This is an incredibly interesting one of a kind item. It's definitely old,<br>guaranteed 1920's to 1970's, I'm guessing 50's or 60's from the hairstyle and<br>patina of both the wood and the copper. It's in its original homemade frame with<br>an old plywood back. Really interesting, definitely not mass produced. Measures<br>12 5/8" x 9 3/4". I can't find any indication of it's artist. Since I haven't<br>owned it since it's conception, it's hard to tell if it's in original condition<br>or has some dents.

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Frame measures 29" x 41", Painting measures 24" x 36" painted on 1979 by Calvin<br>Canepa who can be read about below. The painting is undamaged and has not been<br>restored, canvas is tight, frame is also in great condition.<br><br>Not many people are “discovered” in kindergarten, but Calvin Canepa’s artistic<br>talents were apparent at the age of 5.<br><br>“The superintendent of the Lake Tahoe school district saw a painting I did and<br>was impressed,” Canepa said.<br><br>“He contacted my mother and told her that she should expose me to as many<br>outdoor scenes as possible so I could further develop my artistic abilities.<br><br>“I had the first exhibition of my work when I was in the first grade.”<br><br> Canepa is a self-taught fine artist. He concentrates on outdoor scenes and<br>still lifes. The area around Lake Tahoe and the Sierra Nevada foothills serves<br>as the subject for most of his paintings.<br><br>When Canepa isn’t painting or exhibiting his art, he works as a clerk at the<br>Bel-Air market in Cameron Park. “When my daughter came to live with me,<br>following the death of her mother, I needed a job with health benefits that<br>would cover both of us,” he recalled. “I also wanted to work less than 40 hours<br>a week so I could have more time to concentrate on my painting. “That’s why I<br>applied to work at Bel Air. It was a Union job and I could work less than<br>full-time and still be eligible for benefits.<br><br>‘The only way to go’<br><br>“I also had an uncle and two cousins who were Union members and worked for<br>Lucky. I saw how they lived a solid middle-class lifestyle, so I knew Union was<br>the only way to go.”<br><br>Canepa works the overnight shift because it lets him paint and market his art<br>during the day.<br><br>“Selling paintings is an up-and-down business,” Canepa said. “Having a secure<br>Union job with benefits has been a lifesaver for me.”<br><br>His union-negotiated health benefits were especially useful when he had to have<br>back surgery seven years ago.<br><br>“I was out of work for six months,” Canepa said. ”Everything was taken care of.<br><br>I didn’t have to worry about how I was going to pay for the surgery and could<br>concentrate on getting better.”<br><br>Canepa’s goal is to get his art into more galleries and eventually into museums.<br>“Having your work hang in a museum would be very prestigious,” he said.<br><br> “But showing my work in as many galleries as possible is also important,<br>because I can sell more of my paintings.”<br><br>One of Canepa’s paintings sold for $14,000 to Bank of America and still hangs in<br>the bank’s corporate offices.<br><br>Although he is nowhere near retirement age, Canepa plans to keep working as long<br>as he can.<br><br>“Work sharpens my artistic abilities,” Canepa said. “Having less free time is<br>good, because you need a sense of urgency to paint. If you have too much time on<br>your hands, you can get lazy.<br><br>More information about Canepa’s artwork can be found at his<br>website, www.calvincanepafineart.com.

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1920's Missouri and Kansas Telephone Company Blue Bell Paperweight. No cracks or chips, A few very very tiny mold seam chigger bates on base rim. Right after the turn of the century the blue bell paperweights made their debut within the Bell System appearing on employee's desk. It is believed Fenton Glass Co. manufactured these paperweight starting around 1910 until 1930. The individual companies within the bell system ordered these paperweights with their names in white stencling on the front and Local & Long Distance Telephone on the back side. However there several exceptions to this, two of them being Mountain States Telephone and Western Electric Company. The blue paperweights were manufactured in ice blue, peacock blue, and colbalt blue. isshelf

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I really don't try to talk things up very often, but this is a really nice<br>piece. This piece has a really nice patina all over front and back. It's never<br>been to an auction house or online ever. I really don't know whether it's from<br>the thirties or the sixties. I don't think it's 19th century. It's good quality<br>with a nice patina. It's the kind of piece that would stand out in any<br>environment and match at the same time. It's made out of no telling how many<br>thousands of wooden matches. You have to examine really closely to see any<br>traces of glue, I'm talking like 6". At that distance you can definitely tell<br>the wood and the glue are at least 50 years old. Everything about the back says<br>it's old. Old rope, old nails, slight old patinated rust. It'd be way more<br>trouble to fake this than it's worth. That's probably enough matches to give<br>three people cancer. It's extremely intricate, I've seen other matchstick stuff<br>that was like jailhouse stuff from the 70,'s. Nothing even close to this. All<br>the work that went into this, this guy would've had to have a life sentence. The<br>woods are really nice, the back board looks like balsa wood, I don't know if<br>this is African or American. I assume it would be one of the two, but really<br>know nothing about it other than it's old and has the name Damala on it and of<br>course that it's in Austin and freshly exposed. It measures 33.75" x 25 15/16 to<br>outside of frame. No damage to report, it's old and there's some minor wear on<br>the frame, but it's clean. I don't know if DAMALA is the artist or the person<br>being depicted.

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French Baccarat Marcel Franck Escale Silver Overlay Atomizer perfume bottle. Extremely high quality bottle with a complex atomizer mechanism that appears functional. No tube, short stable crack in top of jar that stops before the shoulder of the jar. Still will hold liquid. Bottom Acid stamped Marcel Franck Made in France in circular logo. There is no Baccarat mark but it's obviously Baccarat. perfumedrawer.

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Original watercolors by listed artist Hans Kleiss. Frames measure 17.25" x 14", watercolors measure 11.5" x 9.5". Pictures are in great condition but the woman appears slightly off center in frame, an easy fix but I figured they're liable to shift in shipping so I'd leave as is.

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Frame measures 30.5" x 26.5" board measures 24" x 20" Frame and painting are in incredible condition. A couple tiny 1mm dings at the bottom left of her chair as shown in the third pic. There is a line across the top of the painting maybe 3/4" down, maybe where they made the board taller to fit this expensive frame, I'm not sure. It can only be seen with very cloud examination. I can find little info on the artist other than she was born in 1901.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" Vintage Navajo Heavy Stamped silver ribbed bracelet. Very high quality<br>work, unsure of exact age, no markings. 5.5" plus 1" gap, 20mm wide, 61 grams. I<br>really feel like it could likely be from the second quarter of the 20th century.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Barbara Bixby Sterling/18k Cuff bracelet. No damage or detectable wear, springed<br>hinge for easy removal.

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Antique Chinese Export silver Teapot with amazing repousse work. Built in<br>strainer in teapot, I was only allowed 10 pics. No dents, bends, scratches or<br>other issues. Late 19th century, Chinese, solid 90%+ silver. 10.5" handle to<br>spout x 6.5" tall with finial. 618 grams.

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Sz8.5 Large Vintage Native American Sterling/turquoise men's ring. Nice old<br>unmarked sterling ring 34.6 grams, big heavy ring. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 8 Ring.

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c1867 Heavy Armorial Sterling spoon set in presentation box.  They have the<br>crest of Hardcastle of Bury St. Edmunds.  Amazing set that most likely<br>originally belonged to someone of extreme importance.  Total silver weight 416.2<br>grams without box, British hallmarks dating it to 1867. Gilt bowls and accents,<br>some wear to gold gilding on accents. Large spoons 6 7/8" long with 1 7/8" wide<br>bowls.<br>silverdrawer

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Antique Japanese Black-Lacquer Suzuribako (Writing Box) and Cover, late Meiji or early Taisho Period. Amazing item in original box. Some wear to lacquer but overall clean in good condition. Outer box measures 8.75" x 6". Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. History The first suzuri-bako were developed in 9th-century Japan. At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture.[3] Inside of the square or rectangular boxes rested a number of different trays and holders, the layout of which differed from period to period.[2] Early boxes were large enough to accommodate both the writer's implements and papers, while later boxes only housed tools. A second type of box, the ryōshibako, were used in later periods to house completed papers. Suzuri-bako became more elaborate as over time. While early period boxes are often decorated with solid red lacquer, more modern boxes are decorated in any number of ways. From the Muromachi period onward, many writing boxes have been decorated with images from Japan's great works of literature. Kōdaiji Temple in Kyoto became associated with a style of Suzuri-bako decoration that featured asymmetrical patterns and autumn grasses. In terms of lacquerware, black, brown, and gold are the most common colors seen in more modern suzuri-bako. During the Edo period many dowries included a suzuri-bako. Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes. The craft declined after the wide scale replacement of calligraphy, though the boxes are still produced in small numbers.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sandcast Sterling/turquoise cuff bracelet. Very thick<br>solid old cuff bracelet with a stable fracture in the center of one of the bars,<br>it's strong and not going anywhere, won't get bigger or come apart as it's a<br>really tough bracelet.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern Hollow Knife<br>(Stainless blade) with sterling handle, 4 7/8" long blade. I have a small set of<br>this in "New old Stock" condition. They have never been out of the sleeve, never<br>used, this pattern was discontinued in 2019 so they have been in a drawer for<br>awhile and will be some wear to plastic sleeves but the pieces inside are<br>absolutely new and unused, not machine polished with a worn down pattern like<br>some of the big replacement patterns offer but new and not available anywhere at<br>any price in this condition. I'm still pricing them at way less than they cost<br>new and about what the big companies charge for a refinished piece that<br>typically has lost the original crispness of the pattern.<br><br>Selling (1) NEW Reed and Barton Francis 1 Sterling Silverware 8 7/8" Modern<br>Hollow Knife (Stainless blade) sealed in the pack, unused with more available.<br>You can change the qty to purchase more than one.<br><br>An American Classic, Francis 1st by Reed & Barton continues to be as popular<br>today as it was when it was introduced in 1907. The grandeur of this unique<br>sterling silver pattern, designed by Ernest Meyers, is enhanced by its fifteen<br>different fruit-and-flower clusters. Each handle bears one of these exquisitely<br>detailed vignettes. After 112 years this pattern was retired in 2019.

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19th Century Japanese Carved wood puppy netsuke 1 3/8" wide x 1" tall with no<br>damage apparently unmarked.<br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.

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Retro Sterling/Turquoise pendant. Unmarked, tested sterling. An amazing<br>statement pendant 4" tall x 7/8" wide. 102.1 grams, very thick and heavy solid<br>sterling.

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19th Century Japanese Carved Boxwood Toad Netsuke. 2 1/8" long x 1 1/8" wide,<br>very well carved with no damage, natural cracks in wood. Signed as shown.<br><br><br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.<br>Traditionally, Japanese clothing – first the kosode and its later evolution, the<br>kimono – did not have pockets. Though the sleeves of the kimono could be used to<br>store small items, the men who wore kimono needed a larger and stronger<br>container in which to store personal belongings, such as s, , money and seals,<br>resulting in the development of containers known as sagemono, which were hung by<br>cords from the robes' sashes (obi). These containers may have been pouches or<br>small woven baskets, but the most popular were crafted boxes (inrō) held shut by<br>ojime, sliding beads on cords. Whatever the form of the container, the fastener<br>which secured the cord at the top of the sash was a carved, button-like toggle<br>called a netsuke. Netsuke, like inrō and ojime, evolved over time from being<br>strictly utilitarian into objects of great artistic merit and an expression of<br>extraordinary craftsmanship. Netsuke production was most popular during the Edo<br>period (1603–1867). Netsuke and inrō declined as Japanese clothes were gradually<br>westernized from the Meiji period (1868–1912). Because of their popularity<br>amongst Western collectors at the time, some of the greatest collections are now<br>found outside of Japan

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19th Century Japanese Hirado School Porcelain Netsuke 1 7/8" tall x 1.5" wide<br>with no damage, 150ish years old.<br><br>A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century<br>Japan. Initially a simply-carved button fastener on the cords of an inrō box,<br>netsuke later developed into ornately sculpted objects of craftsmanship.<br><br>History<br><br>An "Off White" netsuke with an eagle design and an inrō with a deer design. The<br>combination of netsuke and inrō creates a story of an eagle preying on deer. Edo<br>period, 18th century<br>Traditionally, Japanese clothing – first the kosode and its later evolution, the<br>kimono – did not have pockets. Though the sleeves of the kimono could be used to<br>store small items, the men who wore kimono needed a larger and stronger<br>container in which to store personal belongings, such as s, , money and seals,<br>resulting in the development of containers known as sagemono, which were hung by<br>cords from the robes' sashes (obi).<br><br>These containers may have been pouches or small woven baskets, but the most<br>popular were crafted boxes (inrō) held shut by ojime, sliding beads on cords.<br>Whatever the form of the container, the fastener which secured the cord at the<br>top of the sash was a carved, button-like toggle called a netsuke. Netsuke, like<br>inrō and ojime, evolved over time from being strictly utilitarian into objects<br>of great artistic merit and an expression of extraordinary craftsmanship.<br>Netsuke production was most popular during the Edo period (1603–1867).<br><br>Netsuke and inrō declined as Japanese clothes were gradually westernized from<br>the Meiji period (1868–1912). Because of their popularity amongst Western<br>collectors at the time, some of the greatest collections are now found outside<br>of Japan

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sz7 Large High Grade Nevada Turquoise Native American Sterling ring. Very<br>substantial ring. This is not Robert Lee Morris, it's a Native American Artisan<br>just not sure who. 23.5 grams with no issues. I believe this to me Red Mountain<br>or Pilot Mountain Nevada Turquoise. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Antique Chinese Export silver pin cushion. Late 19th to very early 20th century.<br>2.75" wide x 1.5" tall. No damage, some expected wear to pin cushion which is<br>removable. High content pure silver.

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18th/19th century Japanese Jakushi school gold/silver/copper inlaid Iron Tsuba. With later custom fitted box. Tsuba 3 3/16" wide.

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Mid Century Modernist Los Ballesteros Sterling and Onyx bracelet. Very cool<br>bracelet from the third quarter of the 20th century with almost no issues or<br>detectable wear. One very small "chigger bite" on the outside rim of one of the<br>stones, not noticeable whatsoever.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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4 c1900 Meiji Japanese Hikite Door Handles . Selling the 4 shown, 2 pairs. One<br>with some holes from rust as shown, other enameled bronze. Enameled bronze pair<br>are 3" wide.

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Mid Century Modernist Los Ballesteros Sterling and Cat's Eye bracelet. Very cool<br>bracelet from the third quarter of the 20th century with no issues or detectable<br>wear.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Ancient Near Eastern bronze bracelet. 4 1/8" outside width, 2.75" inside width.<br>Very old, unsure of exact age. It has Elephants, Cicada's, Scorpions, Oxen,<br>Fish, lots going on. This is part of a large collection of artifacts I'm helping<br>liquidate, all purchased from reputable sources over the last quarter of the<br>20th century, money was no object. I'm pricing everything at a small fraction of<br>what it cost from the galleries/auctions. Just the displays alone must've cost a<br>small fortune. They come in a very fancy Steel/acrylic display case, case<br>measuring 6.5" cube, some wear/adhesive residue to case, figures 5 3/8" tall,<br>some wear to figures but no major breaks or repairs. The figures are over 3000<br>years old and guaranteed authentic.<br><br>isshelf

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c700bc Luristan bronze animal figures. Largest approx 3" tall and wide, selling<br>all three, guaranteed authentic with no questions asked returns. The two headed<br>figure appears to have once had a base. These were used as pendants/saddle<br>ornaments. This is part of a large collection of artifacts I'm helping<br>liquidate, all purchased from reputable sources over the last quarter of the<br>20th century, money was no object. I'm pricing everything at a small fraction of<br>what it cost from the galleries/auctions. Just the displays alone must've cost a<br>small fortune. They come in a very fancy Steel/acrylic display case, case<br>measuring 6.5" cube, some wear/adhesive residue to case, figures 5 3/8" tall,<br>some wear to figures but no major breaks or repairs. The figures are over 3000<br>years old and guaranteed authentic.<br><br>isshelf

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. David Reeves navajo Sterling Spiderweb turquoise/lapis cuff bracelet. Fits up to<br>a 6.25" wrist with a 1 1/8" gap, no issues.<br><br>David Reeves<br>(1949 - no longer with us)<br>“Navajo silversmith David Reeves was the older brother of Gary Reeves (now no<br>longer with us) and Daniel "Sunshine" Reeves. He taught them both the craft of<br>silversmithing, along with half-brothers Andy and Darrell Cadman.<br>David had an affinity for complex engraved and hand stamped geometric designs.<br>He was a part of recreating and popularizing the old Navajo designs of the early<br>20th century.”

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Antique Chinese silver Trumpet vases on wood stands. Selling the pair 8.5" tall<br>x 3" wide at rim x 260 grams total weight. Stands are original to the vases,<br>both circa last quarter of 19th century, no damage to stands or vases, no bends,<br>dents, no monograms. Amazing pair, each marked under the bases covered by the<br>wood stands.<br><br>I'll follow with more pictures later, this is the best I can do without changing<br>setups.

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Meiji Japanese Silver Enamel Tea Ceremony Set. Cchashaku with maker's mark, all<br>pieces with jungin (pure silver) hallmark, including: (1) cup, approx 3.75"h,<br>(1) narrow spoon with enamel-accented handle, approx 6.5"l, (1) chashaku with<br>enamel-accented handle, approx 6.5"l, (1) approx 5.25"l No damage or significant<br>wear. Nice antique set over 100 years old.<br><br>353.3 grams total weight.<br><br>tw163

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Early Korean Buncheong inlaid dish. 4.75" wide, small chips and glaze wear on rim, glaze wear to bottom of bowl, no cracks or restorations. tw147

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Old Pawn Childs Native American Silver/coral row cuff. Nice old cuff<br>from the 40's or 50's unmarked. 15.8 grams, fits up to a 4 7/8" wrist, 7/8" gap.<br><br>The inside circumference and gap are shown in the pics. All precious metals are<br>tested and guaranteed, any Native American jewelry referred to as Silver or<br>Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher<br>content.

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WW2 Era Japanese Pathology Surgical blade. The top of the blade inscribed<br>Nothung... Nacht, the case inscribed Keijo Imperial University School of<br>Medicine Department of Pathology, Common Pathology. So possibly German made<br>blade. A few small chips in blade, otherwise sharp, not sure what type of handle<br>it had but it's not present. Box is 12 1/8" long, some wear and lose joinery to<br>box.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling Turquoise cuff bracelet Nice old cuff from the<br>40's or 50's, I believe the stone was added later possibly in the 60's or 70's..<br>Unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling/Sodalite cuff bracelet<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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c1979 Shoraku Sasaki Raku Set: Shimadai Chawan Tea bowls. In original wood box approx 6" x 8", largest bowl 7" x 2.5", smallest bowl 6 1/8" x 3 1/8"...Gold and silver appears to be intentionally worn on both pieces but I'm not sure as I have not had these for 44 years, you be the judge. No cracks, chips, or restorations. These are from a very famous potter.

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c1900 French Haviland Limoges oyster plate. 9" wide with no cracks, chips, or restorations, some wear to gilding on rim. isshelf

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Autographed President Bill Clinton Photo with/to Andrew Sharp Peacock. Authentic<br>White house photo from the Living Estate of Australian Ambassador Penne Korth<br>Peacock, Wife of Andrew Sharp Peacock. I cannot explain why the signature is<br>faded, maybe an accident, maybe sun, maybe a change in political views? Not<br>sure, but This is an official White House Photo of the president and an<br>Australian Politician/diplomat given to him while in office and signed by the<br>President. It's in a simple frame behind glass and I will keep it that way to<br>preserve it. The photo is 8" x 10".<br><br>Andrew Sharp Peacock AC GCL (13 February 1939 – 16 April 2021) was an Australian<br>politician and diplomat. He served as a cabinet minister and went on to become<br>leader of the Liberal Party on two occasions (1983–1985 and 1989–1990), leading<br>the party to defeat at the 1984 and 1990 elections.<br><br>Peacock was born in Melbourne and attended Elsternwick Primary School and Scotch<br>College before studying law at the University of Melbourne. A former president<br>of the Young Liberals, he was elected to Parliament at the age of 27, filling<br>the blue-ribbon seat of Kooyong, vacated by Sir Robert Menzies. Peacock was<br>appointed to cabinet in 1969 by John Gorton and later served under William<br>McMahon and Malcolm Fraser. He held a variety of portfolios, most notably<br>serving as Minister for Foreign Affairs from 1975 to 1980. He unsuccessfully<br>challenged Fraser for the Liberal leadership in 1982, but was then elected as<br>Fraser's successor following the party's defeat at the 1983 election.<br><br>At the 1984 election, the Peacock-led Coalition slightly reduced the Labor<br>Party's majority. He resigned the Liberal leadership the following year after<br>failing to have his deputy John Howard removed; he was duly replaced by Howard.<br>He remained a member of the shadow cabinet, and in 1987 unsuccessfully<br>challenged Howard for the leadership; he was instead elected deputy leader.<br>Peacock returned as leader in 1989. However, his second term lasted less than a<br>year, as he resigned after another electoral defeat in 1990; he had won the<br>popular vote but failed to win enough seats. Peacock left politics in 1994 and<br>was later appointed Ambassador to the United States, serving from 1997 to 1999.<br><br>b1

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1950's German Schuco Clockwork Dancing Monkey Drummer. Feet embossed Schuco Patent Made in Germany. Box present with one end/flaps detached but present, Working condition with no key but I tested it using a clock key. He drums and dances. And yes he stands up, my pictures are taken with the camera pointing down at the toy on it's back and I like to get as close as possible. 5.5" tall. isshelf

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1950's German Schuco Clockwork Dancing Beer Drinking boy. This is as good as they get, super clean. Feet embossed Schuco Patent Made in Germany. No Box, Working condition with no key but I tested it using a clock key. He not only drinks beer from a stein but also he dances around in a circle. And yes he stands up, my pictures are taken with the camera pointing down at the toy on it's back and I like to get as close as possible. 5.5" tall. isshelf

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 244.4<br>grams. Smallest 5/8" tall 4.5 grams, very extensive set collected in the mid<br>20th century.

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 240.7 grams. Smallest 3/8" tall 1.4 grams, very extensive set collected in the mid 20th century.

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Vintage Native American Sterling turquoise ring size 4.75, great stone looks<br>like Royston, unmarked.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Antique Bronze Buddha Opium weight set. Southeast Asian, likely Burmese, 19th<br>century. Amazing to find a set, I've seen them sell indiviually in the $100<br>range, never seen a set. From an estate collection of Mostly Japanese antiques<br>with several sets of Opium weights collected in the mid 20th century. Heaviest<br>33.1 grams.

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Vintage Native American Sterling and turquoise freeform boulder ring. Very cool<br>ring, unmarked. size 7<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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1940's Japanese Hand Engraved 950 Silver compact. Large compact 4" 127.5 grams, hand engraved, no dents or bends, snaps shut well, some wear to gold gilding, no mirror but pice that would hold it in is intact and present.

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c1980's British Roadace Replica 1955 Mercedes Benz 300 SLR in Box. Average Wood base measures 2.25" x 1.25", car approx 1.5 or 35mm long. Selling the Exact car shown, car is perfect, some wear and or adhesive residue to box. Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have been sports and GT cars, sports racing cars, and Formula 1 racing cars. Models were cast in resin and individually painted by hand, including such details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was used for flat windscreens and occasionally metal was formed and used for details like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some are even smaller.

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Antique Japanese Lacquer on wood Kushi comb. No issues, has what appears to be a<br>natural curve, I believe it was carved that way. 4.75" x 3".

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c1980's British Roadace Replica Porsche 904 G.T.S Carrera In Box. Average Wood<br>base measures 2.25" x 1.25", car approx 1.5 or 35mm long. Selling the Exact car<br>shown, car is perfect, some wear and or adhesive residue to box.<br><br>Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s<br>to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have<br>been sports and GT cars, sports racing cars, and Formula 1 racing cars.<br><br>Models were cast in resin and individually painted by hand, including such<br>details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was<br>used for flat windscreens and occasionally metal was formed and used for details<br>like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some<br>are even smaller.

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sz4.5 Navajo Irvin Kee 14k Gem Grade Mediterranean red coral ring. Unmarked,<br>tested solid 14k gold. Most likely from the last quarter of the 20th century<br>though having next to no signs of wear. 4.9 grams. This is a really high quality<br>ring. I could not find much info on the artist but he did some really nice work<br>as evident here, but everything he did was really nice with the highest quality<br>stones and major attention to detail. He just wasn't very prolific, quality over<br>quantity it seems.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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Vintage Koshida Japanese Satsuma bowl 5" wide x 2" deep with no damage, overall<br>expected crazing, no major stains. Hand painted.

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Vintage Koshida Japanese Satsuma bowl 5" wide x 2" deep with no damage, overall expected crazing, no major stains. Hand painted.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Native American Sterling Carved Turquoise and row cuff bracelet. Nice solid cuff<br>in great condition from the third quarter of the 20th century. No detectable<br>markings.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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c1980's British Roadace Replica 1960's Lotus model collection. No detectable<br>issues or wear. Average Wood base measures 2.25" x 1.25", car approx 1.5 or 35mm<br>long. Selling the Exact 4 cars shown. I photographed one individually with the<br>intention of listing individually but I figured I would offer them as a group<br>for a better price. These are all quite rare as they were not mass produced,<br>historically they tend to average $125-$200 each. If I were to split up this<br>group I would want towards the higher end for just one but could potentially<br>work a deal on several. I'll be offering other makes and models separately,<br>these are really fantastic.<br><br>Roadace Replicas were made by hand in Mannamead, Plymouth, England in the 1970s<br>to 1990s. Principals were A. K. Dolton and B. E. Dolton. Principal subjects have<br>been sports and GT cars, sports racing cars, and Formula 1 racing cars.<br><br>Models were cast in resin and individually painted by hand, including such<br>details as hood louvers, aperture lines, and spokes on wire wheels. Plastic was<br>used for flat windscreens and occasionally metal was formed and used for details<br>like cycle-type fenders. Most are in a scale of 1/100 though, incredibly, some<br>are even smaller.

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Antique Japanese Taisho Period Mixed Metals box. 2 3/8" wide x 1.75" deep x 1 1/8" tall with no issues, amazing work of art. First quarter of 20th century, Allie monogram in interior. Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo" as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified form of 豐. Fujii's family is known as early as 17th century and for four generations has enjoyed renown as the producer of inlaid work of first rank. Early in life, Yoshitoyo trained himself in this art, which led him to perceive the fact that there was ample room for further improvements and developments. Long experience and careful study gave him the skill and knowledge by which he could perfect the art, but Kyoto in those days was quite conservative, so that it was practically impossible for him to carry into practice the results of his investigation. He left home and came to Tokyo, the centre of learning, where he devoted himself to the art for a number of years, and finally succeeded in introducing valuable improvements. In 1902, at the age of 35, Fujii obtained his first patent from the Imperial Government. In 1909 he was granted his second patent. His damascene work, being made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School, well met the taste and requirements of the time.

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Vintage carved burl sculpture. Unsure of Artisan or even ethnicity/culture of<br>artisan, it's probably about 50-60 old as are the prices on the bottom. 5" tall<br>with 3.75" square base.

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Vintage Nieman Marcus Japanese Koi form bowl 8" x 2.75" with no damage or<br>significant wear.<br><br>tw122

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.75" Vintage Navajo sterling overlay style bracelet 5.75" with 1" gap, 20mm<br>wide, 35.6 grams with no issues.<br><br>[Marion (M.L.) Woodard worked for the United Indian Traders Association (UITA)<br>in the 1930s and also operated shops in Tucson, Scottsdale, Santa Fe and Gallup.<br>Some of the noted artists that worked for Woodard’s include Navajo silversmiths<br>Kee Joe Benally, Wilson Tsosie, Joe D. Yazzie, and Willie Yazzie Sr. – from<br>Native American and Southwestern Silver Hallmarks by Bille Hougart:]<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling Turquoise freeform cuff bracelet fits up to a 7<br>1/8" wrist, 1 3/8" gap, a substantial 84.7 grams. Good vintage condition with no<br>issues, tested sterling.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6 5/8" 1930's Navajo Stamped silver and turquoise bracelet 6 1/8" plus 1.5" gap<br>could be carefully adjusted somewhat, 31.6 grams 27mm wide.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Chunky sz9 Sterling Raw Amethyst ring Artisan signed. Very cool ring with no<br>issues. Size 9, looks adjustable but I believe it's soldered so not. 29.4 grams.<br>illegibly signed. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Size 9 Ring.

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Vintage Native American Sterling/turquoise cake server. Unmarked, tested<br>sterling. Guaranteed solid sterling silver and natural turquoise. stable<br>fracture in larger stone, not going anywhere. 11.5" long x 3.25" wide x 200.5<br>grams.

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French Lalique 1976 US Bicentennial patriotic trinket dish 4" wide and tall,<br>signed Lalique France center of base. No scratches, damage, or wear. No issues.<br>b1

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Antique Chinese Guangxu mark carved ginger jar 3.75" tall x 3.5" wide with no<br>damage or restorations.

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c1900 Antique Rosenthal Copenhagen Duck vases pair 6" tall each with no cracks,<br>chips, or restorations. Selling both.<br><br>isshelf

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Antique Asian Sterling gold accent and garnet filigree dragon collar necklace.<br>Extremely well made necklace from the early 20th century with no damage or<br>significant wear. Completely handmade, hand stamped scales, stones test as<br>garnets, gold tests as 14k, marked 925 with no other markings. Unsure of exact<br>origin. 17" total length 33.4 grams.

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Large Antique Japanese Meiji period Imari Graduated bowl set. Nicely painted, unusual to find a set like this. Largest 12" wide x 4" deep. Selling all three shown. Guaranteed over 100 years old with no cracks, chips, or restorations. isshelf

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Vintage Zuni Native American Sterling turquoise and shell necklace. 25" long<br>12.8 grams. unmarked<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Vintage Native American Sterling turquoise and coral pendant/necklace. 16"<br>necklace, 1.75" long pendant, unmarked. 11.9 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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sz2.5 c1930's Navajo Silver and turquoise row ring, unmarked 2.1 grams with no<br>issues, nice old ring<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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6" Vintage Southwestern Sterling braided rope bracelet. 6" including the 1" gap.<br>Nice solid bracelet unmarked but tested sterling silver .25" thick 43.1 grams.

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c1900 Croft Darby Style Antique Handcuffs. Selling the handcuffs shown in<br>amazingly well preserved condition, fully functional. The keys are threaded, you<br>just keep turning until they open. These are very rare, especially in this<br>condition.

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Vintage Native American sandcast silver turquoise/coral belt buckle. Nice old buckle from the second quarter of the 20th century with a very nice patina and a beautiful piece of turquoise. 3 7/8" x 2.5" takes up to just over a 1.5" belt. 89.6 grams.

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Cel Vintage Matl Style Sterling Turquoise Amethyst and coral necklace/<br>bracelet/earrings set. Selling the set shown with no issues, Necklace 18.5"<br>long, bracelet 7.75" long, earrings 1.5" long. Nice old vintage set from the<br>70's or 80's. with no apparent damage. 85.8 grams total weight.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* sz5.25 James Avery sterling Song of Solomon ring. Very clean with no issues 3/8"<br>wide.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 5 Ring.

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Vintage Native American Sterling/turquoise pendant. Signed JM, tested sterling. 2.5" tall x 1 3/16" wide with no issues.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. 6.5" 1940's Navajo silver and fox turquoise bracelet. Center stone secure and<br>intact with old stable fracture. Fits up to a 6.5" wrist, 5 3/8" plus 1 1/8"<br>gap. 37.7 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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1996 "Present day Rookwood Pottery" Polar Bear paperweight in box. No damage,<br>still in box, box has wear. Cat is 4.25" tall and heavy enough for a paperweight<br>or possibly even a bookend for smaller books.<br>. It does bear a faint glazed over rookwood mark in addition to other markings,<br>it's just faint and I didn't have time to zoom in.<br><br>b17

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Ancient Carved Marble Votive Head, Alexandrian, Egypt. This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Just the displays alone must've cost a small fortune. They come in a very fancy Steel/acrylic display case, case measuring 4" tall x 2.75" wide, some wear/adhesive residue to case, Head 1.25" X 7/8"

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c1950 Bartholomew Mexican Dance mask from Christmas play. 13" tall x 8" wide<br>without ponytail, ponytail is 3-4 feet long. No issues. I will be offering a<br>very large collection of these that was assembled in the 60's-80's, a large<br>percentage are from the first quarter of the 20th century, some perhaps a bit<br>older. The ones that are more recent are of exceptional quality. Some have tags<br>identifying them, some of the tags are missing or have been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.

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4.75" Large Eickholt Opalescent Iridescent Jellyfish Paperweight with controlled bubbles. No cracks, chips, or dings. First pic is same paperweight on a black background which seems to present it better. isshelf

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Ancient Roman Bronze buckle This is part of a large collection of artifacts I'm helping liquidate, all purchased from reputable sources over the last quarter of the 20th century, money was no object. I'm pricing everything at a small fraction of what it cost from the galleries/auctions. Just the displays alone must've cost a small fortune. They come in a very fancy Steel/acrylic display case, case measuring 4" tall x 2.75" wide, some wear/adhesive residue to case, buckle 2.5" x 1 1/8" tw154

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7" vintage Navajo silver and turquoise bracelet 7" including the 1" gap 1.5"<br>wide, 66.4 grams with no issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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sz4.5 Vintage Navajo silver and turquoise ring. No identifying marks 1.25" long face, 9.3 grams. All precious metals are tested and guaranteed,

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sz7.5 Vintage Navajo silver and turquoise ring 40mm long face, 15.7 grams<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 7 Ring.

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Antique Mexican Moor Dance mask. 14" tall x 8" wide. I will be offering a very<br>large collection of these that was assembled in the 60's-80's, a large<br>percentage are from the first quarter of the 20th century, some perhaps a bit<br>older. The ones that are more recent are of exceptional quality. Some have tags<br>identifying them, some of the tags are missing or have been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.

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Antique Chinese Republic Period Cloisonne Box 5" x 3" x 2.5" with no damage,<br>over 100 years old. Marked in Enamel "ANIHC" which of course is China backwards.

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7 1/8" Vintage Nelson Lee Zuni Large sterling channel inlay bracelet 1.5" wide<br>band, fits up to a 7 1/8" wrist including the 1.25" gap, no issues. 93.3 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Swedish Gustavsberg Mid Century Sterling overlay green pottery vases. no damage<br>or detectable wear. Tallest 5", widest 3.25" Selling all three with no<br>restorations. My color is off a little in the pics, it's a little greener.<br><br>Gustavsberg is a Swedish porcelain company that originated in 1826. It broke up<br>in the 1990s and was sold off in pieces, to the dismay of residents of the<br>Gustavsberg area.<br><br>Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the<br>illustrious Swedish ceramic design of the 20th century. He was the artistic<br>leader for Gustavsberg in the 1930s and 1940s and is often called the father of<br>Swedish modernism. Kage is represented at the Swedish National Museum of Art and<br>Design.

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Large Daniel Lotton Art Glass Vase 7" tall x 8.5" wide with no cracks, chips,<br>restorations, or other issues. Iridescent interior, amazing piece overall.<br><br><br>Daniel Lotton is the son of world renown glass artist Charles Lotton. Born into<br>an artistic family, Daniel was encouraged to express his creative energies. At<br>the age of 14 he started working in Charles' Lynwood glass shop learning to make<br>pendants and paperweights. At the age of 17 he started doing Charles' finishing<br>work which consisted of grinding and polishing glass. He later assisted and<br>apprenticed Charles for several years. When Daniel graduated high school he<br>started working full time in the studio for Charles as well as creating his own<br>glass. As his skills grew so did his commitment to his art. Through the years<br>Daniel has grown into the artist that he is now today.<br><br>A constant throughout his career and his work is the inspiration he derives from<br>nature. Some of those designs that he has created over his career is his Pulled<br>Fern design, Anthuriums Flowers, Tuliptokiss Flowers, Iris, Asters as well as<br>his signature Cynthia Flower. Surely these will stand the test of time in the<br>art world. Examination of any Daniel Lotton art from paperweights and perfume<br>bottles as well as vases, lamps, and chandeliers will inevitably communicate his<br>desire to emulate the Master's great hand in every laboring creation.<br><br>Daniels' passion for glass has changed throughout the years.Daniel spends many<br>hours sketching new designs, perfecting color formulas to personlly excute those<br>ideas to keep his art progressive. At the present time he is captivated in<br>creating beautiful lighting, such as lamps, lighted tables as well as<br>chandeliers. He creates beautiful custom lighting for collectors as well as<br>businesses.<br><br>You can find Daniel's studio surrounded by farm fields in the quaint town of<br>Crete, Illinois. Daniel's unique one-of-a-kind pieces can be found in many fine<br>galleries across the country.<br><br>His work is collected by art enthusiasts, celebrities, and prominent sports<br>icons both nationally and internationally. NASCAR Champion Tony Stewart, Grammy<br>Award Winner Singer Melissa Etheridge, and Actress Salma Hayek are just a few of<br>the prominent collectors of Daniel Lotton's Art Glass. Assuredly, Daniel Lotton<br>collectibles will be enjoyed by many generations to come.

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****All James Avery jewelry on the Estate Fresh Austin website is used/pre-owned authentic jewelry that was originally purchased directly from James Avery by the owners or family of the estates we liquidate. Each item will have some degree of wear which will be shown in the photos but will be in clean condition, no boxes or paperwork will be included unless shown in the photos. The item you are purchasing is the exact item photographed as we only have one.******* Sz6 James Avery Alexandrite Remembrance June Birthstone ring. Lab alexandrite, 3 grams with no issues. anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 6 Ring.

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Gemset Sterling Snake pendant. Very cool, 1 7/8" x 1" x 10.2 grams with no issues, no missing stones. Stones untested, likely lab stones. anderas

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5 Antique Teen/20's Sterling silver School medals 1.5"-1.75" tall x 1"-1.25" wide x 50.2 grams total. All sterling marked and/or tested. anderas

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Vintage Hand Painted Enamel brooch. Wonderful hand painted brooch on copper<br>enamel in silver (unknown content) frame. Pin on the back is steel. 1 5/8" tall<br>x 1 3/8" wide.

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All Cuff bracelets on the Estate Fresh Austin website will have the size wrist they fit (in inches) including the gap at the beginning of the title, there are also many photos in this listing which will show a tape measure inside the bracelet, gap size, width, etc. Vintage Native American Sterling Kokopelli Cuff bracelet. Unmarked Fits up to a<br>7 3/8" wrist, 1.25" gap, 1" wide, 55 grams.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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sz4 Bernard Dawahoya (1936-2010) Hopi Overlay silver ring 6.8 grams, clean on<br>all sides with no issues.<br><br>Bernard Dawahoya<br>(1936-2010)<br><br>Master silversmith Bernard Dawahoya was born in 1936 in the Second Mesa village<br>of Shungopavi. A member of the Snow Clan, his Hopi name is Masaqueva, which<br>means “Wings of the Sun” or “Little Sun”.<br><br>Bernard Dawahoya, was a master of many traditional Hopi arts, but focused on<br>silversmithing since his teens and making jewelry since the 1950’s. He learned<br>from his uncles, Washington Talayumptewa and Sidney Sekakuku, and also took<br>classes at the Hopi Silver Craft Cooperative Guild.<br><br>Eventually, Bernard Dawahoya returned to Shungopavi and opened his own shop, and<br>continued to exhibit at arts and craft shows. His masterful works are known for<br>their precise matting (texturing) in negative spaces, heavyweight silver, crisp<br>designs, and bold traditional symbols, such as Mudheads, Hopi Snake Dancer, Crow<br>Mother, eagles, roadrunners and more; all reflect Hopi history, culture, and<br>beliefs. Beyond his skills with silver overlay, jewelry boxes and bowls, he<br>created textiles, paintings, Katsina dolls, and leatherwork. He also recorded<br>traditional Hopi dance songs in 2004, and was known as a prolific storyteller,<br>regaling admirers with the stories behind his designs.<br><br>His works are included in the collection at Harvard University’s Peabody Museum<br>of Archaeology and Ethnology as well as at other museums from California to New<br>York and many private collections. In 1998 he was designated an Arizona Living<br>Treasure and enjoyed that distinction until his passing in 2010. Most rings are shown on a a ring sizer in the pictures and the size is typically given at the beginning of the title and description. Women's Size 4 Ring.

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