Ganado, Arizona on the Navajo Reservation. She is of the Edge Water and<br>Coyote Pass Clans. Pat’s mother, Lutricia Yellowhair, is an accomplished<br>silversmith who has passed the traditional Navajo jewelry making styles onto her<br>children. Every time you look at a piece of Pat Bedonie’s work you see her<br>mother’s influence. Today, Pat lives in Farmington, New Mexico and often<br>collaborates with her mother to create an array of stunning jewelry. She uses a<br>variety of symbols important in her Navajo heritage.Pat Bedoni is known for her<br>fine traditional Navajo carved jewelry and miniature silver boxes. All Pat<br>Bedonie Jewelry is made by herself alone. She creates exceptional silver jewelry<br>by any standards, which is not surprising, since her brother is Ron Bedoni, a<br>well-known silversmith. Pat’s jewelry is much like her brother Ron's, however<br>you'll find the designs not as complex.

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Pat Mathiesen Sterling Scuptural pendant "Apache Mountain Spirit Dancer" Measurements in pics. No issues. This artist mainly did bronzes which sell for thousands on the secondary market.Pat Mathiesen was born on January 15, 1934, in North Hollywood, California.Mathiesen graduated from Hollywood High School in 1951, working on dude ranches and in Yellowstone National Park, Wyoming, during the summers of 1951 and 1952. In 1953, she studied at the California School of Fine Arts and the San Francisco School of Commercial Art, then worked for Western Airlines in 1955-1956. In the latter year, she moved to Phoenix, Arizona, where she became a travel agent until 1959, when she married David Mathiesen, a pilot.In 1978, following a divorce the previous year, Mathiesen moved to a cabin in West Yellowstone with her two children. From 1978-1992, she divided her time between Scottsdale and West Yellowstone, settling in Gallatin Gateway, Montana, in 1992 until a final move three years later to Bozeman, Montana.Pat Mathiesen has exhibited at the Grand Central Galleries, New York City, Kennedy Galleries, New York City; Tucson Museum of Art, Arizona; Mountain Oyster Club, Tucson; Phoenix Art Museum, Arizona; National Cowboy Hall of Fame, Oklahoma City; George Phippen Memorial Art Show, Prescott, Arizona; Montana Historical Society, Helena; and the Western Heritage Art Classic, Billings, Montana.Reference works discussing the life and art of Pat Mathiesen include: Samuels & Samuels, Contemporary Western Artists; Who's Who of American Women 1992-1994; Arizona Living, 28 Apr 1972, 22 Jun 1973, 8 Mar 1974, 7 Mar 1975, 20 May 1976; Arizona Horseman, Aug-Sep 1972; Arizona Highways, Oct 1975; Charolais Banner, Jul 1976; Southwest Art, Mar 1981; P. Mathiesen, 1972, 1976, 1992, 1993.Source: Phil Kovinick and Marian Yoshiki Kovinick, "An Encyclopedia of Artists of the American West" Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Patriotic Vintage Navajo Sterling, Turquoise, Coral, and Shell belt buckle 3 5/8" x 2.75" x 90.4 grams with no issues.

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Framed oil painting on canvas, The Cemetery, signed, dated lower left Paul<br>Burkle, '76 ((Paul David Burkle, Texas, 20th c.), 24" x 30" canvas, 33"h,<br>38.25"w framed. No issues with painting, some wear to frame that gives it a cool<br>weathered look. These are below par cellphone pics of a great painting.<br><br>Artist and proprietor, Paul Burkle, is one of the many long-time resident<br>artists who have made Georgetown the artist community that it is. Not long ago,<br>Paul Burkle ran the historic Georgetown Motor Court, which has been renovated<br>and transformed into the Two Rivers Retail establishment that sits on the old,<br>historic site today. Now Mr. Burkle runs an art studio within Two Rivers Retail<br>where he exhibits his fine art oil paintings and custom designed, handmade<br>furniture.

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Paul Jean Marie Sain (1853-1908) 1901 French Portrait of Chincholle. Really great original oil on Canvas. The man in the portrait resembles a French author named Charles Chincholle who died of a stroke in 1902. Hopefully I'll have more info at a later date. 16" x 19" framed, 11" x 14" canvas. No restorations, clean frame, clean painting other than two small scuffs one to the left of the top of his head, another just above it to the right of the signature. Below are the Biographies of both the artist and Charles Chincholle. One thing they have in common is They were both at one point named knights of the Legion of Honor. Charles Chincholle was appointed the year this painted was done, a year before his death. I've found a few portraits of him online and it looks like him to me. Jean-Paul Marie Saïn (5 December 1853, Avignon - 6 March 1908, Avignon) was a French painter, known primarily for landscapes and portraits. Paul Jean Marie Sain studied under noted Academic painters Jean Leon Gerome and Charles Michel Guilbert d'Anelle. Sain made his debut at the Paris Salon in 1879. His paintings of marine scenes and lush romantic landscapes were well received and he was awarded honorable mention in 1883, a third place medal in 1886, a bronze medal in 1889 and in 1900 at the Paris Exposition Universelle. He was made a Knight of the Legion of Honor in 1895. His works are in the collection of the Musee du Louvre, Paris, Musee du Luxembourg, Paris, Musee de Perpignan and the Alencon Fine Art Museum. Charles Henri Hippolyte Chincholle , born on July 16, 1843 in Amiens 1 and died onAugust 26, 1902in Paris , is a French journalist and writer . He is considered to be the first major French reporter. Biography Son of Barthélémy Hyppolite Chincholle and Pélagie Victoire Aimée Quequet, Charles Chincholle was declared by his father under the first names of Henri Charles Hippolyte 4 , 5 . He began studying medicine, which he left quite quickly. Last secretary of Alexandre Dumas from 1865 to 1870 6 , Chincholle wrote in the newspapers founded by the latter such as Le Mousquetaire or Le D'Artagnan , as well as the Parlement , la Liberté , Paris-Journal , before entering, in 1872, at Villemessant 7 au Figaro where he became one of the main reporters, following all the important public events and signing some of his articles under the pseudonym of Henri Hamoise 8 or Georges Rip 7 . He thus follows the Boulangist campaignand let himself be seduced for a time by the personality of General Boulanger , of whom he became the unofficial memorialist. However, when the latter was installed in Jersey, Chincholle wanted to see him and was not received. Therefore, it burned down what he loved, and we could read, under his signature, the phrase: "I leave the Boulangism as it leaves a bad love 9 . " Founder of several newspapers such as Le Lucifer , which only saw a few issues 10 and L'Estampe, artistic journal (1884-?) 11 , being a great fan of engravings, he was also president of the Cercle de l'escrime. We owe him numerous interviews with celebrities such as Paul Verlaine and Auguste Rodin . In addition to his countless reportage and current affairs articles and despite his active life and his almost daily collaboration with Le Figaro , Chincholle has written a dozen novels, including La Juive du Château-Trompette published under the name of Ponson du Terrail , serialized in the Little Bordelais, in 1871 12 , eight plays, five or six volumes of contemporary history or biography, and a number of short stories, fantasies and varieties 7 . In 1870, he had a very cheerful little act performed at the Folies-Dramatiques , Uncle Margottin , which had more than three hundred performances. He then praised the theater's new order to give a drama of it, the husband of Joan , black drama that ended with the of the wife and the lover 10 . One fine day, passers-by stopped, bewildered, in front of his poster which read "Free entry for adulterous women." »The story does not say if there were many of them at the control.9 . Entered the Société des gens de lettres in 1885, he made eleven years on the Committee, and has successively served as secretary, Quaestor and Vice President 7 . He had also succeeded Aurélien Scholl as president of the Cercle de l'Escrime et des Arts 13 . In 1901, he was appointed knight of the Legion of Honor 14 . He succumbed to a stroke the following year 15 . He is buried in the cemetery of Cergy 7 : 175 .

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Paul Livingston Navajo Sterling and #8 Turquoise pendant 11.7 grams, 8-9mm inside bail, no issues.Paul Livingston was born in 1954 and has spent his entire life on the Navajo<br>Church Rock Reservation, where he grew up watching with fascination as his<br>silversmith Uncle crafted raw metal and<br>stone into beautiful jewelry. Through trial and error and a great deal of help<br>from his Uncle, Paul became an accomplished young jewelry maker.<br><br>By the time he was twenty-two he was ready to launch himself full time into<br>silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors<br>substance in his metal work and high-quality, natural stones in all his<br>settings.<br><br>Today, nearly forty years later, Paul is a nationally known and collected<br>jewelry artist. He is particularly known for a style of jewelry most<br>silversmiths shy away from a technique known as ‘cluster and row work’ where<br>multiple tiny stones are used together to form a delicate, colorful designs in<br>jewelry. Paul is happy to work with the little stones, even the tiny round<br>“snake eye” ones and is renowned for how exquisitely aligned the stone clusters<br>and rows of stones are on his pieces.<br><br>Even at his age Paul continues to experiment with new jewelry techniques and<br>design styles. He especially enjoys working unusual textures created on metals<br>and will often incorporate a new surface<br>finish or other design application to see if these changes might enhance the<br>jewelry’s appearance and appeal. Though his forte has always been more<br>traditional even vintage looking Navajo style jewelry, his<br>contemporary designs are also in high demand. Paul Livingston creates beautiful<br>jewelry using stones that aren’t often found in Native American jewelry. The<br>intricate ‘saw work designs’ of his pieces are especially difficult to achieve<br>but so very visually appealing in Paul’s finished work.

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Paul Livingston Navajo Sterling and Sonoran Gold turquoise pendant 3.75" x 1" x 27.6 grams with no issues. PAUL LIVINGSTON Paul Livingston was born in 1954 and has spent his entire life on the Navajo Church Rock Reservation, where he grew up watching with fascination as his silversmith Uncle crafted raw metal and stone into beautiful jewelry. Through trial and error and a great deal of help from his Uncle, Paul became an accomplished young jewelry maker. By the time he was twenty-two he was ready to launch himself full time into silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors substance in his metal work and high-quality, natural stones in all his settings. Today, nearly forty years later, Paul is a nationally known and collected jewelry artist. He is particularly known for a style of jewelry most silversmiths shy away from a technique known as ‘cluster and row work’ where multiple tiny stones are used together to form a delicate, colorful designs in jewelry. Paul is happy to work with the little stones, even the tiny round “snake eye” ones and is renowned for how exquisitely aligned the stone clusters and rows of stones are on his pieces. Even at his age Paul continues to experiment with new jewelry techniques and design styles. He especially enjoys working unusual textures created on metals and will often incorporate a new surface finish or other design application to see if these changes might enhance the jewelry’s appearance and appeal. Though his forte has always been more traditional even vintage looking Navajo style jewelry, his contemporary designs are also in high demand. Paul Livingston creates beautiful jewelry using stones that aren’t often found in Native American jewelry. The intricate ‘saw work designs’ of his pieces are especially difficult to achieve but so very visually appealing in Paul’s finished work. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Sterling Silver | Genuine Turquoise Mountain Turquoise | Paul Livingston<br>Turquoise Mountain Turquoise Contemporary Dragonfly Necklace | Navajo Native<br>American Southwest Indian Jewelry | Weight:74.1 Grams, | Dimensions: Necklace:<br>18" lenght, 3" x 2.75" center pendant | Signed: Paul Livingston<br><br>Paul Livingston was born in 1954 and has spent his entire life on the Navajo<br>Church Rock Reservation, where he grew up watching with fascination as his<br>silversmith Uncle crafted raw metal and<br>stone into beautiful jewelry. Through trial and error and a great deal of help<br>from his Uncle, Paul became an accomplished young jewelry maker.<br><br>By the time he was twenty-two he was ready to launch himself full time into<br>silversmithing. Paul Livingstonis an acclaimed Navajo silversmith who favors<br>substance in his metal work and high-quality, natural stones in all his<br>settings.<br><br>Today, nearly forty years later, Paul is a nationally known and collected<br>jewelry artist. He is particularly known for a style of jewelry most<br>silversmiths shy away from a technique known as ‘cluster and row work’ where<br>multiple tiny stones are used together to form a delicate, colorful designs in<br>jewelry. Paul is happy to work with the little stones, even the tiny round<br>“snake eye” ones and is renowned for how exquisitely aligned the stone clusters<br>and rows of stones are on his pieces.<br><br>Even at his age Paul continues to experiment with new jewelry techniques and<br>design styles. He especially enjoys working unusual textures created on metals<br>and will often incorporate a new surface<br>finish or other design application to see if these changes might enhance the<br>jewelry’s appearance and appeal. Though his forte has always been more<br>traditional even vintage looking Navajo style jewelry, his<br>contemporary designs are also in high demand. Paul Livingston creates beautiful<br>jewelry using stones that aren’t often found in Native American jewelry. The<br>intricate ‘saw work designs’ of his pieces are especially difficult to achieve<br>but so very visually appealing in Paul’s finished work.

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Peint Main Limoges Chair Trinket Box Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2.25"tall x 1.75" wide<br>TW141

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Peint Main Limoges Gentleman Pig Trinket Box Hand Painted 4.25" tall with no<br>damage whatsoever tight hinge and nice snap on clasp. I will be adding a nice<br>little collection of them to my store at a fraction of what they cost 25 years<br>ago and they are all in mint condition have been stored in a china cabinet for<br>25 years.<br>TW52

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Peint Main Limoges Incrustation Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1 5/8" wide x 1.25" tall TW141

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Peint Main Limoges Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 2" wide TW141

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Peint Main Limoges Pig Trinket Box Hand Painted 2.5" tall with no damage<br>whatsoever tight hinge and nice snap on clasp. I will be adding a nice little<br>collection of them to my store at a fraction of what they cost 25 years ago and<br>they are all in mint condition have been stored in a china cabinet for 25 years.<br>TW52

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Peint Main Limoges Pineapple Fruit Trinket Box Hand Painted. Tight hinge, stays snapped shut, no loss to decoration or gold, no cracks, chips, or restorations. 1.75" wide x 2.5" tall TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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Peint Main Limoges Trinket Box Hand Painted. Tight hinge, stays snapped shut, no<br>loss to decoration or gold, no cracks, chips, or restorations.<br>3" wide x 1 5/8" deep.<br>TW141

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Peint Main Limoges Trinket Box Rabbit Hand Painted. Tight hinge, stays snapped<br>shut, no loss to decoration or gold, no cracks, chips, or restorations.<br>2" wide x 4" tall<br>TW141

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Peint Main Limoges France Trinket Box 2.25" tall. No issues or damage.

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Peint Mein Limoges Fan shaped hand painted trinket box. 2.5" both ways x 7/8" deep. Tight hinge, no wear, snaps shut. TW153

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Percy Tsisete Sandy Kai Sa(1918-1974) Handmade silkscreen print. 6" x 8" sight, 12" x 14" framed, some wear to frame, no damage to art. Percy Tsisete Sandy was born in 1918 at Zuni Pueblo in northern New Mexico. He was educated at the Santa Fe Indian School and at the Sherman Indian School in Riverside, California. He married a young woman from Taos and went to live at her pueblo. Percy Sandy, who used his traditional name Kai Sa (Red Moon) in signing his work, experimented with a variety of styles, mediums and subjects, but he preferred to work in watercolor in a representational manner. Also known as a muralist, his best known mural is at the La Fonda Hotel in Santa Fe. Kai Sa’s work can be seen in the collections at the Gilcrease Institute and the Philbrook Art Center in Tulsa, Oklahoma; the Heard Museum, Phoenix, Arizona; the Indian Arts and Crafts Board, Washington, D.C.; the Museum of Northern Arizona; the Museum of New Mexico; and the United Pueblo Agency, New Mexico.

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Percy Tsisete Sandy Kai Sa(1918-1974) Handmade silkscreen print. 6" x 8" sight,<br>12" x 14" framed, some wear to frame, no damage to art.<br><br>Percy Tsisete Sandy was born in 1918 at Zuni Pueblo in northern New Mexico. He<br>was educated at the Santa Fe Indian School and at the Sherman Indian School in<br>Riverside, California. He married a young woman from Taos and went to live at<br>her pueblo.<br><br>Percy Sandy, who used his traditional name Kai Sa (Red Moon) in signing his<br>work, experimented with a variety of styles, mediums and subjects, but he<br>preferred to work in watercolor in a representational manner. Also known as a<br>muralist, his best known mural is at the La Fonda Hotel in Santa Fe.<br><br>Kai Sa’s work can be seen in the collections at the Gilcrease Institute and the<br>Philbrook Art Center in Tulsa, Oklahoma; the Heard Museum, Phoenix, Arizona; the<br>Indian Arts and Crafts Board, Washington, D.C.; the Museum of Northern Arizona;<br>the Museum of New Mexico; and the United Pueblo Agency, New Mexico.

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Pete Sanchez Isleta Maria Platero Navajo sterling silver spiny oyster earrings/pendant. Selling the set shown . Two different artists but go well together. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Peter Madsen, an a artist from Simi Valley, CA - creates "Long Arm of The Law"<br>Bronze Sculpture 17.5" tall x 19" wide. No damage or wear. It is dated 1991 and<br>is 13/24, weighs 30 pounds. Number 18/24 sold for 5K on ebay on May 3, 2015, so<br>the price is reasonable and realistic. It will be packed and shipped with<br>extreme care.<br><br>Article is from July 11, 1997 Byline: Patricia Hesselbach Daily News Staff<br>Writer`<br><br>``Good Medicine'' sits on top of the table where Peter Madsen sketches in<br>charcoal in his Simi Valley home. The small sculpture, one of many created by<br>Madsen at the height of a prolific artistic career, reminds him of his inner<br>strength and gives him courage to begin a new life. Known for his tightly<br>detailed bronzes depicting the American Indian and the cowboy, Madsen had<br>enjoyed measurable success in his field. An established and recognized artist<br>since 1986, he had received numerous awards. The Westinghouse Corp., the New<br>York Stock Exchange, Robert Duvall and Iron Eyes Cody purchased his work. The<br>Gene Autry Museum of Western Heritage put a collection of his bronzes on<br>permanent display. Madsen had nowhere to go but into the ranks of renowned<br>American artists. Then one day in May 1993, an accident completely altered the<br>life Madsen had so meticulously crafted. While enjoying his other great passion,<br>participating in a Western riding competition, the artist was thrown from his<br>horse. He sustained severe head trauma and brain damage. He fell into a deep,<br>three-month coma. Madsen awoke to begin a journey on a new trail, teaching his<br>body to move again. Modest movement in his left leg signaled the onset of his<br>recovery. The artist also uttered his first words since the accident. During a<br>nine-month hospital stay, followed by seven months in a transitional home<br>setting, Madsen started his remarkable re-education process. ``I'm being born<br>again,'' Madsen said, laughing as he recalled his first tremulous attempts to<br>write his ABCs. The sculptor admired for intricate human anatomical application<br>in his bronze figures had to relearn his own body parts. ``When he first began<br>to draw figures, he would leave off a right arm,'' said his wife, Vicki. She<br>said his drawings reflected his reality. He had to become reacquainted with his<br>right side before he could draw a right side. ``The first sign of artwork came<br>in 1996,'' said Vicki Madsen. For months, she had attempted to coax the artist<br>back to work. Each time she presented him with clay, he responded, ``I can't do<br>this right now.'' Then, one September day, a collection of artist friends paid<br>Madsen a visit. Talking about sculpting stirred something inside him. Someone<br>presented Madsen with a small piece of clay. He squeezed it and responded with a<br>huge smile. There is an ironic twist to the Peter Madsen story. Prior to his<br>injury, the artist had been sculpting the figure of a cowboy being thrown from<br>his horse. Four years later, Madsen has returned to work on the piece by way of<br>surrogate sculptor, Jean Cherie. ``He has the eyes and the vision. Jean Cherie<br>is his hands,'' said Vicki. ``Prophesy Fulfilled,'' like the emerging artist, is<br>a work in progress. Once solely dedicated to his realistic bronze work, Madsen<br>now finds creative expression in a more free-form bas-relief style of sculpture,<br>charcoal sketches and computer graphics. His computer generated designs will<br>soon grace greeting cards. Close friend and personal attendant, Patrick Grant,<br>saw the work turned out by Madsen and suggested ``Greetings from Eagle Vision.''<br>Postcards featuring photos of Madsen's bronzes will complement the collection.<br>Seldom is heard a discouraging word from this cowboy artist who pledges to make<br>his own way in life. Back in the saddle again, he is rebuilding weak muscles<br>through a structured therapeutic horseback riding program. When asked about his<br>attitude toward life since the accident, Madsen exuberantly replied, ``Go for<br>it!'' When asked what his former attitude toward life was, he again replied,<br>``Go for it

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Pewabic Pottery Arts and Crafts Style Trivet/Wall tile 2012 Detroit. No cracks, chips, or crazing. 7.25". TW189

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Pewter trimmed Graniteware Tea Kettle with Childrens Granite ware Teapot. Selling the pair late 19th century. The Large tea kettle is super clean and useable with tight lid and only a small dent under the spout. 11" handle to spout x 8.75" tall. Childs teapot has a few dings and bent bottom of spout, missing lid. 2.75" tall. Selling both. TW164

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9" tall x 8" handle to spout. Hard to find item. There is some pitting to the metal and the knob on the lid isn't straight. There is copper showing through the plating on the base. I believe it was made by Manning bowman in Meridian, Connecticut in the late 1800's.

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10" handle to spout x 7.5" tall. Worn spot on one side, couple flakes and some rust on one side of the spout. The hinge pin appears to have been replaced, lid wobbles a little when opened, but closes tight. Nice uncommon 130 year old piece with no major issues.

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10.5" handle to spout x 8" tall. Small flake on one side with dent in pewter. Looks as though someone did an excellent job restoring the lid ages ago. Fantastic patina, hold water. Interesting copper base and brass by handle. Tw31

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Phil Chapo Navajo silver, turquoise, and coral belt buckle 3.5" x 2 7/8", fits up to a 1.5" belt, no issues.<br><br>Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Sterling Silver | Genuine Coral | Phil Garcia Coral Squash Blossom Necklace | Navajo Native American Southwest Indian Jewelry | Weight:57.1 Grams, | Dimensions: Necklace: 18" length, 1.75" x 2.75" center pendant | Signed: PG

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Native American turquoise and sterling earrings. Very nice looking well made<br>pair of earrings 1" tall x 5/8" wide x 8.1 grams with no issues.<br><br>anderas

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Philbert Secatero Navajo Sterling and Turquoise Squash Blossom Necklace Sterling<br>Silver 27" Long 3" x 2.5" Naja 187.8 grams. Good looking Squash Blossom, marked<br>and tested sterling.

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Phyllis Susan Coonsis Zuni multi-stone/shell sterling pendant/beaded necklace 18" necklace, 1 5/8" wide pendant, 9mm beads.Phyllis Susan Coonsis is a member of the Sun-Grain Clan at Zuni Pueblo. She was born in 1960, and began making jewelry at the young age of 17. She is the granddaughter of Myra Qualo; and the daughter of Juan Coonsis & Lorraine Nastacio. She has exhibited at Santa Fe Indian Market and other venues, and is represented in many personal collections. She started silversmithing in 1970 learning from her grandmother Myra Qualo. Her cluster work is so different from other artists. She uses various natural materials making the combination feminine and beautiful.

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Pierre Alexandre Morlon (1878-1951) WW1 1918 French Bronze Victory Medal Joan of Arc 2.75" wide with no issues, silver plated bronze. Pierre Alexandre Morlon (1878-1951) was a prolific die engraver at the Paris mint during the early part of the twentieth century. His designs were used on medals and the Art Deco style coinage of France during the 1930s.

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P&W Natewa Zuni sterling mother of pearl inlay bib necklace. 20" long with no issues. Weight and measurements in pics. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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I'm selling one glass, but I have 6 of these available and they're all in like new condition with no cracks, chips, scuffs, scratches, or cloudiness. If you want more than one just change the quantity in the order, thanks!

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Pitkin Natewa Zuni Turquoise & Shell Inlay Owl Necklace 22" length, 1.5" x 2" center pendant | Signed: P Natewa 68.2 grams with no damage, tested sterling.

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Pizzichillo & Gordon 15.5" Studio Art Glass Bowl 7.75" tall No cracks, chips, or restorations.Bruce Pizzichillo and Dari Gordon are internationally known artists who create large, colorful handblown glass vases, sculptural vessels and bowls as well as intriguing glass and mixed media sculptures. Using glassmaking techniques that are thousands of years old, along with many of their own invention, Bruce and Dari melt glass in furnaces that are designed for work in multiple colors. They achieve a palette of distinctive colors by mixing various metallic oxide formulations containing gold, silver, cobalt and others, into the molten glass. They heat the raw materials in large ceramic pots inside a glass furnace at temperatures in excess of 2400 degrees Fahrenheit. As the molten liquid glass achieves a working temperature, the artists gather the fluid substance onto the end of a five foot long steel pipe or rod. They blow, manipulate and shape the mass of molten glass, constantly spinning it and dipping it back into the pot for additional gathers if the piece is exceptionally large. For decoration, they apply shards, frit, bits and strings of colored glass that they have pre-made to the hot surface of the glass, and then reheat the piece to fuse the elements to the surface. When they complete the blowing and shaping process, they remove the piece from the pipe and place it into an annealing oven, where it will cool slowly over a specific period. In general, the larger and thicker the piece, the longer the time required for it to anneal. If not properly annealed, the piece will shatter when exposed to room temperature. Finally, the artists inspect each piece to determine if it meets their standards for first quality. They then proceed with the finishing work, which can include cutting, grinding and polishing before signing the completed piece. Depending on the size and complexity of the piece, the artists may reject half the pieces they make, or more, for lacking the requisites of first quality. Bruce studied at the University of New Mexico and earned a Bachelor of Fine Arts degree in glass from the California College of Arts & Crafts, where he studied with world-renowned glass artist Marvin Lipofsky. Bruce has worked with glass since 1976.

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Pizzichillo & Gordon Studio Art Glass Vase 7.25" tall x 6.5" wide.<br>No cracks, chips, or restorations.<br><br>Bruce Pizzichillo and Dari Gordon are internationally known artists who create<br>large, colorful handblown glass vases, sculptural vessels and bowls as well as<br>intriguing glass and mixed media sculptures. Using glassmaking techniques that<br>are thousands of years old, along with many of their own invention, Bruce and<br>Dari melt glass in furnaces that are designed for work in multiple colors. They<br>achieve a palette of distinctive colors by mixing various metallic oxide<br>formulations containing gold, silver, cobalt and others, into the molten glass.<br>They heat the raw materials in large ceramic pots inside a glass furnace at<br>temperatures in excess of 2400 degrees Fahrenheit. As the molten liquid glass<br>achieves a working temperature, the artists gather the fluid substance onto the<br>end of a five foot long steel pipe or rod. They blow, manipulate and shape the<br>mass of molten glass, constantly spinning it and dipping it back into the pot<br>for additional gathers if the piece is exceptionally large. For decoration, they<br>apply shards, frit, bits and strings of colored glass that they have pre-made to<br>the hot surface of the glass, and then reheat the piece to fuse the elements to<br>the surface. When they complete the blowing and shaping process, they remove the<br>piece from the pipe and place it into an annealing oven, where it will cool<br>slowly over a specific period. In general, the larger and thicker the piece, the<br>longer the time required for it to anneal. If not properly annealed, the piece<br>will shatter when exposed to room temperature. Finally, the artists inspect each<br>piece to determine if it meets their standards for first quality. They then<br>proceed with the finishing work, which can include cutting, grinding and<br>polishing before signing the completed piece. Depending on the size and<br>complexity of the piece, the artists may reject half the pieces they make, or<br>more, for lacking the requisites of first quality. Bruce studied at the<br>University of New Mexico and earned a Bachelor of Fine Arts degree in glass from<br>the California College of Arts & Crafts, where he studied with world-renowned<br>glass artist Marvin Lipofsky. Bruce has worked with glass since 1976. <br><br>TW9

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Pope Paul VI Silver Rosary/pill box and Sterling keepsake pendant. Selling both pieces, they both snap shut tightly with an audible click and stay shut securely, there are no markings on the rosary box silver content unknown.

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Creamer is 3.5" tall x 5" from handle to spout. Sugar is the same. Both are<br>cracks, chip, and restoration free. Circa 1920's to 1930's. Firm ceased<br>production at the beginning of World war 2.

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Porfirio Salinas (1910–1973) Big Bend Texas/Mexico Landscape South of El Paso.<br>100% guaranteed Original Oil on canvas painted by Porfirio Salinas in the 1960's<br>with no damage or restorations of any kind. Overall: 32 3/4 by 38 3/4 inches<br>24" x 30" painting. Salinas is not as well known for his west Texas/Northern<br>Mexico desert landscaped but he did do some. I'm sure it was more pleasant<br>sitting in a bluebonnet field close to home in the spring then it was sweating<br>in the desert, but a trained eye should be able to see this master's skill and<br>respect his diversity.<br><br>On Oct 18, 2008 a much smaller Porfirio Salinas landscape with a similar terrain<br>was offered for auction by David Dike Fine Art at a $15,000 starting price, I'm<br>unsure if it sold or what it sold for. It was titled "75 Miles South of El<br>Paso", 1953 oil on canvas 16 x 20. So less than half of the size of this<br>painting, it had the same cacti and Red Yucca. In 2019 prickly pear Cacti<br>Landscape by Salinas brough $125,000 with the buyers premium at the same David<br>Dike Fine Art.<br><br>The paper on this frame possibly covers the title of this painting, I'm tempted<br>to remove it but I'm going to try my best not to as the old brittle paper does<br>help date the painting and I really like to leave things as I found them. No<br>damage or restorations whatsoever to the painting, thoroughly examined under<br>both natural and UV light.<br><br>Porfirio Salinas (November 6, 1910 – April 18, 1973) was an early Texas<br>landscape painter who is recognized for his depictions of the Texas Hill Country<br>in the springtime. He was one of the first Mexican American artists to become<br>nationally recognized for his paintings. He was described by The New York Times<br>as being United States President Lyndon B. Johnson's favorite painter. Works by<br>Salinas are displayed in the Texas State Capitol, the Texas Governor's Mansion<br>and in a number of museums including the Witte Museum in San Antonio, Texas and<br>the Panhandle-Plains Historical Museum.<br><br>Early history<br>Salinas was born on November 6, 1910, near Bastrop, Texas. He came from a family<br>of Mexican American tenant farmers, his father Porfirio G. Salinas and his<br>mother Clara G. Chavez Salinas leaving the farm for San Antonio when Porfirio<br>was a child. Salinas was a precocious talent who drew and painted from the time<br>he was a small boy and received encouragement from his teachers. He had little<br>formal education and left school when he was young in order to work in an art<br>supply store. When he was fifteen he met the English-born landscape artist<br>Robert William Wood (1889–1979) at the store.<br><br>Salinas went to work in Wood's studio in 1925, where he learned the basics of<br>being a professional painter. He stretched Wood's canvasses, and learned to<br>frame paintings, how to mix paints and how to prepare canvas under Wood's<br>supervision. Wood was a very capable businessman, and Salinas learned how to<br>sell and market his art from the English painter. Salinas accompanied Wood and<br>the Spanish-born artist and teacher José Arpa (1858–1952) on sketching trips to<br>the hills and valleys surrounding San Antonio where they painted blooming<br>wildflowers in the spring and the Texas Red Oak in the fall. With his talent and<br>hard work he was soon capable of professional work.<br><br>Professional career<br>Salinas began painting professionally in 1930, when he was twenty years old.[4]<br>His early work was influenced by his mentor Robert Wood's paintings.[5] He<br>painted many scenes of Texas bluebonnets, the state flower, which were sold to<br>tourists by the artists and galleries in San Antonio, Texas. In 1939 he began<br>working with the art dealer Dewey Bradford (1896–1985), who sold paintings,<br>frames and art supplies in the state capital of Austin.<br><br>National recognition<br>While Salinas sold his work steadily, by 1960 he was known primarily to Texas<br>collectors and tourists who visited San Antonio. In 1961, this changed rapidly<br>with the election of his collector Lyndon B. Johnson (1908–1973) to the Vice<br>Presidency of the United States. With his ascension from the United States<br>Senate to being Vice President, Johnson and his wife Lady Bird Johnson<br>(1912–2007) purchased a large French-style chateau from the socialite and<br>heiress Perle Mesta (1889–1975). They decorated the house with French antiques<br>and tapestries that were already in the home, but the foyer was hung with Texas<br>wildflower paintings by Salinas. Lady Bird Johnson was quoted as saying, "I want<br>to see them when I open the door, to remind me of where I come from." At the<br>time of the President Kennedy's assassination, Salinas had completed a scene of<br>a horse drinking titled "Rocky Creek" that was meant to be presented to Kennedy<br>during his ill-fated visit to Dallas. Lyndon Johnson told the Washington press<br>that Porfirio Salinas was "his favorite artist." President Johnson also<br>presented a Salinas painting to President Gustavo Diaz Ordaz of Mexico as an<br>official gift from the United States. The patronage of the President was a<br>tremendous boost to the artist's career and during the 1960s, his work sold<br>briskly for ever higher prices. The Johnsons' Salinas paintings remain in the<br>collection of the LBJ Ranch today. President and Lady Bird Johnson were both<br>advocates and admirers of wildflowers. Lady Bird Johnson will always remain<br>linked to the subject of wildflowers because of her "Beautify America" campaign<br>and the Highway Beautification Act, which was passed by the United States<br>Congress in 1965. As part of that effort, many miles of Texas roadsides were<br>seeded with Texas bluebonnets, Lupinus texensis, the flowers that Salinas is<br>known for painting.<br><br>Death and posthumous reputation<br>Salinas was recognized by the city of his birth, Bastrop, Texas in 1960, when he<br>was fifty years old. He had a solo exhibition at the Witte Museum in San Antonio<br>in 1962. His work was widely published by the New York Graphic Society, which<br>added to his national reputation. In 1967 his work illustrated a book titled<br>Bluebonnets and Cactus that was published in Austin.<br><br>Salinas died on April 18, 1973, after a brief illness. He was memorialized in<br>the City of Austin with Porfirio Salinas Day in 1973. Ruth Goddard wrote a book<br>titled Porfirio Salinas that was published two years after his death. There is a<br>Youth Art Exhibition showcasing work by K-12 students, named after the artist,<br>held each year in Bastrop. In celebration of the centennial of Salinas' birth,<br>the Witte Museum mounted an exhibition titled Porfirio Salinas: Painting South<br>Texas that opened on October 16, 2010, and ran to March 20, 2011.<br><br>Artistic production<br>The professional career of Porfirio Salinas stretched to more than forty years.<br>According to the art historian Jeffrey Morseburg, he is estimated to have<br>painted between two and three thousand works. His work is divided among a number<br>of subjects, but Hill Country landscapes of the Texas bluebonnets predominate.<br>The bluebonnet landscape has remained eternally popular with both collectors of<br>historic Texas paintings and contemporary artists. Salinas also painted many<br>scenes of Texas red oak trees in the autumn and prickly pear cactus. There were<br>also scenes of the Texas desert in the Texas Panhandle and of arid West Texas.<br>Salinas made trips to Mexico and painted rural Mexican villages and the<br>volcanoes that are south of Mexico City. For Mexican American audiences, Salinas<br>painted small scenes of bullfights, cockfights and Mexican fandangos.<br><br>Personal life<br>Salinas married Maria Bonillas, a Mexican woman who worked for the Mexican<br>National Railways, in San Antonio in 1943. They had a single child, Christina<br>Maria Salinas, who was born in 1945. Maria Bonillas Salinas helped manage her<br>husband's career. The Salinas home and studio was located at 2723 Buena Vista<br>Street in San Antonio. It consists of a small stone home with a detached studio.

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Porter Blanchard Modernist Sterling Ice Tongs. Nice pair of Heavy American sterling super cool ice tongs.. Very clean as found estate condition with no significant wear or damage. Slight tarnish, I can hand polish before shipping upon request. 83.7 grams 6" long. Porter George Blanchard (1886–1973) was an American silversmith living and working in Pacoima, California. He is considered to be part of the Arts and Crafts Movement. Blanchard learned the trade of the silversmith from his father, George Porter Blanchard in Gardner, Massachusetts. In 1923, Blanchard moved to Burbank, California, where he established a studio for silversmithing.[3] Between the 1930s and 1950, he operated a shop in Hollywood. He then worked from his home in Pacoima from the 1940s until his death in 1973.[4] His daughter Alice Blanchard married Lewis Wise, who conducted business as Porter Blanchard Silversmiths in Calabasas, California. After 1955, all Porter Blanchard flatware was made at the Calabasas shop, while the holloware was made at Blanchard's Pacoima home. His daughter Rebecca married Allan Adler, who continued designing as a silversmith in the Arts and Crafts tradition. Blanchard was a member of the Boston Society of Arts and Crafts and was awarded their title of medalist in 1944 tw187

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1950's Rosenthal HEIDENREICH Seagull Figures Pair<br><br>Looks splendid. Acknowledged artist, ceramist and sculptor Fritz Heidenreich<br>(1895 – 1966) designed this figure in 1934. He was a Rosenthal employee from<br>1919 to 1960, and from 1946 onwards the head of the art department in Selb. He<br>always tried to find contemporary ways of expressing his sense of forms. The<br>most famous of his works is vase called ‘Pregnant Luise’ (‘Orchideenvase’). All<br>Rosenthal famous Op-Art was started after he introduced this vase. He is also<br>well known for fish group ‘Scalare’, which was awarded with Grand Prize in Paris<br>in 1937. Seagull is marked on the backside with standard Rosenthal, Germany mark<br>in green identifying production of late 1950s.<br>They are 7.25" and 9" tall with 9" and 12" wingspans. Condition is immaculate<br>with no cracks or chips found. Colors are bright and vibrant.<br>isshelf

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Pr Antique Asian Brass Vases with ornate Repousse work. Very nice pair of 19th<br>to very early 20th century vases with the most amazing hand done repousse/etch<br>work. 3.75" tall x 4.25" wide with no significant issues or damage. Selling the<br>pair.<br>tw206

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Pr Antique Chinese Famille rose Monk Figures. 8.5" tall with no cracks, chips, or restorations. Last half of 19th century. tw106

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Pr Antique Meissen Potpourri vases model number 884 and artists mark 70, blue<br>crossed swords mark with cancellation, with iron read 9; 19th C., after a model<br>by Johann Friedrich Eberlein from 1747. Base and bowl fired in two pieces and<br>screw-mounted, with decorative cap on interior. Measurements Height: each, with<br>lid 13 inches Width: 6 3/4 inches Diameter: bowl, 6 1/8 inches Weight Each: 6<br>lbs. 8.5 oz. Combined: 13 lbs. 1 oz.<br><br>Condition: Each with minor areas of restoration to some flowers first vase: babe<br>and seated woman with losses to feet and one babe lacking right leg, with losses<br>to flowers, and leaves; second vase: babe and seated woman with losses to one<br>foot each, with losses to flowers, most notable to cover's finial, cover<br>interior rim with 1 3/4 inch chip to underside, with associated crack 5 3/4<br>inches in length and associated minor areas of restoration, and with repaired<br>chip approximately 1/2 inch in length. One with Factory firing flaw in base<br>where the porcelain is joined on the top, only visible on exterior with very<br>close examination.

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Pr Duchin Sterling Weighted Candelabras 3 lite. These are in exceptional<br>condition, while these are typically banged up and tarnished, these don't appear<br>to have ever even been used. No dents, no wax residue, slight tarnish that will<br>clean easily, the tops are threaded and removable, you won't find a cleaner set.<br>6.5" tall x 11" wide each.TW213

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Pr Vintage Native American shell inlay earrings. Well made with artisans mark. 11.2 grams marked and tested sterling, no damage or issues.

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Pr Vintage Native American Sterling/natural stone channel inlay earrings. High quality pair of earrings unmarked, tested sterling 21.2 grams total weight.

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Pre 1850 Staffordshire transferware multicolor medici and pearlware historical bowl. Selling the three pieces shown with no cracks, chips, or restorations. Cup is 3.5" wide x 3 1/8" tall, saucer is 6 1/8" wide, bowl is 6 3/8" wide. tw148

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery or art. I<br>bought a collection, the collectors are no longer with us so I'm having a<br>difficult time with it but I'm sure it's all old. I probably won't list it all<br>at once, but it's all pre Columbian and guaranteed to be so. I won't lie about<br>regions or centuries because I don't know all that and don't have time to become<br>an expert. I'm going to try to pass on what I would pay to a good auction house<br>to you.<br><br>This piece is 8.5" tall with base x 3 3/8" wide without base. It has a no<br>brainer patina and was mounted on the metal base at a later date for display.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. This piece is 7.25" tall x 3 7/8" wide. A few small patinated nicks off right side headdress. Old chip at bottom of hole for smoke. No other damage.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>This piece is 4.5" tall x 5" long. No cracks, chips, or restorations.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 5", there seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 8 pieces, largest piece is 4", there seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 7 pieces, largest piece is 3.5" the whistle works but has an old repair. Seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 6 pieces, largest piece is 4 3/8" pedant is 2" seems to be some ancient chips.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces one pipe or whistle looks to have old chips and possibly be<br>missing some feet. One face appears to be a shard, another face effigy, and some<br>sort of funnel or incense cover. Largest piece is 3 7/8"

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>Selling 4 pieces, they're all four very heavy like store, but appear to be made<br>from clay. The larger 5" head appears intact, the other pieces seem to be<br>missing limbs possibly.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought a collection, the collectors are no longer with us so I'm having a difficult time with it but I'm sure it's all old. I probably won't list it all at once, but it's all pre Columbian and guaranteed to be so. I won't lie about regions or centuries because I don't know all that and don't have time to become an expert. Selling 5 pieces, largest piece is 4 3/8", it's been broken and glued, there seems to be some ancient chips. The whistle works very well, missing horn.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>This piece is 6" tall x 7.5" wide. No notable damage other than an old chip on<br>the rim. No cracks or restorations.

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Guaranteed 100% 30 day guarantee to be authentic pre Columbian pottery. I bought<br>a collection, the collectors are no longer with us so I'm having a difficult<br>time with it but I'm sure it's all old. I probably won't list it all at once,<br>but it's all pre Columbian and guaranteed to be so. I won't lie about regions or<br>centuries because I don't know all that and don't have time to become an expert.<br><br>This piece is 3.5" wide x 9" long. No cracks, chips, or restorations. I'm not<br>sure what it is. It doesn't whistle just by blowing in it, probably an art to<br>it.

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Pre-Columbian Aztec Jaguar Warrior figures and head shard. Selling both out of<br>an important collection of world artifacts all purchased through major auction<br>houses/reputable galleries. The receipts I did find showed price was no object.<br>I feel really fortunate to be able own these items even if just for a short time<br>and to be able to offer them at a fraction of what they last sold for. The<br>collector collected for himself and was low key as are his heirs, so as much as<br>I would love to acquire more provenance on each item it's just not possible at<br>this point without being intrusive, then possibly still not possible.<br><br>The head shard is great and all, measures 4.75" wide x 4.25" tall with loss<br>shown, likely broken at the neck and part of a large figure. This Jaguar warrior<br>is absolutely amazing, polychrome decorated, has an amazing "no brainer" to me<br>patina overall. Very realistic figure made by a skilled potter at the time. 6"<br>tall with old restorations to clean break at head, base of sword, and one leg.<br>Even though this is not incredibly large it is incredibly nice and my guess is<br>the previous owner paid thousands of dollars for this figure. Selling both<br>pieces shown. Guaranteed over 500 years old.

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Pre-Columbian Mayan Pottery Head 3.5" tall, no restorations. isshelf

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