11 1/8" tall x 8.5" wide with no damage. Guaranteed antique cure 1890-1910,<br>strong tight hinge on stand. It won't wiggle when pushed in the standing<br>position. Great functional antique.

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Antique Gilt Sterling silver Guilloche blue egg form sewing kit/thimble/spool. No damage, weight measurements, and any markes detected are in the pictures.

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Antique Gold Miner's Portland Mine Cripple Creek Colorado Souvenir spoon<br>silverdrawer

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Antique Guatemalan Chachal Rosary cross necklace Sterling silver 1899 coins trade bead necklace Tested and guaranteed solid sterling silver beads, 28" long very heavy antique necklace that has been restrung at one point. I saw a few coins with 1899 dates, did not check them all. The word "Chachal" in Quiche language means necklace. These beautiful objects have a fascinating tale of history, culture, art, and economics that begins during the Pre Columbian period hundreds-thousands of years ago and continues to the present where they still worn by many Mayan populations. Guatemalan necklaces use coins from Spain, as well as all of the Latin American countries that were once Hispanic colonies along with trade beads from bead centers in Venice, Bohemia/Czechoslovakia, England, & Spain.

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Antique Guatemalan Mico Monkey Ceremonial Dance Mask. Good early mask 19th to<br>early 20th century. 7.25" tall x 5 1/8" wide x 4" deep. Vintage carved and<br>polychrome painted wood dance mask, Guatemala, used in the Danza del Venado Deer<br>Dance.<br>TW226

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Antique Hampden Pocket watch works/dial. Selling what's shown unsure if it's working. Guaranteed not to work parts beautiful dial/hands and works from a fnacy 14k watch that had damage to case so it was scrapped. Selling what's shown 1 5/16" dial.

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Antique Hand Carved Jointed Artists Model Doll. This is from the Estate of<br>Milton Simpson, author of several books and publications of Folk a. He was the<br>graphic designer who discovered the Woodbridge figures collection in New Jersey.<br>Not the construction worker that found them but the person who purchased them<br>all from a local pawn shop and recognized their importance. There is a very high<br>probability this piece is published in one or more of his books/publications.<br>20" tall and Jointed everywhere, all the joints are functional, some a little<br>loose as this is about 100 years old. It is standing unassisted in two of the<br>pics but might not be the best idea unless held with "museum wax" or something<br>similar. tw106<br><br>Milton Simpson (1911-2023)<br>Milton – also known by his friends and acquaintances as Milt - was born and<br>raised in Brooklyn, New York City and raised his family in Millburn, New Jersey.<br>He attended the New York School of Industrial Art (SIA), now the School of Art<br>and Design. He then worked for Incorporated Ideas Advertising Agency in New<br>Jersey before joining the United States Army, serving in Korea.<br>After his discharge from the Army, Milt attended The Workshop School of<br>Advertising & Editorial Art. Upon completion of his studies there, he became the<br>Art Director of The American Baby Magazine in New York, Assistant Art Director<br>at Lewin, Williams & Saylor in New Jersey, and then Art Director of Kenyon-Baker<br>Advertising & Baker Printing Company, (both of which were under one roof) in New<br>Jersey. (He left there because the promised air conditioner was never<br>installed!)<br>He then worked as a freelance graphic designer and illustrator for several<br>years.<br>In 1964, he and business partner Don Johnson founded the firm of Johnson &<br>Simpson Graphic Designers with Milt as president. They were based in a townhouse<br>in beautiful downtown Newark, New Jersey and specialized in corporate<br>communications. The design projects they took in included annual reports,<br>corporate magazines, capability brochures, posters, museum catalogs, trademarks<br>and books. Their clients included Conoco, Johnson & Johnson, New Jersey Bell,<br>Hoffmann-La Roche, The Newark Museum and Singer Corporation.<br>The firm was featured in every major design publication, was recognized by over<br>350 graphic design awards and he and Don were inducted into the New Jersey Ad<br>Club's Advertising Hall of Fame in 1991.<br>Milt also served on the Advisory Board of The Greater Newark Chamber of Commerce<br>and was an Adjunct Professor (Publication Design) at Montclair State College.<br>The New Jersey Art Directors Club voted Milt Art Director of the Year in 1972.<br>Books were his passion. He couldn't seem to get them out of his system and<br>didn't try to. For many years he produced and self-published a series of<br>Artists' Books using several print-on-demand platforms. Milt was always a<br>student and appreciator of quirky, eccentric and irrational human behavior.<br>These Artists' Books were very much influenced by his observations and<br>obsessions.<br>Among many others too numerous to mention, he wrote "Windmill Weights; which was<br>self-published and "Folk a" published by HarperCollins.

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Antique Hand engraved sterling silver 2 part belt buckle. Solid sterling silver with weight and other measurements in the pictures. No apparent markings.

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Antique Hand Painted French Bronze mounted Sevres Style Porcelain lamp. Finely<br>painted artist signed French porcelain lamp from the first quarter of the 20th<br>century. No damage or restorations, funtional lamp with functional switch<br>Removable harp, 28.5" to top of harp where finial goes, 16.5" to top of<br>porcelain from bottom of lamp.<br>isshelf

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Antique Hand Painted High Relief Dresden Service plate. Amazing plate with no<br>damage or detectable wear, over 100 years old. 10 1/8"<br>tw270

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Antique Hand Painted Limoges Lamp Mothers and Daughters and Children in the Snow<br>Scenes. I didn't take it apart but I'm 100% sure it's either Limoges or Bavarian<br>porcelain from the late 19th to very early 20th century. It's a very special<br>piece, likely originally an oil lamp base. All the hardware is from the last<br>20-30 years, works perfectly and no damage to porcelain. 13.5" tall to brass<br>collar before stem goes up, 25" tall to the top where the shade goes, the lamp<br>is 5.25" wide.<br>TW133

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Antique Hand Painted Limoges Lamp w/Neoclassical Woman Playing Lyre. Really nice<br>lamp with no damage in working condition. It's been rewired but the brass base<br>is early 20th century. By the Shape of the porcelain vase I think it may have<br>always been a lamp but have no way of knowing for sure. I did once see a very<br>similar shape in an oil lamp bring close to $2000 at auction, so maybe it was<br>once an oil lamp. I can't find a mark but the quality is unmistakably Limoges<br>French porcelain from the late 19th to early 20th century. Measures 19.5" to top<br>of socket where bulb goes, 27" to the top of the loop (not shown) where the<br>shade will rest, and 14" to the bottom of the brass stem that goes up for the<br>socket.

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Antique Hand painted Minton luncheon plate. Great plate from the last half of the 19th century, impressed Minton mark with some numbers/letters for date code I assume that I unfortunately don't have time to check out. No chips or cracks, some utensil marks and surface wear. 9 1/16" wide. isshelf

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Antique Hand Painted Porcelain Dessert Set 13pc 1850's no cracks, chips, restorations, utensil marks, minor wear to Gilding on rims. 2 of each design 5.75" bowl, large bowl is 13 7/8" x 8 3/8". At this time I'm uncertain of manufacturer, not even sure if it's French or Bohemian. I guarantee it to be one of the two and close to mid 19th century.

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Antique HBJ 9ct gold hardstone watch key pendant/charm. Hallmarked by maker on one side, 375 and date/city codes on other. All unresearched by me, 19th century.

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Antique Heavy Brass Jar with female figures. This came from a collection of<br>Mainly Indian antiques but there was some African also. Really he was an artist<br>so all over the place. I'm sure this is very old, well over 100 years likely<br>older. 6" tall x 6.5" wide, heavy for it's size. I'm assuming it was some sort<br>of ritutual or cooking pot.<br>isshelf

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Measures 9" tall. The opening is 1 9/16" wide, base measures 4 13/16" wide. Guaranteed early to mid 19th century. All hand painted with dovetailed brass base. Chip on rim, still a rare enough piece to have significant value.

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Antique Hussar/Fireman Brass helmet. Lightweight brass helmet for a small head. Two crude copper patches and repair to bill. The badge on front appears to have been possibly added later but looks really old. Missing Chin straps and side ornaments. Overall with nice patina appearing to be an authentic helmet of some sort to me. Years of built up polish residue. I've had this for awhile but have a baby on the way very soon so I'm forced to make decisions about things I was unsure of, I'd be grateful for any info. It did come from a collection of worldwide weapons, armory, and many other interesting items.

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Really special work of art. The note on the back indicates that the mold was from these peoples wedding then I guess the family turned it into art for their 50th anniversary. I assume they were gold plated at that time. That was 50+ years ago from the looks of the frame. Frame measures 12.25" x 10.5" x 1.75" deep. The mold measures 5 1/8" wide x 3.5" tall. b20

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Really nice piece, lots of time was spent on this piece 120+ years ago. Gold wear on rim, the rest of the gold is very clean. A few very tiny chigger bites on the rim and one shallow chip fingernail sized towards the top, no cracks, no restorations.

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Guaranteed mid to late 19th century. No cracks, chips, or restorations. Some minor wear to enamel and Gold. All hand decorated. Above average quality.

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Antique Inaba Signed Japanese Cloisonne bowl with dragons and Roosters. Wonderful complex piece of late 19th to early 20th century Japanese cloisonné. 5.5" wide x 2.5" tall. Very slight crazing in small area at the top shown in the first pic. Founded in 1886 by Inaba Isshin, a former samurai who began working in enamels in 1875, the company’s output was eclectic and combined designs and techniques used by both Kyoto and Nagoya makers. b60

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Cool old puppet with some expected wear as shown. Very old piece around 100 years old with fantastic patina.

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Antique Italian 800 Silver Miniature painting pendant. Great piece with no<br>damage, can be a pendant or a pin. 1.5" tall 7.4 grams, hand painted illegibly<br>signed.

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Antique Japanese Bizen Pottery Soldier Figure. 7 5/8" tall with no cracks,<br>chips, or restorations. Signed on bottom of reverse side as shown.

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Antique Japanese Black-Lacquer Suzuribako (Writing Box) and Cover, late Meiji or early Taisho Period. Amazing item in original box. Some wear to lacquer but overall clean in good condition. Outer box measures 8.75" x 6". Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. History The first suzuri-bako were developed in 9th-century Japan. At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture.[3] Inside of the square or rectangular boxes rested a number of different trays and holders, the layout of which differed from period to period.[2] Early boxes were large enough to accommodate both the writer's implements and papers, while later boxes only housed tools. A second type of box, the ryōshibako, were used in later periods to house completed papers. Suzuri-bako became more elaborate as over time. While early period boxes are often decorated with solid red lacquer, more modern boxes are decorated in any number of ways. From the Muromachi period onward, many writing boxes have been decorated with images from Japan's great works of literature. Kōdaiji Temple in Kyoto became associated with a style of Suzuri-bako decoration that featured asymmetrical patterns and autumn grasses. In terms of lacquerware, black, brown, and gold are the most common colors seen in more modern suzuri-bako. During the Edo period many dowries included a suzuri-bako. Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes. The craft declined after the wide scale replacement of calligraphy, though the boxes are still produced in small numbers.

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Antique Japanese Bronze pipe. Very high quality solid bronze pipe with<br>incredible detail. Estate fresh, as found, likely had a wood stem at one point.<br>isshelf

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Antique Japanese Bronze Censer. Last half of 19th century, unmarked, 4.5" tall x<br>5" handle to handle, loss to tail on beast.

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Antique Japanese Bronze Censer. Last half of 19th century, unmarked, 4.5" tall x 5" handle to handle, loss to tail on beast.

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Antique Japanese Bronze Hand Mirror. Great piece from the 19th century. 11.25" long x 7.25" wide with expected oxidation.<br>TW158

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Antique Japanese Bronze Hand Mirror. Great piece from the 19th century. 11.25"<br>long x 7.25" wide with expected oxidation.<br>TW158

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Antique Japanese Bronze Oni Figural Table Bell. High quality cast bronze,<br>signature on bell. Likely Edo period, first half of 19th centuy. 6.25" tall,<br>nice sounding bell, hand engraved base.<br><br>TW154

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Antique Japanese bronze Yatate Portable inkwell collection. One shaped like an<br>antique , longest 7.5"<br><br>Japanese Antique Yatate<br><br>The Japanese yatate is defined as a relatively small, portable, case used to<br>hold a Japanese writing brush (fude) and ink (sumi). In old Japan, yatate were<br>stashed in the obi (kimono belt) so that when one needed to jot down a quick<br>note or letter, they could pull the yatate from their belt, remove the brush<br>from the yatate handle, perhaps add a drop or two of water to the ink basin and<br>start writing.<br><br>tw147

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Longest 9.5", all solid bronze, only one apparently marked. Japanese Antique Yatate The Japanese yatate is defined as a relatively small, portable, case used to hold a Japanese writing brush (fude) and ink (sumi). In old Japan, yatate were stashed in the obi (kimono belt) so that when one needed to jot down a quick note or letter, they could pull the yatate from their belt, remove the brush from the yatate handle, perhaps add a drop or two of water to the ink basin and start writing. tw147

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Antique Japanese Calabash Sake Bottle Hyotan Natural Gourd with Woven basket<br>exterior 10.5" tall x 6" wide. These gourd bottles are desirable without the<br>fancy basket exterior, a basket of this quality is amazing in itself. The gourd<br>with the basket exterior is just absolutely amazing. Very old antique item<br>approximately 100 years old with no significant issues.

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Antique Cloisonne Vase with Classical Form and Great Patina. 6.25" tall. Great 19th century piece with fantastic patina and no issues. TW75

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Antique Japanese Taisho Period Mixed Metals box. 2 3/8" wide x 1.75" deep x 1 1/8" tall with no issues, amazing work of art. First quarter of 20th century, Allie monogram in interior. Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo" as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified form of 豐. Fujii's family is known as early as 17th century and for four generations has enjoyed renown as the producer of inlaid work of first rank. Early in life, Yoshitoyo trained himself in this art, which led him to perceive the fact that there was ample room for further improvements and developments. Long experience and careful study gave him the skill and knowledge by which he could perfect the art, but Kyoto in those days was quite conservative, so that it was practically impossible for him to carry into practice the results of his investigation. He left home and came to Tokyo, the centre of learning, where he devoted himself to the art for a number of years, and finally succeeded in introducing valuable improvements. In 1902, at the age of 35, Fujii obtained his first patent from the Imperial Government. In 1909 he was granted his second patent. His damascene work, being made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School, well met the taste and requirements of the time.

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Antique Japanese Taisho Period Mixed Metals trinket dish 4 1/8" x 2 3/8", no<br>issues.. Great piece from the first quarter of the 20th century.<br><br>Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo"<br>as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's<br>first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified<br>form of 豐. Fujii's family is known as early as 17th century and for four<br>generations has enjoyed renown as the producer of inlaid work of first rank.<br>Early in life, Yoshitoyo trained himself in this art, which led him to perceive<br>the fact that there was ample room for further improvements and developments.<br>Long experience and careful study gave him the skill and knowledge by which he<br>could perfect the art, but Kyoto in those days was quite conservative, so that<br>it was practically impossible for him to carry into practice the results of his<br>investigation. He left home and came to Tokyo, the centre of learning, where he<br>devoted himself to the art for a number of years, and finally succeeded in<br>introducing valuable improvements.<br>In 1902, at the age of 35, Fujii obtained his first patent from the Imperial<br>Government. In 1909 he was granted his second patent. His damascene work, being<br>made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School,<br>well met the taste and requirements of the time.

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Antique Japanese Imari Hand Painted Lot of 3. 6.5" x 5" x 1 5/8" oval bowl is the oldest circa 1850-1870 or so, the other two are likely from the first quarter of the 20th century, all hand painted measuring 6.25" and 3 5/8" wide. No cracks, chips, or restorations on any of the pieces. Selling the three pieces. TW221

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Antique Japanese Kashigata Carved Wood Cookie Mold Shrimp Signed C.1920. 8.25" x<br>3.25" x 1 9/16" deep. No issues, signed on back and both ends.

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Antique Japanese Kashigata Carved Wood Cookie Mold ClocksC.1920. 14.25" x 3.25"<br>x 1" deep. No issues.

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Antique Japanese Kashigata Carved Wood Cookie Mold Lotus Blossom Signed C.1920.<br>9" x 3.75" x 1.25" deep. No issues, signed on back.

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Antique Japanese Kashigata Carved Wood Cookie Mold kanji Characters C.1920.<br>13.5" x 2 7/8"" x 1.25" deep. No issues.

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Antique Japanese Lacquer on wood Kushi comb. No issues, has what appears to be a<br>natural curve, I believe it was carved that way. 4.75" x 3".

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Antique Japanese Mandarin Duck form Kushi Comb 5 3/8" x 3.25", overall clean, amazing detail, hand painted with gold.

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Antique Japanese Meiji Imari Square Charger. Last half of 19th century, some<br>wear to enamel 14 5/8" diagonal with no chips, cracks, or restorations.

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Antique Japanese Meiji period cloisonne vase 7.5" tall, a few very small pin sized spots, one very small ding to the right of the decoration shown in the last pic. Signed on base mostly covered by Christies label.

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Antique Japanese Meiji period cloisonne vase, no damage or significant wear.

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Antique Japanese Porcelain Charger Shallow Footed Bowl Incredible 11 1/8" x 2<br>5/8" deep with no cracks, chips, or restorations.

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XIX secolo garantito. Nessuna crepa, scheggiatura o restauro. La maggior parte della doratura sul bordo superiore è notevolmente usurata. Tutto decorato a mano. Vasi Imari antichi giapponesi firmati Birds of Paradise Enormi 15 pollici di altezza x 6 pollici di larghezza

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Antique Japanese Sometsuke bonsai planter 5" tall x 6.25" wide, hand painted<br>from the 18th/19th century. Hand built from thick slabs of porcelain as visible<br>from base view. Nice heavy solid piece with no damage.<br>isshelf

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Antique Japanese Sometsuke plate hand painted blue underglaze. Nicely painted<br>8.5" wide with no damage.

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Antique Japanese Silver Wire Cloisonne Vase. Late 19th to early 20th century<br>with no damage whatsoever. 5.25" tall x 4.5" wide, silver wire, top, and bottom.<br>Marked silver on base. Guaranteed high content silver over 90%.

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Antique Japanese wood shoes, early 20th century. Each with Kanji signature on base. 8.25" long x 3" wide

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Antique Knights of Templar belt buckle. Likely from the first quarter of the 20th century, 3 1/8" tall will handle up to a 1.75" belt. oxidation and wear as shown. Tw208

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Antique KPM (Konigliche Porzellan-Manufaktur), Berlin Basketweave Hand Painted<br>Dresden Flowers Pattern Dinner Plates 9.75". Selling the set of 8 shown.<br>Authentic 19th century hand painted KPM porcelain. They are all different, all<br>decorated with extreme precision and very strong embossing of the pattern on the<br>rim which the photographs really don't capture well. No cracks, chips, or<br>restorations, very minor wear to gilding on a few of the sharp points. I'll be<br>listing some smaller plates in this same pattern separately.BlkCrate99

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Antique KPM (Konigliche Porzellan-Manufaktur), Berlin Basketweave Hand Painted<br>Dresden Flowers Pattern Luncheon Plates 8.5". Selling the set of 8 shown.<br>Authentic 19th century hand painted KPM porcelain. They are all different, all<br>decorated with extreme precision and very strong embossing of the pattern on the<br>rim which the photographs really don't capture well. No cracks, chips, or<br>restorations, very minor wear to gilding on a few of the sharp points. I'll be<br>listing some larger plates in this same pattern separately.BlkCrate99

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14" x 9" wide. No cracks,chips, or restorations. Firing flaws below foot are<br>interesting. Guaranteed mid 19th century.

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Antique KPM (Konigliche Porzellan Manufacktur) Reticulated Basketweave Hand<br>Painted Dresden Flowers Pattern Dinner plates. Selling the exact 9 plates shown<br>in near mint to mint condition with no cracks, chips, wear, restorations,<br>utensil marks, wear to gilding, or other issues. I have looked them over very<br>well. They are all hand painted with extreme precision in different bouquets,<br>notice the bottom of the bouquet hits the same spot between the latticework on<br>each plate. These have a heavily embossed basketweave design that is difficult<br>to see in the pics and was likely difficult to apply over 100 years ago when<br>these were made by hand. Each piece is marked and artist signed in the footrim<br>as shown.TW176

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Antique KPM Sauce Boat Hand painted Pink trim and flowers. 10.5" long x 3.5"<br>tall. Chip of footrim which doesn't not affect it's functionality or beauty. No<br>other issues whatsoever.<br>TW188

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Antique Lacquer snuff box. Great snuff box with no issues from the first half of<br>the 19th century. High quality box with gilt metal mountings, strong hinge and<br>clasp that stays shut..<br>trinketdrawer

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Antique Leather clad Brass mounted document box 12.5" x 7.5" x 5" tall. 19th<br>century box with no issues, clean inside and out.<br><br>isshefl

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Antique Little Boy Blue Sterling Baby Spoon 3.75" long, clean, an uncommon variation.

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Antique Lobmeyr Austrian Double Eagle bottle. Great piece likely from the last<br>quarter of the 19th century. 6 7/8" tall x 3 5/8" wide. Measurement doesn't<br>include cork. At one point it likely had a metal mount and cap. They made a ton<br>of flasks with that type of enclosure and this is pretty much better than all of<br>them so it wouldn't be a very difficult task to find a lid. All hand painted,<br>very fine faceting all over. No cracks, chips, rough spots, or other issues,<br>some expected wear to gilding.<br>Unmarked But obviously top end antique bohemian glass of the Moser/Lobmeyr<br>class.<br>b14

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Antique Louis Philippe I Bronze Medallion, circa mid 19th century. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.

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Antique Ludwigsburg porcelain figure man with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

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Antique Ludwigsburg porcelain figure woman with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

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Antique Meiji Japanese Satsuma Vase 6" tall x 4.5" wide with no cracks, chips,<br>or restorations, very nicely decorated.

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Antique Meiji Japanese silver/bronze mixed metals Mt Fuji vase. Great condition a few tiny dents and a few scratches, signed by on base, unresearched by me. 8.5" tall x 5.25" wide

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Antique Meiji period Japanese vases, likely once had lids which aren't present. No cracks, chips, or restorations. 8" tall, selling both. isshelf

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Antique Meissen Drummer Figure. No cracks, chips, or restorations. Measurements in pics.

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Antique Meissen Onion Milk pitcher 5 5/8" tall x 6 7/8" handle to spout, larger than anything I would ever call a creamer but smaller than what I would call a water pitcher or even juice pitcher. One bruise with tiny chip on footrim, no other damage or issues. tw22

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Antique Meissen Onion Scalloped Low Bowl 8.5" x 1 7/8". No scratches, cracks,<br>chips, crazing, stains, restorations, or other wear. Great piece from the early<br>20th century.<br>TW177

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Antique Mesh Masquerade mask. Extremely cool and old, not 100% sure what it's<br>original intent was, maybe halloween, Mardi Gras, Maybe theatre, works well with<br>no significant issues. Mesh part is 9" tall x 6.75" wide. Painted accents with<br>most paint intact.

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Antique Mexican Moor Dance mask. 14" tall x 8" wide. I will be offering a very<br>large collection of these that was assembled in the 60's-80's, a large<br>percentage are from the first quarter of the 20th century, some perhaps a bit<br>older. The ones that are more recent are of exceptional quality. Some have tags<br>identifying them, some of the tags are missing or have been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.

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Antique Mexican Retablo Painting on Tin, 19th century. 11" x 15" framed. 19th<br>century retablo with tiny hole on top where it once hung on a wall in Mexico,<br>framed in the third quarter of the 20th century. Minor expected wear with no<br>significant issues.

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Antique Mexican Talavera Footed Compote 7.75" wide x 4.25" tall, really nice piece hand painted. Late 19th to early 20th century. Unmarked. No cracks, chips, or restorations. There is a glaze flake on the top rim shown in the last pic, factory glaze skips on bottom rim. B34

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Antique Millefiori Tumbler Lot of 2. These were part of a collection of Antique tumblers that were all victorian and I believe these to also be so. I'm guaranteeing them to be antiques. They measure 3.75" and 3 7/8" tall with no cracks, chips, or restorations. The One to the right is really interesting, it's like a wheeling peachblow but I'm assuming italian. I've actually found two others very similar to that one sold, one had an 1841 cane it it and brought over $300. Selling both. TW184

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Antique Miniature Sterling Repousse Plaque on Easel. Marked with British sterling hallmarks and tested. 4 5/8" tall x 3 1/8" wide at base. tw213

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Antique Miniature Teddy bear excelsior filled. 4" tall excelsior filled, seems<br>to be felt or closely shaven/worn mohair. Not sure. The legs and arms move<br>together meaning if you move one arm both arms move, one leg both legs move.<br>Great little bear from the first quarter of the 20th century. If you have any<br>clues on the maker I'd be grateful. I could find no button or other markings.<br>isshelf

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Antique miniature watercolor portrait. 2.75" wide, very well painted. trinketdrawer

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Antique Mold Blown Art glass Cranberry Opalescent finger bowl. Great piece of top quality glass with ground pontil, perfect clarity, etc. I believe it's victorian, I know It's top quality art glass. 2.5" tall x 6" diagonal.TW223

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Antique Moser gilt/engraved crystal bowl 9.5" wide x 2.5" deep, slight loss to<br>gilding one shallow chip on exterior rim only visible under close examination,<br>no other damage. Unsigned but top quality by a top quality French or Bohemian<br>glassmaker, likely Moser.

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7.25" tall x 3.5" wide with no cracks or chips, no loss or other issues. Guaranteed circa late 19th century. Came from a collection of great late 19th century art glass, all genuine.

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Antique Solar Microbiology Inoculation loop/Scalpel Sterilizing Mushroom<br>Cultivation tool. This is the predecessor to the Bacti-cinerator, extremely rare<br>item that I'm not totally sure how to date but I'm confident it's from the first<br>half of the 20th century and likely the first quarter. Works, I plugged it in<br>and it heats up, turns red, tape on cord so I assume it was frayed. 7 5/8" wide<br>including steel rack that holds the loops/scalpels while sterilizing x 3.5" tall

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Antique Navajo ingot silver beaded pearl necklace with turquoise/coral. Selling the necklace shown in good condition with measurements in pictures. 20" long, antique beads circa early 20th century, turquoise/coral likely later.

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Antique Navajo Sterling Silver Tobacco Canteen Flask. Very nice heavy walled hand stamped tobacco flask from the first half of the 20th century. a few small dents, lid fits incredibly well making a likely air/water tight seal. Estate fresh from a nice collection put together long ago of various Native American artifacts. Comes with one of the nicest bronze display stands I've ever seen that fits this like a glove, obviously custom made for this important piece of history. Unmarked, tests coin silver or sterling. 3.5" x 2.5" x 1.25" 71.5 grams. b70

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Antique NON-XLL Joseph Allen & Son Sheffield long blade knife. Nice solid knife<br>from the last half of the 19th century. 6" blade, 10.25" total length, Solid<br>knife with no play and excellent patina. Old initials on stag handle, Blade with<br>a few nicks, rounded tip, and some pitting. Knife still plenty sharp with a few<br>hundred years of use left in it.<br><br>knifedrawer

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Antique Norwegian 830 silver mirrors wedding brooch. Late 19th to early 20th century. 3" tall, 15.6 grams with no issues. Really nice pin. Catches the light as you move around.Traditional wedding pin Norway. Great coat lapel or hat pin here.From the Web: The Power of Silver In rural Norway in the eighteenth and nineteenth centuries, women, men and children wore some kind of silver jewelry every day. Often that silver was in the form of a brooch or slje. Some styles of slje were specific to a region, others were used across the country. Simple pins were worn daily as the only fastener on a shirt or blouse. On special occasions, Norwegians wore more silver with their bunader, festive folk costumes, such as large brooches, buttons and shoe buckles, and finger rings.Silver showed the wealth and prosperity of a family, and Norwegians also believed it cured sickness in humans and animals, improved crops, and protected against storms and evil spirits. Huldrefolk were perhaps thep rimary reason for wearing silver jewelry. Also known as underworld creatures, huldrefolk tried to strengthen their gene pool by marrying humans and stealing children. Rural Norwegians never knew when or where they would encounter a huldrefolk, so they felt it was important to wear silver jewelry daily. The metal itself was strong, and dangling ornaments added protection by reflecting evil away from the wearer. Each time jewelry was worn in churc hor was handed down to the next generation, it became even more powerful.Rites of passage, especially baptism and marriage, were common times of huldrefolk attack, because humans were vulnerable as they changed status. The time between birth and baptism was particularly dangerous for infants because they were in constant danger of being swapped with huldrefolk babies. Parents often pinned a tiny slje on the baby's clothes until baptism provided more permanent protection. Girls might get their first full-sized slje to protec tthem at confirmation.At the precise moment a woman went from being single to married, she risked being taken to the mountain by huldrefolk. Brides wore the most and the finest jewelry, including several large broches, finger rings and bridal necklaces. Women throughout Norway wore special headdresses. Brides in central Norway wore headdresses decorated with beads and dangles. In western and northern Norway, brides wore metal crowns with hanging decorations shaped ike circles, crosses, leaves and birds. the few crowns that existed in a church parish were often available for rent from the owner, usually a minister or wealthy farmer.The Norwegian immigrants often took their bunader with them to their new homes but rarely used them. The did, however, continue to use their sljer.Norwegian women quickly adopted American clothing but proudly wore a slje at the neck to show their Norwegian heritage. Sljer are no longer used for protection; in fact, most wearers today are not even aware of that function which was so important in the past. Silver is still powerful as a symbol of ethnic ancestry. anderas

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Antique Ornate Sterling banded agate wax seal w/ 6 pointed star 3.25" long. Very good condition overall with only the slightest wear in a few spots to the beveled agate. Sterling base, extremely detailed, apparenty unmarked. trinketdrawer

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Antique Ottoman Empire Brass Cartridge box. 5 1/8" x 4.25" with no issues. TW147

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Antique Persian Copper Coffee Pot. This is a really early piece, hundreds of<br>years old I think. It was laquered on the exterior and put on display about 60<br>years ago and was an antique then. There's caked up limescale all in the<br>interior and a really nice patina that is more evident on the base and inside<br>the lid. There is a dent in the front of the base that causes it to sit a little<br>lopsided. I didn't realize until after I took the pics but a small piece of felt<br>or something on the front of the base would hold it straight. This is for sure<br>an old one. 15" tall x 2" handle to spout.<br>TW133

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Antique Persian Silver Box with Excellent engraving 7.25" x 1.5". Square box<br>with no damage, very old estate fresh tested silver (over 80%) and hallmarked<br>but I can't read the hallmark. No damage or issues, hinge works perfectly. 774<br>grams.<br>TW172

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Antique Persian Silver Snuff box Addolhosein. Amazing Workmanship, the box is so well made it forms a basically air/waterproof seal when it's shut. Shuts easily with an audible click stays shut, made by hand with extreme precision. 2 7/8" x 1 7/8" x .75" x 82.8 grams.

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Antique Pink Cut Velvet art glass vase 7" tall with no cracks, chips, or<br>restorations.<br>tw106

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Antique Pocket Gold Scales/test kits. Selling the 19th century gold testing kit<br>without the chemicals with the 18th/19th century extremely well made and<br>complete pocket gold/gem scales complete with weights all the way down to carat<br>fractions. I could find no identifying marks, but it's really well made and so<br>is the case, notice the screws on the case have offset slots in the heads, very<br>old set. Box for scales measures 4 3/8" x 2 3/8". These are both fresh from the<br>same estate, I would speculate that these were carried by a miner or some sort<br>of traveling gold trader.<br>isshelf

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Great early Inkwell with no cracks, chips, restorations. Some wear to Gilding. All hand decorated. 3.5" tall x 3.25" wide.

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Antique Porcelain Plaque Mounted Letter Box Secretaire c.1860. 9 3/8" wide x 6<br>3/8" tall x 4.75" deep. Incredible piece, plaque is entirely hand painted, the<br>mounting is hand chased. Small piece is brass trim on around lock missing. Minor<br>damage to verneer, only significant place shown on top corner.

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Antique Republic Period Chinese Famille Rose Scholars Desk Set. This set was<br>purchased 40 years ago as a 100+ year old antique then. It's been kept in a<br>glass display case in someone's home until now as that person has passed away.<br>Marked with 4 Character Qianlong mark. I believe it's from the first half of the<br>20th century.<br><br>The brush pot has a hairline, it's 5.5" tall x 1 7/8" wide at rim. The hairline<br>extends halfway down, that is the only piece that's damaged. The rouge box is<br>4.5" wide x 1.5" deep. Covered ink box is 2 7/8" wide x 1 3/8" deep. That should<br>give you an idea of the dimensions of the other pieces.

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Antique Roman 14k gold micro-mosaic rose/flower bouquet brooch/pin. Selling the pin shown in good condition with weight and measurements in pictures. Circa late 19th century. Tested and guaranteed solid 14k gold, marked on catch.Tesserae in good condition with a slight raised 3d effect, no cracks, some very tiny nicks to rim of black jet.

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Antique Rookwood Pottery Pamphlet. Buying the pamplet shown from the first quarter of the 20th century, 4" x 6", minor wear to edge of front cover, overall clean. kitshelf

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Antique Royal Doulton Indian Tree Meat Platter with Drain Well Hand Painted<br>Polychrome Transferware 19.25" x 15.5" c.1890's. No cracks, chips, restorations,<br>crazing, very clean.

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Antique Royal Doulton Stoneware miniatures. Selling the three pieces from the first quarter of the 20th century with no damage. Loving cup is unmarked but has been attributed to Doulton by reliable sources, it's 7/8" tall, mug and creamer are 1 9/16" tall. Selling all three pieces. kitshelf

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Antique Royal Vienna Style Hand Painted 2 handled cup. 100% hand decorated with<br>no cracks, chips, restorations, or significant wear. 3 1/8" tall x 2 7/8" wide<br>without handles 4.75" wide with handles.<br>TW254

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Antique Royal Vienna Style Urn Hand Painted Artist Signed Portrait with heavy gold and enamel Decoration on cobalt ground. Measures 10 3/8" tall with no cracks, chips, or repairs. Minor gold loss and loss to enamel shown in pics, tiny paint loss spout on woman's head. Overall excellent condition, good and tight. Guaranteed circa late 19th century Austrian porcelain. tw135

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6.25" tall x 4.25" wide at widest point. Guaranteed antique circa late 18th to early 19th century Vienna porcelain. This was originally an extremely popular Meissen design in the early 18th century. Later copied by Chelsea c.1760, I've seen examples bring 20k. No major damage or restorations. There is damage to one of her bows and one petal missing off of the flower by the Man's foot. No other damage. Unusual figure.

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Antique Royal Vienna/KPM Style hand painted Cabinet Portrait vase of beauty. Guaranteed late 19th to early 20th century, 100% hand painted, artist signed Dietrich, likely the same one that did several KPM plaques. This piece being dark and shiny is extremely difficult to photograph and way better in person. 6 7/8" tall x 3.5" wide with no cracks, chips, or restorations. Beautiful complex scene painted on all sides. isshelf

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Antique Russian 84 silver belt. Amazing item with no issues. Solid silver, Approx 34.5" long, would make a cool necklace. 133.9 grams.

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