Prodotti

JL Menau Graf Von Hennebert Porzellan Echt Reticulated footed hand enameled porcelain bowl. 10 7/8" wide x 3.5" tall with no damage and almost no signs of wear, very minimal wear to gilding. isshelf

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Joe Paul Navajo Sterling Royston Turquoise and Coral Cuff Bracelet. 7" including the 1.25" gap 2" wide in the center, 133.4 grams, very substantial and well made cuff with no issues.

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Joel Beckwith Etching three guys. 17.75" x 21.75" framed, 10" x 14" sight, hand<br>signed and numbered 4/75<br><br>ARTIST BIO: JOEL BECKWITH was born in 1949 in Boston, Massachusetts and was<br>graduated c laude in Art in 1971 from Bowdoin College where he studied drawing<br>with Thomas Cornell. His professional career has been distinguished by the<br>inclusion of his work in many national exhibitions including the Smithsonian<br>Institution's traveling exhibition "American Drawings III", The Society of<br>American Graphic Artists, The Boston Printmakers National Exhibition and the<br>Miami International Print Biennial. Beckwith's work is part of numerous public<br>collections including the Philadelphia Museum, the Birmingham (AL) Museum of<br>Art, New York University Medical School, National Institutes of Health and the<br>National Baseball Hall of Fame.

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Joel Edwards Studio Pottery Cachepot Mid Century Modern Design Voulkos Student. 5.25" tall x 7 5/8" wide with no cracks, chips, or restorations. Joel Edwards. Los Angeles, CA. Studied at Otis Art Institute under Peter Voulkos. Creator of “Creative Crafts” Magazine, 1960-1964 TW14

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John Atencio 18k/Sterling pendant/earrings set. Selling the set shown, authentic, good condition with no issues.

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John Bethel Powers (1919-2005) Texas Hill country landscape oil on canvas. 16" x<br>20" canvas with a 24.5" x 29" frame. Clean frame with minor wear, no wear or<br>issues whatsoever with painting.<br><br>As a school boy, John B. Powers drew pictures of his classmates in the margins<br>of his assignment papers - not always to the delight of his teachers. But some<br>of them recognized and encouraged his early talent, and Powers, who was born in<br>Oklahoma in 1919 and has lived in Texas and the Southwest all his life,<br>successfully combined art with an engineering career. He is today a Registered<br>Professional Engineer turned full time Artist.<br><br>Powers stays busy painting for his many collectors in several states. His<br>pictures hang in Austin homes and in homes and offices in California, Arizona,<br>Oklahoma, Arkansas, Wisconsin, Ohio, Colorado and Washington, D.C. One of his<br>paintings has hung in the United States Senate.<br><br>As an environmental engineer, Powers knows the various moods of nature, their<br>awesome intensity and fierce powers. As a painter, however, he most often<br>prefers nature in gentle beauty and spreading color, with contrast in light and<br>color and with special emphasis on good composition.<br><br>The artist has traveled and painted throughout Texas, Colorado, Arkansas,<br>Oklahoma, Arizona, New Mexico, Utah, Nevada and California. Among favorite<br>scenes are Texas Hill Country, Yosemite National Park and Monterey Bay, Calif.,<br>the California, Arizona and New Mexico deserts, Big Bend National Park, Red Rock<br>Country, Arizona (Sedona) and Palo Duro Canyon.<br><br>Dr. Merlin Enabnit of Phoenix, the world renowned colorist, teacher, lecturer<br>and author with whom Powers has studied, has said this about his work: "The<br>paintings of John Powers are creations of rare beauty as they are not only<br>beautiful in color but also powerful in third dimension true living symbols of<br>nature."<br><br>Powers has studied also with the late A.L. Browning of California, well known<br>for his Rocky Mountain scenes, and with Wes and Roberta Speir of Austin and<br>Taos, N.M., western and landscape artists, and E.M. Moore, Austin landscape<br>artist.<br><br>He has attended seminars and demonstrations by many noted artists , among them<br>A.D. Greer and Dalhart Windberg of Austin, Edgar A. Whitney of New England and<br>Jose Vives Atsara of San Antonio.<br><br>His paintings have been exhibited in Austin, Texas at Fiesta; Little Rock,<br>Arkansas; Vail, Colorado and Prescott, Arizona.

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John Bryan (1897-1982) MCM Sterling Enamel Pin. Great design, no damage or detectable wear. 1 5/8" wide 10.9 grams John William Bryan was born in 1897 in North Carolina. He was a journalist and teacher in New York for a time, but returned to Asheville, North Carolina in the 1950's to start jewelry crafting. It is not understood how he moved from one profession to the next. His jewelry was mostly abstract in design, as was most of the other hand crafted jewelry of the time. He worked in sterling silver and enamel, as far as is known. His work was sold mostly in the Southern Highlands Handicraft Guild located in Asheville, North Carolina, which had been established in the 1930's to educate the region and arts community on the importance of craft and its ability to impact the local creative economy. John Bryan died in 1982 in North Carolina.

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John Bryan (1897-1982) MCM Sterling Enamel Pin/Earrings set. Great set from the<br>50's or 60's with no significant issues. One earrling with slight crazing in the<br>enamel on the edge, I believe it happened in initial firing rather than damage<br>later. Earrings 1" long, pin 1 5/8" wide. 12.6 grams total.<br><br>John William Bryan was born in 1897 in North Carolina. He was a journalist and<br>teacher in New York for a time, but returned to Asheville, North Carolina in the<br>1950's to start jewelry crafting. It is not understood how he moved from one<br>profession to the next. His jewelry was mostly abstract in design, as was most<br>of the other hand crafted jewelry of the time. He worked in sterling silver and<br>enamel, as far as is known. His work was sold mostly in the Southern Highlands<br>Handicraft Guild located in Asheville, North Carolina, which had been<br>established in the 1930's to educate the region and arts community on the<br>importance of craft and its ability to impact the local creative economy. John<br>Bryan died in 1982 in North Carolina.

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From John Hardy's Dot collection, these sterling silver brushed finish buddha<br>belly earrings feature 18K yellow gold accents. The earrings measure 18.5mm x<br>11.5mm and secure with omega backs. Fantastic pre-owned estate condition with no<br>issues. 9.9 grams.

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John Hardy 18k/Sterling clip-on earrings 15mm tall x 10mm wide, strong springs on clips. Guaranteed authentic, estate fresh with no issues.<br><br>anderas

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John Hardy Palu 22k, 18k, and Sterling Necklace and Pendant set. Guaranteed authentic, estate fresh with no issues. Necklace 5mm wide x 16.25" long. Pendant 1" x 1 5/8". Penandt 22k/sterling, necklace 18k/sterling. <br><br>anderas<br><br>About John Hardy<br><br>Inspired by Bali and its time-honored jewelry-making traditions, John Hardy’s<br>artisan collective was founded in 1975 with a dedication to handcrafted jewelry.<br>We are committed to sustainable luxury business practices, our craftspeople and<br>the preservation of Bali. We pride ourselves on the value of authenticity; it is<br>the soul of community that makes each piece truly one of a kind.<br><br>WE ARE ARTISANS<br>One of the largest employers on the island of Bali, the John Hardy Workshop &<br>Kapal Bamboo Boutique employs over 500 multi-generational craftspeople, from<br>watercolor artists to metalsmiths. Dedication to heritage artistry not only<br>defines the John Hardy legacy, it retains artisan families that craft jewelry<br>through meditative, communal chain-weaving, hand-hammering and carving.<br><br>WE ARE COMMUNITY<br>We are fueled by the spirit of togetherness and dedicate ourselves to the<br>artisans whose deep connection to Bali inspires the foundation of our Workshop &<br>Kapal Bamboo Boutique. We offer an apprenticeship program, Jobs For Life, that<br>provides vocational training and financial support to the citizens of Bali. Each<br>participant is given the opportunity to join the workshop, where we provide<br>locally sourced family-style meals to several-hundred workers––a gathering<br>ritual that both fosters a sense of community and attracts visitors.<br><br>WE ARE SUSTAINABLE<br>As a certified member of the Responsible Jewellery Council, and Kimberley<br>Process compliant, John Hardy is committed to codes of practice that ensure our<br>stones, diamonds and metals are conflict-free and ethically produced every step<br>of the way.<br><br>The same sense of responsibility is applied to our packaging. From our jewelry<br>boxes to our shopping bags, all paper materials are now certified by the Forest<br>Stewardship Council, a non-profit that manages the environmental and economic<br>benefits of trees.<br><br>We also craft jewelry that gives back. Our “Wear Bamboo, Plant Bamboo”<br>initiative, in partnership with non-profit 1,000 Bamboo Villages, is committed<br>to cultivating the natural beauty of Bali. This means every time you shop from<br>our Bamboo Collection, we plant bamboo seedlings in Bali on your behalf.

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John Hardy Paulu Macan Black Sapphire/Sterling Hammered finish ring. Very gorgeous stand out ring with no damage or detectable wear, guaranteed authentic top quality, estate fresh.

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John Jones (American b. 1943) Native American Oil On Canvas Portrait. 8" x 10"<br>canvas 14.5" x 16.5" framed. No issues whatsoever with painting, frame has minor<br>wear but attractive.

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John McClusky (1914-1994) Oil Painting of a Texas home. This a really nice<br>painting by a well listed artist with some high auction results. There are no<br>issues with the painting or frame, it has protective foamboard on the reverse.<br>12" x 24" in an 18" x 30" frame.

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John McCray Navajo sterling and Lapis beaded necklace/pendant. 22" long necklace, other measurements in pics. No issues.All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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John McCray Navajo Sterling denim lapis choker necklace 16" long with no issues.

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John Nelson Navajo Sterling and ber-Burnham turquoise pendant 3.5" tall x 3" wide x 84.6 grams with no issues. John Nelson is Navajo and was born in Winslow Arizona he has 2 brothers and 2 sisters. He has 3 children and 4 grand-children. He enjoys being outside and especially loves going to garage sales and the flea market. He moved to Albuquerque at a young age and later attended the Albuquerque Indian School. That’s where a good friend in high school taught him how to do silver work. He has been working with silver and turquoise since the 70’s. He’s even had some of his inlay work featured it the Arizona Highway magazine. He signs his work J Nelson. John Nelson is Navajo and was born in Winslow Arizona he has 2 brothers and 2 sisters. He has 3 children and 4 grand-children. He enjoys being outside and especially loves going to garage sales and the flea market. He has been working with silver and turquoise since the 70’s. He’s even had some of his inlay work featured in the Arizona Highway magazine. He signs his work J Nelson.

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American salt glazed stoneware jug, faded stamp NY Stoneware Co., Fort Edward, N.Y., 19th c., with cobalt glazed advertisement for O'Neil & Co. (John O'Neil, Whitehall, New York), chips to rim, spout, and one small glaze flake on side shown in second pic (doesn't penatrate jug) approx 14"h, 9.5lbs **Provenance: O'Neill-Leonard Antiques, Westlake Hills, TexasTW197

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Jolene Eustace (Cochiti/Zuni) 18k/14k/sterling Carved Turquoise, coral, and<br>shell necklace. Jolene is an extremely talented artisan, the galleries that<br>carried her work seem to be mostly out of stock. I believe she has always been<br>quality over quantity, producing a very limited amount of jewelry as you can<br>tell she invests a lot more time/skill/money into her pieces than a large<br>percentage of todays Native American artisans'. Amazing piece as shown. Bottom<br>piece has 18k, 14k, and sterling(marked and tested), two side pieces 14k and<br>sterling. Approximately 17" total length, 144.6 grams total weight.<br><br>Jolene A. Eustace-Hanelt is respected as a master jeweler. She comes from a<br>family of jewelers and potters. She grew up helping her parents. In a cover<br>story for Indian Artist Magazine, Jolene shared: "I was eight when I made my<br>first piece. I got an order to do 100 tie tacks...That was over 100 bucks." She<br>bought a 10 speed bike with the money. She added, "Then I realized I could be<br>self-sufficient with my work as an artist...My work is my release. My work is my<br>meditation. It's a way of going back to Mother Earth." (Zuni/Cochiti, active<br>1985=-present: contemporary, gold, silver leaf, set stones jewelry, alabaster<br>sculptures)<br><br>(A note from Keishi Jewelers a retailer of her wearable art) Sharing our Keshi<br>"Jolene" story: Jolene is (obviously) quite a beautiful woman, and the staff of<br>Keshi commonly referred to her as "the jewelry dess." One day, someone fessed up<br>and told Jolene what she'd been nicknamed, and her reply was "I'm not the<br>jewelry dess, I MAKE jewelry FOR desses!" That response certainly endeared her<br>to us even more!<br><br>Jolene is a daughter of well-known artists Ben and Felicita Eustace. Ben, from<br>Zuni, was a jeweler who, in turn taught his Cochiti wife Felicita the art of<br>jewelry making. Felicita is also a potter, specializing in traditionally made<br>storytellers. The Eustaces passed their demand for quality on to their 13<br>children, including Jolene.<br><br>Jolene was educated at the Institute of American Indian Arts in Santa Fe. She<br>learned jewelry making from her parents and Hopi jeweler Duane Maktima. She has<br>been fabricating jewelry since the mid-80s.<br><br>Always seeking challenges, Jolene relocated to Essen, Germany in the mid-1990s<br>with her German-born former husband and infant son. Several times a week, she<br>commuted by train between her home and Europe’s renowned art school, the<br>Künstakadamie, in Düsseldorf. There she studied frawing and painting. Jolene is<br>a recipient of a fellowship from the Southwestern Association for Indian Arts<br>(SWAIA) and has worked with SWAIA’s mentor program, teaching jewelry techniques<br>to Native students.<br><br>Jolene’s jewelry is characterized by the quality of materials and its striking<br>individuality. She says, “Whoever said you have to play by the rules? I want my<br>jewelry to say something. It cannot be just jewelry. In my jewelry, design and<br>fabrication have to deal with personal experiences and traditional values<br>conflicting and collaborating with present society.”<br><br>Jolene’s parents once said to their children, “If you’re going to do jewelry at<br>tall, you have to do it our way, the right way.” It wasn’t the designs they were<br>talking about, it was the technical aspects of their work: setting stones,<br>welds, and engravings. From the time of their training, the Eustace kids learned<br>a respect for materials and techniques of their art.<br><br>Jolene’s hallmark is a stamped “JAE” and a trademark design which represents<br>sage that was designed by her Dad long ago.<br><br>Tribal Affiliation<br>Cochiti/Zuni<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Jondell Spain and Mexican Mid Century Sterling earrings. Selling the three pairs, two clips, one screw back. No issues. Strong springs on clips. Hand and penny for scale, weight in last pic.

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Jonette Jewelry Gold Tone Cat and Mouse Brooch. 2 3/8" wide with no issues. Menu  Cart Home › WEC: Thoughts about Jewelry ›Jonette Jewelry Company aka JJ Jewelry Jonette Jewelry Company aka JJ Jewelry Posted by Laurie Zeiden on Aug 07, 2017 Jonette Jewelry Company, or JJ, was a Providence, Rhode Island company in business from 1935 through 2006. The name of the company wasn't always the same. Originally, the company, started by Abraham Lisker, was called The Providence Jewelry Company. Over the years, the company's name was changed to Lisker & Lisker and after a significant slow-down in production during the years of World War II, the company revamped and resurfaced as Jonette Jewelry.  JJ is known for it's novelty jewelry, including figurals and animal designs and its Christmas themed jewelry. In the 1980's, JJ produced two specialty lines: Artifacts, a line of novelty pins, and Santa Fe, a line of American western jewelry.  JJ jewelry is fairly easy to find in the secondary marketplace and prices can be very reasonable. The most recent pieces can usually be purchased even if you have a very tight budget making JJ a great value and an easy start to a costume jewelry collection.

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Jose Arellano Castelló (1921-1997) Spanish Mid century modern art pottery vase.<br>8 5/8" tall x 7.25" wide with no cracks, chips, crazing, or restorations. Glazed<br>over pre production chip on footrim.<br><br>Jose Arellano Castelló (1921-1997) was a potter and ceramist Spanish , creator<br>of the seal Ceramistas Arellano in the field of oscense craft .<br>Heir to a pottery tradition of Moorish origin over 300 years old, he trained in<br>the family workshop, until in 1968, encouraged by the ethnographer Josep Llorens<br>i Artigas , he abandoned traditional pottery to train -with his daughter Carmen<br>and his Comrade Joaquín Javierre Rosel- the 'Arellano group', which in 1976 was<br>recognized with the National Ceramics Prize, and which at the beginning of the<br>1980s would sign the monument to «les dones de faldetes», donated to the Fraga<br>city council and which has presided over the town hall square since April 23,<br>1982 (the sculpture represents the popular Fragatina woman in typical costume<br>and with two jugs, in homage to her daily task of fetching water from the Cinca<br>River ).<br>Monument to «les dones de faldetes», in Fraga.<br>After his death in 1997, his native municipality awarded him the Medal of the<br>City of Fraga and gave his name to the street where he lived.<br>isshelf

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Figura di guerriero azteco scolpito di Jose Pinal, artista messicano (1913-1983) alto 11 pollici, senza problemi o danni.Jose Pinal era un artista visivo nato nel 1913. Diverse opere dell'artista sono state vendute all'asta, tra cui ' Gallo' venduto alle New Orleans Auction Galleries 'Decorative Arts & Design' nel 2014. L'artista morì nel 1983.b63

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Joseph Coriz (Santo Domingo) Fibbia della cintura in sterline sovrapposte e oro 14k. 3" x 1,75", accetta una cintura da 1,5" o più piccola. 63,7 grammi.Joseph Coriz (1956-) ha imparato l'arte dell'argenteria dai suoi genitori e dal gioielliere Kewa Vidal Aragon osservando attentamente e ricordando ciò che vedeva. Crescendo al pueblo, si è ispirato osservando la natura e la vita quotidiana della gente del pueblo. Realizza attivamente gioielli dagli anni 80. Il ciondolo è firmato con il segno distintivo del produttore, le sue iniziali "JDC".

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Joseph Esposito Sterling Multistrand floral pendant necklace. Cool necklace with<br>magnetic gold center of flower that is removable. The clasp is unusual as it<br>snaps together 17.5" long necklace marked and tested sterling. 45.2 grams no<br>damage or issues.

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Joseph Harlan Hopi Overlay silver belt buckle. Fits a 1.5" belt, expected wear with no significant issues.

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Joseph Morel Zellique Fish Deep Sea paperweight 1995. 3 1/8" wide x 3" tall with no damage or wear of any kind.

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Josuë Dupon (Belgian, 1864-1935) Art deco universal exposition Anvers 1930 medal 3 1/8" from side to side. Josuë Dupon | Belgian, 1864-1935 A talented and prolific sculptor whose work, which includes painting and graphics, is still far too little known. After successfully studying at the Roeselare and Antwerp Academies (1887), he received a gold medal for a monumental bronze, Samson killing the lion, in 1890. From that year on, his work appeared regularly in exhibitions at home and abroad. Although not an innovator, he worked in every genre and mastered every technique and material. He was one of the first in Belgium to carve statues in "Off White" (1893), including an exceptionally refined Diana which was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. The career that the sculptor subsequently built brought him numerous important awards and an appointment as professor at the Antwerp Academy, as well as commissions for facade sculptures and monuments. Although Dupon did not play a very active part in clubs or associations, he developed into an authority who was associated with reliability and class. The installation of his life-size Camel Driver (1902) on the roof and of his two bronze bird groups at the entrance to Antwerp Zoo confirmed his reputation as a first-rate animal sculptor. The thoroughness with which he approached this specialised area from the beginning is unequalled by any other Belgian sculptor. There were few animal species that did not succeed in inspiring him, and of those that did, he was as faithful to their anatomical detail as he was capable of expressing their nature. It appears from this that Josuë Dupon was in every inch a realist whose technically faultless art, with his sense of the dramatic, his feeling for decorative complexity and his slight tendency towards idealizing, was in every way in keeping with a 19th century conception of art. To describe Dupon as the Belgian Frémiet (1834-1910) is in this light elucidating without implying anything derogatory to either of them. As a gifted specialist in depicting horses – as if we can talk of preferences in this thoroughbred animal sculptor – he created the remarkable equestrian sculpture of Pater C. Lievens in Moorslede (1930). Rather than attempting to provide an overview of his works, exhibitions and honours here, it seems more appropriate mention the telling fact that his pupils at the Antwerp Academy included leading sculptors such as A. Collin (1886-1962), W.Kreitz (1903-1982) and A. Poels (1903-1984).

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Sure to be the star of any collection or room it's in. It measures 18" without<br>the frame and 23 7/8" with. A graceful work of art that will blend in with most<br>settings. The porcelain is perfect with no damage or wear. The frame is clean<br>but missing four of the beads surrounding the plaque.

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Judith Ripka Sterling/CZ Cuff bracelet with hearts. Hinged for easy on/off. Appears unworn, guaranteed authentic. 7" including gap. No damage, wear, missing stones, or detectable scratches. 44.4 grams

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Late 19th century Family Of Merino Sheep Jules Moigniez - This Highly Detailed<br>Bronze By Animal Sculptor Jules Moigniez (French, 1835-1894) Was First Exhibited<br>At The 1861 Salon In Paris. Not Only Has The Sculptor Created An Attractive,<br>Well-Balanced Family Group But He Has Detailed Every Curl Of The Wool And<br>Modelled An Almost Barye-Like Series Of Folds In The Loose Skin And Wool Of The<br>Necks. The Modelling Of The Foliage Is Excellent, A Moigniez Trademark. - In<br>Common With The Accepted Ideas Of The Period, Moigniez Has Put One Of The Sheep,<br>In This Case The Proud Ram, With His Front Feet On A Rock, Giving It Added<br>Height And Perspective, And Allowing The Viewer'S Attention To Be Drawn In A<br>Slightly Asymmetrical Triangle. - Family Of Merino Sheep Was Cast In France In<br>The 19Th Century, Most Likely In The Highly Regarded Foundry Operated By The<br>Artist's Father. The Sculpture Has An Aged Patina In Tones Of Browns. It Stands<br>11.5" High By 15.5 " Wide.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes. His bird sculptures were among the finest ever created in his time.

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Guaranteed mid to late 19th century bronze sculpture with incredible detail that<br>I really couldn't capture in the photographs. It's approximately 30 pounds and<br>21" x 13" without the wood platform that may or may not be original to the piece<br>but I'm including. An incredible example by an artist that was famous 150 years<br>ago.<br><br>Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who<br>worked during the 19th century. His output was primarily cast in bronzeand he<br>frequently exhibited his sculptures at the Paris Salon. He was best known for<br>his bronzes depicting birds, although his skill and versatility enabled him to<br>produce quality horse sculptures (primarily racehorses), dog sculptures and<br>scenes.[1] His bird sculptures were among the finest ever created in his<br>time.[2]

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Julian Lovato (1922-2018) Kewa Sterling Mediterranean coral concho belt 2.75" x 2" buckle, (9) 2.5" x 1 5/8" conchos. No isssues, I'll follow up with length and weight.Since 1948, the Southwest has offered the world distinctive and unusual jewelry of Julian Lovato. His work has the individual stamp of a creative craftsman, yet the tradition of the Native American Southwest is evident. Lovato express his own sophisticated modern designs in handmade sterling silver and gold jewelry and objects of art. Coral and turquoise are the traditional gemstones of the Southwestern Indian, "the most valuable thing to possess, something to treasure, the way people want to have a diamond no matter what price," Lovato explains. He designs each piece of jewelry around the stone, selecting the finest turquoise and coral available.Lovato's love of turquoise goes back to his childhood: Santo Domingo Pueblo is renown for turquoise bead making and silversmithing. His father and grandfather both worked with turquoise. Upon his father's death, Lovato got a job at age thirteen cutting stones at Maisels in Albuquerque. Later, he spent several years with a similar operation in Kansas City. Then in 1948 he had the great fortune of becoming apprentice to the internationally distinguished Italian silversmith, Frank Patania.Patania came to Santa Fe in 1924. He brought with his a new sense of design elegance to Southwestern jewelry. During his years at Patinia's Thunderbird Shop in Santa Fe, Lovato was responsible for the silver monogram that became the Thunderbird specialty: contemporary buckles, cufflinks, brooches and rings. Patania and Lovato also made sterling silver pitchers, bowls, teapots and trays.Whereas most traditional Native American jewelry is flatwork, either stamped or overlay, Lovato has adopted the techniques and design elements learned from Patania into what he calls a raised or dimensional jewelry design. Lovato's bracelets curve not only along it's length, but also softly across the width. The bezels hold the stones elevated from the surface, so that the turquoise or coral stones appear to float above the surface.The effect of suspension contrasts with the second characteristic of Lovato's style- a deliberate look of weight in the metalwork. Lovato uses substantial sheets of sterling silver and gold, giving an importance to the metal work. However, the exquisite balance and craftsmanship belie the weight of the metal.Julian Lovato combines tradition and innovation, and the permanence of metal and stone with the elusive grace and beauty of design in works of art which will endure. "I have strong feelings about the things I do. I'd like to leave something behind someday when I am gone. Something that people can remember me by, something that is worthwhile. I'd like somebody to think of me as a silversmith whose work can be treasured. I think my work can speak for itself."All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Ciondolo a grappolo di sterlina e turchese Juliana Williams Navajo alto 2,5 pollici con cauzione x 2 pollici di larghezza x 14,1 grammi.Tutti i metalli preziosi sono testati e garantiti, qualsiasi gioiello dei nativi americani denominato argento o sterlina è garantito come un minimo del 90% di argento (moneta) e possibilmente un contenuto superiore. Tutto ciò che è contrassegnato è garantito per essere ciò che è contrassegnato, la maggior parte dei braccialetti sono fotografati su un polso da 6" (non peloso), gli anelli fotografati sul dito della misura appropriata quando possibile. Con i braccialetti, se la misura non è fornita nella descrizione, viene mostrata la circonferenza interna dove il metallo incontra il numero sul metro a nastro di stoffa.

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Julius Heinrich HAHNEL (1823-1909) Bronze Playful Cat 6.75" wide x 3 5/8" tall. Nice antique bronze c1900 with incredible patina and no issues. This artist tends to do well at auction and I can see why. b29

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Julius Manuelito Southwestern Sterling purple stone channel inlay necklace and<br>earrings. 16" necklace, .75" earrings without clips. Strong clips with no<br>issues. I'm unsure what the stones are but it's a great looking set with no<br>issues.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Julius Olaf Randahl Sterling Silver Abstract cuff bracelet signed JOR. 18 grams<br>with no issues. 7" inside diameter with 1.25" adjustable gap.

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K Seng Vintage Cambodian Sterling silver cuff bracelet fits up to a 7.75" wrist, no issues. anderas

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Kamiwaza Japanese Pure Silver Horse Head Plaque. Marked and tested to be Pure<br>silver 99% or greater. Incredible piece of art. 1187 Grams, 10.75" x 8.25", It's<br>entirely silver, front back, not weighted in any way. A tea set by this<br>maker/retailer brought $37,500 with the buyers premium at Heritage Auction last<br>year.<br>b70

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Kee Nataani Navajo Hand stamped sterling cuff bracelet. Fits up to a 6.5" wrist<br>23.2 grams.<br><br>Karl "Kee" Nataani believes that becoming a silversmith must have been in his<br>blood: His maternal grandmother was from the Peshlaki family, "peshlaki" being<br>the Navajo word for silver. His impeccable craftsmanship, developed through<br>decades of practice, is testament to the thought. He lives and works within the<br>Navajo Nation in Arizona where he and his wife also tend an assembly of farm<br>animals that range from cattle to chickens to a llama.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content.

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Kee Nez Navajo sterling and Mediterranean coral freeform pendant.Navajo silversmith, Kee Nez, is a member of the Many-Goats clan and is from an artistic family. His mother is a rug weaver and his grandfather was a silversmith, but he credits his award-winning brother, Al Nez, with influencing his style. Kee uses 14K gold and sterling silver to create his stunning handcrafted surface design on bolas, rings, pendants, and earrings. He often uses sandcasting techniques to produce each item and many times uses the finest American turquoise or richly colored coral as a focal point on the piece. Kee was featured in Arizona Highways in the article “A New Generation of Indian Artists” and has several pieces showcased in the books, Enduring Traditions and Navajo Indian Jewelry by Jerry and Lois Jacka. He has garnered numerous awards at Gallup, New Mexico’s Annual Intertribal Ceremonial.

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Kee Yazzie Navajo sterling petroglyph belt buckle. Hallmarked as shown, tested sterling with no issues. Weight and measurements in pics. Award winning artist Kee Yazzie is both Diné of the Navajo Nation and of Hopi Pueblo descent and is a self-taught artist who has been making jewelry since 1995. He has won awards from Eight Northern Pueblo, the Navajo Market at the Museum of Northern Arizona, the Heard Museum, in addition to many others. Kee Yazzie signs his jewelry with his feather hallmark and the word sterling. Kee Yazzie was born in Arizona in 1969 and went to college at Brigham Young University in Utah, studying architectural and drafting design. Remarkably, he also speaks multiple languages, including Laotian, Thai, and Khmer. Hallmarked as shown, tested sterling with no issues. Weight and measurements in pics.

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Questo pezzo è firmato sul fondo con "Acoma Keith Chino" come nella foto. Keith Chino è nato nel 1960, Keith Chino è membro dei clan Eagle e Sun di Acoma Pueblo ed è un ceramista da oltre 30 anni. Ha studiato all'Haskell Indian College e il suo lavoro può essere trovato all'Heard Museum, Phoenix , Arizona. Lavora a stretto contatto con sua moglie Sharlyn. Risiedono ad Acoma Pueblo, 60 miglia a ovest di Albuquerque, New Mexico.5,5" di lunghezza x 3,5" di altezza senza crepe, scheggiature o restauri.isshelf

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Keith Jack 10k/Sterling Compass pendant. Clean with no issues. 1.75" x 1 5/16"<br>8.3 grams.

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Kelsey Jimmie Navajo 18k Accented Sterling and turquoise Oversized spider bolo<br>tie. 50" long with 3.75" x 2 3/8" bolo slide 191.6 grams.<br><br>Kelsey has a design background as a carver of fine pottery, but with the<br>guidance of Artist Darryl Begay, Kelsey is working magic with silver. Kelsey<br>does both tufa cast and sand cast designs, with beautifully carved features.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist, rings photographed<br>on the appropriate sized finger when possible. With bracelets if the measurement<br>is not given in the description then inside circumference is shown where the<br>metal meets the number on the the cloth tape measure.

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Kelsey Jimmie Navajo Tufa Cast Sterling Cuff bracelet. Somewhat vintage estate<br>piece appears unworn. Marked and tested sterling 25.8 grams. 6.5" including<br>1/25" gap 7/16" wide.<br><br>Kelsey has a design background as a carver of fine pottery, but with the<br>guidance of Artist Darryl Begay, Kelsey is working magic with silver. Kelsey<br>does both tufa cast and sand cast designs, with beautifully carved features.

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Fleisch non ha fatto molti ritratti, ne ho visti solo pochi altri. Uno dei quali ha fruttato $ 6100 su eBay nel 2013. Questo pezzo è fresco di tenuta, non è mai stato offerto da nessuna parte fino ad ora da quando è stato acquistato dall'artista.La cornice misura 31"x 19", è la cornice originale. in Italia con adesivo 78061 coincidente con il numero sul retro del dipinto. La tela misura 24 "x 12". Sia il dipinto che la cornice sono impeccabili. Questo è uno dei suoi primi lavori degli anni '70 circa, e secondo me anche uno dei suoi lavori migliori. È ben quotato e ha portato all'asta prezzi molto alti anche prima della sua morte nel 2008.Ken Fleisch(americano, 1943-2008) I dipinti di Ken Fleischs sono crudi, avvincenti e apparentemente semplici nel loro aspetto. Impeccabile nei dettagli e nel realismo, il lavoro di Fleisch raggiunge il nocciolo della vita in modo quasi classico.            Nato in Texas il 4 novembre 1943, Fleisch trascorse i suoi primi anni sperimentando un'ampia prospettiva di vita negli Stati Uniti e in Europa come figlio di un ufficiale dell'aeronautica. L'educazione artistica di Fleisch è una combinazione di formazione formale nelle università americane ed europee con un'esperienza pratica approfondita acquisita attraverso studi privati ​​e progetti congiunti con artisti di fama internazionale.            Un autodefinito realista, lui trae spesso ispirazione dal suo stato natale, il Texas, ma i suoi dipinti trascendono i confini geografici, toccando il nucleo della vita in modo quasi classico. I suoi dipinti evocativi sono più che semplici riflessi della realtà: sono un mezzo attraverso il quale condivide filosofia ed emozione. Usando i luoghi comuni per trasmettere la complessità, spesso utilizza antiche ceramiche, manufatti e icone religiose per le sue nature morte e austere, che molti trovano avvincenti.             Fleisch iniziò a dipingere paesaggi, poi passò all'architettura e agli edifici e alla fine fu attratto da oggetti a lungo dimenticati seduti sugli scaffali. Fleisch ora dipinge esclusivamente nature morte. È interessato alla convergenza delle culture e alle storie dietro gli oggetti che dipinge.Il lavoro pluripremiato di Ken Fleisch è stato ampiamente presentato in pubblicazioni regionali e nazionali e i suoi dipinti si trovano in importanti collezioni private e pubbliche attraverso il paese. L'ampio riconoscimento dell'arte di Ken Fleischs a livello nazionale, la popolarità delle sue serie di stampe e l'ampia diversità dei suoi collezionisti, da Bob Dylan alla CBS Television, non possono che sottolineare la profondità e l'integrità del suo lavoro.

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Ken Romero Taos/Laguna Pueblos sterling spiny oyster cobblestone pendant. This pendant has a clip on the back to clip on a "Navajo Pearl" or other beaded necklace, but also comes with the removable bail. No issues, weight and measurements in pics. Ken Romero (1956-Present) Pueblos: Taos and Laguna Pueblos Ken is a full-time contemporary jewelry artist, working in the arts for over two decades. His work has been described as being ‘Contemporary in Traditional Native Design. He has an Associate of Fine Arts Degree from the Institute of American Indian Arts and a BA from the California College of Art and Design. \ Ken is known for his beautiful and intricately inlaid jewelry creations using semiprecious gemstones and cutting-edge designs. When he sits down to make a piece, the exact pattern of the inlay comes as he places one stone at a time and the piece takes on a life of its own. Through his work, he wants to convey the beauty and resilience of his pueblo ancestry. Many of the pieces in his inlay process take on the texture, feel, and look of a village, particularly multi-storied Taos Pueblo. Each piece is made entirely by Ken from start to finish. “I design my pieces with inlay to look and feel like a village or pueblo building. I call this my pueblo village design inlay. All of the jewelry is completed with Kens hallmark. Ken is known for his beautifully wearable works of art. Romero has received numerous honors, including awards at Santa Fe Indian Market, Heard Museum Indian Fair & Market, Eiteljorg Museum Indian Market, and SWAIAs Santa Fe Indian Market. He resides in Albuquerque, New Mexico. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it‘s marked, most bracelets are photographed on a 6" wrist, rings<br>photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Kenneth Wyatt (1930-2021) "Texican" and "Arbuckle" Polished pewter Sculptures.<br>Selling both Sculptures each with no damage or detectable wear.<br><br>Dr. Kenneth Wyatt (1930-2021) was a well-known Western artist in the Texas<br>Panhandle. He was widely known through his paintings, bronze and pewter<br>sculptures, writing, speaking and preaching. He lived in Tulia, Texas, where he<br>maintained his studio gallery, bronze foundry and Y-8Publishing, Co. He was also<br>an ordained Methodist minister for 30 years. As an example of his success, his<br>works are in prestigious collections ranging from the White House to the Capitol<br>Building in Washington DC.

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Kenny Chavez Zuni Variscite bear fetish 1.75" x 1" x 3/8", silver inlaid, signed by artist. Beautiful stone and carving.Kenny Chavez lives in the Pueblo with his wife, Anastasia and her family. Kenny is a very versatile carver, capable of carving virtually any animal or fish. He specializes in the use of sterling silver inlay in his fetishes.

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Kenny Ray Mcneilley(1929-1999) Sterling, coral, silver half dollar US currency necklace. No issues, turquoise, coral, all the metal is solid silver. 220 grams with no issues, circa 1980's appears unworn. 30" longAll precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist, rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Kevin Billah Navajo Sterling Silver Naja with turquoise and Beaded Necklace and silver pearl earrings, New old stock from "Eight Point Ranch" in Elgin TX, they had a small Native American jewelry store, now no longer with us. 21" necklace, 3" x 2 3/8"pendant with bail, 2" long earrings. 73.8 grams Marked and tested sterling, entire necklace is sterling so are earrings. Earrings and necklace are unmarked as typical.

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Kimm Lanus Pop art large hand painted porcelain vase. 12.5" tall with no damage<br>or wear.<br><br>Kimm Lanus was born in Rome, New York, was raised in New England, and currently<br>resides in Granbury, Texas. Her studies in art began in 1972 at University of<br>Texas at Arlington, and from her first exposure to art history and the painting<br>of Toulouse Lautrec, Rossetti, Rapheal, Albrecht Durer, and later Carriere, and<br>Edward Hopper. She was so deeply moved by these artists that art become a way of<br>life and she made sure it was in the forefront of her life moving forward.<br><br>“I have been lead to paint images of Mary after a vision I experienced ten years<br>ago. I was seated alone at church, in the silence of prayer, her presence was so<br>clear I could hear the movement of her garments as she knelt before me. I paint<br>her in the perspective of many different s and nationalities to promote a sense<br>of unity. Her image speaks of unconditional love, family, peace, and healing.<br>Women often connect to her with a Goddess sense of empowerment.”<br><br>Lanus taught school for over six years to the middle school level, as well as<br>teaching privately to adults and teenagers. After teaching for over ten years as<br>well as doing workshops for the art guilds of Granbury, McKinney, Wylie, and<br>Richardson, Texas, she participated in several juried shows such as the Collin<br>County Annual Show, Holiday National Show, Dallas Visual Arts Annual Show,<br>Granbury Arts Annual Show, Plano Annual Art Show, Wylie Annual Art Show, Wylie<br>Annual Show, Richardson and Irving. She received first and second place awards<br>on numerous occasions, and ‘Best of Show’ from the Art Institute of Chicago.

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Konstantino 18k/Sterling Clio Collection Citron hoop earrings. 1 1/8" x .25"<br>wide with no issues, guaranteed authentic Konstantino and solid 18k gold and<br>sterling. 12.7 grams, uncommon retired design.<br><br>4,000 BC<br>In the heart of the Mediterranean, generations of alchemists, artisans and<br>goldsmiths explored the depths of earth's most valued materials. Gold, silver,<br>bronze and precious stones inspired the creation of fine jewelry, a creative<br>expression of human intelligence.<br>Through the ages, Greek goldsmiths have estab- lished an exceptionally unique<br>presence in the history of fine jewelry, evident across the Mediterra- nean,<br>spanning through the Archaic, Classical, Hellenistic and Byzantine eras of<br>Greece. The indestructible nature of fine jewelry exudes -like qualities, a<br>timelessness that surpasses the ages of style and trend. The Konstantino style<br>emerged from the roots of these traditions, paving the way for its own unique<br>style, one re-defining the blueprint of the classical Greek identity.<br><br>1958: Birth of a legend<br>Konstantino was born in Filiadona, a small village outside Athens where the<br>Ancient city of Melitea once stood. There he watched his father closely as he<br>worked on the farm, building machines and tools of his own. Here Konstantino<br>developed a great appre- ciation for the art of hand craftsmanship.<br><br>1978: A musical influence<br>Following his love for music, the young Konstantino became a disc jockey in the<br>city of Athens, playing everything from Carlos Santana to Lou Reed. These icons<br>and many more, inspired a stylistic fluidity that introduced an essence of glam<br>rock to the scene. By way of music, Konstantino began curating his own aesthetic<br>identity, as a creative mind and style icon. Where, these legends continue to<br>influence the rule breaking spirit that drives the design team at Konstantino to<br>this day.<br>about-image-4<br>1983: Jewelry saved my life<br>Konstantino fled the music scene of Athens in search of an oasis, he took a trip<br>to the island of Hydra where he lived for the next 15 years. It was on this<br>magical island, where Konstantino fell in love with jewelry. He began collecting<br>and curating jewelry, whereby in 1988 the first Konstantino store opened.<br><br>1991: Annette<br>Hydra is not only the birthplace of Konstantinos love for Jewelry but was also<br>where he met his soon to be wife and creative partner, Annette. Together, from<br>the ground up, Konstantino Jewelry soon estab- lished its presence in the US and<br>global market.<br><br>1998: Global Impact<br>As the admiration and craze for Konstantino spread, the dream continued to grow,<br>where now our designs can be found in 10 countries globally. With the addition<br>of a longstanding presence in Neimans, Sax, etc. etc. Konstantino is proud to<br>represent an evolution of the Greek style to the world of fine jewel- ry lovers.<br><br>2016: A Family Future<br>Konstantino and Annette’s children, Julian and Phaedra joined the team, further<br>continuing the legacy of love, risk, and passion for gold smithery and design.<br>This new generation leads with humility, knowledge and a natural instinct for<br>the dynamic of the Konstantino brand. Preserving the core philoso- phies of the<br>brand and expanding on its already established style, is a challenge that’s been<br>taken on with confidence.

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Konstanty Mackiewicz (Polish, 1894–1985) Huge Mid Century Modern Forest<br>Landscape Oil on Canvas. Great oil painting with no damage or repair. Measures<br>47" x 35" framed x 39" x 27" canvas. There is minor damage to the frame. It's an<br>old mid 20th century painting.

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Kordes & Lichtenfels 835 Silver Mid Century Modern brooch. Great 1960's well made piece 1.5" wide, no issues.

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Korean war Badge 14k Gold Solid 5.6 grams 11/16" guaranteed original and gold.<br>Rare piece.

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Koshiro Ueki Minister of Justice Presented Pure Silver Sake Cup, some minor wear, tiny dent in bowl, overall good. 1.75" tall x 4 7/8" wide 129.4 grams.

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Kosta Boda Modernistic Space age Bowl Signed Warff. Very heavy complex piece of<br>glass with acid treated bottom half No damage or wear whatsoever. I can find no<br>similar examples to this piece. 7.5" wide x 3.25" tall.

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Kosta Boda Sweden Hand Painted Mirrored Glass Sphere Artist Signed. 5" tall x 6"<br>wide. No cracks, chips, restorations, or wear to enamel. A few expected<br>scratches on the base that rests on the table.<br>Tw120

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