Antique Gilt Carved Wood Figure depicting Summer Harvest of Wheat. Nice early piece, possibly 18th century, mid 19th century at the latest.11 5/8" tall. some minor wear and 150+ year old woodworm holes. B43

Leggere Di più meno

11 1/8" tall x 8.5" wide with no damage. Guaranteed antique cure 1890-1910,<br>strong tight hinge on stand. It won't wiggle when pushed in the standing<br>position. Great functional antique.

Leggere Di più meno

Antique Gilt Sterling silver Guilloche blue egg form sewing kit/thimble/spool. No damage, weight measurements, and any markes detected are in the pictures.

Leggere Di più meno

Antique Gold Miner's Portland Mine Cripple Creek Colorado Souvenir spoon<br>silverdrawer

Leggere Di più meno

Antique Guatemalan Chachal Rosary cross necklace Sterling silver 1899 coins trade bead necklace Tested and guaranteed solid sterling silver beads, 28" long very heavy antique necklace that has been restrung at one point. I saw a few coins with 1899 dates, did not check them all. The word "Chachal" in Quiche language means necklace. These beautiful objects have a fascinating tale of history, culture, art, and economics that begins during the Pre Columbian period hundreds-thousands of years ago and continues to the present where they still worn by many Mayan populations. Guatemalan necklaces use coins from Spain, as well as all of the Latin American countries that were once Hispanic colonies along with trade beads from bead centers in Venice, Bohemia/Czechoslovakia, England, & Spain.

Leggere Di più meno

Antique Guatemalan Mico Monkey Ceremonial Dance Mask. Good early mask 19th to<br>early 20th century. 7.25" tall x 5 1/8" wide x 4" deep. Vintage carved and<br>polychrome painted wood dance mask, Guatemala, used in the Danza del Venado Deer<br>Dance.<br>TW226

Leggere Di più meno

Antique Hampden Pocket watch works/dial. Selling what's shown unsure if it's working. Guaranteed not to work parts beautiful dial/hands and works from a fnacy 14k watch that had damage to case so it was scrapped. Selling what's shown 1 5/16" dial.

Leggere Di più meno

Antique Hand Carved Jointed Artists Model Doll. This is from the Estate of<br>Milton Simpson, author of several books and publications of Folk a. He was the<br>graphic designer who discovered the Woodbridge figures collection in New Jersey.<br>Not the construction worker that found them but the person who purchased them<br>all from a local pawn shop and recognized their importance. There is a very high<br>probability this piece is published in one or more of his books/publications.<br>20" tall and Jointed everywhere, all the joints are functional, some a little<br>loose as this is about 100 years old. It is standing unassisted in two of the<br>pics but might not be the best idea unless held with "museum wax" or something<br>similar. tw106<br><br>Milton Simpson (1911-2023)<br>Milton – also known by his friends and acquaintances as Milt - was born and<br>raised in Brooklyn, New York City and raised his family in Millburn, New Jersey.<br>He attended the New York School of Industrial Art (SIA), now the School of Art<br>and Design. He then worked for Incorporated Ideas Advertising Agency in New<br>Jersey before joining the United States Army, serving in Korea.<br>After his discharge from the Army, Milt attended The Workshop School of<br>Advertising & Editorial Art. Upon completion of his studies there, he became the<br>Art Director of The American Baby Magazine in New York, Assistant Art Director<br>at Lewin, Williams & Saylor in New Jersey, and then Art Director of Kenyon-Baker<br>Advertising & Baker Printing Company, (both of which were under one roof) in New<br>Jersey. (He left there because the promised air conditioner was never<br>installed!)<br>He then worked as a freelance graphic designer and illustrator for several<br>years.<br>In 1964, he and business partner Don Johnson founded the firm of Johnson &<br>Simpson Graphic Designers with Milt as president. They were based in a townhouse<br>in beautiful downtown Newark, New Jersey and specialized in corporate<br>communications. The design projects they took in included annual reports,<br>corporate magazines, capability brochures, posters, museum catalogs, trademarks<br>and books. Their clients included Conoco, Johnson & Johnson, New Jersey Bell,<br>Hoffmann-La Roche, The Newark Museum and Singer Corporation.<br>The firm was featured in every major design publication, was recognized by over<br>350 graphic design awards and he and Don were inducted into the New Jersey Ad<br>Club's Advertising Hall of Fame in 1991.<br>Milt also served on the Advisory Board of The Greater Newark Chamber of Commerce<br>and was an Adjunct Professor (Publication Design) at Montclair State College.<br>The New Jersey Art Directors Club voted Milt Art Director of the Year in 1972.<br>Books were his passion. He couldn't seem to get them out of his system and<br>didn't try to. For many years he produced and self-published a series of<br>Artists' Books using several print-on-demand platforms. Milt was always a<br>student and appreciator of quirky, eccentric and irrational human behavior.<br>These Artists' Books were very much influenced by his observations and<br>obsessions.<br>Among many others too numerous to mention, he wrote "Windmill Weights; which was<br>self-published and "Folk a" published by HarperCollins.

Leggere Di più meno

Antique Hand Engraved 800 Silver Compact. Very nice engraving with no dents or bends, snaps open and shut like new. some discoloration to mirror. Marked and tested 80% silver. 47 grams 2.75" wide. b36

Leggere Di più meno

Antique Hand engraved sterling silver 2 part belt buckle. Solid sterling silver with weight and other measurements in the pictures. No apparent markings.

Leggere Di più meno

Antique Hand Painted French Bronze mounted Sevres Style Porcelain lamp. Finely<br>painted artist signed French porcelain lamp from the first quarter of the 20th<br>century. No damage or restorations, funtional lamp with functional switch<br>Removable harp, 28.5" to top of harp where finial goes, 16.5" to top of<br>porcelain from bottom of lamp.<br>isshelf

Leggere Di più meno

Antique Hand Painted High Relief Dresden Service plate. Amazing plate with no<br>damage or detectable wear, over 100 years old. 10 1/8"<br>tw270

Leggere Di più meno

Antique Hand Painted Limoges Lamp Mothers and Daughters and Children in the Snow<br>Scenes. I didn't take it apart but I'm 100% sure it's either Limoges or Bavarian<br>porcelain from the late 19th to very early 20th century. It's a very special<br>piece, likely originally an oil lamp base. All the hardware is from the last<br>20-30 years, works perfectly and no damage to porcelain. 13.5" tall to brass<br>collar before stem goes up, 25" tall to the top where the shade goes, the lamp<br>is 5.25" wide.<br>TW133

Leggere Di più meno

Antique Hand Painted Limoges Lamp w/Neoclassical Woman Playing Lyre. Really nice<br>lamp with no damage in working condition. It's been rewired but the brass base<br>is early 20th century. By the Shape of the porcelain vase I think it may have<br>always been a lamp but have no way of knowing for sure. I did once see a very<br>similar shape in an oil lamp bring close to $2000 at auction, so maybe it was<br>once an oil lamp. I can't find a mark but the quality is unmistakably Limoges<br>French porcelain from the late 19th to early 20th century. Measures 19.5" to top<br>of socket where bulb goes, 27" to the top of the loop (not shown) where the<br>shade will rest, and 14" to the bottom of the brass stem that goes up for the<br>socket.

Leggere Di più meno

Antique Hand painted Minton luncheon plate. Great plate from the last half of the 19th century, impressed Minton mark with some numbers/letters for date code I assume that I unfortunately don't have time to check out. No chips or cracks, some utensil marks and surface wear. 9 1/16" wide. isshelf

Leggere Di più meno

Antique Hand Painted Porcelain Dessert Set 13pc 1850's no cracks, chips, restorations, utensil marks, minor wear to Gilding on rims. 2 of each design 5.75" bowl, large bowl is 13 7/8" x 8 3/8". At this time I'm uncertain of manufacturer, not even sure if it's French or Bohemian. I guarantee it to be one of the two and close to mid 19th century.

Leggere Di più meno

Antique HBJ 9ct gold hardstone watch key pendant/charm. Hallmarked by maker on one side, 375 and date/city codes on other. All unresearched by me, 19th century.

Leggere Di più meno

Antique Heavy Brass Jar with female figures. This came from a collection of<br>Mainly Indian antiques but there was some African also. Really he was an artist<br>so all over the place. I'm sure this is very old, well over 100 years likely<br>older. 6" tall x 6.5" wide, heavy for it's size. I'm assuming it was some sort<br>of ritutual or cooking pot.<br>isshelf

Leggere Di più meno

Measures 9" tall. The opening is 1 9/16" wide, base measures 4 13/16" wide. Guaranteed early to mid 19th century. All hand painted with dovetailed brass base. Chip on rim, still a rare enough piece to have significant value.

Leggere Di più meno

Antique Hussar/Fireman Brass helmet. Lightweight brass helmet for a small head. Two crude copper patches and repair to bill. The badge on front appears to have been possibly added later but looks really old. Missing Chin straps and side ornaments. Overall with nice patina appearing to be an authentic helmet of some sort to me. Years of built up polish residue. I've had this for awhile but have a baby on the way very soon so I'm forced to make decisions about things I was unsure of, I'd be grateful for any info. It did come from a collection of worldwide weapons, armory, and many other interesting items.

Leggere Di più meno

Antique Wagner Royal Vienna Style Cabinet plate Louise Marie Anne de Bourbon<br>Illegitimate Daughter of Louis XIV. 100% hand painted. 7" wide with no cracks,<br>chips, or restorations. Impresses CMHR (C.M. Hutschenreuther) mark in addition<br>to Underglaze shield mark. One speck of gold loss to left of Wagner signature.<br><br>The Hutschenreuther family started production of porcelain in German Northern<br>Bavaria already in 1814. The founder was Carolus Magnus Hutschenreuther who<br>established factory in a town Hohenberg an der Eger.<br><br>Carolus Magnus died in 1845. After his death the factory was run by his wife and<br>two sons.

Leggere Di più meno

Really special work of art. The note on the back indicates that the mold was from these peoples wedding then I guess the family turned it into art for their 50th anniversary. I assume they were gold plated at that time. That was 50+ years ago from the looks of the frame. Frame measures 12.25" x 10.5" x 1.75" deep. The mold measures 5 1/8" wide x 3.5" tall. b20

Leggere Di più meno

Really nice piece, lots of time was spent on this piece 120+ years ago. Gold wear on rim, the rest of the gold is very clean. A few very tiny chigger bites on the rim and one shallow chip fingernail sized towards the top, no cracks, no restorations.

Leggere Di più meno

Guaranteed mid to late 19th century. No cracks, chips, or restorations. Some minor wear to enamel and Gold. All hand decorated. Above average quality.

Leggere Di più meno

Antique Inaba Signed Japanese Cloisonne bowl with dragons and Roosters. Wonderful complex piece of late 19th to early 20th century Japanese cloisonné. 5.5" wide x 2.5" tall. Very slight crazing in small area at the top shown in the first pic. Founded in 1886 by Inaba Isshin, a former samurai who began working in enamels in 1875, the company’s output was eclectic and combined designs and techniques used by both Kyoto and Nagoya makers. b60

Leggere Di più meno

Antique Indian Silver Spice Box, 19th century. Similar example found can be<br>found at the Victoria & Albert Museum, Ref Number 02672(IS), Betel nut shaped<br>lids, peackock finials, great in every way. Really an amazing thing with 5<br>hinged lids and a center threaded handle that must be unscrewed to lift the lids<br>and when screwed down it holds the lids in place. 5.5" wide, x 3.75" tall, very<br>thick solid high content silver marked and tested. 545.1 grams.<br>silverdrawer

Leggere Di più meno

Cool old puppet with some expected wear as shown. Very old piece around 100 years old with fantastic patina.

Leggere Di più meno

Antico pendente dipinto in miniatura in argento 800 italiano. Ottimo pezzo senza danni, può essere un ciondolo o una spilla. 1,5" di altezza 7,4 grammi, dipinto a mano firmato illeggibile.

Leggere Di più meno

Antique Italian 800 Silver Miniature painting pendant. Great piece with no<br>damage, can be a pendant or a pin. 1.5" tall 7.4 grams, hand painted illegibly<br>signed.

Leggere Di più meno

Antique Japanese Bizen Pottery Soldier Figure. 7 5/8" tall with no cracks,<br>chips, or restorations. Signed on bottom of reverse side as shown.

Leggere Di più meno

Antique Japanese Black-Lacquer Suzuribako (Writing Box) and Cover, late Meiji or early Taisho Period. Amazing item in original box. Some wear to lacquer but overall clean in good condition. Outer box measures 8.75" x 6". Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. History The first suzuri-bako were developed in 9th-century Japan. At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture.[3] Inside of the square or rectangular boxes rested a number of different trays and holders, the layout of which differed from period to period.[2] Early boxes were large enough to accommodate both the writer's implements and papers, while later boxes only housed tools. A second type of box, the ryōshibako, were used in later periods to house completed papers. Suzuri-bako became more elaborate as over time. While early period boxes are often decorated with solid red lacquer, more modern boxes are decorated in any number of ways. From the Muromachi period onward, many writing boxes have been decorated with images from Japan's great works of literature. Kōdaiji Temple in Kyoto became associated with a style of Suzuri-bako decoration that featured asymmetrical patterns and autumn grasses. In terms of lacquerware, black, brown, and gold are the most common colors seen in more modern suzuri-bako. During the Edo period many dowries included a suzuri-bako. Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes. The craft declined after the wide scale replacement of calligraphy, though the boxes are still produced in small numbers.

Leggere Di più meno

Antique Japanese Bronze pipe. Very high quality solid bronze pipe with<br>incredible detail. Estate fresh, as found, likely had a wood stem at one point.<br>isshelf

Leggere Di più meno

Antique Japanese Bronze Censer. Last half of 19th century, unmarked, 4.5" tall x<br>5" handle to handle, loss to tail on beast.

Leggere Di più meno

Antique Japanese Bronze Censer. Last half of 19th century, unmarked, 4.5" tall x 5" handle to handle, loss to tail on beast.

Leggere Di più meno

Antique Japanese Bronze Hand Mirror. Great piece from the 19th century. 11.25" long x 7.25" wide with expected oxidation.<br>TW158

Leggere Di più meno

Antique Japanese Bronze Hand Mirror. Great piece from the 19th century. 11.25"<br>long x 7.25" wide with expected oxidation.<br>TW158

Leggere Di più meno

Antique Japanese Bronze Oni Figural Table Bell. High quality cast bronze,<br>signature on bell. Likely Edo period, first half of 19th centuy. 6.25" tall,<br>nice sounding bell, hand engraved base.<br><br>TW154

Leggere Di più meno

Antique Japanese bronze Yatate Portable inkwell collection. One shaped like an<br>antique , longest 7.5"<br><br>Japanese Antique Yatate<br><br>The Japanese yatate is defined as a relatively small, portable, case used to<br>hold a Japanese writing brush (fude) and ink (sumi). In old Japan, yatate were<br>stashed in the obi (kimono belt) so that when one needed to jot down a quick<br>note or letter, they could pull the yatate from their belt, remove the brush<br>from the yatate handle, perhaps add a drop or two of water to the ink basin and<br>start writing.<br><br>tw147

Leggere Di più meno

Longest 9.5", all solid bronze, only one apparently marked. Japanese Antique Yatate The Japanese yatate is defined as a relatively small, portable, case used to hold a Japanese writing brush (fude) and ink (sumi). In old Japan, yatate were stashed in the obi (kimono belt) so that when one needed to jot down a quick note or letter, they could pull the yatate from their belt, remove the brush from the yatate handle, perhaps add a drop or two of water to the ink basin and start writing. tw147

Leggere Di più meno

Antique Japanese Calabash Sake Bottle Hyotan Natural Gourd with Woven basket<br>exterior 10.5" tall x 6" wide. These gourd bottles are desirable without the<br>fancy basket exterior, a basket of this quality is amazing in itself. The gourd<br>with the basket exterior is just absolutely amazing. Very old antique item<br>approximately 100 years old with no significant issues.

Leggere Di più meno

Antique Cloisonne Vase with Classical Form and Great Patina. 6.25" tall. Great 19th century piece with fantastic patina and no issues. TW75

Leggere Di più meno

Antique Japanese Taisho Period Mixed Metals box. 2 3/8" wide x 1.75" deep x 1 1/8" tall with no issues, amazing work of art. First quarter of 20th century, Allie monogram in interior. Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo" as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified form of 豐. Fujii's family is known as early as 17th century and for four generations has enjoyed renown as the producer of inlaid work of first rank. Early in life, Yoshitoyo trained himself in this art, which led him to perceive the fact that there was ample room for further improvements and developments. Long experience and careful study gave him the skill and knowledge by which he could perfect the art, but Kyoto in those days was quite conservative, so that it was practically impossible for him to carry into practice the results of his investigation. He left home and came to Tokyo, the centre of learning, where he devoted himself to the art for a number of years, and finally succeeded in introducing valuable improvements. In 1902, at the age of 35, Fujii obtained his first patent from the Imperial Government. In 1909 he was granted his second patent. His damascene work, being made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School, well met the taste and requirements of the time.

Leggere Di più meno

Antique Japanese Taisho Period Mixed Metals trinket dish 4 1/8" x 2 3/8", no<br>issues.. Great piece from the first quarter of the 20th century.<br><br>Fujii Yoshitoyo was born in 1868 in Kyoto, Japan. Some sources write "Yoshitoyo"<br>as "Biho" or "Miho", as 美豊 can be read in several ways. In addition, Fujii's<br>first name can be written either as 美豊 or 美豐, since 豊 kanji is the simplified<br>form of 豐. Fujii's family is known as early as 17th century and for four<br>generations has enjoyed renown as the producer of inlaid work of first rank.<br>Early in life, Yoshitoyo trained himself in this art, which led him to perceive<br>the fact that there was ample room for further improvements and developments.<br>Long experience and careful study gave him the skill and knowledge by which he<br>could perfect the art, but Kyoto in those days was quite conservative, so that<br>it was practically impossible for him to carry into practice the results of his<br>investigation. He left home and came to Tokyo, the centre of learning, where he<br>devoted himself to the art for a number of years, and finally succeeded in<br>introducing valuable improvements.<br>In 1902, at the age of 35, Fujii obtained his first patent from the Imperial<br>Government. In 1909 he was granted his second patent. His damascene work, being<br>made mostly from designs drawn by Prof. Bisei Unno of the Tokyo Fine Art School,<br>well met the taste and requirements of the time.

Leggere Di più meno

Antique Japanese Imari Hand Painted Lot of 3. 6.5" x 5" x 1 5/8" oval bowl is the oldest circa 1850-1870 or so, the other two are likely from the first quarter of the 20th century, all hand painted measuring 6.25" and 3 5/8" wide. No cracks, chips, or restorations on any of the pieces. Selling the three pieces. TW221

Leggere Di più meno

Antique Japanese Kashigata Carved Wood Cookie Mold Shrimp Signed C.1920. 8.25" x<br>3.25" x 1 9/16" deep. No issues, signed on back and both ends.

Leggere Di più meno

Antique Japanese Kashigata Carved Wood Cookie Mold ClocksC.1920. 14.25" x 3.25"<br>x 1" deep. No issues.

Leggere Di più meno

Antique Japanese Kashigata Carved Wood Cookie Mold Lotus Blossom Signed C.1920.<br>9" x 3.75" x 1.25" deep. No issues, signed on back.

Leggere Di più meno

Antique Japanese Kashigata Carved Wood Cookie Mold kanji Characters C.1920.<br>13.5" x 2 7/8"" x 1.25" deep. No issues.

Leggere Di più meno

Antique Japanese Lacquer on wood Kushi comb. No issues, has what appears to be a<br>natural curve, I believe it was carved that way. 4.75" x 3".

Leggere Di più meno

Antique Japanese Mandarin Duck form Kushi Comb 5 3/8" x 3.25", overall clean, amazing detail, hand painted with gold.

Leggere Di più meno

Antique Japanese Meiji Imari Square Charger. Last half of 19th century, some<br>wear to enamel 14 5/8" diagonal with no chips, cracks, or restorations.

Leggere Di più meno

Antique Japanese Meiji period cloisonne vase 7.5" tall, a few very small pin sized spots, one very small ding to the right of the decoration shown in the last pic. Signed on base mostly covered by Christies label.

Leggere Di più meno

Antique Japanese Meiji period cloisonne vase, no damage or significant wear.

Leggere Di più meno

Antique Japanese Porcelain Charger Shallow Footed Bowl Incredible 11 1/8" x 2<br>5/8" deep with no cracks, chips, or restorations.

Leggere Di più meno

XIX secolo garantito. Nessuna crepa, scheggiatura o restauro. La maggior parte della doratura sul bordo superiore è notevolmente usurata. Tutto decorato a mano. Vasi Imari antichi giapponesi firmati Birds of Paradise Enormi 15 pollici di altezza x 6 pollici di larghezza

Leggere Di più meno

Antique Japanese Silver Wire Cloisonne Vase. Late 19th to early 20th century<br>with no damage whatsoever. 5.25" tall x 4.5" wide, silver wire, top, and bottom.<br>Marked silver on base. Guaranteed high content silver over 90%.

Leggere Di più meno

Antique Japanese Sometsuke bonsai planter 5" tall x 6.25" wide, hand painted<br>from the 18th/19th century. Hand built from thick slabs of porcelain as visible<br>from base view. Nice heavy solid piece with no damage.<br>isshelf

Leggere Di più meno

Antique Japanese Sometsuke plate hand painted blue underglaze. Nicely painted<br>8.5" wide with no damage.

Leggere Di più meno

Antique Japanese wood shoes, early 20th century. Each with Kanji signature on base. 8.25" long x 3" wide

Leggere Di più meno

Antique Knights of Templar belt buckle. Likely from the first quarter of the 20th century, 3 1/8" tall will handle up to a 1.75" belt. oxidation and wear as shown. Tw208

Leggere Di più meno

Antique KPM (Konigliche Porzellan-Manufaktur), Berlin Basketweave Hand Painted<br>Dresden Flowers Pattern Dinner Plates 9.75". Selling the set of 8 shown.<br>Authentic 19th century hand painted KPM porcelain. They are all different, all<br>decorated with extreme precision and very strong embossing of the pattern on the<br>rim which the photographs really don't capture well. No cracks, chips, or<br>restorations, very minor wear to gilding on a few of the sharp points. I'll be<br>listing some smaller plates in this same pattern separately.BlkCrate99

Leggere Di più meno

Antique KPM (Konigliche Porzellan-Manufaktur), Berlin Basketweave Hand Painted<br>Dresden Flowers Pattern Luncheon Plates 8.5". Selling the set of 8 shown.<br>Authentic 19th century hand painted KPM porcelain. They are all different, all<br>decorated with extreme precision and very strong embossing of the pattern on the<br>rim which the photographs really don't capture well. No cracks, chips, or<br>restorations, very minor wear to gilding on a few of the sharp points. I'll be<br>listing some larger plates in this same pattern separately.BlkCrate99

Leggere Di più meno

14" x 9" wide. No cracks,chips, or restorations. Firing flaws below foot are<br>interesting. Guaranteed mid 19th century.

Leggere Di più meno

Antique KPM (Konigliche Porzellan Manufacktur) Reticulated Basketweave Hand<br>Painted Dresden Flowers Pattern Dinner plates. Selling the exact 9 plates shown<br>in near mint to mint condition with no cracks, chips, wear, restorations,<br>utensil marks, wear to gilding, or other issues. I have looked them over very<br>well. They are all hand painted with extreme precision in different bouquets,<br>notice the bottom of the bouquet hits the same spot between the latticework on<br>each plate. These have a heavily embossed basketweave design that is difficult<br>to see in the pics and was likely difficult to apply over 100 years ago when<br>these were made by hand. Each piece is marked and artist signed in the footrim<br>as shown.TW176

Leggere Di più meno

Antique KPM Sauce Boat Hand painted Pink trim and flowers. 10.5" long x 3.5"<br>tall. Chip of footrim which doesn't not affect it's functionality or beauty. No<br>other issues whatsoever.<br>TW188

Leggere Di più meno

Antique Lacquer snuff box. Great snuff box with no issues from the first half of<br>the 19th century. High quality box with gilt metal mountings, strong hinge and<br>clasp that stays shut..<br>trinketdrawer

Leggere Di più meno

Antique Leather clad Brass mounted document box 12.5" x 7.5" x 5" tall. 19th<br>century box with no issues, clean inside and out.<br><br>isshefl

Leggere Di più meno

Antique Little Boy Blue Sterling Baby Spoon 3.75" long, clean, an uncommon variation.

Leggere Di più meno

Antique Lobmeyr Austrian Double Eagle bottle. Great piece likely from the last<br>quarter of the 19th century. 6 7/8" tall x 3 5/8" wide. Measurement doesn't<br>include cork. At one point it likely had a metal mount and cap. They made a ton<br>of flasks with that type of enclosure and this is pretty much better than all of<br>them so it wouldn't be a very difficult task to find a lid. All hand painted,<br>very fine faceting all over. No cracks, chips, rough spots, or other issues,<br>some expected wear to gilding.<br>Unmarked But obviously top end antique bohemian glass of the Moser/Lobmeyr<br>class.<br>b14

Leggere Di più meno

Antique Louis Philippe I Bronze Medallion, circa mid 19th century. Solid bronze, clean as shown, nice antique medallion, Measurement shown in both cm and inches.

Leggere Di più meno

Antique Ludwigsburg porcelain figure man with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

Leggere Di più meno

Antique Ludwigsburg porcelain figure woman with birdcage. Fine porcelain with no damage or restorations, measurements in pics. This is one of a pair, male and female. I would not have split them up but they were photographed separately I cannot rephotograph them due to time limitations.

Leggere Di più meno

Tray is 16.5" x10", plates are 9.5" Platter has a very tight small hairline<br>about 1" long.<br><br>Extremely clean set with no other cracks, chips, or restorations guaranteed.<br>Guaranteed late 19th century, hard to find one piece much less the entire set<br>especially in this condition.

Leggere Di più meno

Antique Meiji Japanese Satsuma Vase 6" tall x 4.5" wide with no cracks, chips,<br>or restorations, very nicely decorated.

Leggere Di più meno

Antique Meiji Japanese silver/bronze mixed metals Mt Fuji vase. Great condition a few tiny dents and a few scratches, signed by on base, unresearched by me. 8.5" tall x 5.25" wide

Leggere Di più meno

Antique Meiji period Japanese vases, likely once had lids which aren't present. No cracks, chips, or restorations. 8" tall, selling both. isshelf

Leggere Di più meno

Antique Meissen Dancing Couple Figure Group. Uncommon Meissen figure, the only<br>other time I've seen this it was missing the man's hand and the floral wreath.<br>6.25" tall, the man's hand has been glued back on and that are a few very tiny<br>nicks to the flowers on the wreath. These are only visible upon very close<br>examination. No other cracks, chips, or restorations.<br>TW251

Leggere Di più meno

Antique Meissen Drummer Figure. No cracks, chips, or restorations. Measurements in pics.

Leggere Di più meno

Antique Meissen Figure Gentleman Gathering Firewood. 8" tall, 19th century.<br>Clean break to upper stick coming out of his hand. The stick is shown taped to<br>base but I will pack it better for shipping. It's an easy fix and will be barely<br>noticeable with just a touch of glue but I think it's better to ship like this..<br>No other chips, cracks, or restorations.<br>TW192

Leggere Di più meno

Antique Meissen Onion Milk pitcher 5 5/8" tall x 6 7/8" handle to spout, larger than anything I would ever call a creamer but smaller than what I would call a water pitcher or even juice pitcher. One bruise with tiny chip on footrim, no other damage or issues. tw22

Leggere Di più meno

Antique Meissen Onion Scalloped Low Bowl 8.5" x 1 7/8". No scratches, cracks,<br>chips, crazing, stains, restorations, or other wear. Great piece from the early<br>20th century.<br>TW177

Leggere Di più meno

Antique Mesh Masquerade mask. Extremely cool and old, not 100% sure what it's<br>original intent was, maybe halloween, Mardi Gras, Maybe theatre, works well with<br>no significant issues. Mesh part is 9" tall x 6.75" wide. Painted accents with<br>most paint intact.

Leggere Di più meno

Antique Mexican Moor Dance mask. 14" tall x 8" wide. I will be offering a very<br>large collection of these that was assembled in the 60's-80's, a large<br>percentage are from the first quarter of the 20th century, some perhaps a bit<br>older. The ones that are more recent are of exceptional quality. Some have tags<br>identifying them, some of the tags are missing or have been degraded over time.<br><br>I won't have time to discuss the character of each mask, but I'll make sure to<br>take good, accurate photos, and as stated you'll get the mask shown in the<br>condition shown, with approximate age stated. They will be safely stored until<br>sold so I won't really be able answer any specific questions, I'll give the<br>measurements of each one when listing. And I apologize in advance for my lack of<br>cultural awareness if I happen to call a central/south American mask a Mexican<br>mask.<br>It's just there are a lot of masks and very little time, and while I think each<br>and every one of them is absolutely fabulous or I wouldn't waste my time<br>photographing them....I would rather spend the time I could spend learning the<br>history of each character making sure they are packaged well enough to fall off<br>the truck, get ran over a few times...and still make it to you intact.

Leggere Di più meno

Antique Mexican Retablo Painting on Tin, 19th century. 11" x 15" framed. 19th<br>century retablo with tiny hole on top where it once hung on a wall in Mexico,<br>framed in the third quarter of the 20th century. Minor expected wear with no<br>significant issues.

Leggere Di più meno

Antique Mexican Talavera Footed Compote 7.75" wide x 4.25" tall, really nice piece hand painted. Late 19th to early 20th century. Unmarked. No cracks, chips, or restorations. There is a glaze flake on the top rim shown in the last pic, factory glaze skips on bottom rim. B34

Leggere Di più meno

Antique Meyer Texas Stoneware Jug 2 qt. Excuse me for calling this cute, but it is. Great size. I'm guessing at the 2qt, maybe 1 qt, definitely not a gallon, don't have time to check. 8.5" tall x 6" wide with handle, a few very small nicks on top rim. No large chips, no cracks, no restorations.Meyer Pottery Co. 1887 - 1964 Franz Schultz founded this company in 1887 with his son in law William Meyer at the Atascosa Community in Bexar County just Southwest of San Antonio. Schultz, an 1885 immigrant from Germany, was reared in a pottery-making family, and, upon his arrival in Texas, he found work in the pottery shop of William Saenger. Shortly thereafter he was joined by William Meyer, who had arrived in Texas on the same ship with Schultz. Meyer not only went to work for Saenger, but married Schultz's daughter Mary. Soon Meyer's sister Maria arrived with her potter husband Ernst Richter, who would go on to establish the Star Pottery Co. in Elmendorf. When Schultz and Meyer got word of a good clay outcropping at Atascosa to the west, they set up their own company to produce all types of utilitarian stoneware. The Meyer Pottery was one of very few Texas companies of the period who continued to rely primarily on a native clay source for their slip glaze. Rejecting the newly available commercial Bristol and Albany slips, the Meyer Co. chose, either for aesthetic or financial reasons, to dig their own slip clay from the banks of nearby Leon Creek. It is primarily this slip, unique in Texas pottery, that makes the Meyer work so recognizable. Also their shoulder-to-shoulder ring handle attachment is rare on Texas pottery. The Leon slip fires to a wide range of colors from dark brown to light mustard. Most have a greenish tint. Upon William Meyer's death in 1920, his two sons, Frank Meyer (b. 1888) and Gustav (Gus) Meyer (b. 1896) took over the family business. They continued to manufacture utilitarian vessels well into the 1940s. I know of no piece of normal production utilitarian ware with a "Meyer" mark. There is a handful of "specialty" items with marks, including advertising pieces and a type of cistern float. But it is the striking, mustard to brown to olive green "Leon Slip" glaze that is the best known Meyer signature, and this is a beautiful example of that classic look.

Leggere Di più meno