HUGE Vintage Navajo Sterling and Turquoise Squash Blossom Necklace. 32" long<br>necklace, 5" x 5.25" Naja, incredible circa mid 20th century unmarked (tested)<br>sterling squash blossom necklace loaded with natural turquoise. Very cool, one<br>of a kind squash blossom that you won't have to worry about your neighbor or<br>co-worker showing up wearing the same one. Weighs 499 Grams of all sterling<br>silver and turquoise.

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Huge Antique Chinese Porcelain Wedding Box Double Happiness. Large 19th century box with no damage or restorations. 9" wide x 5" tall.

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Huge Antique Copper Kerosene Ships lantern with glass lens. Late 19th to early<br>20th century lantern, Fully functional with British make burner in working<br>condition with no holes in oil reservoir. 23" tall without handle x 14" wide x<br>11.5" deep.

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Huge Antique Deruta Umbrella Stand/Floor Vase with Unusual Incised Decoration.<br>One very small chip on footrim, nothing. No other chips, no cracks, no<br>restorations.

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Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102

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Huge Antique Miners Presentation Pocket Watch 50mm works 70mm case 58mm dial in<br>vintage customized art glass desk caddy. This is an amazing very big watch, The<br>works measure 2" or 50mm, this would be a 23 size if there were such a thing<br>which I don't think there is. Also it is in an extra large case. I believe the<br>watch to be from the last quarter of the 19th century, the holder was likely<br>made later and the watch was likely offered as a presentation gift in the holder<br>at a later date. WTG could stand for West Texas Gas or West Texas Gulf, maybe.<br>The desk caddy is extremally heavy and 4" tall. The watch works and appears to<br>keep good time, it has minor damage to the porcelain dial at the base of the<br>dial. The case is French marked Depose, works are Swiss with no other<br>identifying marks.

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Enorme statua antica di Gesù Bambino in legno intagliato Santos, del XIX secolo, alta 24,5 pollici x 16,5 pollici da mano a mano. Questo è più grande della grandezza naturale. Presumo che probabilmente provenga da un display molto grande che forse è stato visto a distanza. Pezzo antico garantito intagliato a mano, occhi di vetro, capelli veri, ciglia dal XIX secolo all'inizio del XX secolo (di oltre 100 anni). Non ha rotture nel legno ma ha alcuni vecchi punti di ritocco alla vernice in diversi punti che non corrispondevano al 100%, ha ancora un bell'aspetto. Quelli così vecchi in genere hanno le dita rotte, ecc. Ma questo è così grande con dita spesse che non si romperebbero facilmente. Oggetto estremamente raro, unico nel suo genere.

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Huge Art Nouveau Sterling Tulip brooch with rhinestones. Nice large brooch from<br>the first half of the 20th century. 20 grams, 3 3/8" tall x 2.5" wide

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Huge Beastly Native American Sterling turquoise/coral pendant/necklace. Nice old piece, illegible artists signature on back, tested sterling with no sterling marks. Chain is super heavy solid chain with no clasp, everything looks custom made together, likely they've been together for the past 50 years or so. Chain graduates to smaller links on top. 206.4 grams total weight, chain and pendant are sterling silver. Looks like it was worn by a hardcore biker or possibly a super hardcore non-biker in the 70's. 30" long chain.All precious metals are tested and guaranteed,

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Huge Beatrice Kee Navajo sterling belt buckle. Fits a 1.5" beltMarked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more<br>pictures, videos, or measurements until sold. If you look at<br>pictures/description your question should be answered. Thank you so much for<br>your time and consideration!<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge c.1890 Wavecrest Jardiniere. 11" wide x 8" tall with no cracks, chips, or<br>restorations. It has some residue of museum putty on base because it came from a<br>California collection, I guess for earthquakes. I'll remove it before shipping<br>just didn't have time while taking pics since it's big and heavy and really need<br>to mess with it in a safer location.<br>isshelf

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Ciotola per lavabo antico cinese Famille Rose con medaglione, profonda 15,75 x 5,75 pollici. Una zampa di gallina visibile all'esterno, non molto visibile all'interno, molto stabile. Nessuna crepa, scheggiatura o restauro. Usura prevista per la doratura sul bordo. Lieve usura sullo smalto mostrata nelle foto. Pezzo mostruoso, non comune.

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Huge c1900 Meiji Period Hand Painted Japanese bowl. Great piece from the 1890's to about 1910 at the latest. 16" wide x 3.5" deep with no cracks, chips, or restorations, expected wear to gilding on rim. Exremely rare to find a piece like this with the original label as in the late 20th century many would have removed this label and presented this as a mid 19th century piece. Personally I don't think it matters whether this is 1860 or 1900, it's the same piece and definitely a handmade antique that would cost much more than I'm asking for it to make today with all this hand painted work involved. I think it's nice to be able to put a definite date on it rather than guessing. isshelf

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Huge c1900 Nippon Heavy Gold Cobalt Hand Painted Flowers Vase. 16.5" x 8" wide at base. Very big piece, I've had umbrella/cane stands this size. No cracks, chips, or restorations, some expected wear to gilding. Unmarked.

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Huge c1960 c-31 Robert and Bernice Leekya bolo tie sterling/turquoise, 42" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Robert and Bernice Leekya, Zuni Pueblo Jewelers Husband and wife Robert and Bernice Leekya from Zuni Pueblo are known for their bold turquoise nugget jewelry and channel inlay. Robert (1934-) and Bernice Leekya have been making jewelry since 1953. Robert is the son of famous fetish carver Leekya Deyuse and learned his craft from his father as a young man. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge c1960 c-31 Zuni Knifewing bolo tie sterling multi-stone inlay, 39" long, weight and measurements in pics. Solid sterling slide and tips. Non-sterling Bennett clip. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration! All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge c1960 Metales Casados Mixed Metals/ Abalone Crab Centerpiece Serving Dish. 21.25" x 12 5/8" x 5.25" tall. No damage, some wear to the inner silver plating. This is a very substantial and well made piece that would stand out in any setting.

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Huge 1970s Jerry Roan reversible spinner coral/turquoise sterling silver pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa third quarter of the 20th century. 60‘s to early 70‘s. Jerry Roan (1919-1977) Navajo tribal native Jerry Roan (1919-1977) had a productive life as a silversmith and jewelry maker. He began actively working at silversmithing around 1968. In 1969, a year after he began smithing, he on a 1st Award at the Navajo Tribal Fair in Arizona. Roan was included in the 2002 exhibit “Jewels of the Southwest” at the Museum of Indian Arts and Culture, Santa Fe. His work is included in the collections of the Smithsonian National Museum of the American Indian, Washington, and the Yellowhorse Museum in Paradise Valley, Arizona.

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Huge Charles Johnson Navajo sterling and turquoise pendant 3.75" with bail x 2<br>3/8" wide x 70.8 grams.<br><br>Charles Johnson<br><br>Charles was taught silversmithing from his parents at about the age of 15, and<br>continued to learn on his own during the summers. His parents are lifetime<br>silversmith’s with his mother’s family having 5 generations, and his father’s<br>family with 2 generations. Charles has worked full-time as a silversmith since<br>the age of 20. He first started inlaying at the age of 13 for a few years while<br>learning both.Starting with traditional Navajo jewelry, Charles then went into<br>Navajo contemporary jewelry, then onto the Western style with swirl design<br>cutouts. The majority of his jewelry are cutout overlay on bracelets, and<br>buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet<br>overlay with Western style and swirl design. Charles’ clans are Ashii (Salt<br>People) and Todich’ii’nii (Bitter Water Clan).<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge Esther Wood Navajo sterling silver multi-stone Yei pendant/necklace. Solid sterling silver, marked as shown with only artists signature, with weight and measurements in the pictures. Tested and guaranteed solid sterling silver. No damage. The necklaces is unmarked, high quality and goes with the pendant.  The necklace with the diamond patterns is 29" long, The pendant/pin with the necklace is 213 gramsEsther Wood is a Navajo silversmith and jeweler who learned her craft from her aunt, Elsie Platero. She currently lives in New Mexico and works primarily with silver and turquoise. Esther was born in 1946, she has works in the Smithsonian and just about every major collection. I don‘t believe she is still active.

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Huge Fred and Lolita Natachu Zuni Sterling inlay pendant. Weight and measurements in pics, no issues. Comes with insignificant 16" necklace Fred and Lolita Natachu Legendary Zuni artists Fred and Lolita Natachu are known for their stunning mosaic and channel inlay. Rainbow God and Knifewing are two of their favorite subjects. They have been creating jewelry since the 1970s. Lolita is the daughter of Zuni silversmith Jacob Haloo. Her sisters, Dolly Banteah, Nancy Laconsello, and Rolanda Haloo are also recognized Zuni inlay silversmiths. All precious metals are tested and guaranteed,

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Huge Gary G Navajo for Rocki Gorman sterling silver cross pendant turquoise. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. Circa last quarter of the 20th century, huge bail made to go on multi-strand necklace. Clean with no significant wear.

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Huge Lotus Form Vintage Ken Edwards El Palomar Mexican studio pottery bowl. No<br>damage or detectable wear. 11" wide x 5.25" tall.<br>isshelf

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Huge JB 70‘s-80‘s Vintage Navajo sterling silver inlaid belt buckle turquoise. Solid sterling silver (tested) buckle with weight and measurements in pictures.. Fits up to a 2" belt. No issues, appears possibly unworn.

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Huge Jerry Roan Navajo sterling silver turquoise/coral Kachina bolo tie. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Circa last quarter of the 20th century. 47" long

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Huge Kosta Boda Artists Choice Kjell Engman Centerpiece. No cracks, chips, scratches, or other issues, two original labels. 12.25" tall x 10 7/8" wide at rim. Piece weighs about 10 pounds, heavy quality piece.

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Huge Navajo Carico Lake Turquoise/Sterling Charles Johnson Pendant 5" tall with<br>bail x 3.25" wide x 110 grams, top quality turquoise, no damage. This is a very<br>large pendant that will go on a multi-strand necklace or large Navajo pearls<br>with ease, anything up to 22 mm or so.<br><br>Charles Johnson<br><br>Charles was taught silversmithing from his parents at about the age of 15, and<br>continued to learn on his own during the summers. His parents are lifetime<br>silversmith’s with his mother’s family having 5 generations, and his father’s<br>family with 2 generations. Charles has worked full-time as a silversmith since<br>the age of 20. He first started inlaying at the age of 13 for a few years while<br>learning both.Starting with traditional Navajo jewelry, Charles then went into<br>Navajo contemporary jewelry, then onto the Western style with swirl design<br>cutouts. The majority of his jewelry are cutout overlay on bracelets, and<br>buckles with Petroglyph designs (Anasazi drawings). He also enjoys bracelet<br>overlay with Western style and swirl design. Charles’ clans are Ashii (Salt<br>People) and Todich’ii’nii (Bitter Water Clan).

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Huge Navajo Tufa Cast Silver belt buckle. Solid sterling silver, unmarked. Weight and measurements in pics.

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Inside of matting is 27" x 21", frame is 38" x 31.5". There are no issues with the drawing or the frame.Biography   Brenda Polsky Morgan ChildsObituary: "Clients Included Richard Nixon, John Wayne, Bob Hope, Barbara Jordan," by Patrict George, American Statesman, Sunday, November 09, 2008 In 1963, future President Richard Nixon attended a Texas vs. Arkansas football game in Austin. Wanting to give a gift to Nixon, then-U.S. Sen. John Tower of Texas commissioned Austin artist Brenda Polsky Morgan Childs to paint a scene from the game, which he then sent to Nixon. The painting was flown to Washington first class, but she flew coach, Childs' friends recall. It was a perfect example of how Childs' talent at painting — which brought her famous clients like John Wayne, Bob Hope and Barbara Jordan — never overshadowed her humility.

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Huge Retired James Avery Oak Tree of Life pendant. This is the biggest size out of many. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Huge Retired James Avery Oak Tree of Life pendant. This is the biggest size out of many. Weight and measurements in pics. Selling the exact piece shown in great condition with no damage or significant wear. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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Huge Robert & Noreen Kelly Navajo sterling silver Turquoise Pendant/Necklace measurements in pictures. No damage or issues, Marked, Tested and Guaranteed solid sterling silver. Huge pendant with weight in pictures. Necklace not by the same artist but looks awesome with it.

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Huge Robert and Bernice Leekya Zuni sterling silver 3 stone turquoise pendant. Selling the pendant shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Circa third quarter of the 20th century.

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Huge southwestern sterling silver turquoise/spiny oyster butterfly pendant/pin. Selling the pendant shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Circa last half of the 20th century.

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Huge Sterling silver high grade turquoise, coral, fossil belt buckle. Solid sterling silver with weight and other measurements in the pictures. Unmarked, circa 60‘s-70‘s. This likely had a different belt loop and possibly it broke and they soldered this rotating buckle design on the back which is really cool and evidently worked. The added buckle is marked 925 and solid sterling silver. All the metal is sterling silver and very heavy.

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Huge sz9.5 Vintage Navajo silver turquoise cluster ring. Solid sterling silver, weight and measurements in pictures. No markings. Nice old ring from the third quarter of the 20th century. Vintage or pre-owned item in good condition with some expected wear as shown in the pictures. Items with significant wear are not offered by me online unless they are extremely old/rare and still desirable in that condition by collectors. Older Native American jewelry (1970‘s and before) is expected to have wear as it was made to be worn. Typically good honest wear is typically considered desirable.

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Huge Tom Willeto Navajo sterling turquoise bolo tie. Weight and measurements in pics, no issues. 47" long cord. Marked or unmarked as shown in pics, weight and other measurements in pics. Sorry but my jewelry is stored in a secure location and cannot be accessed for more pictures,<br>videos, or measurements until sold. If you look at pictures/description your<br>question should be answered. Thank you so much for your time and consideration!<br><br>All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. Bracelets are photographed on a 6" women‘s wrist.

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Huge Vintage Bev Etsate Zuni sterling silver Kachina inlay bolo tie.   Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Great bolo, 42" long with no issues. Weight shown is the entire bolo.

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Huge Vintage c1970 Navajo sterling silver freeform bolo tie with nice turquoise. Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. 36" long tight/old fracture towards top of stone. Stone is secure and going nowhere.. Tray is tared out, so weight shown is just the bolo of course. Very nice natural American turquoise, I‘ve seen this stone used in mostly older Native American jewelry but never figured out what mine it was.

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Huge Vintage Hand engraved sterling 2 silver dollar horse bust belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 1.5" belt.

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Huge Vintage Hand stamped handmade Navajo pearls sterling silver beaded necklace. Selling the necklace shown in good condition with measurements in pictures. Tested and guaranteed solid sterling silver. Weight and measurements in pictures. Circa second quarter of the 20th century, 29" long. Huge beads as shown. Largest center bead is approx 40mm 1.6" wide.

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Huge vintage navajo sterling silver, turquoise/coral long shadowbox belt buckle. Tested and guaranteed solid sterling silver. Weight and measurements in pictures, circa third quarter of the 20th century. Fits a 1.5" belt.

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Huge vintage Navajo sterling silver/turquoise belt buckle ketoh style. Tested and guaranteed solid sterling silver weight and measurements in pictures, circa third quarter of the 20th century. Fits a 2" belt. Unidentified hallmark.

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Huge Vintage Navajo Sterling/Turquoise and coral Watch Bracelet 166.3 Grams, | Dimensions: Watch: 7.75" length, 1.5" face width. Minor wear with no significant issues but I think watch needs a battery. Unmarked, tested sterling.

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530 gram Huge Vintage Sterling and turquoise Native American Squash blossom necklace. Nice old very big necklace from the 60's or 70's, hallmarked as shown,<br>unsure of Artisan. 26" long, 530 grams, 4.75" tall x 4.5" wide Naja. Marked and<br>tested sterling silver.

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Huge Vintage Sterling Zuni Multi-Stone Intarsia inlay concho belt. Very<br>substantial belt 2 1/8" x 2 7/8" conchos/buckle, fits up to a 37" waist, 590.4<br>grams with no damage or significant wear. Each concho signed as shown.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Huge Vintage Navajo Sterling/turquoise butterfly pin 2.75" wide x 2.4" wide 27.8<br>grams. Hallmarked on back with United Indian Traders association stamp.<br><br>The United Indian Traders Association (UITA) was established on September 13,<br>1931 for the expressed purpose of authentication of Indian crafts.1 At the time,<br>the UITA as an important player both in Indian cultural life and in advocating<br>for the sale of authentic Indian arts and crafts. UITA was incorporated as a<br>non-profit in New Mexico, with the support of a number of traders and San<br>Francisco attorney Charles Elkus. Bert Staples (Coolidge, NM) was UITA's first<br>President, R. C. Master (Zuni, NM) was Vice President, C. N. Cotton (Gallup, NM)<br>served as Treasurer and Tobe Turpen (Gallup, NM) was Secretary. Directors<br>included L. L. Sabin, C. G. Wallace, J. M. Drolet, Ramon Hubbell, Lloyd Ambrose,<br>Bruce Barnard and Mike Kirk.2 All of the founding directors and officers were<br>veteran owners of trading posts in the Southwest. The founding membership of 753<br>grew to over 125 in about 10 years.

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Huge vintage Zuni sterling silver carved turquoise cast belt buckle . Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fits up to a 2" belt, circa mid 20th century. Age appropriate wear with no significant issues.

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Huge vintage Zuni sterling silver mother of pearl intarsia inlay dancer pendant, circa third quarter of the 20th century. Selling the pendant shown in good condition with measurements in pictures.

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Huge Wilson Padilla Navajo sterling silver spiderweb turquoise bolo tie.   Tested and guaranteed solid sterling silver slide and tips. Weight and measurements in pictures. Great bolo, 46" long with no issues. Weight shown is the entire bolo.

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Huge Zuni Sterling inlay Roadrunner concho/belt buckle CIJ. Solid sterling silver with weight and measurements in pictures, no damage. Would make a great back side concho, or buckle an added mechanism. The last two pictures are not of this buckle, but they show what kind of fitting would fit on this buckle. One could be taken off of a junky buckle.

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Mint with no cracks, chips, crazing, or restorations guaranteed. Clean inside and out, really tough to find in this condition.

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Great piece 9.75" wide x 7" tall with no cracks, chips, or restorations. There is a tiny flaw on the handle, very insignificant and minor crazing. TW79

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Hutschenreuther Black Knight Fish Plate Set Made for American Market (13). The<br>Black Knight mark was used between about 1925 and 1941 on dishes imported from<br>Germany by Graham & Zenger, a New York City importer and wholesaler. The dishes<br>were manufactured by Hutschenreuther Porcelain Factory. These are really great.<br>They each have hand painted accents over a transfer. There are 9 different<br>patterns all North American fish, all with the name of the fish on the back. 4<br>of the patterns have two of each plate that are slightly different in the center<br>due to the accents being hand painted. They are all mint to near mint. No<br>cracks, chips, restorations, utensil marks, or detectable wear to gilding. The<br>plates measure 9 inches or 22.8 cm in diameter.<br>TW155

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Hutschenreuther Porcelain Mallard Duck in flight. Amazingly no damage on this delicate figure. 5.5" wide x 4.5" tall, best quality hand painted figure.

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Plaque measures 5.75" x 4" frame measures 8" x 6 1/8" no damage of any kind. All<br>hand painted and artist signed. Guaranteed 19th century Hutschenreuther.

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HV Vintage Navajo sterling silver green Malachite stone bolo tie. Solid sterling bolo slide and tips no issues. Weight and measurements in pictures. 37" long. Overall good condition, tested sterling slide and tips with markings shown in pictures.

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Id'd Civil War Photos Memoir, Documents, New Hampshire Autographed Biography<br>from Daughter Very Extensive<br><br>lot) Family archive of Albert Henry Clay Jewett (New Hampshire, Washington,<br>D.C.,1841-1898), discharged as First Lieutenant, Fourth Regiment of Volunteers,<br>State of New Hampshire, Army of the Potomac, later employed at the U.S.<br>Department of Interior, Bureau of Pensions, Washington, D.C.: (1) half plate<br>tintype of Jewett standing, uniform includes officer epaulettes; (1) quarter<br>plate tintype of Jewett from waist up, his uniform includes kepi and officer<br>epaulettes; (1) albumen head shot of Jewett, the collar of his uniform is<br>visible; (1) certificate appointing Jewett a Second Lieutenant effective<br>November 5, 1862 signed by Nathaniel S. Berry, Governor of New Hampshire with<br>the state seal; (1) certificate appointing Jewett a First Lieutenant effective<br>August 14, 1863 signed by Joseph A Gilmore, Governor of New Hampshire with the<br>state seal: (2) books, "A Boy Goes to War" by Albert Henry Clay Jewett,<br>copyright Grace J. Austin, 1944 (Grace, his daughter) one signed at the at the<br>interior by Grace, the book being a autobiographical sketch of Jewett's war<br>experience, the front piece and dust cover a photo picture of Jewett and his<br>sword; (1) 1892 letter from the State of New Hampshire, Adjutant-General's<br>office reciting the Revolutionary War record of Jewett's grandfather' (1)<br>tintype, 1/16 plate size likeness of a woman believed to be Jewett's wife or<br>lady friend, marked in ink "Picture rec'd in service about 1862 or 1863 from<br>T(J?)erry; documents related to his Bureau of Pensions employment; together with<br>large group of family letters relating to Jewett, for shipping largest item: 17"<br>x 14", total: 5.35lbs<br><br>There's many letters and photos from Frank M Austin to the daughter Grace who<br>published the book of memoirs AHC Jewett wrote. Really so much stuff, not all<br>civil war, but all connected to the family.

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Ike Wilson (1900-1942) Navajo First Phase style sterling silver concho belt Fits up to a 40" waist but obviously could be worn shorter. Tape measure shown in pics.. Weight and measurements in pictures. No damage or issues, tested and guaranteed solid sterling silver. 8 Conchos and one buckle, circa second quarter of the 20th century, hallmarked as shown. 570 grams. Diné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson. Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilsons work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ikes contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.

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Ike Wilson (1900-1942) Navajo large sterling silver dangly hand stamped earrings. Great earrings with no issues, tested and guaranteed solid sterling silver, any marks detected, weight, and measurements will be shown in the pictures. Circa second quarter of the 20th century. Diné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson. Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilsons work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ikes contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.

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Ike Wilson Navajo (1900-1942) 1930's vintage sterling silver ashtray thunderbird accents. Weight and measurements in pictures. Tested and guaranteed solid sterling silver with no issues. Apparently unmarked, circa second quarter of the 20th century. Ike Wilson (1900-1942) hallmark signature of bow and arrow symbol.Diné silversmith Ike Wilson worked for many years for the Kelsey Trading Company at Zuni. He did silverwork for many of the Zuni lapidary artists including Ida Vacit Poblano. He often collaborated with his wife, Katherine Wilson.Navajo Nation artist Ike Wilson (1900-1942) would sign his creations with his bow and arrow hallmark. There has been some confusion in the past about the hallmark of Ike Wilson (1901-1942). It seems that sometimes his work was attributed to Austin Wilson. Both men were born in the same year and in a similar area of the reservation and both men worked at times for trader C. G. Wallace and the Kelsey Trading Company. Ike Wilson’s work is signed with a bow and arrow. After his death in 1942, his wife Katherine Wilson (1907-1985) continued to use his hallmark. The bow and arrow hallmark was initially attributed to Ike’s contemporary, Austin Wilson, but the corrected attribution was published in Messier, 2014.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece<br>tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by<br>a master and being offered at a fraction of it's original cost. I also have<br>another listed. No issues.<br><br><br>Ilias Lalaounis<br>From Wikipedia, the free encyclopedia<br>Jump to navigationJump to search<br>Ilias Lalaounis<br>LH OMRI<br>Ilias Lalaounis in 1920.jpg<br>Ilias Lalaounis in 1990<br>Born 4 October 1920<br>Athens, Greece<br>Died 30 December 2013<br>Athens, Greece<br>Nationality Greek<br>Alma mater University of Athens<br>Occupation Jeweler<br>Spouse(s) Lila Altitzoglou<br>Children 4 daughters<br>Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek<br>jewelry and an internationally renowned goldsmith.[1] He is especially known for<br>his collections inspired by Greek history.[2] In 1990 he became the only jeweler<br>ever to be inducted into the Académie des Beaux-Arts.[3][4]<br><br><br>Contents<br>1 Early life<br>2 Career<br>2.1 1969-1970s<br>2.2 1980s–1990s<br>3 Museum<br>4 Personal life<br>5 Honors and awards<br>6 References<br>Early life<br>Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a<br>fourth generation jeweler whose family originated from Delphi.[4] He graduated<br>from the University of Athens, where he studied Political Science and the<br>Law.[3][4]<br><br>Career<br><br>Ilias Lalaounis Jewelry Museum.<br>Lalaounis started his career working for the jewelry business of his uncle,<br>Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which<br>he managed and designed all jewelry for until 1968.[3] He founded the Greek<br>Jewelers' Association and exhibited his first collection, the Archaeological<br>Collection, at the Thessaloniki International Fair in 1957. It was inspired by<br>Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own<br>firm, Greek Gold - Ilias Lalaounis S.A..[4]<br><br>1969-1970s<br>Lalaounis provoked a sensation with his collection Blow Up (1970), draping the<br>human body in gold jewelry inspired by Minoan civilization.[5] The following<br>year he organized an international exhibition of jewelry in Athens, joined by<br>Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most<br>important commissions which would prove to be one of the most inspiring for his<br>portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection<br>of jewelry and objects inspired by Persian art, which went on display at the<br>Imperial Palace in Tehran.[6]<br><br>Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries.<br>He opened his first international store in Paris at 364 rue Saint-Honoré, near<br>Place Vendôme and produced a short film explaining the sources of inspiration<br>for the jewels on display. Since then, he regularly produced short films to<br>illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold,<br>Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and<br>Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In<br>1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and<br>57th Street. A year later, the Smithsonian Institution invited him to give a<br>lecture on his art and to exhibit his collection The Achilles Shield at the<br>National Museum of American History.<br><br>1980s–1990s<br>Ilias Lalaounis continued to create innovative collections and expand the brand<br>to international markets during the 1980s. On the inauguration of the Lalaounis<br>store in Tokyo, he created a jewelry collection inspired by Japanese art. The<br>same year, he opened a store in Hong Kong where he presented a collection of<br>jewels inspired by the drawings of the Greek geometric period, very similar to<br>the geometric designs of Chinese art. A second store was opened in Hong Kong in<br>1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in<br>Philadelphia as well as in Houston, Texas, where he was made an honorary citizen<br>by the mayor.<br><br>In 1984, he published Metamorphoses, a book in which he presented nineteen of<br>his collections by analyzing his philosophy on the nature and function of<br>jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object,<br>rather it carries a message, is an expression of inner life, a link with the<br>distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix<br>Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a<br>retrospective exhibition of his creations was presented in the Sorbonne Chapel.<br>For his contribution to the arts, Lalaounis was made Knight of the Order of Arts<br>and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government<br>and Commander of the Order of Academic Palms (Commandeur des Palmes<br>Académiques). He was also elected as a member of the Académie des Beaux-Arts of<br>the Institut de France, the only jeweler ever to be inducted.[3][7] The<br>Academicians' swords (épées d'Académiciens), given to members on their<br>induction, were originally designed by Salvador Dali, and when Dali became too<br>frail to continue, he named his close friend Ilias Lalaounis to continue his<br>work.<br><br>In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to<br>present his collection Treasures of the Holy Land, in an exhibition specially<br>organized by the Israel Museum and subsequently shown in New York, London and<br>Paris. The following year he presented Arabesques, a collection of gold and<br>silver creations set with precious and semi-precious stones. The Minister of<br>Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another<br>complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of<br>Istanbul.[8] He launched Ameridians in New York, a collection inspired by the<br>art of North American Indians and in 1991, opened his store on Madison Avenue in<br>New York, where he presented his collection inspired by Celtic art.<br><br>Museum<br>In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the<br>Acropolis, in the center of Athens. The permanent exhibition displays jewelry<br>and micro-sculptures from forty-five collections, designed by Lalaounis in the<br>period 1940-1992.[9] Some special commissions are also kept on permanent<br>display, such as the Olympic torch, designed by Ilias Lalaounis, used to start<br>the Olympic torch rally before every Olympic Games.

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Ilias Lalaounis (1920-2013) !8k gold on Tigers Eye Easter Egg. Great piece tested 18k gold on cats eye. Unmarked Custom made one of a kind piece created by a master and being offered at a fraction of it's original cost. I also have another listed. No issues. Ilias Lalaounis From Wikipedia, the free encyclopedia Jump to navigationJump to search Ilias Lalaounis LH OMRI Ilias Lalaounis in 1920.jpg Ilias Lalaounis in 1990 Born 4 October 1920 Athens, Greece Died 30 December 2013 Athens, Greece Nationality Greek Alma mater University of Athens Occupation Jeweler Spouse(s) Lila Altitzoglou Children 4 daughters Ilias Lalaounis (4 October 1920 − 30 December 2013) was a pioneer of Greek jewelry and an internationally renowned goldsmith.[1] He is especially known for his collections inspired by Greek history.[2] In 1990 he became the only jeweler ever to be inducted into the Académie des Beaux-Arts.[3][4] Contents 1 Early life 2 Career 2.1 1969-1970s 2.2 1980s–1990s 3 Museum 4 Personal life 5 Honors and awards 6 References Early life Ilias Lalaounis was born on October 4, 1920 in Athens, Greece.[3][4] He was a fourth generation jeweler whose family originated from Delphi.[4] He graduated from the University of Athens, where he studied Political Science and the Law.[3][4]CareerIlias Lalaounis Jewelry Museum. Lalaounis started his career working for the jewelry business of his uncle, Xenophon Zolotas.[4] In 1940 he took over the administration of the firm, which he managed and designed all jewelry for until 1968.[3] He founded the Greek Jewelers' Association and exhibited his first collection, the Archaeological Collection, at the Thessaloniki International Fair in 1957. It was inspired by Classical, Hellenistic and Minoan Mycenaean art. In 1969 he started his own firm, Greek Gold - Ilias Lalaounis S.A..[4]1969-1970s Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization.[5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which would prove to be one of the most inspiring for his portfolio. Empress Farah of Iran commissioned Lalaounis to create a collection of jewelry and objects inspired by Persian art, which went on display at the Imperial Palace in Tehran.[6]Between 1970 and 1978 Ilias Lalaounis opened stores in most European countries. He opened his first international store in Paris at 364 rue Saint-Honoré, near Place Vendôme and produced a short film explaining the sources of inspiration for the jewels on display. Since then, he regularly produced short films to illustrate his collections, such as: Aube of Art, Byzantine Arcs in Gold, Choreography, The Shield of Achilles, Ilion - The Treasure of Troy, Art and Gold, The Common Roots of the Creator Man, Treasures of the Holy Land.[3] In 1979, Lalaounis opened a store in New York on the corner of Fifth Avenue and 57th Street. A year later, the Smithsonian Institution invited him to give a lecture on his art and to exhibit his collection The Achilles Shield at the National Museum of American History.1980s–1990s Ilias Lalaounis continued to create innovative collections and expand the brand to international markets during the 1980s. On the inauguration of the Lalaounis store in Tokyo, he created a jewelry collection inspired by Japanese art. The same year, he opened a store in Hong Kong where he presented a collection of jewels inspired by the drawings of the Greek geometric period, very similar to the geometric designs of Chinese art. A second store was opened in Hong Kong in 1982.[3] Lalaounis exhibited his Helen of Troy collection at the Penn Museum in Philadelphia as well as in Houston, Texas, where he was made an honorary citizen by the mayor.In 1984, he published Metamorphoses, a book in which he presented nineteen of his collections by analyzing his philosophy on the nature and function of jewelry. The jewel, for Ilias Lalaounis, is not a simple decorative object, rather it carries a message, is an expression of inner life, a link with the distant past, a symbol and a memory.[3] He received the Thorlet Award (Prix Thorlet) for the book from the Académie des Beaux-Arts. Subsequently, a retrospective exhibition of his creations was presented in the Sorbonne Chapel. For his contribution to the arts, Lalaounis was made Knight of the Order of Arts and Letters (Chevalier de l'ordre des Arts et Lettres) by the French government and Commander of the Order of Academic Palms (Commandeur des Palmes Académiques). He was also elected as a member of the Académie des Beaux-Arts of the Institut de France, the only jeweler ever to be inducted.[3][7] The Academicians' swords (épées d'Académiciens), given to members on their induction, were originally designed by Salvador Dali, and when Dali became too frail to continue, he named his close friend Ilias Lalaounis to continue his work.In November 1987, Lalaounis was invited by Teddy Kollek, Mayor of Jerusalem, to present his collection Treasures of the Holy Land, in an exhibition specially organized by the Israel Museum and subsequently shown in New York, London and Paris. The following year he presented Arabesques, a collection of gold and silver creations set with precious and semi-precious stones. The Minister of Foreign Affairs of Turkey invited him to exhibit Arabesques, as well as another complementary collection, Soleiman the Magnificent, at the Islamic Art Museum of Istanbul.[8] He launched Ameridians in New York, a collection inspired by the art of North American Indians and in 1991, opened his store on Madison Avenue in New York, where he presented his collection inspired by Celtic art.Museum In 1994, he founded the Ilias Lalaounis Jewelry Museum, located under the Acropolis, in the center of Athens. The permanent exhibition displays jewelry and micro-sculptures from forty-five collections, designed by Lalaounis in the period 1940-1992.[9] Some special commissions are also kept on permanent display, such as the Olympic torch, designed by Ilias Lalaounis, used to start the Olympic torch rally before every Olympic Games.

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Imperial Cape Cod Large Oval ruffled Console Bowl 11.75" x 8" x 3.75" deep. No<br>cracks, chips, or scratches, perfect clarity. Difficult to find piece.

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Impressionistic Goat Acrylic on Board by Barbara Mallonee. No issues with painting or frame. 13.25" x 11.25" framed. B1

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Incredible Matrix Large Vintage navajo sterling/turquoise ring. Nice old ring from the 50's or 60's, extremely interesting matrix with spiderweb turquoise on one side, lots of Pyrite, then lighter turquoise shown. Marked as shown. 14.1 grams. All precious metals are tested and guaranteed,

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Ira Custer Navajo Tufa Cast sterling silver/14k gold turquoise pendant/pin. Solid sterling silver with solid 14k gold bead accent, marked as shown with weight and measurements in the pictures. No damage or significant wear. Ira Custer Navajo Ira Custer learned the art of silversmithing from his parents, Benny and Emily Custer at their small shop near Greasewood Arizona on the Navajo reservation. He specializes in traditional sand casting and intricate carvings on tufa stone. Recently, he has learned to inlay his cast creations. Self taught, he has won many awards and routinely sells out at Santa Fe Indian Market.

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Iriniri Gemstone mounted Sterling silver box/pendant/pin. Very cool box who's lid doubles as a pendant/pin. 2" deep, 114.2 grams, other measurements in pics. The lid/pendant is Sterling with a large cabochon of some sort of petrified something or other.Iriniri Designs was originally established in Sugar Loaf, New York in 1987. Named for the two co-owners, Irit and Nirit, Iriniri strives to provide its customers with a beautifully curated collection of unique and inspiring gifts.

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3.25" tall x 3.5" wide with no cracks, chips, dings, scratches, or other issues. Beautiful, better than the pics. Irving returned to college in his fifties and earned an MA in Art from Vanderbilt University specializing in glass technology and art glass making. Irving Slotchiver developed several glass formulas that are still being used today. Having spent almost twenty years in the art glass business and receiving top awards from many shows across the country, he once again retired.

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This piece and two more I'm listing are from the Estate of Lael Cater Seagert UT Art Department and later Director of Laa Gloria Art Museum here in Austin so these were likely gifts from Soto as they had signed books from so many Texas Artists that were given to them as gifts. Piece measures 7 5/8" tall x 5.25" wide. No cracks, chips, restorations, or crazing.Below is an excerpt from the artists eulogy.Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle with cancer. He was 84.“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco, director of Mexic-Arte Museum. “He was a great human being, teacher and artist. Ishmael was one of the first, if not the first Mexican-American Austinite to become a professional visual artist.”Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila MintzSoto won many prizes and was exhibited frequently in group and solo shows.A native Austinite, Soto earned his first degree from the University of Texas and his second from the famed Cranbrook Academy of Art in Michigan. His 57th Annual Potters Show and Sale took place in December 2016. He taught ceramics at UT for seven years — one of the first Hispanics to teach in the art department — then at St. Edward’s University and Austin Community College for a total of more than 30 years..“He was a modest, generous mentor and major inspiration to many artists,” said his widow, Cynthia Leigh. “He taught thousands of students over his lifetime. Many of his students decided to become artists from his encouragement and support. He did not try to mold his students to imitate his work; he encouraged them to follow their own artistic path and draw on their own talents. B26

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Ishmael Soto(1932-2017) Austin Texas Studio Pottery Candle Bowls. These measure<br>5.5" and 5 1/8" wide. The middle area is over 2" on both. No cracks, chips, or<br>restorations. Selling both, not an exact match.<br><br>Ishmael Soto, longtime Austin ceramicist and teacher, died Monday after a battle<br>with cancer. He was 84.<br><br>“Ishmael’s passing is a loss for us all in the community,” said Sylvia Orozco,<br>director of Mexic-Arte Museum. “He was a great human being, teacher and artist.<br>Ishmael was one of the first, if not the first Mexican-American Austinite to<br>become a professional visual artist.”<br><br>Artist and teacher Ishmael Soto died Feb. 27 at age 84. Contributed by Tahila<br>Mintz<br><br>Soto won many prizes and was exhibited frequently in group and solo shows.<br><br>A native Austinite, Soto earned his first degree from the University of Texas<br>and his second from the famed Cranbrook Academy of Art in Michigan. His 57th<br>Annual Potters Show and Sale took place in December 2016. He taught ceramics at<br>UT for seven years — one of the first Hispanics to teach in the art department<br>— then at St. Edward’s University and Austin Community College for a total of<br>more than 30 years..<br><br>“He was a modest, generous mentor and major inspiration to many artists,” said<br>his widow, Cynthia Leigh. “He taught thousands of students over his lifetime.<br>Many of his students decided to become artists from his encouragement and<br>support. He did not try to mold his students to imitate his work; he encouraged<br>them to follow their own artistic path and draw on their own talents”

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2 great pieces with a fantastic patina. All hand decorated. They both have a<br>small engraving on the back that seems later than the pieces, most likely one of<br>the owners initials. They're 7.5" wide x 1.5" deep. Guaranteed 19th century<br>possibly much older.

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Israeli Sterling Filigree and Turquoise Pendant. Nice vintage piece I believe israeli but could be wrong. 31.3 grams 2" tall x 1.5" wide.

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Italian 800 Silver Place Card Holders representing a Military Marching Band by<br>Fabbrica Argenteria Fiorentina Di Bartolini Bartolozzi (10). Selling the set of<br>10 show, very heavy for their size solid 80% silver averaging about 35 grams<br>each in weight. No damage or issues, from the third quarter of the 20th century.<br>Extremely fine quality casting and a great design. 2 3/8" tall with 7/8" bases,<br>they each have a slot behind the Fleur de lys to hold a place card.<br><br>Tested 80% silver and the mark on the base of each one 215fl indicates the maker<br>by Italian standards. These are about 60-70 years old and of a quality that just<br>can't be matched today and if it were it would be by someone like Tiffany or<br>Cartier and they would be 1k each or more.<br><br>tw210

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Italian Mid Century Murano Burmese Chicken and Swan figures. Selling the two from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. Tallest 7 5/8", first two pics shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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Italian Uranium glass Mid Century Murano Burmese dolphin figure. Selling the figure shown from the third quarter of the 20th century with no damage, previously sold at Early's art glass auction in the 90's or so. 7.25" tall, first pic shown with a uv flashlight shining on it.Burmese glass is a single layer glass with delicate coloration of pink or salmon shading to yellow by the addition of uranium oxide and gold to the original glass batch. This created a yellow opaque glass which on reheating turned to a salmon color shading into the yellow. Further reheating turned the salmon color back to yellow as shown on the scalloped base of this figurine. The uranium in the glass causes the vase to fluoresce brightly when exposed to black light.

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J Franklin Navajo sterling silver chip inlay peyote bird belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa third quarter of the 20th century.. Fits up to a 1.5" belt.

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J Navajo sterling silver cluster Sleeping Beauty turquoise ring. Weight and measurements in pictures. Marked as shown, tested and guaranteed solid sterling silver. No issues.

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J Toadlena Navajo vintage sterling silver high grade turquoise/coral belt buckle. Tested and guaranteed solid sterling silver with weight and measurements in pictures. Fully functional. All items will likely have some age appropriate/expected wear, the older they are the more wear they should have. Circa fourth quarter of the 20th century.. Fits up to a 1.5" belt.

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J Wright Modernist Southwestern sterling cuff bracelet. Nice clean well made<br>cuff, some people call J Wright Navajo, I didn't try to verify that one way or<br>another. 40.6 grams, substantial cuff.

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J.D. Media Zia Pottery Jar. Nicely painted jar with no damage or loss. 8.25" wide x 5.5" tall. Jose de la Cruz Medina, Zia Pueblo was born in 1935. I'm not sure if he's still creating art at 87 or not. Tw123

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Jack & Mary Tom Navajo sterling silver stamped bear pendant. Solid sterling silver tested and guaranteed with weight and measurements in the pictures. No issues, circa last quarter of the 20th century.

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Jack Woolsey Agatized Coral, fossil, jasper sterling silver inlaid belt buckle. Solid sterling silver and with weight and measurements in the pictures. Fully functional with age appropriate wear, no damage unless noted. Marked as shown, fits up to a 1.5" belt. Artist and jeweler Jack Woolsey was born in 1940 in Colorado Springs, CO. He learned his jewelry making techniques from the Navajo silversmiths around Taos, NM, and is renowned for his modernist inlay cuff bracelets, belt buckles, and earrings. Some of his materials were obtained in trade with Eskimos living in the Alaskan tundra. He also created distinctive wrap inlay designs using turquoise, red jasper, black onyx, and other semiprecious stones. Jack Woolsey passed away in 2005, at the age of 64.

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Jackie Cohen Sterling Handmade Earrings pearls and sea glass. They're 2" long with no issues.

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Jadeite Sterling Handmade artisan ring. size 5.75, signed illegibly as shown, marked 925, tested Jadeite. High quality handmade one of a kind ring. 8.5 grams. All precious metals are tested and guaranteed,

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James Avery Breast Cancer Awareness ribbon charm sterling silver. Selling the exact piece shown in great condition with cut jump ring. Weight and measurements in pictures. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado.. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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James Avery Charm holder necklace with Texas charm sterling with bronze accents.<br>Necklace 17.5", Charm 1" with jump ring x .8" wide. Bottom charm holder ring has<br>a lever that opens to change or add charms. No issues.<br><br>James Avery founded his company in 1954, initially crafting jewelry in a two-car<br>garage in Kerrville, Texas, with just $250 and a desire to create lasting value<br>for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007,<br>53 years after he first founded the company, James Avery officially stepped down<br>as CEO and passed the reins on to his sons, Chris and Paul.<br><br>Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their stories—their special moments—so he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting<br>relationships with each person who connected with his designs.<br><br>anderas

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James Avery cutout cross ring. Selling the ring shown in great condition. Approx 3/8" wide. anderas

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James Avery Descending Dove earrings and Celtic knot lapel pin/tie tac in sterling. Earrings 1" tall, pin .75" wide. Selling both for one price.anderasJames Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul.Mr. Avery’s mission was simple: to create jewelry with meaning—both for himself and others. With a focus on creating straightforward designs and a core belief of integrity in all things, his jewelry became more than precious metals and gemstones. Guests came to him with their stories—their special moments—so he could craft them into pieces they would wear with pride for a lifetime. From writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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James Avery double hearts charm sterling silver. Selling the exact piece shown in great condition with uncut jump ring. Weight and measurements in pictures. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado.. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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James Avery M initial charm sterling silver. Selling the exact piece shown in great condition with uncut jump ring. Weight and measurements in pictures. James Avery was a World War II veteran and the founder of the James Avery Artisan Jewelry company: Early life Born in Chicago in 1921, Avery was a decorated pilot who flew 44 missions over Germany. After the war, he studied industrial design at the University of Illinois and taught at the University of Iowa and the University of Colorado.. Jewelry making Avery began making jewelry in his free time around 1951. He was inspired to create art that he found meaningful, and hoped others would find it meaningful too. Starting the business In 1954, Avery began selling jewelry from a wooden box at summer camps in Kerrville, Texas, where he moved with his wife. He printed his first catalog in 1957 and opened his first store and manufacturing facility in Kerrville in 1967. Designs Avery‘s designs were inspired by his faith, and often included faith-based images like crosses, chalices, doves, and fish. He also designed a pin for the Apollo XII astronauts, and was commissioned by NASA twice more.

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James Avery Retired Zodiac large Charm/Pendant (Pisces) in sterling. Weight and measurements in pics, no issues. -anderas James Avery founded his company in 1954, initially crafting jewelry in a two-car garage in Kerrville, Texas, with just $250 and a desire to create lasting value for others. Mr. Avery believed that meaning is what makes life more beautiful<br>and this concept continues to drive how we design jewelry to this day. In 2007, 53 years after he first founded the company, James Avery officially stepped down as CEO and passed the reins on to his sons, Chris and Paul. Mr. Averys mission was simple: to create jewelry with meaningboth for himself<br>and others. With a focus on creating straightforward designs and a core belief<br>of integrity in all things, his jewelry became more than precious metals and<br>gemstones. Guests came to him with their storiestheir special momentsso he<br>could craft them into pieces they would wear with pride for a lifetime. From<br>writing letters to greeting Customers, Mr. Avery prioritized developing lasting relationships with each person who connected with his designs.

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