3 Waterford Lismore Brandy Glasses 12 oz. Selling the three shown with no damage or wear. 5 1/8" tall with 2.75" rim. I have multiple lots of three available by changing the qty, so if you change the qty to 3 you will get 9 glasses.

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7 Hawkes Eardley #7240 Claret Wine Glasses. Difficult to find shape in this pattern 6 5/8" tall x 2.75" wide at rim. Selling 7 of the 11 shown with no cracks, chips, or restorations. Very high quality American crystal that rings like a bell. I sold 4 of these so there are only 7 available.Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years. TW229

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8 Waterford Lismore Crystal Claret Wine Stemmed Goblets. Selling the 8 clarets shown all in like new condition with no cracks, chips, scratches, excellent clarity, never been in a dishwasher, likely never used. Each marked on base with Waterford acid stamp as shown in last pic, if you look closely at the last two pics you can see the mark on the front right stem, they are all marked. 5 7/8" tall x 3" wide at rim. Buying one set of 8 with multiple sets of 8 available by changing the quantity. (Ex Qty 2 will get you 16 stems) blkcrate

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1920's Sterling/Glass Champagne Bottle Coaster Art Deco. No cracks, chips, or<br>other issues. 5 3/8" wide.<br>b36

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Brocca Dudson Jasper Ware 6 1/8 "x 5 1/8" dal manico al beccuccio Non sono presenti danni o restauri di alcun tipo.

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Porcelaine Limousine Limoges France Hand Painted Limoges Porcelain Wash Bowl and<br>Pitcher Set Pitcher and bowl 13.25" tall, (1) basin, approx 5"h, 16.25"diam;<br>10.5lbs No cracks, chips, or restorations. Extremely rare/one of kind item. All<br>hand painted, very minor wear to paint where large heavy pitcher has rested in<br>it for over 100 years.

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1950's Hotel Statler Insulated Hot water Pitcher for coffee with room number. 7" tall x 5.5" wide with handle. no dents, bends, or other issues. As clean as they come. TW204 The first "permanent" Statler hotel was designed by August Esenwein and James A. Johnson, built in Buffalo, New York, and offered 300 rooms and bathrooms (later expanded to 450 rooms and baths). The hotel was successful and led to a chain of hotels in other cities. Statler's intent was not to compete with the luxury hotels, but to provide, clean, comfortable, and moderately-priced rooms for the average traveler. Statler was the first major hotel chain to have a bathroom in every room. His innovative Statler Plumbing Shaft is still used in modern construction. From providing paper and pens for correspondence (prominently bearing the Statler name) to a light in the closet, Statler brought the average traveler a level of luxury that was otherwise unaffordable. Rooms were originally available at what seemed a very cheap price, leading many other hoteliers to predict the failure of the Buffalo hotel. The opening night price was as low as $1.50 for a guest room, leading to the slogan "A Room and a Bath for a Dollar and a Half". The hotel had a $500,000 line of credit available, but maintained positive cash flow and Statler never used the line of credit. Each of the subsequent Statler Hotels built upon this formula for success. Reflecting the era's enthusiasm for scientific management, Statler took pride in how he standardized questions of room design.[1] His hotels had minimal wasted space, particularly on the guestroom floors, and he strove to have room layouts that would maximize efficiency and profitability. After Statler's death in 1928, the company built hotels in Washington, D.C., Los Angeles, California, Hartford, Connecticut, and Dallas, Texas. Many of these hotels were designed by the architectural firm of George Post & Sons, the successor firm of George B. Post. In the mid- and late-1940s, pianist Liberace "gained national exposure through his performance contracts with the Statler and Radisson hotel chains".[2] The Hotels Statler Company, Inc., was sold to Conrad Hilton's Hilton Hotels in 1954 for $111 million, then the world's largest real estate transaction.

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c1890 Amberina Art Glass Diminuative pitcher5" tall x 4.5" wide, larger than what most would consider a creamer. No cracks, chips, or restorations. TW192

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c1905 American Brilliant Period Cut glass Water Pitcher. Amazing piece in amazing condition with no chips of any size found. No cracks, 9" tall x 7.25" handle to spout. I could find no identifying marks. TW191

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c1890 Amberina Art Glass Juice Pitcher8" tall, likely bohemian, no cracks,<br>chips, or restorations. Great piece of functional art.<br>TW185

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1920's Sterling/Glass Champagne Bottle Coaster Art Deco. No cracks, chips, or other issues. 5" wide. Webster sterling.  Buying one with another available. tw171 & B36

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Steuben Mid Century Modern Fruit/Seafood Cocktail Glasses American Art Crystal<br>set of (9). Nice set from the last quarter of the 20th century with no damage,<br>cloudiness, or scratches. All very clean near mint. They each have a ground<br>pontil with S engraved in the bottom of each glass. Guaranteed Steuben American<br>crystal, best of the best. 2.25" tall x 4.25" wide at rim. Selling all 9 shown,<br>the exact 9.<br>TW170

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4 Ruby Bohemian Etched Cordial Glasses. These are nice old glasses from the first half of the 20th century. I'm unsure of the maker but I'm sure they are Czechoslovakian glass. They have two different bases as shown in the pics, the tops are the same. They are perfect with no damage or wear. 3 3/8" tall x 1 13/16" wide at rim. TW148

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Bohemian Ruby Cut to clear Cordial glasses set of 4. Very fine quality guaranteed czechoslovakian glass from last half of the 20th century with no wear or damage. 4.75" tall. tw146

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c1900 EAPG Mold Blown Water Pitcher Early American Pattern Glass. 8.75" tall x<br>7" handle to lip with no cracks, chips, restorations, dings, or hard water. I'm<br>unsure of pattern but I'm 100% sure it's over 100 years old and American with no<br>damage.<br>TW144

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c1900 Vinranka Gefle Flow Blue Sweden Pitcher6.25" tall x 7.75" wide handle to<br>spout. A nice milk or juice pitcher much larger than a creamer, probably one<br>liter. They made a few sizes of these and this is the largest and most difficult<br>to find. No cracks, chips, restorations, or crazing.<br>TW144

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Steuben Air Twist Cordial Crystal Stems Set of 8. Selling the set shown with no cracks, chips, restorations, cloudiness, or scratches. 3 7/8" tall x 1 9/16" wide at rim. They are all hand signed Steuben in the center .Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens & Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division. In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal. Carder period (1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. These are a pair of handblown Steuben gold Aurene glass candlesticks designed by Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private collection in Manhattan, New York.)Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932. In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass. Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943. Houghton period (1933–2012) An example of Steuben Glass design during the Houghton era is the Balustrade Candlestick set, which mimics a classical balustrade. Of special note is the hallmark of the perfectly formed tear drop air bubble suspended in the design.Corning Glass Works appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership Steuben changed artistic direction toward more modern forms. Using a newly formulated clear glass developed by Corning (referred to as 10M) which had a very high refraction index, Steuben designers developed beautiful, fluid designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art Deco and modernist themes into glass. The themes during this period included "balustrade" designs for water goblets and candlesticks, footed bowls and serving pieces. Decorative forms included wildlife pieces representing owls, penguins and other birds in smooth stylistic forms. Some pieces, such as the Ram's Head Candy Dish, playfully included clean lines crowned by an ornate design (a ram's head, complete with a ruff) on the lid as an homage to its classic earlier pieces. The company also entered into the field of larger show and presentation pieces celebrating various scenes (such as its cut-away design featuring an Eskimo ice fisherman above the ice, and the fish below, or the Cathedral Window design) and elements that incorporated etchings. In some cases sterling silver or gold plating were used on metal finish elements such as the golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with "Steuben" on the underside of the object. Toward the 1990s, the company also began production of small objects—"hand coolers"—in various animal shapes. Items from this period were also noted for their careful and elegant packaging. Before boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched with the Steuben name), and then placed in a presentation box. TW143

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c1890 Amberina Art Glass Cream pitcher with Embossed Daisy and Fern Pattern. Very unusual piece of late 19th century American art glass guaranteed. 5" tall x 4.75" wide, ground pontil, nice piece. No cracks, chips, or restorations. tw126

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Vintage Signed Kosta Boda "Cancan" Series Jug/Pitcher By Famous Swedish Designer<br>Kjell Engman 89147 Signed Kosta Boda No cracks, or chips, no scratches(other<br>than some expected wear to base as it's very heavy), no cloudiness, and no other<br>issues.<br>TW120

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Zanetto Maia Italian MCM Style Silverplate Pitcher. This pitcher isn't very old<br>but the quality is incredible and it retails for $480 new. It's in near mint to<br>mint condition with no dents or noticeable scratches or other wear. 7.25" tall x<br>9" handle to spout. If you see anything that looks bad in the pics it's either a<br>fingerprint or a reflection this thing is beautiful.<br><br>Zanetto<br>Veneto, Italy Silversmith<br>Zanetto, founded in 1963, is a workshop of highly skilled silversmiths devoted<br>to the crafting of decorative household objects in silver, silver-plate and fine<br>metal alloys. Their products are distinguished by a sophisticated blend of<br>innovative design and unparalleled workmanship. At the foundation of their<br>philosophy is the steadfast tradition of handcrafting every single item in their<br>production line, combined with the high sense of style the world has come to<br>expect from Italian design.<br>b22

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Vintage Mexican Pottery Centinela Tequila Shot Glasses From Tommy's Restaraunt<br>Santa Fe, NM. Selling the whole set of 8 with no cracks, chips, or restorations.<br>TW80

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c1920 Art Deco Silverplate Mounted Cut Glass Pitcher 11" tall. I would be tempted to date this closer to 1900, but I feel the geometric design on the mounting dates it to the art deco period. It's a great big pitcher with no cracks and only some small expected flakes that are only detectable upon close examination. I could find no markings on the lid or the base. tw96

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c1940 Heavy Mexican Brass Cream Pitcher Hencho En Mexico Eagle Head Mark. Thick<br>heavy brass circa mid 20th century. A few small dents and scratches, overall<br>attractive. 6" tall.<br>tw94

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12.5" Mid Century Modern Toasting Glasses Green Air Twist Stem Huge Blenko? Two huge glasses guaranteed circa 1950's-1970's. One has a small burst bubble on the edge of the foot shown in the base pic, insignificant. No other cracks, chips, or restorations. TW72

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c1880 Austrian Hand Painted and Gilt multicolor Pitcher. Unusual decoration on<br>this piece. No cracks, chips, or restorations. Very minor wear in a few spots to<br>painting and some wear to gilding as shown.<br>Tw117

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c1880 Lovatt Langley Syrup pitcher with floating pewter lid No damage, lid stays<br>in place when used normally. No restorations, no crazing, no chips, no cracks. 5<br>7/8" tall. Hand painted, nice, unusual.<br><br>Langley Mill Pottery was located in Langley Mill, Derbyshire on the Derbyshire –<br>Nottinghamshire border. From its establishment in 1865 to its final closure in<br>1982, the pottery went through five distinct periods of ownership, producing a<br>wide range of stoneware ranging from salt glazed ink bottles, utilitarian items<br>and tableware to high quality and original art pottery.<br>TW9

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Vintage Crystal Congressional or Presidential Stemware Likely LBJ Era White House or Banquet 10 pieces. They're all very clean with no cracks, chips, scratches, near perfect to perfect<br>gold. I'm still trying to research these I know they have some age on them, I'm<br>extremely busy so likely to forget but at least I can get these safely out of<br>the way for now. The fact that it's a partial set of 3, 3, and 4 solidifies my confidence in these. LBJ was From Texas and His wife, Lady Bird Johnson came<br>here to Austin after LBJ's death and passed away here. The largest are 8.25"<br>water goblets. These are very fine handmade crystal, as good of quality as any<br>other(Baccarat, Moser, St Louis, Waterford, Etc) but I could find no markings. I'm 100% sure these were used in a govermental capacity and they are old, just not sure how or what branch.

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c1900 American Brilliant Period Cut Glass Bulbous Pitcher 7.5" tall x 7.5"<br>handle to spout. Near mint with no cracks, chips, or restorations. I found one<br>single tiniest chigger bite, some light scratches in base from cleaning.<br>Couldn't find any markings. Nice sized small water pitcher or large juice<br>pitcher.

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15 1950's-1960's Restaurant China Coasters for Astrup Company Walker China 4".<br>Selling all 15 2 atlantic Cities, other than that all different. These are all<br>mint with no cracks, chips, scratches, crazing, or stains.

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c1900 Northwood Green Opalescent Lemonade Set Pitcher and 5 Tumblers. No cracks,<br>chips, or restorations. There are 5 tumblers, I only photographed four, I'll try<br>to update the pics asap, the fifth one is perfect. One tumbler has the tiniest<br>flake on base rim, it's the same one with the black factory flaw on the rim.<br>Tumblers are 4" tall Pitcher is 9.5" tall. This is estate fresh, I don't believe<br>it's a married set. I haven't tested it under a blacklight, but wouldn't be<br>surprised if it glows, looks a little vaselineish especially the pitcher. all of<br>the tumblers bear the northwood mark.

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1940's Cambridge Stem Roemer Crystal. 7 9/16" tall x 2 1/8" wide at rim x 4.75"<br>stem height without base or bowl. No cracks, no scratches, cloudiness, chips,<br>nicks, or restorations. Just pulled from a long time collection, last time it<br>was on the market was the 1980's.

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1930's Brown Pottery Arden North Carolina Pottery Pitcher Redware Albany Slip<br>Interior. Nice old utilitarian piece 4.5" tall x 7.75" wide with handle. No<br>cracks, chips, or restorations.

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2 Antique Bohemian Beer Glasses Hand Enameled Early 20th century. One 1.2l and 8 5/8" tall, other 1/4l and 6.5" tall. Some gold wear on larger one. No cracks or chips.

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c1890 Cranberry Opalescent Buttons n Braids Water Pitcher. No cracks,chips, or restorations. Excellent clarity except very bottom 1/2" has some hard water deposits. 9.75" tall x 7.5" handle to spout. Color is more vibrant than pics suggest.

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1940's Cambridge s Cobalt Blue Compote Pair 8.25" x 6 5/8" selling both with no cracks, chips, scratches, or cloudiness.

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Christofle Folio Ice Bucket Geometric Design 5.5" tall x 6" wide without handles. Good condition with minor scratches that aren't a distraction and would polish out.

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French Majolica Duck Pitcher 13" c.1920 St Clement. No cracks, chips,<br>restorations, or crazing.<br>tw85

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Antique Amethyst Enameled Water Pitcher Art Glass c.1900 Fenton or Northwood<br>9.75" tall x 8" wide with handle. No cracks, chips, or restorations. Wear to<br>Gilding on rim.<br>tw84

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Staffordshire Jug Relief Molded Children Playing Cards early 19th 4 3/8" tall x<br>3.75" with handle no cracks, chips, or restorations. A few very small flakes on<br>rim. Approximately 200 years old.

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Measures 7.25" wide with handle x 9.75" tall. Guaranteed right around 110-130<br>years old and wonderful. No cracks or chips, or wear to enamel.<br>Tw98

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Well here it is! What you've always wanted but couldn't justify doing<br>financially or with a clear conscience. Someone did it for you about 50 years<br>ago. They did a good job it appears. Though I guess they had to drill the<br>pitcher. The pitcher is perfect otherwise with no cracks, chips, or<br>restorations. The bowl has a very tight crowsfoot on the base that doesn't go<br>through to interior. Both pieces have the expected crazing from 120 year old<br>earthenware. A couple worn glaze spots on rim of bowl, no chips or cracks. The<br>bowl is 15.75" wide, pitcher is 11.5" tall without brass hardware. Lamp and<br>switch work.<br><br>I'll include the shade if you want, but my main concern will be the careful<br>packaging of the bowl/pitcher. They will for sure reach you in the condition<br>they're currently in.

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These are really nice noritake coasters circa 1910's. Guaranteed authentic with no cracks or chips. There is some paint wear on the top rim. Selling all six.

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c1900 Weller Dickens Ware Stag Pitcher. 7" tall x 5" wide. Hand painted and hand<br>carved design. No cracks, chips, or restorations. Factory chip on back side of<br>base resulting in a sharp edge that has the tiniest chigger bite off of it.<br><br>tw163

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c1880 Mt Washington Uranium Glass Burmese pitcher and tumbler. Both guaranteed<br>authentic c1880's Mt washington no damage or issues. Pitcher 4.25" tall, tumbler<br>3.75" tall and wide. Selling both for one price.<br><br>Designed by Frederick Shirley and made by the Mount Washington Glass Company,<br>this single layer glass achieved a delicate coloration of pink or salmon shading<br>to yellow by the addition of uranium oxide and gold to the original glass batch.<br>This created a yellow opaque glass which on reheating turned to a salmon color<br>shading into the yellow. Further reheating turned the salmon color back to<br>yellow. The uranium in the glass causes the vase to fluoresce brightly when<br>exposed to black light. Burmese glass is highly collected and is also included<br>in all major American Art Glass collections. This glass is rare today as it was<br>very expensive to manufacture and was only made for a short period of time.

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c1880 Mt Washington Uranium Glass Burmese pitcher 7.5" tall 5.5" handle to<br>spout, no damage or issues.<br><br>Designed by Frederick Shirley and made by the Mount Washington Glass Company,<br>this single layer glass achieved a delicate coloration of pink or salmon shading<br>to yellow by the addition of uranium oxide and gold to the original glass batch.<br>This created a yellow opaque glass which on reheating turned to a salmon color<br>shading into the yellow. Further reheating turned the salmon color back to<br>yellow. The uranium in the glass causes the vase to fluoresce brightly when<br>exposed to black light. Burmese glass is highly collected and is also included<br>in all major American Art Glass collections. This glass is rare today as it was<br>very expensive to manufacture and was only made for a short period of time.

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1994 David Lotton Shot Glasses Alpha and beta. Selling the two vessels for you to use for whatever. Tallest is about the size of a typical shot glass or cordial 2" tall x 1.5" wide, the other is 1.25" tall x 1.5" wide. Smaller is inscribed as a gift from David. No damage to either. DAVID LOTTON David Lotton is a second generation American glassblower. He is the oldest son of Charles Lotton and was introduced to the world of glassblowing at a very young age. In 1970, Charles started building a furnace and began blowing pieces of glass from melted down pop bottles in a shed behind their house. David was there in this infancy and he was Charles first assistant at the age of ten. David has vivid memories of his childhood working in the shop with his father. When most children were playing childhood games he was spending time after school and on the weekends helping him at the bench. By the age of 14 he started learning how to do finishing work, polishing the bottom of the glass flat. David eventually followed in his fathers' footsteps and by the age of 15 began making paperweights. That ignited a passion to begin glass blowing. David has been creating his one of a kind vessels since 1978. His unique handcrafted works are designed with precise attention to detail. Developing his own glass formulas, David has created a complex palette of colors, giving him the ability to create his multi-layering and sculpting style. Each year David continues to study and refine the techniques he uses in creating his art. David's Clematis Reflection Series, Hollyhock Paperweight Series and Mixed Bouquets Series all reflect his floral patterns which capture his love for detail. He combines color and layering to create depth and beauty. His Organic Sculptures reflect movement and rich hues of a summer sunset. David is inspired by all nature. He has a successful ranch in the hills of Kentucky where he is inspired to evolve, change, and grow continually. He commutes back and forth to fulfill both loves. toothpickdrawer

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c1880 Mt Washington Burmese Glossy Footed milk pitcher. 5.75" tall x 4" wide<br>with handle with no damage or issues.<br><br>Designed by Frederick Shirley and made by the Mount Washington Glass Company,<br>this single layer glass achieved a delicate coloration of pink or salmon shading<br>to yellow by the addition of uranium oxide and gold to the original glass batch.<br>This created a yellow opaque glass which on reheating turned to a salmon color<br>shading into the yellow. Further reheating turned the salmon color back to<br>yellow. The uranium in the glass causes the vase to fluoresce brightly when<br>exposed to black light. Burmese glass is highly collected and is also included<br>in all major American Art Glass collections. This glass is rare today as it was<br>very expensive to manufacture and was only made for a short period of time.

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18th/19th Century collection coin silver slide temple eyeglasses. All<br>revolutionary war era to civil war era glasses. I believe they are all coin<br>silver. Only one is marked with the silversmith's hallmark J Colton, two others<br>numbered. 4 interesting and unique pairs with no significant issues. Two with<br>slide temples, one with folding temples.<br>isshelf

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c1870 British Relief Molded Stoneware Syrup Pitcher. Interesting design and a great lid. No issues or damage, from the last half of the 19th century. 8 5/8" to top of finial. B18

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Antique Blue Mother of pearl satin glass pitcher. High quality piece of glass. I<br>believe it's 19th century American made, but it could be first half of 20th<br>century Italian. 7" tall x 4 3/8" wide at base with no chips, cracks, or<br>restorations. Ground pontil mark. Came from an extensive collection of American<br>Art glass put together in the mid to late 20th century.

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Antique Meissen Onion Milk pitcher 5 5/8" tall x 6 7/8" handle to spout, larger than anything I would ever call a creamer but smaller than what I would call a water pitcher or even juice pitcher. One bruise with tiny chip on footrim, no other damage or issues. tw22

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2 c1880 Bohemian Enamel Promotional spirit glasses. Selling both glasses hand<br>painted enamel from the last quarter of the 19th century with no damage. Both<br>likely some sort of advertising/promotional item. Tallest 5.75", other 3.75".<br>Both with no damage.<br>isshelf

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1907 Charles Wallace Quicksell Limoges Raised gold porcelain Syrup pitcher for Dr Herbert G Pettebone for Jessie Flick Beers. Great piece with no damage or restorations, very minimal wear to gilding. Interesting with the built in provenance. 5.75" tall. No markings other than what's shown, top quality porcelain most likely French. Quicksell Decorated a fair amount of Porcelain in the Early 20th century, I believe he was decorating in the US, possibly for Pickard. tw271

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1930's McCoy Angelfish pitcher. Better Glaze and stronger embossing than on most. 6" tall with no cracks, chips, or restorations, tiny glaze flake on inside rim near spout. isshelf

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1936 Texas Centennial Universal Pottery Pitchers and Charger. Amazing to find three of these pieces together so well preserved. No chips, cracks restorations, or other detectable issues. Charger is 12 5/8" diagonal. Selling the pieces shown, both size pitchers with lids and charger. isshelf

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1936 Texas Centennial Depression glass juice glasses set. These are much more<br>difficult to find than the cobalt or clear glasses from the Texas centennial<br>fair. They are 3.75" tall x 2 3/16" wide at the rim. No damage to any, no issues<br>with lettering. Selling all 4 shown.<br>isshelf

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1970's Jugtown Pitcher Blue Decorated Salt Glazed stoneware pitcher. 7.5" tall<br>without damage or wear, dated 1978.<br>isshelf

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c1900 Johnson Brothers Holland Flow Blue Pitcher. 7.5" tall x 7" handle to spout<br>with no cracks, chips, restorations, or stains. This is the largest of three<br>different sized pitchers made in this pattern and is extremely difficult to<br>find.<br>tw270

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6 c1920 Sterling 8 pc glass bottom coaster set in holder. Sterling holder and rims. All in good condition except one with the slighted damage to reticulated exterior, still functional and beautiful. Every coaster and holder marked sterling. The coasters are 3" wide. isshelf

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c1890 Large R.S. Prussia Tankard Pitcher 11 1/8" tall x 7 7/8" handle to spout.<br>No cracks, chips, or restorations, slight wear to gilding on top rim. Original<br>Authentic 120 or so year old RS Prussia porcelain.<br>isshelf

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