6.5" Retro Mexican sterling silver art glass modernist link bracelet. Weight and measurements in pictures, Solid sterling silver with no issues. Listed with ExportYourStore.com

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Retro 17" Sterling silver filigree black glass beaded necklace. Beads are actually untested, they could be stone or glass. High quality solid sterling silver fittings and beads, marked and tested. Marked 925 on clasp with no other apparent markings.

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1992 French Lalique Christmas ornament in box. No damage or wear to glass ornatment, some wear to ribbons and box.<br>isshelf

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1990 French Lalique Christmas ornament in box. No damage or wear to glass ornatment, some wear to ribbons and box.<br>isshelf

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1988 French Lalique Christmas ornament in box. No damage or wear to glass ornatment, some wear to ribbons and box.<br>isshelf

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1993 French Lalique Christmas ornament in box. No damage or wear to glass ornatment, some wear to ribbons and box.<br>isshelf

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c1860 French 14k Gold top cut glass perfume bottle. Tested 14k gold, Dutch Oak leaf 14k Hallmark on lid and mounting, both shown in the last pic, one in the center of the pic.. Another on other side of lid. The gold is tested and guaranteed. Original inner stopper intact. Amazing bottle with no issues, top gold lid snaps on tight, inner stopper forms waterproof seal, no chips or cracks. 5.5" tall x 2" wide.

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Antique Bohemian Ruby Flashed Cut overlay glass compote with heavy gold. 9.25" tall x 7.75" wide. Great 19th century piece with minimal wear. No large chips, no cracks, no restorations. Some wear to gilding and a few teeny tiny chigger bites to ground rim. Very few, very tiny. isshelf

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Bob Banford Strawberries with blooms lampwork paperweight. No damage or wear 3.25" wide x 2 5/8" tall.American paperweight artist Robert “Bob” Banford (1951– ), together with his father, Raymond Banford (1918–2003), developed a mutual interest in paperweights while Bob was a teenager. Bob received a torch as a high school graduation present from his father in 1971 and apprenticed for a year as a scientific glassblower while teaching himself how to make paperweights. After the Banfords produced their first saleable weights in 1973, they formed R. Banford, Inc. in their native New Jersey, where they made and sold their own paperweights and art glass, in addition to antique paperweights. Banford retired from weight making in 2006 and resides in the Florida Keys.

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c1890 Nakara Art glass dresser box. No cracks, chips, or restorations. Tight strong hinge. 3.5" wide x 2.75" tall. dresserdrawer

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Antique Moser gilt/engraved crystal bowl 9.5" wide x 2.5" deep, slight loss to<br>gilding one shallow chip on exterior rim only visible under close examination,<br>no other damage. Unsigned but top quality by a top quality French or Bohemian<br>glassmaker, likely Moser.

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c1940 French Baccarat Perfume Bottle Collection. Selling the 4 bottles shown all<br>with ground stoppers, tallest Nettie Rosenstein NY bottle made in France Center<br>short art deco bottle unmarked but top quality obviously French Crystal with<br>ground stopper. All most likely Baccarat, none marked, none with stuck stoppers,<br>all from the first half of the 20th century. Tallest 4.5", Balenciaga 2.5".<br>tw162

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Antique Moser Raised Enamel Tray with Bird of Prey. 19th century incredible<br>piece, unsigned atrributed to Moser. 18.75" diagonal x 6" tall with no cracks,<br>chips, restorations, or significant wear.<br>TW214

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13.5" Lalique Claude French Art Cut glass Vase. Very tall piece 13.5" x 5.5" wide, hand cut designs on base. No cracks, chips, or restorations.TW189

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Antique Blown Glass Bottle with Hand Painted Scene. Very interesting early bottle with hand painted decoration. Well over 100 years old. Hand blown with pontil mark on base and hand formed lip. Large substantial bottle with no damage, I know the inside will clean out, I didn't clean it. TW81

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Sabino French Art Glass Perfume Bottle Petalia 5.5" tall x 3.5" wide. New old<br>stock vintage item from estate in mint unused condition.

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c1880 Cobalto Flashed Tagliato per pulire il calamaio. Bel raro calamaio in vetro sovrapposto con taglio cobalto con cupola originale. Piccola scheggiatura sul fondo della cupola che potrebbe essere facilmente staccata, davvero piccola. Nessun'altra crepa, scheggiatura o restauro. 3" di altezza x 2,25" di larghezza.TW156

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Steuben Eagle Hand Cooler Fermacarte 2 "di altezza x 2 5/8" di larghezza. Quasi pari al nuovo, senza crepe, scheggiature, restauri o graffi esterni, nessuna usura significativa alla base.pwdrawer

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c1910 Grande bottiglia di profumo in vetro tagliato inglese con fascia in argento. Pezzo incredibile. Un'ammaccatura sulla parte superiore del tappo sfaccettato, due ammaccature molto piccole sulla base trovate solo dopo un esame molto attento, mostrate nell'ultima foto. Nessuna crepa o scheggiatura di grandi dimensioni, nuvolosità molto lieve. Il tappo originale misura 6,25 pollici di altezza x 4 pollici di larghezza e si adatta come un guanto.

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Calice in vetro di mercurio e ferma tenda del 1850. Nessuna crepa, scheggiatura o restauro. Molto buono con una minima perdita dovuta all'argentatura. Il calice è alto 4,25 pollici x largo 3,75 pollici. La cravatta per tenda è larga 4,5" x 5 3/8" con vite.

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Grande vaso in vetro artistico francese Mont Joye Cameo del 1900 circa con decorazione smaltata a mano 12,5" di altezza x 7" di larghezza senza crepe, scheggiature o restauri.Mont Joye era un nome commerciale utilizzato da E. S. Mont, dai suoi successori e Legas & Cie per cammeo e smalto, vetri dipinti realizzati tra il 1880 e il 1920.Mont Joye - StoriaLa Cristallerie de la Villette di E S. Monot è stata la prima vetreria a produrre vetro cammeo con un "Mont Joye ". La Monte si fuse con Pantin e subì una serie di cambi di proprietà.Dopo la prima guerra mondiale, Legras & Cie acquisì l'azienda.

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vaso funebre con sangue di piccione c1900 in ottone/marmo supporto/supporto. Buon pezzo originale dalla fine del XIX all'inizio del XX secolo. Nessun danno al vetro alto 13,5" con una base di 4" x 6".TW207

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Centrotavola con piede in vetro artistico Dore in bronzo. 9,75" di altezza x 9" di larghezza senza danni, usura significativa della finitura dorata sul supporto in bronzo. Pezzo di vetro davvero bello, iridescente dentro e fuori. Non sono riuscito a trovare segni identificativi sul supporto o sul vetro.tw187

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c1870 Baccarat Gelle Freres Bottiglia da barbiere Rosa Tiente Rara. 9" di altezza x 5" di larghezza, piccoli depositi minerali all'interno, parte del complesso meccanismo del coperchio sembra mancare ma è sorprendente che ci sia qualcosa. Baccarat del XIX secolo non firmato. Piccole scaglie sul bordo del piede rettificato, nessun'altra scheggiatura, crepa o restauro.TW214Le bottiglie da barbiere facevano parte della cassetta degli attrezzi del barbiere. Queste bottiglie uniche contenevano shampoo, tonici per capelli e schizzi per il viso. Il barbiere poteva acquistare una grande quantità di prodotti caratteristici o inventare la propria ricetta e riempire le sue bottiglie. C'erano molti stili e forme di queste bottiglie. Una grande varietà di colori, decorazioni floreali smaltate e design unici hanno reso queste bottiglie molto attraenti mentre venivano posizionate sullo scaffale. La famosa artista Mary Gregory con le sue scene smaltate di bambini piccoli sono oggi molto apprezzate dai collezionisti. Erano disponibili esempi di vetro pressato e tagliato insieme a bottiglie personalizzate opache su richiesta. Le bottiglie personalizzate avrebbero il nome del barbiere o il nome di un ottimo cliente sopra con una sorta di disegno o immagine dipinta sopra. C'erano anche bottiglie con etichette applicate. Questo era un sottile strato di vetro che copriva l'etichetta. Molte delle prime bottiglie erano soffiate a mano con una base a pontile e un labbro applicato o tranciato. Queste bottiglie sono state prodotte negli Stati Uniti e importate dall'Europa. La maggior parte delle bottiglie in stile fantasia non erano in rilievo, ma ci sono alcune eccezioni. La T Noonan & Co. Barber Supplies Boston, Massachusetts, ha impresso il nome sulla base di alcune delle bottiglie. Le bottiglie da barbiere erano molto richieste tra il 1880 e l'inizio del 1900. Nel 1906 il Pure Food and Drug Act del 1906 limitava l'uso di sostanze a base di alcol in contenitori senza etichetta e riutilizzabili. Ciò ha reso queste bottiglie non più utilizzate per lo scopo originale. La domanda diminuì ma la loro produzione continuò fino agli anni '20.

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Vaso a ventaglio Steuben Carder Era degli anni '20 con incisione navale con taglio ad intaglio. 8,5 "di altezza x 7,25" di larghezza garantito autentico Carder Era Steuben Non contrassegnato. Nessuna crepa, scheggiatura, restauro o usura significativa.Steuben Glass è un produttore americano di vetro artistico, fondato nell'estate del 1903 da Frederick Carder e Thomas G. Hawkes a Corning, New York, che si trova a Steuben Contea, da cui deriva il nome dell'azienda. Hawkes era il proprietario della più grande azienda di vetro tagliato che allora operava a Corning. Carder era un inglese (nato il 18 settembre 1863) che aveva molti anni di esperienza nella progettazione del vetro per Stevens e Williams in Inghilterra. Hawkes acquistò i pezzi grezzi di vetro per la sua officina di taglio da molte fonti e alla fine volle avviare una fabbrica per realizzare lui stesso i pezzi grezzi. Hawkes convinse Carder a venire a Corning e gestire una fabbrica del genere. Carder, che era stato ignorato per la promozione alla Stevens and Williams, acconsentì a farlo.tw210

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Grande vaso portafiori Lalique con due colombe. Pezzo grande e pesante, molto difficile da trovare con l'inserto. 8,5" di altezza x 7" da ala ad ala. Nessuna crepa, scheggiatura o restauro, leggera usura da scaffale sulla base. Questo pezzo è stato venduto al dettaglio per oltre tre volte quello che avevo chiesto circa 30 anni fa.shlf

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Coppia di urne antiche con ritratto Moser c1880. Vendo entrambe le urne bohémien, XIX secolo, dipinte a mano, probabilmente Moser. Uno ha un tutore nel punto in cui la parte superiore e quella inferiore si incontrano e l'altro no. Non ho modo di sapere se è così che sono stati originariamente prodotti o meno. Quello senza tutore è forte e stabile senza gioco. C'è un leggero gioco in quello con il rinforzo e alcune piccole scheggiature nel punto in cui i due pezzi si incontrano. Stanno entrambi bene e si presentano molto bene, sono stabili, ma è necessario prestare particolare attenzione durante l'imballaggio e la manipolazione, che è ciò che faccio e farò. Vendo entrambi 14" di altezza x 5,5" di larghezza, lieve usura della doratura, principalmente sulle basi come mostrato. Nessuna scheggiatura, crepa o restauro oltre a quanto menzionato.

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Set di calici in vetro imperiali russi del 1840 circa, decori in oro dipinti a mano. Vendo i 4 calici mostrati 8 1/8 "di altezza x 3,25" di larghezza sul bordo, variando leggermente poiché erano fatti a mano 180 o più anni fa. Sono sicuro che risalgano alla prima metà del XIX secolo e credo che provengano dalla fabbrica imperiale russa poiché l'unico posto in cui ho visto occhiali simili a questo è alle vendite d'arte russe di Christies/Sotheby's. Nessuna crepa, scheggiatura o restauro. Tutti dipinti a mano, due di ogni scena con lievi variazioni dovute alla pittura a mano.TW206

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c1880 Bohemian black glass Hand Enameled Butterflies Electrified Oil lamp with<br>original frosted glass shade, on circular foot, approx 25"h, 6"diam, 6lbs.<br>Incredible lamp, three pieces with no chips, cracks, or restorations, tiny<br>flakes on base of shade that goes in fitter as expected. Lamp is in working<br>condition with functional in cord switch.

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c1890 Amberina Art Glass Diminuative pitcher5" tall x 4.5" wide, larger than what most would consider a creamer. No cracks, chips, or restorations. TW192

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c1920 Art Deco Green Cut Overlay Glass Deacanter with Sterling silver mount. Large perfume or small decanter. 9.75" tall x 4.25" wide. Base marked sterling No damage to glass base. Chip of very top of stopper and micro chigger bite to center facet shown in first pic. b23

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Art Deco Steven and Williams Art Glass Aventurine Compote. 10 7/8" x 7 3/8" x 4.25" tall with no cracks, chips, or restorations. Some swirls to interior satin glass layer shown in pics. Faint s&W mark in center of base. TW190

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c1880 3 Cut Glass Perfume Bottles 2 with Sterling lids, one large flask. Selling the three in great condition. The one on the left is 4 1/8" tall with some roughness on the top rim but no other chips or cracks, one in center is 6.25" tall with no chips or cracks, I believe it's the only one I would trust to hold liquid without evaporation or spillage. The lid is not sterling on the center one but is on the other two. The one on the right has two small insignificant chips, no cracks, 3.75" tall, the threads on the lid don't quite match the base, looks great but the lid won't be tight. tw190

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c1870 14K gold lid Cut overlay Glass Perfume bottle Corset form. The lid is hallmarked, it's shown in the second pic but I can't make it out. It tests over 14k gold but less than 18k. No cracks, or chips, slight wear to ruby flashing on palm tree cut. Extremely complex and over the top perfume bottle. 4" tall x 2.5" wide. perfumedrawer

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c1880 La Delivrande French Art Glass Bronze mounted Jewelry Casket. Great antique from late 19th century. 3" wide x 2.25" deep x 2.25" tall with no cracks, or chips, strong hinge. some wear to interior. B3

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c1930 Huge Art Deco Signed Frosted Cut Glass Vase signed Helbert?. Strange and<br>wonderful piece of quality period art deco glass. I'm confdent this is 80-100<br>years old but I don't recognize the signature which is weird. It's a very large<br>piece 9.75" tall and wide. The decoration is hand cut, the flower centers are<br>applied glass, the signature appears to be hand engraved. This is a handmade<br>skillful work or art so I'm finding it very strange that I don't recognize the<br>signature or maker. No chips on the top, no cracks, minor wear to frosting on<br>base rim possibly during the making. It is high quality high lead crystal glass,<br>rings like a bell.<br>twshlf

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c1890 Wavecrest Puffy Art Glass Jewelry Box Dresser Jar. 3.25" tall and wide with no cracks, chips, or other damage, good strong hinge. Hand painted and great. tw131

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c1920 Argy Rousseau Pate De Verre Bowl in the Ivy Pattern signed G.Argy Rousseau. 3.5" tall x 4.5" wide at the rim with no cracks, chips, or restorations. Gabriel Argy-Rousseau is produced wonderful works of pate de verre art glass from about 1914 until 1937. Somewhere between 200 and 300 different designs have been recorded by researchers. Scholars believe that between 15,000 and 20,000 total pieces of art glass were produced by G. Argy-Rousseau. That is a relatively small production and it has made some pieces of his work very rare today. Please do not make the assumption that Argy-Rousseau was just a studio glass maker. He was the main creative force behind the glass, but it was in fact a large production. There were at times as many as 20 employees. G. Argy-Rousseau glass was sold all over Europe, in The United States, Latin America, and even in North Africa. It is partly because of this extensive original sales network that his glass can be found all over the world today. The importance of Argy-Rousseau was two-fold. First, it was completely unlike anything glass makers were producing at the time. And secondly, while others started trying the same styles, no one else was ever really able to make anything consistently more appealing or better. So not only was Argy-Rousseau the first, he was also the best. That is a feat that is rarely accomplished in the arts. Below is a brief timeline of Gabriel Argy-Rousseau and his life accomplishments: 1885 – Born in Meslay-le-Vidame, France 1902 – Attends Ecole de Serves 1906 – Graduates from Ecole de Sevres with an engineering degree 1913 – Marries Marianne Argyriades 1914 – Opens his first studio and displayed his original art glass 1921 – Forms firm with Gustav Moser-Millot to market Argy-Rousseau’s art glass 1923 – Generally considered to be the peak of his work 1931 – Moser-Millot liquidates firm marketing Argy-Rousseau works 1932 – Argy-Rousseau starts a new glass making venture 1937 – Closes the mostly unsuccessful new glass operation 1953 – Argy-Rousseau passes away tw191

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c1905 American Brilliant Period Cut glass Water Pitcher. Amazing piece in amazing condition with no chips of any size found. No cracks, 9" tall x 7.25" handle to spout. I could find no identifying marks. TW191

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Lalique Tokyo Art Deco Style French Art Glass Ashtray. No cracks, chips, or restorations.5 3/8" wide x 2 1/8" deep. TW190

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c1890 Rubina Art Glass Stoppered Jug Honeycomb Pattern. I'm reluctant to call it a cruet because the mouth and stopper are much wider than typical. Nice practical jug with no damage. 8" tall. TW189

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c1910 American Brilliant Period Cut Glass Cruet. Guaranteed over 100 years old<br>and American made. I could find no markings or damage, it's incredibly clean.<br>Original stopper fits like a glove, no mineral deposits. 9.5" tall.<br>B23

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1970's Murano Art Glass Bear. Purchased in Murano Italy in the late 1970's, I'm not sure if it was new us vintage at the time. 8" long x 5" tall with no cracks, chips, dings, or restorations. tw187

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Waterford Kylemore Cut Crystal Water goblets (6). Each is 6.75" tall x 3 9/16"<br>wide at rim, selling Six water goblets for one price with multiple lots<br>available if you change the quantity, selecting two will get you 12 goblets, 3<br>will get you 18, etc. They are all free from cracks, chips, dings, none are<br>ground down, no cloudiness, or scratches. This beautiful pattern was retired in<br>2017.Blk Crate

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c1890 Amberina Art Glass Juice Pitcher8" tall, likely bohemian, no cracks,<br>chips, or restorations. Great piece of functional art.<br>TW185

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Lalique Blois(1981-1996) French Crystal Sherry Glasses 4.75" x 2.5" rim (3).<br>Selling the three shown for this price. At the time of listing I have multiple<br>lots of 3 available if you change the number on the quanity, if you change the<br>number to 3 you will receive 9 Stems. All are in mint condition with no cracks,<br>chips, scratches, cloudiness, or restorations, not even any wear on the base.<br>They've been in a cabinet for 30 years. This pattern was retired in 1996.B61

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c1890 Bohemain Cruets Amberina and Blue/Amber Enameled 6.25" and 7 3/8" tall the<br>amberina has a tiny sliver chip from the cop of the finial, not a distraction.<br>No other cracks, chips, or restorations both with minor mineral deposits inside.<br>tw185

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c1890 Coralene Heavily Enameled Cranberry Art glass Vase with lots of gold 8.5"<br>tall with no cracks, chips, or restorations, and minimal wear to gold, some<br>expected loss to the glass coralene beads over the gold.<br>TW183

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c1890 Amberina Mary Gregory Style Hand Painted Creamer and Sugar. Selling both<br>pieces with no cracks, chips, or restorations, ground pontil on creamer. Creamer<br>is 3 7/8" tall, both are about 3.5"-4" wide.<br>TW183

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c1890 Art glass tumbler collection, Amberina Mary Gregory, Rainbow Glass, Hand<br>enameled Cranberry, etc<br>Great collection all from the same estate. They all measure from 3.5" to 4" tall<br>and the widest is 2 15/16" wide. A few may have tiny flakes on the ground rims,<br>but nothing big enough to be a distraction or prevent use. No large chips, no<br>cracks, no hard water. Selling the 6 tumblers shown all guaranteed to be from<br>the late 19th century.<br>tw182

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Steuben American Art Glass Heavy MCM Ashtrays. Selling both in graduated sizes,<br>smaller 5.5", larger 7". Both have a little wear, smaller one has the tiniest<br>chigger bite on top rim. Bother are signed but smaller one is difficult to see<br>with table wear on base.<br>TW131

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Waterford Kylemore Cut Crystal Water goblets (4). Each is 6.75" tall x 3 9/16" wide at rim, selling Four water goblets for one price with multiple lots available if you change the quantity, selecting two will get you 8 goblets, 3 will get you 12, etc. They are all free from cracks, chips, dings, none are ground down, no cloudiness, or scratches. This beautiful pattern was retired in 2017.Blk Crate

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Steuben Penguin Family of 4, original designs by George Tompkins & Robert<br>CassettiIt. The large adult Father Penguin, a 1970's design by George Thompson<br>is 3.75" tall (9.5cm) while Mother Penguin is 3" and leaning forward<br>protectively. The penguin "Hatchling" and penguin "Fledgling" are 2.75" tall. <br>My consignor paid $1900 for this set, I'm pricing them more reasonably as she is<br>trying to liquidate her assets.<br>Steuben Glass is an American art glass manufacturer, founded in the summer of<br>1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is<br>in Steuben County, from which the company name was derived. Hawkes was the owner<br>of the largest cut glass firm then operating in Corning. Carder was an<br>Englishman (born September 18, 1863) who had many years' experience designing<br>glass for Stevens & Williams in England. Hawkes purchased the glass blanks for<br>his cutting shop from many sources and eventually wanted to start a factory to<br>make the blanks himself. Hawkes convinced Carder to come to Corning and manage<br>such a factory. Carder, who had been passed over for promotion at Stevens and<br>Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass<br>Works and became the Steuben Division. In July 2008, Steuben was sold by Corning<br>Incorporated for an undisclosed price to Schottenstein Stores,[2] which also<br>owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and<br>formerly Value City Department Stores; Value City Furniture, which changed its<br>name to American Signature Furniture; 15% of American Eagle Outfitters, retail<br>liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing<br>its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced<br>it was shutting down Steuben's Corning factory and Manhattan store, ending the<br>company's 108-year history. Soon after, Corning Incorporated repurchased the<br>Steuben brand. In early 2014, The Corning Museum of Glass announced that it<br>would work with independent contractors to reproduce Steuben using a new,<br>lead-free formula and their classic leaded crystal. Carder period<br>(1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder<br>produced blanks for Hawkes and also began producing cut glass himself. Carder's<br>great love was colored glass and had been instrumental in the reintroduction of<br>colored glass while at Stevens and Williams. When Steuben's success at producing<br>blanks for Hawkes became assured, Carder began to experiment with colored glass<br>and continued experiments that were started in England. He soon perfected Gold<br>Aurene which was similar to iridescent art glass that was being produced<br>by Tiffany and others. Gold Aurene was followed by a wide range of colored art<br>glass that eventually was produced in more than 7,000 shapes and 140 colors.<br>These are a pair of handblown Steuben gold Aurene glass candlesticks designed by<br>Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private<br>collection in Manhattan, New York.)Steuben Glass Works continued to produce<br>glass of all sorts until World War I. At that time war time restrictions made it<br>impossible for Steuben to acquire the materials needed to continue manufacture.<br>The company was subsequently sold to Corning Glass Works and became the Steuben<br>Division. Carder continued as Division manager without any real change in the<br>company's operation except that he now had reporting responsibilities to Corning<br>Glass Works' management. Corning's management tried, mostly unsuccessfully, to<br>limit the articles that Steuben made to only the most popular. Production<br>continued until about 1932. In 1932, there was a major change in Steuben<br>management. The nationwide depression had limited the sale of Steuben and there<br>was a lessening of public interest in colored glass. In February 1932, John<br>MacKay was appointed to Carder's position. Carder became Art Director for<br>Corning Glass Works. Steuben then produced primarily colorless art glass.<br>Steuben still produced colored art glass, but mostly to fill special orders. A<br>few new colors were added after Carder transitioned into his new role with<br>Corning Glass Works, but the last known sale for colored art glass by Steuben<br>was in 1943. Houghton period (1933–2012) An example of Steuben Glass design<br>during the Houghton era is the Balustrade Candlestick set, which mimics a<br>classical balustrade. Of special note is the hallmark of the perfectly formed<br>tear drop air bubble suspended in the design.Corning Glass Works<br>appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership<br>Steuben changed artistic direction toward more modern forms. Using a newly<br>formulated clear glass developed by Corning (referred to as 10M) which had a<br>very high refraction index, Steuben designers developed beautiful, fluid<br>designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art<br>Deco and modernist themes into glass. The themes during this period included<br>"balustrade" designs for water goblets and candlesticks, footed bowls and<br>serving pieces. Decorative forms included wildlife pieces representing owls,<br>penguins and other birds in smooth stylistic forms. Some pieces, such as the<br>Ram's Head Candy Dish, playfully included clean lines crowned by an ornate<br>design (a ram's head, complete with a ruff) on the lid as an homage to its<br>classic earlier pieces. The company also entered into the field of larger show<br>and presentation pieces celebrating various scenes (such as its cut-away design<br>featuring an Eskimo ice fisherman above the ice, and the fish below, or the<br>Cathedral Window design) and elements that incorporated etchings. In some cases<br>sterling silver or gold plating were used on metal finish elements such as the<br>golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with<br>"Steuben" on the underside of the object. Toward the 1990s, the company also<br>began production of small objects—"hand coolers"—in various animal shapes. Items<br>from this period were also noted for their careful and elegant packaging. Before<br>boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched<br>with the Steuben name), and then placed in a presentation box.<br><br>tw179

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c1920 Tiffany Favrille Pulled Feather trumpet bud vase. 10 3/8" tall x 2 1/16"<br>wide at rim. Guaranteed from the first quarter of the 20th century Tiffany<br>favrille art glass. Signed L.C. Tiffany Favrille 1506-9560 J No cracks, chips,<br>or restorations. No exterior scratches other than on bottom, a few interior<br>scratches from 100 years of cleaning. Money back guarantee of authenticity as<br>with everything. These are more often found in a 4" shorter 1504 model and I've<br>seen those bring 2k.<br><br>Louis Comfort Tiffany (1848 - 1933): The Founder of Tiffany Studios was a master<br>artist in the style of Art Nouveau and the design director at Tiffany & Co.<br>Whether it be with glass, jewelry or painting supplies, everything Tiffany<br>crafted was done with the utmost perfection. Often his paintings were of<br>brilliant landscapes inspired by his travels to Europe. However, he painted all<br>over the world from Africa to Asia, North America and Europe. Along the way he<br>gain access to many memberships including the National Academy of Design in 1887<br>and Chevalier of the Legion of Honor of France. He also won several awards and<br>had his art exhibited at: The Museum of Modern Art, Metropolitan Museum of Art,<br>the Chicago Institute of Art and many others. While he is most well know for his<br>jewelry company and beautiful favrile glass, Tiffany's talents as an artist have<br>not been forgotten<br>TW178

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Maurice Heaton(1900-1989) 16" Mid Century Modern Enameled Art Glass Charger. No<br>cracks, chips, restorations, or scratches. Guaranteed authentic, great piece of<br>art glass by well listed artist that has works in all the big museums.<br><br>Maurice Heaton grew up with two generations of English glass artists and began<br>experimenting with flat and molded glass as early as 1930. He invented a process<br>in 1947 for firing and shaping his glassware in the studio furnace, which<br>started the ball rolling for the studio glass movement of the 1960s. Heaton’s<br>work spans seven decades, and through his unique range of murals, window<br>hangings, lighting fixtures and tableware, he is considered by many a “true<br>original” (Neues Glas, April 1985).<br>tw177

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17" 1930's WMF Ikora Glass Centerpiece Massive Bowl Art Deco Spider Web Red and<br>Yellow 11.5 pounds 4" tall. It's unmarked, originally bore a paper label.<br>Guaranteed c.1930-1950 WMF Ikora. Pretty much speaks for itself. No cracks or<br>chips. No scratches on upper surface, expected wear to base that rests on table.<br>Developed by Karl Wiedmann and manufactured by the Württembergische<br>Metallwarenfabrik (WMF) company in Germany. I have another one of these listed<br>separately slightly larger in the same colors.

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Steuben 6401 Wafer Stem American Art Glass Water Goblets (4). Nice set from the<br>last quarter of the 20th century with no damage, cloudiness, or scratches. All<br>very clean near mint. They each have a ground pontil with S engraved in the<br>bottom of each glass. Guaranteed Steuben American crystal, best of the best. 8<br>1/8" tall x 3 5/8" wide at rim. Selling all 4 shown, the exact 4.<br>TW170

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Steuben Mid Century Modern Fruit/Seafood Cocktail Glasses American Art Crystal<br>set of (9). Nice set from the last quarter of the 20th century with no damage,<br>cloudiness, or scratches. All very clean near mint. They each have a ground<br>pontil with S engraved in the bottom of each glass. Guaranteed Steuben American<br>crystal, best of the best. 2.25" tall x 4.25" wide at rim. Selling all 9 shown,<br>the exact 9.<br>TW170

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c1860 Cut Crystal Decanter. Really elegant decanter, likely French or Bohemian. Circa mid 19th century. Some roughness on inside of top rim that could easily be ground down, one small nick on bottom of stopper. No exterior visible chips or cracks.15" tall. TW 107

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1866 Thomas Bradbury and Sons Siverplate and Cut Glass Biscuit Jar. Very special<br>piece with diamond registration mark dating it to 1866. Top quality cut glass<br>with no cracks or chips, some expected very minor roughness to outside rim that<br>goes inside holder. No wear to plating. 7.25" wide at base x 8.5" tall.<br>TW167<br><br>The business traces its origin to Fenton, Creswick & Co, a partnership involving<br>Matthew Fenton (an apprentice of Thomas Law), Richard Creswick and William<br>Watson. They were active as silversmiths and Sheffield platers and were among<br>the first to enter their mark at the Sheffield Assay Office in 1773.<br>In 1789 Fenton left the firm and was replaced by Edward Oakes. The firm changed<br>its style to Fenton, Creswick, Oakes & Co. In 1795 the partnership was dissolved<br>and the business was continued under the style of Watson & Co under the<br>partnership of Thomas Watson, James Fenton and Thomas Bradbury I (a former<br>apprentice of the firm).<br>Later, Thomas Bradbury II (son of Thomas Bradbury I) and William Watson (nephew<br>of Thomas Watson) were admitted to the partnership.<br>In 1831 William Watson retired and the business was continued by Bradburys<br>(Thomas I and II) under the style of Thomas Bradbury & Son.<br>The firm was active at Arundel Street, Sheffield with London showroom at 12<br>Gough Square, Fleet Street.<br>In 1855 the firm changed its name to Thomas Bradbury & Sons, under the<br>partnership of Joseph and Edward Bradbury (sons of Thomas Bradbury II).<br>In 1877 the partners were Thomas Bradbury III (brother of Joseph Bradbury) and<br>John Sutherland Henderson.<br>The partnership was dissolved in 1888 and the firm was managed by Walton Turner<br>Bradbury, Joseph Bradbury Jr and Frederick Bradbury (sons of Joseph Bradbury<br>Sr). Frederick Bradbury is the author of the fundamental book "A History of Old<br>Sheffield Plate".<br>The business was converted into a limited liability company in 1905, under the<br>style Thomas Bradbury & Sons Ltd.<br>The company closed its activity in 1943 and dies and tooling were bought by<br>Atkin Brothers.

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c1910 American Brilliant Period Cut Glass Vase with Alternating Intaglio Panels<br>11.75". Really large and special one of a kind piece from the late 19th to early<br>20th century. I cannot find a signature but that doesn't mean there isn't one.<br>It is very clean with one very small chip on inside rim and a few small chips on<br>foot,no chips to sides or wear to the cutting.<br>TW167

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Hawkes Twist Cut Crystal Wine Goblets (10) 5 5/16". Selling all 10, top quality American antique cut crystal. One has chip on foot, it's on the front right in the pics, the chip could be polished out. No other chips or cracks, beautiful scarce art deco pattern by an Important American Glass company. TW164Thomas Gibbons Hawkes, born in County Cork, Ireland in 1846 to a prominent family with a glassworking heritage, emigrated to the United States in 1863. His career began as a foreman for glass factory Hoare and Daily in Brooklyn, New York moving with the company to Corning, New York in 1868.Once in Corning, he soon opened his own cutting shop which was incorporated as T.G. Hawkes & Company in 1890. This on the heels of success the year before when Hawkes famously won acclaim and Grand Prize at the Universal Exposition in Paris.Thomas Gibbons Hawkes European taste for sparkling cut glass at this time was emulated in the United States in what was called the Brilliant Cut Glass Period. Over 1,000 cutting shops were founded to meet the demand and T.G. Hawkes & Company flourished. The company was in operation for 82 years.

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Orrefors Royal Swedish Air Force Presentation Plate to Captain John Gallaher. I'm not sure when this was presented, sometime in the 20th century, likely during or directly after some sort of war or conflict. 9.25" wide, super heavy, rare and one of a kind. Some wear here and there but no cracks, chips, or restorations. b43

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Cristal De Sevres red Segovie T-298 wine hocks Pair (Multiple Available) I'm<br>selling two of these for one price in like new condition with no damage or wear.<br>I have several pairs available so if you change the quanity to 6 you will<br>recieve 12 Stems. They retail for $150 each and have no wear or damage.<br>The Segovie pattern was introduced in 1977 and features vivid color cased<br>crystal with deep cut triangles and notches through the colored layer revealing<br>the crystal beneath. The design is simple and extremely elegant. The very tall<br>stem is multisided with a slight step at the base and below the bowl. The base<br>has a six pointed cut star, acid etch signed "CRISTAL SEVRES FRANCE" in the<br>center. The heavy crystal sparkles and the glass has bell like resonance. The<br>Ruby color is very rich with a hint of cranberry. The glass measures 9 3/4"<br>high, 3" in diameter at the rim, hold roughly 6 fl oz and weighs 1 lb .4 oz.<br>SEVRES CRYSTAL<br>CRISTAL DE SEVRES - In 1750, the Marquise de Pompadour Louis XV acquired the<br>privilege of having a glass production in Paris, which then sent transfer units<br>from Château Bellevue to Sèvres.<br>Under the direction of the Marquis de Marigny, brother of the Marquise de<br>Pompadour, the Manufacture Royale de Sèvres Cristaux now be devoted exclusively<br>to glass, winning a prestigious clientele throughout Europe.<br>Even today, glass is the result of a subtle alchemy of natural elements,<br>magnified by fire and orchestrated by man.<br>Cristal de Sèvres, thanks to an experience that dates back more than two<br>centuries, created from fire and air, some exceptional objects, luxury and<br>excellence in the delicate world of tableware and decoration.<br>tw150

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c1890 Wavecrest Art Glass Jewelry Box Dresser Jar. No cracks, chips, or restorations. Beautiful clean liner that is likely not the original 125 year old one. 4" wide x 3.25" tall. tw146

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1960's Mazzega Murano Lamp Dichroic Paperweight Base. Great piece, it needs<br>wiring but since I do a high percentage of international shipping and the future<br>owner may want to put a different fixture on it I am not messing with it. It's<br>easy, one trip to the hardware store and 10 minutes and the possibilities are<br>endless...almost. No cracks, chips, dings, or restorations, a few scratches only<br>visible upon very close examination. 8.5" tall, 3.5" tall without fixture 6 3/8"<br>wide with handle. very heavy.<br>TW141

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1920's Lightolier Pendant Light With Iridescent Uranium Glass Painted Shade<br>Parrots and Geometric Art Deco Designs. It's really amazing to find a light<br>light this intact. It has the Lightolier label inside the brass ring where it's<br>wired to the ceiling. The top iron section is 15.5" The shade is 8.5" tall and<br>the Ornament at the bottom of the shade is 4.5" long. So it will hang about<br>28.5" down from the ceiling. The Globe is about 10.5" wide. It's Iridescent but<br>didn't show well in the pics. There is also some uranium in the glass as it<br>glows green under a blacklight but not as much as full on yellow vaseline glass.<br>Tiny flakes where shade attaches to hardware, no big deal and expected. No large<br>chips, no cracks, extremely rare and super cool. It will be packed with the<br>hardware in one box and the glove in another then tons of padding. There's a<br>little surface rust on the iron but really it's just got character and lots of<br>it.<br>B33

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Steuben Air Twist Cordial Crystal Stems Set of 8. Selling the set shown with no cracks, chips, restorations, cloudiness, or scratches. 3 7/8" tall x 1 9/16" wide at rim. They are all hand signed Steuben in the center .Steuben Glass is an American art glass manufacturer, founded in the summer of 1903 by Frederick Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born September 18, 1863) who had many years' experience designing glass for Stevens & Williams in England. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so. In 1918, Steuben was acquired by Corning Glass Works and became the Steuben Division. In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to Schottenstein Stores,[2] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. Soon after, Corning Incorporated repurchased the Steuben brand. In early 2014, The Corning Museum of Glass announced that it would work with independent contractors to reproduce Steuben using a new, lead-free formula and their classic leaded crystal. Carder period (1903-1932)[edit] Steuben Glass Works started operation in October 1903. Carder produced blanks for Hawkes and also began producing cut glass himself. Carder's great love was colored glass and had been instrumental in the reintroduction of colored glass while at Stevens and Williams. When Steuben's success at producing blanks for Hawkes became assured, Carder began to experiment with colored glass and continued experiments that were started in England. He soon perfected Gold Aurene which was similar to iridescent art glass that was being produced by Tiffany and others. Gold Aurene was followed by a wide range of colored art glass that eventually was produced in more than 7,000 shapes and 140 colors. These are a pair of handblown Steuben gold Aurene glass candlesticks designed by Frederick Carder for the Steuben Glass Works, ca. 1913. (From a private collection in Manhattan, New York.)Steuben Glass Works continued to produce glass of all sorts until World War I. At that time war time restrictions made it impossible for Steuben to acquire the materials needed to continue manufacture. The company was subsequently sold to Corning Glass Works and became the Steuben Division. Carder continued as Division manager without any real change in the company's operation except that he now had reporting responsibilities to Corning Glass Works' management. Corning's management tried, mostly unsuccessfully, to limit the articles that Steuben made to only the most popular. Production continued until about 1932. In 1932, there was a major change in Steuben management. The nationwide depression had limited the sale of Steuben and there was a lessening of public interest in colored glass. In February 1932, John MacKay was appointed to Carder's position. Carder became Art Director for Corning Glass Works. Steuben then produced primarily colorless art glass. Steuben still produced colored art glass, but mostly to fill special orders. A few new colors were added after Carder transitioned into his new role with Corning Glass Works, but the last known sale for colored art glass by Steuben was in 1943. Houghton period (1933–2012) An example of Steuben Glass design during the Houghton era is the Balustrade Candlestick set, which mimics a classical balustrade. Of special note is the hallmark of the perfectly formed tear drop air bubble suspended in the design.Corning Glass Works appointed Arthur A. Houghton Jr. as President in 1933, and under his leadership Steuben changed artistic direction toward more modern forms. Using a newly formulated clear glass developed by Corning (referred to as 10M) which had a very high refraction index, Steuben designers developed beautiful, fluid designs. Pieces such as Gazelle Bowl, designed by Sidney Waugh incorporated Art Deco and modernist themes into glass. The themes during this period included "balustrade" designs for water goblets and candlesticks, footed bowls and serving pieces. Decorative forms included wildlife pieces representing owls, penguins and other birds in smooth stylistic forms. Some pieces, such as the Ram's Head Candy Dish, playfully included clean lines crowned by an ornate design (a ram's head, complete with a ruff) on the lid as an homage to its classic earlier pieces. The company also entered into the field of larger show and presentation pieces celebrating various scenes (such as its cut-away design featuring an Eskimo ice fisherman above the ice, and the fish below, or the Cathedral Window design) and elements that incorporated etchings. In some cases sterling silver or gold plating were used on metal finish elements such as the golden "fly" atop the nose of a rainbow trout. Each piece is signed simply with "Steuben" on the underside of the object. Toward the 1990s, the company also began production of small objects—"hand coolers"—in various animal shapes. Items from this period were also noted for their careful and elegant packaging. Before boxing, each Steuben piece was placed in a silver-gray flannel bag (stitched with the Steuben name), and then placed in a presentation box. TW143

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c1970's Murano Millefiori gold perfume bottle with stopper. 3 5/8" tall x 2 1/8" wide from the last half of the 20th century. No cracks, chips, or restorations. B47

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c1890 Mt Washington Napoli Hand Painted Nappy. No cracks, chips, or restorations. 7 1/8" wide with handle. tw130

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1950's DeVilbiss Iridescent Perfume Atomizer. These are the same fancier gilt<br>bronze lids they put on the Steuben bottles, not sure if this is steuben. All<br>it's missing is the bulb, all the hardware is here for an easy bulb add. 6.25"<br>tall with no damage.<br>tw141

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Steuben Etched Blue Aurene Perfume bottle Base. 7. 75" tall with a 3.5" wide<br>base. No cracks, chips, restorations or wear. I sold one with the top for about<br>$1450 if I remember correctly. You could buy the top off one that isn't etched.<br>TW126

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c1890 Amberina Art Glass Cream pitcher with Embossed Daisy and Fern Pattern. Very unusual piece of late 19th century American art glass guaranteed. 5" tall x 4.75" wide, ground pontil, nice piece. No cracks, chips, or restorations. tw126

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c1890 Rubina Art Glass Wine Carafe. Guaranteed late 19th century likely American, possibly Northwood or Hobbs. 8.5" tall x 6" wide with no cracks, chips, restorations, or dings. B25

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c1880 New England Glossy Peachblow Art Glass Vase. Nice piece with no damage<br>originally from the famous Frederick Rindge Collection. 6.25" tall x 4" wide.<br>Rindge was high up in the Mt Washington Glass Collectors Society and I believe<br>others in the Nineties, he was very well respected in the art glass community<br>and shared his expertise in many glass publications. I remember reading his<br>articles in the 1990's when one could only dream of having the opportunity to<br>own an authentic rare piece of American 19th century art glass like this.<br>B25

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This is a magnificent glass vase on a metal base. Overall height is<br>approximately 10 3/8 ", the glass vase measures 9 1/2" and is up to 3 1/4" wide.<br>The diameter of the opening is 1 7/8". Pressed white milk glass with a beaded<br>top rim. Multiple embossed designs around the neck and base as well as embossed<br>scroll-like designs down the full length of the sides. Beautifully hand painted<br>on front and back with multiple small blue flowers with yellow centers and long<br>wispy brown stems and leaves. Reddish-brown accents and many white beads. The<br>metal base consists of a silver-colored ring and four attached gold-colored<br>feet. The ring appears to be made of brass with a silver colored paint, the feet<br>seem to consist of a white/grey metal with gold painting. Both ring and feet are<br>quite ornate. Manufactured by the C.F. Monroe Company in Meriden, CT and the<br>bottom of the vase is accordingly marked with the orange Wavecrest mark as used<br>around 1900. In excellent condition without any damage. No chips, no cracks, no<br>wear other than three enamel dots on the very top rim, no repairs.<br>B25

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Randy Strong 1998 Studio Art Glass Heart Dichroic Paperweight. No cracks, chips,<br>scratches, or dings. 3.25" x 2.75"<br>b31

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c1920 Art Deco James Deakin and Sons Cut Crystal Biscuit Barrel. No cracks, chips, or restorations, no wear to plating. 7.5" tall without handle x 5.5" wide. B30

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Huge Antique French/Bohemian Cobalt Cut to clear Heavy gold Vase. This is a<br>really big monster of a vase circa late 19th to early 20th century with no<br>cracks or chips, minor gold wear in one spot shown in pics. I'm feeling this is<br>likely French, possibly Val St Lambert, Baccarat, or St Louis. I'm also listing<br>a vase from the same estate with a similar pattern in red.<br>TW102

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Baccarat Thomas Payne Sulfide Paperweight. Very few of these paperweights were made, I'm not exactly sure of the date on it, most in the collection were from the seventies. 3.25" wide x 2.5" tall and in mint condition with no cracks, chips, dings, or wear. tw130

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c1890 Stevens & Williams Cranberry Amberina Threaded Finger bowl set (4).<br>Selling the set of 4 130 year old bowls in near mint condition. I found two of<br>the tiniest pencil lead sized chigger bites to the threading after extremely<br>close scrutiny. One is shown in the center of the last pic. 5.75" wide x 2 5/8"<br>tall. No cracks, chips, or restorations.<br>TW127

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c1890 Amberina Large Footed Rose Bowl in Ribbed swirl pattern. Guaranteed late 19th century with no cracks, chips, or restorations. I've seen this bowl attributed to Mt Washington but don't have time to confirm, it's nice and 19th century and undamaged is what it is. 7" wide x 4.25" tall with a 3.25" foot. TW127

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Vintage Peachblow Art Glass Cruet. Nice hand blown peachblow art glass cruet. It came from a collection of predominately Victorian American art glass, but there were some pieces from other countries and a few mid 20th century Pairpoint items. I can't honestly attribute this to anyone but I know it's not Chinese and I know it's not junk. It could be Murano, Bohemian, or American. Most of the collection was acquired in the 90's or before and much of it came from Earlys' Art glass auction. 7.5" tall x 3.5" wide with handle. No cracks, chips, or restorations. B26

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c1890 Amberina Footed Rose Bowl. Most likely American. No cracks, there is a little roughness on the feet and one actually chip but you have to look so close to see any of it, like 6" away and serious scrutiny. Looks beautiful from all sides, promise. 6" tall x 4.5" wide. b26

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c1890 Hobbs Brockunier Wheeling Peachblow Satin glass stick vase. 10" tall x<br>5.5" wide with no cracks, chips, or restorations. There are a few small<br>scratches on the exterior only visible upon close examination. These pretty much<br>always have some and it's rarely mentioned.<br><br><br>In 1886, a Chinese porcelain vase with "Peach Bloom" glaze sold at auction for<br>$18,000. The tremendous price and the phrase Peach Bloom were widely publicized.<br>Within months, American glass companies developed new formulas to capitalize on<br>the Peach Bloom name. This glassware is now collectively referred to as<br>"Peachblow".<br><br>One type of Peachblow, shading from yellow at the bottom to deep red at the top,<br>was made by the Hobbs, Brockunier and Company of Wheeling, West Virginia. It is<br>now called Wheeling Peachblow after the town where it was made. Wheeling<br>Peachblow is a two-layered glass or cased glass. The inside layer is white; the<br>outer layer shades from yellow at the bottom to deep red at the top. Original<br>Wheeling Peachblow was made in two finishes, shiny and satin.<br>B26

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derson Pairpoint Peachblow Tall Candlestick in uncommon form. 8.25" tall x 3<br>5/8" wide at base. From the second quarter of the 20th century. It has a diamond<br>scratched P in a diamond on the base which is tough to photograph but if you<br>look close at last picture you can see it highlighted by the uv flashlight. It<br>is a catalogued derson period shape. No cracks, chips, or restorations.<br>B26

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c1890 Amberina Art Glass Footed vase. 5" tall x 3" wide with no cracks, chips, or restorations. Fine quality piece. tw126

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c1880 Mt Washington Burmese Creamer. 3.75" tall x 3.5" wide with no cracks, chips, or restorations. Guaranteed late 19th century Mt Washington Burmese glass. TW126

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c1880 Mt Washington Burmese Glossy Footed Creamer. 4.25" tall x 3.5" wide with handle with no cracks, chips, or restorations. Nice rare piece guaranteed to be what iI say it is with providence. Frederick Rindge was high up in the Mt Washington Glass Collectors Society and I believe others in the Nineties, he was very well respected in the art glass community and shared his expertise in many glass publications. I remember reading his articles in the 1990's when one could only dream of having the opportunity to own an authentic rare piece of American 19th century art glass like this. TW126

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1985 Studio Art Glass Vase Abstract "Shadows" Signed. Interesting piece with illegible to me signature. 9.5" tall with no cracks, chips, restorations, or scratches. TW124

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