Estate Collection Antique Gold filled lockets, pendants, brooches, stickpins/etc. All gold filled, mostly marked. Very little wear, all in good condition. Selling the entire lot, mostly antique from late 19th to early 20th century. Some mid century. Listed with ExportYourStore.com

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Estate collection Vintage Sterling clip on earrings. All guaranteed sterling,<br>two unmarked but tested sterling. 96.6 grams total weight.

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Estate collection Vintage Sterling Pendants. All marked and tested sterling. Largest 2.25" 67.8 grams total.

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Estate collection Vintage Sterling Pendants. All marked an tested sterling. 73.6 grams total weight Tallest is 3 3/8".

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Estate lot Vintage Sterling rings and bracelet. Everything in the pic is<br>sterling marked sterling from various estates. Obviously good looking stuff with<br>no significant issues, all the rings are 7-8.5 except the one with the big clear<br>stone it's adjustable, bracelet is 7.5" Unfortunately I have reached a point to<br>where I'm so backed up I cannot afford to list anything under $100 or so so I'm<br>going to try this. If it doesn't work I'll try something else like taking it to<br>auction. Thanks for your consideration. Total weight 98.8 grams inclusive of all<br>material.

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Etsitty-Tsosie, Eskiesosie (Dine, c.1880-1937) attrib. Silver Squash Blossom Necklace. One nearly identical sold as part of the C.G. Wallace Collection of American Indian Art . (1975: lot 215) Sotheby‘s Park Bernet. Then again Sep 18, 2020 at Cowan‘s for $8750 including BP. That one had the same identical stamps at the bottom of the discs. To me they were obviously both made by the same hand and it‘s very subjective which one is better. 21" long, other measurements in pictures. This is basically the same size/weight as the one previously sold. Etsitty Tsosie was active from 1910-1937 and passed away in 1937. Best known for his beautiful stamp work and repousse pieces. He worked for trader C.G. Wallace for a period of time and was commissioned to produce stamps. He and Hosteen Goodluck worked closely together creating many of the early concho belts and other detailed pieces of jewelry. Several of his pieces were featured in the C.G. Wallace collection. Mentioned in the John Adair 1944 book, Eskiesose (C.G. Wallace‘s questionable spelling) preferred to work without strangers watching him, as he insisted his silver would not melt correctly.

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Eugene Belone Navajo Sterling Kingman turquoise pendant. Weight and measurements in pics. No issues. Solid sterling with no detectable markings. Throwing in 20" Italian sterling necklace. All precious metals are tested and guaranteed,

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Eugene Laforet(1884-1955) American Horse Coach and Market Scene American Oil on Canvas. 9" x 12" in a 13.5" x 16.5" frame with no significant issues.Here is an article written about him in New Yorker Magazine on 10/28/1944: THE TALK OF THE TOWN ART FOR EVERYBODY BY EDITH HAMBURGER AND PHILIP HAMBURGER Talk story about Eugene La Foret, the only artist in town who paints in full view of the public in his own store, in which he sells his creations, usually hot off the easel. He owns and runs the Studio Store, on the west side of Lexington Avenue, just below 57th. At the time of our interview he was painting a country lane with a barn in the background, which, he said a man had ordered for Saturday. "One dollar down and nine on delivery," he said. A woman came in and asked if her still life was ready. It was and she paid two fifty for it. His oils range in price from two dollars for miniature still lifes to five hundred for more ambitious canvases. Mr. La Foret received his training in Europe: Berlin, Paris and Munich. Thanks

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Eula Wylie Sand Cast Sonoran Gold Turquoise Navajo Sterling Lariat Necklace.<br>Very clean like new condition with no damage or issues. 22" necklace that hangs<br>down another 3". Very well made from a well respected Navajo Artist. 68 grams.<br><br>Navajo silversmith Eula Wylie is from Ganado, Arizona on the Navajo Reservation.<br>Eula is known for using Sonoran Beauty Turquoise clusters wrapped in a dainty<br>twist wire design and set against oxidized Sterling Silver. She was a<br>silversmith for Atkins Trading Company.

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Eva Etstate Zuni Channel inlay sterling turtle pin. Considerably bigger than most you will find. 2" x 1.25" x 7.7 grams, no issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Evaline Sellors (1903-1995) Mid Century Patinated aluminum wall sculpture "Letitia" Roman dess of joy, gaiety and happiness - by Fort Worth, Texas, sculptor Evaline Clark Sellors. 14" tall x 7 1/8" tall with no damage, possible scratch to right of nose.Evaline Clarke Sellors was born in Fort Worth, Texas in 1903. She studied art, illustration, and modeling before enrolling at the prestigious Pennsylvania Academy of Fine Arts. Sellors won the institutions' William Emlen Cresson scholarship in 1929 and 1930, allowing her to study sculpture in Europe. After returning to Texas, Sellors co-founded The Texas School of Arts in 1932 with Sallie Gillespie and Blanche McVeigh. Sellors and McVeigh were also founding members of the Fort Worth Artists Guild. Sellors taught art at a number of institutions in the Fort Worth while executing commissions for the Works Progress Administration (WPA). Examples of her work are in the collections of the Dallas Museum of Art.DeWitt McKinley (1905–1997) was first the Co-Founder of the McKinley Iron Works in Fort Worth, Texas, and then that city's mayor from 1967-1969. tw123

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Evelyn Yazzie Navajo vintage sterling silver turquoise nugget belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits a 1.5" belt.

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Everett & Mary Teller Navajo sterling silver reversible turquoise pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. These self-taught silversmiths have been making jewelry for over 40 years. Everett and Mary Teller’s work is made of sterling silver and 14k gold with simple Navajo overlay designs. They incorporate the storm pattern designs on many of their jewelry pieces. They carefully design their pieces and select the stones using a wide variety of natural stones -Turquoise, Lapis, Oyster Shell, Coral, Onyx and more. They show their work in galleries as well as prestigious art shows such as The Heard Museum and Santa Fe Indian Markets. The workmanship is impeccable - you can always depend upon quality when you purchase a piece of Everett & Mary Teller jewelry.

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Everett MacDonald (1924-1991) Laa Beach, CA Modernist Sterling silver Abstract<br>cufflinks. No issues.<br><br><br>Everett Macdonald, whose Beach shop opened in 1947. Macdonald created open<br>sculptural silver and gold jewelry, often utilizing nylon monofilament within<br>the negative spaces of his pendants and earrings, reminiscent of sculpture by<br>Henry Moors and Naum Gabo.<br><br><br>anderas

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 240.7 grams. Smallest 3/8" tall 1.4 grams, very extensive set collected in the mid 20th century.

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Extensive Antique Burmese Bronze opium weight set. Largest 2.5" tall 244.4<br>grams. Smallest 5/8" tall 4.5 grams, very extensive set collected in the mid<br>20th century.

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Nessuna crepa, scheggiatura o riparazione. Pochissime screpolature e scolorimenti, decorazioni trasferibili estremamente nitide e condizioni straordinarie. Garantito dall'inizio alla metà del 1800 circa.

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FA Southwestern Hand Stamped Sterling high grade turquoise pin. Likely Navajo made, very high quality workmanship and stone. Stone secure in bezel with old fracture.

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Interesting piece fresh from a University of Texas Golf Coaches Estate 7" wide x 1.5" tall. Small chip on one rim. That paint will come of the back, there was some on the front and I scratched it off with fingernail during photographing. Interest engraving on front.

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Unusual 19th century Chinese piece. Hand built and decorated. Wear as expected, come to Decoration. Gilding wear on rim, small chips on rim and tight .75" hairline on right corner at rim, also very tight 1" hairline on base.

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Fannie Chavez Navajo sterling silver high grade turquoise modernist necklace. Circa last quarter of the 20th century, tested and guaranteed solid sterling silver. No apparent issues. 27" long necklace, other measurements in pictures. Diné artist Fannie Chavez is known for her silver jewelry. She learned her silversmithing from her mother and great-grandfather on the Navajo Nation and has been active ca. 1971 to present day. Fannie Chavez (1944- ) Fannie Platero is the daughter of Mary Platero and Arturo Chavez. She is mother to Patricia Platero. Fannie‘s early stamps are Fannie Platero between 2 rounded lines, Navajo; FNE Platero, Sterling; also used F; now stamps F.C.

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Faron Yowytewa Hopi Overlay Kokopelli belt buckle sterling silver. Tested and guaranteed solid sterling silver. Fits up to a 1" wide belt. Some expected wear, marked as shown with the artists hallmark. Good condition, functional. Circa last quarter of the 20th century.

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Faye Schnuriger (1911-1997) Dipinto di cervi paesaggistici di San Antonio Texas su tavola 17" x 14" incorniciato, pannello 12" x 9,5".Faye Schnuriger (1911-1997) è un nativo texano, pittore, insegnante e scrittore. Ha studiato arte con Fredrick Taubes, William Earle, Harold Roney, Fred Samuelson, Clint Bermann e altri noti istruttori. Ha studiato al Fashion Institute of Technology e alla Traphagen School of Design di New York; è stato associato a una scuola per corrispondenza come scrittore, designer e assistente artista. Ha un libro al suo attivo: "Pint-along-with Faye". I suoi dipinti sono in collezioni private in Canada, Washington, Dallas, Midland e San Antonio. La sua "Learning Tower" ha vinto il best of show in uno spettacolo su invito di Central Park ed è stata acquistata da un medico di San Antonio. Il suo "Fern Forest" è stato scelto insieme ai dipinti di altri venti artisti per il Bi-Centennial Art Show della National League of American Pen Women a Washington, D.C. Schnuriger era affiliato con: San Antonio River Art Group, Randolph art League, New Braunfels Art League, Liberty Art League, Lone Star ArtLeague, Hillcountry Art League. Ha pezzi nella Biblioteca della Smithsonian e della Texas Women's UniversityB3

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FB Navajo deep stamped sterling silver green turquoise belt buckle concho style. Tested and guaranteed solid sterling silver, fits up to a 1.5" wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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Federico Jimenez heavily stamped sterling silver turquoise eyes butterfly. Great looking and substantial pin with no issues. Weight and measurements in pictures.

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Felicita Eustace Cochiti (1927-2016) Silver and carved turquoise pin. Gorgeous<br>with no issues, extremely high grade natural American turquoise. Marked or<br>unmarked as shown in pics, weight and other measurements in pics. Sorry but my<br>jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make<br>traditional pottery and storytellers from her parents. After her marriage during<br>the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught<br>her some basics of jewelry-making. She sold her first ring to legendary Zuni<br>trader C.G. Wallace. Over the years she become and accomplished jeweler in her<br>own right, while developing a large following for her pottery and storytellers.<br>“There are always more orders for my claywork than there’s time to do them,” she<br>said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of<br>their art. Felicita still makes her storytellers the traditional way. Her<br>jewelry features an old family design copyrighted in the early 1960s: a domed,<br>natural leave motif in sterling silver alongside a carved, bezeled and polished<br>turquoise stone. Felicita and Ben have passed their respect for quality on to<br>their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to<br>do jewelry at all, we would have to do it their way, the right way. It wasn’t<br>the designs they were talking about, it was the technical aspects of our work:<br>setting stones, welds, engravings and so on. They were the ones who would be<br>selling these items for us, so they would make sure that a certain standard of<br>quality was being met.”<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Felicita Eustace, Cochiti (1927-2016) Carved turquoise silver clip on earrings 1" tall x 7/8" wide, strong springs on clips, no issues, 8.6 grams. Felicita was a potter and silversmith.<br><br>Felicita was born in 1927 and raised at Cochiti Pueblo. She learned to make traditional pottery and storytellers from her parents. After her marriage during the World War II years, she moved to her husband Ben’s home in Zuni. Ben taught her some basics of jewelry-making. She sold her first ring to legendary Zuni trader C.G. Wallace. Over the years she become and accomplished jeweler in her own right, while developing a large following for her pottery and storytellers. “There are always more orders for my claywork than there’s time to do them,” she said.<br><br>The Eustaces show strong respect for the materials and time-honored processes of their art. Felicita still makes her storytellers the traditional way. Her jewelry features an old family design copyrighted in the early 1960s: a domed, natural leave motif in sterling silver alongside a carved, bezeled and polished turquoise stone. Felicita and Ben have passed their respect for quality on to their 13 children, many of whom create their own pottery and jewelry.<br><br>Daughter Bernadette Eustace says, “My parents told us that if we were going to do jewelry at all, we would have to do it their way, the right way. It wasn’t the designs they were talking about, it was the technical aspects of our work: setting stones, welds, engravings and so on. They were the ones who would be selling these items for us, so they would make sure that a certain standard of quality was being met.”<br><br><br> Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women's wrist.

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Fenton Ribbon Candy Basket Pink Iridescent Opalescent Hand Painted Coralene. Mint condition cabinet kept with no damage or wear. 8.75" tall x 8.5" wide.<br>TW109

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FF Navajo sterling silver Petrified wood/Fossil/Tiger‘s eye inlaid pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. High quality silver and inlay work.

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FF Navajo sterling silver, charoite, opal, coral sterling silver inlay pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century. High quality silver and inlay work.

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Fidencio Castillo, messicano (1907-1993) Scultura Donna con Rebozo firmata Fide C., montata su base in marmo nero, alcune scheggiature su base in pietra, nessun danno al bronzo. Complessivamente: circa 9,5" h, 7 1/8" w, 6 1/8" d, 11 libbreFidencio Castillo Santiago (16 novembre 1907 – 29 luglio 1993) è stato un artista, educatore e insegnante messicano membro fondatore del Salón de la Plástica Mexicana.Nacque a Etzatlán, Jalisco, Messico da Trinidad Castillo e Raymunda Santiago poco prima della rivoluzione messicana. Sua sorella minore, Rosa Castillo Santiago (1910-1989) fu anche un artista affermato.Fidencio Castillo Santiago studiò all'Accademia di San Carlos e poi alla Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda".[1] Presso quest'ultima insegnò poi per oltre trent'anni e sposato con Paz Castillo Alarcón.Il suo lavoro è stato esposto in Messico e all'estero, comprese città come Tokyo e Kurashiki durante l'Esposizione d'Arte Messicana nel 1995 e a Phoenix, in Arizona nel 1967. In Messico, importanti le mostre includono la Bienal Mexicana Contenporánea nel 1960, il Salón de Invierno, la Galería Plástica Mexiana nel 1956, il Salón de Arte Mexicano nel 1958 e il primo Salón de Pintura y Escultura Contemporánea Jalisciense nel 1964. Nel 1971, il Salón de la Plástica Mexicana ha ospitato una retrospettiva del suo lavoro. Un altro si è tenuto nel 2004, co-ospitato dall'Asociación de Artistas Plásticos de México, dall'UNESCO e dalla metropolitana di Città del Messico, per onorare sia lui che sua sorella, Rosa Castillo. Morì a Città del Messico per molteplici cause all'età di 85 anni. Oggi il Museo Histórico di Guachinango, Jalisco, ospita una mostra permanente di questo autore

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FIFA Coca Cola World Cup Used Soccer Referee Flags. Nice vintage pair of Referee flags from the Fifa youth world cup. I'm not sure which year, but you aren't likely to find another pair. Some stains and wear. They aren't as bright as the pics suggest. Case is 19" long tw100

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Fine Antique Sterling silver match safe. Extremely high quality, 19th to early<br>20th century. Very strong spring built into lid, forms a tight seal when shut, 1<br>7/8" x 1.25" x 7/16", no issues. Monogram plaque on the lid could easily be<br>replaced. 37.9 grams, illegible hallmarks.<br><br>trinketdrawer

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Flli Menegatti Sterling Hoop earrings. Selling the pair of estate earrings from<br>the last quarter of the 20th century, no damage, sterling but the french clips<br>aren't and have a little oxidation which could easlily be removed with vinegar<br>or lemon juice, didn't notice it until the pics. 1 5/8" tall. 17.6 grams total.

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Floyd Becenti Navajo sterling silver carved Kachina overlay belt buckle. Solid sterling silver with weight and other measurements in the pictures. Fits up to a 1.5" belt, no issues.

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Floyd Becenti Navajo sterling silver hand engraved animals link concho belt. Solid sterling silver with weight and other measurements in the pictures. Each concho different, hand engraved, each concho marked as shown. Much better in person.

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Floyd Namingha Lomakuyvaya Hopi Bisbee Turquoise sterling silver belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. Fits up to a 1.5" belt.

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Floyd Namingha Lomakuyvaya Hopi Overlay bolo tie sterling silver. Solid sterling, weight and measurements in pics (scale tared out with containter, weight shown is just the bolo). No damage, sterling tips and bolo slide. Hallmarked as shown. Exremely high quality. From huge collection so well preserved, 40" total length.

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Floyd Namingha Lomakuyvaya Hopi overlay pendant/necklace sterling silver. Weight and measurements in pictures. Solid sterling silver, 24" necklace. Floyd Namingha Lomakuyvaya, is a well known Hopi artist. Floyd was born in 1940 at Shungopavi, AZ and is Hopi Bear Strap Clan. He has been working as an artisan since 1969 and he shows his work at the Monongya Gallery on 3rd Mesa. This

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Foree Hunsicker (1932-2015) large Sterling Silver cross pin. Fantastic with no issues, weight and measurements in pics. Foree Hunsicker (1932-2015) In 1954, she graduated from the University of Texas with a degree in art. At UT, she was a member of Pi Beta Phi sorority. Later, she studied at Corcoran Gallery in Washington, DC and the Arts Students League in New York City. A life-long Francophile, in July of 1956, she made the first of many trips to Europe, this initial journey on the venerable Queen Elizabeth. Foree always had an artistic bent. At various times, she was a painter, clothes designer, and interior decorator. Her greatest success, however, came as a jewelry manufacturer when she started a company in 1987 called Medalias by Foree Hunsicker. At one time employing nearly fifty people, Medalias specialized in luggage tag jewelry, reproducing in sterling silver a wide variety of Victorian-era luggage tags and fashioning them into earrings, necklaces, and other accessories. A fixture for many years in the North Texas design world and at the Apparel Mart, Foree was honored with a Dallas Fashion Award in 1995.

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Formia Sommerso Murano Vases Pair. Selling the pair of vases 10.25" tall with no damage or wear, one dated 2007, both with original labels. b13

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Foster Yazzie Navajo reversible 3pc sterling silver/onyx belt buckle set. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa fourth quarter of the 20th century. Fits a 1.5" belt. Can be reversed or worn as just a 2pc as shown.

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Foster Yazzie Navajo sterling silver Mediterranean coral vintage belt buckle. Tested and guaranteed solid sterling silver, fits up to a 1.25 wide belt. Weight and measurements in pictures, circa last quarter of the 20th century.

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Foster Yazzie Navajo Sterling/onyx and other Native American southwestern earrings. Selling the 3 pairs of earrings shown, two Native American, other a southwestern shop mark I don't recognize offhand. Black stones are onyx, blue stones likely howlite or block turquoise. Largest pair 1 7/8" tall x 2" wide. 47 grams total weight, selling all three pairs with no issues. All precious metals are tested and guaranteed,

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Fostoria Midnight Rose Etched Footed Flared Vase 8 3/8" no chips, cracks, or stains. Light scratches in bottom inside of vase.

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Framed Antique Chinese printers block. It's an antique block that was framed with the letters gold gilt for decorative purposes. The block is behing glass, I believe it was framed in the third quarter of the 20th century and was about 100 years old then. 17.5" x 9".

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Frances Blinebry(1910-1995) 1950's Peak Mountain in Arizona, El Paso Texas Artist. 8" x 10" board 13" x 11" framed with no issues. Frances Blinebry(1910-1995) first exhibited at the El Paso Woman's Club Exhibition in 1943 and continue to exhibit there for many years through her life. She is a listed artist in the seminal Texas reference Dictionary of Texas Artists, 1800-1945 . This is a rare find and sweet oil on board. This is sure to complement your David Swing, El Boone or Willard Page collections. Signed Frances Blinebry, as shown. TW159

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Frances Holmes Boothby modernist sterling silver abstract belt buckle. Fits up to a 1.25" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional, with no issues. Circa third quarter of the 20th century. Frances Holmes Boothby (19192000) created unique modernist jewelry for nearly four decades, from the mid-1940s to the early 1980s. In addition to traditional modernist geometric and abstract designs, she made unique, whimsical pieces inspired by cartoons, including the Bird and Animal series. Working primarily in sterling silver, Frances sometimes used gold, brass, wood, resin, natural stones, pearls, and glass. She signed her pieces with the capital letters STERLING and the lowercase initials fhb. Undoubtedly, Frances Holmes Boothby made a significant contribution to the American wearable art movement through her exhibitions and teaching of jewelry making. For example, in 1948, she first presented her work at the Walker Art Center in Minneapolis. As early as 1955, she opened a studio in New York where she created her jewelry and taught jewelry making. According to 1958 newspaper ad, Frances Holmes Boothby exhibited her jewelry at New York State Fair. Later, Frances handcrafted jewelry in her Silver Workshop in Weston, Vermont, where she was active until the early 1980s. Frances Holmes Boothby died at the age of 80 in Sedona, Arizona. Made in limited quantities, today the artists works can be found both in the collections of lovers of modernist and vintage jewelry, and in national art galleries.

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Frame measures 32" x 28", canvas is 24" x 20". Really nice coastal landscape<br>with Houses in a really good looking heavy frame. Painting is mint condition<br>with no issues. Frame is very clean and presentable.

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Francis Begay Navajo silver cast concho belt 47" total length with maximum wearable length at approximately 44". Very good condition, second quarter of 20th century to mid 20th century. Weight and measurements in pictures, 12 conchos and 1 buckle. Solid sterling silver. Francis L. Begay, Diné Jeweler Native American artisan Francis L. Begay is Diné of the Navajo Nation. He is a talented silversmith specializing in sterling silver Jewelry which is oftentimes hand cast. His hallmark signature is FL BEGAY.

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Francis Begay Navajo sterling silver cast Ketoh shaped belt buckle. Solid sterling silver (tested) with weight and measurements in the pictures. Fully functional with age appropriate wear, no damage unless noted. Marked as shown, fits up to a 1" belt.

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Francis Jones Navajo cast sterling silver belt buckle. Fits up to a 1.25" belt, fully functional with age appropriate wear. Please look at pictures. Tested and guaranteed solid sterling silver.

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Zuppiera francescana di mele e coperchio, timbro americano. Zuppiera con piedi grandi. Quasi pari al nuovo, senza crepe, scheggiature, screpolature o restauri. Maniglia da 12,5" per gestire x 9" di altezza.

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Frank Lahaleon Zuni sterling silver Kachina pendant/pin channel inlay. Weight and measurements in pics, all solid sterling. All stones/inlay secure in bezels with no apparent damage. Circa last quarter of the 20th century.

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Frank Patania Sr RES southwestern modernist sterling silver belt buckle. Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa mid 20th century.. Fits up to a 1" belt

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Frank Patania Sr Sierra Blanca Ski Club Ruidoso NM sterling gold filled pin. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, Circa mid 20th century, thick gold filled on sterling silver.

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Frank Patania Sr Southwestern Modernist Sterling silver/turquoise clip earrings. Solid sterling silver with weight and measurements in pics. No issues. Strong springs on clips. Frank Patania, Sr. (1899-1964), a silversmith of international renown, established the iconic Thunderbird Studio in Santa Fe. His exceptional work remains highly coveted by collectors with a deep appreciation for Southwestern artistry. Beyond his own creations, Patania played a pivotal role in elevating the craft of Native American silversmiths, generously sharing his expertise in gemstone setting and other intricate techniques. He fostered the talents of Pueblo artisans like Julian Lovato of Santo Domingo and Louis Lamay of Hopi, serving as both mentor and employer. Though born in Sicily, Patania‘s profound influence on the Santa Fe art scene took root in the 1950s, leaving an indelible mark on the region‘s artistic heritage.

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Frank Patania Sr/Thunderbird Shop modernist sterling silver cigarette case. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa third quarter of the 20th century. Stones intact with some old wear/fractures.

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Frank Yazzie Navajo sterling silver-turquoise-coral-sp oyster gecko pin/brooch. Selling the pin shown in good condition with weight and measurements in pictures. Circa last quarter of the 20th century.

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Frank Yellowhorse Navajo heavy turquoise/multi-stone intarsia inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa fourth quarter of the 20th century. 46" long. Frank Yellowhorse was an acclaimed Navajo artist known for his bold and colorful geometric inlay jewelry. Frank was born on February 14, 1933 in Holbrook, Arizona to parents Arthur and Anna Beasley. He was part of the Towering House People Clan. He served in the US Navy during the Korean War for four years.In addition to creating beautiful jewelry, Frank was the co-founder and operator of the famous Chief Yellowhorse Trading Post, which is located in Lupton, Arizona, on Interstate 40 at the New Mexico border. The Chief Yellowhorse Trading Post started in the 1950s as a roadside stand where the Yellowhorse family sold Navajo rugs and petrified wood to tourists passing by. In the 1960s, Frank and his brother Juan "Chief Yellowhorse" built out the trading post, which included jewelry, and added gas pumps for those adventuring on Route 66. Frank was a kind and generous man who enjoyed interacting with the wide variety of people he met at the trading post.Frank and his wife, Elsie had eight children. Two of their sons are talented and well-known jewelers, Alvin Yellowhorse and Bryon Yellowhorse. Frank taught Alvin and Bryon the art of silversmithing, and they both have excelled in advancing Frank’s legacy of inlay jewelry, each in their own unique way.Frank passed away on August 13, 2020 at the age of 87.

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Frank Yellowhorse Navajo sterling silver intarsia inlay large bear pendant. No issues, circa last quarter of the 20th century. 30" long necklace with other measurements in pictures. No issues. Selling the necklace shown in the pics, sterling necklace free with the wonderful pendant.

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Franz Kriwanek (American, 1920-1994) Mid Century Modern Texas Studio Pottery<br>large vase. 9.75" tall x 7" with with no damage or restorations. Fresh from a<br>local Austin TX estate, most likely made when he was teaching in TX before<br>moving to Silverton.<br><br>Franz Kriwanek (American, 1920-1994). artist, potter, professor and author<br>renown for blending clays and glazes from soils and minerals of the San Juan<br>Mountains near Silverton Colorado. Pottery made from these mixtures is very<br>durable with a distinctive allure. When Germany conquered Czechoslovakia,<br>Kriwanek was forcibly drafted into the German Army. He was then sent to North<br>Africa desert, but one morning when he and the other forced draftees awoke, they<br>were alone. Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he,<br>an artist by trade, began painting again, specifically illustrations of the<br>camp. Once the war was over, he was released and returned to Europe, where he<br>lived in the Netherlands for four years. In fact, Winegardner said a family in<br>Shenandoah sent Kriwanek to the University of Iowa where he could obtain his<br>teaching degree. He then taught in Shenandoah for one year, followed by Mount<br>Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Franz Kriwanek (American, 1920-1994) 1965 Mid Century Modern Texas Studio<br>Pottery Framed Plaque 9.25" x 16" total 13.25" x 7" plaque, absolutely no damage<br>or wear.<br><br>Franz Kriwanek (American, 1920-1994) artist, potter, professor and author renown<br>for blending clays and glazes from soils and minerals of the San Juan Mountains<br>near Silverton Colorado. Pottery made from these mixtures is very durable with a<br>distinctive allure. When Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone. Kriwanek<br>was sent to the Prisoner of War Camp in Clarinda, where he, an artist by trade,<br>began painting again, specifically illustrations of the camp. Once the war was<br>over, he was released and returned to Europe, where he lived in the Netherlands<br>for four years. In fact, Winegardner said a family in Shenandoah sent Kriwanek<br>to the University of Iowa where he could obtain his teaching degree. He then<br>taught in Shenandoah for one year, followed by Mount Pleasant, Iowa.<br><br>In 1948, Franz Kriwanek settled in Sweden to study Sino-Swedish stoneware under<br>the masters Wilhelm Koge and Stig Lindberg. While in Sweden he had 7 one man<br>exhibits.In 1963, He arrived in Texas, taking a position on the art faculty at<br>Texas Tech University. For months after he arrived in West Texas, he sought a<br>clay suitable to stand 2,400 degrees. He found it in a quarry in Snyder, Texas.<br>He believed in using local materials and developed a series of glazes which have<br>cotton gin ashes as they main component. These glazes follow the same traditions<br>of Chinese ash glazes.<br><br>“Franz Kriwanek was born on May 1, 1920 in Worschach, Austria.<br>Winegardner said when Germany conquered Czechoslovakia, Kriwanek was forcibly<br>drafted into the German Army. He was then sent to North Africa desert, but one<br>morning when he and the other forced draftees awoke, they were alone.<br>“The Germans were gone. They had left them in the desert,” said Winegardner.<br>“The first thing they did was surrender.”<br>Kriwanek was sent to the Prisoner of War Camp in Clarinda, where he, an artist<br>by trade, began painting again, specifically illustrations of the camp. Once the<br>war was over, he was released and returned to Europe, where he lived in the<br>Netherlands for four years.<br>“Someone he knew in Clarinda sponsored him and his family to move back to<br>Clarinda,” Winegardner said. “He then moved to Shenandoah and started Kriwanek<br>Pottery and Art School. He was really promoted and supported by people in<br>Shenandoah.”<br>In fact, Winegardner said a family in Shenandoah sent Kriwanek to the University<br>of Iowa where he could obtain his teaching degree. He then taught in Shenandoah<br>for one year, followed by Mount Pleasant, Iowa.<br>“He ended his teaching career as chair of ceramics at the University of Texas at<br>Lubbock,” said Winegardner. “He ended up in Silverton, Colorado with Silverton<br>Mountain Pottery. He passed away in 1994, but his pieces have recently become<br>overly popular.”

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Fred & Elsie Lonconsello Reversible spinner pendant turquoise and coral sterling, throwing in free 24" Italian sterling necklace. No issues.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred and Lolita Natachu Zuni c1970's Sterling inlay bolo tie 40" long, everything else in pics.Fred and Lolita Natachu<br><br>Legendary Zuni artists Fred and Lolita Natachu are known for their stunning<br>mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite<br>subjects. They have been creating jewelry since the 1970’s.<br><br>Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly<br>Banteah, Nancy Lacnsello, and Rolanda Haloo are also recognized Zuni inlay<br>silversmiths.All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn't an exact thing with handmade jewelry. I've seen thousands of pieces xrf'd to prove this. Bracelets are photographed on a 6" women's wrist.

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Fred Baca Navajo sterling silver vintage chip inlay belt buckle. Fits up to a 1.5" belt. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional, stones are secure. All items will likely have some expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.

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Fred Davis (1880-1961) large sterling and amethyst tulip flower pin 39.8 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Sterling and amethyst large pin 25.7 grams, other measurements in pics.Frederick W. Davis is known among collectors for his work as a jewelry<br>designer and silversmith based in Mexico City, Mexico. He began designing and<br>crafting jewelry and decorative objects in the 1920s. The wares he produced<br>often reflected his affinity for pre-Columbian artifacts. He occasionally<br>collaborated with Valentín Vidaurreta, another respected Mexican silver<br>craftsman with roots in Mexico City. Davis is credited as an avid promoter of<br>other silver artists, including William Spratling, who worked in Mexico from the<br>1920s through the 1950s. Frederick Davis Jewelry - HistoryDavis moved from the<br>United States to Mexico in 1910. Working as an assistant manager for the Sonora<br>News Company, he toured the country on buying trips to stock railway station<br>shops with native folk art for his employer. He established relationships with<br>many artisans during his travels, and his knowledge of Mexican crafts grew<br>extensively. His ardent work resulted in a promotion to manager of Sonora’s arts<br>and crafts showroom in Mexico City. René d’Harnoncourt, who later served as the<br>director of the Museum of Modern Art in New York, was employed by Davis in 1927<br>as an assistant. Their work together led to the company’s distribution and<br>exhibition of works by Mexican painters who are now well known, such as Diego<br>Rivera, among many others. During this era, Davis and d’Harnoncourt left an<br>indelible footprint on the trade of Mexican handcrafts, including silver<br>jewelry, from that point on. Davis took a position managing antiques and fine<br>crafts for Sanborn’s department store in 1933 after d’Harnoncourt moved to the<br>United States. He remained with the store for 20 years, where he continued to<br>promote Mexican art and artisans while designing and producing silver wares.<br>Davis died in 1961.

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Fred Davis (1880-1961) Gemelli in sterline modernisti Taxco 30 mm x 11 mm x 20,9 grammi.Frederick W. Davis è noto tra i collezionisti per il suo lavoro come designer di gioielli e argentiere con sede a Città del Messico, Messico. Ha iniziato a progettare e realizzare gioielli e oggetti decorativi negli anni '20. Le merci che produceva spesso riflettevano la sua affinità con i manufatti precolombiani. Occasionalmente collaborava con Valentín Vidaurreta, un altro rispettato artigiano messicano dell'argento con radici a Città del Messico. Davis è accreditato come un appassionato promotore di altri artisti dell'argento, tra cui William Spratling, che lavorò in Messico dagli anni '20 agli anni '50. Frederick Davis Jewelry - StoriaDavis si trasferì dagli Stati Uniti al Messico nel 1910. Lavorando come assistente manager per la Sonora News Company, girò il paese acquistando viaggi nei negozi delle stazioni ferroviarie con i nativi arte popolare per il suo datore di lavoro. Durante i suoi viaggi stabilì rapporti con molti artigiani e la sua conoscenza dell'artigianato messicano crebbe notevolmente. Il suo ardente lavoro ha portato alla promozione a direttore dello showroom di arti e mestieri di Sonora a Città del Messico. René d'Harnoncourt, che in seguito fu direttore del Museum of Modern Art di New York, fu assunto da Davis nel 1927 come assistente. Il loro lavoro insieme ha portato alla distribuzione e all’esposizione da parte dell’azienda di opere di pittori messicani ormai famosi, come Diego Rivera, tra molti altri. Durante quest'epoca, Davis e d'Harnoncourt lasciarono un'impronta indelebile nel commercio di artigianato messicano, compresi i gioielli in argento, da quel momento in poi. Davis prese l'incarico di gestire oggetti d'antiquariato e artigianato raffinato per i grandi magazzini Sanborn nel 1933, dopo che d'Harnoncourt si trasferì negli Stati Uniti. Rimase nel negozio per 20 anni, continuando a promuovere l'arte e gli artigiani messicani progettando e producendo articoli in argento. Davis morì nel 1961.

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Fred Davis Abraham Paz Sterling Silver Angel Bird Brooch with Turquoise 3/4 x 1<br>1/8 inches in size. Marked on back "925 Echo en Mexico" and with artist's logo -<br>might be Abraham Paz who was a silversmith & designer for Fred Davis. Also has<br>the old eagle mark with number 22 inside. Pin can be worn sideways (as a bird)<br>or up/down (as an angel).Good conditio, with no significant issues.

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Fred Guerro Navajo sterling spiderweb turquoise pendant. Solid sterling, throwing in 18" sterling necklace that isn‘t Native American made. Fred was born Nov. 14, 1934, to the late Juan and Yananpah Guerro. His clans are Chishi (Apache), born for ‘Áshiihí (Salt People Clan). He passed away peacefully on Nov. 21, 2020, in Albuquerque. Fred was the last of Juan and Yananpah Guerros children. He was known to be very kind, gentle, and always telling jokes and stories. Fred was a born-again Christian and never wavered in his faith. He always quoted bible scriptures and tested your biblical knowledge to ensure one learned. He loved his family very much that he would do anything and everything for them. Fred was a master silversmith, selling his jewelry nationwide and with his regular customers in Socorro, Alamogordo, and Gallup. He built houses, mostly out of adobe mud, a skill that is becoming very rare. Fred was also a skilled fence builder and travelled many miles to work for ranchers across the state. Many nephews and relatives who travelled with him to hunting and fence building remember his stories, his humor, and jokes.

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Fred James Navajo Arizona Fire Agate sterling silver pendant. Selling the pendant shown in good condition with measurements in pictures. Marked as shown, weight and measurements in pictures.

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Fred Peshlakai Navajo (1896-1974) Biography sterling silver large hair barrette. Selling the piece shown in good condition with measurements in pictures. Weight and measurements in pictures.Peshlakai, Fred (1896-1974) BiographyFred Peshlakai is the bridge between the early Navajo silversmiths of the 19th century and the Native modernists of the mid 20th century. He was born at Crystal, NM, the son of Slender Maker of Silver who had learned silverwork from Atsidi Chon, one of the first Navajo silversmiths. He apprenticed with his father until the elder’s failing eyesight forced him to stop working. Peshlakai worked briefly at Maisels Indian Trading Post in Albuquerque before moving on to temporary jobs such as cowboying and acting. Returning to silversmithing, he opened a shop on Olvera Street in Los Angeles where he worked for nearly 20 years. His brother, Frank, worked for him there for several years. In 1950 Peshlakai had a shop at Hotel Escalante in Cedar City, UT. After that time his jewelry production decreased. Peshalakai’s work is widely collected because of his innovative designs and use of high quality stones.

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Fred Peters Navajo Sterling Multi-stone channel inlay pendant. Including the<br>Italian Sterling necklace shown. Necklace 24", pendant 2.25" x 1 3/8" 43.9 grams<br>total.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Freddie Maloney Navajo 3/4" sterling silver ranger belt buckle set NOS. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa last quarter of the 20th century.. New old stock condition, fits 3/4" belt.

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Frederick-Denise Suitza Zuni sterling silver sunface shell/stone inlay bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 37" long with no issues. Tray is tared out, so weight shown is just the bolo of course. Marked sterling with artists hallmark,

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French 1782 1/5 Écu - Louis XVI Silver coin in sterling bezel pendant. Authentic coin with rare Perpignan mint mark. 917 silver coin in unmarked (tested) sterling bezel 43.4 grams total weight. 2" wide x 2 5/8" tall.

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French 1977 R.D. Marmande Hand Carved/painted 1:43 Scale Model Intaltera Ford V8<br>Coupe. Clean with no issues.<br><br>RD, that is Raymond Daffaure from the town of Marmande in South-West France, is<br>in a way probably one of the greatest model makers ever. All his models are made<br>entirely by hand from a piece of wood. Mr Daffaure sculpted about 40 models a<br>month, for 20 years from the 50's-70's, to make a living. For him. Lmited to X<br>pieces wasn‘t a marketing strategy, but pure necessity. Of his best selling<br>model, the Ferrari GTO, he made maybe 200 copies, others were made only in 2 or<br>3 copies. Raymond Daffaure probably sculpted more than 800 different cars.

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French Baccarat Angels Pair. Selling both the Baccarat Angels shown in original<br>boxes. Largest 4.5" long for the figure without the box. One with original<br>label, both signed in two places, no scratches, damage, or wear.<br>tw162

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Baccarat Harcourt Decanter 5.5" wide x 12.5" tall. No cracks, chips, scratches, dings, or hard water. Estate fresh in new condition, retailed for $1490. tw254

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French Baccarat Marcel Franck Escale Silver Overlay Atomizer perfume bottle. Extremely high quality bottle with a complex atomizer mechanism that appears functional. No tube, short stable crack in top of jar that stops before the shoulder of the jar. Still will hold liquid. Bottom Acid stamped Marcel Franck Made in France in circular logo. There is no Baccarat mark but it's obviously Baccarat. perfumedrawer.

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French Bayeux Tapestry Lustre Wall plaque/trinket dish 4.25" with no damage or issues. Great piece likely from the second quarter of the 20th century.

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French Lalique 1976 US Bicentennial patriotic trinket dish 4" wide and tall,<br>signed Lalique France center of base. No scratches, damage, or wear. No issues.<br>b1

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French Lalique crystal paperweight. 4.25" x 3" genuine Lalique crystal with no<br>scratches, chips, cracks, or other issues.<br>pwdrawer

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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French Limoges hand painted snail trinket box. 3.5" wide x 2.75" tall. Nice large trinket box with tight hinge and catch that clicks when the box is shut and holds it shut when lifted by the top. No damage or detectable wear.

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ST Dupont Fidelio Lignes Recoupees 3 pen set. Selling all three pens shown, fountain pen has a 14k nib and possibly dried out, the other two write very well. They are all three very clean with no dents or scratches, minimal wear. Guaranteed authentic, all with serial numbers on clips. trinketdrawer

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French Sabino Opalescent Fish paperweight 4" long x 3" tall, no damage or<br>restorations whatsoever. Signed under label .

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Frieda Santiago (Hopi, 1913-1989) big sterling silver belt buckle . Tested and guaranteed solid sterling silver, weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 2" belt.

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Fritch Bros 10k/Sterling Saguaro Cactus 1.5" Collar tips. Each marked inside Top lip Fritch Bros Sterling. Cacti are tested and guaranteed solid 10k gold. They don‘t show well in the pics but are very gold. These are in "New old Stock" possibly unworn condition. Current retail for these is $405 from Fritch Bros website. Fritch Brothers Silversmiths was founded in 1940 by Philip w. Fritch as an Iconic brand in the western industry in Hollywood, CA and has always been a family business continued on by his son Robert Fritch and his son Jeff Fritch. It all starts with raw materials and handcrafted into a work of art. All merchandise has always been handmade in CALIFORNIA. Over the last 75 years we have continued to improve our designs yet maintain the look of the Old West. All our items are handcrafted from Sterling Silver and or Gold.

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Fritson Toledo Navajo Petrified Wood Agate/jasper sterling silver belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa last quarter of the 20th century. Fits a 1.5" belt.

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Fritz Casuse Navajo large 14k gold/Sterling silver purple stone/pearl pendant. Solid sterling silver, marked as shown with only artists signature, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver and solid 14k gold accents. Stone is great, I‘ll think about it more in the morning. Early in his life, award-winning designer, Fritz Casuse, showed natural aptitude for the arts which his family encouraged. As a graduate of the Institute of American Indian Arts, where he studied sculpture, Fritz has adapted his experience in other artistic disciplines to his jewelry. He views his jewelry as "something you can walk through," highlighting an attention to dimension and texture that offers a sense of space and wonder. Each of Fritz‘s designs focus on color and balance, enticing you to regard the whole work as a single masterful sculpture. His designs truly break the mold on Native American jewelry with a contemporary stroke that will amaze collectors. Fritz‘s early work experience as a graphic designer, eventually gave way to jewelry-making as he gradually became more involved in his projects for the Santa Fe Indian Market. His efforts would garner accolades from some of the most prestigious art fairs dedicated to Native American work. Fritz holds blue ribbons from both the Heard Museum Guild Indian Fair & Market (2005) and the Santa Fe Indian Market (2005). In 2006, he became a fellow of the Southwestern Association for Indian Arts, and added to his honors "Best of Classification" awards from both the Heard Museum and the Santa Fe Indian Market for his 18k yellow and white gold perfume-vial ring, Nizoniful. Mindful of his role in encouraging the next generation of Native American artisans, Fritz has returned as an instructor to the Poeh Arts Center in Pojoaque, NM, where he was once a student. His time as a teacher has helped to strengthen his own skills as a jewelry-maker and inspires him and his students to experiment with progressive designs. An amiable spirit, Fritz explains that his fashion-forward, sculptural jewelry designs are a combination of forethought and serendipitous discovery, resulting in jewelry that excites both his students and collectors. Examples of his awe-inspiring jewelry can be seen in Dexter Cirillo‘s book, Southwestern Indian Jewelry. Fritz is originally from Twin Lakes, NM in the Eastern part of the Navajo reservation in New Mexico. He shares his home with his wife and son. The subtle balance of his environment - the purity and texture of architecture, landscape, insects and animals, and the sea - and the fun of family-life and teaching, mix together in a creative experience that doesn‘t feel like a job.

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Fritz White(1930-2010) Nativo americano con bufalo in bronzo. 17" di altezza, 8" di larghezza, 6,75" di profondità, 10,5 libbre firmato nel cast Fritz White (americano, 1930-2010), numerato 22/225, timbro C/A Cowboy Artists of America.Fritz White era meglio conosciuto in tutto il mondo per il suo stile distintivo di scultura in bronzo e per essere stato un attore chiave nel trasformare Loveland nella famosa comunità di sculture che è oggi.È nato il 14 gennaio 1930 a Milford, Ohio. a Denver e Geneva (Hatfield) White. Quando aveva 12 anni, suo padre lo iscrisse a un corso d'arte per adulti in un college di Cincinnati. "La guerra era in corso e quei piccoli college avevano bisogno di tutti gli studenti che potevano trovare, così hanno accettato di prendermi. Ho ricevuto molta attenzione speciale da parte degli insegnanti. È stato fantastico", ha ricordato.Dopo essersi diplomato alla Terrace Park High School di Cincinnati nel 1948, Fritz ha giocato a football semi-professionista . Portando avanti quelle lezioni, in seguito allenò il football delle scuole medie e fu affettuosamente conosciuto come Coach Whitey.Fritz prestò servizio con orgoglio nella U.S. Marine Corp. dal 1948 al 1953 come sergente di un plotone di fucilieri e successivamente come Gunny . Dopo il suo servizio, Fritz ha lanciato Fancy Lettering, uno studio di design per pubblicazioni di vendita, e successivamente ha preso una posizione presso la National Underwriter Company. Per capriccio nel 1961, caricò la sua macchina con grandi pezzi di marmo di Marble, in Colorado, e iniziò così la sua lunga carriera nella scultura. Grazie al sostegno del suo caro amico John J. McGraw, Fritz iniziò presto a lavorare l'argilla e il bronzo.Un decennio dopo, nella primavera del 1972, Fritz fu eletto nel prestigioso Cowboy Artists of America e divenne ampiamente accettato come uno dei migliori scultori di questo secolo. Oltre a vincere numerosi premi CAA per l'eccellenza (tra cui l'unico scultore a vincere il Colt Award), è stato membro del consiglio, vicepresidente e presidente. Fu anche membro della National Sculpture Society.

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Fukagawa Seiji Arita Iris Japanese Porcelain Bell Late 20th Century. No cracks, chips, restorations, or scratches. 3.5" tall x 3.25" wide.

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