Prodotti

1920's Rosveville Imperial Large Centerpiece bowl 10.25" wide with no damage or<br>restorations, overall crazing.<br>isshelf

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1920's Scotsman Nodder Mechanical Bank cold painted Aluminum. Great hard to find bank with most of the original paint. He nods when the coin is inserted. 8.25" tall x 4.5" wide with no damage and good paint as shown. TW106

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1920's Spode Pink Tower 3 part Relish/Condiment dish. 9.75" wide with no cracks, chips, resorations, stains, or crazing. Selling the exact piece shown with older mark from the first quarter of the 20th century. This pattern was retired in 2007 and this is a very difficult to find piece. tw244

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1920's Sterling Rugby medals charm bracelet. Selling the medals from the first<br>quarter of the 20th century, likely mounted on the sterling bracelet later by a<br>jeweler. 7" long bracelet 69.1 grams.

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1920's Sterling/Glass Champagne Bottle Coaster Art Deco. No cracks, chips, or<br>other issues. 5 3/8" wide.<br>b36

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1920's Steuben Alabaster Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 9/16" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century. isshelf

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Bowls are 5" wide x 2.5" tall, Saucers are 6" wide. Selling the 8 pcs shown with<br>no damage or significant wear.<br><br><br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is<br>in Steuben County, from which the company name was derived. Hawkes was the owner<br>of the largest cut glass firm then operating in Corning. Carder was an<br>Englishman (born September 18, 1863) who had many years' experience designing<br>glass for Stevens & Williams in England. Hawkes purchased the glass blanks for<br>his cutting shop from many sources and eventually wanted to start a factory to<br>make the blanks himself. Hawkes convinced Carder to come to Corning and manage<br>such a factory. Carder, who had been passed over for promotion at Stevens and<br>Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass<br>Works and became the Steuben Division. In July 2008, Steuben was sold by Corning<br>Incorporated for an undisclosed price to Schottenstein Stores,[2] which also<br>owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and<br>formerly Value City Department Stores; Value City Furniture, which changed its<br>name to American Signature Furniture; 15% of American Eagle Outfitters, retail<br>liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing<br>its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced<br>it was shutting down Steuben's Corning factory and Manhattan store, ending the<br>company's 108-year history. Soon after, Corning Incorporated repurchased the<br>Steuben brand. In early 2014, The Corning Museum of Glass announced that it<br>would work with independent contractors to reproduce Steuben using a new,<br>lead-free formula and their classic leaded crystal. Carder period<br>(1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder<br>produced blanks for Hawkes and also began producing cut glass himself. Carder's<br>great love was colored glass and had been instrumental in the reintroduction of<br>colored glass while at Stevens and Williams. When Steuben's success at producing<br>blanks for Hawkes became assured, Carder began to experiment with colored glass<br>and continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced<br>by Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br>These are a pair of handblown Steuben gold Aurene glass candlesticks designed by<br>Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private<br>collection in Manhattan, New York.)Steuben Glass Works continued to produce<br>glass of all sorts until World War I. At that time war time restrictions made it<br>impossible for Steuben to acquire the materials needed to continue manufacture.<br>The company was subsequently sold to Corning Glass Works and became the Steuben<br>Division. Carder continued as Division manager without any real change in the<br>company's operation except that he now had reporting responsibilities to Corning<br>Glass Works' management. Corning's management tried, mostly unsuccessfully, to<br>limit the articles that Steuben made to only the most popular. Production<br>continued until about 1932. In 1932, there was a major change in Steuben<br>management. The nationwide depression had limited the sale of Steuben and there<br>was a lessening of public interest in colored glass. In February 1932, John<br>MacKay was appointed to Carder's position. Carder became Art Director for<br>Corning Glass Works. Steuben then produced primarily colorless art glass.<br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943. Houghton period (1933–2012) An example of Steuben Glass design<br>during the Houghton era is the Balustrade Candlestick set, which mimics a<br>classical balustrade. Of special note is the hallmark of the perfectly formed<br>tear drop air bubble suspended in the design.Corning Glass Works<br>appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership<br>Steuben changed artistic direction toward more modern forms. Using a newly<br>formulated clear glass developed by Corning (referred to as 10M) which had a<br>very high refraction index, Steuben designers developed beautiful, fluid<br>designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art<br>Deco and modernist themes into glass. The themes during this period included<br>"balustrade" designs for water goblets and candlesticks, footed bowls and<br>serving pieces. Decorative forms included wildlife pieces representing owls,<br>penguins and other birds in smooth stylistic forms. Some pieces, such as the<br>Ram's Head Candy Dish, playfully included clean lines crowned by an ornate<br>design (a ram's head, complete with a ruff) on the lid as an homage to its<br>classic earlier pieces. The company also entered into the field of larger show<br>and presentation pieces celebrating various scenes (such as its cut-away design<br>featuring an Eskimo ice fisherman above the ice, and the fish below, or the<br>Cathedral Window design) and elements that incorporated etchings. In some cases<br>sterling silver or gold plating were used on metal finish elements such as the<br>golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with<br>"Steuben" on the underside of the object. Toward the 1990s, the company also<br>began production of small objects—"hand coolers"—in various animal shapes. Items<br>from this period were also noted for their careful and elegant packaging. Before<br>boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched<br>with the Steuben name), and then placed in a presentation box.<br><br><br><br>tw274

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1920's Steuben Aurene Footed Flared vase shape #227. Good Steuben vase, footed form with ruffled rim in gold aurene glass with a nice platinum iridescence, signed aurene #227, 6"w x 6.5"h No damage or significant wear. Purchased May 07, 2006 at Treadway Toomey's Auction in Illinois.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943 TW273

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1920's Steuben Aurene Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. Color is way better than pics suggest, lots of colors in different light. 5.5" tall x 5 3/8" wide at rim. Steuben Glass Works Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division. In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal. Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932. In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass. Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943 B43

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1920's Steuben Carder Era Fan Vase Jade and Alabaster. 8.5" tall x 7" wide<br>guaranteed authentic Carder Era Steuben. Apparently unmarked. No cracks, chips,<br>restorations, or significant wear.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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1920's Steuben Carder Era Fan Vase Pair, One green with castle etching, one<br>amber. Green with Steuben Acid stamp in pontil, amber apparently unmarked. No<br>cracks, chips, restorations, or significant wear. Both approximately 8.5" tall x<br>7" wide at rim.<br><br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in<br>Steuben County, from which the company name was derived. Hawkes was the owner of<br>the largest cut glass firm then operating in Corning. Carder was an Englishman<br>(born September 18, 1863) who had many years' experience designing glass for<br>Stevens and Williams in England. Hawkes purchased the glass blanks for his<br>cutting shop from many sources and eventually wanted to start a factory to make<br>the blanks himself. Hawkes convinced Carder to come to Corning and manage such a<br>factory. Carder, who had been passed over for promotion at Stevens and Williams,<br>consented to do so.<br>isshelf

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Vaso a ventaglio Steuben Carder Era degli anni '20 con incisione navale con taglio ad intaglio. 8,5 "di altezza x 7,25" di larghezza garantito autentico Carder Era Steuben Non contrassegnato. Nessuna crepa, scheggiatura, restauro o usura significativa.Steuben Glass è un produttore americano di vetro artistico, fondato nell'estate del 1903 da Frederick Carder e Thomas G. Hawkes a Corning, New York, che si trova a Steuben Contea, da cui deriva il nome dell'azienda. Hawkes era il proprietario della più grande azienda di vetro tagliato che allora operava a Corning. Carder era un inglese (nato il 18 settembre 1863) che aveva molti anni di esperienza nella progettazione del vetro per Stevens e Williams in Inghilterra. Hawkes acquistò i pezzi grezzi di vetro per la sua officina di taglio da molte fonti e alla fine volle avviare una fabbrica per realizzare lui stesso i pezzi grezzi. Hawkes convinse Carder a venire a Corning e gestire una fabbrica del genere. Carder, che era stato ignorato per la promozione alla Stevens and Williams, acconsentì a farlo.tw210

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1920's Steuben Etched Glass compote in Selenium red. Engraved pattern on stem making it rare if not one of a kind. 8" tall x 8" wide, acid stamped Steuben on base, no damage or detectable wear.Steuben Glass WorksSteuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division.In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal.Carder period (1903-1932) Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors.Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932.In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass.Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943isshelf

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1920's Steuben Gold Aurene Calcite Compote. 3.5" tall x 6.75" wide, guaranteed authentic Carder Era Steuben Unmarked. No cracks, chips, restorations, or significant wear. Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens and Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. tw210

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1920's Steuben Lamp Shade Vase Flared. No cracks, chips, or restorations, expected wear to base on about 100 year old piece of glass. 5.5" tall x 5 3/8" wide at rim. I could not find a mark but it is definitely Steuben from the first quarter of the 20th century.tw249

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1920's Sunshine Dairy Products Stoneware Advertising Cow Mugs Rockingham Glaze.<br>Some glaze wear on both in raised areas, difficult to distinguish from<br>reflections on pics. The worn glaze areas are small both have small chips on<br>footrim. These are great regardless of minor imperfections.

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1920's Texas Promotional Coin Banks. Selling the lot shown from all over Texas<br>al from the first half, most from the first quarter of the 20th century. One<br>with key, One with a few coins rattling around inside. Selling the lot.<br>tw60

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1920's Van Briggle Pottery Mulberry Persian rose pot. Nice old piece of Van Briggle art pottery from the 1920's with no cracks, chips, or restorations. 5.5" wide x 3.5" tall. tw122

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1920's Weller Apple tree bud vase. 10.5" tall with no cracks, chips, or<br>restorations.<br>isshelf

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1920's Weller Apple Tree vases. Selling the three shown all different sizes,<br>tallest 8.5". All with no cracks, chips, restorations, or crazing.<br>isshelf

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1920's Weller Art Nouveau woman flower frog with swan. 7" tall x 7.5" wide. No<br>cracks, chips, or restorations, no stains. Slight crazing, and tiny glaze wear<br>to woman's nose.<br>isshelf

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1920's Weller Art Pottery apple Pitcher. 7" tall x 8" handle to spout. No<br>cracks, chips, or restorations, expected overall crazing.<br>isshelf

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1920's Whiting & Davis Art Deco Mesh Handbag vivid Geometric Flowers. Rare to find in this condition, the mesh is extremely clean as shown. These are rare to find with the liner which is intact with a few threads missing. Measures 4 1/8" wide frame 5.25" tall without chain.

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1920's Whiting and Davis art deco mesh handbag. Comes with original mirror, no detectable wear or damage to mesh, liner is torn and likely frail. 9" tall without handle, 4" wide frame. Perfumedrawer

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1920's Whiting and davis Art Deco Mesh Handbag with gold Gilt Frame. Good looking purse with no significant issues, interior is worn as expected and shown. TW101

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1920's Whiting and Davis Enamel Framed Art Deco Mesh Handbag. Good condition with the slightest wear to enamel on one side of frame, pin sized spots. 4.5" wide x 6.5" tall. tw252

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1920's-30's Huge Navajo Silver and turquoise concho belt. Fits a 32"-35" waist<br>with existing holes. Buckle is 4.25" x 3.25", Conchos are 4.5" x 3 7/8". 6<br>Conchos and one buckle. One concho missing turquoise and leather back. No issues<br>with others. Good Early concho belt from the first quarter of the 20th century<br>or just right after. 910 grams total weight, yes that's 2 pounds.

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1921 Rookwood Art Pottery Trivet/tea tile 5.5" square with one shallow glaze flake shown on the top rim, very difficult to see. No other chips, cracks, restorations, or crazing. Very uncommon if not one of kind piece. tw119

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No damage whatsoever 6" tall. Rundskuedag is a Danish folk holiday during which everyone does things backwards or upside down.  I have heard it translated as "Upside Down Day" but I often think of it as "Skewed 'Round Day" (a transliteration of Rund-skue-dag).  Typically, bosses join the workers and one of the workers becomes the boss, and everybody has a good time doing things differently for one day of the year.  Street entertainment is prevalent, and special events and sales are held to raise money for charity.  Royal Copenhagen issued this series of vases as souvenirs of the day, with the proceeds going to charity.  (Anyone with Danish ancestry who would like to expand or correct this description, please contact me!) The first Rundskuedagen vase was produced in 1910, and  they continued every year through at least 1942. They were made in many shapes and sizes, often with a scene of a Copenhagen landmark on the vase, and always with the inscription RUNDSKUEDAG  (or RUNDSKUEDAGEN) and the date.  The designs are first molded into vase, and then handpainted, mostly in cobalt blue, in the same manner as Christmas plates.  Some years are highlighted with additional colors.

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1924 Keyes Davis Military/Gym Brass Laundry pin set. Selling the set shown pat 1924, stamped keyes davis under the 185. Most are 185 but a few other numbers. The pins are 5" long, total length 11" tw1

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1926 1927 Silver sixpence cufflinks with gilt sterling mounts. Extremely high quality cufflinks with no issues, possibly never worn.

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1926 Rookwood Art Deco Yellow Matte Wall pocket. No cracks, chips, or crazing.<br>7.5" tall<br>tw147

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Charles Lindbergh Non-Stop Trans-Atlantic Flight Commemorative Medal, 1927 . Bronze; 63.8 X 88.5mm. By John Gregory. Obverse: Spirit of Saint Louis heading across the globe toward Europe; "Per Aspera ad Astra" (Through difficulties to the stars). Reverse: Army Air Corps emblem above 7-line tribute from the Aeronautical Chamber of Commerce of America to the non-stop flight. This is an early version of the medal where Lindbergh is called "Capt." - later versions referred to him as "Col." Struck by Robbins Co., Attleboro, Massachusetts.

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1927-1929 Black Hills University B.H.T.C. South Dakota Flute Band Medals University of South Dakota Gold Filled. Selling the 5 medals shown, they're the same size as typical military medals. Pretty interesting and rare. Very attractive with thick gold plating would make interesting jewelry.

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1928 Presentation Cocktail Shaker American Legion "Revue" Cast to Dan G Folan. I'm not sure what the history is on this piece but it seems so dramatic I had to list it. It does have some dents a few on the body and on the footrim. I didn't try to fix them, still a cool one of a kind piece. tw101

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1929 Latvian Sterling silver 5 Laati Coin pin. Pin made from real 90+ year old silver coin, no issues. Buying the exact pin shown. Weight and measurements in pics. 5 lati coin minted in 1929, 1931 and 1932. It became a popular symbol of independence during the Soviet occupation. In February 1929, the Latvian Ministry of Finance decided to issue a ? 5 circulation coin depicting the head of a maiden, which would symbolize the Republic of Latvia and freedom. The coin was designed by Rihards Zariņš. The image of the maiden on the coin is colloquially known as Milda (a Latvian female name). The model was Zelma Brauere (1900-1977), a proofreader of the State Securities Printing House. She served as a model for other works of the artist, including the ? 10 and ? 20 banknotes and the 50s coin. In 1939, the Latvian government prepared to mint new ? 5 coins to be issued in 1941. The Latvian maiden was to be replaced by a portrait of the authoritarian leader of Latvia, Kārlis Ulmanis. Those coins were never minted as the Second World War broke out. Say the truth, it is one ot the most beautiful silver coin issued in 1920s. An the value for this coins goes high every year. You can find this coins in my store, but here you have a chance to get absolutely amazing item - Brooch from Silver Latvian Coin!

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1930's 14k gold Jadeite Jade Clip on earrings. Great pair of vintage natural untreated jadeite and marked and tested 14k gold earrings from the second quarter of the 20th century. No damage or issues, springs on the clips are strong. approx 7/8"h, 5/8"w; 6.3 grams total

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1930's Aquamarine McKee Rock Crystal Sherbet Dishes (6).  Very uncommon.  2 have small chips on rim, one has small chip on base.  These are shown in last three pics.  No other cracks, chips , or restorations.  These are scarce enough they're worth restoring or just loving. 3" tall x just under 4" wide at rim.

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1930's Art Deco Tumblers Dancing Nymphs by Consolidated Martele 9 oz 5 5/16" tall. All authentic 1930's consolidated glass with no cracks, chips, or restorations. Selling the 6 shown. Designed by Reuben Haley and introduced in 1926, Consolidated’s Martele’ line of art glass was inspired by the glorious works of Rene’ Lalique featured at the 1925 Paris Exposition. Haley, who had previously been associated with Hocking and Fostoria, worked with his son Kenneth to produce the Martele collection. tw222

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1930's Art Deco Face Powder boxes Three Flowers Richard Hudnut Shari Langlois..<br>Selling both, Three flowers is full with original contents. both 3 1/8" wide,<br>tallest 2.25" good condition as shown.<br>TW153

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1930's Art Deco Lustre Enamel Finish Cast Iron Woman Fireplace Brush Holder. All heavy cast iron in good condition, the Woman is iron with no cracks, one small flake on her hair.

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1930's Art Deco Mexican Silver Earrings Screw Back Clip on. One pair marked del rio, one marked silver, other unmarked. All three sterling silver with working clips or screw backs.

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c1930 Bohemian art glass Buddha liqueur set. Ultra rare and cool, most likely<br>Czech made from the 20's or 30's. No damage to buddha, shot glasses and small<br>decanter are super clean with only the tiniest roughness to ground rims and tip<br>of stopper. No large chips, slight wear to gilding. Buddha is 14.25" tall x 9.5<br>" wide. This set is fully functional, hinge is good, snaps shut and stays<br>shut...but it is pushing 100 years old and if I personally were to actually use<br>this which I think would be great as it's extremely fun.. Still I would put<br>something behind it for Buddha's head to rest on while it's open or put it close<br>to a wall as I had it for the pics just to not put too much stress on the 90 or<br>so year old hinge as the top is rather heavy.<br><br>These were also made in pink in green, this is the most rare and desirable<br>color.

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1930's Cambridge Crown Tuscan Rose Point Lamp. 13" tall, my camera is washing<br>out the color. It's the gorgeous pink that crown Tuscan is. No cracks, chips,<br>nicks, or restorations. Lamp works. It was an advertising piece that said<br>Cambridge rose point on both sides in gold. That was removed, if you look very<br>close you can see traces of it. The rest of the gold is clean with minimal wear<br>shown in pics. Very few of these exist, the previous piece paid $500 for this in<br>1983.

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Pair of Vintage 1933 Cambridge Crystal 3 Light Candleholders. Dimensions: 6 1/4" H x 6 1/2" W x 4 5/8" DTwo original matched pair of highly decorative #1338 crystal 3-light candlesticks from Cambridge Glass ca. 1933 to 1939 .These gorgeous and highly stylized candlesticks were originally introduced as part of both the Gadroon and #3400 patterns.The style was so well regarded, that Cambridge later incorporated them into the Caprice line.Our candle holders are style number 1 with the gorgeous crosshatched balls supporting the bowls.You get 2 candle-holders. No cracks, chips, or dings. tw226

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1930's Cedar Hill Girl a Scout Camp pin 5/8" wide. Circa 1920's-1940's. Unsure<br>of exact date. Cedar hill is a very old camp in Massachusetts.

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1930's Chinese Enamel Doll/Childrens Brush Mirror/Trinket box and Comb Set. Nice set from the first half of the 20th century, Trinket box marked China Close examination shows a little oxidation to unfinished parts of metal. I only have half of the box. Box measures 5.5" x 4" tw156

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1930's Chinese Gilt Sterling Silver Enamel with Turquoise and coral fan brooch.<br>Chinese from the first half of the 20th century, simply marked silver. 2.75"<br>wide and long with no issues.

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1930's Chinese Sterling Silver Enamel Agate brooch. 1 3/8" x 1' with no damage, from the first half of the 20th century.

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Spilla a ventaglio in filigrana dorata e oro turchese degli anni '30 in argento sterling cinese smaltato. Cinese della prima metà del '900 marcato semplicemente argento. 2,75" di larghezza e lunghezza senza problemi.

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1930's German Porcelain Half Doll Collection. Selling 5 with no cracks, chips, or restorations. 4 Germany, one Japan. Tallest is 3 3/8". TW144

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1930's Gulf Coast Lines Silverplate Railroad Silver Teapot Rogers Sheffield<br>Reproduction. The Gulf Coast Lines was the name of a railroad system comprising<br>three principal railroads, as well as some smaller ones, that stretched from New<br>Orleans, Louisiana via Baton Rouge and Houston to Brownsville, Texas. Originally<br>chartered as subsidiaries of the Frisco Railroad, the system became independent<br>in 1916 and was purchased by the Missouri Pacific Railroad in 1925.[3]<br><br>The parent company of the independent Gulf Coast Lines was the New Orleans,<br>Texas and Mexico Railway, incorporated in Louisiana on February 28, 1916, which<br>bought the property and assets of the Frisco-owned New Orleans, Texas and Mexico<br>Railroad. The NOT&M was headquartered in New Orleans, and owned or leased a<br>number of other railroads in Louisiana and Texas, operating them all together as<br>the Gulf Coast Lines. As of December 31, 1916, the total trackage operated by<br>the Gulf Coast Lines system was 1,013 miles (1,630 km), including branches,<br>sidings, trackage rights, and leased lines.[4]<br><br>4 5/8" tall x 6" handle to spout. Some small dents and wear to the plating and<br>Emblem, bent finial, rare piece. Gulf Coast Lines Dissolved in 1956.

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1930's Heisey Tangerine Gascony Shot/Juice/wine tumblers. I'm not 100% sure what<br>these are catalogued as. They are all three perfect with no damage or wear, and<br>very rare. Selling the three. 2 7/8" tall x 1.75" wide at the rim. These are on<br>a lit background is why they look lighter than they are. They are a rich<br>tangerine color all the same wonderful color.<br>isshelf

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1930's Hines Advertising Puppy Paperweight Griswold?. I know some of these were made by Griswold, some Hubley. I also Heard Hines was a flask company. I don't know everyone seems as confused as I am. I know it's 80+ years old, I'm 100% sure. 1.75" tall, very heavy for it's size, original paint. isshelf

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1930's Hubley Thrifty Pig Still bank. 6.75" tall original 90ish year old bank, possible replacement screw. isshelf

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1930's Japanese Porcelain Figural Perfume Lamp in Female form. Good working<br>condition with functional inline switch. Cord has likely been replaced at one<br>point. 7.25" tall with no cracks, chips, or restorations. Wear to paint on back<br>of woman's head.<br>TW5

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1930's JB Cole North Carolina Pottery Apothecary Jar with Split Handles.<br>Fantastic piece of primitive Art Deco hand thrown pottery. Large piece no<br>cracks, chips, or restorations, expected crazing as this was low fired clay.<br>9.5" tall x 10" wide, unmarked.<br>isshlf

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