Bracciali a polsino

Leslie Nez Kingman Tuquoise Navajo Cuff Bracelet with large stone. Measures<br>6.75" including the 1.25" gap. No issues, rarely if ever worn. 72 grams. Front<br>mount measures 2.25" x 1.75"

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Lester Craig Heavy Stamped Navajo Sterling/Malachite Cuff bracelet. Great cuff with no issues.

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Lloyd Oliver (1923-2011) Navajo Code Talker/silversmith large cuff bracelet with turquoise. No issues, weights and measurements in pics.Oliver was born April 23, 1923, into Bit'ahnii (Folded Arms Clan), born for Kinlichíi'nii (Red House Clan). His chei was Naakaii Dine'é (Mexican People Clan) and his nálí was Tódích'íi'nii (Bitter Water Clan).He grew up in Shiprock, where he graduated from Shiprock Agricultural High School in 1941. A year later, at age 19, he enlisted in the Marines and became one of the first of the elite group later named the Navajo Code Talkers.He didn't set out to be a hero, said Oliver's nephew Lawrence Oliver, whose father Willard also was a code talker."I was sitting with my dad once and asked him if he knew why Uncle Lloyd enlisted," Lawrence said. "(Willard) said that (Lloyd's) girlfriend was mad at him."Willard Oliver died in 2009.Lloyd Oliver served in the Marines until 1945, when he was discharged with the rank of corporal. More than five decades would pass before his family knew how pivotal he had been in winning the war in the Pacific.Like thousands of other GIs, Oliver returned to his hometown, married and had a child. Things didn't work out, however, and he moved to Phoenix to find work.There he learned silver- and metalsmithing, and developed a distinctive style as a jewelry maker. He supported himself selling his work through Atkinson's Trading Post in Scottsdale, Ariz., continuing well into his 70s.Oliver was known for being industrious and self-sufficient. His grandson, Steven Lloyd Oliver, recalls a visit the two made to New York City in 2009, where the code talkers had been invited to take part in the Veteran's Day parade.All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Loaded Vintage Danecraft Sterling Charm bracelet. Danecraft bracelet, piano<br>Danecraft, some 800 silver, mostly sterling. All Guaranteed solid high content<br>silver 80% or more, almost all marked. Approx 7" long.

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Loaded Vintage Southwestern Themed Sterling charm bracelet. Cool charm bracelet from the third quarter of the 20th century, all the charms and bracelet are sterling.anderas

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Loaded Vintage Super Traveler Sterling charm bracelet. Cool charm bracelet from<br>the second quarter of the 20th century, all the charms and bracelet are<br>sterling.

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Loaded Vintage Super Traveler Sterling Silver world coins charm bracelet. Cool<br>charm bracelet from the second quarter of the 20th century, all the charms and<br>bracelet are sterling. The coins are all silver mostly 90%.

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Fred Harvey Era Native American Sterling/Turquoise Cuff Bracelet. Very nice old<br>cuff with no damage. Maisel's Indian Trading Post in Albuquerque, New Mexico.<br>Maisel's, located on Route 66, employed hundreds of Native American artisans in<br>the late 1940s and 1950s. . Tested and guaranteed to be at least coin silver<br>(90%) Marked sterling.

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Maisels Fred Harvey Era Native American Sterling/Turquoise Cuff Bracelet. 6.5"<br>including 1" gap 1 1/16" wide 28.8 grams. Maisel's Indian Trading Post in<br>Albuquerque, New Mexico. Maisel's, located on Route 66, employed hundreds of<br>Native American artisans in the late 1940s and 1950s.

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Margot De Taxco Sterling silver enamel bracelet. No issues, no damage to enamel.<br><br>Margot Van Voorhies was born in 1896 in San Francisco, California. By the time<br>she left her native country for good, she had survived the death of her father<br>in 1903, the San Francisco Earthquake in 1906, the loss of her mother at the<br>hands of a er in 1931 and the end of her first marriage in 1936.<br><br>Fortunately, a Mexican vacation changed the life of Margot Van Voorhies in ways<br>she could never have imagined. In 1937, forty-one-year-old divorcée Margot Van<br>Voorhies left San Francisco on a trip to Mexico City. Fate threw her into the<br>path of Don Antonio Castillo, who took her to Taxco, a Mexican hotbed for the<br>design, crafting, and production of silver objects, in particular jewelry and<br>housewares.<br><br>Soon, Castillo would become Margot’s second husband. At the time, Castillo was<br>working for William Spratling, a pioneer in Mexican silversmithing. He brought<br>Margot into the business as a designer, helping her to transform her paper<br>creations into three-dimensional forms in silver. In 1939, the pair, along with<br>other members of Castillo’s family, opened shop as Los Castillo Taller [Taller<br>is Spanish for “Workshop”], with Margot as the top designer.<br><br>After ten years, the marriage between Castillo and Van Voorhies dissolved, as<br>did their professional association. Margot went on to open her own shop in 1948,<br>taking the name Margot de Taxco, by which she is best known today. Seven years<br>later, enamel was added to many of her pieces, and this is where Margot found<br>her legacy.<br><br>At the peak of her career, Margot, who designed each piece herself, had two<br>dozen silversmiths and a dozen enamellists in her employ to execute her vision.<br>The men performed the duties as silversmiths; the women did the enamel work,<br>using tiny brushes to bring the watercolor drawings to life. To ensure the<br>accurate rendering of her jewelry designs, she compiled a book of instructions<br>and drawings, detailing the construction and finishing of each. Margot attracted<br>talented craftsmen who later went on to cement their own reputations, such as<br>Sigi Pineda, Miguel Melendez, and Melecio Rodriguez.<br><br>Many contemporary Hollywood celebrities were clients of Margot, including John<br>Wayne and Lana Turner, who visited her shop every year.<br><br>Tragedy struck in the form of a fire in 1960. Forced to move her studio, she<br>never again regained her prior success, and the business folded in 1974. Margot<br>granted several of the silversmiths in her employ permission to use her molds to<br>create pieces on their own, in return for debt forgiveness. As a result, many of<br>Margot’s pieces were re-created by silversmiths such as Jaimie Quiroz and<br>Geronimo Fuentes, bearing their hallmark rather than hers.<br><br>Margot passed away in 1985. But her talent as a designer and her influence as an<br>artist have continued to gain recognition since the time of her death.<br><br>Margot’s shop produced some repousse silver (a technique where a raised or<br>relief design is hammered in from the reverse side of the piece). But she is<br>best known for her champlevé enamel work. Champlevé is created by carving,<br>etching, striking, or casting troughs or cells into the surface of a piece and<br>filling it with vitreous enamel. In Margot’s jewelry, the designs were<br>die-struck, a process that was detailed and critical to the final product.<br><br>Margot produced many suites that included necklaces, brooches, bracelets, and<br>earrings, as well as convertible jewelry. Margot de Taxco jewelry is recognized<br>for its elegance, femininity, and variety.<br><br>There were many areas of influence that can be found in Margot’s work. Her fish<br>and wave motifs celebrated her love of Japanese art. The ornate swirls and<br>floral motifs were reminiscent of the Art Nouveau style. Mischievous<br>pre-Columbian figures were a recurring theme. Art Deco style ballerinas struck<br>graceful poses. Margot was also taken with Egyptian motifs and Mexican crafts.<br><br>Margot de Taxco pieces are distinguished by the stamp that includes her name,<br>Eagle 16 (or Eagle 1, for her earlier works), along with a production number.<br>Issued by the government, the eagle stamp was a way to identify the<br>manufacturer.

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Marita Benally Navajo Sterling Fox Turquoise cuff bracelet, no damage or detectable wear.Marita Benally was born and raised in Steamboat, AZ, and she is from the Navajo tribe.Marita started silversmithing in the late 90’s, and she credits her husband, Daniel Benally for teaching her to design and work silver.She loves to create detailed, articulate designs. Today, Marita works out of Gallup, New MexicoAll precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Mark Yazzie Navajo Sterling and turquoise row bracelet, fits up to a 7" wrist<br>with no issues.<br><br>Veteran artist Mark Yazzie creates some of the most intricate & balanced jewelry<br>coming out of the Navajo Nation.His clean techniques & attention to detail<br>testaments to his over 30 years of mastering the many traditional & contemporary<br>silversmithing skills evident in his work.<br><br>Born in Fort Defiance, AZ. & raised in the reservation community of wild ruins.<br>Back in the mid-70's as Native jewelry began a resurgence in worldwide attention<br>& popularity, Mark be his silversmithing professionally at the "3 Hogans" near<br>the AZ./NM border. Through the years & eventually moving to Gallup,NM, he<br>crafted probably every type of jewelry in the Navajo tradition, like Squash<br>Blossom necklaces, concho belts, story teller bracelets, earrings & rings.<br><br>Thousands of beautiful silver pieces & 100's of pieces of turquoise later, his<br>creative talents now bring us masterfully hewn jewelry,resplendent designs with<br>high grade stones. His designs in sterling,gold,copper & stone are collected by<br>a worldwide fan base who are always eager to get their hands on just about<br>anything this incredible artist creates!<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Mark Yazzie Navajo Sterling/turquoise cuff bracelet. Fits up to a 6 7/8" wrist, 1 1/8" gap 7/8" wide in center, 43.8 grams, appears unworn. Veteran artist Mark Yazzie creates some of the most intricate & balanced jewelry coming out of the Navajo Nation.His clean techniques & attention to detail & testaments to his over 30 years of mastering the many traditional & contemporary silversmithing skills evident in his work. Born in Fort Defiance, AZ. & raised in the reservation community of wild ruins. Back in the mid-70's as Native jewelry began a resurgence in worldwide attention & popularity, Mark be his silversmithing professionally at the "3 Hogans" near the AZ./NM border. Through the years & eventually moving to Gallup,NM, he crafted probably every type of jewelry in the Navajo tradition, like Squash Blossom necklaces, concho belts, story teller bracelets, earrings & rings. Thousands of beautiful silver pieces & 100's of pieces of turquoise later, his creative talents now bring us masterfully hewn jewelry,resplendent designs with high grade stones. His designs in sterling,gold,copper & stone are collected by a worldwide fan base who are always eager to get their hands on just about anything this incredible artist creates! All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Anything marked is guaranteed to be what it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings photographed on the appropriate sized finger when possible. With bracelets if the measurement is not given in the description then inside circumference is shown where the metal meets the number on the the cloth tape measure.

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Matilde Poulat Style Mexican Sterling silver bracelet. Great looking bracelet in vintage new old stock condition but about 30-40 years old, faint 925 mark tested sterling. 7.25" long 19 grams.

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Modernism Mexican Sterling Cuff Bracelet. Last quarter of 20th century, cool<br>bracelet in good condition. Approximately 7.25" including 1 1/8" adjustable gap.<br>1" wide in center 26 grams.

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Mexican Sterling Mod Cuff bracelet. Circa 1980's with no issues. 43.5 grams approximately 7" total inside circumference with 1.25" gap.

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Mexican Sterling Mod Hinged Bracelet Approximately 7" inside circumference fully<br>closed, 52 grams 1.75" wide at front.

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Mexican Sterling Mod Hinged Bracelet Approximately 6.5" inside circumference fully closed, 62 grams 1.75" wide at front.

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Mexican Sterling silver Spring cuff bracelet. 7 1/8" including the .75" very adjustable springy gap. Vintage piece from the 90's in new unworn, new old stock condition. 35 grams.

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Michael and Rosita Calladito Navajo Sterling silver cuff Bracelet with Wildhorse<br>stone. Very large cuff in perfect condition 2 3/8" wide 6 5/8" including the 1<br>1/8" gap. 106 grams<br><br>MICHAEL & ROSITA CALLADITTO<br>Michael Calladitto is best known for traditional Navajo style jewelry using<br>Sterling Silver & turquoise with deeply stamped designs. He loves working with<br>turquoise and says that the stone make him more creative and skillful at the<br>bench. Michael makes most of the decorative stamps he uses to make his jewelry<br>by hand from the tempered steel of old car engines. Using old parts from piston<br>rods to valve stems, he carefully cuts designs into the steel using tiny files<br>and other tools to produce his personal stamps. Brought up on the reservation in<br>the village of Pruitt, New Mexico and born to the Meadow People Clan, Michael is<br>also part Apache. Raised primarily by his Grandparents, Michael draws<br>inspiration from the same remote and wild places his Grandmother, a<br>well-respected natural healer, took him to when he was young.

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Michael Rogers Paiute sterling high grade turquoise cuff bracelet . No issues, weight and measurements in pics. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Mid Century Hector Aguilar Taxco 940 silver bracelet. Fits up to a 7" wrist, the<br>way it's made it naturally tapers with the wrist 1.25" wide, 58.1 grams with no<br>issues.<br><br>Who was silversmith Hector Aguilar?<br>Hector Aguilar was a master silversmith, jewelry maker, and the first graduate<br>from William Spratling’s famous apprenticeships in Taxco, Mexico. He met<br>Spratling almost by chance while bringing a load of tourists to Taxco from<br>Mexico City in the 1930s. Aguilar was one of Spratling’s best pupils, who often<br>worked with close-to-pure silver (rated at 980 instead of the 925 of sterling<br>silver on the silver scale). Aguilar was also a great businessman who only<br>stayed at Spratling’s workshop for three years before finding investors for his<br>own workshop, Taller Borda.<br><br>Aguilar’s Taller Borda became a huge success in 1943, when they secured a<br>contract with an American jewelry company, Coro. They produced several notable<br>designs for Coro throughout the 1940s. Hector kept Taller Borda running until<br>1966 when he closed up shop and enjoyed a nearly 20-year retirement, his place<br>in the firmament of great Mexican silversmiths already secured.<br><br>What kind of art did Hector Aguilar make?<br>Hector Aguilar was a silversmith, jewelry designer, and artist whose work helped<br>popularize Mexican silver in the 1940s and 1950s. His workshop’s pieces for the<br>retailer, Coro were instrumental in this endeavor. That relationship lasted<br>nearly a decade and produced some of Aguilar’s most vital work. As with most of<br>the Mexican silversmiths from this time, these designs were heavily inspired by<br>pre-Columbian artifacts and the folk art of Mesoamerica. Aguilar’s work<br>continued to innovate over the next several decades, bolstered the quality of<br>his pieces, which often used much more pure silver than his competitors. These<br>days Aguilar’s jewelry is highly sought after for his mastery of the craft of<br>silversmithing as well as its extremely high silver rating.<br><br>How did silversmith Hector Aguilar get started?<br>Hector Aguilar was born in 1905 in Mexico City. Not much is known of his early<br>years, but a chance encounter with William Spratling in the early 1930s set him<br>on a silversmithing career that would span three decades. Aguilar brought<br>tourists from Mexico City to the small town of Taxco, a place that as fate would<br>have it also was where Spratling was starting his silver workshop. Aguilar<br>worked for several years as the shop manager for Spratling while also becoming<br>an apprentice silversmith. After three years, Aguilar left to start his own<br>workshop, Taller Borda. That workshop would create countless beautiful pieces,<br>with unceasing quality up until its closure in 1966.

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Mid Century Mexican Silver Mayan style Modernistic Hinged Bracelet 7" bracelet 1 3/8" wide with no damage or issues 42.4 grams.

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Mid Century Modernist Los Ballesteros Sterling and Cat's Eye bracelet. Very cool<br>bracelet from the third quarter of the 20th century with no issues or detectable<br>wear.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Los Ballesteros Sterling and Onyx bracelet. Very cool<br>bracelet from the third quarter of the 20th century with almost no issues or<br>detectable wear. One very small "chigger bite" on the outside rim of one of the<br>stones, not noticeable whatsoever.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible.

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Mid Century Modernist Mexican Silver Bracelet. Nice old bracelet from the 40's<br>or 50's with no issues, obviously polished as shown.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Mid Century Taxco Modernistic Hinged Bracelet. Very cool bracelet with no isssues or damage. Marked and tested sterling Fits up to a 6 3/8" wrist.13/16" wide at widest point. 55 grams

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Modern Handmade Sterling silver bracelet by Texas Artisan Lee Carrel. Fits up to a 6 5/8" wrist, 1.5" gap, 54.8 grams with no issues. Lee Carrell is a professionally trained jeweler and artist who received an MFA in Jewelry and Design from the University of Kansas under Carlyle H. Smith. Lee has 30 years experience as a professional jeweler, designer, and teacher. Lee's designs have been commissioned by such notables as Kim Basinger, Actress; The President of Northern Arizona University; The E.E. Smissman Foundation; Texas Parks and Wildlife; and the Northern Rockies Heritage Center. Lee is listed in Who's Who in America, Who's Who in the World, and was recently chosen one of 2000 outstanding jewelry and metal arts designers of the Twentieth Century by the International Biographical Centre in Cambridge, England.

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Modernist Taxco Sterling silver bangle bracelet. NO issues, strong spring on clamper.

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Napier Sterling Mid Century Modernist Link bracelet. Great looking bracelet with<br>no damage or significant wear 27.4 grams.<br><br>The Napier Company got its start in North Attleboro, Massachusetts 1878, under<br>the name of The E. A. Bliss Co., manufacturing gilt men's watch chains. In 1882,<br>the company became incorporated as The E. A. Bliss Company with the word "The"<br>as part of its legal name. The company relocated to Meriden, Connecticut in<br>1890, after the company sustained rapid growth in the previous decade. During<br>World War I (and again in World War II), they ceased production of jewelry, and<br>instead focused on producing war-related items, such as medallions and medals.<br>James H. Napier became president of the company in 1920, and the company was<br>renamed, The Napier-Bliss Co. In 1922, the company again changed its name to The<br>Napier Co.<br><br>Timeline<br>The company was known for its ability to be on the forefront of fashion and<br>design and had a history of sending its designers to Europe. In 1925, James<br>Napier attended the World's Fair Exposition Internationale des Artes Decoratifs<br>et Industriels Modernes in Paris, and brought back with him business ideas,<br>including designs influenced by Parisian and European fashion. Mr. Napier<br>himself, did not design jewelry. James Napier work for the company from 1914 to<br>his death in 1960. From 1920 to 1960 he served as president. In 1999, the<br>company was bought by Victoria & Company. The plant in Meriden, Connecticut was<br>closed by Victoria & Company on October 15, 1999. However, under the umbrella of<br>Jones Apparel Group, Napier jewelry is still being manufactured and distributed.<br><br>Jewelry designs<br>In the 1920s and 1930s, Napier designed necklaces, bracelets and earrings in a<br>range of styles including, designs featuring Egyptian motifs, such as cobras,<br>Victorian Revival designs and Deco-style motifs. The company produced very<br>little jewelry during the 1930s, focusing on its giftware lines. In the 1940s,<br>most of the jewelry produced was sterling silver tailored pieces. In the 1950s,<br>it produced jewelry in a wide range of styles. Napier jewelry is notable for its<br>simple, modern, geometric and floral designs. However, the company also produce<br>boutique and high-end jewelry. Some of the metalwork bears resemblance to<br>Mexican and Scandinavian designs. The fan jewelry collection was introduced as a<br>10-year fundraising commitment in 1955. In the 1950s, the Napier Company<br>presented First Lady Mamie Eisenhower with a bracelet bearing an elephant<br>design, which was reputedly one of her favorite pieces of jewelry, and which she<br>wore often, and the Napier Company gifted the contestants of the 1955 Miss<br>America Pageant with fashion jewelry.<br><br>Historical silver designs<br>Napier silver designs from the first half of the 20th century are in museum<br>collections including the Brooklyn Museum, Newark Museum and a substantial<br>collection at the Dallas Museum of Art. Over the years, Napier silver has been<br>featured in museum exhibitions, including Modernism in American Silver: 20th<br>Century Design at the Smithsonian in Washington, the Dallas Museum of Art, the<br>Wolfsonian in Miami Beach, the Nevada Museum of Art in Reno, and the Dixon<br>Gallery and Gardens in Memphis, TN (2005–07). Napier designs have also been<br>included in two shows at the Brooklyn Museum, entitled 19th century Modern<br>(2011–12; 2013–15). In November 2016-November 2017, the iconic Napier penguin<br>cocktail shaker is the lead design of a Dallas Museum of Art exhibition Shaken,<br>stirred, styled: The art of the cocktail.

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Native American Marie Tsosie Multi-stone Channel inlay sterling cuff bracelet,<br>fits up to a 6.5" wrist. Good condition with minimal wear, no cracked stones.

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Native American Shadowbox Sterling silver turquoise cuff bracelet No damage or significant wear. Fits up to a 6" wrist, it's shown on a 6" wrist but tight as shown.

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Native American Sterling and turquoise bracelet. Nice large natural stone, fits<br>up to a 6.5" wrist.<br><br>Effie is from Zuni, New Mexico. She incorporates large stones and snake designs<br>in her work, using both turquoise and coral. The majority of the work she does<br>is cast. In 1956 Effie began silversmithing which she learned from her husband,<br>Juan Calavaza, who is now no longer with us (ca. 1970). Effie shared Juan's<br>mark, JUAN C. ZUNI until his death. After his death, Effie marks her work, EFFIE<br>C. ZUNI. This hallmark is still used by Effie and her three daughters. Over the<br>years, her daughters, Georgiana Yatsattie, Gloria Jean Garcia and Susie<br>Calavaza, have assisted Effie in jewelry making. Despite many rumors, Effie is<br>still making jewelry to this day. Effie's work is collected throughout the<br>world.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Bracciale con polsino in stile Hopi sovrapposto in sterline dei nativi americani, diametro interno di 7 pollici, incluso spazio regolabile di 1,5 pollici. 1" di larghezza 31,3 grammi. Pulito, vintage, probabilmente mai indossato.

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Native American Sterling Secatero Cuff bracelet. Great cuff with no damage or significant wear.

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Native American sterling turquoise cluster Ketoh Bowguard bracelet. No issues, weight and measurements in pics. Tested sterling, I didn‘t remove from leather to check for markings. All precious metals are tested and guaranteed. A Native American jewelry piece referred to as "silver" or "ingot" is guaranteed to be at least 90% silver. I rarely use the word "sterling" when referring to older Native American silver or really any older silver jewelry as silver contents vary and "sterling" is 92.5% silver. No older jewelry is going to be exactly 92.5% silver, some a little over, some a little under. It wasn‘t an exact thing with handmade jewelry. I‘ve seen thousands of pieces xrf‘d to prove this. Bracelets are photographed on a 6" women‘s wrist.

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Native American Sterling/Malachite cuff bracelet.. Tests sterling, signed by the Artisan on the back. No issues.

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Native American Sterling/turquoise Bear claw shadowbox cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise Chip channel inlay cuff bracelet. Nice little cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Native American Sterling/turquoise/Coral Chip inlay cuff bracelet nice cuff from the third quarter of the 20th century. Unmarked, tested sterling, no damage.

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Navajo #8 Turquoise Silver Bracelet by Ronnie Willie. Very heavy 184 grams, fits up to a 7" wrist 2.25" wide, no damage or detectable wear. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure. Ronnie Willie, Navajo silversmith learned the art of silversmithing from his older brother, Lonnie. He is an accomplished Kachina carver, sculptor and artist. He also likes to draw. Ronnie makes his own tools and is known for his overlay silver crosses and silver beads (raindrops) embedded in silver and inlaid with gemstones. He works as a silversmith five days a week in Albuquerque, New Mexico. He enjoys creating new designs and practices his art is his free time. Someday, he would like to teach young people how to silversmith and sculpture. It is important to him to keep his culture's traditions alive through his silverwork.

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Navajo Golden Hills turquoise sterling cuff bracelet. No damage, appears unworn,<br>fits up to a 6.5" wrist, 1" gap, .75" wide, 50 grams.<br><br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Phillip Guerro Heavy sterling cuff bracelet.<br><br>A master Navajo silversmith, all of Phillip Guerro’s jewelry is of the highest<br>quality craftsmanship, with natural Turquoise and other genuine gemstones, No<br>detail is missed, his work is authentic and beautiful, & because each piece is<br>unique, with one of a kind stones, there will never be another exactly the same.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Most cuff bracelets are shown photographed<br>on a 6" woman's wrist and will include a photo showing the inside circumference<br>where the metal tip meets the number on the tape measure.

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Bracciale con polsino in argento Navajo e turchese con gemme blu di Harold Joe. Pietra di alta qualità marcata e testata. Diametro interno 7,25" incluso spazio di 1 3/8". 64 grammi, il braccialetto è largo 1,25" e largo 1 7/8" dove la pietra poggia al centro.

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Navajo Sterling and onyx cuff bracelet by Chimney Butte. Huge cuff 144.3 grams, a hair over 2.5" wide in the center, 7.5" counting the 1.5" gap. No issues, natural stone.

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Navajo Sterling Cuff Bracelet. 6 7/8" including the 1 3/8" gap. 2 3/8" wide in center 49 grams, marked and tested sterling, no other marking found. Nice heavy gauge cuff.

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Navajo Sterling Cuff Bracelet Hand Stamped with ropes 6.5" or 16cm inner diameter .75" thick with 1" adjustable opening. Tested and marked sterling circa 3rd quarter of 20th century. 32 grams.

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Navajo Sterling Cuff Bracelet Squash blossom Design. 1" at thickest point x 6.5" inner diameter with 1.25" adjustable opening. Just marked sterling. Circa third quarter of 20th century. 40 grams.

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Navajo Sterling Emma Lincoln Cuff Bracelet 6.75" including the 1 1/8" gap 78.3<br>gram, nice solid cuff bracelet with no issues. 1.25" wide.

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Navajo Sterling Turquoise conchos leather bracelet. Selling the bracelet shown,<br>No holes in the leather so never worn, can easily make a hole or holes for the<br>perfect fit.<br><br>All precious metals are tested and guaranteed, any Native American jewelry<br>referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin)<br>silver and possibly higher content. Anything marked is guaranteed to be what<br>it's marked, most bracelets are photographed on a 6" wrist (non hairy), rings<br>photographed on the appropriate sized finger when possible. With bracelets if<br>the measurement is not given in the description then inside circumference is<br>shown where the metal meets the number on the the cloth tape measure.

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Navajo Sterling White buffalo turquoise and coral cuff bracelet. 6" including the 1" gap. 1.85" wide in center. Marked and tested sterling. 43 grams

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Navajo Tom Hawk Sterling Cuff bracelet. Tom Hawk is an award-winning Navajo silversmith whose signature style showcases highly dimensional polished ribs of sterling silver against deep blackened channels of oxidized silver. Known for his cuff bracelets, he also handcrafts unique earrings, rings, and pendants all in his signature style. Working exclusively with heavy gauge sterling silver anyone who owns a piece of Tom Hawk’s artwork knows that it will stand the test of time and become a go-to piece for any collection. All precious metals are tested and guaranteed, any Native American jewelry referred to as Silver or Sterling is guaranteed to be a minimum of 90% (coin) silver and possibly higher content. Most cuff bracelets are shown photographed on a 6" woman's wrist and will include a photo showing the inside circumference where the metal tip meets the number on the tape measure.

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested 90% or more silver.

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Nice Vintage Native American Silver/turquoise sandcast cuff bracelet. Thick<br>heavy cuff circa mid 20th century, well made beautiful stones. unmarked. Tested<br>90% or more silver.

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Nice Vintage Sterling/turquoise cuff bracelet. Great cuff from the second quarter of the 20th century with no issues.

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Old Pawn Vintage Turquoise and sterling cuff bracelet. 55 grams, 6.5" counting<br>the 1.25" gap. 1.75" face width, unmarked tested sterling.

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OP Lag Zuni Sterling Modernistic Cuff Bracelet with Onyx. No scratches on Onyx. Great looking cuff with no issues, fits up to a 7" wrist.. The stone is 1.25" x 7/8".

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Pandora Charm Bracelet with Christmas Tree, Angel, and other charms shown. All Pandora charms marked 925 ALE, all authentic, two with gold accents 39.4 grams.

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Pandora Charm Bracelet with Mickey mouse, Great Britain, and Class of 2015. Bracelet and every charm shown guaranteed authentic Pandora, every charm marked ALE 925 except for class of 2015 which is just marked Pandora. Appears unworn. 22.2 grams.

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