Prodotti

1950's Paragon Yellow Roses with peach interior teacup and saucer no crazing, no damage of any kind, or wear. This is a full sized teacup with 5 5/8" saucer. isshelf

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1950's Posted No Fishing Tin Sign Frank and Fred Edwards Dallas 9 Texas 15" x 6.75". Clean old sign with minimal surface wear, likely never hung, the last one of two I had from the same estate.

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Tazza Budweiser in ceramica Purinton degli anni '50 alta 5 pollici senza crepe, scheggiature o restauri. C'è un punto all'interno molto basso con screpolature/macchia, nessun'altra screpolatura o macchia. Tazza Budweiser promozionale Purinton Pottery degli anni '50 garantita. Credo che questi fossero solo distribuito a Pittsburg, Pennsylvania.tw215

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1950's Reddy Kilowatt Advertising Screw back earrings. Great mid century super cool earrings. Enamel is in great condition, stamped on back M.R. with copyright symbol.

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1950's Robert Allison Scottish Sterling Thistle Brooch with Citrine 1.5" wide x 1.25" tall. Good vintage condition with no significant issues.

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1950's Roseville Art pottery Console Set. Guaranteed Authentic original Roseville American Pottery mid 20th century with no cracks, chips, restorations, or crazing. I'm 100% sure it has no restorations and have the experience to back up my confidence. It's estate fresh with a little candle wax residue on the candle holders. The bowl is huge, these are always damaged but this one isn't. 17.5" handle to handle x 8". Selling the set. B53

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1950's Royal Winton/James Kent English Chintz Lot of 3 Pcs. Selling all three pieces from the mid 20th century with no cracks, chips, restorations, or stains. All three have some expected crazing visible upon close examination. Creamer is 2.25" tall Largest tray is 5 3/8" wide. TW171

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1950's Scandinavian Demitasse coffee Set with Boys and Girls Polia Pillin Style. Great little mid century modern period and style set from the mid 20th century. Every piece is marked as shown and the Coffeepot has an impressed mark I can't read. This is a demitass set with the cups smaller than teacups. It is very clean with glaze wear on the handle of the green cup, creamer and sugar each have one glaze flake on rim, and very minor glaze wear inside rim of coffeepot where the lid rests. No cracks, chips, or restorations. Coffeepot is 7" tall x 7.5" handle to spout, Cups are 2.5" wide at rim x 2 3/8" tall, saucers are 5.25" wide. One cup and saucer don't match meaning the colors aren't the same, that is the cup to the right by itself. B34

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1950's Seguso Alabastro Art Glass Green and Opalescent Swirled Art Deco Paperweight. No cracks, chips, dings, or scratches. The foil label is illegible other than San Antonio Texas at the bottom, so likely it's a retailers label. TW249

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1950's Sterling Mixed Metals Los Castillo Jewelry set. Selling what's shown with no issues, measurements in pics. Los Castillo Jewelry - HistoryAntonio Ca stillo and his brothers Jorge, Miguel, and Justo began Los Castillo in 1939. They had all apprenticed in William Spratling’s taller before starting<br>their own business in Taxco, Mexico. Antonio Castillo rose to the level of<br>master silversmith during his time working with Spratling.<br><br>The Los Castillo workshop trained and employed many skilled silversmiths over<br>its decades in the business, including the Castillo brothers’ cousin Salvador Teran, Sigi Pineda, Antonio Pineda, and Antonio Castillo’s wife, Margot van<br>Voorhies Carr. All these artists went on to open their own successful workshops,<br>including van Voorhies Carr who founded Margot de Taxco after she and Antonio<br>Castillo divorced.<br><br>Los Castillo is known for its quality silver wares as well as mixed metals that<br>incorporated copper and/or brass with sterling silver. Other decorative home<br>accessories can be found with silver plating and inlaid stone embellishments. Chato (Jorge) Castillo was one of the Castillo brothers who worked in the 1930s for William Spratling. He is known for his technical expertise and his design<br>talent. He developed the techniques for married metals, feathers with silver,<br>Aztec mosaic or stone inlay, concha or abalone inlay,...(Mexican Silver: Modern<br>Hand-wrought Jewelry & Metalwork by Morrill and Berk (Schiffer: 2007, 4th<br>Edition), p. 86.

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1950's sterling shakers in original box. 16.5 grams without box, near mint with<br>no dents 2 3/8" tall. lid for box included.<br>tw255

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1950's Sterling/10k Boot with spurs tie bar. Measurements in pics.

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1950's Tiffany 18K Gold and Lapis Cufflinks. Great set of guaranteed authentic<br>Tiffany and Marked and Tested 18k gold and Lapis Cufflinks Mid 20th century<br>period and style. Slight roughness on the top of one stone magnified by the<br>pics. Face .75"l, 3/8"w, 24.5 grams total.

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1950's Tiffin Wistaria Swedish Optic Footed Bowl. 6 3/8" wide x 3 1/8" tall with<br>no cracks, chips, or restorations.<br>tw169

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1950's Tmk2 10.75" Little Fiddler Full Bee Hummel. Very large early Hummel with no cracks, chips, crazing, or restorations. Amazing to find one this large, this old and in this condition. Humshlf

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1950's Tmk2 Hummel Full Bee 5" tall girl with broom. No chips, cracks, restorations, scuffs, crazing, or other issues. I'm extremely careful about which Hummels I list online, typically I don't sell anything buy the Full bee or crown mark Hummels online from the 40's or 50's. I feel like they are a much higher quality in addition to obviously being more difficult to find, there will never be any restorations unless disclosed as I've been buying ceramics since I was 10 years old and see restorations with my eye that many need UV light to see or not see. humshlf

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1950's Tmk2 Hummel Full Bee 5.25" tall boy and girl playing string instruments. No chips, cracks, restorations, scuffs, crazing, or other issues. I'm extremely careful about which Hummels I list online, typically I don't sell anything buy the Full bee or crown mark Hummels online from the 40's or 50's. I feel like they are a much higher quality in addition to obviously being more difficult to find, there will never be any restorations unless disclosed as I've been buying ceramics since I was 10 years old and see restorations with my eye that many need UV light to see or not see. humshlf

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1950's Tmk2 Hummel Full Bee 6 3/8" tall Girl climbing tree No chips, cracks,<br>restorations, scuffs. Slight crazing on bottom of figure where the mark is, no<br>crazing on the top of the figure. I'm extremely careful about which Hummels I<br>list online, typically I don't sell anything buy the Full bee or crown mark<br>Hummels online from the 40's or 50's. I feel like they are a much higher quality<br>in addition to obviously being more difficult to find, there will never be any<br>restorations unless disclosed as I've been buying ceramics since I was 10 years<br>old and see restorations with my eye that many need UV light to see or not see.<br>humshlf

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1950's Tmk2 Hummel Full Bee 6" Accordian Boy. No cracks, chips, restorations, or crazing. Nice early version. humshlf

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1950's Tmk2 Hummel Full Bee 6" tall boy. No chips, cracks, restorations, scuffs,<br>crazing, there is a very tiny factory glazed over flake on the footrim. I'm<br>extremely careful about which Hummels I list online, typically I don't sell<br>anything buy the Full bee or crown mark Hummels online from the 40's or 50's. I<br>feel like they are a much higher quality in addition to obviously being more<br>difficult to find, there will never be any restorations unless disclosed as I've<br>been buying ceramics since I was 10 years old and see restorations with my eye<br>that many need UV light to see or not see.<br>humshlf

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1950's Tmk2 Hummel Full Bee 6" tall girl with flowers. No chips, cracks,<br>restorations, scuffs, or crazing. I'm extremely careful about which Hummels I<br>list online, typically I don't sell anything buy the Full bee or crown mark<br>Hummels online from the 40's or 50's. I feel like they are a much higher quality<br>in addition to obviously being more difficult to find, there will never be any<br>restorations unless disclosed as I've been buying ceramics since I was 10 years<br>old and see restorations with my eye that many need UV light to see or not see.<br>humshlf

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1950's Toy Police Badges Official Vice Squad Plastic Federal Agent.. Selling both, brass one may be older than fifties, it's 1.75" federal agent is 1 1/8" tall.

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1950's Vic Cedarstaff Bolo Tie Sterling - cobblestone turquoise/coral horseshoe. Amazing and one of a kind bolo. Marked 10k on back along with sterling mark. I didn't test it but don't see anything that looks like gold on the bolo. 40" long cordThe story – which has prevailed against all others and as far as is known, has never been challenged – takes us to Wickenburg, Arizona in 1949. Here, Victor E. Cedarstaff, a resident, designed and made the first bola type of necktie. As Vic tells the story, he was out horseback riding one day and sudden gust of wind blew his hat off. Picking up his hat, he found that the band had become detached. Rather than try to replace it on the spot, he just slipped the band over his head and let it hang loose around his neck. After awhile his riding friend noticed it and remarked. “Nice tie you’re wearing, Vic!” This remark turned out to be more than casual; it sparked an idea. Being a silversmith, and having taught leatherwork, Vic went to work and designed something new and distinctive in this field. In a day or two, he had fashioned a tie from some leather lacing and trimmed the braid ends with silver balls. To this, he fastened a small silver slide adorned with a piece of turquoise. The tie attracted a good deal of skeptical attention from friends, however, orders soon began to arrive.Vic’s problem was that there seemed to be no good way of attaching the slide to the braid, one that would not slip or damage the braid. However, in due time, he succeeded toward this end by designing a triangular shaped slide, which he named a yoke. Unlike most conventional slides, which contain a variety of clips and locking devices to hold the tie in place, this yoke had none and it eliminated the necessity of having to slip the tie on over the head. He succeeded in creating something new and original and on this basis he was issued a patent.Searching for a suitable name for the tie, he settled on one that was truly western. He called it a “Piggin Necklet” naming it from the piggin-string that the cowboys use for tying the legs of a calf. Sometime later, Vic was visiting with a friend in Wickenburg, who had been in Argentina, South America. The friend showed him a device, which he had brought back with him. He called it a “bola” and explained that the Gauchos of that country used it for catching cattle. It bore a strange resemblance to the tie, which Vic had designed; in the way it was braided and had terminals similar to his tie. Vic decided to drop his original name for the tie, and call the tie “bola”. The name change proved almost magical. Soon others began making similar ties and marketing them under various trade names. However, the name “bola” seemed to be the one, which endured, and in the end it has become the universal name for the tie.

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1950's Vintage Matchbooks Marlboro Phillip Morris 66 Cafe Chex Gum and More. Selling the 17 matchbooks shown from the 1940's and 50's. Some have been used some haven't, they are in the condition shown they are regular sized matchbooks. B12

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1950's Vintage Matchbooks Sun Maid Raisins Nestle Marlin Ambulance Cowboy Bars<br>Budweiser and more. Selling the 18 matchbooks shown from the 1940's and 50's<br>mostly. Some have been used some haven't, they are in the condition shown they<br>are regular sized matchbooks.<br>B12

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1950's William Spratling Modernist Sterling cross pendant. Gold wash on center cross with some wear.Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and exploring. He sought out remote villages in the state of Guerrero, 110 miles from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts. Spratling made<br>a fortune manufacturing and designing silver, but his true life's work was to<br>conserve, redeem, and interpret the ancient culture of his adopted country. He<br>explained for North American audiences the paintings of Mexico's modern masters<br>and earned distinction as a learned and early collector of pre-Columbian art.<br>Spratling and his workshop gradually became a visible and culturally attractive<br>link between a steady stream of notable American visitors and the country they<br>wanted to see and experience. Spratling had the rare good fortune to witness his<br>own reputation -- as one of the most admired Americans in Mexico -- assume<br>legendary status before his death. William Spratling, His Life and Art vividly<br>reconstructs this richly diverse life whose unique aesthetic legacy is but a<br>part of its larger cultural achievement of profoundly influencing Americans'<br>attitudes toward a civilization different from their own.

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1950's William Spratling Necklace Modernistic Mexican Silver. 16", the chain by<br>itself is 12". Pendant part is 4" wide 1 3/16" wide at widest section. No<br>detectable issues, guaranteed authentic.<br><br>Spratling, an architect and artist who taught at Tulane University in New<br>Orleans, came to Mexico in the late 1920s and settled in the city of Taxco.<br>Having developed an interest in Mesoamerican archaeology and culture from his<br>colleagues at Tulane, he traveled to Mexico for several summers lecturing and<br>exploring. He sought out remote villages in the state of Guerrero, 110 miles<br>from Mexico City, where in some places Nahuatl, the Aztec language, was spoken.<br>Spratling collected artifacts and contemporary indigenous crafts.

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1950's William Spratling Sterling Screw back earrings. No damage, great vintage earrings. 16 grams total.

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1950's Zuni Channel inlay Sterling horse head cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

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1950‘s Zuni Channel inlay Sterling thunderbird cufflinks. Functional and cool as they come. Marked sterling on sides of bars.

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1950's Zuni Conestoga Wagon Sterling channel inlay pin. Front wheels move. Measurements in pics

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1950's Zuni Silver Multi-Stone channel inlay Shriner's bolo tie 40" long 2.5" x<br>1 7/8" bolo slide, tips and bolo are sterling 32 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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1950's-60's Merck Diuril medical model promotional paperweights. Selling both,<br>plastic with no damage, filled with water. 6.5" tall. Attached is an example of<br>what a pair sold for in 2017 through an Auction house that's connected with<br>Ebay, first price is with the Buyers premium, second without. No buyers premium<br>here.<br>kitshelf

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1950s ADAC," Allgemeiner Deutscher Automobil- Club" Grill badge, German Automobile Club. Selling both badges with no significant issues. tw88

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1950s Ana Nunez Brilanti for Victoria of Taxco sterling silver and mixed metals<br>pre-Columbian design bracelet. The design is in two shades of sterling silver<br>with copper and brass. Fully marked as shown. Measures 1-3/4" wide all around.<br>No damage, minimal expected wear. 46.5 grams.<br><br>Victoria-Ana Nunez de Brilanti (1910 – 1999) Victoria is the trade name of this<br>distinguished Taxco Silver designer. She opened her first shop, Victoria, in<br>1940. When she opened her workshop, William Spratling gave her support and<br>friendship. Simultaneously, Margot de Taxco offered advice to improve the<br>quality of her work.<br><br>Victoria is credited with introducing the metales casados or married metals<br>technique to Taxco. She designed sterling silver jewelry out of silver and<br>copper that contained no backing making the front and back look similar.<br><br>Victoria’s creations incorporate many designs in her jewelry that include<br>flowers, animals, fish, nature and Pre-Columbian art. She also created unique,<br>modern designs. She was a strong advocate of the 1948 Eagle mark system to<br>assure quality.<br><br>In the early 1950’s, she and her immediate family opened Cony, the shop named<br>for her eldest daughter. Much of the jewelry created by Victoria and Cony is in<br>grade 980 silver, an almost pure form of silver. Before she passed, Ana spoke<br>out about what she believed was the poor quality of silver coming from Taxco<br>workshops since the late 1980’s.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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1951 Field Dog Trials Bird Dog Ribbons/Medals from New Jerser/ Pennsylvania Keystone Setter and Pointer club. Fantastic and rare collection of medals and ribbons in a very nice period shadowbox. Red Ribbon is over 12" long and I managed to flip the Blue medal and the back says "L.V.P. & S.C. Spring 1951 First Puppy.

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1953 Falstaff Beer Token 50th Golden Anniversary 1"

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1953 Harding Black Texas Studio Art pottery footed bowl with the best Chinese Flambe glaze No cracks, chips, or restorations, no loss to glaze whatsoever. 6 1/8" wide x 3.25" tall. Harding Black San Antonio (1912 - 2004) A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also began to teach children's ceramic classes at the Witte. Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Black's collection and archive is housed at Baylor University. Harding Black's work with clay serves an an important bridge between early Texas and mid-century pottery. tw122

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1953 Rolex Oyster Shock Resisting watch w/box. Very clean, working automatic Rolex c1953. The serial number places it at 1953 or 1963, but the Brevet + on the side above the 6282 model number was only used until the late 50's. Seiko replacement band. Original Authetic Rolex, I acquired it with this box from a friend. It was his Grandfather's, I don't know enough to be 100% sure if this is the original box, there is no inner box, just what's shown. Case approx 33-34mm wide without the crown. Still has what I assume to be the original protective clear plastic sticker on the back of the watch.

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USS Boxer Far Eastern Cruise Book Navy/Marines. All pages intact, good spine.<br>Some shelf wear. Belonged to Boyce Ross U.S. Marine. I'll be listing two cruise<br>books and a scrapbook with photos separately. Only writing I noticed was notes<br>from his unit. Very interesting book approximately 180 pages printed in Japan.<br>10" x 11"<br>Tw87

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1955 Dallas Texas Anglers Club Medal 1st place. 1 5/16"

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USS Boxer Far Eastern Cruise Book Navy/Marines. All pages intact, the<br>spine/binding is a little weak in the center Some shelf wear, stain on back.<br>Belonged to Boyce Ross U.S. Marine. I'll be listing two cruise books and a<br>scrapbook with photos separately. Only writing I noticed was notes from his<br>unit. Very interesting book approximately 322 pages printed in Japan. 9" x<br>11.75"<br>Tw87

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Fenton Teal Blue cased glass barber bottle 9.75" tall with lid, part of cork<br>missing from bottom of stopper that still stays put when turned upside down, no<br>scratches or damage to bottle.<br>tw271

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1957 Harding Black Texas Studio Art pottery footed bowl with a fantastic complex<br>glaze<br>No cracks, chips, or restorations, no loss to glaze whatsoever. 6 3/8" wide x<br>1.25" tall.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br>b3

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1957 Harding Black Texas Studio Art pottery Lava Glaze vase. No cracks, chips,<br>or restorations 5 1/8" tall.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br>tw163

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1959 Boy Scouts Of America Transatlantic Council u.s. Scottish Exchange Presentation Beer Stein Lithopane. Rare one of a kind, there was likely one made and presented to each name on this Stein. So nine custom made and presented to each person. Oddly with a Lithopane in each Stein. No damage, very minor wear to Gilding, tight hinge.

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1959 Harding Black (1912-2004) Texas Studio Art pottery ginger jar with bubbly<br>cobalt blue glaze and hand incised decoration throughout. 7" tall x 6.5" tall,<br>an amazing Texas Mid century modern entirely handmade one of a kind jar made by<br>the celebrated potter Harding Black in 1959. It's amazing in so many ways, all<br>the incisions and decoration done by hand and a unique dark blue bubbly glaze.<br>It's estate fresh and has never been offered for sale anywhere until now, it's<br>mint with absolutely no damage, wear, or restorations.<br><br>Harding Black San Antonio (1912 - 2004)<br><br>A ceramist, sculptor, painter, bricklayer, teacher, Black graduated from<br>Brackenridge High School and attended San Antonio Junior College (1929-30). In<br>1933, Black was taught by Rudolph Staffel to make wheel-thrown pottery and also<br>began to teach children's ceramic classes at the Witte. Black directed ceramic<br>installation in a San Antonio reconstruction project sponsored by the National<br>Youth Administration and the Works Progress Administration art program. In 1955<br>he retired from teaching and devoted his time to ceramics. Black became a<br>well-known ceramist from his research, innovations, and writings in the field.<br>Black's collection and archive is housed at Baylor University. Harding Black's<br>work with clay serves an an important bridge between early Texas and mid-century<br>pottery.<br><br>anderas

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1959 Ty Cobb Autograph PSA/DNA Baseball Signed check. Guaranteed Authentic, comes with paperwork shown. 20" x 14.5" framed. Last purchased 10-15 years ago for 2k from Goodwill Ecommerce, in the last few years several of these have brought right around 3k and some more at auction. Tyrus Raymond Cobb Born: December 18, 1886 Georgia Died: July 17, 1961 (aged 74) Atlanta Georgia Awards And Honors: Baseball Hall of Fame (1936) Most Valuable Player (1911) Baseball Hall of Fame (inducted 1936. Triple Crown 1x MVP 12x batting champion Ty Cobb, in full Tyrus Raymond Cobb, byname the Georgia Peach, (born December 18, 1886, Narrows, Georgia, U.S.—died July 17, 1961, Atlanta, Georgia), professional baseball player, considered one of the greatest offensive players in baseball history and generally regarded as the fiercest competitor in the game. Cobb took to baseball early in his life: by age 14 he was playing alongside adults on the local baseball team in Royston, Georgia. In 1904 he joined a semiprofessional team in Anniston, Alabama, and the following year he signed with the minor league Augusta (Georgia) Tourists. While playing with the Tourists, Cobb had his personal life jolted by an unusual tragedy: on August 8, 1905, his mother shot and killed his father, who was atop the family’s porch roof in an attempt to catch her being unfaithful and whom she purportedly mistook for a burglar. That event overshadowed his promotion to the Detroit Tigers later that month. His combative reaction to his subsequent rookie hazing created animosity between Cobb and his teammates that lasted for years, which greatly helped to establish the antagonistic public persona that would become one of Cobb’s hallmarks. He spent 22 seasons as an outfielder with the Tigers (1905–26) and also managed the team from 1921 through 1926. Cobb led the team to three consecutive American League (AL) pennants (1907–09), but the Tigers lost all three World Series in which he appeared. A member of the Philadelphia Athletics when he retired in 1928, Cobb hit .323 in his last season, at age 41. He batted left-handed and threw right-handed, stood about 6 feet 1 inch (1.9 metres), and weighed 175 pounds (79.4 kg). During his 24-season career in the AL, Cobb established numerous batting records. His career hits record of 4,189 lasted until it was broken by Pete Rose in 1985. He also set the runs-scored mark of 2,246, a total that was not surpassed until 2001 by Rickey Henderson. Cobb’s total of 892 stolen bases was surpassed in 1979 by Lou Brock. Finally, Cobb’s lifetime batting average of .366 was unequaled through the 20th century. (It should be noted that there is disagreement among sports statisticians as to the exact figure for Cobb’s batting statistics.) Cobb led the AL in batting 12 times. Three times his batting average topped .400 (1911, .420; 1912, .409; and 1922, .401), and for 23 straight years he batted at least .300. In the first election to the Baseball Hall of Fame, in 1936, Cobb received the most votes. He invested his baseball earnings shrewdly and amassed a comfortable fortune. Cobb’s historic baseball accomplishments are occasionally overshadowed by his notorious personality. Known for sharpening his spikes in order to cause the most damage to opponents’ legs when sliding, he was one of the most aggressive players in baseball history, and his short temper led to numerous on-field scuffles (he even attacked a heckling fan in the stands on one occasion). His autobiography, My Life in Baseball, ghostwritten by sportswriter Al Stump, was published in 1961. Stump amended the record in 1994 with Cobb: A Biography, which presents a far more honest view of the great player. Cobb’s racism, misogyny, and volatile and violent personality are covered in Stump’s second book, which was the basis of a 1994 film, Cobb.

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1960 Kentucky Derby Sterling clip. Buying the clip shown, tie clip or whatever kind of clip you want it to be. Or just the rare Kentucky Derby memorabilia item it is. 12.5 grams, sterling functional with no issues.

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1960's Beatles, Freedom Capsule Space Ship, and Coca Cola Piggy Banks Collection. Selling the 4 banks guaranteed authentic from the 1960's. Coke pigs are 4.5" long for reference. Tw60

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1960's Bell Trading Post Navajo Sterling and turquoise Spider Bolo Tie Good condition with no issues, I don't believe the tips are sterling. Bolo measures 1.75" x 1.25" 18" long with both strings together.

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1960's Bing and Grondahl Love Refused Figure Boy and Girl. No cracks, chips, or<br>restorations. 7" tall.<br>B22

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1960's Bing and Grondahl Tom and Willy Two brothers 7 5/8" tall x 5.5" deep with no cracks, chips, or restorations. TW190

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L'artista californiano Paul E. Killinger (1927-1996) degli anni '60 ha trasformato una ciotola in legno di mogano brasiliano con coperchio Mid Century Modern. Veniva dalla PA Originariamente nel sud della California. È stato incluso nella mostra di artigianato al Pasadena Art Museum nel 1965 intitolata California Design 9 che era un who's who del design, tra cui Evelyn Ackerman, Paul Soldner, i Natzlers, Sam Maloof e molti altri. Aveva 3 ciotole di legno nello spettacolo. Il suo discorso a Ca. era 5104 Valencia Dr. Orange. Era un contemporaneo di Paul Eshelman, il famoso tornitore di ciotole di Pennsylvania, le cui ciotole costano circa $ 1000. Questa ciotola è contrassegnata sul fondo con il suo timbro "Paul". Buone condizioni senza danni o segni di usura significativi.TW 210

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1960's Cybis Porcelain Owl and Mouse Figures. Tallest 4.6" with absolutely no cracks, chips, flakes, scratches, restorations, or other issues! B8

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1960's Danecraft, Lang, Wells sterling charm bracelet. Selling the 7" bracelet<br>full of all sterling charms from the mid 20th century. Different makers. 37.3<br>grams.

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1960's Dobro 23 Jewel Calendar Watch. Nice vintage watch from the third quarter of the 20th century as clean as they come with no wear to gold plating, works, keeps good time, waterproof, uncommon watch from a company that made very good watches just didn't make that many. This would have been considered a Men's watch in it's time, but not every woman wants a tiny watch these days. 1 7/16" wide with winder.

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1960's G Calavaza Zuni Sterling turquoise, and coral snakes belt buckle 115.8 grams, fits a 1.5" belt, nice substantial buckle with high quality work and stones. Better quality than most of the Effie C pieces I've had. I already wasted a lot of time trying to figure out for sure who G Calavaza is, I don't think it's her daughters and am sure it's not her grandson Gilbert. Not sure. I am sure this is a very old buckle from the third quarter of the 20th century.Marked or unmarked as shown in pics, weight and other measurements in pics. Older Native American jewelry is typically unmarked. If I call it Silver or Ingot I'm guaranteeing it to be 90% or more silver. This isn't something I get confused about. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures, videos, or measurements until sold. If you look at pictures/description your question should be answered. Thank you so much for your time and consideration.

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1960's Gerhard Meisel(1903-1979) Stahnsdorf German Studio pottery vase. 7" tall with no cracks, chips, restorations, or crazing. Fantastic glaze with subtle blue dots towards the top. Gerhard MEISEL 1903 born in Opole, Poland 1921-1923 School of Arts and Crafts, Breslau 1926-1928 traineeship at Kieler Kunstkeramik 1928-1931 studied at the Art Academy in Dresden (sculpture with Karl Albiker) 1931-1933 artistic director in Schramberg majolica factory 1933-1936 Carstens-Uffrecht KG (Neuhaldensleben) 1949-1968 own workshop in Stahnsdorf Died in 1979 in Stahnsdorf, Germany TW234

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1960's Hawaiian Dreams Sunbathing Woman Ashtray Bathing Beauty Lot of Two. Selling both from the mid 20th century. No cracks, chips, or restorations, they both have some crazing. Largest is 8.5" x 6.25" tall. tw145

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