Vintage Navajo turquoise/Modernist sterling silver cufflink collection/lot. Weight and measurements in the pictures. Solid sterling silver except the turquoise ones have sterling fronts but brass backs. Selling the lot shown.

Read more less

Vintage Mid Century Modern David Andersen Norway sterling silver cufflinks. Great cufflinks with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa mid 20th century. Listed with ExportYourStore.com

Read more less

Antique 14k yellow gold Carnelian Agate chicken-rooster cufflinks/buttons. Great cufflinks with no issues, tested and guaranteed solid 14k gold, any marks detected, weight, and measurements will be shown in the pictures. 19th century, illegibly signed on the reverse side. One with chip as shown. These could easily be adapted as earrings.

Read more less

c1950 Horace Iule Zuni sterling silver knifewing cufflinks with turquoise. Great cufflinks with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa mid 20th century.Horace Iule, Zuni Pueblo Jeweler (1901-1978)Zuni Pueblo artist Horace Iule learned silversmithing from his father and eventually became an expert of the casting method. He was one of the first from Zuni Pueblo to create the Knifewing God in silver. Horace began working as a silversmith in the 1930s after returning from school in Phoenix where he had studied blacksmithing.Horace Iule (1901-1978), pronounced Ai-ú-le was a third-generation silversmith. His grandfather, a man known as Sneezing Man, was identified by John Adair in his book The Navajo and Pueblo Silversmiths as one of the first silversmiths at Zuni Pueblo.Horace Iule also taught jewelry making at Zuni Day School, teaching and influencing a whole generation of Zuni smiths. Horace taught his son Wilbur Iule who carries on the tradition.

Read more less

c1950 Vintage Zuni sterling silver turquoise square cut inlay cufflinks. Great cufflinks with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa mid 20th century.

Read more less

Vintage Tiffany sterling silver Hematite barbell cufflinks. Weight and measurements in the pictures. Solid sterling silver, marked as shown with no issues. Guaranteed authentic.

Read more less

Vintage Southwestern sterling silver coral/Onyx/shell/jasper cufflinks lot Great cufflinks with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa third quarter of the 20th century. Selling all 4 pairs.

Read more less

Vintage 18k gold gold high grade Lapis Lazuli cufflinks. Great cufflinks with no issues, tested and guaranteed solid 18k gold, any marks detected, weight, and measurements will be shown in the pictures. Circa mid 20th century.

Read more less

40‘s-50‘s Vintage Zuni sterling silver sunface/Kachina inlay cufflinks. Great cufflinks with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa mid 20th century.

Read more less

Lucien Piccard 14k gold Tiger‘s Eye, and pearl cufflinks. Vintage, guaranteed authentic in amazing condition with no issues. Weight and measurements in the pictures.

Read more less

c1950‘s Modernist sterling high grade turquoise cufflinks. Weight and measurements in the pictures. Solid sterling silver, unmarked. Very high quality workmanship and stones

Read more less

Vintage Zuni snake eye coral sterling silver cufflinks. Weight and measurements in the pictures. Front parts are Native American made and solid sterling silver, unmarked. The backs are not sterling or Native American made.

Read more less

c1950 Zuni Rainbow Man sterling flush inlay turquoise cufflinks. Functional and cool as they come. Marked sterling on inside of bars along with pat number.

Read more less

Vintage Sterling concho cufflinks. Third quarter of 20th century, unmarked. Conchos are solid cast sterling, the hardware on the backs aren‘t sterling. Weight and measurements in pics.

Read more less

1950‘s Zuni Channel inlay Sterling thunderbird cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

Read more less

Mid Century Gem Silica sterling modernist cufflinks. Very attractive and rare stones. One swivels freely with no spring to catch it, one with back pointing in weird direction but appears to be made like that. Both solid sterling, unmarked

Read more less

Vintage Chinese silver Kanji characters cufflinks. Illegible hallmarks on reverse. From the second quarter of the 20th century, possibly older.

Read more less

1950's Zuni Channel inlay Sterling horse head cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

Read more less

Large 30's-40's Navajo hand stamped silver buttons/ornaments turned cufflinks. Very large, compared to US penny for scale.

Read more less

50's-60's Zuni Flush inlay Sterling Turquoise, Coral, and Jet modernist cufflinks 19.2 grams, 1 1/15" x .75" face. Functional and cool as they come. Marked sterling on sides of bars.

Read more less

c1970's Navajo silver claw form channel inlay cufflinks. Sterling thick face, base metal hardware. 1" long.

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Pre-columbian style cufflinks.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Mixed metals cufflinks 1 3/8" x 1" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling/Onyx cufflinks. Faint hallmark as shown, .5" x 1.5" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling cufflinks 13/16" 9/16" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Macaw cufflinks .75" face.Antonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

18k Gold French Art Deco Lapis cufflinks for Nieman Marcus. I don't recognize the hallmark but these are the highest quality, similar to that of Van Cleef & Arpels, Boucheron. I feel this is likely an obscure hallmark only used for a short time by a well respected company such as the ones mentioned. 11/16" face, 16 grams.

Read more less

Marvin c Lomaheftewa Hopi silver cufflinks 7/8" wide, 10.7 grams.<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling Amethyst cufflinks 18mm<br>wide 12.9 grams. William Spratling(1900-1967) Spratling, an architect and artist<br>who taught at Tulane University in New Orleans, came to Mexico in the late 1920s<br>and settled in the city of Taxco. Having developed an interest in Mesoamerican<br>archaeology and culture from his colleagues at Tulane, he traveled to Mexico for<br>several summers lecturing and exploring. He sought out remote villages in the<br>state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the<br>Aztec language, was spoken. Spratling collected artifacts and contemporary<br>indigenous crafts. Spratling made a fortune manufacturing and designing silver,<br>but his true life's work was to conserve, redeem, and interpret the ancient<br>culture of his adopted country. He explained for North American audiences the<br>paintings of Mexico's modern masters and earned distinction as a learned and<br>early collector of pre-Columbian art. Spratling and his workshop gradually<br>became a visible and culturally attractive link between a steady stream of<br>notable American visitors and the country they wanted to see and experience.<br>Spratling had the rare good fortune to witness his own reputation -- as one of<br>the most admired Americans in Mexico -- assume legendary status before his<br>death. William Spratling, His Life and Art vividly reconstructs this richly<br>diverse life whose unique aesthetic legacy is but a part of its larger cultural<br>achievement of profoundly influencing Americans' attitudes toward a civilization<br>different from their own.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling mixed metal cufflinks.<br>Each side 18mm x 14mm, 15.3 grams. William Spratling(1900-1967) Spratling, an<br>architect and artist who taught at Tulane University in New Orleans, came to<br>Mexico in the late 1920s and settled in the city of Taxco. Having developed an<br>interest in Mesoamerican archaeology and culture from his colleagues at Tulane,<br>he traveled to Mexico for several summers lecturing and exploring. He sought out<br>remote villages in the state of Guerrero, 110 miles from Mexico City, where in<br>some places Nahuatl, the Aztec language, was spoken. Spratling collected<br>artifacts and contemporary indigenous crafts. Spratling made a fortune<br>manufacturing and designing silver, but his true life's work was to conserve,<br>redeem, and interpret the ancient culture of his adopted country. He explained<br>for North American audiences the paintings of Mexico's modern masters and earned<br>distinction as a learned and early collector of pre-Columbian art. Spratling and<br>his workshop gradually became a visible and culturally attractive link between a<br>steady stream of notable American visitors and the country they wanted to see<br>and experience. Spratling had the rare good fortune to witness his own<br>reputation -- as one of the most admired Americans in Mexico -- assume legendary<br>status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Moonstone cufflinks, No<br>issues whatsoever, fully functional. 20mm x 18mm face, 14.3 grams.Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks, No issues<br>whatsoever, fully functional. 20mm square, 21.2 gramsAntonio Pineda<br>(1919-2009)In the mountain town of Taxco in Mexico’s state of Guerrero,<br>large-scale mining can be dated to thesixteenth century, and silver is a way of<br>life. In the years following the Mexican Revolution (1910–20), jewelry and other<br>silver objects were crafted there with an entirely innovative approach,<br>informedby modernism and the creation of a new Mexican national identity. Today,<br>at the age of 89, AntonioPineda is one of two living members of the Taxco School<br>and is recognized as a world-class designerand a Mexican national treasure.<br>Nearly two hundred examples of Pineda’s acclaimed silver work willbe displayed<br>in Silver Seduction: The Art of Mexican Modernist Antonio Pineda, a<br>travelingexhibition debuting at the Fowler Museum Aug. 24, 2008.Significantly,<br>given Pineda’s many accomplishments and international renown, he identifies<br>himselfprimarily as a taxqueño, or Taxco, silversmith. From its inception, the<br>Taxco movement broke newground in technical achievement and design. While<br>American-born, Taxco-based designer WilliamSpratling has been credited with<br>spearheading the contemporary Taxco silver movement, it was agroup of talented<br>Mexican designers who went on to establish independent workshops and develop<br>thedistinctive “Taxco School.” These designers incorporated numerous aesthetic<br>orientations—Pre-Columbian art; silverwork, images, and other artwork from the<br>Mexican Colonial period; andlocal popular arts—merging them within the broad<br>spectrum of modernism.Pineda himself is lauded for his bold designs and<br>ingenious use of gemstones. Silver Seduction tracesthe evolution of his work<br>from the 1930s–70s, and includes more than fifty each of necklaces andbracelets,<br>as well as numerous beautiful rings, earrings and diverse examples of his<br>hollowware andtableware. All of the works feature Pineda’s hard-to-achieve<br>combination of highly refined and hand-wrought appeal.Pineda’s jewelry is<br>especially known for its elegant acknowledgment of the human form. It is<br>oftensaid that a Pineda fits the body perfectly, that it feels right when it is<br>worn. So, for example, a thickgeometric necklace that might at first glance seem<br>too weighty or rigid to wear comfortably is, in fact,faceted, hinged, or<br>hollowed in such a way that it gracefully encircles the neck or drapes<br>seductivelydown the décolletage.In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with asmuch ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 28mm x 20mm x 25.1 grams. Antonio Pineda<br>(1919-2009)  Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling Frog in pool cufflinks,<br>fully functional with no issues. 16mm x 12mm x 16.5 grams. William<br>Spratling(1900-1967) Spratling, an architect and artist who taught at Tulane<br>University in New Orleans, came to Mexico in the late 1920s and settled in the<br>city of Taxco. Having developed an interest in Mesoamerican archaeology and<br>culture from his colleagues at Tulane, he traveled to Mexico for several summers<br>lecturing and exploring. He sought out remote villages in the state of Guerrero,<br>110 miles from Mexico City, where in some places Nahuatl, the Aztec language,<br>was spoken. Spratling collected artifacts and contemporary indigenous crafts.<br>Spratling made a fortune manufacturing and designing silver, but his true life's<br>work was to conserve, redeem, and interpret the ancient culture of his adopted<br>country. He explained for North American audiences the paintings of Mexico's<br>modern masters and earned distinction as a learned and early collector of<br>pre-Columbian art. Spratling and his workshop gradually became a visible and<br>culturally attractive link between a steady stream of notable American visitors<br>and the country they wanted to see and experience. Spratling had the rare good<br>fortune to witness his own reputation -- as one of the most admired Americans in<br>Mexico -- assume legendary status before his death. William Spratling, His Life<br>and Art vividly reconstructs this richly diverse life whose unique aesthetic<br>legacy is but a part of its larger cultural achievement of profoundly<br>influencing Americans' attitudes toward a civilization different from their own.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling cufflinks 30mm both ways,<br>10.8 grams. Fully functional with no issuesWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

Read more less

Fred Davis (1880-1961) Taxco Modernist sterling cufflinks 30mm x 11mm x 20.9<br>grams.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Sterling Onyx cufflinks 18mm square,<br>19.9 grams. Antonio Pineda (1919-2009)  Pineda’s jewelry is especially known for<br>its elegant acknowledgment of the human form. It is often said that a Pineda<br>fits the body perfectly, that it feels right when it is worn. So, for example, a<br>thick geometric necklace that might at first glance seem too weighty or rigid to<br>wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it<br>gracefully encircles the neck or drapes down the décolletage.  In addition, no<br>other taxqueño jeweler used as many costly semiprecious stones or set them with<br>as much ingenuity, skill, and variety as did Pineda. Only the most talented of<br>silversmiths could master.

Read more less

Antonio Pineda (1919-2009) Taxco Modernist Cat's Eye sterling cufflinks, No<br>issues whatsoever, fully functional. 29mm x 25mm face, 27 grams. Antonio Pineda<br>(1919-2009) Pineda’s jewelry is especially known for its elegant acknowledgment<br>of the human form. It is often said that a Pineda fits the body perfectly, that<br>it feels right when it is worn. So, for example, a thick geometric necklace that<br>might at first glance seem too weighty or rigid to wear comfortably is, in fact,<br>faceted, hinged, or hollowed in such a way that it gracefully encircles the neck<br>or drapes down the décolletage.  In addition, no other taxqueño jeweler used as<br>many costly semiprecious stones or set them with as much ingenuity, skill, and<br>variety as did Pineda. Only the most talented of silversmiths could master.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 22mm square, 12.7 grams. William Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

Read more less

William Spratling(1900-1967) Taxco Modernist sterling fist cufflinks, fully<br>functional with no issues. 20mm wide, 14.7 gramsWilliam Spratling(1900-1967)<br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

Read more less

c1970's Modernist Sterling Cufflinks by Ed Harris 7/8" square, 23.2 grams total.

Read more less

Sterling Paul Harrie "Tectonic" Series Style cufflinks. Sterling cufflinks with Art glass shards in mortar. I have had a few Paul Harrie pieces and these are very similar but I'm not sure. I'm sure they are cool and sterling though. 11.8 grams.

Read more less

50's-60's Navajo sterling cufflinks. Nice large set of vintage cufflinks 1.25" x<br>7/8" faces, 19.8 grams.

Read more less

1950's Modernist Cufflinks Southwestern Legal Center Texas Oil Derricks Lawyer Gift. Cool and unusual cufflinks with no issues. The front parts are 15/16"

Read more less

Mid Century Austrian Roulette wheel cufflinks. High quality cufflinks, I believe brass or gold filled, no damage. They each have functional roulette wheels with center knob that spins them..

Read more less

Vintage collection cufflinks money clips, tie clips, etc. Selling the lot from the third quarter of the 20th century, most cufflinks have mates, a few don't. Please no questions as the lot will be inaccessible after listing until sold. Some gold filled, some sterling, nothing with any significant wear or damage, dog money clip has a pocket knife an nail file. If you're thinking "Why didn't he take 10 pictures of this in every picture imaginable then spend twenty minutes describing each item?" The answer is I would have had to charge twice as much for it if I did that and I would rather sell this for a good deal. It has to be a good deal at this price.

Read more less

Mid Century Modernist sterling and wood cufflinks. Both marked sterling with no<br>other markings, great pair of possibly one of kind cufflinks from the third<br>quarter of the 20th century.

Read more less

Large Vintage Sterling Grey/Blue Cat's Eye Cufflinks. Large oversized cufflinks 25.6 grams with no significant issues.

Read more less

Mid century modern sterling cufflinks. They appear either Scandinavian or Native<br>American :). They are really cool, circa mid 20th century, each marked sterling<br>inside bars. Selling the pair shown

Read more less

1926 1927 Silver sixpence cufflinks with gilt sterling mounts. Extremely high quality cufflinks with no issues, possibly never worn.

Read more less

Vintage Gumps Jade/Sterling cufflinks. No damage, ready to use. Gumps always used high quality jade.

Read more less

Retro Tiffany 18k ropes on Sterling Cufflinks. Nice pair of authentic Tiffany<br>cufflinks, very well made with little to no wear. Strong springs on back make<br>audible click when the lever is moved. No issues.

Read more less

2 pr Sterling Turquoise and Nephrite jade cufflinks. Selling the two pairs<br>shown, round ones marked 835 and a makers mark, I think they are nephrite jade<br>but could be wrong, the others are natural turquoise and marked sterling on the<br>sides of the back.

Read more less

Antonio Pineda (1919-2009) Los Castillo Modernist space age sterling cufflinks 1 5/16" x .75" face, 24.7 grams.Pineda is one of two living members of the Taxco School and is recognized as a world-class designer and a Mexican national treasure.   Pineda’s jewelry is especially known for its elegant acknowledgment of the human form. It is often said that a Pineda fits the body perfectly, that it feels right when it is worn. So, for example, a thick geometric necklace that might at first glance seem too weighty or rigid to wear comfortably is, in fact, faceted, hinged, or hollowed in such a way that it gracefully encircles the neck or drapes down the décolletage.  In addition, no other taxqueño jeweler used as many costly semiprecious stones or set them with as much ingenuity, skill, and variety as did Pineda. Only the most talented of silversmiths could master.

Read more less

Vintage Southwestern Sterling and agate cufflinks. No issues.

Read more less

Harold Clifton Fithian (1905-1972) California Modernist sterling cufflinks. 7/8" x 5/8" face 20.8 grams. Harold Fithian (1905-1972) was an all-American romantic figure - he was born and raised in Southern California - studied acting with Edna Ames and worked on the back lot of Universal Studios in Hollywood in the 1920s - was a labor organizer and friend of Woody Guthrie in the 1930s and 40s - a well-known designer and metalsmith in the 1950s and 60s - and he is probably best known for his modernist cufflinks and other mens jewelry.

Read more less

Vintage sterling silver agate cufflinks. Nice old pair of mid century sterling cufflinks with no damage, nice and tight at hinges.

Read more less

3 Pairs of Retro Sterling cufflinks. 3 pairs of nice sterling cufflinks with no<br>issues. The onyx/shell intarsia inlay ones are signed by the artisan illegibly<br>on the back, they are really nice. Selling all three pairs for one price.<br><br>anderas

Read more less

Hand Engraved L monogram Sterling Cufflinks. High quality completely handmade<br>from the first half of the 20th century, unmarked (tested) sterling. 9.1 grams.

Read more less

Mid Century Modernist Sterling horse head cufflinks. These are about as cool as<br>cool gets and very well made. No identifying marks other than sterling. They<br>appear to be horses or dragons, or something of that sort. 27.6 grams.<br>anderas

Read more less

Everett MacDonald (1924-1991) Laa Beach, CA Modernist Sterling silver Abstract<br>cufflinks. No issues.<br><br><br>Everett Macdonald, whose Beach shop opened in 1947. Macdonald created open<br>sculptural silver and gold jewelry, often utilizing nylon monofilament within<br>the negative spaces of his pendants and earrings, reminiscent of sculpture by<br>Henry Moors and Naum Gabo.<br><br><br>anderas

Read more less

Mid Century 835 Silver Modernist cufflinks. No issues. 16.4 grams.

Read more less

Spiro Agnew Richard Nixon Presidential Tie Bar/Cufflinks Apollo XIII Lot from the estate of Master Sergeant Orson L Kelly Jr who was a pilot for Air force one during 4 different presidential Administrations. No damage or issues. These are gold colored not gold and are authentic period items from the late 1960's.

Read more less

30's-40's Navajo Stamped sterling/turquoise cufflinks. Great, 1" x 7/8" face 11<br>grams. These are extremely special, bordering on as good as they get which is of<br>course subjective.

Read more less

Vintage Guatemalan 900 silver Mayan style cufflinks 900 silver fronts, possibly<br>gold plated, alpaca backs so they'll be stronger. 8 grams.

Read more less

Mid Century Modern Taxco Mixed Metals and Chip inlay cufflinks. A great amount<br>of time was invested in creating these unique pieces. It is a very interesting<br>composition all hand made, one you must have in your collection. The clips are<br>in excellent working condition. Each one measures: 1 X 1 in . They are fully<br>marked as follows: CP, STERLING , 925, TAXCO , MEX,<br><br>No damage or issues, as clean as they come.

Read more less